What Every Man's Home Is Missing — Transcript

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1. 0:00Have you ever stood in your home, looked
2. 0:01around, and felt that something was
3. 0:03missing? Not because the room was
4. 0:04unfinished or that furniture was wrong,
5. 0:07but because despite everything you've
6. 0:09added over the years, it still doesn't
7. 0:11feel fulfilling. So, another chair
8. 0:13arrives, a different rug, new artwork, a
9. 0:15larger television. The room is
10. 0:17technically changing, but the feeling is
11. 0:19not. Most of the time what we're
12. 0:21searching for isn't another purchase.
13. 0:23It's an odd conclusion to come to,
14. 0:25understanding that something is missing
15. 0:28and that adding more will not solve it.
16. 0:30My name is Chodri, and today I want to
17. 0:32share with you what I believe every
18. 0:33remarkable home possesses and why so
19. 0:36many men never realize it's what's been
20. 0:38missing all along. If you're a returning
21. 0:41subscriber, hit the thumbs up. If you're
22. 0:42new here, hopefully by the end of this
23. 0:44video, you'll be a subscriber. Remember
24. 0:47that if you would like our help in
25. 0:48designing your room, you can have that
26. 0:50help
27. 0:51>> [snorts]
28. 0:51>> by clicking the link in the description
29. 0:53below. Every memorable home has
30. 0:55something in common. It knows what it's
31. 0:57trying to become. That may sound
32. 0:59obvious, but it's where most people go
33. 1:01wrong. Rooms are often created one
34. 1:03purchase at a time. A sofa because it
35. 1:05was comfortable, a coffee table because
36. 1:07it matched, artwork because there was an
37. 1:10empty wall. Each decision seems
38. 1:12reasonable on its own, yet when they're
39. 1:14viewed together, the room lacks
40. 1:16conviction. It's a collection of good
41. 1:18choices without a larger idea connecting
42. 1:20them. The best homes don't happen that
43. 1:22way. They begin with a point of view.
44. 1:24Before a single chair is selected,
45. 1:26there's already an understanding of how
46. 1:28that room should feel. Do we want it to
47. 1:30be distinguished, restorative,
48. 1:32thoughtful, inspiring? Everything that
49. 1:34follows should serve that vision. That's
50. 1:36why exceptional interiors feel
51. 1:38effortless, not because they required
52. 1:40fewer decisions, but because every
53. 1:42decision answered the same question.
54. 1:45Does this strengthen the story that
55. 1:47we're trying to tell? Here's a simple
56. 1:49exercise. Before you buy anything for a
57. 1:51room, write down three words. Not a
58. 1:54style, not furniture, three words that
59. 1:57describe how you want the room to feel.
60. 1:59For example, it might be structured,
61. 2:01layered, and warm. Now, every decision
62. 2:03has a guiding purpose. Every chair,
63. 2:05every light fixture, every material, ask
64. 2:08yourself one question. Does this
65. 2:10strengthen one of those three words? If
66. 2:13it doesn't, it probably doesn't belong
67. 2:15in the room. Like a car with GPS, it's
68. 2:17remarkable how much easier the journey
69. 2:19becomes once the destination is clear.
70. 2:22One of the fastest ways to recognize a
71. 2:25thoughtfully designed room is that your
72. 2:27eyes instinctively know where to look.
73. 2:29There's a sense of order. Something
74. 2:31leads and everything else supports.
75. 2:33Perhaps it's a fireplace wrapped in a
76. 2:35richly veined stone, a dramatic library
77. 2:38wall, an oversized piece of artwork, or
78. 2:40maybe a beautifully proportioned dining
79. 2:43table. Whatever it is, the room has
80. 2:45established a clear hierarchy. Compare
81. 2:48that to spaces where every element
82. 2:49competes equally. Open shelving filled
83. 2:52edge to edge, decor spread across every
84. 2:54surface, multiple focal points pulling
85. 2:57your attention in different directions.
86. 2:59The room isn't lacking beautiful pieces,
87. 3:01it's lacking leadership. When listening
88. 3:04to an orchestra, every instrument
89. 3:06matters, but only one carries the
90. 3:08melody. The rest exists to strengthen
91. 3:11it. Your room should work the same way.
92. 3:13You'll need to choose what deserves to
93. 3:15lead, then allow everything else to
94. 3:17reinforce that. Here's an easy way to
95. 3:19test your own room. Walk out of it, wait
96. 3:21a few seconds, then walk back in. What
97. 3:24did your eyes first notice? If the
98. 3:26answer isn't immediate, your room
99. 3:28probably doesn't have a clear focal
100. 3:30point. Choose one. Your fireplace, the
101. 3:32bed, the dining table, your library
102. 3:34wall. Let that become the melody.
103. 3:37Everything else are just supporting
104. 3:39instruments. One of the hallmarks of
105. 3:41mature design is the confidence to leave
106. 3:43well enough alone. Not every wall
107. 3:45requires decoration, every corner does
108. 3:47not need furniture, a shelf doesn't need
109. 3:49to resemble a telephone line full of
110. 3:52pigeons. Restraint isn't the absence of
111. 3:55design, it's evidence of confidence.
112. 3:57Think about the finest tailored
113. 3:59clothing. The man who dresses well isn't
114. 4:01wearing every luxury item he owns at
115. 4:03once. He understands proportion,
116. 4:06balance, and editing. A room deserves
117. 4:08the same discipline. Often refinement
118. 4:10isn't created by adding something
119. 4:12extraordinary, it's revealed when
120. 4:14unnecessary distractions are removed.
121. 4:17The result is space where your attention
122. 4:19can rest. It frees up your ability to
123. 4:21notice craftsmanship where the materials
124. 4:24and items are given the chance to speak
125. 4:26without interrupting one another. Try
126. 4:28this sometime this week. Stand in the
127. 4:30doorway of your room, take a photograph.
128. 4:33Now look at that photo instead of the
129. 4:34room. How many decorative objects can
130. 4:37you count in the first 5 seconds? Remove
131. 4:39three of those. Not forever, just for a
132. 4:42week. You'll often discover something
133. 4:43surprising. The pieces that remain
134. 4:46suddenly become more noticeable,
135. 4:48therefore more appreciated. They've been
136. 4:50given room to matter and that's what
137. 4:52you're aiming for. The homes that stay
138. 4:54with us aren't always the most lavish,
139. 4:56they're the most personal. Walk into an
140. 4:58exceptional home and you'll often
141. 5:00discover something beyond furniture. You
142. 5:02discover the owner's interests, his
143. 5:04profession, his pursuits, his curiosity.
144. 5:07Books that have clearly been read,
145. 5:09objects collected over decades,
146. 5:11photography with personal significance,
147. 5:14a favorite instrument, artists he's
148. 5:16drawn to, vintage maps. Pieces chosen
149. 5:19because they meant something. Not
150. 5:20because they completed a shopping list.
151. 5:23Your home shouldn't feel
152. 5:24interchangeable. It should feel
153. 5:26impossible to mistake for anyone else's.
154. 5:29Here's a question worth asking yourself.
155. 5:31Imagine every piece of furniture
156. 5:33disappeared overnight. What would still
157. 5:35tell someone that this is your home?
158. 5:37Would it be your passions that have been
159. 5:39displayed in some way? Something you've
160. 5:41built or inherited? Lessons learned and
161. 5:43things you value? Maybe a hobby that you
162. 5:45always return to? If the answer is not
163. 5:49much, then the room may be reflecting
164. 5:51purchases more than personality. Great
165. 5:54homes always leave you understanding
166. 5:56something about the person who lives
167. 5:58there. What might be the most important
168. 6:00ingredient is one of the hardest to
169. 6:02describe, atmosphere. It's the reason
170. 6:05two homes can contain equally beautiful
171. 6:07furniture, yet leave you with completely
172. 6:09different memories. Weeks later, you
173. 6:11won't remember the exact coffee table or
174. 6:13the color of the sofa. You will remember
175. 6:16how the room felt, comfortable and
176. 6:18inviting, but thrilling for your senses.
177. 6:20That's what atmosphere does. It's
178. 6:22created by dozens of elements working
179. 6:25together. Lighting that creates depth
180. 6:27instead of simply brightness, textures
181. 6:29that invite you to reach out and touch
182. 6:31them, a balance of openness and
183. 6:33intimacy, even the way sound moves
184. 6:36through the space. If you are unsure and
185. 6:38you want to gauge how your home is
186. 6:39performing in this area of atmosphere,
187. 6:43imagine a friend unexpectedly stops by.
188. 6:45Would you feel encouraged to invite them
189. 6:47in to sit down? Not because they're your
190. 6:50friend, but because you're excited to
191. 6:52have them experience what you've
192. 6:53created. Or would you use that tired
193. 6:56phrase, "I haven't cleaned, the place is
194. 6:58a mess, or else I would invite you in."
195. 7:00and continue the conversation near the
196. 7:02doorway?
197. 7:03Rooms with atmosphere encourage yourself
198. 7:05and others to settle in. Your
199. 7:07conversations will last a bit longer.
200. 7:09Another cup of coffee will appear at the
201. 7:11table. Time slows down because no one
202. 7:14feels rushed to leave. Be honest with
203. 7:16that answer and it might reveal
204. 7:18something. If there's one idea that I'd
205. 7:20leave you with, it's this. The most
206. 7:22memorable homes aren't defined by
207. 7:24individual pieces. They're defined by
208. 7:26the consistency of the decisions behind
209. 7:29them. Over the next week, don't buy
210. 7:31anything. Don't order another chair or
211. 7:33browse another furniture website.
212. 7:35Instead, walk through every room in your
213. 7:37home asking yourself five questions.
214. 7:40Does this room know what it's trying to
215. 7:42become? What is my focal point? What
216. 7:45could I remove? What here tells my
217. 7:47story? And how does this room actually
218. 7:50make me feel? You'll probably discover
219. 7:52something. That improvement doesn't lie
220. 7:55in your next purchase, but in your next
221. 7:57decision.
222. 7:59If you like the video, hit the thumbs
223. 8:00up. If you feel like sticking around a
224. 8:02while, feel free to subscribe. See you
225. 8:04in the next one.
226. 8:07>> [music]
227. 8:14[music]