The Beauty of Losing Yourself — Transcript
Full transcript
- 0:00Can you hear it?
- 0:02Can you hear the
- 0:12There are moments when the world fades
- 0:14black.
- 0:15There's a faint noise that echoes in
- 0:17your ear, but it's instead just far
- 0:19enough to ignore.
- 0:21Your heartbeat slows down.
- 0:23Your body moves ahead of your thoughts.
- 0:26Mistakes stops happening and time itself
- 0:29stops behaving the way you expect it to.
- 0:31Athletes call it the game slowing down.
- 0:34Musicians say they vanish into the
- 0:35sound, while filmmakers say the shot
- 0:38find itself.
- 0:39It's the moment hesitation is left
- 0:41behind and all that's left is instinct.
- 0:44You're no longer thinking, you're simply
- 0:46moving. And when it's over, you can't
- 0:49explain how it happened.
- 0:51Only that for a brief moment everything
- 0:54felt
- 0:55exactly
- 0:57>> [music]
- 0:58>> right.
- 1:00Let me paint a scene.
- 1:02>> [music]
- 1:05>> You're playing a game of basketball.
- 1:07Your team is down by eight points with
- 1:0840 seconds left on the clock. The crowd
- 1:10is loud. The clock is ticking. What do
- 1:13you do?
- 1:39You're in game seven of the RLCS World
- 1:41Championship.
- 1:42>> We go into our final game of season five
- 1:45of the Rocket League Championship
- 1:47Series.
- 1:47>> stage in the world and your team is down
- 1:50one point.
- 1:52Your entire season, the practice, the
- 1:55sacrifice, all the effort all comes down
- 1:58to this single moment.
- 1:59>> They call it What do you do?
- 2:15>> [screaming]
- 2:23>> Now, imagine something quieter.
- 2:26You're listening to a song, maybe a
- 2:28freestyle, something about the lyrics,
- 2:31the beat, the rhythm pulls you in.
- 2:36Your surroundings begins to fade out.
- 2:38You're completely absorbed, so locked in
- 2:40that, without realizing it, you've
- 2:43slipped into another world. Many people
- 2:46describe this state as being tunnel
- 2:47vision, having a spike of adrenaline, or
- 2:50just relying on instinct.
- 2:52But, no matter what you're doing,
- 2:53whether it's playing a sport, creating
- 2:55art, making music, or fighting in
- 2:57general, there's a zone that a select
- 3:00few people can reach. A zone where
- 3:03everything clicks.
- 3:05A zone few people have yet to
- 3:06experience. And a zone many people spend
- 3:10their entire lives chasing, trying to
- 3:12relive that exact feeling. There's many
- 3:15names for this feeling, being locked in,
- 3:17hyper-focused, a different side of you
- 3:19taking over. But, the one I and many
- 3:22others choose to call it is being in the
- 3:25flow state.
- 3:46>> That day, I suddenly realized that I was
- 3:49no longer
- 3:50driving it
- 3:52conscious.
- 3:54and I was in a different dimension for
- 3:56me.
- 3:58The circuit for me was a tunnel
- 4:00which I was just going, going, going
- 4:03and I realized I was well beyond my
- 4:06conscious understanding.
- 4:15>> Getting that zone is just [music] a
- 4:16supreme confidence that you know it's
- 4:19going to
- 4:20>> I feel like I'm on drugs. I feel like
- 4:22I'm in that mental state without doing
- 4:24anything.
- 4:24>> I see these shots.
- 4:26I see these sequences and I don't shy
- 4:29away from them.
- 4:30>> Uh when you're in a flow state, you tend
- 4:32to perform better at the task um that
- 4:35you're currently engaged in.
- 4:39>> The feeling is is unexplainable because
- 4:42it's it's like a movie. It's like when
- 4:43you're watching a movie and when they
- 4:45break it down in slow motion.
- 4:46>> Michael Jordan tells me one day he wants
- 4:48to be the best player to ever play here.
- 4:50>> [music]
- 4:50>> And I said, "Well, you got to work hard
- 4:51than you did in high school." He said,
- 4:53"I worked as hard as everybody else." I
- 4:54said, "Oh, excuse me."
- 4:56I thought you just told me you wanted to
- 4:57be the best player to ever play here. He
- 4:59said, "I'm going to show you. Nobody
- 5:00will ever work as hard as I will."
- 5:01[music]
- 5:13>> So, what exactly does flow mean?
- 5:16Well, the textbook definition defines it
- 5:19as quote a positive mental state
- 5:21experienced when you're completely
- 5:23absorbed, focused, and involved in an
- 5:25activity. Time passes without you
- 5:27noticing and you're free from
- 5:29distractions, boredom, and
- 5:31self-consciousness.
- 5:32Not a bad definition, but a bit too
- 5:35simple for my liking.
- 5:37Others refer to flow as
- 5:39>> Flow is more than just concentrating or
- 5:41paying attention. Psychologists go so
- 5:43far as to define flow as an altered
- 5:46state of consciousness with several
- 5:48defining features.
- 5:49>> It refers to those moments of total
- 5:51absorption when we get so focused
- 5:53[music] on the task at hand that
- 5:55everything else disappears. So, our
- 5:57sense of self, our sense of
- 5:58self-consciousness, they vanish. [music]
- 6:01Time dilates, which means sometimes it
- 6:02slows down, you get that freeze-frame
- 6:04effect [music] familiar to anybody who's
- 6:05seen The Matrix or been in a car crash.
- 6:07Sometimes it speeds up and 5 hours will
- 6:09pass [music] by in like 5 minutes. And
- 6:11throughout all aspects of performance,
- 6:13so mental and physical, [music]
- 6:14go through the roof.
- 6:16>> Then, there's the side of the internet
- 6:17that just sees it as being in a state of
- 6:19almost bliss. The moment where
- 6:21everything seems to just connect.
- 6:23Moments like the cadence or rhythm in a
- 6:25song, doing a test, or breezing through
- 6:27an assignment that's due in one sitting,
- 6:29eating
- 6:31wings and fries while also getting
- 6:34water.
- 6:35The internet obviously sees flow state
- 6:37as something I can't quite grasp.
- 6:40>> [music]
- 6:42>> Okay.
- 6:44Dude, we might be evolving backwards.
- 6:47>> Flow seems to originate from a lot of
- 6:49things. To trigger them, one must be
- 6:51hyper-focused, and there has to be some
- 6:52sort of complexity to the task at hand.
- 6:55It has to spark emotions of curiosity,
- 6:58passion, and many, many more.
- 7:01I like to think of flow as a mental
- 7:02state where you become completely
- 7:04absorbed in what you're doing.
- 7:06Your focus becomes so strong that
- 7:08distractions fade away, and action
- 7:10starts to feel automatic. You're not
- 7:12overthinking each move. Time feels
- 7:14dilated, either slowing down or speeding
- 7:17up. And when it's over, it can be hard
- 7:20to explain how you performed so well.
- 7:22Flow isn't the same as adrenaline or
- 7:24chaos, however. While adrenaline can
- 7:26make you feel rushed or frantic, flow
- 7:29feels calm and controlled, even during
- 7:31intense moments. You're alert, but not
- 7:34anxious. The mind quiets down, allowing
- 7:37the body or creativity to take over.
- 7:40This is why people often describe being
- 7:41in a flow state as being peaceful, even
- 7:44when the situation itself is high
- 7:46pressure. But, what I want to know is
- 7:48the psychology and origins of who coined
- 7:50the term flow state. How does one enter
- 7:54that zone? Can it be trained? What's the
- 7:56science behind it? And
- 7:58how do you know when you're in that
- 8:00state?
- 8:03Mihaly Csikszentmihalyi, otherwise known
- 8:06as the godfather of flow, was a
- 8:08Hungarian-American psychologist best
- 8:10known for introducing and developing the
- 8:12concept of flow. He spent decades
- 8:15seeking to answer the question of what
- 8:17makes life worth living when everything
- 8:19else is stripped away.
- 8:21After witnessing the devastation of
- 8:23World War II as a child, he noticed that
- 8:25many people lost their sense of purpose
- 8:27and fuel to keep pushing forward. In a
- 8:30TED Talk where he spoke about the secret
- 8:31to happiness, he said, quote, "I grew up
- 8:34in Europe and World War II caught me
- 8:36when I was between 7 and 10 years old.
- 8:39And I realized how few of the grown-ups
- 8:41that I knew were able to withstand the
- 8:42tragedies that the war visited on them.
- 8:45How few of them could even resemble a
- 8:47normal, contented, [music] satisfied,
- 8:49happy life once their jobs, their home,
- 8:53their security was destroyed by the war.
- 8:55>> [music]
- 8:55>> So, I became interested in understanding
- 8:57what contributed to a life that was
- 9:00worth living."
- 9:01>> About 40 years ago, I began to look at
- 9:04uh creative people, first artists, then
- 9:07scientists, and so forth, trying to
- 9:09understand what made them
- 9:13uh feel that it was worth
- 9:15uh
- 9:17essentially spending their life
- 9:20doing things for which many of them
- 9:22didn't expect either fame or fortune,
- 9:25but which made their life meaningful and
- 9:28worth
- 9:29uh doing.
- 9:30>> this optimal experience flow, describing
- 9:33it as a state where self-consciousness
- 9:35fades, time distorts, and the activity
- 9:37becomes rewarding in itself. [music]
- 9:39Through interviews, diaries, and
- 9:42experience sampling methods, he
- 9:44identified consistent patterns across
- 9:46artists, athletes, surgeons, gamers,
- 9:49writers, and everyday people. He learned
- 9:51that when people enter a flow state,
- 9:54they aren't relaxed or passive. Based on
- 9:56his findings, he later on would write a
- 9:58book called Flow: The Psychology of
- 10:00Optimal Experience, which brought these
- 10:03ideas to a wider audience. While his
- 10:05study focused on what people experience
- 10:07during flow, it doesn't really go into
- 10:09detail of what's happening under the
- 10:11hood, the neuroscience and things our
- 10:13brain experiences when we're in that
- 10:15zone.
- 10:20When someone is in a flow state, the
- 10:22brain shifts modes that instead are more
- 10:24suited for being in a hyper-focused
- 10:26state. Your prefrontal cortex, the
- 10:28brain's command center, decreases
- 10:30activity, resulting in a process known
- 10:33as transient hypofrontality.
- 10:36At the same time, your attention becomes
- 10:38very focused on one thing. The brain
- 10:40filters out irrelevant information and
- 10:42channels mental energy towards one goal.
- 10:45During this process, you release a huge
- 10:47amounts of dopamine, making you feel
- 10:49good. Sensory information is processed
- 10:51more cleanly, making the world feel
- 10:53vivid, yet simple. And you end up with a
- 10:56feeling of complete absorption, where
- 10:58effort feels natural and performance
- 11:00improves. So, now that we have a better
- 11:03understanding of how and where flow
- 11:05comes from,
- 11:06let's look at some examples, with the
- 11:07first being
- 11:37>> What they experience is really like.
- 11:39When athletes enter flow, the sport
- 11:42stops feeling like a series of separate
- 11:43action and instead becomes one
- 11:46continuous moment. Movement happens
- 11:48without conscious effort. Reactions are
- 11:50instant and athletes feel completely in
- 11:52sync with their body and surroundings.
- 11:55This leads to the question of when does
- 11:57flow actually happen?
- 11:59>> [music]
- 12:00>> Flow appears when skill and challenge
- 12:02are perfectly balanced. If the task is
- 12:04too easy, the mind wanders, but if it's
- 12:07too hard, anxiety starts to take over.
- 12:10But when we're pushed just enough
- 12:12between the two, the brain recognizes
- 12:14this and locks in.
- 12:16Athletes adapt faster, take smarter risk
- 12:19and move with such confidence that they
- 12:21start trying new things they would have
- 12:22never done had they not been in a flow
- 12:24state.
- 12:25>> Got to a point I was just out there
- 12:26trying one leg off the wrong foot.
- 12:29Bump fades off off my right shoulder.
- 12:31I'm not even a right shoulder bump fade
- 12:33guy.
- 12:33>> This is why streaks happen in sports.
- 12:36Heat checks.
- 12:39Perfect runs.
- 12:43Dominant stretches or when a driver
- 12:45enters a state where the track narrows
- 12:48in their mind. Corners, breaking points,
- 12:51apexes and exits connect to one
- 12:54continuous rhythm. You can see these
- 12:56effects in any sport whether it's
- 12:58basketball, football, baseball, track,
- 13:01e-sports, it doesn't really matter.
- 13:04Damian Lillard's 37-foot game winner
- 13:06against OKC.
- 13:08Mbappe having the world at the edge of
- 13:10their seats, single-handedly shifting
- 13:12the momentum in the World Cup. Daigo
- 13:15perfectly pairing every hit at Evo to
- 13:17name a few are moments when a person is
- 13:19in another zone.
- 13:22These same ideas are explored in sports
- 13:24anime which exaggerated a bit more, but
- 13:28that's pretty normal. It is anime.
- 13:32Haikyuu players enter moments where the
- 13:34world narrows, the crowd disappears, and
- 13:36the only thing visible is them and the
- 13:39ball.
- 13:40Blue Lock directly names and visualizes
- 13:42flow as a heightened mental state where
- 13:45instinct and confidence merges. Kuroko
- 13:48no Basket slows time and sharpens
- 13:50awareness when one is able to tap into
- 13:52that zone. Flow in anime is earned.
- 13:55Characters usually struggle, fail, and
- 13:58train before entering it. It appears at
- 14:00the moments when preparation finally
- 14:03meets pressure.
- 14:04That's why these scenes always hit
- 14:06different. They're moments in the story
- 14:08where winning a point or scoring a goal
- 14:11isn't the main focus, but about a
- 14:13character fully becoming the athlete
- 14:15they've worked to be.
- 14:18>> [screaming]
- 14:19>> That's why flow is often remembered as
- 14:21one of the most powerful experiences in
- 14:23sports. Not just because of the results,
- 14:26but because everything feels aligned
- 14:28exactly as it should be.
- 14:32Flow state in mediums like films or in
- 14:34anime, even a video game, works a little
- 14:37differently than how it appears in real
- 14:38life. In live-action films, the
- 14:40character may look completely absorbed,
- 14:43but reality is the person who's in this
- 14:45flow state is the actor or actress
- 14:47playing the role.
- 14:51WHEN A person delivers a scene so
- 14:52powerful that it pulls you in,
- 14:55it makes you forget you're watching
- 14:56someone act.
- 15:00That's often because the performer is
- 15:01locked into the moment.
- 15:04Fully focused on [laughter] timing,
- 15:09emotion, and presence all at once.
- 15:15Leonardo DiCaprio in one battle after
- 15:17another and his ability to embody a man
- 15:20constantly at war with himself. Cillian
- 15:22Murphy's ability to show both the
- 15:24intellectual obsession and moral weight
- 15:27Oppenheimer has [music] in the film.
- 15:29Denzel in Training Day and his ability
- 15:31to take a script and heighten it to new
- 15:34lengths.
- 15:35Actors aside, the same sense of total
- 15:37absorption appears within the world of
- 15:40films themselves. When we step back from
- 15:42performances and look at the characters,
- 15:44we begin to notice moments where the
- 15:46story slows, the noise falls away, and
- 15:49action takes over instinct. Spider-Man
- 15:52moving faster than thought to save
- 15:54everyone from Electro. Or that moment in
- 15:56the Spider-Man game where the fallen
- 15:58crane is coming down and you see this
- 16:00man totally locked in. The final race
- 16:03segment in Speed Racers or the hallway
- 16:05fight scene in The Raid.
- 16:09These scenes aren't just displays of
- 16:11skill. They're depictions of characters
- 16:13losing themselves in the task at hand.
- 16:15>> [screaming]
- 16:20>> It's at this point when conscious
- 16:21thought dissolves into pure execution
- 16:24that film naturally transitions into
- 16:26animations and anime where flow state is
- 16:29often portrayed not as explosive but as
- 16:32a quiet disappearance of the self rather
- 16:34than a burst of excitement. Animation
- 16:37often slows down, background soften, and
- 16:40dialogue fade signaling that the
- 16:42character's attention has narrowed to
- 16:44the present moment. Some of my favorite
- 16:47moments are when Itadori and Todo fought
- 16:49Yuji in Jujutsu [music] Kaisen or when
- 16:52Gojo reached the state of total bliss
- 16:55where he quite literally starts
- 16:56floating.
- 16:58Madara versus the entire Shinobi
- 17:00Alliance. Puss in Boots confronting
- 17:03Death for the last time. Miles' leap of
- 17:05faith. Batman saving Gotham in a single
- 17:08night.
- 17:10Animation has a unique advantage in
- 17:12showing flow since it's something that
- 17:13is constructed from an intention and not
- 17:15captured from reality. Every frame is
- 17:18chosen and drawn. It can reshape time to
- 17:20match a character's mental state, and
- 17:22seconds can stretch to minutes.
- 17:25A single breath can be held across
- 17:27multiple cuts. Or an entire sequence can
- 17:30unfold with no dialogue at all.
- 17:33Outside of films or anime, video games
- 17:35give a unique look into flow state. We
- 17:38can look at performances from motion
- 17:39capture, or moments where voice actors
- 17:42give a performance so memorable that it
- 17:44sticks with you, no matter the hundreds
- 17:46of other games you play.
- 17:51In a medium where you're watching rather
- 17:53than playing, audiences remain outside
- 17:55the moment. Even when something feels
- 17:57completely immersive, what you're
- 17:59watching is a person experiencing being
- 18:01in a flow state. You can admire it and
- 18:03feel its intensity, but the burden of
- 18:06maintaining that state never rests on
- 18:08you. Games removes that distance since
- 18:10it's hands-on and interactive. When you
- 18:13play a game, you have free reign on how
- 18:15to play, what to do, how you want to
- 18:17approach a fight, really anything. Flow
- 18:19happens when the game you're playing
- 18:21stop feeling like commands and starts
- 18:23feeling like instinct.
- 18:25It's the reason why when you're playing
- 18:26a game like Sekiro, and you reach a
- 18:28point where every
- 18:30feels second nature. Or when you're
- 18:31playing a fighting game, and no matter
- 18:33what move is thrown in front of you,
- 18:36you always have an answer.
- 18:39Or the times when you're playing a
- 18:40shooter, and it feels like you just
- 18:41can't miss.
- 18:47It's here at this point where instinct
- 18:49replaces instruction. That flow in games
- 18:51began to resemble one of its purest
- 18:54forms, music.
- 18:57Flow in music is perhaps the most
- 18:59literal form of losing oneself. There is
- 19:02no character to hide behind, and no
- 19:04visual spectacle required. Only sound,
- 19:07timing, and attention. Whether you're
- 19:09listening or performing, music has a
- 19:11unique ability to pull consciousness out
- 19:14of language and into sensation. Music is
- 19:16a universal language that anyone can
- 19:18understand. For listeners, flow often
- 19:21arrives unexpectedly. A song comes on
- 19:23and suddenly the space around you
- 19:25disappears. You might still be walking,
- 19:27driving, or sitting still.
- 19:29>> [music]
- 19:29>> The rhythm syncs with your breathing,
- 19:32melodies triggers memory and feelings
- 19:34without words, [music] and minutes
- 19:36passes unnoticed. Music can reveal the
- 19:39emotions of a person. It acts as a tool
- 19:41that exposes the inner self, [music]
- 19:43offering a glimpse into the soul, and
- 19:45teaching you a great deal about someone
- 19:47through the way they [music] touch,
- 19:49shape, and express the sounds on the
- 19:51instrument. Be a motor die in Blue
- 19:53Giant, Nana, Yukio in Beck, or someone
- 19:56like Andrew Neiman final drum solo that
- 19:59shows the climax of the film
- 20:01>> [music]
- 20:01>> and the result of everything he's
- 20:02experienced all coming out in this one
- 20:05scene.
- 20:07The movie Soul, when Joe finally gets
- 20:09his chance to perform with one of his
- 20:11idols. He doesn't fully know what's
- 20:13being played at first. Instead of
- 20:15thinking, he lets the music carry him,
- 20:17pulling him into a different space, a
- 20:19world where nothing exists except him
- 20:22and the sound unfolding in the moment.
- 20:24Then there's a side of music where if
- 20:26you just look at live performances, we
- 20:28can see a person be consumed and
- 20:30transformed entirely. Icons like Michael
- 20:33Jackson to Jimi Hendrix to modern-day
- 20:35artists like Keita, Kanye, Travis Scott,
- 20:39and many, many more. What makes flow
- 20:40state in music distinct from other
- 20:42mediums is responsibility. There is no
- 20:45cut, no animation trick, no safety net.
- 20:48If flow breaks, the sound immediately
- 20:50reflects it. When everything clicks,
- 20:52tempo, touch, emotion, the self
- 20:55disappears because it has to. There's no
- 20:58room for doubt or distraction. In this
- 21:00way, music may be the purest expression
- 21:03of flow. It doesn't represent losing
- 21:05oneself, but instead requires it. The
- 21:09moment you think about how well you're
- 21:10playing, you're already out. Flow in
- 21:12music exist only as long as attention,
- 21:15emotion, and action remain perfectly
- 21:18aligned. And when it ends, all that's
- 21:20left is the echo and the feeling that
- 21:23for a brief moment
- 21:25you are somewhere else.
- 21:30So, why are we obsessed with these
- 21:31moments?
- 21:35>> [music]
- 21:37>> Why chase this feeling?
- 21:40Well, it's because it's one of the rare
- 21:42moments where the constant chatter of
- 21:43the mind, the doubts, the fears, all
- 21:46self-judgment falls away.
- 21:49It's a moment in time where we truly
- 21:51feel alive and present in the moment
- 21:53where action, [music]
- 21:54attention, and emotion align perfectly.
- 21:57Whether through training, creating,
- 21:59competing, or even watching others
- 22:01perform,
- 22:03flow lets us step outside of ordinary
- 22:05consciousness, experience a sense of
- 22:07control and clarity, and feel connected
- 22:09to something
- 22:10larger than ourselves.
- 22:14>> [music]
- 22:25[music]
- 22:30[music]
- 22:37[music]
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