The Work of Boston — Transcript
Full transcript
- 0:01In this video, I'll cover the work of
- 0:03the band Boston. Frankly, one of my
- 0:07favorite bands of the 1970s and 80s.
- 0:11Beautiful sound, so creative and
- 0:13innovative. I'll cover a very short
- 0:16biography of Boston, the characteristics
- 0:19of their music and their approach that
- 0:21made them unique among other artists,
- 0:24and the contributions of guitarist Tom
- 0:27Schultz and lead singer Brad Delp to the
- 0:30band and to rock music of the 1970s and
- 0:3480s.
- 0:36Let's take a look at Boston's career in
- 0:39brief. And I will keep this brief. There
- 0:41is much more to be said, but for the
- 0:43sake of time, I'll keep it short. Boston
- 0:47is really the story, in my opinion, of
- 0:49two individuals. Guitarist Tom Schultz
- 0:53and lead singer Brad Delp. There were
- 0:56other lead singers in the band over the
- 0:59years, but Brad Delp was the original
- 1:02and I think the primary contributor to
- 1:05their vocal style.
- 1:07Boston began in early 1975
- 1:11after guitarist Tom Schultz graduated
- 1:14from MIT. Massachusetts Institute of
- 1:17Technology and played in a few bands,
- 1:19including a band called Mother's Milk,
- 1:22where he met eventual Boston lead singer
- 1:25Brad Delp and another Boston band
- 1:28guitarist Barry Goodro.
- 1:31Mother's Milk recorded several demos
- 1:34that were rejected by over 20 record
- 1:37labels. And keep in mind, these three
- 1:39individuals formed the the core of
- 1:42Personnel for Boston, the band. Later
- 1:45on,
- 1:47after so many rejections, Tom Schultz
- 1:49went to work on studio projects in his
- 1:52basement along with Brad Dulp.
- 1:55Schulz wanted technically perfect,
- 1:58beautiful sounding, pristine rock music,
- 2:01and he had the musical and production
- 2:05skills to create it.
- 2:07Epic Records became interested in Tom
- 2:11Schultz and Brad Delp in their music,
- 2:13but Schultz and Delp were really the
- 2:15only ones making the music. They
- 2:18recorded all the instrumentals and
- 2:20vocals themselves, did all the producing
- 2:22themselves. there really was no band.
- 2:26So, they needed to form a band. They
- 2:29quickly did so with additional members.
- 2:32And Boston's first public performance
- 2:36was at Boston Garden.
- 2:38Around that time, the mid1 1970s, they
- 2:41were opening for bigname acts like Black
- 2:44Sabbath and Blue Oyster Cult. And it's
- 2:47remarkable that Boston never really
- 2:50played small local venues to start their
- 2:53career. They were a studio band, very
- 2:56successful at what they created there,
- 2:59and because of that, they were able to
- 3:00start out their live performance career
- 3:03playing arenas.
- 3:05Boston's self-titled debut album was
- 3:08released in 1976,
- 3:11and it's still one of the bestselling
- 3:13debut albums ever, selling over 17
- 3:17million copies.
- 3:19In the early 80s, the band had some
- 3:21legal disputes with the record label
- 3:23concerning copyright ownership and their
- 3:26failure to complete a new album on time.
- 3:29Um, but they had a lot of success with
- 3:31their album Third Stage, released in
- 3:341986.
- 3:36The hit ballot Amanda came from that
- 3:39album.
- 3:40In the 1990s, Brad Delp shared lead
- 3:43vocal duties with another lead singer,
- 3:45Fran Cosmo, and the band recorded
- 3:48intermittently with only six studio
- 3:51albums produced between 1976
- 3:54and 2013.
- 3:57Brad Delp died by suicide in 2007
- 4:02and the band continued to tour in
- 4:04subsequent years with Tom Schultz being
- 4:07the only founding member left.
- 4:11Let's look at what made Boston
- 4:13innovative and unique. There are really
- 4:16two reasons. Uh their influential style
- 4:19and their guitar sound.
- 4:23Let's cover their musical style first.
- 4:26The music of Boston is important to the
- 4:30the the development of rock in the 70s
- 4:32and 80s.
- 4:34Boston was influential and the music
- 4:36industry's move from hard rock in the
- 4:391970s
- 4:41to what's sometimes called power pop in
- 4:43the 1980s. Hard rock in the 70s really
- 4:47was hard. Bands of the 1970s include Led
- 4:51Zeppelin, Aerosmith, AC/DC, and others.
- 4:54And I'd suggest listening to them asa as
- 4:56examples of what was traditional and
- 4:59popular in the 70s. Those bands sound
- 5:02much different, heavier, and edgier than
- 5:05Boston and were uncompromising in their
- 5:09hard rock or heavy metal roots.
- 5:12Power pop of the 80s was a style that
- 5:15was guitar-based but more bit lighter
- 5:18and cheerful and relied on catchy
- 5:21melodies and choruses with artists like
- 5:24the Knack, the song My Chirona and The
- 5:27Cars was another important power pop
- 5:29band. Boston was not exactly a power pop
- 5:33band. They were really an AO band. But
- 5:36Boston was an intermediary, a transition
- 5:38between hard rock of the 70s and power
- 5:41pop of the 80s.
- 5:45Equally important, Boston helped
- 5:47maintain the popularity of mainstream
- 5:50rock in the late7s
- 5:52at a time when punk and disco were
- 5:55beginning to really take hold.
- 6:00Now, let's look at the guitar style and
- 6:02the sound of Boston. And this is
- 6:03something that really set them apart
- 6:05from other bands.
- 6:08Guitarist Tom Schultz had a great talent
- 6:12for writing catchy, singable guitar
- 6:15melodies,
- 6:17and he had a very distinctive tone that
- 6:21literally no other guitarist could
- 6:24replicate.
- 6:26The melodies that Schultz wrote had much
- 6:29in common with the vocal melodies that
- 6:31he wrote for Boston's lead singer, Brad
- 6:34Delp.
- 6:35Schultz's guitar sound was quite
- 6:37vocalike,
- 6:39uh, with a lot of beautiful resonance
- 6:41and vibr.
- 6:43In many cases, you'll hear Tom Schultz
- 6:45play guitar solos that are simple and
- 6:48melodic enough that a person could write
- 6:52lyrics to them. And Schultz seemed to
- 6:55prefer this style of lyrical beautiful
- 7:00melody over blazing speed that was
- 7:03popular among other guitarists.
- 7:06As an example, you might listen to the
- 7:08first couple minutes of More Than a
- 7:10Feeling, including the guitar solo.
- 7:14This guitar solo is a melody that easily
- 7:17could have been sung with words, but
- 7:19instead Tom Schultz uh the guitarist is
- 7:22functioning as sort of a second lead
- 7:24singer himself, preferring to play this
- 7:26on guitar rather than have it sung.
- 7:33Tom Schultz's guitar sound is what made
- 7:36him successful and innovative among
- 7:40others. The sound itself with its
- 7:44warmth, its resonance, its overdubbing,
- 7:48and its color, in my opinion, really
- 7:50made Boston what it was as a band.
- 7:55Tom Schultz's guitar sound was a
- 7:58creation of his own mind first and
- 8:02foremost. He had a very clear concept of
- 8:04the sound that he wanted.
- 8:07And he had the technical ability to
- 8:10create that sound and bring it to life.
- 8:13His sound was dependent on his own
- 8:17electronic inventions. Remember Tom
- 8:19Schultz was an MIT graduate. He
- 8:22understood engineering
- 8:24and he designed and built equipment that
- 8:27only he had uh and were really only
- 8:32existent as prototypes.
- 8:35Later on, he'd bring this equipment to
- 8:38market uh most notably the Rockman
- 8:40amplifier,
- 8:42but uh the equipment that he built for
- 8:44himself and used in his studio gave him
- 8:47the ability to make the guitar sound
- 8:49that he's known for.
- 8:52Another great musical example is the
- 8:54instrumental track called The Journey.
- 8:56In this song, you'll hear sort of
- 9:00ambient wavy sound in the background
- 9:03that Tom Schulz created with his own
- 9:06customuilt pedals. And this music is
- 9:08heavily based on tone, color, um, just
- 9:13as much as melody.
- 9:16Now, let's talk about Brad Delp, the
- 9:18lead singer of Boston.
- 9:21Tom Schultz had great ideas and was an
- 9:23excellent guitarist and songwriter, but
- 9:26Brad Delp had the ability to interpret
- 9:29these ideas at a higher level and add
- 9:33his own technical ability as a singer to
- 9:35the music. He had great tone, accuracy,
- 9:41and melodic interpretation as a singer.
- 9:43Very rare, a very rare talent. Delp and
- 9:47Schultz complimented each other in an
- 9:48amazing way. So that their music was
- 9:50really more than the sum of its parts.
- 9:55Brad Delp as the front the lead singer
- 9:58for Boston by all accounts loved fans.
- 10:01He loved being in the public eye, uh,
- 10:04meeting people for photos and
- 10:06autographs, and was a natural at working
- 10:10a room with humor and presence, but with
- 10:13a real downto-earth kindness and
- 10:16professionalism. And by all accounts, he
- 10:18was just a great person to work with.
- 10:23This made it all the more shocking when
- 10:25Brad Dulp took his own life in 2007.
- 10:29Here's what Tom Schultz said about Brad
- 10:32Delp. I'll I'll read you this quote in a
- 10:35minute. Uh but before I do, I just want
- 10:38to point out that Tom Schultz himself as
- 10:40a guitarist was an absolute musical
- 10:43perfectionist with the highest
- 10:45standards.
- 10:47So this comes as very high praise, I
- 10:50think. Uh here's what Tom Scholes says
- 10:53about Brad Delt. quote, "I met Brad,
- 10:56soft-spoken and unassuming, when he
- 10:58auditioned in a recording studio outside
- 11:01of Boston one night to sing several
- 11:03songs I had written. He didn't warm up.
- 11:06He just listened to the pre-recorded
- 11:08instrument track once, then he started
- 11:11to sing. I don't know if it took two
- 11:13seconds or three, but before he finished
- 11:15singing the first line, I knew that some
- 11:18guardian angel had just delivered to me
- 11:20one of the best vocalists ever to step
- 11:23up to a microphone. Then he kept going
- 11:25and he and I realized he wasn't just one
- 11:28of the best, he was amazing. high notes
- 11:31I hadn't heard before, followed by
- 11:34harmonies and overdubbed exact duplicate
- 11:37layer tracks, all with ease, all with
- 11:39emotion, and yet all technically
- 11:42precise.
- 11:43Before we left that night, he had
- 11:45rewritten the lyrics and the melody,
- 11:48sung all the vocal parts, and with the
- 11:51magic of his voice, turned my stark
- 11:53guitar riff into a song. From that
- 11:56moment on, I only hoped I could write
- 11:59and record music worthy of his attention
- 12:02and interpretation. End quote.
- 12:06If you consider what Tom Schultz says
- 12:08here, he said, "Brad dealt with
- 12:11something I had never heard before. He
- 12:14had such accuracy, great inonation, such
- 12:18beautiful sound, interpretation.
- 12:22it. For Tom Schultz, this type of
- 12:25singing was unheard of, but Brad Delp
- 12:28did it.
- 12:30Likewise, for the public, the guitar
- 12:32sound of Tom Schultz was unheard of.
- 12:35Literally, no one sounded like that
- 12:38previous. And when you listen to Boston,
- 12:42keep that perspective in mind. No one in
- 12:46the 1970s
- 12:48sounded like them. No one could. No one
- 12:50else had Brad Delp as a lead singer and
- 12:54no other guitarist had the sound that
- 12:57Tom Schultz did.
- 13:00So to wrap up, Boston introduced
- 13:05a very unique multi-layered
- 13:09resonant ambient guitar sound that was
- 13:14literally engineered by Tom Schultz.
- 13:18Not many other bands sounded like
- 13:21Boston. It was Boston sound. And if
- 13:25another band imitated them, it would be
- 13:28obvious.
- 13:30Bands
- 13:31uh other groups around the edges would
- 13:34do some things that Tom Schultz and and
- 13:36Boston did, but no one would really
- 13:38become an imitator.
- 13:42Boston was successful because of the
- 13:45symbiotic relationship, mutually
- 13:47beneficial relationship between Brad
- 13:50Delp, their lead singer, and Tom Schulz,
- 13:52their guitarist, both in songwriting and
- 13:56in their combination of guitar and vocal
- 13:58sound.
- 14:01So, please do listen to all the songs by
- 14:04Boston in this module and check out more
- 14:06on YouTube or anywhere you'd like. And
- 14:08if you have some pretty good headphones,
- 14:10I definitely recommend them when
- 14:12listening to Boston.
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