She Fell for the Man Behind the Wheel… She Had No Idea He Was the Billionaire Heir | Nigerian Movie — Transcript
Full transcript
- 0:00Good morning, Lagos. This is your girl
- 0:01Tommy waking up with you on Arise Legos
- 0:03right here at Po. It's 9:00 a.m. and
- 0:04Lagos is already moving.
- 0:06>> Well, that's exactly how we wanted it.
- 0:08Honestly, I can't wait
- 0:10>> to become Mrs. Nuoso. Please, at this
- 0:12point, it's almost a formality.
- 0:16>> Are you mad? Do you want to kill me?
- 0:18>> I'm sorry, Mark.
- 0:18>> I don't care. A bike.
- 0:19>> WHAT SORT OF RUBBISH driving is this?
- 0:20>> It won't happen again.
- 0:21>> Or go and find a job somewhere else
- 0:22because if you don't know how to drive,
- 0:23say so. There are hundreds of men like
- 0:24you looking for this job. And what is
- 0:26that look?
- 0:26>> What look?
- 0:27>> Oh, you have mouth, too. Don't try it
- 0:29with me. [music] I'm sorry, ma.
- 0:30>> Sorry. Oh, is this my stupid driver?
- 0:31Anyway, as I was saying, I have Daniel
- 0:33on lockdown. You're looking at the
- 0:34future, Mrs. Namosa.
- 0:40[music]
- 0:47>> Mr. Bio. Wow, you haven't aged a day.
- 0:50Welcome home, Daniel. And that is a
- 0:51[music] lie, by the way, but I'll take
- 0:52it.
- 0:53>> Ah, Mr. Bio, leave it. I can carry my
- 0:55bag.
- 0:55>> I know you can, sir.
- 0:56>> Please don't start. You just got back.
- 0:58Allow me to welcome you properly as my
- 0:59boss.
- 1:00>> Your boss? Bio, please. We're friends.
- 1:02Don't start doing sir with me now.
- 1:03>> Friend or not, you're still Chief Moso
- 1:05son.
- 1:05>> Bio, please. That doesn't mean you have
- 1:07to carry my bag. I've got it. Some
- 1:09things never change. You're still as
- 1:11stubborn as ever.
- 1:14How bad is it? Your father will explain.
- 1:23>> Came back home. Noise warning. [music]
- 1:25Same old street.
- 1:29[singing]
- 1:30[music]
- 1:30>> How much?
- 1:31>> Almost half a billion naira in less than
- 1:34a year.
- 1:35>> Yes, dad. That is not normal leakage. I
- 1:38know, sons. So, where is it going?
- 1:41Maintenance costs keep rising. Fuel
- 1:43losses are increasing. Roots that should
- 1:44be profitable are suddenly reporting
- 1:46losses. [music] And two major contracts
- 1:48we were almost certain of winning
- 1:49disappeared at the last minute.
- 1:52Why? depends on who I ask. Meaning,
- 1:57operations blames pricing. Finance
- 1:58blames operations. The clients tell a
- 2:00different story. An internal audit.
- 2:02They've raised issues, but every time
- 2:04they get close, records are corrected
- 2:05and the queries disappear. External
- 2:07auditors didn't pick that up. Not enough
- 2:09to prove anything. So, somebody knows
- 2:11when you're looking. Exactly. And they
- 2:13know when we're looking. The last review
- 2:15leaked before it even started. Then this
- 2:18has to be somebody senior.
- 2:20So, what do we do? That's why I called
- 2:23you home. If I go in as Daniel Wasu,
- 2:26nobody will show me anything. True. And
- 2:29right now, we don't know who is behind
- 2:31this or who we can trust. What if I go
- 2:33in as someone they don't notice? As who?
- 2:36Maybe a driver. Daniel. Think about it,
- 2:40Dad. Drivers hear everything. People
- 2:41take calls around them, argue around
- 2:43them, say things like they're not even
- 2:44there.
- 2:46>> You have a point, Daniel. But you're the
- 2:47heir to the Wosu and Sons dynasty. You
- 2:50really think you can just walk in there
- 2:51as a driver
- 2:52>> by your dad? That's exactly why it could
- 2:54work. Nobody is expecting me for another
- 2:563 months. Most of them wouldn't
- 2:57recognize me anyway. I left Nigeria when
- 2:58I was 12. Nobody there really knows what
- 3:00I look like now. Let them keep waiting
- 3:03for Daniel Wu. I'll go in as the man
- 3:06behind the wheel.
- 3:09[music]
- 3:11[singing]
- 3:11>> I be moving through the city [music] low
- 3:14key. Quietly [singing]
- 3:17eyes on the roof, but I'm watching
- 3:20everything. [singing]
- 3:21[music]
- 3:22Everybody talks when they think you're
- 3:24nobody. [music]
- 3:28>> Mom, what?
- 3:29>> Look at you. You've lost weight.
- 3:33>> No. No, Mom. I haven't.
- 3:34>> Daniel, you have all See your dry
- 3:36cheekbones. It's like you're not eating
- 3:38well. See how skinny you're looking.
- 3:40>> Mom, I'm fine.
- 3:41>> No, you're too skinny.
- 3:42>> Mom, please. I work too hard in the gym
- 3:44to maintain this body. Don't ruin it for
- 3:46me.
- 3:46>> Maintain what? You need food. Have you
- 3:49spoken to Sandra?
- 3:50>> Not since I landed.
- 3:51>> She doesn't know you're here.
- 3:53>> Mom, nobody is supposed to know I'm
- 3:54here. [music]
- 3:55>> Sandra is not everybody.
- 3:57>> For now, she has to be.
- 3:58>> That girl has been counting down to when
- 4:00you come home.
- 4:00>> I know.
- 4:01>> So, tell me, all this talking you people
- 4:03have been doing, is it actually going
- 4:04somewhere?
- 4:05>> Well, I think I like her.
- 4:07>> You do?
- 4:08>> Yeah.
- 4:09>> So, I should start planning the wedding.
- 4:12>> Mom, please calm down. Calm down for
- 4:14what? Daniel Sandra is the perfect wife
- 4:16for you. She's a good girl. You know how
- 4:18much I love her. She checks on me. She
- 4:19remembers the little things. She's
- 4:20always sending me gifts. Honestly, that
- 4:22girl is like the daughter I never had.
- 4:24>> Mom, I hear you. But relax. We're still
- 4:26getting to know each other. And yeah, I
- 4:27kind of like her. Let us meet properly
- 4:28first before you marry us.
- 4:29>> Wait, so I still don't understand this.
- 4:30Your no picture, no video arrangement.
- 4:32>> Mom, it's just the way we wanted it.
- 4:33>> But why?
- 4:34>> It's like our own mini version of Love
- 4:35is Blind. We formed the connection
- 4:36first.
- 4:36>> You watch Love is Blind?
- 4:38>> No, Sandra does. It's our favorite show.
- 4:42She tells me everything that happens,
- 4:43who likes who, who is pretending, who
- 4:44should never have gone to the altar.
- 4:46>> So, that is what the two of you discuss
- 4:47all night.
- 4:48>> How about mom? We talk about other
- 4:50things as well. It's just our thing.
- 4:51>> Well, whatever you people are doing, I
- 4:53hope it works.
- 4:54>> Mom, relax. If it's meant to be, it'll
- 4:56work out.
- 4:57>> And how exactly are you going to manage
- 4:58all this with your father's request and
- 5:00Sandra?
- 5:00>> Honestly, Mom, I haven't thought that
- 5:02far ahead yet. I just got here. I'm
- 5:03taking it one day at a time.
- 5:05>> [music]
- 5:10>> Do I really have to wear the cap? Yes. I
- 5:12hate [music] this cap. The cap is the
- 5:14least of your problems. You still look
- 5:15like you own the place. Well, I can't
- 5:17help you with that one. And the watch.
- 5:19Daniel, are you sure you're ready for
- 5:21this? A driver who can afford that watch
- 5:23would be a hard sell. Bio, please. The
- 5:25watch stays. I need at least one thing
- 5:27to remind me of who I am.
- 5:29>> Like you will ever forget.
- 5:32Daniel,
- 5:35is that Sandra?
- 5:36>> Yes. Wow. She is She is what? Stunning.
- 5:42>> You're the new driver, right?
- 5:43>> Yes. [music] And
- 5:44>> you'll speak when I ask you a question.
- 5:46When I say 5:00, I mean 5:00. You're
- 5:49late.
- 5:49>> I'm sorry. I
- 5:50>> don't try [music] it again. What is this
- 5:52rubbish?
- 5:54Everybody is incompetent today. Gosh.
- 5:58>> Are you okay? I'm okay, my son. Madame
- 6:01Sandra is like that. We are used to her.
- 6:03That's not right. Okay, you're still new
- 6:05here. That That one is a special case.
- 6:08Everybody knows she's the woman they
- 6:10want the chairman's son to marry.
- 6:12[music]
- 6:18>> Mom, you scared me.
- 6:20>> What are you looking for?
- 6:21>> A glass.
- 6:22>> Why didn't you ask one of the staff?
- 6:25>> Mom, I've lived abroad all these years.
- 6:26Nobody follows me around handing me
- 6:28water. I can find a glass. So, the rest
- 6:30of us that have staff doing things for
- 6:32us are doing something wrong. [music]
- 6:34>> I didn't say that. I'm just used to
- 6:36doing things myself. I think I prefer it
- 6:38that way.
- 6:39>> Well, if everybody was like you, these
- 6:41people wouldn't have jobs.
- 6:43>> Mom, I'm not trying to shut down the
- 6:45employment market. I'm just saying I
- 6:47don't need somebody to hand me a glass
- 6:48because they work in my house.
- 6:49>> And I'm saying there's nothing wrong
- 6:50with letting people do the job they're
- 6:51paid to do.
- 6:52>> Fair enough.
- 6:54>> So, how was your day?
- 6:55>> It was all right. [music]
- 6:56>> Did you see Sandra?
- 6:59Yes, mom. I did.
- 7:01>> And
- 7:02>> she's really beautiful.
- 7:03>> I told you what?
- 7:06>> I don't know, Mom. I I think I expected
- 7:08her to be different.
- 7:09>> Different how?
- 7:11>> I'm not sure our values completely
- 7:13align.
- 7:13>> Daniel, please. Because you don't want
- 7:15the staff handing you a glass. Suddenly,
- 7:16your values are different from everybody
- 7:18else's.
- 7:18>> Mom, [music] that's not what I mean. I
- 7:21just didn't like the way she spoke to
- 7:22people today.
- 7:24>> Maybe she was having a bad day. [music]
- 7:26>> Maybe. I just I don't like when people
- 7:29treat someone differently because they
- 7:30think that person is beneath them.
- 7:31>> You've seen her for one day, Daniel.
- 7:33>> I know. [music] Maybe you're right.
- 7:36Maybe it was just a bad day.
- 7:42>> I honestly can't wait for you to come
- 7:44back.
- 7:45>> You've survived this long already.
- 7:47You'll be fine. 3 months will go faster
- 7:49than you think.
- 7:50>> Sometimes I just think it'll be nice
- 7:52having you here properly, not just calls
- 7:54and late night conversations.
- 7:56>> How was your day? Honestly, [music]
- 7:58people were just irritating me today.
- 8:01>> I hear you, but you know I'm very
- 8:02particular about how people treat other
- 8:04people.
- 8:05>> Daniel, please. You don't know the
- 8:06people I work with.
- 8:08>> Maybe not, but I think the way you treat
- 8:10people you don't need anything from says
- 8:11a lot.
- 8:12>> You're too nice.
- 8:12>> And maybe you're not nice enough.
- 8:14>> I never said I was nice.
- 8:16[gasps and snorts]
- 8:17Anyway, I have an early morning
- 8:18tomorrow. Good night, Daniel.
- 8:21>> Good night, Sandra.
- 8:26But I'm [music] watching [singing]
- 8:27everything.
- 8:29Everybody
- 8:30think [music] you're [singing]
- 8:33>> I asked for this yesterday. [music] I
- 8:36hate sloppy people. Did you hear me? I
- 8:38am sorry, ma. I was unable to. Please. I
- 8:41don't need stories and excuses. [music]
- 8:42Just fix it before the meeting. Let's
- 8:44go.
- 8:48>> Apparently, Mom, this isn't just about
- 8:50having a bad day.
- 8:51>> Daniel, you've only just started seeing
- 8:52her in this environment. Give her a
- 8:53little grace. I am, but I won't lie.
- 8:55It's a bit of a turnoff.
- 8:56>> You like her, Daniel. At least you said
- 8:58so yourself. Don't throw everything away
- 8:59because of one thing you don't
- 9:00understand yet.
- 9:01>> Maybe. Mom, I have to go. I'll call you
- 9:02back.
- 9:02>> All right.
- 9:04>> I want the revised report on my desk
- 9:06latest by close of business tomorrow.
- 9:07[music] Noted, boss. Sandra, are you all
- 9:10right? I'm fine. Daniel has been
- 9:13avoiding my calls. You're Daniel? I
- 9:16thought he was crazy about you. So did
- 9:18I. But lately, he's been cold, distant.
- 9:22We were supposed to have our little
- 9:23blind date night yesterday. [music] He
- 9:24stood me up. Maybe something came up.
- 9:27Like what? Who stands Sandra Peters up?
- 9:29Apparently Daniel knows who [music]
- 9:31does. It's not funny, Levy. This is the
- 9:33man I'm supposed to marry. And I
- 9:35actually really like him. Maybe hear him
- 9:37out first before jumping to conclusions.
- 9:39[music] Anyways, I am going for fleet
- 9:41inspection. I hope that my foolish
- 9:43driver is not late again.
- 9:49This isn't oat milk. That was what they
- 9:52said.
- 9:52>> I hate it when you talk back at me. I
- 9:55said this isn't oat milk and you are
- 9:56arguing. [music] Take your stupid
- 9:58coffee.
- 10:02>> This is unbelievable.
- 10:04>> Wow. Are you okay?
- 10:06>> Fantastic.
- 10:07>> Come with me.
- 10:08>> Where?
- 10:09>> There's a staff utility room inside.
- 10:11Let's clean that before it dries.
- 10:13>> You sure this can be saved?
- 10:15>> Not if you stand there complaining about
- 10:16it.
- 10:17>> All right, [music] lead the way.
- 10:23Thank you for the shirt and for
- 10:26apologizing for your friend.
- 10:28>> How do you know we're friends?
- 10:30>> You're the only person I've seen her
- 10:31speak to without looking like she wants
- 10:33to fire [music] somebody.
- 10:35>> That's your evidence.
- 10:36>> Pretty strong evidence.
- 10:38>> Sandra and I go way back.
- 10:39>> How far back?
- 10:41>> Queen's College.
- 10:42>> Seriously? [music]
- 10:43>> Unfortunately.
- 10:45Then uni lag. So, at this point, I've
- 10:48had years of [music] training
- 10:50>> training
- 10:51>> in surviving Sandra Peters.
- 10:54>> So, she's always been like this.
- 10:57>> Not exactly.
- 10:59Sandra can be a lot, but she's loyal,
- 11:02and when she cares about someone, she
- 11:03[music] really cares.
- 11:04>> You're defending her again?
- 11:06>> Maybe a little. People are complicated.
- 11:09>> You know, you're [music] surprisingly
- 11:11easy to talk to.
- 11:12>> Is that a compliment?
- 11:14>> Just the truth.
- 11:16What about you?
- 11:17>> What about me?
- 11:19>> You've told me about Sandra. [music] I
- 11:20still know nothing about you.
- 11:22>> You've only just met me.
- 11:24>> I know. [music] I'd like to change that.
- 11:26>> Olivia, you've known me for about 7
- 11:28minutes.
- 11:29>> Eight. [music]
- 11:30>> Oh, you're counting.
- 11:32>> Dan.
- 11:33>> Just Dan
- 11:35>> for now.
- 11:36>> Mysterious?
- 11:37>> Not really.
- 11:39>> We'll see.
- 11:41Just little moment
- 11:44stealing time.
- 11:47You made me laugh when
- 11:49[music and singing] I forgot how
- 11:53made quiet feel [singing] like [music]
- 11:56something loud.
- 11:59I should go.
- 12:08>> So this is where you've been hiding. I'm
- 12:10not hiding. You've called in sick for 3
- 12:12days. Maybe I'm sick. You're not sick.
- 12:17Bio, I don't think I can marry Sandra.
- 12:20That was quick. I'm serious. Mom doesn't
- 12:23get it either. She [music] keeps saying
- 12:25maybe Sandra was having a bad day. Maybe
- 12:28she was, but you haven't exactly given
- 12:30her a chance to prove otherwise. You
- 12:31disappeared the next day. For all you
- 12:33know, she might have wanted to
- 12:34apologize. [music] Maybe.
- 12:37And word on the street is that Sandra
- 12:38Peters has been in a mood because Daniel
- 12:40Nosu broke her heart.
- 12:43Word on the street, office gossip.
- 12:47Wow.
- 12:48Apparently, the new driver has also made
- 12:50the news. Really? What news? Something
- 12:54about coffee and our pretty Olivia.
- 12:56Nothing happened. I didn't say anything
- 12:59happened.
- 13:00But jokes aside, Daniel, you can deal
- 13:02with Sandra later.
- 13:05You still have a job to do.
- 13:10>> I told you don't call me about that
- 13:12account during office hours. Just move
- 13:13the money the way we agreed and make
- 13:15sure my name is nowhere on it [music]
- 13:17and nobody can trace it back to me.
- 13:23[music]
- 13:26The man in the driving lane [music]
- 13:28behind the wheel.
- 13:34>> Hello.
- 13:36>> Hi.
- 13:37>> Who is this?
- 13:38>> Dan.
- 13:40>> Oh, Dan. [music]
- 13:42>> You don't sound excited.
- 13:43>> Not that. I just wasn't expecting your
- 13:44call.
- 13:46>> Yeah, but I [music] wanted to.
- 13:48>> I haven't seen you around. You stopped
- 13:50driving, Sandra?
- 13:51>> No, I've just been off sick for a few
- 13:53days.
- 13:53>> Are you okay?
- 13:55>> Yes, I'm [music] fine. I am back now.
- 13:57>> Wait, how did you get my number?
- 13:59>> From the staff contact list.
- 14:01>> What staff [music] contact list? We
- 14:03don't have anything like that at Nou and
- 14:04Sons.
- 14:06>> Okay, maybe not a staff contact list.
- 14:08>> Dan,
- 14:09>> look. I drive executives around. You
- 14:11think I don't know people?
- 14:12>> You've barely started working there.
- 14:14[music]
- 14:14>> And I'm already well connected. Olivia,
- 14:17I want to see you again.
- 14:19>> You see me [music] at work?
- 14:21>> Not like that.
- 14:22>> Are you asking me out?
- 14:24>> I think I did. Is that a yes?
- 14:26>> Maybe.
- 14:27>> I'll take maybe.
- 14:35>> Mom, I just don't understand him.
- 14:38Sandra, [music] relax. Daniel is going
- 14:40through a phase.
- 14:41>> A phase? You know, men, sometimes they
- 14:44get into their heads and decide they
- 14:46need to figure everything out by
- 14:47themselves. [music] So, you don't think
- 14:49anything has changed? Daniel is my only
- 14:51son. Let him take all the space he
- 14:53wants. When he's done, he'll come back
- 14:54to his senses. [music] As far as I'm
- 14:56concerned, you're still my
- 14:57daughter-in-law to be. Daniel will marry
- 14:58you. Trust me.
- 14:59>> Mom, what have you changed my mind?
- 15:01>> No, Mom. Good. Then stop worrying. Give
- 15:03him a little time. Okay, Mom. [music]
- 15:06All right, darling. I'll talk to you
- 15:07later. Bye, Mom.
- 15:10[music] Your clothes. Thanks. Did you
- 15:12ask them when the other dress will be
- 15:13ready? Sandra, please stop it. I'm not
- 15:15your house girl. [music]
- 15:16You keep doing this. Doing what? Sending
- 15:20me on personal errands like I'm your
- 15:21house girl. Levy, please. I asked you
- 15:23for [music] one small favor and now
- 15:24you're acting up. And FYI, you wouldn't
- 15:26even have this job if it wasn't for me.
- 15:27Wow. So, because you helped me get a
- 15:28job, I'm supposed to pick up your
- 15:29laundry, your food, coffee. Olivia,
- 15:32[music] please. You were going out
- 15:33anyway. I asked you to pick up my dry
- 15:35cleaning. What exactly is the big deal?
- 15:37The big deal is that I'm an operations
- 15:38analyst, Sandra, not your PA. You know
- 15:41what? [music] Just get out of my office,
- 15:42please, before you annoy me.
- 15:44>> Sandra, are you leaving? I thought you
- 15:45said you dropped me. Yes, I am leaving.
- 15:47I'm just not going your way anymore.
- 15:50Olivia, what are you still doing here?
- 15:53>> My car is with a mechanic and apparently
- 15:54my leaf changed her mind.
- 15:55>> Sandra,
- 15:56>> don't ask.
- 15:57>> Come on, I'll drop you. [music]
- 15:59>> Are you allowed to do that?
- 16:00>> I have to pick up Mr. Cole very early
- 16:02tomorrow morning. It's easier to keep
- 16:03the car tonight.
- 16:04>> Really? [music] I didn't know they let
- 16:05drivers take the cars home.
- 16:07>> Apparently, they do when Mr. Cole wants
- 16:08you at his gate before sunrise. Are you
- 16:10coming or are you going to interrogate
- 16:12me here all night?
- 16:13>> Just little moment. [music]
- 16:18>> So, this is you? Yeah.
- 16:19>> What part of Lagos is this again?
- 16:21>> Yaba. [music]
- 16:22>> Yaba. Right.
- 16:23>> Don't tell me you don't know Yaba.
- 16:24>> I think I remember Yaba. Lagos has
- 16:26[music] just changed a lot.
- 16:27>> You haven't been around for a while?
- 16:29>> Yeah, I left Lagos when I was 12.
- 16:31>> So, [music] where do you stay?
- 16:32>> VGC.
- 16:33>> VGC as in Victoria Garden City?
- 16:36>> No, not VGC exactly. Somewhere around
- 16:38that side. I told you I'm still finding
- 16:39my feet in Lagos. I'm probably mixing up
- 16:41the names of a lot of places.
- 16:42>> H Okay. [music] So, what of your family?
- 16:44Do they stay in Lagos? Any brothers or
- 16:46sisters?
- 16:46>> None. Just me. only child.
- 16:49>> Unfortunately, [music]
- 16:50>> why unfortunately?
- 16:52>> My mom thinks because she had one child,
- 16:53she has to manage his entire life. Food,
- 16:55clothes, decisions, probably my future
- 16:56if I let her.
- 16:57>> That bad. [music]
- 16:58>> You have no idea. And don't get me
- 17:00wrong, I love my parents. I love my mom.
- 17:02But sometimes she can be a lot. [music]
- 17:04>> What about your dad?
- 17:06>> He's around. Different kind of pressure.
- 17:08>> So, how did you end up driving Fenosu
- 17:10and Sons? You don't have to tell me if
- 17:12you don't want to.
- 17:13>> It's not that. It's a long story. It's
- 17:15really complicated. Maybe [music]
- 17:16another time.
- 17:18>> That's fine.
- 17:19>> Anyway, enough about me. You
- 17:21>> okay? [music] It's just me, my mom, and
- 17:22my younger sister, Kiki. My dad passed
- 17:24away when I was little. My mom was a
- 17:25retired primary school teacher, [music]
- 17:27although she still volunteers sometimes.
- 17:29Children's homes, nurseries, anywhere
- 17:31they'll let her teach [music] children.
- 17:32She loves it. And Kiki is a fashion
- 17:34designer. She's very good. Her dream is
- 17:36to go to Terra Fashion Academy in Leki.
- 17:39The tuition is about 10 million naira a
- 17:41year, and it's a 2-year [music] program.
- 17:43So 20 million
- 17:44>> 20 million naira.
- 17:46>> Yeah, I know that's a lot of money, but
- 17:48we're walking towards it. All of us by
- 17:50God's grace, we'll get there. [music]
- 17:52>> Okay,
- 17:53>> I should go in.
- 17:54>> Okay.
- 17:55>> I really enjoy talking to [music] you.
- 17:57>> Me, too.
- 17:58>> Good night, Dan.
- 17:58>> Good night, Olivia.
- 17:59>> Good night.
- 18:04[music]
- 18:07>> Siri, call Bio.
- 18:08>> Calling bio. [music]
- 18:11Something [singing]
- 18:12>> bio. I need you to do something for me.
- 18:14Ter fashion school lei. There's a girl
- 18:16called Kiki. Her tuition is 20 million
- 18:18for the 2-year program. I want you to
- 18:19take care of it. [music] Let the school
- 18:21present it to her as a scholarship. My
- 18:22name stays out of it.
- 18:25[music]
- 18:27>> Smile in your face.
- 18:30Everybody loyal.
- 18:33[music]
- 18:36>> You know, at this point, I don't even
- 18:37know why we keep pretending this
- 18:38marriage is still a suggestion. This is
- 18:41how the Peters and the Nosus become one
- 18:43family and build something even bigger
- 18:45together.
- 18:46>> Exactly. We've been talking about these
- 18:47two since they were children. At this
- 18:49[music] point, I think we should start
- 18:50planning the wedding already. Please,
- 18:51can everybody please stop planning my
- 18:52wedding while Daniel is not even in the
- 18:54country?
- 18:54>> Actually, Alex, when did you say your
- 18:56son is [music] coming home? In about 3
- 18:58months.
- 18:59>> 3 months is not that far.
- 19:01>> Exactly. We need to start thinking of
- 19:03locking in the civic center [music]
- 19:05before somebody else takes the date.
- 19:07Mom, lock in a venue when Daniel isn't
- 19:10home yet.
- 19:11>> Darling, please let the boy come home
- 19:13first. [music]
- 19:20>> I told you the chairman still doesn't
- 19:21know and he won't know until we're done
- 19:22and make sure my name is nowhere on it
- 19:23and nobody can trace me. Just tell Chief
- 19:24to be patient. I've delivered on my end
- 19:25all these years. We're almost there.
- 19:26There's no point rushing now. But for
- 19:27now, stop calling me during office
- 19:28hours. We can't afford any loose ends.
- 19:30>> I'm not touching that report again.
- 19:31>> You don't have a choice. We were told to
- 19:33adjust it.
- 19:33>> Adjust it? You [music] mean change the
- 19:35figures?
- 19:35>> Keep your voice down. I'm just saying if
- 19:37this thing blows up, I'm not taking the
- 19:38fall for anybody.
- 19:43[music]
- 19:44>> How is your daughter now? Ah, she's much
- 19:46better. Much better. Dan, thank you. I
- 19:49don't even know who you spoke to.
- 19:50[music] I had applied for that salary
- 19:52advance three times. HR kept saying no.
- 19:54Then after you told me you would see
- 19:55what you could do, they called me the
- 19:56next morning and approved it. That money
- 19:58really helped with our treatment. I'm
- 20:00just glad she's better.
- 20:05The wala they sent it back again.
- 20:07Augusta Sunday I told you to leave this
- 20:09matter. How will I leave it? I submitted
- 20:11the correct amount. They sent [music] it
- 20:13back and told me to change it again.
- 20:14Change it to what? H Mr. Dan Abego. This
- 20:17[music] one is not your problem. No, let
- 20:19him here. Repaired one of the bosses
- 20:20last week. Parts, labor, everything came
- 20:22to 450,000. [music] Now they want me to
- 20:24put over 1 million for the same repair.
- 20:27Ah, yes. So, Mr. Dan, for the [music]
- 20:29same repair. And they want you to
- 20:31approve it. Exactly. And it's not even
- 20:32the first time. And Mr. Dan, this thing
- 20:34did not start today. How long has this
- 20:35been happening? For years, it started
- 20:38with small small amounts you could
- 20:39overlook as a mistake. 50,000 here,
- 20:43maybe 100,000 there. But now it has
- 20:46become too much. They want us to add
- 20:48over 500,000, sometimes even close to a
- 20:51million. Haba, that one is no longer a
- 20:54mistake. It's too much. Small additions
- 20:57happen for years, but it was not like
- 20:59this before. Months ago, amounts became
- 21:02bigger. Now they expect us to just sign
- 21:04whatever. So what happens if you refuse?
- 21:07>> Ask Mr. [music] Johnson. He refused to
- 21:08approve something similar and started
- 21:10asking too many questions. Next thing we
- 21:12heard, they accused him of misconduct
- 21:13and put him on suspension. [music] Since
- 21:15then, everybody here has learned to mind
- 21:16their business. Then why hasn't anybody
- 21:18told the chairman? Chairman [music] K
- 21:20Dan, you think it is that easy? You want
- 21:22us to carry something we cannot fully
- 21:23prove and walk into the chairman's
- 21:24office accusing senior people in this
- 21:25company? Before you finish explaining
- 21:26yourself, they will turn the whole thing
- 21:27around and you will be the one
- 21:28answering, "My brother, I have children.
- 21:29I need this job. That is why everybody
- 21:31keeps quiet. But me, I cannot continue
- 21:32signing things I know are false. I'm a
- 21:33Christian. My conscience will not allow
- 21:34me.
- 21:35>> Just little moment. [music]
- 21:40>> Okay, that was actually good.
- 21:43>> What do you mean by actually? When last
- 21:45did you go to church
- 21:46>> properly? It's been a while. [laughter]
- 21:50>> I used to go a lot with my grandparents
- 21:52when I was younger. My granddad
- 21:54especially. Sunday morning was not
- 21:56negotiable. His whole life, everything
- 21:58he built, his faith was at the center of
- 22:00it. I don't even know when we drifted so
- 22:02far from that.
- 22:03>> Maybe you're finding your way back to
- 22:05Jesus.
- 22:06>> Maybe I am. And maybe I needed someone
- 22:08to remind me what I was missing.
- 22:10>> So, are you coming again next Sunday?
- 22:11[music]
- 22:11>> Maybe.
- 22:13>> You made me laugh when I forgot how
- 22:19made feel like [music]
- 22:22something loud.
- 22:25And every road [singing] I [music]
- 22:27thought I knew
- 22:30somehow kept leading me to you. [music]
- 22:37You didn't know the name.
- 22:39[singing and music]
- 22:40You didn't know the life. You only
- 22:44[singing] knew the man
- 22:47sitting by your side. Before you knew
- 22:50[singing] my name. before you knew my
- 22:54world.
- 22:56>> Dan, can I ask you something?
- 22:59>> There's something about you I can't
- 23:00quite figure out.
- 23:01>> Sometimes I feel like I know you, like I
- 23:03can trust you completely. And then other
- 23:04times I feel there's this whole part of
- 23:05you that you're keeping somewhere I
- 23:06can't reach. You won't tell me where
- 23:08you've been all these years. You've
- 23:10never even told me your surname. So,
- 23:12what are you hiding,
- 23:14>> Olivia? It's complicated.
- 23:15>> Complicated? How? Are you running away
- 23:17from something or someone?
- 23:19>> No.
- 23:19>> Then what is it?
- 23:21>> I can't tell you.
- 23:23Can't or you don't trust me?
- 23:24>> I'm not trusting you.
- 23:26>> Then what? What is it, Dan? What are you
- 23:28hiding?
- 23:28>> Olivia, please. I [music] just I can't.
- 23:30Not yet.
- 23:31>> Okay, whatever it is, I'm not going to
- 23:32force you to tell me. I hope you know
- 23:34I'm not going to judge you either.
- 23:37>> Mom, you're home early.
- 23:39>> Good evening, Ma.
- 23:40>> Good [music] evening,
- 23:41>> Mom. This is Dan.
- 23:43>> Dan who? What's your surname? Where are
- 23:45you from? How long have you known my
- 23:47daughter?
- 23:47>> Mom, please. I already told you about
- 23:49Dan. And so is that why he cannot answer
- 23:50for himself?
- 23:52>> Mom, this is not a job interview.
- 23:53[music]
- 23:53>> Who said I'm interviewing him? I'm not
- 23:55interviewing him. I'm asking questions.
- 23:57So tell me, what exactly are your
- 23:58intentions towards my daughter?
- 23:59>> Mommy,
- 24:06>> honestly, mom, I just let it go.
- 24:08>> And that was good. Sometimes it is
- 24:10better to leave some things alone.
- 24:11>> Good evening, moms.
- 24:12>> Good evening, sis. Good evening, my
- 24:14dear. Welcome, Kiki. How was your day?
- 24:16>> Guess what? What happened? Terra Fashion
- 24:19School called me. They offered me a
- 24:20scholarship. A what? How? They told us
- 24:23they don't even do scholarships. We
- 24:25[music] tried last year. Exactly. I was
- 24:27shocked myself. Full scholarship the
- 24:29entire 2 years. But you didn't even
- 24:31apply for one. It doesn't make any
- 24:33sense. Are you sure? That's what I'm
- 24:35telling you. Because there was nothing
- 24:36to apply for. They usually don't offer a
- 24:38scholarship. So, I was shocked. It's a
- 24:40miracle. Protocol breaker. [music]
- 24:42Praise God. Thank you, Jesus. Mom, let
- 24:45us confirm it properly first before we
- 24:47start thanking God. Oh, ye of little
- 24:49faith. Levy, trust me, I confirmed
- 24:51everything. Wow, that's really amazing
- 24:54news. Feels like a dream. Yes. So, it
- 24:57does. Anyway, you left your phone in the
- 24:59sitting [music] room. Dan was calling.
- 25:01That guy, he is fine. Sha Kiki, what? I
- 25:05saw him when he dropped you off last
- 25:06night. Busy body, what were you doing
- 25:08awake that late?
- 25:08>> I heard a car outside. This our street
- 25:11is too quiet not to be curious.
- 25:12>> Ah, that's true. [music] Oh, yeah. Go
- 25:14and bring my phone. I need to call him
- 25:15back.
- 25:21>> I need the Lagos Abuja root performance
- 25:23report redone. The one Mr. Walle sent
- 25:25over was rubbish. [music] Liy, you're
- 25:26the only one around here with a head for
- 25:28excellence. Please sort it out for me.
- 25:29Okay, Sandra, I'll have it done by close
- 25:31of business Friday. Thanks. By the way,
- 25:32Libby, are there no men in Lagos? What
- 25:35do [music] you mean? You would have told
- 25:37me. I would have hooked you up with
- 25:38somebody. What about my cousin Michael?
- 25:39His dad is a billionaire. They own all
- 25:41the mega filling stations across the
- 25:42country. He just needs a good woman in
- 25:43his life to calm him down and [music]
- 25:44get him to stop womanizing. Sandra,
- 25:46please don't. Libby, seriously, a
- 25:49[music] driver now. Uh-oh. I know he's
- 25:51fine, but you don't have to stoop that
- 25:52low. Sandra, what? I'm just saying
- 25:55you're bigger than that. Have some
- 25:56class, Olivia. [music] I'll get you the
- 25:58report by Friday. Is that all? Uh-uh.
- 26:01You're vexing. Calm down, Jor.
- 26:04Honestly, Dan, I don't know what I would
- 26:06have done. I still don't even know how
- 26:08you raised that money so quickly. God
- 26:10bless you. I'll pay you back. I [music]
- 26:11promise. Madame Tina, you really don't
- 26:12have to.
- 26:13>> God will bless you, my son. Thank you.
- 26:14No, no, I will. Even if it's small,
- 26:16small small. [music]
- 26:17>> Just take care of yourself and your son.
- 26:19That's enough.
- 26:20>> I will. Thank you. Take care.
- 26:22>> You, too, Madame Tina.
- 26:25>> You have a way [music] with people.
- 26:27>> What does that mean?
- 26:28>> Everybody seems to love you.
- 26:30>> Not everybody.
- 26:32>> Almost [music] everybody.
- 26:35People seem to trust you. They talk
- 26:37[music] to you. They tell you things.
- 26:39>> Maybe I'm just nosy. No, you actually
- 26:42listen.
- 26:43>> Really? My granddad was like that. He
- 26:45knew [music] everybody, their names,
- 26:46their families, what they were going
- 26:48through. He had a way of making people
- 26:49feel like they [music] mattered.
- 26:50>> You talk about your granddad a lot. You
- 26:52must have really looked up to him.
- 26:53>> Yeah, I did. He was my hero. Still is,
- 26:57actually.
- 26:58>> You know [music] what? Let me take you
- 27:00out.
- 27:00>> Take me out?
- 27:01>> Yes. Dinner. My treat.
- 27:03>> Your treat.
- 27:04>> Don't make it a big deal. You're always
- 27:05helping everybody else. Let somebody
- 27:06[music] do something for you for once.
- 27:07>> Okay.
- 27:09[singing]
- 27:14Are you okay?
- 27:16>> What's on your mind?
- 27:18>> Sometimes I wonder if people see the job
- 27:20before they see the person.
- 27:21>> What do [music] you mean?
- 27:23>> Me being a driver. Does it bother you?
- 27:26>> Why would it?
- 27:27>> I don't know. You're an operations
- 27:29analyst, a corporate girl. Your friends,
- 27:31>> Dan, I [music] like you. What you do for
- 27:33a living doesn't really matter to me.
- 27:34You're kind. You pay attention. You
- 27:36notice people. You genuinely care about
- 27:37people. You make people feel seen,
- 27:39valued, like they matter. I like who I
- 27:42am around you. You make [music] me
- 27:43laugh. I feel safe with you.
- 27:45>> Wow. I didn't expect you to say all
- 27:46that. Honestly, now you're going to make
- 27:48me cry. [music]
- 27:49>> And I like who you are when nobody is
- 27:51watching.
- 27:52>> You really mean that.
- 27:54>> Every word.
- 27:55>> You have no idea how much I needed to
- 27:58hear that.
- 27:59>> So, [music] no, Dan. I'm not ashamed of
- 28:01you. I'd be ashamed of myself if I
- 28:04judged a good man because of the job he
- 28:06does.
- 28:07Olivia
- 28:09[music and singing]
- 28:15>> where working?
- 28:16>> Yeah, but don't worry. I'll sort [music]
- 28:18it out later. Let me get you something
- 28:19to drink.
- 28:20>> All right,
- 28:20>> Dan, what are you looking at?
- 28:23>> This?
- 28:24>> It's work.
- 28:26>> I can see that. Why do you have it here?
- 28:29>> Honestly, Dan, I'm not even sure who to
- 28:31talk to about it. I'm already taking a
- 28:32big risk just keeping all this. I got
- 28:33promoted to operations analyst about six
- 28:35months ago. With the promotion came
- 28:37access to reports I wouldn't normally
- 28:39have seen before. And that was when I
- 28:41started noticing things.
- 28:43>> What kind of [music] things?
- 28:44>> Figures changing. Maintenance costs that
- 28:46didn't match the original submissions.
- 28:48Payments going out for amounts that were
- 28:49different from what was first [music]
- 28:50approved. At first, I thought maybe I
- 28:52was reading something wrong. So, I
- 28:53started asking questions. I even
- 28:54mentioned it to Sandra. She brushed it
- 28:56off. Then the next day, somebody warned
- 28:58me to stop looking into it.
- 29:00>> So, you stopped looking,
- 29:01>> Dan. I'm not a martyr. I decided [music]
- 29:03to mind my business. But then Mr.
- 29:06Johnson got blamed for something I had
- 29:07already seen earlier and decided to
- 29:09ignore. And it wasn't just him. Another
- 29:11person got blamed after that. [music]
- 29:13That was when I started looking again
- 29:14quietly trying to see what I could find.
- 29:17But most people won't talk to me. And
- 29:19honestly, I don't even know who to
- 29:20trust. [music]
- 29:20>> Why didn't you go to the chairman?
- 29:22>> The chairman? Are you joking? Do you
- 29:23think anybody can just wake up and walk
- 29:24into chair chairman's office? Dan, do
- 29:27you have any idea what it takes to even
- 29:29get near the [music] chairman? And even
- 29:31if I somehow got in front of him, what
- 29:32would I say? That some figures look
- 29:34wrong? That somebody threatened me? I
- 29:36don't even know who is involved.
- 29:38Anyway, this is not your problem.
- 29:40[music] I'm sorry. I shouldn't have
- 29:41dragged you into all this.
- 29:44Maybe I can help.
- 29:46>> Help how?
- 29:48>> I drive executives and senior people
- 29:49around. I [music] hear things. Some of
- 29:50them I'm probably not supposed to hear.
- 29:51And people trust me. They talk around
- 29:52me. Sometimes they tell me things they
- 29:54probably shouldn't.
- 29:54>> Things like what?
- 29:56>> Enough [music] to know you may not be
- 29:57imagining any of this. Dan, what have
- 30:00you heard?
- 30:01>> Are you sure you want to know?
- 30:16>> Okay, I think we should probably take a
- 30:17break. [music]
- 30:18>> Yeah, we should. This goes way deeper
- 30:19than I expected.
- 30:22>> Come here,
- 30:26>> Olivia.
- 30:26>> H
- 30:27>> Thank you.
- 30:28>> For what? [music] It's mine. Excuse me.
- 30:31>> Hello. Look, I'm in the middle of
- 30:33something right now. I hear you, but I
- 30:35just [music] need some space to figure
- 30:37things out. Okay, please, let's not do
- 30:38this right now. I have to go.
- 30:40>> Who was that? [music]
- 30:41>> Olivia.
- 30:42>> Wow. Was that another woman?
- 30:44>> It's not what you think.
- 30:46>> What exactly do you think I'm thinking?
- 30:48Because that didn't sound like work,
- 30:49Dan. That sounded like a woman [music]
- 30:50you're dealing with.
- 30:51>> It's It's complicated.
- 30:52>> Complicated? Dan, is there someone else?
- 30:54>> Olivia. Olivia, please.
- 30:56>> Oh my god, there is. Is she your [music]
- 30:58girlfriend? Wait, are you married?
- 31:00>> No, I'm not married.
- 31:01>> Then what is it?
- 31:02>> It's a situation with my family. I just
- 31:04[music] I can't explain it right now,
- 31:06but I'm trying to fix it. Libby, I swear
- 31:07it's not what it looks like. Please,
- 31:08just trust me.
- 31:09>> Wow. I must be the biggest fool in
- 31:11Lagos.
- 31:12>> Liy, please don't say that.
- 31:15>> I've [music] spent weeks getting close
- 31:16to you, pouring my heart into this.
- 31:17Whatever I thought this was, I let
- 31:18myself trust you. And all this time,
- 31:20there's been another woman somewhere.
- 31:21>> It's not like that. It's an arrangement.
- 31:23It's something my parents [music]
- 31:24>> Then what is it like, Dan? What
- 31:26arrangement? What do your parents have
- 31:28to do with this? Talk to me, [music]
- 31:29Dan. Wow. I should have known better.
- 31:31And the funny thing is, I'm falling in
- 31:33love with you,
- 31:34>> Libby.
- 31:34>> I'm falling in love [music] with you,
- 31:35Dan. And apparently, I don't even know
- 31:37what I've gotten myself involved in. I
- 31:38don't even know who you really are.
- 31:41>> Olivia, please, if you give me a little
- 31:43time. [music]
- 31:43>> No, Dan. I can deal with you having
- 31:45things you weren't ready to talk about.
- 31:46I gave you that. But another woman, you
- 31:49don't get to [music] hide that from me
- 31:50and then ask me to trust you.
- 31:52>> Libby, please just let me explain. Can
- 31:54you right now the whole truth?
- 32:00>> Yeah, that's [music] what I thought. I
- 32:01think you should go.
- 32:03[singing]
- 32:08>> What am I supposed to tell her? Bio.
- 32:10That the woman calling me is the woman
- 32:12everybody has been telling me I'm going
- 32:13to marry since before I was even old
- 32:14enough to understand what marriage was.
- 32:16Do you know what my whole [music] life
- 32:17feels like sometimes? Like I'm acting
- 32:18out somebody else's script and I don't
- 32:20even know who the director is. They
- 32:21literally shipped me off when I was 12.
- 32:23Daniel, somebody tried to poison you.
- 32:24Your parents were terrified. They took
- 32:26you out of the country because they
- 32:27genuinely believed you would be safer
- 32:28there. [music] I I know your mom was
- 32:30frightened out of her mind. Your dad did
- 32:32what he thought would keep you alive.
- 32:33Bio, [music] I know why they did it. I'm
- 32:34not saying they were wrong to protect
- 32:36me. But my granddad had just died. I was
- 32:38already trying to understand how
- 32:39somebody who had been there my whole
- 32:40life could suddenly just be gone.
- 32:44And they wouldn't even let me come home
- 32:46for his burial.
- 32:49I never got to say goodbye to him. That
- 32:50thing scattered me bio. And even [music]
- 32:52then, it was still, "Daniel, we know
- 32:53what's best. Daniel, you're staying
- 32:54there." And after that, mom and dad just
- 32:56kept making my decisions for me. This is
- 32:58the school you're going to. These are
- 32:59the people we're comfortable with you
- 33:00being around. [music] Don't go there.
- 33:01Don't do that. Be careful who you trust.
- 33:04And the crazy thing is, granddad spent
- 33:05my whole childhood teaching me to value
- 33:07people for who they are, not what they
- 33:08have. He taught me that having more
- 33:10money, a bigger name, more [music]
- 33:11status, none of that makes you better
- 33:12than anybody else. But somehow after he
- 33:15was gone, I grew up in this little
- 33:16protected bubble where everything around
- 33:17me was screened. [music] Where I went,
- 33:19who I knew, who I trusted. I'm barely
- 33:21even on social media after what happened
- 33:22when I was younger. Mom wanted as little
- 33:23of my life out there as possible. I'm
- 33:25practically a ghost [music] and I
- 33:26followed the script. I didn't fight
- 33:26them. I didn't question it. I just went
- 33:28along with everything. But Olivia,
- 33:31Olivia is the first thing in a very long
- 33:32time that feels like mine. The [music]
- 33:33way she looks at me by like she actually
- 33:34sees me like I can just be myself with
- 33:36her. Not Daniel Noru, just me. [music]
- 33:39And that's the worst part. Beo, because
- 33:41I'm lying to her. She told me she's
- 33:42falling in love with me. And I'm in love
- 33:44with her. But every time I think about
- 33:45telling her the truth, I'm scared she'll
- 33:47never look at me the same way again. And
- 33:48I [music] don't know if I'm ready to
- 33:49lose that. What do I do? Be bao?
- 33:50>> Bish. I am hearing Daniel Fetukunosu.
- 33:52You broke up with Sandra.
- 33:56>> Good evening, Mom.
- 33:57>> Did you hear [music] me? Sandra called
- 33:59me crying. She was really willing to
- 34:01make this work. Did you really tell her
- 34:03it was over? That there was no chance
- 34:04the two of you could work?
- 34:05>> Yes, Mom. I did. I told you I didn't
- 34:07think
- 34:07>> then. If you know what is good for you,
- 34:08you will pick up that phone, call
- 34:09[music] her, and tell her you were
- 34:10joking.
- 34:10>> Mom, listen to yourself. Are you
- 34:11actually going to force me to marry
- 34:12Sandra?
- 34:13>> Daniel, Sandra is the girl your father
- 34:15and I have always wanted for [music]
- 34:16you. Sandra called me crying. That girl
- 34:17really likes you. Won't you just let
- 34:18this work, Daniel? Besides, this isn't
- 34:20something we invented yesterday. The
- 34:22Noisu and the Peters have had a
- 34:23long-standing relationship [music]
- 34:25for years. Both families have always
- 34:27known where this was going.
- 34:28>> Mom, I have hardly disagreed with you or
- 34:30dad on most things. But on this, Mom,
- 34:31I'm sorry. I cannot marry Sandra.
- 34:33>> But I thought you liked her. You said
- 34:34yourself that you could see a future
- 34:35with her.
- 34:36>> Well, Mom, I did. And then I came home.
- 34:38I saw her for who she really is. I
- 34:40watched how she treats people when she
- 34:41thinks they don't [music] matter.
- 34:42>> Daniel, nobody is perfect.
- 34:44>> This isn't about perfection. Mom, I
- 34:46cannot marry a woman who treats people
- 34:48with contempt simply [music] because
- 34:49they work for her or because she thinks
- 34:50they're beneath her. And mom, if we're
- 34:52being honest, Sandra and I only became a
- 34:53possibility because all of you have been
- 34:55putting that idea in our heads since we
- 34:56were children. Maybe we're just not
- 34:58compatible.
- 34:59>> Yes, Daniel, [music]
- 35:00because as the only son of Chief Alex
- 35:02Mosu, you followed the laidout plan.
- 35:05>> Mom, [music] plans change. Mine has. And
- 35:08I don't think Sandra and I were ever
- 35:09meant to be. Besides, I'm in love with
- 35:12someone else. Olivia, [music]
- 35:14how do you
- 35:15>> Oh, Daniel, please. You think nobody has
- 35:17noticed you following that girl all over
- 35:18Lagos? Your [music] father brought you
- 35:19home because somebody is trying to
- 35:20destroy everything your grandfather
- 35:21built. Instead, you've let yourself get
- 35:23distracted running around Lagos with
- 35:24that girl and have left the [music]
- 35:26legacy he left to your father. The
- 35:27legacy your father is supposed to hand
- 35:28to you. And one day, you will hand to
- 35:29your own children.
- 35:30>> Mom, I'm not distracted. And Olivia
- 35:32isn't just any girl. She is kind. She's
- 35:34thoughtful. [music] She notices people.
- 35:35She cares about people who have
- 35:37absolutely nothing to offer her. She's
- 35:38intelligent. [music] She's brave. And
- 35:40even when she's scared, she still tries
- 35:42to do what she thinks is right.
- 35:43>> Oh, great. Good for her. But you are
- 35:45[music] Daniel No. You don't belong in
- 35:47her world.
- 35:47>> What is that supposed to mean?
- 35:48>> In our world, you marry pedigree. You
- 35:50marry Sandra [music] Peters. And that is
- 35:52the end of the matter.
- 35:54[singing]
- 36:00>> And now [singing] I'm scared.
- 36:07Madame Olivia, these [music] came for
- 36:09you.
- 36:13>> Wow, your driver has taste. I'll give
- 36:15him [music] that. Flowers and cupcakes.
- 36:16He probably spent half his salary on
- 36:18this. Sandra, please. What? I said he
- 36:20has taste. Very romantic. [music] Nice.
- 36:22Anyways, I'm waiting for the fleet
- 36:23maintenance report. Thank you,
- 36:24>> Libby.
- 36:32>> [singing]
- 36:38>> Still not talking to him? No, I am not.
- 36:42Are you sure you don't want to at least
- 36:43hear what he [music] has to say? Kiki, I
- 36:45gave him every chance to tell me the
- 36:47truth that day. If he had something to
- 36:49say, he would have said it.
- 36:55>> [singing]
- 36:56>> I was
- 36:57[music]
- 37:00before you knew my name.
- 37:06>> Olivia, I've been calling you.
- 37:08>> Dan, please. That's not why I called. I
- 37:10think I found something.
- 37:12>> What did you find?
- 37:13>> I don't think it's something we [music]
- 37:14should discuss over the phone.
- 37:16>> Should I come over?
- 37:18>> Okay.
- 37:19>> All right. I'll be there soon.
- 37:23[music and singing]
- 37:27Olivia, I'm sorry. I
- 37:28>> Dan, save it. I called you because I
- 37:29didn't know who else I could talk to
- 37:30about this and I needed someone else to
- 37:31look at what I found. Dan, I said,
- 37:32"Don't touch me."
- 37:33>> What did you find?
- 37:35>> I went back through the payment records
- 37:37again. The inflated [music] amounts, the
- 37:39vendor approvals, the accounts receiving
- 37:40the payments, they're not as separate as
- 37:41they look. Different transactions, but
- 37:44when I followed the approvals and the
- 37:45payment trail, they kept leading back to
- 37:47the same office.
- 37:48>> Whose office? [music]
- 37:49>> Mr. Kok's.
- 37:51>> Koker. That's why I called you. I
- 37:55checked it again because I thought I had
- 37:56to be wrong. He's been with this [music]
- 37:58company for years. I thought maybe
- 38:00someone was using his authorization or
- 38:01trying to make it look like him. But
- 38:03Dan, every time I follow it properly, it
- 38:05comes back to him.
- 38:06>> Are you sure? [music]
- 38:07>> Sure enough that I couldn't ignore it.
- 38:12[music]
- 38:15>> And she's sure. She checked it more than
- 38:17once. [music] The vendors look
- 38:18unrelated, but when she followed the
- 38:19approvals and the payments, they kept
- 38:21leading back to Koker.
- 38:22>> That's a serious allegation, Daniel.
- 38:24[music] Koker has been with this company
- 38:26for 12 years. I know, but it fits too
- 38:28much of what I've already heard. Then
- 38:30this has gone beyond what you and Olivia
- 38:31should be digging through yourselves. If
- 38:32everything is pointing back to Kok, we
- 38:34need to stop guessing and prove it. We
- 38:35finally know where to look. [music] I'll
- 38:37speak to your father. It's time to bring
- 38:38in a forensic accountant. But Koka can't
- 38:40know we're looking at him.
- 38:42>> How are you holding up with everything
- 38:43with Daniel? Better. Still embarrassed
- 38:46[music] mostly. I mean, my whole life I
- 38:48was told this was a done deal. His mom
- 38:49called me again. She says I should just
- 38:50leave him alone for now, that he'll come
- 38:51to his senses. [music] Do you think he
- 38:53will? Honestly, Livy, I think he's
- 38:54probably met some random girl somewhere
- 38:55and just gotten distracted. [music] And
- 38:57if that's really what this is, I'm
- 38:58Sandra Peters. I don't even know if I
- 39:00want to be competing with another woman
- 39:01for a man everybody has been telling me
- 39:03is supposed to [music] be mine. You
- 39:04shouldn't have to. Exactly. You
- 39:06shouldn't have to compete for anybody,
- 39:07Sandra. If he really is the right man
- 39:08for you, he wouldn't make you fight
- 39:09another woman for him. He wouldn't make
- 39:10you feel like an option. [music] You're
- 39:12right, Livy. Thank you. Anyway, enough
- 39:15about my tragic love life. You're
- 39:16leaving early [music] today, right?
- 39:18Yeah, it's movie night. My mom and Kiki
- 39:20will never let me hear the end of it if
- 39:21I'm late. You know, Libby, sometimes I
- 39:23actually envy you. The way you, your
- 39:25mom, and Kiki are always [music]
- 39:26together. Movie night, dinner, calling
- 39:28each other every 5 minutes. It's nice.
- 39:30I'm an only child. My dad is always
- 39:31busy, and my mom is either traveling,
- 39:33shopping, or doing her own thing. Our
- 39:35house can get very quiet. Anyway, send
- 39:37me the Abuja report before you leave. I
- 39:39want to review it tonight. [music] Might
- 39:41as well keep myself busy.
- 39:45Miss Olivia Adivia DM me. [music] Yes.
- 39:48What's going on? We need to speak with
- 39:50you privately. Can we sit down? Sure.
- 39:53I'm her boss. [music] Whatever this is,
- 39:54I'm staying. Olivia, some serious
- 39:57concerns have been raised regarding your
- 39:58access to confidential company
- 39:59information. What concerns? [music]
- 40:01Our records show that you access
- 40:02documents outside the normal scope of
- 40:03your work. There are also concerns that
- 40:05confidential company records were copied
- 40:06and removed from the premises. Levy: I'm
- 40:08an operations analyst. I access reports
- 40:10every day. Some of the documents [music]
- 40:11involved contain sensitive financial
- 40:12information. Information you had no
- 40:14business removing from the company.
- 40:15>> Until this is properly investigated, you
- 40:16are suspended with immediate effect.
- 40:18Suspended? Levy? Tell me this [music]
- 40:20isn't true.
- 40:22Were you taking company documents home?
- 40:24Sandra, it's not what you think. Levy, I
- 40:26trusted you. I put my reputation on the
- 40:28line for you. I vouched [music] for you
- 40:30to get this job. Do you know how this
- 40:31makes me look? Miss Olivia Admy, you
- 40:33need to leave. Leave the company
- 40:34premises with only your personal
- 40:36belongings with immediate effect. You
- 40:41[music and singing]
- 40:44>> What's going on here?
- 40:46>> Of course, the boyfriend. [music]
- 40:48Olivia,
- 40:49>> they suspended me.
- 40:50>> Dan, I understand you're concerned, but
- 40:52this is an official company matter.
- 40:59>> What exactly are they accusing you of?
- 41:02>> Unauthorized access to confidential
- 41:03records, removal of company information,
- 41:05and possible interference with internal
- 41:06data. Given the seriousness of it, I
- 41:08think we have more than enough ground
- 41:09enough grounds to refer the matter to
- 41:10the police.
- 41:11>> No.
- 41:12>> Excuse me,
- 41:14>> Dan. This really isn't the time to play
- 41:16hero or try to save your girlfriend.
- 41:17[music]
- 41:17>> I'm not playing anything. Young man,
- 41:19this has absolutely nothing to do with
- 41:20you. It does now. And I said you are not
- 41:22calling the police, Mr. Koka.
- 41:24>> What did you just say to me? You heard
- 41:26me.
- 41:26>> Do you have any idea who you're speaking
- 41:28to? I can have you out of this company
- 41:30and back on the street before the end of
- 41:31the day.
- 41:32>> Really? I'd like to see you try.
- 41:34>> Do you have any idea who you're speaking
- 41:35[music] to? I can have you out of this
- 41:36company and back on the street before
- 41:38the end of the day. You've got a lot of
- 41:39nerve for a driver. Who the hell are
- 41:40you?
- 41:41>> I am dead.
- 41:41>> That's enough. What exactly is going on
- 41:43here? [music]
- 41:43>> Mr. Bayer, with all due respect, why are
- 41:44we taking instructions from a driver?
- 41:46>> You're not. You're taking instructions
- 41:47from the chairman's office.
- 41:49>> What does that have to do with him?
- 41:50There will be no police involvement
- 41:51until this matter has been independently
- 41:52reviewed. Preserve Mr. Deame's laptop,
- 41:54emails, access logs, system history, and
- 41:56every document connected to this
- 41:57investigation exactly as they are.
- 41:58>> Her suspension [music] still stands.
- 42:00>> I know. Bio, what exactly is going on
- 42:02here? Who exactly is this driver?
- 42:05I keep it clean.
- 42:07>> You nearly blew your cover back there. I
- 42:08know. They were threatening to call the
- 42:10police on her bio. What else was [music]
- 42:12I supposed to do?
- 42:14>> Hopefully, this is almost over. For now,
- 42:16lay low. And Olivia, there's nothing you
- 42:18can do for her right now without making
- 42:20things worse.
- 42:22[singing]
- 42:24>> Olivia, this thing is getting scarier.
- 42:26Today is already Thursday and they still
- 42:27haven't called you back. What are we
- 42:29going to do? No, Mom. Nothing. Nothing
- 42:32yet. [music] Our rent is due next month
- 42:34and you promised to help from your bonus
- 42:35pay this month. Now they've suspended
- 42:36you without pay. My drugs are almost
- 42:37finished, too. I'll need to buy them
- 42:38before the end of the month.
- 42:39>> Mom, we'll be fine. Please don't start
- 42:41worrying yet.
- 42:41>> How can I not [music] worry? How? I have
- 42:43some savings. We'll manage. And I've
- 42:45already started looking for another job.
- 42:47I have an interview on Monday. And if
- 42:49this thing drags on.
- 42:50>> Mom, don't worry. We'll be fine. Sister
- 42:54Libby, you've been looking at your phone
- 42:55since we sat down. Allow it charged now,
- 42:57or should I go and bring it for you?
- 43:00>> Kiki, what? I know you want to call Dan.
- 43:03If you're worried about him, just call
- 43:04him. That's the thing. I can't. Why? HR
- 43:07put it in the suspension letter. I'm not
- 43:09supposed [music] to contact anyone from
- 43:10the company while they're investigating.
- 43:11And after what happened that day, I
- 43:12can't even imagine how much trouble Dan
- 43:14is already in. I don't want [music] to
- 43:16make it worse for him. He was only
- 43:18trying to help you. I know
- 43:21[music]
- 43:23>> smile in your face by the hour.
- 43:26Everybody loyal when the chairman is
- 43:27near. But who are you when
- 43:29[singing and music] nobody cares? I came
- 43:30for the truth. I came for the name. But
- 43:33maybe this road will [music] change the
- 43:34game behind the wheel. Still I know who
- 43:37I be. [music] Let him keep waiting for
- 43:41the man that came to see.
- 43:44>> What is this? Why is the driver present
- 43:46in an executive board meeting? Who
- 43:47allowed him in here?
- 43:48>> Yeah, I did.
- 43:48>> Chairman, sir, with all due respect,
- 43:50this is a confidential board meeting.
- 43:52I'm aware. Mr. Koka, meet my son, Daniel
- 43:56Nosu.
- 44:03For the past 3 days, an independent
- 44:04forensic team has been reviewing the
- 44:05transactions Olivia brought to our
- 44:07attention. Inflated maintenance
- 44:08invoices, [music] payments for repairs
- 44:10that were never carried out, fuel
- 44:11transactions, multiple vendors that
- 44:14appeared unrelated. They weren't
- 44:15unrelated. The money kept moving through
- 44:17different accounts, but eventually it
- 44:19came back to the same place. Ventra
- 44:20Capital and Investments Limited. Ventra.
- 44:23Yes, sir. [music] Ventra is controlled
- 44:25by Chief Peters.
- 44:28Alex, don't be ridiculous. I have
- 44:30investments everywhere. Not like this.
- 44:33[music] Every time Kok approved one of
- 44:34those inflated payments, part of the
- 44:36money eventually found its way to
- 44:37Ventra. [music] We also recovered
- 44:39communication between Mr. Koker and
- 44:40Chief Peters, corresponding with several
- 44:42of those transactions. Alex Koker has
- 44:45worked for this company for 12 years. Of
- 44:47course, we've spoken. I'm a shareholder.
- 44:49I sit on this board. If Koker was
- 44:51abusing his position, that is something
- 44:52he needs to answer for. Don't drag me
- 44:54into whatever he's been doing. No,
- 44:56Chief. You masterminded this whole
- 44:57operation and I agreed to it because you
- 44:59promised me I'd be running this company
- 45:01when it was over.
- 45:03Yi, [music] how could you? You were my
- 45:05closest friend. I trusted you. Alex,
- 45:08please. I spent [music] decades beside
- 45:09you, Alex, helping you build this
- 45:11company, standing with you through
- 45:12everything. But no matter how much I put
- 45:15into it, it was always theus. Your name,
- 45:17your decisions, your legacy. My father
- 45:19built this company from nothing. Yi, he
- 45:21started as a Legos taxi driver. saved
- 45:22enough to buy his first boss, then
- 45:23another, then another, until he built
- 45:25something he could hand over to me. And
- 45:26you were willing to tear all of that
- 45:27apart because your name wasn't on it.
- 45:29>> Yes, [music] Pamosu built it. I have
- 45:31never denied that. But when you took
- 45:33over, it was still largely a transport
- 45:34business. You and I expanded it into
- 45:36Hollage Freight, warehousing, fleet
- 45:37[music] services, logistics,
- 45:38>> and several subsidiaries across the
- 45:40country. My money financed that
- 45:42expansion. My connections opened doors.
- 45:43We turned Ro and Sons into the
- 45:44conglomerate it is today. So you tried
- 45:46to destroy it. Destroy it.
- 45:49>> [laughter]
- 45:50>> The plan was never to destroy the
- 45:51company. It was to weaken it. [music]
- 45:53Weak enough that eventually you would
- 45:54have no choice but to bring in outside
- 45:55money, restructure, give up some of the
- 45:57control that Mosus have held on to all
- 45:59these years. [music] And then Ventra
- 46:00would step in when Mosu and Sons was
- 46:02desperate enough to accept your terms.
- 46:04Exactly. And for once, I wouldn't just
- 46:06be the outsider sitting on the sidelines
- 46:08while your family's name stayed on
- 46:09everything. [music] I would finally have
- 46:10a real say in the company I helped
- 46:12build. All these years, Yi, I thought
- 46:15you were standing with me. You were only
- 46:17waiting for your chance to take it from
- 46:19me.
- 46:20>> Bio, sir, call security. Have these men
- 46:23escorted out and tell legal to hand
- 46:24everything we have to the police.
- 46:27>> Came back home. No, no warning. Same
- 46:29[music] old street.
- 46:31Big
- 46:33hidden. If you know too much, then
- 46:34[singing] they move different. So I keep
- 46:36it calm. I keep it clean. Let them show
- 46:39me who they really be. [music] No crown,
- 46:41no suit, no family name, just another
- 46:43man in the driving lane. [singing]
- 46:46>> [music]
- 46:48>> I just got an email. My suspension has
- 46:50been lifted. At least mommy can stop
- 46:51worrying now. I should call Dan. Should
- 46:52I call him?
- 46:54>> Kiki, are you even listening? It's a
- 46:55lie. Honestly, it's a lie. Oh, Madam
- 46:58Drama Queen, what is a lie? Sister
- 47:00Libby, have you been on social media
- 47:02today? No. Why? Your boyfriend made the
- 47:04news. Who? Dan, how many boyfriends do
- 47:07you have? What happened to him? Nothing
- 47:10happened to him.
- 47:12Just see for yourself. Daniel Wasu.
- 47:16How Kiki? Is this a joke? What is going
- 47:20on? [singing]
- 47:27>> Daniel Noru.
- 47:29>> Yeah.
- 47:30>> You didn't think to call me, warn me?
- 47:32You're all over social media.
- 47:33Apparently, bloggers are the ones
- 47:34introducing me to my [music] own
- 47:35boyfriend.
- 47:36>> Liby, that's why I'm here. I came
- 47:38straight here because I wanted you to
- 47:39hear it from me. I guess they beat me to
- 47:41it. [music] Can I come in?
- 47:43>> Why? because I need to explain.
- 47:45>> Of course, Dan, there's always an
- 47:47explanation with you.
- 47:49>> Olivia, [music]
- 47:50>> I knew there was something off about
- 47:51you. I knew it. You would take me to
- 47:52places and I would sit there wondering
- 47:54how a company driver was casually paying
- 47:55for all of this. And somehow, every
- 47:56single time I found an explanation for
- 47:57you, then VGC, you actually live in VGC.
- 48:00That wasn't a slip. You knew exactly
- 48:01what you were saying. And bio, the
- 48:04chairman's right-hand man and one random
- 48:05new driver somehow had this relationship
- 48:07that made absolutely no sense. I noticed
- 48:09it. I wondered about it. I just never
- 48:11pushed. The company cars. Whenever you
- 48:12needed one, somehow there was one.
- 48:13Weekends. What kind of driver did I even
- 48:15think you were?
- 48:16>> Olivia.
- 48:17>> No, [music] let me finish. You made it
- 48:19hard to question you. There was always
- 48:20this giant wall around certain parts of
- 48:21your life. And every time I got close to
- 48:23it, I just backed off. I didn't want to
- 48:24be the woman constantly interrogating
- 48:25you. And if I'm being honest, I didn't
- 48:26want to tear it down either. I was happy
- 48:27inside that little bubble we had. I
- 48:29genuinely didn't want anything to happen
- 48:30that would make it fall apart. And what
- 48:31makes this whole thing so ridiculous is
- 48:33that you weren't even good at hiding it.
- 48:35You really weren't. You were such a rich
- 48:36kid trying to act like a poor one, and
- 48:38you had absolutely no idea how to do it.
- 48:40And [music] somehow, Olivia Admy, you
- 48:41missed it. Really? I'm the biggest fool
- 48:43in Lagos.
- 48:44>> Liby, you're not.
- 48:45>> No, I [music] am. My mother asked me
- 48:47questions I should have been asking
- 48:48myself. How are you falling in love with
- 48:50a man, and you're not even sure of his
- 48:51surname? I had never been to your house.
- 48:53I didn't know exactly where you lived. I
- 48:55didn't really know where you had been
- 48:56all these years. [music] And I defended
- 48:57you. Every single time something didn't
- 48:59make sense, I found a Every single time
- 49:01something didn't make sense, I found a
- 49:02reason for you. What was it about you?
- 49:05Was I really that mesmerized? You came
- 49:06into my life and it was like my brain
- 49:08just stopped working and [music] I lost
- 49:09my ability to ask questions. I fell in
- 49:11love with you like a big fool. And then
- 49:12Sandra, oh my god, you were the Daniel
- 49:14she was waiting for. Dan, you made me
- 49:16the other woman. Olivia, you [music]
- 49:18were never the other woman. I should
- 49:20have ended things with Sandra sooner. I
- 49:21knew ending it would mean [music] a
- 49:22serious fight with my mom, so I let it
- 49:24linger longer than it should have. That
- 49:25was wrong, and I'm sorry. The truth is,
- 49:28I didn't plan any of this. I didn't plan
- 49:30to meet you. I definitely didn't plan to
- 49:31fall in love [music] with you. And yes,
- 49:32you're right. I was terrible at being
- 49:33Dan. I went to business school, Olivia.
- 49:34It was a miracle I pulled that driver
- 49:36thing off for as long as I did. But when
- 49:37but when I [music] was with you, I
- 49:39wasn't Dan. And I wasn't Daniel Rosu
- 49:41either. I was just me and you saw me. I
- 49:44liked the man I was when I was with you.
- 49:45The way you looked at [music] me, the
- 49:46way you treated me, none of it had
- 49:48anything to do with my name. And the
- 49:49more I fell in love with you, the harder
- 49:51it became to tell you. I was scared that
- 49:52if I told you you would start looking at
- 49:54[music] me differently, that you
- 49:55wouldn't see me the same way anymore.
- 49:56>> But that's the problem, Dan. You didn't
- 49:58trust me enough [music] to let me decide
- 49:59what I would do with the truth. I
- 50:00trusted you so blindly, Dan. I would
- 50:02have done anything for you. If you had
- 50:03trusted me enough to tell [music] me the
- 50:04truth, I'd have kept it. But you never
- 50:06gave me that choice. Anyway, I'm
- 50:07genuinely happy for you. You found the
- 50:09person who [music] was trying to destroy
- 50:10your family's legacy. I just hope it was
- 50:12worth breaking my heart into a million
- 50:14pieces.
- 50:15>> Livy,
- 50:16>> please. You need to leave.
- 50:20>> Olivia,
- 50:22>> I love you.
- 50:24>> Dan, please
- 50:26>> just do this for me. Leave.
- 50:30I hope you still remember [singing]
- 50:33who I was.
- 50:46>> Livia, I know saying I'm sorry doesn't
- 50:47fix this. I just I don't know how to
- 50:49leave things like this between us.
- 50:50Please [music] talk to me.
- 50:59How was the interview?
- 51:00>> It went well, Mom. I think I'm just
- 51:03tired. You'll be fine. Go and eat and
- 51:05then rest. Mommy, let me see who is at
- 51:08the door.
- 51:09>> Thank you.
- 51:11>> Who sent that?
- 51:13>> Dan.
- 51:15>> Olivia, can I just see you [music] for 5
- 51:17minutes?
- 51:17>> No.
- 51:18>> Livy.
- 51:19>> Dan, please. I need you to stop. I know
- 51:21you're trying, but you're showing up
- 51:22every day, calling me every second,
- 51:24texting me. I can barely think. I need
- 51:26space. Dan.
- 51:27>> Okay, I'll stop. I came with a name I
- 51:30[singing] could not [music] wear. A life
- 51:32already waiting there.
- 51:36And somehow somewhere on [music] that
- 51:38road, I found a heart that felt like
- 51:41home. You never saw the
- 51:44[music and singing] things they saw. The
- 51:46family name the way the walls. You
- 51:50looked at me. [music]
- 51:51[singing]
- 51:57Your father wants you at the Abuja
- 51:58office on Thursday. The logistics review
- 51:59has been moved to Friday morning and he
- 52:00wants you sitting in on the subsidiary
- 52:01board meeting next week. Okay, good to
- 52:03know. My life is back on schedule. And
- 52:05your mother says you're expected at the
- 52:06Whitmore Foundation dinner on Saturday.
- 52:08Really? [music] Why does she want me
- 52:09there? You'll have to ask her yourself.
- 52:10>> Of course I will. She resigned, Dan.
- 52:13>> What? Why? Her suspension was formally
- 52:15lifted. HR cleared her completely. She
- 52:17submitted her resignation on Monday.
- 52:18Wow. She left because of me. Daniel.
- 52:21Olivia loved this job. She worked for
- 52:22that promotion. She was finally getting
- 52:24somewhere now.
- 52:24>> Enough, Daniel. Don't do that to
- 52:26yourself. [music] Abuja, Thursday. Don't
- 52:28forget, you need a PA. By the way, yeah,
- 52:31[music] I heard you.
- 52:35Yes, sir. We've checked everything.
- 52:36There's no problem. Yes, sir. All the
- 52:38pending repairs for this week have been
- 52:39sorted. I personally sorted them myself.
- 52:41Thank you, Ojud. Thank you, Aas Sunday.
- 52:42I appreciate it. A Sunday, how's your
- 52:43daughter? She was preparing for exams
- 52:44the last time we spoke. She finished
- 52:46them, sir. Her results came out last
- 52:47week and she she got into uni lag on
- 52:49merit. Wow. Congratulations. That's a
- 52:51big one. Ajud, how's your wife? I hope
- 52:52she's feeling better now.
- 52:53>> Much better, [music] sir. Good to know.
- 52:54My regards to her Sunday Jude, can both
- 52:56of you relax with the sir? It's still
- 52:57me, Dan. Ah, Dan, you're still the
- 52:59chairman's son, but we have heard you.
- 53:01We will try. It's not easy. I know. All
- 53:02right, I'll [music] go through the
- 53:03report and get back to you.
- 53:05>> You love the heart beneath it all
- 53:09[music] and nothing stayed the same. You
- 53:12saw me when I was learning who I [music]
- 53:16am.
- 53:19Somewhere between your heart and [music]
- 53:21mine,
- 53:23I became a better man.
- 53:29Sister Levy, Nao, you know you don't
- 53:31have to be miserable and gloomy like
- 53:32this, right? [music] You can just call
- 53:34this man and let all of us rest in this
- 53:35house. Kiki, he hurts me. You have no
- 53:37idea. I know, but he's been trying to
- 53:40apologize and you shut him down. Since
- 53:42he stopped calling, you've been carrying
- 53:43[music] face up and down. Please eat
- 53:44your food jaw before I report you to
- 53:45mommy. I know. I miss him. Maybe I even
- 53:47missed the attention a little. Then call
- 53:49him, forgive him, or move on. But this
- 53:51gloomy vibe is not vibing. I beg,
- 53:54but I'm still so upset with him. I just
- 53:58need a little more time.
- 54:04[singing]
- 54:08>> Thank you for coming. It's really good
- 54:10to see you, Libby. I've missed you.
- 54:12[music] I've missed you, too. And I'm
- 54:14sorry about that day in your office. I
- 54:16should have believed you. It's okay,
- 54:17Sandra. Water under the bridge. So, you
- 54:20got the guy. Who would have thought? My
- 54:22good friend Olivia, the same Olivia that
- 54:24was about to settle for one useless
- 54:25company driver, ended up with Daniel
- 54:27Nosu, the chairman's son. Wow, you
- 54:30really bagged yourself a billionaire.
- 54:31[music] Not bad, Libby. Not bad at all,
- 54:34Sandra. It really wasn't like that. And
- 54:36I'm sorry. I genuinely didn't know that
- 54:38was your Daniel. Relax, Livy. I'm not
- 54:40really angry with you. If I'm being
- 54:42honest, the whole thing had already
- 54:43started feeling wrong before everything
- 54:44even came out.
- 54:48And then I found out he actually came
- 54:49back to Nigeria, put on a driver's
- 54:51uniform, started eating in the staff
- 54:53canteen, and hanging around the motor
- 54:54park like it was perfectly normal. I
- 54:56still can't get over that part. No, that
- 54:58is not my man. Besides, then our new
- 55:00money. Daniel's grandfather was
- 55:01literally a motor park taxi driver. He
- 55:02got lucky, built a business, and
- 55:04stumbled into wealth. The Peter's family
- 55:05has been old money for generations. Four
- 55:07generations at least. So please, [music]
- 55:09it's his loss. Anyway, I met someone.
- 55:12You did? Yes. It's still new. We're just
- 55:14getting to know each other. So, no,
- 55:16Levy, I'm fine. You don't have anything
- 55:18to worry about.
- 55:20[music and singing]
- 55:26>> Wait, so [music] is that not Daniel
- 55:28Wasu? Uh-uh. It's him. Oh, this guy is
- 55:31so handsome and he comes to this church.
- 55:33[music] Yes. So, I've seen him here a
- 55:36few times. [singing]
- 55:38>> Wow. Lagos's most eligible bachelor is
- 55:39standing there like this. She I should
- 55:41shoot my shots. Is the Lord speaking
- 55:42like this? And you think he doesn't have
- 55:44a girlfriend? Ada, please face your
- 55:45[music] front. That is not what we came
- 55:46to church for.
- 55:50[music]
- 55:51[singing]
- 55:53>> Daniel,
- 55:54>> I'll call you back. Olivia,
- 55:57how are you?
- 55:58>> I'm fine. How are you?
- 56:01>> I'm okay, I guess.
- 56:03>> What are you doing here?
- 56:04>> Church. Olivia, I told you my [music]
- 56:07faith mattered to me. I'm trying to find
- 56:09my way back to Jesus. Besides, you said
- 56:118:00 service was an ungodly hour. Your
- 56:13exact words were, "You cannot wake up
- 56:14early Monday to Friday [music] for work
- 56:15and then come and repeat the same
- 56:16suffering on Sunday."
- 56:17>> I still stand by that.
- 56:18>> So, what happened today?
- 56:19>> I have an aptitude [music] test on
- 56:20Tuesday.
- 56:20>> All the best with your test.
- 56:22>> Thank you.
- 56:22>> Take care, Olivia.
- 56:25>> You're actually leaving.
- 56:27>> What do you want me to do, Olivia?
- 56:29>> I don't know, Dan. I was upset. I was
- 56:31overwhelmed. [music] I didn't even know
- 56:33what to do or how I was supposed to
- 56:34feel.
- 56:35>> I get that, Livy, but you could have
- 56:37talked to me. [music] I was fighting for
- 56:38you, for us, and you just kept shutting
- 56:40me out.
- 56:40>> Daniel,
- 56:41>> no, Libby. There's something I still
- 56:43can't get past. You always said status
- 56:45[music] and class didn't matter to you.
- 56:47I believed you. You told me you like the
- 56:49man I was when nobody [music] was
- 56:51watching. You made me feel like you saw
- 56:52me, Livy. Really saw me. So why did it
- 56:54matter when you found out who I was? Why
- 56:56did it matter whether I was Dan the
- 56:57Driver or Daniel Wasu?
- 56:59>> It didn't matter whether you were Dan
- 57:00the Driver or Daniel Wasu. I trusted you
- 57:03completely. And when we [music] and when
- 57:05we started working on that investigation
- 57:06together, I kept wondering why you were
- 57:08so invested. I was risking my job, my
- 57:10reputation, everything. [music] And all
- 57:12that time, you knew exactly what was at
- 57:13stake for you. Yet, you still couldn't
- 57:14trust me enough to tell me the truth.
- 57:16You looked at me every day knowing you
- 57:17were hiding something that big from me.
- 57:18How was I supposed to feel, Dan? Then
- 57:20[music] I found out from social media
- 57:21that you were Daniel Wosu. And before I
- 57:23could even process it, you were standing
- 57:24at my door. I was hurt. [music] I was
- 57:27confused. I didn't know what to do with
- 57:28any of it. That's why I asked you to
- 57:30stop. I just needed to breathe and think
- 57:32for myself. Not because you were
- 57:33calling, not because you were
- 57:35apologizing. I needed to know what I
- 57:37wanted [music] when everything went
- 57:38quiet. And for what it's worth, I didn't
- 57:40fall in love with the driver. I fell in
- 57:42love with you.
- 57:43>> And now you've had the space. [music]
- 57:45You've had time to think. What do you
- 57:46want now?
- 57:47>> You I just don't [music] know how to go
- 57:51back to the way we were.
- 57:52>> Then we don't Can we try again? Olivia
- 57:55[music] Admi, my name is Daniel Wasu.
- 57:59My name
- 58:01before you knew my world. You saw
- 58:05something in me. No talle ever could.
- 58:12Before the morning
- 58:15before the
- 58:20loeneath.
- 58:26>> Wow. So, this is the infamous NoSu
- 58:28mansion. [music]
- 58:29>> Mhm.
- 58:29>> Daniel, this place is massive and a
- 58:31little intimidating.
- 58:32>> It's just a house, Libby.
- 58:34>> Please. This is not just a [music]
- 58:35house. You actually live here.
- 58:36>> I do.
- 58:37>> I'm not going to lie. Sometimes it feels
- 58:39like I don't belong in your world.
- 58:41>> Then maybe I need to do a better job of
- 58:43making it feel like yours, too. Because
- 58:44I want you in it, Libby. And Olivia, in
- 58:48case you haven't [music] noticed, you're
- 58:49actually my world.
- 58:51But you saw me
- 58:55before you knew my name.
- 58:59You love the heart beneath it all.
- 59:03[music]
- 59:04>> Daniel Mo, did you have anything to do
- 59:05with me getting that job?
- 59:07>> Olivia, you got the job.
- 59:09>> Congratulations, Libby.
- 59:10>> Daniel, answer me.
- 59:11>> Babe, I did nothing. I'm just a young
- 59:13man running a transport business. I
- 59:14don't think I have that kind of
- 59:14influence.
- 59:15>> I see. And Kiki scholarship.
- 59:16>> Oh dear. Why do I have a feeling this is
- 59:18a trap? Ah,
- 59:19>> what?
- 59:20>> That was you.
- 59:21>> I didn't say [music] that.
- 59:23>> Daniel,
- 59:23>> what do you want me to say?
- 59:24>> The truth.
- 59:29>> Kiki, I think I should wear the green
- 59:31dress instead. Sister Ley, calm down.
- 59:33It's not that deep. Calm down, K. You
- 59:34don't know Mrs. No.u. Even Daniel is
- 59:36afraid of his mother. The man has
- 59:38[music] faced fraudsters, board
- 59:40meetings, police investigation. But when
- 59:41it comes to his mom, suddenly he starts
- 59:43choosing his words carefully. I'm
- 59:44serious, Sister Livy. So [music] now you
- 59:47want to change your dress because of
- 59:48somebody's mother. Please, you already
- 59:50got the boy. From where I'm sitting, you
- 59:52already one up on her. Kiki, I'm
- 59:54serious. I'm actually nervous. Sha, why?
- 59:57You look lovely in your Kiki design top.
- 59:59If Mrs. Knows who doesn't like it, let
- 1:00:01her go and rest. I beg. Like I said, you
- 1:00:03already got the boy. [singing]
- 1:00:05[music]
- 1:00:10>> So Daniel, you have refused to meet all
- 1:00:12the beautiful eligible women I have
- 1:00:13generously [music] handpicked for you.
- 1:00:14All of them are from wellto-do families.
- 1:00:16>> Mom, are we still on this?
- 1:00:18>> You won't even meet any of them.
- 1:00:19>> Because I told you I'm done [music] with
- 1:00:21you arranging my love life. Besides, you
- 1:00:22know how I feel about Olivia.
- 1:00:24>> Daniel, I understand that you and your
- 1:00:25father think she is some sort of hero
- 1:00:27because she helped save the company, and
- 1:00:29I'm grateful to her. But gratitude is
- 1:00:31one thing. Marriage is another. Daniel,
- 1:00:33we are building a legacy here, not a
- 1:00:35charity.
- 1:00:36>> Wow. Mom, [music] I really love the way
- 1:00:37your mind works. But please, I'm begging
- 1:00:40you. Today means everything to me.
- 1:00:43[music] Olivia means a lot to me. I love
- 1:00:45her. So, whatever you think about where
- 1:00:47she comes from, who her father is or
- 1:00:48isn't, or who you imagine I should be
- 1:00:50ending up [music] with, please don't
- 1:00:52ruin this for me.
- 1:01:00>> You love the heart beneath it all.
- 1:01:05[music] And nothing [singing] stayed the
- 1:01:07same. You saw me when I was learning who
- 1:01:11I am. [music]
- 1:01:15And somewhere between your heart and
- 1:01:17mine, [singing]
- 1:01:19I became a [music]
- 1:01:21better man.
- 1:01:26Just little moment.
- 1:01:29[music]
- 1:01:34>> I don't think I've properly said thank
- 1:01:35you.
- 1:01:36>> For [music] what?
- 1:01:36>> The car.
- 1:01:37>> Oh, that you already said thank you.
- 1:01:39>> Daniel. Daniel, sometimes you are a lot.
- 1:01:42Like genuinely a lot. You do way too
- 1:01:44much.
- 1:01:45>> I hear you, babe. And I have heard you.
- 1:01:47>> Have you?
- 1:01:47>> I'm [music] trying to slow down.
- 1:01:49>> Are you?
- 1:01:50>> Yes. I already agreed that next time we
- 1:01:52buy you a car, we'll choose it together.
- 1:01:54>> Next time. [music]
- 1:01:55>> Yeah. Like next year,
- 1:01:56>> Dan.
- 1:01:57>> Okay. Okay. I'll wait for you to say it.
- 1:02:01Sorry. What lesson am I learning again?
- 1:02:04[laughter] Seriously, what else? I'm
- 1:02:06taking notes. Should we fly economy next
- 1:02:07time just to prove I'm listening?
- 1:02:09Daniel,
- 1:02:10>> what I'm trying
- 1:02:14[singing and music]
- 1:02:18>> already waiting there. And somehow
- 1:02:21[music] somewhere on [singing] that
- 1:02:23road, I found a heart that felt like
- 1:02:26home. You never saw the
- 1:02:29[music and singing] things they saw. The
- 1:02:31family name.
- 1:02:33>> Daniel. Okay, I [music] know I'm doing
- 1:02:35too much again, but there are some
- 1:02:37things I don't think I ever want to do
- 1:02:38halfway. And with you, I want to go all
- 1:02:40in. When I came back to Nigeria, I
- 1:02:42honestly wasn't sure who I was supposed
- 1:02:43to be anymore. And then suddenly, I was
- 1:02:44back here wearing a driver's uniform and
- 1:02:46trying to figure everything out as I
- 1:02:47went along. Then I met you. And somehow
- 1:02:49with you, everything [music] became
- 1:02:51simpler. You saw me before you knew the
- 1:02:53name. You listened to me. You challenged
- 1:02:55me. You were patient with me even when I
- 1:02:57probably didn't deserve it. You're kind.
- 1:03:00You care deeply about the people you
- 1:03:01love. [music] You're also subtly
- 1:03:02stubborn. very subtly. And most
- 1:03:05importantly, you laugh at my jokes,
- 1:03:07>> Daniel.
- 1:03:07>> But [music] somewhere along the way, you
- 1:03:08became the first person I wanted to call
- 1:03:09whenever something happened. The person
- 1:03:11I wanted beside me when things were good
- 1:03:12and when [music] they weren't. You
- 1:03:14became home, Libby. And I don't want a
- 1:03:16life where I have to imagine that home
- 1:03:17without you in it. Olivia Demy, will you
- 1:03:20marry me?
- 1:03:21>> Yes, Daniel, I will marry you. I became
- 1:03:27a better man.
- 1:03:30If every road [singing]
- 1:03:34Somewhere else.
About this transcript
This page contains the full transcript of She Fell for the Man Behind the Wheel… She Had No Idea He Was the Billionaire Heir | Nigerian Movie by StoriesByMakky, generated from the public captions YouTube serves with the video. The transcript has 12,746 words across 2,059 segments, with the original timestamps preserved so you can click any line to jump to that moment in the embedded player.
What you can do with it
Use the transcript to take notes, quote the speaker, build a study guide, generate a summary with ChatGPT or Claude via the YouTube Summary tool, or export it as a timed subtitle file with YouTube to SRT. You can also re-open it in the transcriber to choose a caption track available on the video.
Free YouTube transcript tool
YouTube2Text is a free YouTube transcript generator — no signup, no daily limit. Paste any YouTube link and get the full transcript instantly, with timestamps, click-to-jump, caption language selection, AI prompts for ChatGPT, Claude, and Gemini, and exports to TXT, SRT, VTT, or Markdown.