War and the art of surrealism — Transcript
Full transcript
- 0:00now on display art that is nothing short
- 0:03of surreal Serena Altschul shows us
- 0:07paintings bursting with fantasy images
- 0:10inspired by the all too genuine horrors
- 0:13of war surrealist art is full of
- 0:21dreamlike images but not all those
- 0:24dreams are sweet this was not escapist
- 0:28art definitely was connected to the
- 0:30history and it was taking place as they
- 0:32lived it the work is part of a traveling
- 0:35exhibit called monsters and myths
- 0:38currently at the frist art museum in
- 0:41Nashville after stopping at the
- 0:43Baltimore Museum of Art where Oliver
- 0:45Chell is a curator this exhibition has
- 0:4890 works great the show explores how the
- 0:57real-life monstrosities of war in the
- 1:001930s and 40s bred metaphorical monsters
- 1:04in paintings and sculptures monsters
- 1:08could meet totalitarian leaders they're
- 1:10also metaphors for those inner aspects
- 1:13where the propensity again for evil
- 1:15lurks it was hard to ignore the fact
- 1:18that Hitler in 1933 becomes Chancellor
- 1:21and that the Spanish Civil War starts in
- 1:241936 all these facts just keep building
- 1:27up and creating a sense of despair and
- 1:30horror almost these artists artists like
- 1:33Spaniard Salvador Dali who painted this
- 1:37just as his home country was on the
- 1:40brink of Civil War it grabs you when you
- 1:43walk in and see this it's really I have
- 1:45to say scary you know in the monsters
- 1:48it's literally pulls itself apart like
- 1:51the country is being pulled apart by
- 1:52Civil War right or german-born Max Ernst
- 1:57who fought in the trenches during World
- 1:59War one he painted this piece over a
- 2:02period of time he began it in France in
- 2:041940 leaving Europe and arrives in New
- 2:06York in 1941 so he starts this project
- 2:09in the middle of the turmoil in case
- 2:11I'm almost not being able to leave
- 2:13Europe yes Europe after the rain - is
- 2:16supposed to be sort of about the
- 2:17wasteland of Europe and the other side
- 2:20is to the west is the west is the
- 2:23American West
- 2:24like Ernst many Surrealists would become
- 2:28refugees fleeing to America for safety
- 2:31andre mess saw was another my saw it was
- 2:35very direct in that he had a Jewish wife
- 2:38and two to his children and he was on
- 2:40every list you'd want to not be on and
- 2:43so these artists had to get out and they
- 2:47bring their art with them and sometimes
- 2:49that delays the finishing of the works
- 2:51and it's part of the experience of what
- 2:54they went through so you can feel the
- 2:55urgency in what they were going through
- 2:58certainly yes
- 3:02these works would become masterpieces of
- 3:05the surrealist art movement a movement
- 3:08that pushed artists to explore the human
- 3:12psyche and challenge the viewers
- 3:15imagination it's interesting to get a
- 3:18sort of a different perspective on
- 3:19history we all know the story of world
- 3:22war ii and america's military
- 3:23involvement but artists are also living
- 3:26through these times and processing
- 3:28things on a different level and so
- 3:30that's a fascinating way to look at
- 3:32history too
- 3:33[Music]
- 3:35you
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