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The Psychology of Building a Personal Brand People Beg To Buy From — Transcript

by Joanna Wiebe · 2,310 words · 366 segments · language en · Watch on YouTube

Full transcript

  1. 0:00If you want [music] to build a personal
  2. 0:01brand that gets millions of followers
  3. 0:03and makes you real money, you need to
  4. 0:05master the psychology of creating
  5. 0:07content. [music] Look, I'm a millionaire
  6. 0:08copywriter. I have directly coached
  7. 0:10personalities behind brands, [music] and
  8. 0:12I've learned that the top 1% of personal
  9. 0:15brands all follow a few key principles
  10. 0:18that make them impossible to ignore. So,
  11. 0:20[music] these are the six principles
  12. 0:21that'll help you build a personal brand
  13. 0:23so strong and stand out in any industry.
  14. 0:26First, we're starting with why most
  15. 0:28people stay invisible even when they say
  16. 0:31they want views. Their fear of being
  17. 0:34seen. Here's why most people stay broke
  18. 0:37with their personal brands. They're
  19. 0:39pretending they want to be visible while
  20. 0:42actively making up reasons to hide. They
  21. 0:45believe in stuff like, "I don't look
  22. 0:46right for the camera. The market's too
  23. 0:48crowded." Or as one subscriber recently
  24. 0:51said to me, "Joe, I don't have charisma,
  25. 0:54so I can't build a personal brand." But
  26. 0:56here's the thing, none of it is real.
  27. 0:58None of it matters because the most
  28. 0:59famous people don't think they're good
  29. 1:01enough either, but they do it anyway.
  30. 1:04For example, Beyoncé, she's told us she
  31. 1:06doesn't walk on stage as herself,
  32. 1:08[music]
  33. 1:08she becomes Sasha Fierce. Most people
  34. 1:11think that means she's naturally
  35. 1:12confident and you're not, but here's the
  36. 1:15truth. She created a character she could
  37. 1:17step into because performing as herself
  38. 1:20just felt too exposed. Seeing yourself
  39. 1:22as someone who doesn't possess the
  40. 1:24traits necessary to succeed is honestly
  41. 1:27just a comfortable lie that you are
  42. 1:28telling yourself. That's the fundamental
  43. 1:31attribution error at work. Explaining
  44. 1:33your struggles as permanent character
  45. 1:36traits instead of recognizing you just
  46. 1:38haven't practiced enough. Your brain is
  47. 1:40constantly weaving stories trying to
  48. 1:42make sense of everything, [music] but it
  49. 1:44is also lazy and prone to making
  50. 1:48terrible judgments. Like your
  51. 1:49grandmother looking at your career
  52. 1:51success and saying, [music]
  53. 1:52"Well, of course you're successful. You
  54. 1:54were able to read at an eighth grade
  55. 1:55level when you were four." What does
  56. 1:57early reading have to do with becoming a
  57. 1:58successful lawyer now? Nothing,
  58. 2:01actually, but her brain connected the
  59. 2:03dots. Find your version of Sasha Fierce.
  60. 2:06Create an alter ego that you step into
  61. 2:09when you're on camera or when you're on
  62. 2:11stage. I mean, it doesn't need a name. A
  63. 2:13name just gives you permission to show
  64. 2:15up a little bit differently. Then,
  65. 2:17[music] join communities where people
  66. 2:19are already visible. Listen to their
  67. 2:21stories. Let [music] your brain weave a
  68. 2:23new narrative where being seen is
  69. 2:26normal, it's not terrifying. That shift
  70. 2:29in the story breaks the hiding cycle.
  71. 2:31To uplevel your game, next up, number
  72. 2:34two, find your superpower. The mistake
  73. 2:36[music]
  74. 2:37that keeps personal brands generic is
  75. 2:39trying to be about everything instead of
  76. 2:41owning
  77. 2:42>> [music]
  78. 2:42>> one specific thing. Cody Sanchez didn't
  79. 2:45build a brand on investing, she built it
  80. 2:47by buying boring businesses to get rich
  81. 2:51the boring way. That's a red thread.
  82. 2:52That's a superpower. [music] But most
  83. 2:54people insist on trying to hit every
  84. 2:57person at once. [music] Now, as a
  85. 2:58result, they build a brand that doesn't
  86. 3:00have any cohesion. Worst of all, they
  87. 3:03build a brand that doesn't sell. Having
  88. 3:05a superpower is the only way to sell.
  89. 3:09Cody can [music] build coaching programs
  90. 3:11around that one concept, events around
  91. 3:14it, and even her book, Main Street
  92. 3:15Millionaire, around it. But remember, a
  93. 3:17superpower has to be something specific
  94. 3:20and unique. [music] A lot of people
  95. 3:21might have, you know, rags-to-riches
  96. 3:23story, that doesn't mean you can build
  97. 3:26personal brand
  98. 3:26>> [music]
  99. 3:27>> on that. This same idea applies to where
  100. 3:29you choose to show up online. So, great
  101. 3:31personal brands don't actually try to be
  102. 3:32everywhere. They choose one [music] or
  103. 3:35two channels and become unmissable
  104. 3:38there. If you're unclear about what
  105. 3:40you're doing on YouTube, but you know
  106. 3:42what you're doing on LinkedIn, focus on
  107. 3:44LinkedIn. When you know your value
  108. 3:46proposition for your message in a
  109. 3:48channel, you belong there and you can
  110. 3:50provide real value there. Now, the best
  111. 3:53framework to identify your superpower is
  112. 3:55[music] to basically position your
  113. 3:57spider bite, that is your method or your
  114. 4:00thinking. For example, your spider bite
  115. 4:02is how you got your superpower, like Ali
  116. 4:05Abdaal going from med student at Oxford
  117. 4:06[music]
  118. 4:07to productivity influencer. Your method
  119. 4:10is how you produce your work, like
  120. 4:12getting up at 3:00 a.m. every single
  121. 4:14day. Your thinking is your unique
  122. 4:16approach to [music] systems or
  123. 4:17frameworks. Then, name it. Dan Martell
  124. 4:20has the Martell Method. I have the Weeb
  125. 4:22Way. Give it a [music] name and people
  126. 4:24can finally refer to what you do
  127. 4:26specifically. That's when your personal
  128. 4:28brand becomes sticky and memorable. This
  129. 4:30brings us to principle three, build a
  130. 4:33tribe through shared language. Here's
  131. 4:35what everyone misses. People are so
  132. 4:37hungry for belonging that they will
  133. 4:39study your rituals to become more like
  134. 4:42you. I was at an Alex Hormozi event a
  135. 4:44couple years back, and there was this
  136. 4:46dude walking around that wasn't Alex
  137. 4:48Hormozi. He was walking around with a
  138. 4:50Breathe Right strip on his nose, and I
  139. 4:52was like, "Oh my gosh, you are
  140. 4:54completely costuming yourself like this
  141. 4:57person you look up to. Alex Hormozi is
  142. 4:59the template [music] for who you want to
  143. 5:01be, and now you're studying him to
  144. 5:03become more like him. Completely
  145. 5:05normal." And it's also not an isolated
  146. 5:07case. There was a study in 1987 study
  147. 5:10found tribes [music] form around what's
  148. 5:12basically a prototype leader. So, these
  149. 5:15are people who seem like ideal members
  150. 5:17of the group. The prototype is basically
  151. 5:18[music] a template for how everybody
  152. 5:21else should behave. That's why so many
  153. 5:23people have day in the life videos right
  154. 5:25now, to set the template. [music]
  155. 5:27So, if anyone follows this person and
  156. 5:28they want to be like them, have the
  157. 5:30success they have, now they know exactly
  158. 5:32what to do in the day. If you have a
  159. 5:33personal brand, you are the prototype.
  160. 5:36That means people are looking to you for
  161. 5:39how to behave like you,
  162. 5:40>> [music]
  163. 5:40>> what to value, and even how to structure
  164. 5:42their days. This is where shared
  165. 5:44language becomes really, really
  166. 5:46powerful. When you use specific terms
  167. 5:49like [music] stuck in the gap, you're
  168. 5:50creating ally signals. People who get it
  169. 5:53recognize [music] each other and feel
  170. 5:55part of something bigger than
  171. 5:56themselves. So, develop shared identity
  172. 5:59markers. Create specific language that
  173. 6:01your tribe [music]
  174. 6:03uses, like values they connect with,
  175. 6:05rituals you demonstrate that your
  176. 6:07followers can tap into, and then start
  177. 6:09doing those as well. Share your rituals,
  178. 6:11whether it's getting up at 3:00 a.m. or
  179. 6:139:00 a.m., or how you structure your
  180. 6:15work sessions. People are interested in
  181. 6:18being part of a tribe and having
  182. 6:19somebody they can follow. [music] And
  183. 6:21these details give them a really
  184. 6:23tangible template. Now, the next
  185. 6:26principle completely changed my content
  186. 6:29strategy, move from trade school to
  187. 6:32church. Gary Vaynerchuk was, in my
  188. 6:34opinion, slightly boring when he gave
  189. 6:36wine facts. I mean,
  190. 6:38who cared about Gary V and wine? But he
  191. 6:41became massive when he shifted to
  192. 6:43stories and parables about what he and
  193. 6:46his audience go through and how they
  194. 6:47think. Most people think how-to [music]
  195. 6:50content builds audiences, but here's the
  196. 6:51truth. People can get how-to content
  197. 6:54anywhere. What they can't get is help
  198. 6:56interpreting their world. That's the
  199. 6:58difference between trade schools and
  200. 7:00churches. Trade schools teach you how to
  201. 7:03do something, that's work. Churches
  202. 7:06teach you [music] how to think, that's
  203. 7:07transformation. You learn processes at
  204. 7:10trade school, you learn interpretation
  205. 7:12at church. Stories, parables,
  206. 7:14frameworks, not instruction manuals.
  207. 7:18This is why [music] the best way to make
  208. 7:19people follow you is to position
  209. 7:21yourself as basically a translator of
  210. 7:24hidden truths. So, Andrew Huberman does
  211. 7:27this brilliantly. He translates [music]
  212. 7:29what PhDs know into what everyone can
  213. 7:32know. He's taking the human brain and
  214. 7:34how our bodies work and making it
  215. 7:36accessible to us. When you help [music]
  216. 7:38people interpret their world, instead of
  217. 7:40just like teaching them processes,
  218. 7:41you're building something much deeper.
  219. 7:43You're not just giving them information,
  220. 7:45you're giving them a framework for
  221. 7:46understanding every single thing that
  222. 7:48they encounter. Now, if this is
  223. 7:49something you find [music] interesting,
  224. 7:51you might be a really great fit for
  225. 7:52Authority Figures, where creators and
  226. 7:54entrepreneurs become a top 1% authority
  227. 7:57in their category. [music] There's a
  228. 7:58link in the description. Finish watching
  229. 8:00this video and then check it out. Tell
  230. 8:02stories rather than sharing [music]
  231. 8:04facts. Stop doing how-to content
  232. 8:07exclusively. Yes, part of what you
  233. 8:09[music] offer might be, here's how to
  234. 8:11sit down and prepare appropriately, but
  235. 8:14a bigger part should be to help me
  236. 8:16understand and interpret this world.
  237. 8:17[music]
  238. 8:18Share failures as you go, too. People
  239. 8:21love stories of success, but [music]
  240. 8:24they also then love failure. There's
  241. 8:26this old saying, people like [music] to
  242. 8:28create kings not to worship them, but to
  243. 8:30watch them fall. So, share your
  244. 8:32struggles along the way, it makes you
  245. 8:35relatable and harder to knock down
  246. 8:37later. Now, on to principle number five,
  247. 8:39negativity gets clicks, but purpose gets
  248. 8:42cash. If you want to understand human
  249. 8:44motivation, you need to take a look at
  250. 8:46this study. It identifies six core
  251. 8:48motivation systems, seeking, fear, rage,
  252. 8:51care, play, and sadness. Cool, here's
  253. 8:54the twist. These motivators are not all
  254. 8:57equal. While negative feelings like
  255. 8:59fear, rage, and sadness can get people
  256. 9:02to click on all sorts of videos, when it
  257. 9:04comes to taking action, people are
  258. 9:06actually more likely [music] to open
  259. 9:08their wallets when they're in a positive
  260. 9:10state. That's why the best advertisers
  261. 9:12on media outlets that prioritize rage
  262. 9:14bait are selling $20 pillows and cheap
  263. 9:17things, [music] not expensive things.
  264. 9:19When your audience sits stewing
  265. 9:22>> [music]
  266. 9:22>> in a state of fear or rage, they don't
  267. 9:24want to buy. But when you inspire people
  268. 9:27to feel things like curiosity or
  269. 9:29playfulness, positive emotions, they
  270. 9:31invest more. So, the lesson here is to
  271. 9:33inspire people to feel something [music]
  272. 9:36good. We want to be able to reinforce
  273. 9:38our values, the values that we have in
  274. 9:41our messaging, in our personal [music]
  275. 9:42brand, to the point that it feels like
  276. 9:44you're basically tapping into a deeper
  277. 9:47purpose in your followers. When I work
  278. 9:49with brands, one of the early things
  279. 9:51that I do is ask who they're an advocate
  280. 9:53[music] for, and that can give the whole
  281. 9:55brand a deeper purpose. For example, if
  282. 9:58Wistia is an advocate for independent
  283. 10:00filmmakers or video content creators,
  284. 10:03then they're tapping into a much deeper
  285. 10:05purpose as a [music] brand. So, stop
  286. 10:07watering down your message. Say things
  287. 10:09that make people feel [music] something
  288. 10:12real. Reinforce your values until it
  289. 10:14feels like you're tapping into a deeper
  290. 10:16purpose. Ask yourself, "Who am I an
  291. 10:19advocate for?" And answer that clearly.
  292. 10:21[music] Your brand will gain a deeper
  293. 10:23purpose that goes beyond features,
  294. 10:26credentials, or results. You become
  295. 10:28someone worth following into the dark.
  296. 10:30And lastly, number six, packaging isn't
  297. 10:34just decoration.
  298. 10:35>> [music]
  299. 10:35>> It's actually clarity. Think about
  300. 10:37tomato soup. If you put tomato soup in a
  301. 10:40plain tin can with a yellow label in the
  302. 10:43no-name area of the store, you're
  303. 10:45dealing with a 59 cent product. If you
  304. 10:48put the same soup in a small cardboard
  305. 10:50box with like a French name on it, now
  306. 10:52it's a bisque. Put it in a mason jar
  307. 10:55with craft [music] paper and like a
  308. 10:56hand-drawn label of someone's grandma on
  309. 10:59the front, and now it's handcrafted
  310. 11:01tomato soup. Packaging is the signal of
  311. 11:03what to expect from a product, what it's
  312. 11:06worth, and it's an identifier. [music]
  313. 11:08So, every time I go back to the store, I
  314. 11:10don't even have to know the name
  315. 11:11necessarily. I can just say,
  316. 11:13>> [music]
  317. 11:13>> "Get the French tomato bisque. It's in
  318. 11:15this cardboard box. You'll see it.
  319. 11:16You'll know it." A lot of people think
  320. 11:18their personal brand packaging is just
  321. 11:20like, "Whatever. Whatever I wear.
  322. 11:22However I look." But it's not optional.
  323. 11:23You don't want to accidentally [music]
  324. 11:25find yourself thinking you're a bisque
  325. 11:28and ending up in a yellow-labeled 59
  326. 11:31cent can of tomato soup. This is about
  327. 11:34signal clarity. [music]
  328. 11:35Packaging helps people feel grounded,
  329. 11:38like they know and they trust [music]
  330. 11:40and they like you. It tells the audience
  331. 11:42what to expect from your product and
  332. 11:44what it's worth and how to bucket you,
  333. 11:46how to categorize you. Do I take you
  334. 11:48seriously or is this like a light and
  335. 11:50easy thing? That's determined by your
  336. 11:52packaging. [music] What do you wear? Do
  337. 11:54you wear glasses? What style? Have you
  338. 11:56been intentional about those? Do you
  339. 11:58have a distinctive hairstyle? Is there
  340. 12:00something about the industry you're in
  341. 12:02that you could really make your own? So,
  342. 12:05be intentional with your like physical
  343. 12:07identifiers. [music] Your style of
  344. 12:09glasses, your hair, a red blazer like I
  345. 12:12wear in videos, even something like a
  346. 12:14bright blue apron if [music] you're
  347. 12:15gardening. These signals help people
  348. 12:18recognize and trust you pretty
  349. 12:19instantly. And this becomes part of that
  350. 12:22[music] prototype template we talked
  351. 12:23about earlier. When people see your
  352. 12:25packaging, they could put that on and
  353. 12:28feel like you. It creates [music]
  354. 12:30belonging and recognition, and that's
  355. 12:32what separates memorable brands from
  356. 12:35forgettable ones. Now you know the six
  357. 12:37principles that separate personal brands
  358. 12:39that make money from personal brands
  359. 12:41that just [music] make noise. But none
  360. 12:43of them work unless you master the exact
  361. 12:45words that make people listen, trust
  362. 12:46you, and say yes. So, click the next
  363. 12:48video and I'll show you the five
  364. 12:50techniques the top 1% use to articulate
  365. 12:53their words with power, respect, and
  366. 12:55leverage.

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