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Time Traveling with AI to Connect with Lost Loved Ones | Amy Kurzweil | TED — Transcript

by TED · 1,245 words · 155 segments · language en · Watch on YouTube

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  1. 0:04I love being a cartoonist because I can travel anywhere.
  2. 0:09I can visit historical artifacts and make improvements.
  3. 0:15I can voyage to mythical lands and solve problems.
  4. 0:21(Laughter)
  5. 0:24I can bring objects to life,
  6. 0:27and I can make those objects think
  7. 0:31and talk.
  8. 0:34And I can send those objects wherever I want them to go.
  9. 0:40I became a cartoonist to travel through space and time,
  10. 0:44and I became a graphic memoirist
  11. 0:46because the place I wanted to go was the past.
  12. 0:50I come from a legacy of dramatic stories and lost characters.
  13. 0:55My grandmother, Lily, on my mother's side,
  14. 0:57was born in Warsaw, Poland,
  15. 0:59the oldest of four sisters.
  16. 1:02She was 13 in 1939,
  17. 1:04when Nazi bombs razed her home
  18. 1:07and her family was sealed to starve inside the Warsaw Ghetto.
  19. 1:12Eventually, her father encouraged her to slip through a hole in the wall,
  20. 1:15and she survived the Holocaust on her own, hiding her Jewish identity.
  21. 1:20This is the subject of my first book.
  22. 1:23I wondered: What did my grandmother’s lost home and lost family look like?
  23. 1:29Her parents, her grandmother and her sisters,
  24. 1:32they are all gone without a trace.
  25. 1:36My father's parents were luckier.
  26. 1:39They were also Jewish,
  27. 1:40and they both fled Austria at the start of the war.
  28. 1:44My father's father, Fred, was a pianist and conductor.
  29. 1:48In 1937, the year before the Nazis marched into Austria,
  30. 1:52he was 26,
  31. 1:54and he conducted a magnificent choral concert
  32. 1:57at a music hall in Vienna.
  33. 2:00A wealthy American woman in the audience
  34. 2:02was so impressed with his performance
  35. 2:04that she later agreed to sponsor his visa to the US.
  36. 2:09So music saved his life.
  37. 2:13But three decades later, Fred died of heart disease.
  38. 2:17I never met him.
  39. 2:21While alive, Fred meticulously preserved the documents of his life,
  40. 2:26a response to the threat of erasure he fled in Europe.
  41. 2:30And for decades after his father’s death,
  42. 2:33my father continued this preservation project.
  43. 2:36This is the subject of my second book.
  44. 2:40You might know my father, Ray Kurzweil, as an inventor and futurist.
  45. 2:46You should also know that he's a person with an extraordinary sense of humor.
  46. 2:50["Can I call you an Uber?" "Sure."]
  47. 2:52["You're an Uber."]
  48. 2:53(Laughter)
  49. 2:56Good one dad.
  50. 2:58(Laughter)
  51. 3:00And although he's dedicated his mind to the future,
  52. 3:03his life is full of the past.
  53. 3:06My father has worked for decades on natural language processing.
  54. 3:10And several years ago, he realized
  55. 3:12that if we married AI with my grandfather's writing,
  56. 3:15we could build a chatbot that writes in my grandfather's voice.
  57. 3:20Back in 2018, this seemed very sci-fi.
  58. 3:26But rather than ushering in our demise,
  59. 3:30this project helped me realize
  60. 3:32that AI could actually help us ward off annihilation
  61. 3:36by animating the legacies of our families and our cultures.
  62. 3:41I wanted to talk to my grandfather because he, like me, was an artist.
  63. 3:48I wondered: Could I get to know him?
  64. 3:50Could I even come to love him, even though our lifespans didn’t overlap?
  65. 3:56So I got involved.
  66. 3:59This chatbot needed language from my grandfather,
  67. 4:02as much as could be found.
  68. 4:03So I, with some assistance,
  69. 4:05set about finding his words and transcribing them.
  70. 4:08This was a selective chatbot,
  71. 4:10meaning it responded to questions
  72. 4:12with answers from the pool of sentences
  73. 4:14that Fred actually wrote at some point in his life.
  74. 4:17The more examples of Fred's writing we could find,
  75. 4:20the more dynamic the experience of chatting with the bot would feel.
  76. 4:23Sometimes this transcription task proved challenging.
  77. 4:29But the more time I spent with the symbols of my grandfather's life,
  78. 4:34the more easily I could decode them.
  79. 4:40Finally, after much anticipation,
  80. 4:45I sat down to chat with this new intelligence:
  81. 4:48an algorithm commanding over 600 typed pages
  82. 4:51of letters, lectures, notes, essays
  83. 4:54and other written documents from the grandfather I never met.
  84. 5:00When I asked about Fred's dreams,
  85. 5:03he told me about the challenge of keeping his new orchestra afloat.
  86. 5:08When I asked about Fred's anxieties,
  87. 5:12I learned about the stress of being a new father while working so hard.
  88. 5:17When I asked about the meaning of life,
  89. 5:19Fred wrote about the joy of working with other musicians in pursuit of beauty,
  90. 5:23and he wrote about the highest aims of art.
  91. 5:27I asked again about the meaning of life
  92. 5:29because isn't that really the best question for a robot?
  93. 5:32And Fred's second answer was much simpler, but even better.
  94. 5:37["Love."]
  95. 5:38Some of these answers felt familiar to me.
  96. 5:42I remembered seeing them in the archive,
  97. 5:44but the words gained impact through surprise
  98. 5:47and the role-play of conversation.
  99. 5:49I could identify patterns in my grandfather's life
  100. 5:52and patterns across generations,
  101. 5:54because I was also an artist trying to make it in New York City.
  102. 5:59And I also believe the meaning of life is art and connection and love.
  103. 6:07I had wondered if this project would feel like a resurrection.
  104. 6:13But rather than bringing my grandfather from the past into the present,
  105. 6:17it felt like I was the one time traveling,
  106. 6:20visiting him for a moment at different points in his life.
  107. 6:23And this kind of time travel didn't feel like sci-fi.
  108. 6:27It felt like the kind of imaginative travel I do when I'm cartooning.
  109. 6:32When I'm cartooning,
  110. 6:33I'm always thinking about how I could possibly represent a person fully.
  111. 6:39And the answer is: I can’t.
  112. 6:42Similarly, I know how many aspects of my grandfather
  113. 6:45can't be captured by digital text alone.
  114. 6:48There's all those quivers in his handwriting
  115. 6:50and what they denote about the sensations in his body.
  116. 6:53There's his body, how it moved and how it felt.
  117. 6:56There's his music and all the ineffable aspects of his performance.
  118. 7:01And of course, there's everything he thought but didn't write down.
  119. 7:07What would we have to do to be able to capture all of this?
  120. 7:14I may fail as an artist
  121. 7:15to fully represent a person's constantly evolving complexity,
  122. 7:20but I can ask what features of a person are essential to who they are
  123. 7:26across a lifetime.
  124. 7:28The puzzle of personal identity
  125. 7:30is one of our oldest philosophical questions,
  126. 7:32so I'm not here to solve that one for you,
  127. 7:34I'm just a cartoonist after all.
  128. 7:37[Robot cat passes Turing test]
  129. 7:43I do believe that we, maybe not cats,
  130. 7:46but we are more than our bodies.
  131. 7:49That the projects and impressions we leave behind
  132. 7:52are a part of our essential selves.
  133. 7:54And I think AI has a special role to play in the mission of memory.
  134. 8:01I did not come to see the chatbot of my grandfather
  135. 8:04as replacing my grandfather.
  136. 8:06I came to see it as one way to interact with his legacy.
  137. 8:10As somebody who has spent their whole life trying to document people,
  138. 8:14I can assure you that people are much bigger and weirder
  139. 8:17than any one depiction
  140. 8:19or any one moment in time can possibly evoke.
  141. 8:23And I can also assure you
  142. 8:26that people don't just disappear when they die.
  143. 8:32AI swirls our conception of time and space.
  144. 8:36It can remix and extend our identities.
  145. 8:40Our own digital archives are growing beyond belief,
  146. 8:43and we need a framework for understanding technologies of representation.
  147. 8:48So I offer you mine.
  148. 8:51Just like the comics I've drawn, about the characters in my life,
  149. 8:54these technologies are animated portraits.
  150. 8:58They are one part of our true immortal selves.
  151. 9:01Seen this way,
  152. 9:02AI, like cartooning and all good artistic endeavors,
  153. 9:07could help us appreciate the vastness of humanity -- if we let it.
  154. 9:12Thank you.
  155. 9:13(Applause)

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