The AI Timebomb This Sci-Fi Show Accidentally Predicted — Transcript
Full transcript
- 0:00I just spent the last month consuming way
- 0:02too much utopian and
- 0:03dystopian science fiction.
- 0:06But there's one specific story that I
- 0:08can't stop thinking about.
- 0:09This one episode of The Orville.
- 0:14The Orville is a Star Trek style sci-fi
- 0:16show that imagines
- 0:17humanity in the 25th century.
- 0:20But beneath its comedic exterior, it asks
- 0:22one of the most
- 0:23pertinent questions facing
- 0:24us today.
- 0:25What happens when
- 0:26technology eliminates scarcity?
- 0:31Hey, that's my sandwich.
- 0:34But why is this idea so relevant today?
- 0:36Well, there's this techno-optimistic
- 0:38philosophy that I've
- 0:40noticed has taken hold of tech
- 0:41bros on the west coast.
- 0:43One that sees AI as the catalyst to
- 0:46reimagine the fundamental
- 0:47relationships between people,
- 0:49work and resources.
- 0:52Changes as dramatic as the transition from
- 0:54feudalism to capitalism itself.
- 0:56The whole structure of society itself
- 0:58will be up for some degree
- 0:59of debate and reconfiguration.
- 1:01Silicon Valley and our tech overlords
- 1:03have big plans for our future.
- 1:06And the season 3 finale of The Orville
- 1:08really illustrates all
- 1:10that's at stake for us here.
- 1:14The episode centers around Lysella, who
- 1:16lives on a planet not too
- 1:17dissimilar from our Earth
- 1:19in the 21st century.
- 1:22Her planet has a lot of
- 1:23the same problems we do.
- 1:25Poverty, endless wars, lies politicians
- 1:27tell to keep people in fear.
- 1:29Everyone's scared and paranoid because
- 1:31nobody trusts each other.
- 1:32But Lysella, despite living a very
- 1:34comfortable middle-class
- 1:35life, has dreams of escape.
- 1:39You see, in a previous episode, the
- 1:41Orville accidentally revealed its
- 1:43existence and origin
- 1:44to her.
- 1:44She is the only one on her planet who
- 1:47knows that there is a
- 1:48union of planets out there
- 1:49that live a much better version of life
- 1:52than anything
- 1:53available to her or her people.
- 1:57After the Orville left the first time,
- 1:59Lysella was changed forever.
- 2:01Like a virus she couldn't shake, the
- 2:03memory of life aboard the Orville
- 2:05infected her thoughts.
- 2:08All of the problems of her planet feel
- 2:10worse now, because she
- 2:11knows there is a better way.
- 2:15Captain, I'm receiving a
- 2:16message from Sargus IV.
- 2:18From the researchers? I thought we were
- 2:20supposed to contact them.
- 2:21We were.
- 2:22Lysella finally reaches out to the Orville
- 2:24on a stolen
- 2:24communication device and tells them
- 2:26that she can't stand
- 2:27to live there anymore.
- 2:28I won't go back.
- 2:30She wants out.
- 2:32Please.
- 2:33She's ready to walk away.
- 2:37Lysella views the Orville's world as a
- 2:40utopia. With their advanced technology,
- 2:42they seem to have transcended most of the
- 2:44problems that plague her world.
- 2:47No poverty, no wars,
- 2:49no resource scarcity.
- 2:52It's everything she thought impossible.
- 2:56But fully grasping what this means for us
- 2:59requires looking at
- 3:00Lysella's story through
- 3:02multiple philosophical lenses.
- 3:05Because Silicon Valley is asking us to
- 3:07consider a similar transformation.
- 3:09I still expect that there will be some
- 3:12change required to the
- 3:14social contract, given how
- 3:17powerful we expect this technology to be.
- 3:19It's telling that Sam reaches for the
- 3:21phrase "social contract" here.
- 3:23The last time humanity played with this
- 3:25concept was when Rousseau
- 3:26was imagining how society
- 3:27could transition from feudalism to
- 3:30capitalism centuries ago.
- 3:35We are being asked to imagine the
- 3:36restructuring of capitalism into some
- 3:38sort of techno-utopia,
- 3:40and the first step to realizing any
- 3:42change, especially one
- 3:43as dramatic as this, is to
- 3:46imagine it.
- 3:48So before we get into the rest of
- 3:49Lysella's story and see what life is
- 3:51actually like in their utopia,
- 3:53let's play a little game.
- 3:55What does utopia look like to you?
- 4:01Is it a city with towering skyscrapers,
- 4:04seamlessly interweaving
- 4:05nature and technology?
- 4:07Or does it have the vibe of a small
- 4:09village with little cottages everywhere?
- 4:11Technology fades into the background as
- 4:13people live in a collaborative community.
- 4:17How and where do
- 4:18people work in this place?
- 4:20Or do people work at all?
- 4:22Maybe robots fulfill
- 4:24all of our needs here.
- 4:26and people are free to pursue their
- 4:28passions and interests.
- 4:32After all, there is abundant clean water
- 4:35and air, efficient public transit, and
- 4:39never a shortage of avocados.
- 4:42Or whatever it is
- 4:44that you most care about.
- 4:46Now, you may balk and think that the
- 4:48people that live in a
- 4:48place like this must be
- 4:50soulless automatons lacking any
- 4:52individuality or
- 4:53knowledge of suffering or purpose.
- 4:56But no, these people actually have
- 4:58complex inner lives,
- 5:01experiencing emotions like joy,
- 5:03love, passion, freedom, and pride for all
- 5:06that they have built together.
- 5:10Nobody is homeless or
- 5:11starves and there are no drugs.
- 5:14Or if this place is starting to sound too
- 5:16goody good, maybe
- 5:17there are lots of drugs.
- 5:18Plentyful mind expanding drugs.
- 5:21And let's throw an orgy in there too, if
- 5:23that's your kind of thing.
- 5:25The point is, if you can
- 5:27imagine it, this utopia has it.
- 5:29This shining city on a hill.
- 5:31This city of Omelas.
- 5:40You can imagine it, can't you?
- 5:42You can accept that a
- 5:43place like this could exist?
- 5:46Before you answer that question, let me
- 5:48tell you about one more thing.
- 5:56You see, in one of these
- 5:57beautiful public buildings,
- 5:59far below the magnificent skylines, down
- 6:02below street level, there's a hole.
- 6:06And at the end of
- 6:07this deep and dark hole,
- 6:11There is a room. No
- 6:13bigger than a broom closet.
- 6:16In one corner of the room are a couple of
- 6:18mops, and in the other is a child.
- 6:25It could be a boy or a
- 6:26girl, it doesn't really matter.
- 6:28And actually it might not even be a
- 6:30child, it might be
- 6:31closer to adolescent, just so
- 6:33malnourished and
- 6:34underdeveloped that it looks like a child.
- 6:39It knows that nobody will ever come.
- 6:42Except for sometimes.
- 6:44The child doesn't really have any
- 6:46understanding of time or interval, but it
- 6:48knows that sometimes
- 6:50one or many people appear.
- 6:53One of them may come in to kick the child
- 6:55to make it stand up, but
- 6:57Most usually just look from afar with
- 7:00frightened, disgusted eyes.
- 7:07The water bowl and food dish are hastily
- 7:08filled. The doors are locked.
- 7:11and the eyes disappear.
- 7:14The food, if it can be called that, is
- 7:16nothing like the food that
- 7:18the people of Omelas eat.
- 7:20No, like most of the child's life, it's
- 7:22painful and just enough to keep it alive.
- 7:28The child hunches in the
- 7:29corner, away from the two mops.
- 7:32It's afraid of them.
- 7:34It finds them horrible.
- 7:37It shuts its eyes, but it
- 7:38knows the mops are still there.
- 7:42Always there.
- 7:45Standing.
- 7:48Watching.
- 7:55Now, you might be thinking,
- 7:57what monster could do this?
- 7:59And in a utopia like Omelas, how could
- 8:01anyone allow this to happen?
- 8:05Well, when people of Omelas reach a
- 8:07certain age, whether
- 8:08that's age 8 or 12 or 25, when
- 8:12they are at an age where they can
- 8:14understand, they go to see the child.
- 8:19And no matter how much explanation each
- 8:21one gets ahead of time,
- 8:23these young people are
- 8:24always shocked and sickened at the sight.
- 8:30They all know it's there,
- 8:31all the people of Omelas.
- 8:33And remember, these people are not
- 8:34soulless automatons, devoid of feeling.
- 8:37They are sophisticated enough to
- 8:38understand and appreciate the
- 8:39health of their own children,
- 8:41and the beauty of their city.
- 8:45When they view the horror of that child
- 8:47in that hole, they understand exactly
- 8:49what it is they are looking at.
- 8:54They feel disgust, anger, outrage,
- 8:56impotence, emotions they had thought
- 8:58themselves superior to.
- 9:00They would like to do something for the
- 9:01child, but they know that their city,
- 9:04all of their perfect trains and roads,
- 9:06all of their good
- 9:07food, clean air and water,
- 9:09the health of their children, all of
- 9:10their happiness and
- 9:12prosperity, depends upon the
- 9:14suffering and abandonment of
- 9:16this one load-bearing child.
- 9:20And the rules are strict. If they bring
- 9:22the child up into the
- 9:23sunlight, if they try to
- 9:24clean it or feed it or comfort it, even
- 9:27as so much as utter a single kind word.
- 9:31All the prosperity and beauty and delight
- 9:34of Omelas would wither and be destroyed.
- 9:38Those are the terms.
- 9:41To exchange the happiness of thousands of
- 9:43people for the chance
- 9:44of happiness of one,
- 9:46that would be to let guilt
- 9:48into the walls of Omelas.
- 9:58The Ones Who Walk Away from Omelas is a
- 10:00short story written by
- 10:01Ursula K. Le Guin in 1973.
- 10:04When she wrote this philosophical thought
- 10:06experiment, the space
- 10:07age was in full swing.
- 10:16The first mobile phone call was made that
- 10:17year, and personal
- 10:18computers were on the horizon.
- 10:21It was an era defined by boundless
- 10:24technological optimism, even
- 10:26as questions about inequality
- 10:28and the human costs of progress were
- 10:30becoming impossible to ignore.
- 10:37The Ones Who Walk Away doesn't shy away
- 10:38from these tough questions.
- 10:40Because at the end of the story, we
- 10:42learn something else about Omelas.
- 10:44We learnd that after the young people
- 10:46come of age and travel down to see that
- 10:48child in that closet,
- 10:49buried deep in that hole in that
- 10:52unassuming building, most
- 10:54just go on with their lives.
- 10:58They may go home in tears or a tearless
- 11:01rage, but after brooding over it,
- 11:04most people confronted with this terrible
- 11:06paradox begin to realize that...
- 11:10It's bad, but really,
- 11:12it's the lesser of two evils.
- 11:14Even if the child could be released, it
- 11:16wouldn't get much
- 11:16good out of that freedom.
- 11:18Maybe a little vague pleasure of warmth
- 11:20and food, but little more.
- 11:22It's too degraded and
- 11:23imbecile to know any real joy.
- 11:27It has been afraid too
- 11:28long to ever be free of fear.
- 11:32It wouldn't know how to respond to love
- 11:34or any type of humane treatment.
- 11:40And it's from this place that the young
- 11:42people of Omelas find acceptance.
- 11:45Acceptance of the
- 11:47terrible justice of reality.
- 11:51They accept that they,
- 11:52like the child, are not free.
- 11:57Every day they wake up and participate in
- 11:59the machinery of their prosperity.
- 12:02They build the buildings, teach the
- 12:04children, bake the bread.
- 12:05They create art, fall
- 12:06in love, have families.
- 12:08They maintain the very infrastructure
- 12:10that depends on that child's suffering.
- 12:14And in doing so, they become both the
- 12:16prison and the prisoners.
- 12:18The system shapes them,
- 12:20even as they shape it.
- 12:23They understand with a clarity that
- 12:26burns, that they cannot separate
- 12:28themselves from the
- 12:29system that sustains them.
- 12:32That every moment of joy in Omelas draws
- 12:35its power from that deep, dark basement.
- 12:44So now do you believe that a
- 12:45place like Omelas could exist?
- 12:47Does learning of the child and the
- 12:49terrible bargain the people have made
- 12:50make the utopia they built more credible?
- 12:54Well, let me tell you something else that
- 12:57you may find incredible.
- 13:02There are some people when they come of
- 13:04age who cannot accept this bargain.
- 13:07Some who, upon seeing the
- 13:09child, walk away from Omelas.
- 13:14These people, unable to accept the truth
- 13:17that their society is
- 13:18built upon, leave in silence.
- 13:24They walk out of the city's gates, ahead,
- 13:27into the darkness, and
- 13:28they do not come back.
- 13:31Le Guin writes, "The place they go
- 13:34towards is a place even
- 13:35less imaginable to most of
- 13:37us than the city of happiness.
- 13:39I cannot describe it at all.
- 13:42It is possible that it does not exist.
- 13:45But they seem to know
- 13:47where they are going.
- 13:49The ones who walk away from Omelas."
- 13:58So what do you think the central metaphor
- 13:59is in the story of Omelas?
- 14:01Is it about the moral cost of progress?
- 14:03The idea that our grand democratic
- 14:05societies are built upon
- 14:06a history of exploitation?
- 14:09Or is the central idea that in order to
- 14:11break out of the system
- 14:12that has us all trapped,
- 14:13we may need to just… walk away?
- 14:18Let me know what you
- 14:18think in the comments.
- 14:20But for me, this story resonates because
- 14:23it reveals something
- 14:24deep about the human psyche.
- 14:27The fact that we're unable or unwilling
- 14:29to accept the idea of
- 14:31a utopia unless there's
- 14:33this hidden pain and
- 14:34suffering that comes along with it.
- 14:36As Le Guin writes, "We have a bad habit,
- 14:39encouraged by pedants and
- 14:41sophisticates, of considering
- 14:42happiness as something rather stupid.
- 14:45Only pain is intellectual.
- 14:47Only evil
- 14:48interesting."
- 14:52And it's at this juncture that we find
- 14:55Lysella, choosing to walk
- 14:57away from all that she knows
- 14:59into a world of abundance.
- 15:02Welcome to the galaxy.
- 15:03The Orville grants her
- 15:04asylum from her old world.
- 15:07Commander Kelly is assigned to help
- 15:09Lysella acclimate to a
- 15:10new way of living, one that
- 15:12is very different from
- 15:13where she comes from.
- 15:16Kelly begins by showing Lysella the
- 15:18technology that
- 15:19changed everything for them.
- 15:21The matter synthesizer.
- 15:25Glass of water.
- 15:28The matter synthesizer is a technology
- 15:30that can create anything out of thin air.
- 15:34Food, clothes, tools.
- 15:36One shot of Xelayan tequila.
- 15:40With just a little programming, the
- 15:41machine will build it for you
- 15:43atom by atom.
- 15:45It was the single most transformative
- 15:46moment in our history.
- 15:48When all your material needs
- 15:49are provided for at no cost,
- 15:52it changes the entire game.
- 15:53These matter synthesizers
- 15:54are ubiquitous in the show.
- 15:55One Twinkie!
- 15:56Everybody has them and it's transformed
- 15:58the scarcity of their
- 15:59society into abundance.
- 16:03And as a metaphor, the matter synthesizer
- 16:06perfectly captures our
- 16:07current moment in history.
- 16:11Silicon Valley's techno-utopian vision at
- 16:13its heart offers what the matter
- 16:15synthesizer represents.
- 16:19When AI automates large portions of our
- 16:21economy, while simultaneously
- 16:22accelerating our scientific
- 16:24progress by decades, abundance becomes
- 16:27more than science fiction.
- 16:30For the first time, we're facing the very
- 16:32real possibility of a
- 16:34world beyond scarcity.
- 16:37And that's exactly the problem.
- 16:40Scarcity isn't just a condition of our
- 16:42economy, it's the load-bearing myth that
- 16:44the entire system is built upon.
- 16:47Just like Omelas needs its suffering
- 16:49child, capitalism needs
- 16:51its foundational belief: that
- 16:55there isn't enough to go around.
- 17:04Abundance is capitalism's natural enemy.
- 17:07Capitalism doesn't just need scarcity, it
- 17:09actively creates it.
- 17:10The system rewards players who
- 17:12manufacture scarcity for the sake of
- 17:13perpetuating itself.
- 17:15Take what AI labs like OpenAI have done.
- 17:18They took the abundance of information
- 17:19available on the internet,
- 17:21the data that all of us humans
- 17:22have created collectively, and built
- 17:24their language models from that.
- 17:30After benefiting from all of that free
- 17:31and open information,
- 17:33they then restricted access
- 17:34to their models, choosing not to share
- 17:36the model weights,
- 17:37effectively moving from an
- 17:39open source model to
- 17:40a closed source model.
- 17:43They manufactured an artificial
- 17:45information scarcity,
- 17:47and the system has
- 17:48rewarded them immensely for it.
- 17:51And we see this pattern
- 17:52everywhere in our economy.
- 17:54Take something that
- 17:55should be a shared resource,
- 17:56turn it into a commodity,
- 17:58and then control who gets access.
- 18:00We see it when companies bottle
- 18:01and sell our water back to us,
- 18:03when pharmaceutical
- 18:04companies jack up insulin prices,
- 18:06when corporations lock away
- 18:07the once open internet behind paywalls.
- 18:11Each time they take something
- 18:12abundant and make it scarce.
- 18:17And this applies to human labor as well.
- 18:19Most of us trade the one
- 18:21resource we all have, our time,
- 18:23in order to acquire the money
- 18:25for the basic necessities of life.
- 18:27I mean, it's just so basic.
- 18:30You have a job, you
- 18:30survive, you don't, you starve.
- 18:33And this scene reveals the heart
- 18:35of the thought experiment
- 18:36the Orville is asking
- 18:37us to consider here.
- 18:39In our world, work isn't
- 18:41just about creating value
- 18:42or contributing to
- 18:43society, it's about survival.
- 18:46We've built our entire
- 18:47social structure around the idea
- 18:49that you must work to deserve to live.
- 18:53For many people, this
- 18:53desperate chase for money
- 18:55becomes their entire purpose.
- 18:58Prove you're worthy enough to exist.
- 19:07And despite all the
- 19:08fantastical technology
- 19:09she has now seen,
- 19:14this aspect, the idea
- 19:16that nobody has to work
- 19:18is the hardest one for
- 19:20Lysella to internalize.
- 19:22So then why don't you
- 19:23guys just lay around all day
- 19:25and do nothing?
- 19:27It's no fun.
- 19:30See on your planet, currency is money.
- 19:32In the union, it's reputation.
- 19:35So if you do something, anything that
- 19:38benefits our society
- 19:40and you work hard at it, you're rich.
- 19:43And that could be anything.
- 19:45Maybe you wanna study
- 19:45a field of research,
- 19:47learn all you can about
- 19:48history, physics, literature,
- 19:51or art, just for your own pleasure.
- 19:55The only life considered poor is one
- 19:57that's wasted on apathy.
- 20:02But as Lysella learns more about the
- 20:03matter synthesizer,
- 20:04her wonder turns to guilt.
- 20:07You know, just this could change the
- 20:10world back on my planet.
- 20:12Even just one of
- 20:13these synthesizer things.
- 20:14She begins to regret
- 20:15her choice to walk away,
- 20:17as she starts thinking
- 20:18about everyone she left behind.
- 20:20Why couldn't you help them? Why couldn't
- 20:22you share your technology?
- 20:25I mean, there are whole countries that
- 20:27barely have clean water.
- 20:28This could save millions of lives.
- 20:31It's not that simple.
- 20:34But the Orville has this
- 20:35non-interventionalist policy.
- 20:37We're not allowed to drop advanced
- 20:38technology into a
- 20:39developing society like playing God.
- 20:43So they deny her plea.
- 20:48But Lysella's response is
- 20:49an anger at the Orville.
- 20:50Instead, she turns that guilt inward.
- 20:53I can't do this.
- 20:56It doesn't feel right.
- 20:57I feel selfish.
- 21:01Why?
- 21:02I escaped.
- 21:04And I left everyone I
- 21:05know back there to suffer.
- 21:08I mean, why do I deserve this?
- 21:12What did I do to be made the exception?
- 21:15This reaction reveals
- 21:15just how deeply the ideals
- 21:17of her world have shaped her psyche.
- 21:19Even when offered abundance freely,
- 21:22she can't help but question
- 21:24whether she's worthy of it.
- 21:25The system she was a part of for so long
- 21:28has convinced her that she needs
- 21:29to earn her right to exist.
- 21:32Some people would
- 21:32call what you're feeling
- 21:34a form of survivor's guilt.
- 21:38Just, I need to go back.
- 21:45There's more to Lysella's story,
- 21:47but to better
- 21:48understand her choices here,
- 21:49we need to first
- 21:49acknowledge the elephant in the room.
- 21:52Intertextuality.
- 21:55This is the idea that no story,
- 21:57no piece of art or
- 21:58literary work exists in isolation.
- 22:01Rather, each one exists
- 22:02in this complex network
- 22:03of references, influences, and
- 22:05connections to others
- 22:07that shape all of their
- 22:08collective meanings together.
- 22:12And in that regard,
- 22:13the ones who walk away
- 22:14from Omelas is pretty
- 22:16promiscuous in its intertextuality.
- 22:20In 2018, N.K. Jemison wrote
- 22:22a rebuttal to LeGuin's work
- 22:23that asks the question,
- 22:25what if we didn't walk away?
- 22:27What about the ones who stay and fight?
- 22:32Imagine the great city of Um-Helat.
- 22:35It's skyscrapers float in the sky, and
- 22:37the children wear clothes
- 22:39made of butterfly wings.
- 22:41All from butterflies that died
- 22:42of natural causes, of course.
- 22:44Because Um-Helat, by all
- 22:46measures, is a fair and just city.
- 22:48A utopia like Omelas seems to be, but
- 22:51without that wretched child in the hole.
- 22:54You see, the people
- 22:55of Um-Helat are not naive.
- 22:58They understand that their perfect city
- 23:00was built upon the
- 23:01foundation of a dark history.
- 23:07This city had a very
- 23:08different civilization once.
- 23:10One that might be much more
- 23:11recognizable to you or me.
- 23:16And just like Omelas, when children of
- 23:18Umhelat come of age, they
- 23:20learn that their city is
- 23:21also built upon suffering.
- 23:23That of the past.
- 23:26But when they find cruelty or suffering
- 23:28in their society,
- 23:30unlike Omelas, they don't
- 23:32walk away.
- 23:33They understand that the ideals of their
- 23:35city are fragile and must be protected.
- 23:40Through a quirk of quantum mechanics,
- 23:41Um-Helat exists parallel to
- 23:43our world, and its citizens
- 23:45can peek into our reality.
- 23:47They can watch our TV, browse our social
- 23:48media, listen to our radio,
- 23:50but this creates a dangerous
- 23:52problem.
- 23:54An information hazard.
- 23:57Because when Um-Helat's
- 23:58citizens witness our world,
- 24:00where some people are considered less
- 24:02important than others,
- 24:04where artificial scarcity
- 24:05is manufactured for profit,
- 24:08where suffering is normalized,
- 24:10these toxic ideas can
- 24:12infect their thinking.
- 24:15Like a virus, these beliefs spread and
- 24:17threaten everything they've built.
- 24:21Enter the social workers.
- 24:24These sentinels stand
- 24:25guard against this contagion.
- 24:28They understand that maintaining their
- 24:30utopia requires constant
- 24:32vigilance against the very
- 24:34ideas that nearly destroyed their
- 24:36civilization in the past.
- 24:40So when they find someone who's been
- 24:42exposed to these toxic ideas...
- 24:48They kill them to protect their utopia.
- 25:01And here's the dark irony of Um-Helat.
- 25:04While they've eliminated
- 25:05the child in the basement,
- 25:06they've created a
- 25:07different kind of suffering.
- 25:11Their social workers become the white
- 25:14blood cells of society,
- 25:16forever tasting the bitterness
- 25:17of violence so that
- 25:19others may know only sweetness.
- 25:23carrying darkness within so
- 25:25that others may live in light.
- 25:30Are these societies
- 25:31really all that different?
- 25:34While Omelas keeps a
- 25:35child locked in a basement,
- 25:36Um-Helat requires its guardians to bury
- 25:38their own inner child
- 25:40in a psychological hole.
- 25:42The methods are different, but the core
- 25:44idea remains the same.
- 25:47If we suppress enough, whether it's a
- 25:49child's freedom or dangerous ideas,
- 25:52we can have a perfect society.
- 25:57And this mirrors the great lie at the
- 26:00heart of our own society's evolution.
- 26:02We tell ourselves that we've progressed
- 26:04from feudalism to capitalism,
- 26:05that we've freed ourselves from the old
- 26:07system of lords and peasants.
- 26:10But have we really?
- 26:12Or have we just replaced one form of
- 26:14hierarchy with another?
- 26:16One form of measuring a
- 26:17human's worth with another?
- 26:21Capitalism is a development
- 26:22by refinement from feudalism,
- 26:24just as feudalism is a development by
- 26:26refinement from slavery.
- 26:29Capitalism is but the
- 26:31gentleman's method of slavery.
- 26:35The lords of our time
- 26:36don't live in castles anymore.
- 26:38They launch themselves into space in
- 26:40penis-shaped rockets.
- 26:46The serfs don't work the land.
- 26:47They wear Amazon wristbands that track
- 26:50their bathroom breaks.
- 26:52The divine right of kings has been
- 26:53replaced by the divine
- 26:55right of billionaires,
- 26:56who claim they alone can guide humanity
- 26:59to its technological future.
- 27:05In this emerging
- 27:06techno-feudalistic landscape,
- 27:08these digital aristocrats
- 27:09aren't just hoarding wealth.
- 27:11They are hoarding
- 27:12data and computing power,
- 27:14effectively reshaping how we think,
- 27:16connect, and understand our world.
- 27:20In this iteration of the social contract,
- 27:23they are hoarding the future itself.
- 27:28And it's with this context in mind that
- 27:30we can return to Lysella's story.
- 27:33Because her world is not
- 27:36that different from ours.
- 27:38And when the Orville decides that Lysella
- 27:40can go back home if she desires,
- 27:42they stipulate that she cannot take any
- 27:44of their technology with her.
- 27:46She will have to return home as she came.
- 27:48Thank you again
- 27:50for everything.
- 27:52Take care of yourself.
- 28:01But when she boards the
- 28:02shuttle to take her home,
- 28:07Lysella?
- 28:10What?
- 28:11Can I have a look in your bag?
- 28:13Why?
- 28:15I think you know why.
- 28:16She gets caught trying to smuggle
- 28:18blueprints for the matter synthesizer.
- 28:20Kelly, please.
- 28:21Open the bag, Lysella.
- 28:22I can convince them.
- 28:24I know we can do it right.
- 28:25I'll make sure they don't take advantage.
- 28:26Whether you can or you can't, I'm not
- 28:28authorized to let you try.
- 28:32And it's at this point that the thesis of
- 28:35the Orville's thought
- 28:36experiment is made bare.
- 28:41As Kelly reveals a truth about technology
- 28:43that haunts our own world.
- 28:46Come with me.
- 28:47I want to show you something.
- 28:49There's this insidious idea that's been
- 28:51with us since the dawn of the first
- 28:54Industrial Revolution.
- 28:56This idea that technology can save us.
- 29:00If we build the right tools, develop the
- 29:03right systems, create enough abundance,
- 29:07everything else will fall into place.
- 29:10This is the third planet in the Gendel
- 29:11system, about 600 light
- 29:13years from your world.
- 29:15This is how their world
- 29:15looked early in the 23rd century.
- 29:23This is Gendel III, five years later.
- 29:29What happened?
- 29:32We did.
- 29:39In 1923, the researchers who discovered
- 29:41how to mass produce
- 29:42insulin sold the patent for just
- 29:45one dollar. Their belief was simple. This
- 29:48life-saving medicine
- 29:49should be available to everyone.
- 29:51It was a moment of ethical clarity,
- 29:53perfectly aligned with
- 29:55technological breakthrough.
- 29:58Today, a vial of insulin costs
- 29:59just a few dollars to produce.
- 30:02The technology has only gotten better,
- 30:04more efficient, and more automated.
- 30:07We can make more
- 30:07insulin than ever before.
- 30:10And yet in the United States, people are
- 30:13rationing this same insulin.
- 30:16Some die because they can't afford it.
- 30:18The technology exists. The
- 30:20production capacity exists.
- 30:23But people suffer anyway.
- 30:28In Kelly's world, this same
- 30:29sentiment had the same outcome.
- 30:32She explains to Lysella that the early
- 30:34Union explorers thought
- 30:35they could help Gendel III.
- 30:38When they got to Gendel III,
- 30:40they found a divided world.
- 30:43Bristling with nuclear weapons.
- 30:45Continents sliced up by national borders.
- 30:48So they landed.
- 30:51They revealed
- 30:51themselves. Their technology.
- 30:54Everything.
- 30:56They figured it was
- 30:57the right thing to do.
- 30:59That maybe they could help this planet
- 31:02skip over the nasty growing pains that
- 31:04all worlds seem to have to go through.
- 31:08But they couldn't control the spread.
- 31:11Nation states fought each other.
- 31:14Wars broke out everywhere.
- 31:16Because they all wanted to use the
- 31:17advancements for personal gain and for
- 31:20political dominance.
- 31:23They wiped themselves out in five years.
- 31:27Nine billion people.
- 31:30Gone.
- 31:37We live in an era of unprecedented
- 31:39technological capability.
- 31:41But we've built it all on top of a system
- 31:44that's still fundamentally based on
- 31:46artificial scarcity.
- 31:48On the idea that suffering is not just
- 31:50inevitable, but necessary.
- 31:54There's a deeper philosophical question
- 31:56here about the nature
- 31:57of suffering itself.
- 32:00Eastern philosophers, particularly
- 32:02Buddhists, have long recognized that life
- 32:05inherently contains
- 32:06both light and shadow.
- 32:11Joy and pain, abundance and limitation
- 32:16These natural dualities help us grow and
- 32:18learn, like a plant needs
- 32:20both sun and rain to thrive.
- 32:27But what we've created in our society is
- 32:29something different.
- 32:31We've built systems that manufacture
- 32:32unnecessary suffering,
- 32:34artificial dualities that serve no
- 32:36purpose except to preserve hierarchies.
- 32:41The tech oligarchs of our
- 32:42time exemplify this perversion.
- 32:45They speak of building a utopian future.
- 32:48I think technology does a great deal to
- 32:52lift the world to more
- 32:54abundance, to greater heights,
- 32:56to better prosperity,
- 32:56whatever you want to call it.
- 32:58And I'm optimistic for that. I don't
- 33:00think that'll require
- 33:00any special intervention.
- 33:02And at the same time, they take the
- 33:04collective knowledge of humanity,
- 33:06our data, our creativity, our shared
- 33:08cultural output, and lock it behind
- 33:11proprietary AI models.
- 33:14They promise abundance while
- 33:16manufacturing new forms of scarcity.
- 33:21This is why all of these
- 33:22stories resonate so strongly today.
- 33:24We're not just building technology, we're
- 33:26building power structures.
- 33:28And without a corresponding evolution in
- 33:30our ethics, in our
- 33:31values, in our fundamental
- 33:33ideas about human worth and dignity, we
- 33:36risk creating our own
- 33:38version of Omelas, or Um-Helat.
- 33:40A technological paradise
- 33:42built on hidden suffering.
- 33:45You can still go back if you want to, but
- 33:48you can't pull them into the future.
- 33:52They have to do it on their own.
- 34:01So is there any hope for us?
- 34:03Us who have lived in a
- 34:04dark hole for so long?
- 34:06Can we find our way to the light?
- 34:08Is a post-scarcity
- 34:10utopia possible for us?
- 34:13Well, before we find out how Lysella's story
- 34:14ends, we need to
- 34:15engage with one more idea.
- 34:24Let's imagine that the child in the hole
- 34:25of Omelas is rescued and
- 34:27taken aboard a spaceship.
- 34:30On this ship, the child finds a Star Trek
- 34:33style Federation that
- 34:34has mastered interstellar
- 34:35travel and eliminated most
- 34:37forms of human suffering.
- 34:42This advanced civilization sees it as
- 34:44their duty to fly across
- 34:46the galaxy, freeing all
- 34:48of the children
- 34:48trapped in all of the holes.
- 34:52To us, and to the rescued child, this
- 34:54Federation seems like a true utopia.
- 35:00But suddenly, the Federation's ship is
- 35:01attacked by another,
- 35:02more advanced civilization that demands
- 35:04they hand over the child.
- 35:07They claim the Federation is barely
- 35:09civilized, condemning them for being
- 35:11addicted to hierarchy
- 35:13and tribalism, torturing innocent plants
- 35:16for food when they could
- 35:17easily subsist on artificial food.
- 35:22Just as the Federation rescued the child
- 35:23from one type of horror,
- 35:25the more advanced civilization claims to
- 35:27be rescuing the child from another.
- 35:30In The Odyssey Problem, a 2022 reply to
- 35:33the ones who walk away,
- 35:35Chris Wilrich reveals the central
- 35:36insight hidden in the story's title. The
- 35:39Odyssey. You see, we like to think of
- 35:42utopia as a destination,
- 35:43some perfect society we can reach if we
- 35:46just make the right
- 35:47choices. Walk away or stay,
- 35:50fight or flee, reform or revolt. But
- 35:53that's not how it works.
- 35:57Every society, every person, is on their
- 35:59own odyssey towards something better.
- 36:02The Federation looks like a utopia to us,
- 36:04but to the more
- 36:05advanced civilization, they're
- 36:06still primitive.
- 36:07And who knows, maybe there's an even more
- 36:09advanced civilization
- 36:10out there that looks
- 36:11at both of them and shakes
- 36:12their head at their barbarism.
- 36:15The point isn't to reach
- 36:17some perfect end state.
- 36:18The point is to be on the journey.
- 36:21To be constantly striving,
- 36:23learning, growing, healing.
- 36:24To be making things
- 36:25better, step by step, day by day.
- 36:30It's like climbing a mountain.
- 36:32We struggle upward, thinking
- 36:33we can see the summit ahead.
- 36:36But when we finally reach
- 36:37that peak, what do we find?
- 36:40More mountain stretching out before us.
- 36:44Peaks we couldn't see from below.
- 36:46Each summit we reach
- 36:47reveals new heights to climb.
- 36:52The 20th century German philosopher Ernst
- 36:54Bloch understood this deeply.
- 36:57In his Principle of Hope, published in
- 36:581954, he articulated
- 37:00utopia as existing in the not
- 37:03yet.
- 37:07He saw utopia not as some far-off perfect
- 37:10future, but as a
- 37:11process woven into the fabric
- 37:14of reality itself.
- 37:18For Bloch, hope wasn't just wishful
- 37:19thinking, it was a way of
- 37:22seeing the world's unfinished
- 37:23nature, of recognizing that every moment
- 37:26contains within it
- 37:28seeds of what could be.
- 37:33He was adamant that if we are able to
- 37:34look at our past with the
- 37:35eyes to see, we may find
- 37:37new potentialities in our present.
- 37:39The past has a cultural inheritance,
- 37:42which has yet to be fully exhausted.
- 37:47And if we take a moment to reflect,
- 37:49we might realize that we are much higher
- 37:52and further along on the
- 37:53mountain than we originally thought.
- 37:56We live in what would seem like a utopia
- 37:58to someone from 200 years ago.
- 38:01If you're fortunate enough to be watching
- 38:03this video right now, you
- 38:04have access to things that
- 38:06even the wealthiest and most powerful
- 38:07people throughout history
- 38:08could never have imagined.
- 38:11You carry around a device equivalent to
- 38:13the sum of all human
- 38:14knowledge in your pocket.
- 38:15You have machines that can peer inside
- 38:18your body to find and alleviate disease.
- 38:21We take these things for granted, but
- 38:23they're miraculous. They're utopian.
- 38:27And in these everyday miracles, we catch
- 38:29glimpses of even greater possibilities.
- 38:32What Bloch called anticipatory
- 38:34illuminations of what could be.
- 38:39Like discovering a new
- 38:41route up the mountain.
- 38:42These moments of possibility often emerge
- 38:44from unexpected places.
- 38:46Nvidia shares falling again today
- 38:48as the AI trade looks
- 38:49for some new equilibrium
- 38:50following the release of DeepSeek.
- 38:52In January of 2025,
- 38:53while Western tech companies
- 38:55were building walls
- 38:56around their AI advances,
- 38:57guarding their routes to the summit,
- 38:59a Chinese company called
- 39:01DeepSeek chose a different path.
- 39:04Really, this is the takeaway.
- 39:05In the AI arms race, there
- 39:06are before and after moments.
- 39:08DeepSeek created one,
- 39:09not unlike OpenAI's ChatGPT
- 39:11moment a few years ago, a
- 39:12breakthrough so significant
- 39:14it redraws the battle lines.
- 39:16They released their R1 model,
- 39:17a free and open source reasoning model
- 39:20that rivals the
- 39:21performance of the flagship
- 39:23proprietary models
- 39:24from the giant US labs.
- 39:27But they didn't just find a
- 39:29new route up the mountain.
- 39:30They shared their map with everyone.
- 39:33Not only did they figure out how to train
- 39:34and operate their model for a fraction
- 39:36of what US-based labs are spending.
- 39:40But they publicly released all of their
- 39:43research and training methods.
- 39:46They broke the artificial
- 39:48scarcity at two levels at once.
- 39:51They made the knowledge free
- 39:53and they made the technology cheaper.
- 39:56The irony here is palpable.
- 39:58A company from China, a
- 39:59country often criticized
- 40:00for blocking paths in
- 40:01their closed system,
- 40:03chose to build public trails
- 40:05where American companies had
- 40:07been setting up toll booths.
- 40:10DeepSeek created abundance
- 40:11where American companies
- 40:12had manufactured scarcity.
- 40:16All of this sent the
- 40:18US AI industry scrambling.
- 40:21But this is what hope
- 40:23looks like in practice.
- 40:25Not perfect, not
- 40:25clean, messy and unexpected.
- 40:29It's people choosing to break down
- 40:30artificial barriers,
- 40:32choosing abundance over scarcity,
- 40:34choosing to share rather than control.
- 40:39These are glimpses of a possible future,
- 40:41trying to break through into our present.
- 40:46Like discovering a previously hidden
- 40:48trail through the mist,
- 40:49they show us what Bloch
- 40:50called the not-yet-conscious,
- 40:53the dawning awareness
- 40:54of what we could become.
- 41:03And this is exactly the idea that Lysella
- 41:05learns to internalize.
- 41:09She realizes that, in the end,
- 41:12we all have to find our own
- 41:13way to climb out of the hole.
- 41:15The technology doesn't come to save us.
- 41:18Wow, look at this place. It's a utopia.
- 41:23If we had all this, we
- 41:26could be better people.
- 41:28It doesn't quite work
- 41:29like that. You gotta flip it.
- 41:32You get all this by
- 41:34becoming better people.
- 41:36Trust me, your planet is
- 41:37not ready for a quantum core.
- 41:39Based on what you told me, they'd probably
- 41:40blow each other to bits.
- 41:42But once they learn to work together, to
- 41:45really live with each other and develop a
- 41:48genuine investment in each other's
- 41:50growth, that's when it gets good.
- 41:53The technology isn't what makes a utopia.
- 41:56The matter
- 41:56synthesizer isn't what makes the
- 41:57Orville's future better than ours. Their
- 42:00willingness to share, to break the cycles
- 42:02of scarcity, to invest in each other's
- 42:05growth. That's what
- 42:06makes the matter synthesizer
- 42:08possible in the first place.
- 42:11Lysella eventually decides
- 42:12to stay aboard the Orville.
- 42:14Yeah, it's gonna be a big learning
- 42:16curve, but I got the right coach.
- 42:18She finally understands that true
- 42:20abundance comes from
- 42:22learning how to climb.
- 42:31Thank you for watching until the end.
- 42:33It means the world to me.
- 42:34And a special thanks
- 42:35to my channel members
- 42:36who make all of this possible.
- 42:38These videos take
- 42:38hundreds of hours to produce
- 42:40and I wouldn't be able to
- 42:41do it without your support.
- 42:43But if all you can do is leave a like,
- 42:45that makes a huge difference
- 42:46in this message reaching more people.
- 42:49Thank you.
- 42:50And finally, that
- 42:51brings us to today's sponsor,
- 42:53Anthropic.
- 42:55Anthropic makes
- 42:56language models like Claude,
- 42:58but they also,
- 43:00they focus on safety.
- 43:05Sometimes.
- 43:11Is that enough?
- 43:19Okay, you're good.
- 43:21Okay, this video isn't
- 43:22really sponsored by Anthropic.
- 43:25That'd be pretty wild, huh?
- 43:27No, I just wanted everyone to leave so
- 43:29that it's just us now.
- 43:34And if you're still here watching, then
- 43:35this question is for you.
- 43:40What would the world look like if you
- 43:42truly believed it could change?
- 43:46When we see all the suffering around us,
- 43:47it's natural to want to rush in and help,
- 43:51to dream of being the hero who finds the
- 43:53solution, who fixes the system.
- 43:59But that mindset keeps
- 44:01us stuck in old patterns.
- 44:04The truth that took me too long to learn
- 44:07is that we aren't here to save the world.
- 44:10The world doesn't need to be saved.
- 44:12It needs to change. It needs to evolve.
- 44:19Listen, I know what it's like to think
- 44:22differently, to feel so alone,
- 44:26never really fitting in anywhere, to look
- 44:28around at the world and see
- 44:30things that others don't see,
- 44:32to know there's a better way.
- 44:40But for every moment where you felt
- 44:41isolated, where you felt the burden of
- 44:44the world on your shoulders,
- 44:46there have been others.
- 44:47People you've never met that have come
- 44:50before you, and people
- 44:50that will come after you.
- 44:52People who have carried the same
- 44:54questions, the same fire,
- 44:57that same unstoppable hope.
- 45:01You are not separate from them. You are
- 45:03part of a living web of
- 45:05dreamers, of changemakers.
- 45:09Some of them are sitting alone in rooms
- 45:10just like this, wondering if they are the
- 45:14only ones who feel this way.
- 45:16And the time is coming where we will find
- 45:18each other, and when we do, we will
- 45:22realize that the
- 45:23burden we've been carrying,
- 45:24that private, familiar
- 45:26burden, was never just ours.
- 45:30It has been shared all along across time
- 45:33and space by people who dare to dream
- 45:37that something better is possible.
- 45:43That fire you carry is the continuation
- 45:46of a dream that has echoed across eons.
- 45:50It's ready. It just needs you
- 45:53to make the choice to begin.
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