Want to Speak English Confidently?...FRIENDS can help you! — Transcript
Full transcript
- 0:00Do you wait until the last minute to buy gifts? Joey and Chandler do. Today we’re
- 0:04taking a scene from Friends and we’re doing a full pronunciation
- 0:07analysis. What are the characteristics of American English? You're going to improve
- 0:12your listening comprehension and your English pronunciation too. Here's the scene we’ll study.
- 0:17Hi.
- 0:18Hey, anyone hear from Phoebe yet?
- 0:20No, nothing.
- 0:21I hope she’s okay.
- 0:23Yeah. I know exactly what she’s going through.
- 0:26How do you know exactly what she’s going through?
- 0:28She told us.
- 0:33So what you got there Monica?
- 0:35Just some stuff for the party.
- 0:37Hey, what are you guys doing here? Aren’t you supposed to be Christmas shopping?
- 0:39You guys haven’t gotten your presents yet?
- 0:42Tomorrow is Christmas Eve, what are you going to do?
- 0:45Don’t you have to be Claymation to say stuff like that?
- 0:47And now let’s do the full analysis.
- 0:50Be sure to download my Sounds of American English Cheat Sheet,
- 0:54it’s free. It’s an illustrated reference guide for you for all the American English
- 0:59sounds including the phonetic symbols you need to know. Link here and in the video description.
- 1:06Hi.
- 1:07Hey, anyone hear from Phoebe yet?
- 1:09So, two common American greetings. Hey is more common and I talked
- 1:14about that in the video that we did two weeks ago,
- 1:17another scene from this Friends episode. Hi, hi, up down shape of stress. Hi.
- 1:24Hi.
- 1:25Hey.
- 1:29Hey, hey. And then hey, a more common greeting, hey, also up down shape of stress.
- 1:36Hey
- 1:37Hey, anyone hear from Phoebe yet?
- 1:39So, this is a yes no question. So out pitch is going up towards the end. That’s common
- 1:45for yes no questions. So, we have a couple stressed syllables, let’s listen for them.
- 1:53Anyone hear from Phoebe yet?
- 1:59Anyone hear from. So, we start higher and we come low. Anyone. A little bit of up down on here from.
- 2:10So, anyone and here. Anyone, three syllable word with first syllable stress.
- 2:17Anyone hear from Phoebe yet?
- 2:23Phoebe yet? So, then we backed up. So, Phoebe, also stressed but rather than going up down,
- 2:31the stress here goes down up. Phoebe yet? Because we’re heading up,
- 2:37because of it being a yes no question. Phoebe yet?
- 2:42Phoebe yet?
- 2:46Phoebe yet? And we have a stop T there, he doesn’t release that air stop T yet just an abrupt stop.
- 2:56That is the most the most common pronunciation of an ending T at the end of a thought group.
- 3:01Let’s look at our linking and things that are happening with the pronunciation in this phrase.
- 3:07Anyone hear from Phoebe yet?
- 3:13I want to pop in to give a huge thanks to my supporters here on Youtube via the
- 3:19channel membership. When you join, you get badges to make your comments pop,
- 3:22you get access to emoji and the top level also gets free audio
- 3:26lessons every month. Thank you so much for your support. Click join to learn more.
- 3:32Anyone hear from Phoebe yet?
- 3:35Anyone hear from. Anyone hear from. So, do you hear how I’m saying this. I’m not saying from.
- 3:42I’m saying from, from. That’s exactly how Ross said it so this word reduces. We change from
- 3:49the uh as in butter vowel. From, to the schwa. From, from, from. The schwa gets
- 3:56absorbed by that M so you can think of there being no vowel there. From, from, hear from.
- 4:02Anyone hear from--
- 4:07The word ‘hear’, if you look this up in a dictionary, you’ll see it’s got the ih as
- 4:11in sit vowel, but when that vowel is followed by schwa R like it is here,
- 4:16it changes, it becomes a vowel more like the E vowel. So it’s not e but he-ee, hear, hear.
- 4:25Anyone hear from--
- 4:29Anyone hear from, anyone hear from, anyone hear from.
- 4:33See if you can copy that smoothness. Anyone hear from.
- 4:38Anyone hear from--
- 4:42Phoebe yet?
- 4:43Phoebe yet? So, the ph makes the F sound, Phoebe. And both the stressed
- 4:51and the unstressed syllables in this name have the same vowel, that is the E vowel.
- 4:56Phoebe, Phoebe, Phoebe yet?
- 4:59Phoebe yet?
- 5:03No, nothing.
- 5:04No, nothing. Uhuuhuh. If we slow that down, you would really hear that shape of stress,
- 5:12no, nothing. So two up down shapes of stress, we have the oh diphthong,
- 5:20she makes a little bit relaxed, it’s not no but more like no, no, no, no, nothing.
- 5:30No, nothing.
- 5:32Now here, the O, the letter O makes the uh as in butter vowel. So, even though it looks like n-o,
- 5:39n-o, the pronunciation would be the same, that is not true. No, nothing. Now, t-h-i-n-g,
- 5:48she does not make that an NG ending, she doesn’t say nothing, she says nothing,
- 5:53nothing. So, making the NG ending just an N ending, ih as in sit n and nothing.
- 6:03Nothing.
- 6:07I hope she’s okay.
- 6:08Okay, so Monica’s response. Four words, two of them as stressed. Which do you
- 6:16think are longer and up down shape of stress or a down up shape of stress?
- 6:22I hope she’s okay.
- 6:27I hope she’s. Uhuhuh. Definitely hear that pitch change. I hope she’s. And then we have okay. Also
- 6:36an up down shape of stress there. So, we have hope and K. Now, the word I, that’s the I diphthong.
- 6:43It’s unstressed here, I don’t really hear her pronouncing both of those sounds, I.
- 6:50I hope she’s.
- 6:53It’s more like a, a, I hope, I hope, I hope she’s okay.
- 6:58So, ,aybe more like the ah as in father said very, very quickly. I hope, I hope she’s okay.
- 7:05I hope she’s okay.
- 7:10Hope she’s. So, let’s talk about our p. This is a stop consonant,
- 7:15hope. A stop consonant is a stop of air and a release. But it’s really common in stop
- 7:22consonants not to make the release when the next sound is a consonant. Here the
- 7:27next sound is the sh consonant. So it’s not hope she’s. But it’s just hope she’s, hope,
- 7:34my lips come together for the P but I skip the release rather than that escape of air,
- 7:40we go right into the sh consonant, hope she’s. But there is that little tiny lift break, that’s
- 7:48the stop of the stop consonant as my lips come together. Hope she’s. I hope she’s, I hope she’s.
- 7:56I hope she’s --
- 7:57I hope she’s okay.
- 7:59Okay, okay. This is a word that can have first syllable stress,
- 8:04okay. Or second syllable stress, okay. She’s doing second.
- 8:10she’s okay.
- 8:14Yeah, I know exactly what she’s going through.
- 8:16Yeah, yeah. Up down shape of stress
- 8:21Yeah, --
- 8:23I know exactly what she’s going through.
- 8:26Yeah, I know exactly. So, more stress on our verb. I know exactly on our adverb.
- 8:36I know exactly --
- 8:39I know exactly what she’s going through.
- 8:41Going through, what she’s going through, then one more stressed syllable on the verb going.
- 8:49So everything links together smoothly even the word yeah,
- 8:53links right into the I, he doesn’t do a break there, yeah, yeah I know.
- 8:58Yeah, I know exactly what she’s going through.
- 9:06Maybe you noticed this, maybe you already know it but this word is
- 9:10pronounced the exact same way as this word. N consonant, O diphthong. Know. Yeah I know.
- 9:19Yeah, I know --
- 9:22exactly what she’s going through.
- 9:24Exactly. Now this is an interesting word. We have the letter X. That always makes two
- 9:30sounds. In this case egz, G and Z, exactly. Then we have a K, the letter C makes K, t-l-y. So,
- 9:45when t comes between two consonants, it’s really common in American Englsih to drop it and that’s
- 9:50what he does, he does not say exactly. You will find very few people pronouncing it that
- 9:56way. Exactly, exactly with no T is a much more common pronunciation. Exactly, I know exactly.
- 10:06I know exactly.
- 10:09I know exactly what she’s going through.
- 10:11Exactly what she’s, what she’s, what she’s, what she’s.
- 10:16Do you notice I’m not saying what she’s? It’s a very quick stop. It’s an unstressed word
- 10:22said very quickly. What she’s, what she’s, what she’s, what, what. I’m debating, do I
- 10:29want to write that with a schwa, what, what or uh as in butter, what, what. Let’s listen again.
- 10:36I know exactly what she’s --
- 10:40I think I’m going to write it with the schwa, I think it’s just, there’s not much
- 10:44of a vowel there but what, what, what, what she’s, what she’s. What she’s, what she’s.
- 10:48what she’s --
- 10:51going through.
- 10:52Going through, going through. So one peak of stress and the rest of the
- 10:58sentence just comes as the intonation drops off. Now, Rachel up here took an IG ending,
- 11:04ing ending and made it an IN ending. He's doing that too, rather than saying going,
- 11:10he’s saying goin’, goin’. Unstressed syllable as it as in sit and going through, going, going,
- 11:17going through. Through, this word can be tricky, we have an unvoiced th with an R. now the tongue
- 11:24does have to come through, the teeth here. But it’s just the very tip. Make sure there’s not
- 11:30tension so the air can just flow really freely. Going through, going through, th, th, th, through.
- 11:38going through.
- 11:42And all of these letters o-u-g-h just make the ooh vowel. Going through.
- 11:48going through.
- 11:52How do you know --
- 11:54How do you know. She’s stressing you, we see that with a hand gesture,
- 11:58how do, how do you know. A little bit of stress on our question word. That’s
- 12:05really typical to have the question word be stressed. How do you know?
- 12:10How do you know --
- 12:12How do you know, how do you know. So do and more said a little bit more
- 12:19quickly but all of this really links together smoothly. How do you know, how do you know.
- 12:24How do you know --
- 12:28Exactly what she’s going through?
- 12:29Know exactly. So, we have the oh diphthong,
- 12:35the ih as in sit vowel. Know exactly. It can help you think a w glide consonant between the two to
- 12:45help you link those smoothly. Know exactly. Now, wait. Is she saying the T in exactly?
- 12:55Exactly --
- 12:59Exactly, exactly, no, she doesn’t. Like I said, that’s really uncommon. I only
- 13:04know one person our of everybody I know who says that T. Exactly.
- 13:09Exactly --
- 13:12What she’s going through.
- 13:13Exactly what she’s going through? Exactly.
- 13:18Stress on the middle syllable there. How do you know exactly what she’s going through?
- 13:27How do you know exactly what she’s going through?
- 13:30Exactly what she’s going through. So, what she’s again unstressed said quickly stop T,
- 13:39what she’s, what she’s, what she’s, what she’s going through.
- 13:42exactly what she’s going through?
- 13:48Now, Monica does not make this goin’,
- 13:52she makes it going with an ng consonant. So, when we have an ng consonant, ih as
- 13:58in sit ng. This NG sound actually changes the vowel sound. So, it actually sounds more like
- 14:07e, going, going, rather than e, e. So if we change the NG to an N,
- 14:15then the vowel stays ih as in sit, it doesn’t change goin. But if we don’t, then the vowel
- 14:22does change even though the dictionary won’t say this. The American habit is to make ih as in sit
- 14:29vowel NG actually becomes E vowel NG going going, going, going through, going through.
- 14:36Going through --
- 14:40Again, through, tricky word, unvoiced th, bring the tongue tip lightly through,
- 14:48r consonant, ooh vowel, going through.
- 14:51Going through --
- 14:55She told us.
- 14:56Okay, his response, three words, one of them is stressed, which is it?
- 15:02She told us.
- 15:03She told us. Pretty clear there, dadada. It’s like what you want to make a gesture
- 15:14on. Dadada. She told us. She told us. Higher pitch, change in pitch a little longer. She
- 15:21told us. Now this word does start with a true T. The rule is a t is a true T if it starts a
- 15:29stressed syllable. So here it does. Told us. Let’s look at the word told in IPA. We have T consonant,
- 15:37O diphthong L-D. Now, this is a dark L because it comes after a dipthong And this L does change
- 15:47the diphthong, it’s to, told but it’s told. It’s almost like one sound. You can maybe think of it
- 15:57as an awe as in law, that’s just a little bit darker so the tongue shifts back a little bit,
- 16:05it lifts a little bit, lips round a little bit, uhl, uhl, uhl, told. She
- 16:13told us.And the D links into the u as in butter vowel, told us [flap], told us.
- 16:22Told us.
- 16:26Told us, told us. And a little bit a stronger T and a stronger D because he’s stressing this
- 16:34word. She told us. So, usually when we say I know exactly what she’s going through. That's
- 16:41because we have also gone through that. We have experienced that or experienced something
- 16:47similar. So, gone through means to experience something. And Joey has not experienced what Phoebe
- 16:54is experiencing. In this Episode, Phoebe is maybe going to meet her father for the first time. This
- 17:01has not happened to Joey. So, when Joey says I know exactly what she’s going through, it makes it
- 17:07sound like the same thing happened to him. Monica calls him out on that. Of course, he doesn’t know
- 17:13that but then he says, well I know that because she told us that. It’s not how we would normally
- 17:19use exactly what she’s going through.which is why it’s a joke and everyone laughs.
- 17:25She told us.
- 17:33So what have you got there, Monica?
- 17:35Okay, Chandler comes in, he’s speaking fast, it’s a little unclear.
- 17:40So what have you got there. So we have some stress on what.
- 17:46In a question, the question word is usually going to be stressed just like here with how. So what do
- 17:53you got there, Monica? So, Monica tagged on at the end, it is stressed but because he’s making
- 18:02his intonation go up, the stress goes down up instead of up down like it normally does.
- 18:11So what have you got there, Monica?
- 18:16Okay, this is so unclear. So the word so is not pronounced so with the O diphthong so
- 18:25but it’s su. It's just the S sound, so what, so what. Maybe you would write that S schwa.
- 18:36The w consonant for what but then really not the rest of that word,
- 18:41so-ya, so-whya. Is more like what I’m hearing
- 18:45So what have you got --
- 18:52So what have you becomes to my ears so-wuh and maybe uh? Let’s listen again.
- 19:02So what have you got --
- 19:10Yeah, So-ya, so, so-ya-su, so-ya. So I’m going to write that with the Y consonant and the schwa.
- 19:19So-ya, so-ya, so-ya. So what have you got there. So what have you got there. So what have you
- 19:25becomes so-ya, so-ya. The word have dropped totally and the vowel in all of these three
- 19:31words reduced to the schwa, so-ya, so-ya, so what have you got there, so what have you got there.
- 19:36So what have you got there --
- 19:40All leading up to the longer word, the more clear word, got. But that’s a stop T,
- 19:46it’s not fully pronounced. Got there, got there. That stop of air. That is the T there.
- 19:55The letter O, ah as in father, got, got, got there, got there.
- 20:01So what have you got there --
- 20:03So what have you got there, Monica?
- 20:05So what have you got there, Monica? There begins with a voiced th, it’s not stressed. You can get
- 20:13by with not bringing your tongue tip through. You can just touch the backs of the teeth [flap] with
- 20:21your tongue rather than taking the time to bring that through. [flap] there, there,
- 20:25there, there. You’ll see it in IPA. Unvoiced th, eh as in bed schwa R but the schwa R
- 20:33does affect this vowel just like the dark L affects to oh diphthong, the R or the schwa
- 20:41R affects to eh vowel, not as much jaw drop not the but the eh, there, eh, eh, eh, there.
- 20:52So what have you got there, Monica?
- 20:55This is one where you’ll really have to ignore what you see,
- 21:00what the black and white text is and just go with what you hear and just try to
- 21:08imitate that and have to simplify your mouth movements so much to match his reductions,
- 21:14to get through this sentence with the same pacing, the same rhythm as Chandler
- 21:19So what have you got there, Monica?
- 21:25Just some stuff for the party.
- 21:26Just some stuff for the party. Just some. Stress on our first word. Just some stuff
- 21:34for the party. She’s making her stress go up, we have three stressed syllables.
- 21:40Now, even though the word just is stressed, the T is dropped. That’s
- 21:44really common between two consonants even in the stressed word like, exactly where
- 21:50we drop that T because it comes between two consonants. Just some, just some, just some.
- 21:56Just some
- 21:58Just some stuff for the party.
- 21:59Also notice, it’s not some, it’s not stressed. Some but it’s some, some, I would write that
- 22:07with a schwa, I’m going to say that quickly, also by the way, there’s not two S sounds here. Just
- 22:13think of one S sound to link, just some, just some, just some. Just some becomes just some.
- 22:21Just some --
- 22:24Just some stuff for the party.
- 22:25Just some stuff for the. Now here again, just like just some, when we drop the T,
- 22:31we had two S’s. We have stuff for, two F’s, we’re going to link that with a single F.
- 22:38Stuff for, stuff for, stuff for. So we have the uh as in butter in stuff and in the word for,
- 22:45that reduces to schwa R so it’s not for but it’s for, for. For the. These two words become for the,
- 22:54for the, for the. And remember, this is a voiced th so you don’t need to bring your tongue tip
- 22:59through because it’s unstressed. For the, for the, for the. Stuff for the, stuff for the.
- 23:06Stuff for the --
- 23:08Stuff for the party.
- 23:09Party, party. Do you hear a true T in that word? Party. I don’t.
- 23:18That’s because the T after an R before a vowel or diphthong is a flap T and that sounds like
- 23:24the American D between two vowels in English. Party [flap], flap of the tongue. Party. Party.
- 23:33Party.
- 23:36So, everything links together really smoothly, we have some reductions, we have a flap T.
- 23:42Just some stuff for the party.
- 23:47Hey, what are you guys doing here?
- 23:49Hey, what are you guys doing here? Two stress words are question words. What and do. The
- 23:57other word said really, really quickly. Instead of hey, it’s more like hey, hey.
- 24:02Hey, what do you guys --
- 24:06You almost don’t even hear it. Hey, hey, hey. I do hear it. I wrote it when I was
- 24:10sriting out the transcript but it’s so subtle, so fast. Hey, hey, hey, hey. What are you guys
- 24:17Hey, what are you guys --
- 24:21Hey, what are you guys. So we have the word R, this is going to reduce to schwa r
- 24:29and the T comes between two vowels so that becomes a flap T. What are, what are. The
- 24:37word you said really quickly attached to the word are, attached to the word guys. What are you guys.
- 24:46What are you guys --
- 24:50What are you guys. what are you guys, what are you guys. Can you do that that
- 24:57quickly? It’s like you throw your arm up and on what and then you just let
- 25:01the rest of the words fly out quickly. What are you guys, what are you guys.
- 25:07What are you guys --
- 25:10None of those are stressed. We do not want to say what are you guys, uh, uh. We don’t
- 25:17want that up down shape of the voice, we don’t want to length. It’s fast. What are you guys.
- 25:22What are you guys --
- 25:26Doing here?
- 25:26Doing here. Doing here. Now again, we an ING ending he does not change it. So think of it
- 25:35as ending in eng, doing, doing, doing here. Doing here. Alright this is interesting. Now
- 25:43we have the word here also with the ih as in sit this time followed by schwa R
- 25:49so this was ih as in sit followed by ng changes to the E. That happens in this combination too.
- 25:58Ih as in sit followed by schwa R becomes more like an e vowel. Doing here, doing here.
- 26:09Doing here?
- 26:12Aren’t you supposed to be Christmas shopping?
- 26:14Aren’t you supposed to be Christmas shopping? So, the word aren’t, I basically don’t hear that,
- 26:19it’s so mumbled. You can just think that tiny little throat sound. Aren’t you supposed to be.
- 26:27Aren’t you supposed to be --
- 26:32Supposed to be. So we have the word supposed feels like two syllables with second
- 26:37syllable stress. Supposed. But actually, we drop the first vowel so it becomes just one
- 26:45syllable beginning with an SP cluster. Spo, spo and it is stressed. Now, supposed to.
- 26:54There is a shortcut we do with this, let’s write out what the all the sounds would be. Supposed to.
- 27:04Because the word to is pretty much always going to reduce. Supposed to. But that’s not what he says.
- 27:12You supposed to --
- 27:15Supposed to. He says supposed to not spouzd to. So, what happens?
- 27:21Basically, supposed to, we drop the ZD, we make it instead an S.
- 27:27Supposed to, supposed to. And that’s how we pronounce supposed to, supposed to, supposed to
- 27:36You supposed to --
- 27:40Er,er ,er. Are you, are you spo. Are you supposed to, are you supposed to.
- 27:46Aren’t you supposed to be. So we have two really quick unstressed syllables
- 27:51then one stressed syllable, supposed then two more unstressed. To be, to be.
- 27:58Aren’t you supposed to be. Aren’t you supposed to be. Aren’t you supposed to be.
- 28:02Aren’t you supposed to be.
- 28:06Christmas shopping?
- 28:07It’s a yes no question so he’s making his intonation go up so now it’s changing so
- 28:14that our stressed syllables are going down and up. Christmas shopping?
- 28:22And those are our stressed syllables. Christmas, Christ-mas. Do you notice we dropped that T?
- 28:29That’s because it comes between two consonants. Christmas shopping?
- 28:35Christmas shopping?
- 28:41So, we’re linking an S to an SH. I think you could get away with dropping this
- 28:47but I think he does do it very lightly and very quickly. Christmas shopping?
- 28:54Christmas shopping?
- 28:59Shopping? Shopping? I’m hearing in instead of ing. That means
- 29:05he dropped the NG sound and turned it into an n sound. Shoppin, shoppin’?
- 29:11Shopping?
- 29:15You guys haven’t gotten your presents yet?
- 29:17You guys haven’t gotten your presents yet? I can’t hardly make my voice that high right now?
- 29:24A higher pitch shows more energy,
- 29:27a little bit of tension, she cannot believe that they haven’t done Christmas shopping yet.
- 29:33You guys haven’t gotten your presents yet?
- 29:40So again, this is a yes no question and her intonation is going up at the end.
- 29:46You guys, you guys haven’t gotten, a little bit on gotten, your presents yet and then
- 29:55it’s going up so most of our stress is on the word presents. Pre, presents yet?
- 30:02You guys haven’t gotten your presents yet?
- 30:10And she does do a really light release of that t.
- 30:14Your presents yet?
- 30:19So we have a s, ending s followed by y just like in the word this, I’m sorry, in the phrase this
- 30:28year which was in the scene we studied two weeks ago here. This year, linked with sort of an sh
- 30:36sound this year. I’m hearing presents yet linking with a little bit of an sh or maybe even a CH
- 30:46sound which is written with the T and then the sh sound which makes sense because we got a t here.
- 30:53So, a little bit of a sound change happening on that link
- 30:58Your presents yet?
- 31:02You guys haven’t gotten. Okay, so we have a couple stops here, haven’t
- 31:08gotten, got’n. So when we have t schwa n like we do at the end of this word.
- 31:16Even though the sound before is a vowel and a t between two vowels is usually a flap T,
- 31:21there is an exception. When we have T schwa N, that T is a stop T. So, it’s not gotten,
- 31:27it’s not gotten but it’s gotten, gotten, gotten. That’s going to be the most common pronunciation.
- 31:35Haven’t gotten, haven’t gotten.
- 31:37Haven’t gotten --
- 31:41Your presents yet?
- 31:42Haven’t gotten your, haven’t gotten your, your, your, your. The word your becomes your reduces
- 31:50said quickly, you don’t need to try to make a vowel there at all, just Y sound R sound, your .
- 31:57Haven’t gotten your --
- 32:00presents yet?
- 32:01Also notice in the word presents, this letter s makes a z sound. Pres, pres,
- 32:07presents. And it might help you to think of this as being an I, I’m not sure, it’s a schwa.
- 32:14So, don’t do ents but ents, ents, presents. Presents yet?
- 32:20Presents yet?
- 32:24Tomorrow is Christmas Eve.
- 32:25Tomorrow is Christmas Eve. Three stressed syllables there. Tomorrow is Christmas
- 32:36Eve. All with that up down shape of stress, more length. Notice this word is not tomorrow
- 32:44but it’s to. Always make that a schwa. To, to, tomorrow. Tomorrow is Christmas. Dropped T,
- 32:54Christmas Eve, Christmas Eve. Everything linked together.
- 32:59Tomorrow is Christmas Eve.
- 33:04What are you going to do?
- 33:05What are you going to do? Okay, so again like I said, the question word
- 33:11is stressed. What are you going to do? And then our verb is stressed. The other words
- 33:19said quickly, it is not what are you going to do. Oh my goodness,
- 33:25no, that is all syllables, all words stressed but it’s what are you gonna.
- 33:31What are you going to --
- 33:35What are you going to. These words are all lower in pitch,
- 33:39they’re just coming down from the what, leading up to the do,
- 33:43the word are reduces, what are, what are, what are. And that’s a flap T linking. Water, water
- 33:51What are you going to --
- 33:55What are you going to. So the word you said really quickly, she doesn’t reduce the vowel,
- 34:01it could be ya. What are ya but she says what are you, what are you, what are you. Going to, gonna.
- 34:07What are you gonna. What are you gonna do?
- 34:12What are you going to do?
- 34:17Don’t you have to be Claymation to say stuff like that?
- 34:20So, her pitch is high, she’s panicked about Christmas Eve. Chandler makes a joke about
- 34:26Claymation. What is Claymation? It’s this way of making video that uses stop motion. You have
- 34:33a figurine, you move it slightly, you take a picture of it, you move it slightly again,
- 34:37you take another picture of it. And we have some very famous popular Christmas specials, you’re
- 34:44probably seen some of them that use Claymation and in the Christmas special, there’s always
- 34:49something intense happening, we have to save the day and so that’s why he is making fun of her,
- 34:56don’t you have to be Claymation to say stuff llike that, her panic about Christmas Eve.
- 35:02Don’t you have to be Claymation to say stuff like that?
- 35:12Don’t you have to be. Don’t you have to be. So we have stress on don’t
- 35:17and no more stress until Claymation. So you have to be. We don’t really have longer syllables,
- 35:24we don’t really have it up down or down up but all feeling unstressed
- 35:30Don’t you have to be --
- 35:34Don’t you. It’s pretty common for an ending T to mix with a beginning Y to make a CH sound
- 35:41and that’s what’s happening here. Don’t you, don’t you, don’t you.
- 35:45Don’t you have to be --
- 35:49Except he’s not saying you, is he? He’s saying yu. He does reduce the
- 35:54vowel to the schwa. Don’t you, don’t you, don’t you.
- 35:57Don’t you have to be --
- 35:59Don’t you have. Don’t you have. We’re dropping the H. Don’t you have to be, don’t you have to.
- 36:09Pretty confusing but we go right from the schwa into the ah smooth transition
- 36:16and then we have the V consonant. Don’t you have. Don’t you have to.
- 36:20Don’t you --
- 36:23Then the word to reduces. It’s T schwa, Don’t you have to be. Now, V followed by T have to,
- 36:34often becomes haf-to. So you can make that an f. Don’t you have to be. Don’t you have to be.
- 36:41Don’t you have to be --
- 36:45Claymation.
- 36:46Claymation. Clay. Up down, clay-mation. So he
- 36:52sort of stressing clay. Clay. Even though the most stressed syllable is
- 36:59may, mation. Claymation. And he’s making this one go up because it’s a rhetorical
- 37:06yes no question. He doesn’t actually expect her to answer it but it is a yes no question.
- 37:11Claymation --
- 37:15to say stuff like that.
- 37:16Claymation, claymation to say stuff like that. Say. Again,
- 37:22stress but it’s more of a down up because of it being a yes no question
- 37:27Claymation to say stuff like that.
- 37:34Claymation to say, claymation to say.
- 37:39To, hmm, no it’s not to. It’s more of a d schwa claymation to, mation to, claymation to say.
- 37:48Claymation to say --
- 37:53The t-I-o-n ending here ma-tion is sh schwa n. Claymation.
- 38:01Claymation --
- 38:04Claymation to say stuff like that.
- 38:06To say stuff like that. To say stuff like that. And again,
- 38:10a little bit of stress on that but it’s more of a down up.
- 38:14to say stuff like that.
- 38:19And maybe a super light release of a true T there. That, that.
- 38:24That --
- 38:28Let’s listen to the whole conversation one more time
- 38:31Hi.
- 38:32Hey, anyone hear from Phoebe yet?
- 38:35No, nothing.
- 38:35I hope she’s okay.
- 38:37Yeah. I know exactly what she’s going through.
- 38:40How do you know exactly what she’s going through?
- 38:42She told us.
- 38:47So what you got there Monica?
- 38:49Just some stuff for the party.
- 38:51Hey, what are you guys doing here? Aren’t you supposed to be Christmas shopping?
- 38:53You guys haven’t gotten your presents yet? Tomorrow is Christmas Eve,
- 38:57what are you going to do?
- 38:59Don’t you have to be Claymation to say stuff like that?
- 39:02Thank you so much for studying with me. Be sure to subscribe with notifications on so
- 39:07you know about each new lesson and keep your learning now with this video. I love
- 39:13being your English teacher, that’s it and thanks so much for using Rachel’s English.
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