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The Cully Hill Boys | N3on, Israel Adesanya and MK | AI Action Film — Transcript

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0:27The did you kill him for? I SAID NOBODY
0:30GETS TOUCHED.
0:30>> THEN WHY'D YOU GIVE us shooters, Roger?
0:33>> Shut your mouth, you muppet. Don't use
0:34my name. Someone could hear us. [music]
0:36Now grab the phone quick before we're
0:37seen.
1:07>> [music]
2:01>> You want I should make an example out of
2:04them?
2:06No, I want my face to be [music] the
2:09last thing they see as I dissect their
2:12last breaths from their lungs.
2:16>> Babu down. Monty, what the dude? YOU
2:19KNOW BOBA HAS CHICKEN ALLERGY?
2:22SERIOUSLY, if you're going to just stand
2:24there and watch, then you'll be the one
2:26who cleans up after him when he HIS
2:28LITTLE DOGGY LUGS OUT ALL OVER THE
2:30RESTAURANT.
2:39I don't know. Dimatri, get me names.
2:42>> If they leave you no other choice, kill
2:44everyone.
2:50[screaming]
3:05Is that [snorts]
3:10spices?
3:11>> Supposed to be over2 million pounds
3:13packed in this little nut.
3:16Who smuggles coriander in aing boat?
3:19Someone who suspects it might get
3:20nipped. Or
3:23where'd your boys go after you left the
3:25pier?
3:27What the is that supposed to mean?
3:29[music] We came here and waited for
3:31youing pricks like we wereing told.
3:33Let's go through it step by step, shall
3:35we?
4:07Ruth, talk to me. What am I hearing?
4:10>> Fireworks. Field past the hedge.
4:12>> Fireworks.
4:13>> Kids probably
4:14>> in the middle of You see anyone out
4:16there?
4:16>> No one. Field's empty.
4:17>> Then who's the lighting them? [snorts]
4:21>> [ __ ] fireworks.
4:34What the hell?
4:48Heat. Heat. [music]
5:00[music]
5:27Suk
5:34I'm not trying to pick on them easy when
5:36I get to them aches groans hungry for
5:39the things you cannot postpone them
5:40needing
5:48Oi.
5:50>> Yeah. What's up? [music]
5:51>> Bit of a change, gentlemen. The opening
5:52group took another gig. Opening for the
5:54aces tonight. So, you're on in say 10
5:57>> in 10? What? We supposed to play to the
5:59staff?
5:59>> Sorry, gents.
6:02>> Where the is Ollie?
6:06>> Keep your paws off me, bro. I'll let the
6:09beast out the cage. You don't go BACK
6:10UNTIL IT FEEDS. TRUST THAT. COME ON
6:12THEN. EASY, LADS. EASY.
6:14>> Come on then. I'm right here.
6:15>> This little chick one of yours.
6:16>> Say it again, bro. Say it.
6:18>> Yeah, he's with us. Ollie, CALM THE
6:20DOWN.
6:20>> NAH, LET HIM COME. CAL,
6:22>> THIS PIECE OF [ __ ] punched me in the
6:24face.
6:25>> SHOULDN'T HAVE CALLED ME NAMES THEN.
6:27>> You should be careful, mate. That murky
6:29aura suggests you hold on to negative
6:31energy which could plague you with
6:33health problems later in life.
6:36>> Who are you? The Dy [ __ ] llama. Keep
6:39your boys in check.
6:46>> Can you manage not being so dramatic for
6:47one evening? Ollie,
6:48>> been a rough one, fam. Got evicted
6:50today.
6:51>> Your mom kicked you out
6:54>> again.
6:56>> Oh, hi Horus. Thanks for helping me sort
6:58out that.
7:00At least I still got the penthouse.
7:02>> You mean the moldy tent you set up on my
7:04roof?
7:05>> Not moldy, just a bit weathered.
7:07>> Right. All right. And where is your
7:08shirt?
7:08>> I've determined I look much harder. We
7:10without it. Like Tupac.
7:11>> And Tupac got shot, bro. So put
7:13something on already.
7:15>> Let them shoot. They can wound the body.
7:18They can't touch the soul, bro.
7:22>> You got a shirt.
7:26Right. I've got to make a call. You got
7:27to sit tight. Oris,
7:30keep an eye on Ollie. Yeah.
7:38Hello.
7:39>> Maya Abblest.
7:41>> Dad.
7:42>> Negative. I am a policeman. We have
7:45received multiple reports of you
7:46battering boys at school. What you got
7:48to say for yourself?
7:49>> They deserve what they get. You come
7:51into my exhibition tomorrow night.
7:53>> Not miss it for the world.
7:54>> You promise?
7:55>> I promise. But listen, I got a big show
7:57tonight. I need a bit of that Maya
7:58magic.
8:00>> Okay. When you get on stage, pretend
8:02I've been kidnapped and they got a gun
8:03to my head and the kidnappers [music]
8:05tell you, "Play the best show of your
8:07life or we are going to blow your
8:09daughter's head off."
8:10>> My god, that's dark. I don't even want
8:12to imagine it.
8:13>> Wash your hands.
8:17>> Show tonight.
8:19>> Yeah.
8:22Half this city that made it big, they
8:24all played the commons.
8:27After the gig, I'm taking you and Maya
8:29out to eat on me. Yeah.
8:32>> Anything good in here?
8:34>> Dinner's on the table.
8:39>> Good luck.
8:47[cheering]
8:50>> Reload that.
8:52>> Yeah. [cheering]
8:54Listen.
8:56Listen. This moment is like we frozen in
8:59time. When I was a type, I used to climb
9:01the roof of me stage. The moon is me
9:02light spending a mic. Pretend it's a
9:09real
9:12test. This stress I [music] rest unless
9:14you possess my check. I test so fresh.
9:16Confess you impressed with the way I
9:18dress. Dope. Nope. An anomaly joke. Who
9:21the boy? This is a comedy. Honestly, you
9:23ain't seen no one me. You're looking
9:24[music] at hip HOP'S NEWEST PRODIGY.
9:30>> [music]
9:31>> YO YO YO ME. I'm not trying to pick on
9:34them though. It's easy pickings when I
9:35get to them. Me stomach aches, me
9:37[music] stomach groans. Hungry for the
9:38things food cannot postpone them need
9:40they catching cars. Not me. I need
9:41family like don't [music] call. Need
9:43loyalty like don't call. See me in the
9:45streets like don't call. Don't mean to
9:47preach. Top spots me reach. If I see
9:48teeth I'm holding on. I do it for the
9:50cause. Do it for [music] the game. Never
9:52for applause, never for a fame. I
9:53represent the underdog, the long shots,
9:55the rejected and the unclaimed. I
9:56[music] do it for the flaw to believe
9:57it. I don't need awards and tea sets.
9:59All I need is me daughter and a swing
10:01set.
10:03[applause]
10:17>> That was well gutted, isn't it?
10:18[laughter]
10:19What's off, Nathan?
10:20>> It's natty stacks now and the aces are
10:22making a scene. Rated all the way up.
10:25Got them views. Yeah. [snorts]
10:27>> Judging by your turnout, your fans
10:29recognize you boys are just imposs.
10:44>> What the does that mean?
10:46>> Snuggle you in real tight. get you to a
10:49quiet place forever.
10:50>> I get it. You got a thing for greasy
10:54similes. Allow it, fam. Man's not built
10:56like that, man. It's waste. You want to
10:58see how this is? Wrap things done. Come
11:00see us tonight at the Vibe or come back
11:01here Saturday night and see how to
11:03properly pack this place. Otherwise,
11:05expect me when you least expect me. But
11:08how can we not expect you when you just
11:10informed us you will come we least
11:11expect you to?
11:13Naturally, when we start to feel we
11:15don't expect you, we will be expecting
11:17you. Which now means what? You won't
11:19come at all. Just watch your backs.
11:29[music]
11:40>> [music]
11:49>> How is it we are from the same postal
11:51code, make the same kind of music, only
11:53we are way better at it, and yet these
11:55are the ones getting on.
11:58>> Man got lucky, fam. And they put out a
12:00video that got popular. He got loads of
12:03videos. loads that look like they were
12:04filmed with a potato
12:06and edited in Movie Maker.
12:09If we really want to be taken seriously,
12:11really get noticed, we need to put out a
12:13real music video with production value.
12:18>> Easier said than done in it. You need
12:20funds to make a proper video. And last I
12:21checked, Oie, you are currently sleeping
12:23on a roof.
12:24>> Don't start with five more minutes. I've
12:26heard that every MORNING FOR 3 MONTHS.
12:28GET UP.
12:29[music]
12:31>> MOM, I got in late. Late from what? You
12:34haven't even got a job.
12:36>> We're sorting something.
12:38>> Then sort this. Mr. Khan's got a
12:40delivery shift at 9:00 tomorrow. Take it
12:42or pack your bag tonight.
12:45>> And where am I supposed to go? [music]
12:47>> Somewhere you pay the bills.
12:52>> Mom, seriously.
12:53>> And Cal is just 12 hours away from
12:55joining you.
12:56>> I was in the hospital. Almost died. I
12:59have, you know. And if you did die AND
13:01DON'T HAVE MY rent paid in advance, I'd
13:03have transcended beyond to the gates of
13:04hell and got my rent payment. Trust
13:06that. CALVIN, YOU CHEEKY little wretch.
13:17[laughter]
13:19Nah, look at you, bro. Big dreams. Yeah.
13:22Ended up slapping mash oning trays in
13:25it.
13:26>> GIVE ME MYING NOURISHMENT.
13:32THANK YOU, DORIS.
13:43>> Don't have to cost much. Just have to be
13:45creative. Come up with an original idea.
13:49>> All right. Name one thing you would put
13:50in a music video if money was no object.
13:54[laughter]
13:57I don't know, a jetboat,
14:01>> a hot tub, cuz money is an object.
14:03>> And girls, that's it. We shoot a video
14:06on a jetboat that is also a hot tub with
14:08some extremely fit girls. Upload it and
14:11bam,
14:11>> a hot tub boat.
14:13>> Bingo.
14:16[music]
14:18>> Pretty sure you don't know what you're
14:19chatting about. 10 times out of 10, you
14:21put a hot tub in a lake, fill it full of
14:23water, it sinks to the [music] bottom.
14:24We not putting a hot tub in a lake. We
14:27putting a hot tub in a boat then putting
14:30the boat in a lake. You're letting
14:37[clears throat]
14:40one sec.
14:47>> You're letting science get in the way of
14:49artistic vision.
14:50>> Yeah.
14:52You got to say cough science. Then get
14:54an engineer to figure the details.
14:57>> And where do we find this engineer?
15:01>> Your uncle Roger. He's a boat engineer.
15:04That's noting true, is it? He owns a
15:07[music] boat repair shop
15:09>> and has a yard full of old clinkers.
15:17My uncle Roger is a mad man who has
15:19spent most of his life penned up in
15:20corrective custody courtsy of her
15:22majesty. Probably locked up right now as
15:24far as I know. He won't mind if we have
15:25a little look around then. Are you
15:27serious? What have we got to lose? Take
15:30a ride up there and have a little look
15:31see. It's 1:00 in the morning. His shop
15:34is in Harlem.
15:35>> Stop being so pessimistic.
15:36>> It's not pessimism. I'm sober.
15:38>> Good. Then you'll drive.
15:41>> You have both lost youring minds. You
15:43know that?
15:53Come on, RS. Give us a smile.
15:55>> He drives like me, man.
15:56>> Captain Sensible.
16:03>> What was that? Who cares? Drive, H.
16:05>> Will you two shut up?
16:39At first I was afraid.
16:41I was petrified kept thinking I could
16:44never live without you by my side. But
16:47then I spent so many nights thinking how
16:50you did me wrong and I grew strong.
16:58>> COME ON, HORUS.
17:00>> NO, it's breaking and entering.
17:02>> Come on, man. Race. Let's go. It's
17:05nothing, bro. Come on. Come on.
17:06>> Horus. Horus, do it, man. Come on, big
17:08man. Let's go. How to get along with
17:10your back [music]
17:12from my face. I just walked in here
17:17on your face. I should have [music]
17:18changed that stupid
17:22alone. Just one second. You back me. Now
17:27[music] go walk out the door. Just turn
17:31around now cuz you're not welcome
17:34anymore.
17:35Aren't you the one who'd rather hurt me?
17:39I tr [music]
17:47[music]
17:52[music]
17:54my love to give her.
17:59Hey. Hey.
18:05[music]
18:13>> [music]
18:17>> Oh,
18:19[music]
18:21I know. Walk out the door. Just turn
18:25around now. [music] You're not welcome
18:28anymore.
18:30Weren't you the one who tried to break
18:32me? You [music] think I crumble? You
18:35think I lay down and I don't know that I
18:39I
18:43know how to look.
19:09How many dead?
19:12>> Didn't exactly have time to count
19:14>> ours?
19:15>> Some of Roger's prison lackl.
19:17>> You figure Roger and his dink set it up?
19:20>> Nah, these were professional hitters.
19:22>> Then you suppose we were set up by that
19:24Pami from the jump?
19:26>> I don't know.
19:27>> Morning, Ver. I'm not a mathematician,
19:29Tobin, but if you say and it wasn't
19:31Roger or theing Deeps, then that leaves
19:33only one dumbrat in the mix capable of
19:35this charade, and that's you. I never
19:37would have agreed to this caper had you
19:38not convinced me that Tika is thicker
19:40than his father was. May you rot in
19:42hell, that horrible.
19:46But if that little Punjami is even a
19:48fraction the instincts as his old man,
19:51then you better tie it up neat. If
19:53Tikica Deep finds we the ones who moved
19:55on in him, well, then he sure as has the
19:57resources to go to [ __ ] war.
20:03[snorts]
20:04>> I don't eat fish.
20:05>> It's not aing gift. It's a reason why
20:08you're standing here chatting me up
20:09right now. Here's what you do. Get your
20:12little mate. Go back to the shop and see
20:14if Roger stashed the do. If the
20:16miserable is still breathing, use all
20:18your skills to persuade him to talk.
20:19Then burn the place to the ground and
20:21scatter his in ashes. Am I crystal?
20:23>> What about the heat?
20:26>> You better hope any calls were chocked
20:27up to the Japanese candle show those
20:29hitters put on. Yeah.
20:32>> And Tobin,
20:33if that dough don't come up or you drag
20:35this onto me doormat, I will cut you
20:37foring bait. Understood.
21:05I have tire troubles.
21:16Easy now. Looks like you had a bit more
21:19than just tire troubles. My English is
21:22not so good. This is something I am not
21:24proud of.
21:27I wish not to bring loveless things to
21:30your life.
21:31>> Turn around. Get on your knees. I am
21:34calling the authorities.
21:36>> This is a thing you want to do.
21:39Okay.
21:51You should remember the story of the
21:53spider.
22:35Old County gold that night.
22:40Trading shadows [music] in [singing] the
22:42dark.
22:46Never care for our ride.
22:52Left his cold and heavy mood
22:55[music]
22:58of gray and heart of stone.
23:03Counting coins until [music]
23:15what the hell was that, man? What did we
23:17hit? I don't know, man. I can't see a
23:19thing.
23:33Oh my god. Horus, what is wrong with
23:35you? Did you fall asleep?
23:36>> No, I mean I I DON'T KNOW.
23:39>> DON'T EVER DO THAT AGAIN. YOU ALMOST
23:40KILLED US.
23:41>> I AM SORRY.
23:43>> Did I myself?
23:46>> I myself.
23:48>> Not on the upholstery.
23:50>> I'm sorry. Not sure you noticed, but you
23:52ALMOST GOT US SPLATTERED back there.
23:54Getting a little on deceit is not really
23:56the worst case scenario, is it? I told
23:58you this was a horrible idea.
24:25My god, mate. Hurry up. How could
24:27something so heavy not sink?
24:29>> Perhaps we get an engineer to figure the
24:31details. Hey,
24:56what is that?
25:02No, [sighs] no, no.
25:06It's packed.
25:09>> Horus, why does your uncle have a boat
25:11packed full of spices and a money?
25:14>> It's not. It can't be.
25:18Tell me this isn't real.
25:21We [ __ ] filthy, fam.
25:23>> No, we're not [ __ ] filthy, fam, cuz
25:25we taking it back right now.
25:26>> HAVE YOU LOST your [ __ ] mind? No, I
25:29am being rational. This is what is
25:31called rational reasoning. Especially if
25:33you like keeping your guts on the inside
25:34of youring body. What part of my uncle
25:36and then the he commits crimes with a
25:38ruthlessing gangsters do you not get?
25:40>> Relax. Yeah. [panting]
25:44Let's just count the money.
25:50Blood. That's going to be our blood
25:52soon.
25:54>> How? Nobody knows we have it.
26:00Good afternoon, boys.
26:04>> Afternoon. You all right?
26:04>> Afternoon. Afternoon. Yeah. Afternoon.
26:07>> It's not like it's a whacked up fiverr
26:09in an old jacket pocket slaying a poco
26:12for the koala bear king. What is that?
26:14Pokémons grow up mate. All this grown up
26:17standing there with trousers. Yeah, men
26:20their trousers. Fact, fam. Real men are
26:23not afraid to their trousers for what
26:25they believe in. I can't even count. I
26:27just can't with him. Think what we could
26:28do with this much money. Quit our jobs.
26:31Devote ourselves to our music full time.
26:33Record our album. Yeah. This money could
26:36change our lives. We turn it into the
26:39feds.
26:39>> We turn it in.
26:41We link ourselves to whatever crime is
26:43connected to. You suggesting we keep it?
26:45No. But we don't have to not keep it.
26:49Also,
26:52I mean, currently you live with [music]
26:54your mom. Ollie is homeless and then
26:56every day I don't spend with my M is
26:57another I don't get back.
26:59I can't afford to wait for things to
27:01just happen on their own. I have to make
27:03them happen.
27:05And maybe this is a [music] break.
27:10But we have to be smart until things
27:12cool off. We keep our jobs, keep up
27:14appearances, and if nobody knows we have
27:16it, then I don't see any harm. You
27:19[music] said it yourself. It's not like
27:20we nicked it from honest, hardworking
27:22people.
27:24That universe is speaking, bro.
27:26>> But we in this together,
27:30Horus,
27:32say the word and we take it back.
27:35>> I guess if nobody knows we have it.
27:48Probably safest to just keep it for a
27:50while till things cool off. But I can
27:53tell you that money won't solve our
27:54problems.
27:56>> At least we on the path to immortality.
27:58Eh,
28:02>> mama, I'm feeling life worth living.
28:05Please just stop talking. All you do is
28:07dance. Dance. Mama, I'm feeling life
28:10worth living. Please stop talking. All
28:13you do is dance. Mama, I'm feeling worth
28:17living. Please stop talking. All you do
28:20is dance. £2 million
28:26[music] worth living. Please just stop
28:28talking. All you do is dance
28:32life.
28:34Please just stop talking. All [music]
28:36you do is dance. Dance.
28:46Bless you, brother.
28:58X-ray.
29:45Where you boys off to today?
29:46>> Off to help a mate move. Everything
29:48okay?
29:49>> You got identification?
29:51>> Left at home.
29:52>> What about you?
29:58>> Must be good mates coming all the way
29:59out from the city to help a friend move.
30:01When I moved, all my mates happened to
30:02be out of town that weekend.
30:04Coincidentally, of course. Must have
30:06picked the wrong weekend.
30:08>> Must have picked the wrong mates.
30:12>> Suppose you finish up your business in
30:13Harrow and get yourselves back to
30:14London, then.
30:31friends of yours.
30:33>> Moody's boys. The charmer in the
30:35passenger seat is Toby and Haynes.
30:37Currently under investigation by the MI5
30:39and an NCA.
30:41Spent as much his life locked up as he
30:43has on [music] the outside. Bit of a
30:45figurehead.
30:46On some days he would kill you if you so
30:48much as sneezed on him. Yet he
30:51negotiated better treatment for
30:52prisoners in
30:53>> Wadust.
30:56>> So trying to make sense of that one.
30:59>> Thank you.
30:59>> Sounds like he probably made a pretty
31:00good cop.
31:03>> The driver is Theodore Moses. Suspected
31:06to be in [music] connection with several
31:07high-profile robberies, but mostly
31:09brought up on on minor gun rellated
31:11charges.
31:13think they're connected to this mess.
31:16>> They're certainly not the type to help
31:17move a mate's furniture.
31:39CRCA supports the region's arts through
31:41a variety of grants. All made possible
31:43through.
31:57>> What are you doing here, Cal?
32:03>> You are creeping me out right now.
32:08>> Take it.
32:13What is this?
32:14>> Back support.
32:16>> Quite a bit of future in here as well.
32:20>> Where did you get it?
32:25>> Never mind. I don't even want to know.
32:26>> Are you serious? You've been on me for
32:28months to get you this money. And now
32:29that I finally get it, you want nothing
32:31to do with it.
32:34>> Did you earn it
32:37legally?
32:39Look, I am just trying to be a good
32:41father and provide for my daughter
32:42whenever I can manage it.
32:44>> Being a good father has nothing to do
32:46with money, Calvin. It has to do with
32:48what you decide to make a priority in
32:50your life. Take responsibility.
32:53>> Responsibility? What are you saying? I
32:55try and see Maya every chance I get.
32:59>> Taking responsibility is more than being
33:01the fun one on the weekends.
33:04>> Okay, but I do more than that.
33:08When was Maya's last dental appointment?
33:11>> When she chipped her front tooth at
33:12school.
33:16>> That was 2 years ago. She goes for a
33:18cleaning every 6 months. What is her
33:20favorite thing to eat when she's got
33:21chills?
33:24>> Soup.
33:25>> Rainbow sherbet.
33:29>> Her favorite subject in school?
33:33>> Karate.
33:34>> Really?
33:36You think she takes karate at school as
33:38a subject?
33:46>> There is no doubt you love Maya Cal.
33:49>> She is just not your first priority.
33:52>> That's not true.
33:55>> Your rap career has always been
33:56priority. At least be truthful with
33:58yourself about it.
34:01>> Music was the only way I could see
34:03getting us someplace better.
34:05So, I put everything into it.
34:11>> Yeah. Everything. And here we are.
34:23I should get back.
34:26I don't know where that money came from,
34:28but you should get rid of it before
34:29things get out of control.
35:00Easy,
35:04mate.
35:09[music]
35:21Easy, BOY.
35:24[screaming]
35:32NO. Get off.
35:37This is really how I die.
35:41[laughter]
35:58relationship problems.
36:01>> GET IT OFF ME, PLEASE.
36:20Where's the money?
36:31>> [panting]
36:33>> How would I know?
36:41>> Teddy felt you were about to lie to us.
36:45You working for Tika Deep. Does he know
36:48it was us who pulled the job? You broke
36:50my [ __ ] nose,
36:52>> said the man who has a gun to his head.
36:54So, either you start with the rhetoric.
36:56>> Let me do him right here.
36:59>> Or I pick through your memories after he
37:00post them on the [ __ ] wall.
37:02>> I didn't take any [ __ ] money.
37:06>> As you can tell, I am having a difficult
37:08time controlling my compatriate head.
37:15>> I didn't take any money. [laughter]
37:20And I don't work for Tika Deep. I don't
37:23even know who he is.
37:34All I know is I have been shot in the
37:36[ __ ] leg and me [ __ ] nose broken
37:38and me [ __ ] EAR SHOT OFF JUST SO I
37:41COULD SWIPE A RAGGY BOAT FULL OF WHAT?
37:44[ __ ] herbs and seasonings.
37:52Come here.
38:09Yeah.
38:17Who does a job this sloppy?
38:26>> These muppets look familiar to you.
38:31>> It's my nephew and his mates.
38:34>> Whose firm they with?
38:36>> Not with a firm. They're rappers.
38:39>> Rappers?
38:41>> Yeah, rappers. Like they rap.
38:44>> They're just lads messing about. They've
38:46no idea what's in that boat. Believe me.
38:48>> Give him a jingle then.
38:50>> This is Horus. Can't pick up right now
38:52cuz I'm out making changes in me life.
38:53Leave a message and if I don't bring you
38:55back, you is probably one of them.
39:03>> Get up.
39:19That should be far enough. Get on your
39:22knees.
39:24Don't do this.
39:25>> On your knees or I will shoot him out
39:27from beneath you.
39:32>> Please, Tommen.
39:35Don't kill me. I'M BEGGING YOU.
39:37>> [laughter]
39:44[laughter]
39:45>> STOP SNIVEING. FOR CHRIST'S SAKES, I am
39:47not going to shoot you yet. [gasps]
39:55>> What?
39:57>> When I fire my weapon, you fall. You
40:00disappear for good. You understand?
40:04>> Okay. If your name ever comes up again,
40:06your body won't.
40:07>> Wait. My nephew has no idea what he has
40:10gotten himself into. Please be easy with
40:13him.
40:14>> Roger. We both know that's not up to me.
40:24[screaming]
40:29Heat.
40:54Heat.
41:01>> [music]
41:35>> Let's get cracker lack, bro.
41:39Where did you get all this?
41:44>> Get what?
41:44>> The Russian tuko and the Mr. T nectar
41:47you got going here?
41:49This here is extra [ __ ] fresh to
41:52death, fam.
41:54>> You spent all your money.
41:55>> More like invested all my money in my
41:57brand blood. Stunting ain't cheap in it.
42:02>> Um, okay. So, what we doing?
42:04>> Get some more money out. We producing a
42:06video. We need gear, recording
42:08equipment, get some smoke, and start
42:10writing.
42:13>> Maybe we should take it back.
42:17Funny.
42:20>> I am serious.
42:22I've been thinking.
42:24>> You can stoping with us now.
42:27>> I'm not. I think keeping it might be a
42:30big mistake.
42:32>> Since when?
42:34We all agreed just last night that we
42:36was going to keep it.
42:37>> I talked to Allison. And
42:39>> man, you told Allison about the money?
42:42>> No, I did not say. You said be smart.
42:45Don't tell any Bobby about stealing the
42:48money. Then what is the first thing you
42:49do? We can't take it back. Not now. We
42:53get caught and money is missing. Forget
42:55it.
42:57We try and sneak it back tonight. If we
42:59get caught, we pay him back. It's not
43:02too late. I mean, it would be better
43:05than Roger finding out that we knew
43:07about the money all along and decided to
43:09keep it. We only take it back if nobody
43:12is around and nobody ever knows we took
43:15it in the first place.
43:17>> Fine,
43:21whatever. But maybe we use a teensy bit
43:22of it to buy a new microphone. I mean,
43:24we already spent some. What's a tiny bit
43:26more going to hurt?
43:27>> A microphone. That's it. And we take
43:29[music] the money back tonight. Yeah,
43:31fine.
43:35>> I guess.
43:40Look, look, look. Step in the room. No
43:42keys for the whip, but I'm locked in
43:44fully direct.
43:46Big in the game till I pull up and clear
43:48up the set. I don't do talk on the net.
43:50Digital numbers, I'm cashing the check.
43:52Crypto will cash us a [music] bet on my
43:54grind. You ain't seen nothing yet, man.
43:57My fate, they just posture and tweet.
44:00I'm in the [music] shadows, I work on
44:02the street. My son is heavy, no plate,
44:04no clone. Turn up the line, I am flown
44:06in my zone. Whip it, dip it, flip it.
44:08Done. They want the [music] smoke, but
44:10they turn around and run. No luxury.
44:12>> Where do you think you're going?
44:14[music]
44:14>> They don't look up, but they don't know
44:16the vibes.
44:19We stay awake while they living.
44:23[music] No long.
44:27[music]
44:32Millionaires don't walk, we glide. fam.
44:36[laughter]
44:49>> You don't lock the door.
44:54>> I locked it.
45:18We've been robbed.
45:25>> Not [ __ ] here.
45:26>> You know we have not beening robbed.
45:29>> No, but I saw you lock that front door,
45:31bro. I saw you. It's a dead bolt, Ollie.
45:34With all the tools and technology
45:36criminals have these days, we would have
45:38had better luck keeping them out had we
45:40tied the door shut with an overhand
45:42knot.
45:42>> What are the odds?
45:43>> 100%.
45:45Come on, Ollie. Really? Cal's place is
45:47pilch today of all days. And why not the
45:49computer and drumlad get gunched too?
45:51>> Cuz theying ancient, mate. Who knows?
45:53Maybe they might come back for him.
45:55>> There is a comforting thought. Thank you
45:56for that.
46:02At least we still got the boat.
46:07>> What is youring damage?
46:10Every time I listen to you, it ends in
46:12travesty. It's your fault we are in this
46:14mess.
46:15>> You hear that?
46:17Somehow the almighty Calvin figures this
46:19is all my fault,
46:21>> right? Cuz nothing matters to you except
46:23being a big shot rapper. You don't have
46:25any other responsibilities or priorities
46:27to worry about.
46:30I don't remember anybody putting a gun
46:31to your head. In fact, this was youring
46:34plan. And then to hell with being a big
46:36shot rapper. I don't care about all
46:38that. This video was our last chances,
46:40mates. Admit it. Without this group, you
46:43and Horus will be fine. You go your
46:45separate ways. You got Maya. Horus got
46:47his family. What about Ollie? What do I
46:50have?
46:58You two are all I got. But that don't
47:00matter cuz it's always about poor
47:02Calvin.
47:14He is right.
47:16[snorts and gasps]
47:18Not you too, Horus.
47:21You can get out now.
47:29>> [sighs]
47:45[snorts]
47:51>> You've reached
47:52>> Morgan,
47:52>> Alison,
47:53>> and Maya. Please Leave a message after
47:55the tone.
48:19>> [snorts]
48:40>> Horus, it's Roger. Listen to me very
48:42closely. That boat you boys took has
48:44something in it that belongs to crazy
48:45people you don't want to take things
48:47from. They know who you are.
48:50So, you need to get out of town as soon
48:52as you can. You hear me, lad? GET THE
48:54[ __ ] OUT OF LONDON.
48:55>> OH, AND A MAN STOPPED by yesterday.
48:58Wanted to chat with you about buying
48:59your car. Doubt he understood a word I
49:02said, having such a thick Russian accent
49:04like you did. I told him he'd likely
49:06find you at Calvin's being with him.
49:12>> Calvin
49:13>> said he might be back to chat with you
49:14today.
49:18Harness Cal.
49:19>> Just got a call from my
49:20>> Wait, where are you going?
49:22>> Just got a call from my uncle. Bad men
49:24know who we are. We need to get out of
49:25town ASAP. I am on my way. Bring me
49:27back.
49:35>> Horus. Damn it.
49:43Ooh, baby,
49:46you have something that belongs to me.
49:49[snorts]
50:00>> Unpleasant, wasn't it?
50:04>> Not going to get any easier if you don't
50:05do exactly as I say.
50:09>> [panting]
50:09>> money in here.
50:13Suppose we pay a visit to your little
50:14mate's place, then
50:18[panting]
50:22>> not even a dent. Germans know how to
50:25make a quality automobile. I'll give
50:26them that. And guns.
50:30>> What
50:31guns? German guns.
50:35Uh yeah, guns, too.
50:43and chocolate.
50:46>> What?
50:48>> Nothing. Just that Germans make
50:51delicious chocolate. That's all.
50:55>> Great. Let's write them a Christmas card
50:56once this is all over. Now, can we
50:58please be on our way?
51:23>> [music]
51:28>> mech.
51:38>> [music]
51:43>> Get
51:46[music]
51:55[music]
51:59him back.
52:08Hog
52:20[music]
52:27[music]
52:49What you looking at?
53:00>> [groaning]
53:03>> WOULD YOU UNLOCK THE DOOR FOR SAKE?
53:06>> I'M JUST GIVING IT A SECOND BEFORE
53:08TRYING TO OPEN IT.
53:08>> DON'T YOU DARE SHOUT AT ME. MOTHER CHAD
53:11HARAM ZADA SALAKA.
53:15>> You've ruined my whole mood. You
53:21>> You hear from Dimmetry?
53:23>> He [snorts] sent an address.
53:25>> What did he say?
53:27nothing other than an address. He just
53:31sent an address.
53:32>> He didn't mention who they are, how many
53:33there are, or happened to say whether or
53:34not he got mying money back.
53:38>> No, he just sent an address.
53:42An address.
53:45Get Demetri on theinging phone.
53:47>> Drive you.
53:54Mastering English. Chapter 5. How to
53:57achieve vocal energy through challenging
54:00breathing exercise.
54:02Section one. Yawning.
54:23For some, yawning can be very unnatural.
54:27Try yawning like this.
54:29>> Y
54:37>> right then, you little ready to show the
54:40[ __ ] rodent.
54:41>> Yeah.
54:55You're dead.
54:58>> Uh
55:16piece of
55:25can wait.
55:28>> This one's defo going to do it.
55:31>> Let's find out.
55:44Let's scatter.
55:51You got to kidding me.
56:07Calvin.
56:12>> Hey, Ally. I need to see Maya.
56:16She's got school. Besides,
56:22>> I doubt she wants to see you right now.
56:24>> I get it. I know I am losing the plot a
56:26bit, Ally, but please just give me 5
56:28minutes to apologize to her.
56:35>> Hey, Cal.
56:37Hey, Morgan.
56:38>> Everything all right, Allison?
56:40>> It's fine, Morgan. He wants to apologize
56:43to Maya.
56:46>> Thank you.
56:48>> Who's that? Mom.
56:54Hey, sweetie.
56:56>> Got a moment to take a walk with your
56:57thickheaded dad?
56:59>> Whatever. Hugo needs to poop.
57:08>> So, how'd you do last night?
57:15>> Break some boards.
57:18Listen,
57:23you remember when you were little and we
57:25bought you those ladybird traders?
57:30You used to love those trainers. And you
57:32remember when you chased that frog in
57:34the garden and ruined those trainers in
57:35the mud cuz you were so focused on
57:37capturing that frog.
57:38>> Nope.
57:40>> What's your point?
57:44>> I guess Dad still ruins his traders from
57:46time to time. And I'm sorry.
57:48How long does it take you to come up
57:49with that?
57:52>> That bad, eh?
57:58>> I don't know. Am I supposed to be the
58:01trainers or the frog?
58:03>> The mud and bitter analogies.
58:08>> Hugo thinks you're at apologies, too.
58:14I want you to know that I love you and
58:16that I'm sorry I stood you up last
58:18night.
58:25>> You got to go pick that up.
58:27>> Pick what up?
58:29>> The poop.
58:33>> The poop.
58:39My god.
58:41Just so much for such a little foolage.
58:54>> Don't worry [music] about it. The
58:55exhibition was terrible. Half the kids
58:57were sick and could not make it. Anyhow,
58:59it's not [music] that important.
59:01>> What do you mean it's not important?
59:04>> It's very important. In fact, it's the
59:07most important thing to me.
59:11A
59:16>> what do I do with this?
59:19>> Carry it.
59:23>> Right.
59:27[snorts]
59:30>> Your mom and Morgan seem happy. You like
59:32him?
59:35>> He's okay.
59:37>> That's good. He seems good. A real good
59:39guy.
59:40>> Are you jealous?
59:42>> Ha. Me jealous of Morgan? Nah, that's a
59:47laugh.
59:49>> You're not angry.
59:52>> What would I have to be angry about?
59:55>> That we are moving to Germany.
1:00:02>> What?
1:00:03>> Mom didn't tell you.
1:00:06>> Morgan, he got a job.
1:00:11She may have mentioned something.
1:00:16How do you feel about it?
1:00:19>> It's not like I got loads of friends
1:00:21here anyway. Bunch of weapons.
1:00:24>> Well, it is going to make it very
1:00:26difficult for us to see one another.
1:00:31>> We're not going for a while still, and
1:00:32it's only temporary. I made her promise.
1:00:36Have I told you lately how proud of you
1:00:39I am?
1:00:41>> You're weird.
1:00:45>> Perhaps you're right.
1:00:52>> I'm proud of you, too.
1:00:58>> But your rap videos don't have very many
1:01:00views on the internet.
1:01:02>> What do you know about views on the
1:01:03internet?
1:01:05I am 10, Dad.
1:01:07>> You know, one day I'm going to have
1:01:09loads of views.
1:01:14>> You'll see.
1:01:24>> I'll see you very soon. Okay.
1:01:27>> Okay, Dad.
1:01:54Collect your things. Meet me in the car.
1:02:04When were you going to tell me?
1:02:10>> I was waiting until it's official.
1:02:13>> She's all I have. Alli, you take her. I
1:02:16have nothing.
1:02:18>> The move will be good for her.
1:02:21I am truly sorry, Calvin.
1:02:26>> Congratulate Morgan for me.
1:03:00Cal, where you at, bro? I've been
1:03:02knocking. Listen, something came up.
1:03:04Stay clear of your flat, mate. Seriously
1:03:06though, don't go there, bro. Phone me
1:03:07back.
1:03:10Beat it, you broke little rats. Go on,
1:03:12out of here.
1:03:13>> Shove it, coconut head.
1:03:30[snorts]
1:04:11Good.
1:04:26Hey, hey, hey.
1:04:41Heat.
1:04:48Heat.
1:05:16You two are all I got. But that don't
1:05:19matter cuz it's always about poor
1:05:20Calvin.
1:05:25>> [music]
1:05:31>> Your rap career has always been
1:05:32priority. At least be truthful with
1:05:34yourself about it.
1:05:44We are moving to Germany.
1:05:57Come on.
1:06:22Why don't you have many views on the
1:06:24internet?
1:06:38Monday,
1:06:41wake him up.
1:06:47Wakey wakey.
1:06:54They say you can tell a lot about how
1:06:57someone views themselves by the
1:06:59condition they keep their belongings in.
1:07:04You must really think you're an [ __ ]
1:07:07[laughter]
1:07:10>> Now, my boat is in your living room. My
1:07:14money is not. So,
1:07:18I will take that tape off and you are
1:07:20going to tell me who you're working for
1:07:23and where my money is. If not,
1:07:29Monty will make a necklace [laughter]
1:07:31out of [snorts] your bowels.
1:07:34>> Ow.
1:07:35I don't know where the [ __ ] money is.
1:07:37My flat was robbed last night.
1:07:40>> Robbed?
1:07:42>> Did you think this was just how I like
1:07:43to decorate?
1:07:54>> [screaming]
1:07:58>> It hurts.
1:08:00Answer me.
1:08:02You working for Chappie BIG GEORGE
1:08:05VERNON MONEY?
1:08:09>> I don't work for anyone.
1:08:12We got the boat from Roger's repair
1:08:13shop. I DON'T KNOW WHAT ELSE.
1:08:15>> DON'T LIE TO ME, YOU PIECE of
1:08:24Then we do this the messy way. She's
1:08:28adorable. What is she? Six, seven.
1:08:32[panting and sighs]
1:08:38Is little Maya still writing from 109
1:08:42Bourbon Road? [panting]
1:08:44Don't you DARE TOUCH HER, YOU SMALL
1:08:46TIME. THAT'S NOT VERY POLITE, MONTY. I
1:08:49think he's trying to hurt MY FEELINGS.
1:08:52>> WAIT, NO, NO, NO. I told you everything.
1:08:55Please [groaning]
1:09:06>> Ollie
1:09:09C. Thank God. You are not going to
1:09:11believe this. It's about the money, bro.
1:09:12Where you at, fam?
1:09:21Have your little friend come over?
1:09:32>> At the flat.
1:09:33>> The flat.
1:09:34>> Didn't you get my message?
1:09:36>> Get the out of there now. You are in
1:09:38danger, mate.
1:09:46Oh, hey. What did he say to you?
1:09:54>> It's for you.
1:09:55>> Me? Huh?
1:09:59Hello?
1:10:07What the hell, you idiot? I NEED HIM
1:10:09ALIVE.
1:10:11MONTY, GET UP. GRAB HIM.
1:10:15Suck my
1:10:20[music]
1:10:22>> Holy.
1:10:31You all right? [cough]
1:10:38BRING HIM NOW. [screaming]
1:10:50NICE HELP, MATE.
1:10:53[panting and sighs]
1:10:54>> You are a [ __ ] maniac. But you are
1:10:56right.
1:11:02>> HE RAN AWAY. GO get him.
1:11:47>> [sighs]
1:11:49>> Get this off.
1:11:57I'm fine.
1:12:03You the day they
1:12:05>> apparently the dangerous [ __ ] hor
1:12:06suggested we not geting involved with.
1:12:14What is it?
1:12:17This morning I hear something look down
1:12:18and catch this geyser out cold by the
1:12:21side of his car.
1:12:23Something must have went pear strap. I
1:12:25don't know. But there they are.
1:12:27>> There. Who are Ollie?
1:12:30both duffles.
1:12:32So, you know,
1:12:34[sighs and gasps]
1:12:34>> n bro, why don't you tell me
1:12:39>> I nicked theing duffles back?
1:12:41>> What?
1:12:43>> Ollie, [panting]
1:12:44we got to get them back.
1:12:47>> Damn [ __ ] right you do. That money's
1:12:50going back today.
1:12:54What?
1:12:57>> Now, who the are you? I'm the one who
1:13:00leave two bodies up here without even
1:13:02thinking twice.
1:13:04So where is the money?
1:13:13Now fetch it, boy.
1:13:19Cow Ollie,
1:13:21I am sorry they made me.
1:13:27Heat. Heat.
1:14:04can hell. What is that? Frankenstein.
1:14:10Come on, sleeping beauty. out. You get
1:14:32an eye on Deacons here.
1:15:04in his office.
1:15:33>> [laughter]
1:15:37>> Florence Foster Jenkins. Ever heard of
1:15:39her?
1:15:48Probably not, because it was back when
1:15:50music was actually music, not this
1:15:52rapit.
1:15:55Anyhow, it was once remarked upon that
1:15:57she was barely capable of sustaining a
1:15:59note. She performed mostly at saloons
1:16:02and recital halls, but she never let
1:16:04anything stand in her way.
1:16:16>> [singing]
1:16:19[music]
1:16:21>> One night whilst riding in a taxi, it
1:16:24collided with another motor.
1:16:26>> When she let out a scream,
1:16:29>> she discovered she could hit a higher F
1:16:31than she ever sang before. So she sent
1:16:34that driver a box of expensive cigars.
1:16:38Later she went on sellout Carnegie Hall.
1:16:44What I am trying to impart on my
1:16:46unfortunate guest here is we often
1:16:49discover what we are truly capable of
1:16:52when we are thrown into circumstances
1:16:54outside our control.
1:16:57>> It's all in there. burn
1:16:59>> and you Tobin are me little Florence
1:17:01Foster Jenkins. Fine, fine work.
1:17:05>> Glad to be rid of it. That money is
1:17:07cursed.
1:17:10[screaming and groaning]
1:17:13>> You take care of that little weasel,
1:17:15Roger.
1:17:16>> YEAH.
1:17:18[screaming]
1:17:19[groaning]
1:17:24>> What about the hit boys?
1:17:25>> Money landed in the hands of a couple
1:17:27hoods.
1:17:28They in the car downstairs.
1:17:33>> Grab Bram and Denny and take care of the
1:17:36stirrers.
1:17:37>> They didn't know what they were doing.
1:17:38Van,
1:17:42>> I don't think I caught that. Sounded
1:17:44like you have a hard on for these boys.
1:17:48>> They're just lads.
1:17:52lads that can finger you in aing lineup
1:17:55or worse still identify us as the [ __ ]
1:17:57who pulled the job. Have you gone soft?
1:18:03>> No, I just don't got the stomach for it
1:18:05anymore. This one is me last ver. I'm
1:18:08out.
1:18:11>> Out.
1:18:15You know I can't let you do that.
1:18:18The only way out comes in the form of a
1:18:21bullet through the [ __ ] brain pan.
1:18:28[groaning]
1:18:36>> Well, me bittersweet.
1:18:39On one hand, I'm delivered a fortune in
1:18:42cash,
1:18:47but onto other
1:18:50I feel like I am burying me own son
1:18:52today.
1:18:58I'll get over it.
1:19:01Take him in the other room. Have Bram
1:19:04and Denny deal with him once they finish
1:19:05downstairs.
1:19:21Second verse. Same as the first.
1:19:26[panting]
1:19:31Locked. How are we going to get out of
1:19:32here? Maybe we can reason with them.
1:19:39They're not diplomats, Horus. They is
1:19:42dangerousing gangsters.
1:19:44So, what's your idea then?
1:19:49Right. I have got an idea. But we are
1:19:52going to have to work together.
1:19:54And Horus, we're going to need your
1:19:57karate skills for this one.
1:20:03Horus push the window through.
1:20:05gets the door open for us. This bastard
1:20:08won't even have [music] time to blink
1:20:18[music] and one massive high kick to the
1:20:20head.
1:20:22Then we leg it straight for the main
1:20:24[music] entrance.
1:20:28[screaming]
1:20:30>> Let's show these why you don't with the
1:20:31Collie Hill boys.
1:20:41>> [screaming]
1:20:52>> trying to escape.
1:20:54You actually tried to knock the windows
1:20:55out.
1:20:57[panting]
1:20:58>> Lord Jesus, please forgive me for my
1:20:59sins and let me out from this car. I
1:21:01will never ever betray you. Heavenly
1:21:02Father, I pray for your divine
1:21:03protection in Jesus name. Amen.
1:21:18>> These tried to escape.
1:21:21What are they talking about?
1:21:29>> Know why I quit them, Denny? Simple
1:21:31maths. Drink lies. Birds lie. This job
1:21:36lies.
1:21:37But this little darling
1:21:40never.
1:21:42We parted our ways long time ago. But
1:21:45mark my words, when I go, it won't be
1:21:49from something this small.
1:22:07What the was that blood?
1:22:13>> Watch the gate.
1:22:19He's dead.
1:22:24eat. OKAY.
1:22:31MORE
1:22:37[music]
1:22:44YEAH.
1:22:47[music]
1:22:58>> WE NEED BACKUP AT THE GARAGE. NO.
1:23:03[music]
1:23:06Got to make a break for it. When I go
1:23:08follow me and don't stop, bro. [music]
1:23:12HEAT. HEAT.
1:23:53>> [cheering]
1:23:54>> Let them make Oh god.
1:23:59[cheering]
1:24:04>> Holy [ __ ] hell.
1:24:06>> Is everyone okay?
1:24:08>> I think I pissed myself off again.
1:24:10>> Is it a bladder issue?
1:24:12>> Yes, Horus. My bladder takes issue with
1:24:14being shot at with bullets.
1:24:22>> Hey
1:24:27>> [cheering]
1:24:36[cheering]
1:24:39>> Put it away. Half of London's filming.
1:24:44[cheering]
1:24:53Wait, what are you doing? Trust me, fam.
1:24:57[cheering]
1:24:59>> Check.
1:25:04You all want to hear a little something
1:25:06from the Collie Hill boys?
1:25:15ready to spit that new fire you've been
1:25:16writing. [cheering]
1:25:21I take that as a yes. I'll go first.
1:25:26[music] Let's cut that.
1:25:33[cheering]
1:25:37>> All right, everyone. When I point at
1:25:38you, repeat after me. Who rides for the
1:25:41Who?
1:25:51And when I do like this, you cry out.
1:25:53Yeah. Let's try this.
1:25:56Nice again.
1:25:59You already know, boy.
1:26:04P. [music]
1:26:07You want to pop off when you arrive at a
1:26:09drop off. Problem for you. [music]
1:26:13No problem for me
1:26:15FOR THE [screaming]
1:26:17goods
1:26:18with them [music]
1:26:19boys family. So I come back with them
1:26:22boys. Got no thing but it's noise.
1:26:25Stomping into the future man south
1:26:27[music] side of the rivers but overseas
1:26:28they going to know our names. It's like
1:26:30what you make it clear cuz if you climb
1:26:33that hill you better recognize the stand
1:26:36[music]
1:26:37with packed in a stack that stack that
1:26:40paper. If he just that slipping
1:26:43disappearing over we drop that anchor.
1:26:45Yeah, I'm [music] sick of cabin fever.
1:26:47Drop that booty that so much.
1:26:51[music]
1:26:57[music]
1:26:58You want to pop
1:27:02for you problem.
1:27:08[music]
1:27:16coming.
1:27:21>> Who rides for the colleague?
1:27:23>> Wait, come have to go. [cheering]
1:27:29[music]
1:27:35>> [music]
1:27:40>> Yeah, got to dominate street [music]
1:27:42piss on beat like a dog in the street.
1:27:44So it's coming to me for alarming not to
1:27:46accommodate me. Steady barking at me pop
1:27:49off like run but it's not offending me.
1:27:52Pops locked up. This [music] nuts not
1:27:53far from the truth. I'm competitive.
1:27:55It's evidence. I'm running on adrenaline
1:27:57and I'm in need of seders and [music]
1:27:58alcohol. If I don't get me medicine
1:27:59aggressively repetitively, you can
1:28:00credit me and me uratory tendencies. If
1:28:02Nathan and the aces want to taste and
1:28:04pop off coffee in the belly every day.
1:28:05Just some poor kids taking on these
1:28:06street gangs bound to be [music] telled
1:28:07every single day. Just the way we was
1:28:09raised. Grew up near trains and breeze
1:28:11ways. If there was a secret to tell
1:28:16is gold. Live by your word. You can die
1:28:17when you're old. You be throwing sticks
1:28:18and we be throwing stones. You be
1:28:20breaking skin or we be breaking bones.
1:28:21Think we up to no good. Would not live
1:28:23where we could. [music] You call it
1:28:25hood. No, we call that home.
1:28:29Heat.
1:28:33Heat.
1:28:54Hello,
1:28:55Allison.
1:28:58You all right?
1:29:01>> Of course not.
1:29:03>> And whose fault is that?
1:29:06>> Don't you touch him.
1:29:11>> Why so angry? Huh?
1:29:15>> What's got you so upset, my friend?
1:29:17>> Come now, Calvin.
1:29:23>> This happy little family is not going to
1:29:25butcher itself.
1:29:28>> Ow. Son of a
1:29:34[ __ ] mut.
1:29:36>> I'll get you your money back and give
1:29:37you names. I will do whatever you ask.
1:29:40JUST PLEASE DON'T HURT HIM.
1:29:43>> WHO RIDES FOR THE CALI?
1:29:46>> THAT WAS MAD, FAM.
1:29:50>> CAL, what's happened? Yo, what? What's
1:29:53going on?
1:29:53>> Meet me at the Rose Garden in South
1:29:55Park. Have my money. Call the police or
1:29:58pull another one of your little stunts.
1:30:00I turn this cozy little home into a PILE
1:30:03OF BODY PARTS. YOU GOT 30 MINUTES.
1:30:10Who was that?
1:30:13Keep him alive until I get names. Then
1:30:16make it messy.
1:30:19The psychopath your uncle stole the boat
1:30:20from. He's got Maya. And if I don't,
1:30:24[panting]
1:30:25I just got to get that money back.
1:30:26That's that.
1:30:30Then we all got to get that money back.
1:30:31Yeah,
1:30:37>> we got into it together.
1:30:43>> I know. I have been a self socks f. You
1:30:46are better mates than I deserve.
1:30:48>> That might have come up once or twice.
1:30:50>> Oh Jesus. It's cool.
1:30:55Let's show them why you don't quit the
1:30:57colorill boys.
1:31:11>> [clears throat]
1:31:17>> [ __ ]
1:31:19Pull it, Ollie.
1:31:26>> What you two standing there for? What?
1:31:28You need a special invitation.
1:31:45>> Yeah. Yeah.
1:32:03Glad you were.
1:32:24The bags are in that office. The far
1:32:26one. So what do we do now? There's only
1:32:29one way out. We run for it.
1:32:33Please go through all that.
1:32:36>> We move together on three with me. One.
1:32:41>> Please go. Two.
1:32:43>> Which way is it? WE'RE GOING TO DIE,
1:32:44AREN'T WE? THREE.
1:32:48>> N. WE NEARLY GOT M OUT THERE, BRO.
1:32:51I'M NOT GOING BACK OUT. NO WAY. NO
1:32:53CHANCE, FAM.
1:32:54>> We're not sitting here to die.
1:32:56>> Second time we go.
1:32:58>> You sure? Yeah. You sure?
1:33:02>> On me. Don't stop till that door
1:33:05together. Yeah. Yeah. YEAH.
1:33:09[screaming]
1:33:12>> It hurts so bad. I think I'm done. I
1:33:16reckon this is the moment. On three.
1:33:19One.
1:33:23Oh god, it [ __ ] hurts. It hurts so
1:33:26bad, BRA.
1:33:43[music] HEAT. HEAT.
1:33:48[music]
1:33:53[music]
1:33:57HEAT.
1:34:00[music]
1:34:09[music]
1:34:13HEAT.
1:34:17[music]
1:34:30>> [music]
1:34:35[music]
1:34:42[groaning]
1:34:45[panting]
1:34:47>> Holy [ __ ]
1:34:50We [ __ ] made it.
1:34:52[panting]
1:35:06What the hell?
1:35:11Move.
1:35:14>> You think Vernon Modi lays down TO GET
1:35:16HIS
1:35:18>> GET DOWN.
1:35:21>> MOVE. GO, GO, GO, GO.
1:35:31[music]
1:35:34Distract him. I'll move up.
1:35:38How?
1:35:42Bang thating skank in your hand.
1:35:49>> Out the cage. Time to let it feed.
1:35:56>> Good job, Ollie. Move.
1:35:59[music]
1:36:11>> [music]
1:36:30[music]
1:36:31>> You cheeky return.
1:36:44Right in the nut, fam.
1:36:51[panting and sighs]
1:36:53>> Drop that, John. Godi. [panting]
1:36:56>> Look who it is.
1:36:57>> I will [ __ ] GUT EVERY LAST ONE.
1:37:02WHOA.
1:37:08[laughter]
1:37:09You're getting the hang of this, fam.
1:37:19>> How we get out of here?
1:37:25[panting]
1:37:37You can't seriously be considering
1:37:39jumping.
1:37:40>> There's got to be another way.
1:37:41>> Sure. Out that door and straight through
1:37:43all those bullets.
1:37:50>> What are we going to do with him? Don't
1:37:52know who the you are, but you can't be
1:37:54any worse than that old [ __ ]
1:37:57[groaning]
1:37:59>> [panting]
1:38:05[panting]
1:38:13>> Oh god, thank you. I thought I was going
1:38:15to die here.
1:38:18>> Mr. Morning.
1:38:24Mr. M.
1:38:26All right, I'll go first
1:38:30and drop the duffel bags.
1:38:34>> You are alling mental.
1:38:36>> No,
1:38:38we're theing Coll boys.
1:38:50[screaming]
1:39:03Get out.
1:39:05Jump.
1:39:16Mr. Moody.
1:39:22Don't [ __ ] move.
1:39:25[screaming]
1:39:28>> Suck it, you [ __ ]
1:39:33What are you looking at?
1:39:35[panting and sighs]
1:39:36Get the out of here.
1:40:04>> [cough]
1:40:05>> That was some clinical mad m.
1:40:10How'd the old bladder hold up on that
1:40:11one?
1:40:12>> Not funny.
1:40:14>> Come on, lads. We need to bounce now.
1:40:20[music]
1:40:25[music]
1:40:30>> [music]
1:40:39>> Heat. Heat.
1:40:55Push the tempo. [music] Push the tempo.
1:40:57Push the tempo. Push the tempo. Push the
1:41:00tempo. Push the tempo. Push the [music]
1:41:02tempo. The tempo. Push the tempo. Push
1:41:05the tempo. We're the tempo. [music] Push
1:41:08the tempo. The tempo. The tempo. The
1:41:11tempo.
1:41:26You sure? He said Southwick.
1:41:29>> Maybe we're early.
1:41:43>> [sighs]
1:41:51>> You can drop those there.
1:41:56Not until I know she's all right. Until
1:41:59you know she's all right.
1:42:06Put her on.
1:42:10>> Dad,
1:42:11>> listen.
1:42:12>> Dad, is that you?
1:42:15>> Who are they? [snorts]
1:42:18>> See, still in one piece.
1:42:25Where were we?
1:42:30Good.
1:42:37Who put you onto my money?
1:42:45>> Where's the big one? You'll call Monty
1:42:48>> taking up babysitting.
1:42:50But if I don't call in and tell him I am
1:42:53happy within the next 10 minutes,
1:42:56he will terminate his shift early.
1:43:03>> [snorts]
1:43:09>> Vern and Muddy ordered the heist. So you
1:43:12can call off the babysitter now.
1:43:17>> What are those for?
1:43:19>> That just some motivation.
1:43:22>> Motivation.
1:43:24>> Today they steal my money. Tomorrow my
1:43:27entire operation.
1:43:29That is unless of course I can motivate
1:43:31them not to. Ever seen what happens to a
1:43:34body after it's been dragged behind a
1:43:36vehicle for 20 miles?
1:43:41It's very motivating to say the least.
1:43:44>> We've done everything you asked.
1:43:47>> Oh, Calvin, don't worry. This will take
1:43:50a little while. Little Maya will be
1:43:54waiting for you when you finally get to
1:43:57where you're going.
1:44:01I'll kill you. You piece of
1:44:04cow. Stop.
1:44:08[panting]
1:44:10[gasps]
1:44:19[ __ ]
1:44:25>> Kill them.
1:44:37>> [music]
1:44:38>> Put down your weapons and lie on the
1:44:40ground.
1:44:54>> Ollie, you all right? But I'm good,
1:44:56[music] bro. Get that before he makes
1:44:58the call.
1:45:24[ __ ]
1:45:37>> You're going to kill us both yet?
1:45:44>> Stop the vehicle now.
1:46:16Huh?
1:46:17No.
1:46:30Where are you going, DONKEY?
1:47:05OKAY.
1:47:31on the counter. Three days old.
1:47:38But again,
1:47:41a breaking story unfolds tonight as a
1:47:43bizarre shootoff leaves many wounded.
1:47:47Several suspects, [music]
1:47:48including Vernon Muddy, head of the
1:47:50Moody criminal firm, were taken into
1:47:53custody tonight.
1:47:55>> So cheese, Vernon.
1:48:01All right, settle down [music] back
1:48:03behind the line, please.
1:48:04>> Honestly, yeah, weren't even that hard.
1:48:06I looked Vermin dead in the eyes and I
1:48:08said, "Oh, that's enough talk to good
1:48:11people with all your little crime
1:48:12business, mate." AND I HIT HIM. ONE
1:48:13PUNCH. BOOM. Spark [music] clean out.
1:48:16Didn't even finish his cup of tea.
1:48:18>> Connected to the event, more suspects
1:48:20were taken into custody in South Row
1:48:22Park after a gunfight left one man
1:48:24critically wounded and another dead. man
1:48:27come to our ends. Man better know we
1:48:30them Collie Hill boys.
1:48:32>> An obscure message within what remains
1:48:34to be a very intricate situation. We
1:48:36will continue to bring you updates and
1:48:38on the identities of the suspects at
1:48:39Southro Park once details are released.
1:48:55>> [sighs and gasps]
1:49:00>> You got him.
1:49:04>> Can I ask you why? Why did you tip us
1:49:06off?
1:49:08>> Some dogs bite to survive as Tikka's
1:49:10father did. Some bite because they are
1:49:13sick.
1:49:15Those dogs must be chained.
1:49:22And I have one same age back home.
1:49:41Alli, it's me. When you get this, call
1:49:44me back.
1:49:47Last night was I was worried sick about
1:49:49you and Amaya. They've just let us go
1:49:52and then I can't wait to see her.
1:49:54>> Cal, [snorts]
1:49:56>> I'm sorry Ali, for all of it. I never
1:50:00meant to bring none of that to your
1:50:01door.
1:50:01>> Cal,
1:50:04what do you want, man?
1:50:07You hear that?
1:50:16Ali,
1:50:16>> I've got to go.
1:50:22[cheering] What the [ __ ]
1:50:31[music]
1:50:35[cheering]
1:50:38Anyone around here?
1:50:43>> [music]
1:50:47>> I love you. [cheering]
1:50:50>> You're a heartfelt now. Cal,
1:50:52>> I want your baby.
1:50:54Mom, roll. How are you connecting with
1:50:57the shootouts at Phoenix?
1:50:59>> Uh, I know. We're just rappers, man.
1:51:02>> My dad is on the telly.
1:51:04>> Mom, dad's on the telly.
1:51:08>> We're just rappers.
1:51:09>> I knew it. All
1:51:12right, you
1:51:15Ollie,
1:51:17[cheering]
1:51:17get in the car.
1:51:22I thought we were off to pay our
1:51:23respects.
1:51:25>> This
1:51:26n scratching the fat. But you know what
1:51:28happens to a rapper when they shot?
1:51:31Instant credibility, blood. [laughter]
1:51:34>> Thank god you're all right.
1:51:36>> Our videos got 2 million views
1:51:37overnight. An upload of footage from our
1:51:39show last night is flooding in the
1:51:41internet. Damn right we are. All right.
1:51:43These girls are squawking in the
1:51:44comments, hoping I get better soon.
1:51:46[laughter]
1:51:51You said you wanted to be seen, bro.
1:51:53Well, everyone, including her majesty,
1:51:54is watching now.
1:51:57>> It's still unclear what role this
1:51:59underground hip hop group played in
1:52:00bringing down London's most notorious
1:52:02crime boss,
1:52:03>> Cully Hill Boys.
1:52:05They call themselves the Cully Hill Boys
1:52:08and one thing is certain, we have not
1:52:10heard the last
1:52:13hill.
1:52:14>> This is Channel News London. [music]
1:52:23[music]
1:52:28Who rides for the
1:52:31>> All right, everyone. When I point at
1:52:33you, REPEAT AFTER ME. WHO RIDES FOR the
1:52:38>> Who?
1:52:40>> And when I do like this, you cut out.
1:52:42Yeah. Let's try this.
1:52:45>> Rides for them. [music]
1:52:48>> They already know, boy.
1:52:52[music]
1:52:52>> Talking about peace yet. They ain't got
1:52:53a piece yet.
1:52:56Now you want to pop off. I need to
1:52:57arrive at the drop off. Problem for you
1:53:01[music]
1:53:02problem for me.
1:53:04What you wait here for? You better make
1:53:06it clear, bro. Cuz if you climb that
1:53:07hill, you better recognize the steel
1:53:08blood. Recognize the deal. Standing
1:53:09still. Don't [music] pay the bill. Shoot
1:53:10the video on a boat with several mil
1:53:12packed in a kill. Stack that book. Stack
1:53:14that paper. If you chat about that
1:53:15caper, [ __ ] boy slipping, disappearing
1:53:18overboard. We drop [music] the anchor.
1:53:19Yeah, I'm sick. Got cabin fever. Drop
1:53:21that booty. Pop that beaver. So much
1:53:23twerking on deck. Looks like their ass
1:53:25is having seizures. So much twerking on
1:53:28deck. Looks like their ass is having
1:53:30seizures
1:53:32for the [music] chat about peace. Yeah,
1:53:34they ain't got yet.
1:53:36Now you want to pop off money. Better
1:53:38drop off. [music] problem for you. No
1:53:42problem FOR ME. I DIE FOR your
1:53:56[music]
1:53:58evidence. I'm running on adrenaline and
1:53:59I'm in need of sedatives and alcohol. If
1:54:01I don't give me medicine aggressively,
1:54:02repetitively, you can credit [music] me
1:54:03and me tendencies. If Nathan and the
1:54:05aces want to taste them pop off, we end
1:54:07every day. Just some poor kids taking on
1:54:09these street gangs bound to be untyed
1:54:10every single day. Just the way we was
1:54:12raised. Grew up near trains and breeze
1:54:14ways. If [music] there was a secret to
1:54:15tell, they were never told.
1:54:18>> Handshake is gold. Live by your word.
1:54:20You can die when you're old. You be
1:54:21throwing sticks and we be throwing
1:54:22stones. [music] You be breaking skin, we
1:54:23be breaking bones. You think we up to no
1:54:25good. Would not live where we could. You
1:54:27call it hood. Nope. We call that home.
1:54:29Culling.
1:54:31[music]
1:54:37>> [music]
1:54:41>> for the
1:54:42>> [music]

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