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The Rape of The Lock Canto 1 by Alexander Pope | Characters, Themes, Summary, Analysis — Transcript

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0:00[Music]
0:00the rape of the lock can't open by
0:03Alexander Pope Characters themes summary
0:07analysis
0:09hello and welcome to the discourse the
0:12rape of the lock is a mock heroic
0:14narrative poem by Alexander Pope that
0:16was published in five cantos during the
0:18years
0:201712-1714. the first two cantos were
0:23published anonymously in May 1712 and
0:27the complete poem with five cantos was
0:29republished in March 1714 that mentioned
0:32Alexander Pope as the writer it is a
0:35long mock heroic narrative poem with 794
0:38lines in total the first Canto consists
0:41of 148 lines the whole poem is written
0:44in heroic couplets mostly arranged in
0:47iambic pentameter
0:48Alexander popes the rape of the lock and
0:51Samuel Butler's hudibras are considered
0:53the finest examples of hybrid lists or
0:56mockery the term lock in the title
0:59represents one of the hair locks of
1:01Belinda which are so lucrative that they
1:03can bring the destruction of mankind
1:05that is the male folk the term rape in
1:08the title doesn't mean sexual rape but
1:11it holds the older meaning of the word
1:12derived from the Latin word repre which
1:15means to Rob to grab to carry up or to
1:18snatch
1:19however it is a mock heroic satirical
1:22poem that involves exaggeration
1:24Alexander Pope exaggerates the act of
1:27cutting of a lock of hair of palinda in
1:30canto 2 and equates it with a man taking
1:32advantage of a woman's innocence and
1:35hence adds up a theme of sexual
1:37violation
1:38the main plot of the poem was based on a
1:41real incident involving Arabella farmer
1:43and her Suitor Lord Robert Peter who
1:46both belonged to two aristocratic
1:48recusant families
1:49a minor dispute over a mischievous act
1:52by Robert Peter became a huge issue that
1:55led to the dissolution of his engagement
1:57with Arabella
1:59after the Glorious Revolution of 1688
2:02the whole Catholic community of England
2:04was facing difficulties under the laws
2:07like the test act during such a period
2:09this minor incident became the reason
2:12for a huge dispute between two of the
2:14major English Catholic families
2:16John Carroll who was the second Jacobite
2:19Baron of durford witnessed the incident
2:21between Arabella farmer and Lord Peter
2:24he commissioned Pope to turn the
2:26incident into a jest in the hope that it
2:28would encourage reconciliation between
2:30the two families
2:32Pope makes the heroic world with the
2:35social to depict the anomalies
2:37juxtapositions ironies and hypocrisy of
2:40the current Society who appears of the
2:43sophisticated mask of the 18th century
2:45people denuding their Ugly Faces by
2:48presenting serious topics through
2:50giggles and thus made the audience of
2:53his time laughing at their own Follies
2:56characters of the rape of the lock
2:58Belinda is the heroine of the rape of
3:00the lock she is a young beautiful
3:02poppish girl belonging to a rich family
3:06Pope based this character on arabara
3:08formal former the daughter of an
3:11aristocratic Catholic Family she was
3:13engaged to her Robert Peter who sniffed
3:16a lock of her hair without permission
3:18thereby causing a rift between their two
3:21families that resulted in the
3:23dissolution of Engagement of Arabella
3:25with Robert Pope depicts this incident
3:28in the poor the baron is based on Robert
3:31Peter he is an admirer of Belinda who
3:33desires her he cuts off a lock of her
3:36hair in a mischievous act that fills
3:39Belinda with rage and anger
3:42Carol is a member of the party he is
3:44mentioned only once and he is the
3:46dedicated of the poem Carol is John
3:49Carroll a friend of popes who
3:51commissioned Pope to turn the incident
3:53into a jest Clarissa is a woman
3:55attendant at the Hampton Court party
3:57where the incident took place she helped
4:01the baron in cutting off the hair lock
4:03by Landing her swing scissors to the
4:05baron later on she tries to calm Belinda
4:08down and sermonizes on the affirmal
4:11nature of Beauty and the importance of
4:13Good Sense Once a woman's looks have
4:16faded
4:17Ariel is Belinda's Guardian self his
4:21task is to protect the kokatisk virgin
4:23girls with the aid of an army of silks
4:26the character of Ariel is based on
4:28Shakespeare's The Tempest
4:31brilliante is a self is assigned to God
4:34Belinda's earrings
4:35self-momentila guards her watch while
4:38Chris's crispizza guards her favorite
4:41hair locks
4:43umbriel is a mischievous groom who
4:45instigates Belinda and intensifies her
4:48despair at the loss of her hair
4:50tail stress is a friend of balinda who
4:53convinces Belinda to take revenge on the
4:55baron for his action against her owner
4:58Pope took her name from Amazonian queen
5:01of Greek mythology sir plume his
5:04theltrie's pure
5:06Betty is a maid servant of Belinda and
5:08shock is her lap dog
5:10summary of the rape of the lock first
5:12came to lines 1-31
5:15Alexander Pope begins his mock epic with
5:18an outlining of the subject of the poem
5:20what dire offenses from Amorous causes
5:23Springs what Mighty contest rise from
5:26trivial things
5:28Pope suggests that Love and War are
5:30correlated to each other because love
5:32gives birth to cruel contests that often
5:35turn into bloody wars the lust and
5:37Amorous feelings of men often lead to
5:40dire consequences then following the
5:43classical approach of Greek authors he
5:45invokes his Muse for the poem which is
5:48which is the goddess of art and poetry
5:50to bless this verse but unlike the
5:52classical authors and Milton in Paradise
5:55Lost he doesn't name his Muse Pope
5:58requests the goddess Muse to help him
6:00gain the approval of both Caril and
6:02Belinda John Carroll and Arabella Farmer
6:05for this poem as he knows that despite
6:09the subject being trivial his efforts
6:11have turned it into an epic that will
6:13bring praise and fame
6:16he then brings forth the dispute and
6:18wonders what made a well-bred and
6:20educated Lord Robert Peter offered his
6:23beloved through mischief and what made
6:25Belinda reject his love
6:29pope then expertly describes a common
6:31day of a young female of an upper middle
6:33class family in England mockingly as if
6:37the female is a goddess or an important
6:39barrier
6:40he describes the beauty of Belinda and
6:43says that as Saul the sun rises it drops
6:46the light rays into the room of Belinda
6:49through the white curtain in a nervous
6:52manner as if the Sun is worried and
6:54doesn't want to disturb the Sleeping
6:56Beauty as Belinda opens up her eyes they
6:59shine more than the sun itself it is
7:02midday and Belinda her lab dogs also
7:04wake up Pope calls her Sleepless lover
7:07who woke up exactly at 12 o noon she
7:11pushes her hand well Thrice to call the
7:14servants but none appear and hence she
7:16falls back to the pillow and sleeps
7:18again
7:20she then has a dream in which a handsome
7:22young man appears in the most
7:24fashionable dress
7:25Belinda finds him more attractive than a
7:28Suitor and blushes as he reaches near
7:30the young man Whispers in her ear that a
7:34beautiful girl like Belinda must be
7:36protected against the Airy elves the
7:39young man is God Is the Guardian silver
7:41Belinda who asks her if she has heard of
7:44the fairies and Angels who live in the
7:47air and appear in the dark places on a
7:50full moon night
7:52lines 32 to 64. the handsome man of
7:55Belinda's dream further mentions the
7:57fairies that keep silver pennies in the
7:59shoes of young beautiful girls at night
8:01or those who dance on the green grass
8:04the young man who is the guardian self
8:07of Belinda says that if she ever
8:09believed in such fairies and Angels
8:11which of course are true and real visit
8:15virtuous themselves with golden crowns
8:17and garlands of flowers then she must
8:20know her impressive worth and should
8:22protect her virtuous self
8:24the self advises Belinda not to bow down
8:27to Earthly desires that can bring filth
8:30to her virtuous self the young man then
8:32reveals some secrets that are known only
8:35to innocent children and are kept away
8:37from grown-up adult men
8:40is that the angels and fairies he is
8:42talking about were living beautiful
8:44women in the past who died in this world
8:46but their desires and vanities remained
8:49and became the reason for their
8:51afterlife
8:52Indian classifies the Angels into groups
8:55and says that when a proud beautiful
8:57woman dies she dissolves into the five
9:00elements of the earth a violent and
9:02quarrelsome woman turns into a
9:04salamander as they represent fire the
9:08emotional woman with soft hurts become
9:10nymphs in their afterlife while the
9:13serious minded movement turn into gnomes
9:15and roam on Earth to continue their
9:18mischievous Acts
9:19lines 65 to 105 The Guardian silver
9:23Belinda continues to describe the
9:25afterlife of beautiful woman who die and
9:28says that when a light-hearted
9:30flirtatious girl dies she turns into a
9:33self with a duty to protect the virtue
9:35of Virgin flirtatious girls who have
9:38rejected all love affairs
9:41he then defines the selves and their
9:43powers and says that herself is beyond
9:45the limits of human beings as they can
9:47take any shape and sex they prefer any
9:50time these cells protect the weak
9:53Coquette is girls from falling into the
9:55charms of seductive men at parties corn
9:58country balls and marked dances they
10:01protect the girls from the seductive
10:03gauges of young lovers during their weak
10:05phase when they find themselves in such
10:08situations that tempt them for male
10:10companionship
10:11the young man says that all intelligent
10:14people know that cells protect virgin
10:16beautiful girls while men Safeguard
10:19themselves for their self-respect he
10:22says that cells often face the challenge
10:24of gnomes who continue to play their
10:27mischievous acts on young girls who are
10:29proud of their beauty and vanity gnome
10:32stamped such girls pump their pride and
10:35vanity and make them believe that some
10:37young handsome Lord will sacrifice all
10:39his wealth and self for their love and
10:42will address them with the utmost
10:44respect calling them your grace
10:47the young man of Belinda's dream then
10:49says that the selves not only protect
10:52virgin girls against seductive
10:54mischievous men but they also help them
10:56in the most difficult puzzles of fashion
10:59the girls often face moreover
11:02these cells continue to change their
11:04shape to offer entertainment to these
11:06cookies young girls and don't allow them
11:09to settle for any handsome man and lost
11:12their virginity to him lose their
11:14virginity to him he says that a virgin
11:16girl will never lose her virginity if
11:19she continues to attain gauges from a
11:21better man every time she finds a good
11:23man interested in her so if a girl falls
11:27for florio's charm a self will take the
11:30shape of diamond to attract her towards
11:32himself
11:34thus the continuous interchange of one
11:36option to the better one is the tricks
11:39of the shelves to protect the young
11:40virgin coquettes girls who never stop
11:43flirting with the new attractive man
11:45lines 106 to 148.
11:48the self then introduces himself in the
11:51106th line as Ariel who is the guardian
11:54of Belinda as he must protect her
11:57against any danger to her virtuous cook
11:59at itself
12:00he says that since the safe selves are
12:03spirits of high air he could see
12:05something untoward is coming in near
12:07future and thus he came to inform and
12:10warn Belinda he says that though he
12:13doesn't know how and when something
12:15deeply wrong will happen in her life if
12:18she doesn't remain alert he requests her
12:21to keep her guard at all moments and
12:23remain away from Men
12:25Ariel is interrupted at shock the lap
12:27dog of Belinda licks up her chin and she
12:31wakes up Ariel soon vanishes as Belinda
12:34notices a love letter sent by some of
12:36her lovers in which he Praises her
12:39Angelic Beauty and confesses how he has
12:41been engrossed by her thoughts
12:44Belinda soon forgets her dream and the
12:46warning of by Ariel and moves to her
12:49toilet
12:50her toilet is very extravagant and
12:53grandious with silver pots and Shining
12:55mirrors it is so clean and spotless that
12:58deities Roman in the toilet
13:01she wears a beautiful white dress
13:03without a headdress and sees herself in
13:06the mirror with pride she bends her body
13:09as her eyes are raised to see her image
13:11in the mirror it appears as if she is
13:13worshiping the toilet deities like a
13:16high priestess her mate servant batty is
13:19standing behind her and she feels
13:21nervous like an inferior Priestess who
13:24doesn't want anything go wrong as that
13:26will bring the Wrath of the high
13:27priestess towards her
13:29Melinda engages in the highly
13:31prestigious ritual of her makeup as
13:34Betty opens up the various caskets
13:36containing cosmetic items collected from
13:38all over the world
13:40one casket contains glorious gems and
13:42javels from India while the other
13:45contains perfume from Arabia there are
13:48some Combs made of tortoise shells while
13:50some milky white Combs are carved from
13:52Ivory one of the Cascades contains
13:55shining pins Puffs powders patches a
13:59Bible and love letters
14:01Belinda adones the shiny pins on her
14:03beautiful dress uses Puffs and powder on
14:06her skin and glares at the love letters
14:08with interest
14:10she is preparing herself for the party
14:12that she has to attend where they will
14:15meet there will be male folk she is
14:18unaware but the selves are observing her
14:21protecting her and assisting her in
14:23getting ready for the unknown challenge
14:25that she has to face about which Ariel
14:28warned her she is preparing herself like
14:31a barrier princess equipping herself
14:33with all sorts of weapons before raising
14:36to the Battleground
14:37has a toilet ritual completes she
14:40appears more like a Divine Beauty she
14:43shines and appears more attractive with
14:45much more captivating charms
14:48the blushes on her cheeks show all the
14:50Wonders on of her face while her
14:52eyelashes flash as bright as the
14:55lighting in the sky the army of selves
14:58Guardian God guarding her are all
15:01assisting her as some set her hair some
15:03others take care of the sleeves of her
15:05dress while some selves are taking care
15:08of her Petticoat and the plates of her
15:10gown though the cells diligently
15:13contributed to her rituals Betty takes
15:16all the credit away
15:17analysis of the rape of the lock
15:20Pope used mock heroic elements
15:22throughout the Canto one right from the
15:24beginning
15:25he invokes the unnamed Muse at the
15:27beginning and then expresses variating
15:29deities interfering in the lives lives
15:32of human beings as happens in Greek
15:34epics he presents the central issue of
15:37the poem in an epic manner then he
15:40satirizes the daily routine of women in
15:42the 18th century while mocking the
15:44passions in a mock heroic pattern he
15:47continues to offer satirical
15:48juxtaposition and shows how the people
15:51of those times gave more importance of
15:54to property than religion imagery has
15:57been used to perfection
15:59Belinda's glamor makes the Suntec
16:01tremble while the sacred Rites of Pride
16:03offers an image of some religious ritual
16:06Pope uses hyperbole while describing the
16:09beauty of Belinda and he personifies
16:11many inanimate things anaphora has been
16:14used in the beginning
16:16while alliteration has also been used in
16:19many instances Pope mentions women's
16:21films as a toy shop which is a metaphor
16:24so this is it for today we will continue
16:27to discuss the history of English
16:28literature please stay connected with
16:31the discourse thanks and regards

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