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Turning any object into an early 2000s videogame asset — Transcript

by JBaxter3D · 4,827 words · 708 segments · language en · Watch on YouTube

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0:00Do you ever wonder how older games
0:01[music] did their models? They look so
0:04nice yet so simple. I wondered [music]
0:06about that for a while during my journey
0:08with 3D art. And after a while, I
0:11actually found a simple way of making
0:12these old photo texture [music] models
0:14look amazing. After I posted some of the
0:17models I have made on Twitter, a [music]
0:19lot of people were asking me how I did
0:21it. And while I kind of found this as a
0:23good excuse to make something I've
0:25always wanted to do, a YouTube video.
0:27[music] So before we start on this, I
0:29just want to be clear that I'm really
0:31hesitant to call this [music] a tutorial
0:33because I really do kind of suck at
0:35explaining, but hopefully it's still
0:37really useful for a lot of you who are
0:39wondering on what [music] my process
0:40looks like. I also wanted to mention
0:42that the files for this model and a lot
0:44of other things I've made [music] can be
0:46found on my Patreon along with a Discord
0:48server invite where you can ask me
0:50[music] anything and discuss about
0:52anything related. And well, without
0:54further ado, let's get started.
0:57For this video, I will be modeling this
0:59radio [music] I had laying around in my
1:01house. I thought its shape was very
1:03straightforward and that I could take
1:05photo textures out of [music] it easily.
1:07So, the first thing I did was to bring
1:09that radio into a place with nice
1:11lighting and got a hold of the nicest
1:13camera I had available. [music] In my
1:15case, I have a really good DSLR camera
1:17with a flash, but you might not have
1:20that. You can totally use something like
1:22your phone. Just make sure you [music]
1:23are taking photos in the highest
1:25resolution available because the more
1:27details we can make out of these photos,
1:28the easier it's going to be for us to
1:30model things out of it.
1:33Now that we have our camera and our
1:34[music] object on some nice lighting
1:36conditions, we can just start taking
1:38photos of all its sides by just moving
1:40it around. In this case, [music] since
1:42the radio is just very blocky, we should
1:44be fine by just taking pictures of its
1:46six sides.
1:49And now that we have the photos of our
1:50object, we can go ahead and put them
1:52into a photo editing program on a
1:54computer. In this case, I'm using
1:56Critter because it's free.
1:58Because the photos are really high
2:00resolution, [music] I just open one of
2:02them so that the canvas could just take
2:03its size and then I just imported the
2:06other images into the file. Now, what we
2:09[music] want to do is clean up our
2:10pictures. We're going to get rid of as
2:12much of the background as we can. In
2:15this case, I just used the eraser. And
2:16once I was finished erasing [music] the
2:18background from all the photos, I moved
2:20them around to fit properly in the
2:21canvas. Make sure they're all roughly
2:24the [music] same size in relation to
2:25each other. Once finished, we can just
2:27export our image. Make sure we keep a
2:30really high resolution. [music] This
2:31image is going to be both our reference
2:33for modeling and our textures to project
2:35onto the model. Here's how I did it. All
2:38right, so [music] first things first,
2:40we're going to want to import our image
2:42texture that we made [music] as a
2:44reference plane here. So, as you can see
2:47in this video, I just import that and
2:48then I scaled it down to an acceptable
2:50[music] size. As you can see, I'm using
2:52like a a male model reference
2:55as to get an idea for the scale. So,
2:59that that's kind of helpful. It doesn't
3:01have to be perfect. Uh none of this has
3:03to be perfect. In fact, you just most of
3:06this is just like making sure stuff
3:10lines up correctly. As you can see here,
3:13I'm just lining up the edges with the
3:15edges of our, you know, of the object
3:18and the image. And this is very helpful
3:20if your image is like a high resolution.
3:22That's why I told you guys at the
3:24beginning that the higher the
3:25resolution, the better. So, as you can
3:28see here, I'm just making sure
3:30everything lines up roughly. You know,
3:33it doesn't have to be perfect. But, you
3:35know, you got to make your you got to do
3:37your best to line stuff up.
3:44>> [music]
3:47>> And well, here I'm adding some edge
3:50loops in some of the places that I see
3:52um are [music] prominent in the object
3:55of our image. In this case, the radio,
3:57right? Um on this like little edges that
4:01it [music] has, I'm just adding some
4:02edge loops so that I can extrude it.
4:04Well, not really extruded, but like move
4:06it out [music] and make it have that
4:09shape.
4:12[music]
4:18[music]
4:19And well, as you can see here, I decided
4:21to use a mirror modifier. So, I just
4:23like split my object into like the into
4:26halves [music] and then I just used an a
4:28mirror modifier to make things easier
4:30for me because I realized most of this
4:32is kind of symmetrical at least for the
4:34beginning. I I didn't really use it uh
4:37for the whole thing.
4:42Like I'm just using it to make things
4:45easier for me really. [music]
4:49And as you can see here, I'm duplicating
4:51the reference and lining it up. Once
4:53again, we just like most of this is just
4:55lining stuff up. We line it up with um
4:58with the image. Make sure like things
5:01make sense basically. And
5:05we just put it in like a a better place.
5:08Just move it out back. And then I start
5:10working working on the knobs.
5:13And well, as you can see with the knobs,
5:15I kind of realized it wasn't fully
5:17centered. So, I kind of moved it around
5:18a little bit more and [music] I just
5:21corrected some corrected some normals
5:23for the knobs and you know, just lined
5:25it up. It's all lining it up, baby. I I
5:29[music] don't know why I said that, but
5:31yeah, it's all about lining stuff up.
5:35[music]
5:43And yeah, a lot of this is basic
5:45modeling. You you do have to, you know,
5:47you got to have some basic modeling
5:48skills. This is not crazy. I'm just
5:51making sure it like kind of looks like
5:53what it actually looks like IRL. I kind
5:55of extruded that stuff a little out
5:57back. Uh it doesn't have to be perfect
5:59modeling. By the way, I I think I'm
6:01repeating that a lot that it doesn't
6:02have to be perfect, but that's true
6:04because with objects like this, the the
6:07textures do the the heavy lifting. like
6:10what if you have a good textures, you're
6:12gonna have a good asset, I think, for
6:14this kind of [music] um style we're
6:16going for. Anyways, we're lining up uh
6:19the back of this.
6:22And yeah, we're just adding some edge
6:24loops on that little um thing that it's
6:28intruding on the actual object IRL.
6:31[music]
6:35>> [music]
6:38>> The reason I'm doing that is because it
6:41just adds a little bit more detail
6:42because we're going to we're going to
6:44use a substance painter later for this.
6:47And when you're using the ambient
6:49occlusion, it's really going to make
6:50things look a lot prettier, especially
6:52in like the little crevices and that
6:53stuff. Okay, as you can see here, I'm
6:56shading it smooth and I'm adding some uh
6:59loop cuts so that
7:01uh it doesn't look all weird.
7:04But uh I will say uh I I kind of like I
7:08didn't really do my best here. Uh I
7:10added a lot of edges. [music] That's
7:12probably not good for um poly count if
7:15you really care about that stuff. I
7:17mean, it's still an acceptable [music]
7:18poly count really, but since we're
7:20making like a PS2 style asset, this
7:23would obviously not fly [music] in a in
7:25an actual PS2 game. So if you really
7:29care about polyc count, don't do this. I
7:31I I would actually recommend like just
7:34going with an auto smooth [music] for
7:35the knobs and then applying it and you
7:38know joining the knobs back together to
7:41the actual flat mesh.
7:43And well, I think I just like kind of
7:45got carried away here. So yeah, it's a
7:48bit of a mistake in my part, I'd say.
7:50Anyways, here I'm adding more edge loops
7:52on the details of that little screen
7:54there. And I'm [music] just um extruding
7:57along normals.
7:59And then I inserted the faces so that
8:01the the normals don't look all all
8:04[music] weird due to the um smooth
8:07shading.
8:09Well, I'm looking around the model. Then
8:12I add some edge loops there to make that
8:13stuff the edges there a bit more
8:16prominent.
8:18[music] And now here I just apply the
8:20same texture that we're using on the
8:21reference plane which is just like our
8:23image textures. And now it's time for,
8:27you know, projecting from view and
8:29lining stuff up. This is the fun part.
8:31Well, kind of the fun part. I think the
8:32whole texturing process is the fun part
8:35of all of this. So, as you can see, I
8:39have my object selected, and I'm
8:41basically just going to UV project from
8:42view.
9:06Um, yeah, just line stuff up. A lot of
9:09this texturing is just lining stuff up
9:11really on this base image that we're
9:15using. We're we're going to bake it
9:16later. And when you're lining stuff up,
9:19you you got to make sure, this is very
9:21important, you got to make sure you have
9:22no it's all just the object. You don't
9:25want to have some of the background
9:26picking up on your UVs because then it
9:29really is going to take away the the
9:32effect. So you if you are not careful
9:35and you have some of the background,
9:37it's better to just um have less of the
9:40object to cut a little bit of the object
9:42than to have uh a little more and
9:43[music] have the background show because
9:45that that's really bad in my opinion. So
9:48just be careful with that.
10:07>> [music]
10:08>> As you can see there, I noticed that
10:10little thing I didn't model. So, I just
10:11quickly added a cube and then projected
10:15the textures on the cube. So, yeah, I'm
10:18just [music] going to let this play out.
10:21And
10:24[music] yeah, as you can see, I'm making
10:25the cube there, and then I'm just
10:27putting it there on the model in a place
10:28that makes sense. And then I just
10:30project the textures [music] on the
10:32cube.
10:34And now you have like the USB ports
10:36[music] all flat and nice.
10:40Okay. And we're just making sure it
10:41lines up properly. And you're you're
10:44going to see some um [music]
10:46uh how do you say it? You're going to
10:48see some stretched uh textures, but we
10:51can fix that later with uh [music] cube
10:53projection and just cube projecting it.
10:56selecting those faces and just few
10:58projecting them in a in a place that
11:00make kind [music] of makes sense.
11:03In this case, I'm just using the um that
11:06little dark part of the image [music]
11:10texture of our object and it looks good.
11:13So,
11:15[music]
11:19that's now we're done with the front.
11:21Now, we're going to do the sides. It's
11:22the same process. So, as you can see, I
11:24just selected uh the co-planer faces and
11:26then I selected those faces at the
11:28bottom and select them by co-planner
11:30tool.
11:32Uh, and we just line stuff up. That's
11:36basically all of the all this is. It's
11:38just lining stuff up. Especially here,
11:41we're using um I'm using mostly just um
11:45the knobs as reference of how centered
11:48and perfect it is.
11:50So, I kind of took my time here.
11:55It's It's important to take [music] your
11:57time on this because you really don't
11:58want to have some leaking going on.
12:02You want to you want to sell the effect.
12:08[music]
12:09I'd say this is already looking kind of
12:11good really. I mean, look at that. Now
12:15we just um here on the on the sides of
12:18the knobs I just projected [music] from
12:19view and then I selected the knobs there
12:21on the UV island lens and then put them
12:23on the on the front [music] view where
12:26we can see the knobs on our image
12:27texture. And because I selected the
12:30whole thing, it kind of mirrors on the
12:32back and it looks good. It goes all the
12:34way around.
12:37And now we're doing the other side. And
12:39here I actually didn't really like how
12:42it turned out. So I kind of went down
12:43later and changed [music] it. you you'll
12:45see that. But, uh, yeah, I was just kind
12:48of making sure it lines up and, you
12:50know,
12:55all right, [music] we have the front and
12:56the sides now.
12:58Now, we I'm doing the top here. [music]
13:01And as you can see, same stuff, lining
13:04stuff up, making it [music] make sense.
13:06And in this case, you can see I'm using
13:08some guidance on the buttons, especially
13:11because you really want things to line
13:13[music] up. If if they're not lining up,
13:15you're going to end up with an asset
13:16that looks kind of bad. So, that's the
13:19that's the lesson of this video. Line
13:20things up, bro.
13:23Look at that. Look at the buttons. Yep.
13:25[music] I'm just moving them around,
13:27making sure they look good
13:30or acceptable at least. It doesn't have
13:32to be perfect. Again,
13:35there I saw a little bit of um of weird
13:39leaking. So, I just kind of um
13:42stretch the faces so that it look good.
13:44Here, I'm just putting the antenna,
13:46which is whatever. I mean, it's not
13:47going to be I'm actually going to go out
13:49and model [music] the antenna
13:51physically. And because it's going to be
13:53there like laying down, it's actually
13:56gonna all the textures be below it or
14:00surrounding it are going to be occluded
14:01by the ambient occlusion in Substance
14:02Painter. So that's good. So it's going
14:05to hide this second antenna on the
14:07texture and people are not going to
14:08notice. Anyways, here I'm selecting the
14:11back and you know going to project this
14:16from [music] view too. So,
14:24and here I'm making sure uh things line
14:27up, but especially that little um
14:29extrusion that we have there.
14:32I want I really want that to line up.
14:33So, I just move the textures of the
14:35inside around
14:37so that I know there's no leaking on
14:39[music] the outside on like the top part
14:42of it and it's just the inside and I saw
14:44it looked good. So, I [music] just left
14:45it like that. And yeah, yeah, the model
14:47looks really acceptable now. It looks
14:49kind of cool. Now we just need the
14:50bottom. So, same process [music] for for
14:54all the faces. Oh, by the way, yeah,
14:56here I'm just um keep projecting there.
14:59I saw some leaking. Look, that's the
15:01thing I'm I'm talking about. [music] You
15:02don't want to have any leaking on your
15:04texture. So, here I just selected the
15:06parts of that were affected UV [music]
15:07and I just
15:09um reproed them and scaled them around.
15:12You you really don't want [music] the
15:13background on your objects. And there
15:15I'm actually lining up the the lines of
15:18that little thing on the radio. You you
15:21see like the lines are continuous from
15:23the back to the sides. I'm lining them
15:25up. Well, not yet, but you'll see that I
15:28[music] will start lining lining them up
15:30and I cannot get obsessed with it. Yeah,
15:33those are already lined up. I really got
15:35like crazy with it on the other side.
15:37Yeah, [music] because they were not
15:38lined up at all.
15:40And yeah, and you can see there's like a
15:44little discontinuation on the lines
15:45there. So, I just [music] thought it
15:47didn't make sense. So, I just uh
15:48stretched the faces there and made them
15:50connect.
15:52And now I'm [music] just lining that
15:53thing those lines up.
16:06Here, I just reproed the side because I
16:09really didn't like how it [music] looked
16:10like. Then I rotated around a little
16:13because because it wasn't really lined
16:15up on the image itself.
16:18And well, it's looking really nice
16:20already.
16:28Here, I'm going to make the antenna.
16:32And I'm just going to project that stuff
16:34from view. [music] And the antenna is
16:35just literally a cube really. It's a
16:37cylinder that I turned into a cube for
16:39some reason. And it's shaded smooth so
16:42that it looks like um you cannot see the
16:44sides. You cannot see like the flat
16:47lighting. I shaded smooth.
16:50And yeah, [music] I just projected from
16:51view and it looks good. Looks like an
16:53acceptable antenna for this radio.
16:57I moved around the UVs there so that
16:59they tried to tried to make them look
17:02like it like connects, but I didn't like
17:04how it turned out. [music] So, I just
17:06undid that. Now, at the bottom, same
17:09[music] stuff. And because no one's
17:10really going to see it, I I really
17:12didn't pay much attention to it. I just
17:13made sure it looked kind of good.
17:17So, there it is. I think this is
17:19basically
17:21the first part of our texturing process.
17:23All done. It looks good now.
17:27So we can go ahead and bake the
17:28textures.
17:33Okay, as you can see here, I made a new
17:35material which I applied to the whole
17:37entire object. This material was just an
17:39image texture with um color grid
17:42generated.
17:44And
17:45it's a 148x 148 texture, I think. No,
17:48128 by 128. And I applied it to the
17:52whole entire [music] object. And I made
17:54a second UV map. So, this is important
17:56for baking. In case you don't know about
17:58baking in Blender, you need the first UV
18:01map, which is like the one the render is
18:03going to see, which is like all those
18:04textures that we were lining up earlier.
18:07And the second UV map is going to be our
18:09unwrapped um [music] object. So, we're
18:13going to go ahead and manually unwrap
18:15this thing. And [music] that's going to
18:16be our second UV map where the bake is
18:18going to go to. So, as you can see here,
18:21I'm just adding our seams. And it's
18:25basic UV unwrapping. So, if you know the
18:27deal, you know the deal. [music]
18:30We're adding seams on the sharp edges,
18:34making sure everything's properly
18:36unwrapped, and I'll get back to you when
18:37I'm done.
18:50[music]
18:56>> [music]
19:01[music]
19:17[music]
19:23[music]
19:30[music]
19:36[music]
19:40[music]
19:47>> As you can see here, I think I uh
19:49finished addit adding my seams. So, I
19:51just unwrapped [music] the things. Uh
19:52made sure the textual density was nice,
19:58like how much space it takes on the UV
20:00map. And I'm just um making sure some
20:03similar faces are the same sides. For
20:05example, the side there, I actually like
20:08forgot to add the seam there. So, I just
20:09had to unwrap again by angle. I think I
20:13unwrap by angle. Yeah, angle based on
20:16wrap. And now with that unwrap, I'm just
20:19going to select the faces that are
20:20similar. Again, make sure they're the
20:23same size. In this case, like that
20:25little extrusion and the extrusion of
20:28the screen at [music] the front, I made
20:29them the same size, the back and the
20:31front the same size, the sides the same
20:34size, but I think they're already the
20:35same size because I mean, they're
20:37[music] kind of like perfectly
20:39symmetrical. So, the unwrap already
20:41automatically new. [music]
20:44Uh, yeah. So in this case, you just want
20:47to change the size of the things you
20:49want to have the most resolution and the
20:51[music] things that you want to have uh
20:53less resolution.
20:57[music]
21:04[music]
21:11[music]
21:13And yeah, once everything is to a a good
21:17scale that takes up a good amount of
21:20space in [music] the UV map, you can go
21:22ahead and pack the textures so that
21:24Blender puts them all together as best
21:26as possible inside the UV space while
21:29retaining the [music] space, you know,
21:31that you scaled up and down on the
21:33different islands. [music]
21:39All right. Something very important to
21:41note here is to add a margin to our um
21:43UV islands. This is to prevent any
21:45leaking once we downscale our textures
21:48because the final product is going to be
21:49like a 2048 texture which is really kind
21:52of against the whole PS2 thing. We're
21:54probably going to downscale that to like
21:56512. And to prevent any leaking, so
21:59[music] that means that any weird part
22:02of the texture is going to like invade
22:03the other island space, we going to have
22:06to add a margin so that everything is
22:08like safely placed on the UV islands and
22:11we prevent any leaking. [music] So,
22:13so basically what this means, uh, you
22:15don't want any islands to be touching
22:17each other. So, margin prevents that.
22:20And well, we already packed our [music]
22:21islands and I think those are the UVs. I
22:24think we're already finished here.
22:27>> [music]
22:33[music]
23:09>> And as you can see, I deleted the um the
23:12grid textures because I [music] didn't
23:13really need them anymore. And you're
23:16going to see uh the all the warp
23:18textures there. That's good. We don't
23:19want we don't want to use the the main
23:22UV map that we're going to use for
23:23baking. This is the one [music] that's
23:24going to be baked into. So, this is
23:27fully normal. Don't worry about it.
23:37Oh, here uh on the material I'm making a
23:39new image texture [music] and I'm going
23:41to make it um
23:43a nice resolution so that we can work
23:45with it properly later. I'm going to
23:48make it 2048 [music] by 2048. And I'm
23:50going to call it bake map or bake
23:53texture, I think I call it. I don't
23:55know. I really cannot see the video
23:57right now. Anyways, uh once we make the
24:00image texture, we make sure it's
24:01selected because that's going to be the
24:03texture [music] that we're going to be
24:04baking into. Oh, as you can see here, I
24:06kind of make made a mistake and put a
24:08color grid on it. We don't want to do
24:09that. We want it to be empty. Uh, I
24:11mean, I think there's no problem in
24:13having like some stuff, but just to
24:16prevent any issues. I just like it to
24:17have nothing. It's So, make sure you
24:19have blank selected. Again, 2048 x 248.
24:22We want plenty of resolution [music] to
24:24work with.
24:25And yeah, make sure it's selected. Make
24:28sure your object is selected. And make
24:31sure you're seeing the the normal UVs.
24:34mixture. Well, not the normal UVs, but
24:36the first UVs that we have, the ones
24:38that are not for the bake, the ones that
24:40are like really shitty and not unwrapped
24:42and that we did project from views.
24:45Make sure we are seeing those. Make sure
24:46we have the object selected. Make sure
24:48we have the image selected, the image we
24:50want to bake our textures into. And we
24:53just choose diffuse on the bake because
24:55that's all we really need here. Uh, no
24:57direct or indirect lighting so that it's
24:59just the plain texture.
25:02And we're ready to bake. As you can see,
25:04make sure the camera is ticked on the
25:05first UV map, but not on the second one.
25:08And make sure the second one is the one
25:09selected. [music]
25:11And yeah, we can just bake already. And
25:14it's one is going to take its time.
25:17That's okay. Just let it cook. And as
25:21you can see, we have some beautiful
25:22textures there on our bake. A nice 2048
25:26uh by 2048 texture of a radio. So
25:31now we have our baked textures and make
25:33sure you save that image texture um
25:35somewhere because if you blender for
25:37some reason crashes or you close it,
25:39you're going to lose the texture [music]
25:40if it's not protected. So
25:45[music]
25:55[music]
26:05>> [music]
26:23[music]
26:25>> as you T on the export and just make
26:27sure our object is selected and I'm
26:29[music] exporting as an OBJ. Uh make
26:32sure it's tick to selection only and we
26:34export it into any soft um in this case
26:38I use substance painter but you can you
26:40can do anything you're familiar with or
26:42anything that's free really because it's
26:43kind of expensive. Uh we bake our object
26:47inside our texturing software [music]
26:49and then we can start adding our our
26:52baked texture. [music] So, in Substance
26:55Painter, I just make sure it's uh set as
26:57a texture. I add it to the project
26:59[music] and then I put it on to fill the
27:01whole UV tile and it looks really nice.
27:05And [music] I just turn off everything
27:06because I just work with the color
27:08textures. And I actually set the view
27:11port to be only the [music] the base
27:13color so it's not affected by any
27:14lighting. As you can see, I'm just
27:16adding some really nice details [music]
27:19like dirt with ambient occlusion. I
27:22adjust all of that a little bit.
27:25Okay, it looks nice. That's the thing
27:27with the antenna. I said like we're not
27:28really going to see the textures up
27:29there because it's going to be oluded by
27:31the antenna.
27:34Now, I just added this really cool
27:36material I found by another YouTuber
27:39that I found that was talking about
27:40texturing low poly models in Substance
27:43Painter. I'll leave that video down in
27:44the description because it's really
27:46helpful and I got that shader from that
27:48guy. So, shout out to that guy.
27:51Uh here I just make sure it's
27:55it's set to multiply.
28:02Anyways, here I added u I think it was a
28:04metal edgeware texture and I'm just
28:07adjusting all of it so that it looks
28:08[music] kind of nice.
28:17[music]
28:23>> [music]
28:32[music]
28:40[music]
28:41>> And then on those uh on the black mask
28:43that I added, I actually paint uh I
28:46paint some parts black on places where
28:50it wouldn't make sense to have that like
28:52little dirt and smudges. So, for
28:54example, the buttons at the top, I just
28:56went down went with the [music] brush
28:58with a brush and set it to the black
29:00color and started painting those away,
29:01those details away. And as you can see
29:04here, I'm kind of messing with the
29:06different blending modes I can set to
29:08the stylized lighting, but I just landed
29:10on multiply because I think it's the
29:11best one for this. I did make a mistake.
29:14I should have messed with the opacity
29:16because now the whole bottom is going to
29:18be practically black and I didn't really
29:22want that. But that's that's whatever.
29:23No one's really going to look at the
29:24bottom. Anyways, when exporting, make
29:27sure you only have the base color
29:28selected. Export into the project file
29:31or whatever you want. [music]
29:33And yeah, that's basically all of it.
29:35you're going to see your really nice
29:36textures all exported in a single base
29:39color image that we can then just use in
29:41Blender or any software [music] really
29:44because we already finished our mesh.
29:48Okay. So now in Blender we just um we
29:50can just add our textures really to our
29:53material.
29:55final textures after Substance Painter.
29:58[music]
30:06And as you can see, it looks very,
30:08[music] very nice.
30:10This is ready to be downscaled to like a
30:12512 texture. And you can [music] use
30:14this in any indie game you want or
30:16whatever. It's really, it looks really
30:19pretty. And you can [music] do this with
30:21any object you want. This is a really
30:23good texturing technique.
30:25is using two bakings. The one for the
30:27one in Blender and the second one in
30:29Substance Painter. So, it's really nice.
30:32I actually don't think there's two
30:33baking. I think it's just one baking and
30:35then like you mess with the bake inside
30:37Substance [music] Painter. Anyways,
30:39yeah, that's it for this video. I hope
30:42you learned something. I'm I'm kind of
30:44bad at explaining things. I cannot talk
30:45too fast sometimes. If you have any
30:48doubts, uh don't be afraid [music] of
30:49leaving a comment down below and I'll
30:51try to explain stuff.
30:54And yeah, there's also a Discord server
30:56in my Patreon which you can join [music]
30:58and just um ask me anything about all of
31:00this. And yeah, thanks for watching.

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