PASAMOS LA PEOR NOCHE EN EL KM31 — Transcript
Full transcript
- 0:00Today we are going to explore the most
- 0:02famous highway in Mexico
- 0:03>> because we are at kilometer 31.
- 0:08I mean, how so?
- 0:09>> Today we are going to explore one of the
- 0:11most famous highways in Mexico
- 0:12>> because we are at kilometer 31,
- 0:14>> a place where many, many accidents have
- 0:16happened
- 0:17>> and paranormal stories, like that of a
- 0:19deceased boy who died right here in a
- 0:21car accident, and a very mysterious
- 0:23woman too. A woman in white who they say
- 0:26appears to ask for help, and when you
- 0:28get out to help her, she kills you.
- 0:3131.
- 0:32>> We're heading there now.
- 0:34>> A boy from kilometer 31.
- 0:36>> A boy appears there. He had the accident
- 0:38and sees the boy, he's walking upwards.
- 0:41He carries a stick behind him.
- 0:43>> Have you guys seen him?
- 0:43>> I have. Well, I work over there.
- 0:45>> He has a business out there in the
- 0:46desert.
- 0:46>> Ah.
- 0:47>> And then we come down at night and
- 0:49sometimes we encounter them.
- 0:51>> What could the stick be for?
- 0:54To defend himself.
- 0:55>> Oh man. I didn't think it was real, but
- 0:57now that they're telling us, I'm
- 0:59starting to get scared.
- 1:00>> Have a very nice one. Take care. See you
- 1:02later.
- 1:03>> Right now we are at kilometer 29. We are
- 1:06exactly 2 km away. Let's see if those
- 1:09ghosts, those entities, actually appear
- 1:12.
- 1:13Actually, we coincidentally ran into
- 1:15some men who confirmed that the boy does
- 1:17inhabit that kilometer and carries a
- 1:18little stick like that to defend himself
- 1:20, and that if you go, you can't go back
- 1:22either, I mean, you have to keep going
- 1:24straight.
- 1:25>> Don't turn back, because if you do, he
- 1:27stops you and won't let you return.
- 1:29>> And well, we are basically going to
- 1:30break all these rules of things you
- 1:31shouldn't do at kilometer 31.
- 1:33Join us.
- 1:40Never had a point on a highway been more
- 1:42cursed. Everyone who has passed through
- 1:45here agrees that the temperature drops
- 1:46and you feel like someone is watching
- 1:48you.
- 1:49Kilometer 31 is one of the best-known
- 1:51legends of Mexico's highways. In the
- 1:53middle of a forest with fog and
- 1:55dangerous curves, many claim to have
- 1:57witnessed apparitions of the spirits
- 1:59that were killed here.
- 2:00But the best-known story is about a boy
- 2:02who appears right in front of drivers,
- 2:05causing a fatal accident, whether from
- 2:07the shock of having hit someone or from
- 2:09losing control of the car while trying
- 2:11to dodge him.
- 2:17>> What's up, man?
- 2:18>> What's up, man? What's up? What's up?
- 2:21What's up? I'm so nervous, guys.
- 2:25This is what this mysterious highway
- 2:27looks like.
- 2:29They say we're going to reach a toll
- 2:30booth, and from that point on, there
- 2:32won't be any light at all, no people,
- 2:34just pure darkness.
- 2:36Holy crap. We just passed the booth,
- 2:38look.
- 2:39>> Damn, you can't see anything.
- 2:41>> Oh, what is that?
- 2:43>> Oh, man,
- 2:44>> the kid.
- 2:46>> It's starting to look darker with every
- 2:48>> meter. Uh-huh. That we advance. I mean,
- 2:50we are already at kilometer 30. We are
- 2:52literally just about to reach kilometer
- 2:5631.
- 2:56I'm going to tell you the rules we are
- 2:58going to break today. The first one is,
- 3:00never stop at kilometer 31.
- 3:03The second one is, don't turn off the
- 3:04car.
- 3:05Another is, if you see someone,
- 3:07basically don't turn back to help them.
- 3:10And here,
- 3:13>> lower the camera a little bit.
- 3:15>> Very good. Well, little by little, we
- 3:17are getting closer. No way, look at all
- 3:19those little dogs.
- 3:20Hello,
- 3:21>> at this hour. No way,
- 3:24>> we are going to break one of the main
- 3:26rules, which is, don't get out of the
- 3:28car, we reached km 31.
- 3:32And the second rule we shouldn't break,
- 3:34don't turn off the car,
- 3:36>> damn it.
- 3:39>> Many years ago, a boy died after being
- 3:40hit by a car on this highway. Since then
- 3:42, some drivers claim to have heard a
- 3:44little child crying. Furthermore, they
- 3:46think they see him and have even hit him
- 3:48. But when they check under the car,
- 3:49they discover there's no one there. The
- 3:50most disturbing part of the legend is
- 3:52that the boy isn't necessarily looking
- 3:54for help. His appearance causes new
- 3:56accidents, repeating over and over the
- 3:58tragedy that ended his life. Another
- 4:00even worse story is that of a boy who
- 4:01was drowned by his mother, and his soul
- 4:03has no peace or rest. Furious, he
- 4:05wanders at kilometer 31 looking for
- 4:07other people to suffer with him. This
- 4:09legend is so famous that in 2007, a
- 4:11Mexican horror movie called "Kilometer
- 4:1331" was filmed.
- 4:17I want you to see how eerie everything
- 4:19looks. At this hour, I think it's much
- 4:21scarier than any other time. At least I
- 4:23want to know if I look good enough to
- 4:25continue this journey, in case it's the
- 4:27last exploration I do, well at least let
- 4:29it be one where I look good.
- 4:35The energy feels very, very heavy.
- 4:39Oh,
- 4:42why didn't you warn me it was falling,
- 4:45you idiot?
- 4:47>> Must have been the kid who doesn't want
- 4:49us here.
- 4:50>> I'm feeling very nervous walking here,
- 4:52guys, because honestly, I do feel like
- 4:54something very, very bad is waiting for
- 4:55us right now.
- 4:58And it's because on the way, I had
- 4:59already seen several signs. I can't
- 5:01explain what this feels like.
- 5:04It's something beyond the paranormal.
- 5:11Welcome to kilometer 31.
- 5:17Okay.
- 5:18Another fact about this kilometer is
- 5:21that it's known or said that since it
- 5:23became a legend for these types of
- 5:26accidents and events, uh, unfortunately
- 5:28it also lends itself to finding bodies
- 5:31sometimes, justifying that the place is
- 5:34cursed. And it's normal that we find
- 5:36what we just found.
- 5:40>> Oh, God.
- 5:41>> Clothes.
- 5:43God only knows whose. Normally I'm not
- 5:45afraid to enter places, and here I am
- 5:48afraid to enter.
- 5:50They say that, genuinely, here you
- 5:52shouldn't only fear ghosts or spirits,
- 5:55but also the living.
- 5:57Do you want me to go ahead to shine the
- 5:59light?
- 5:59Like these I don't have
- 6:01>> people. I'm not smoking, eh, I'm
- 6:03breathing.
- 6:05>> What I investigated is that the mother
- 6:07actually killed the child. I mean, it
- 6:09had been said it was an accident where
- 6:11the child was run over, but what I
- 6:12managed to investigate was that the
- 6:14mother drowned the child. Almost like
- 6:16the story of the
- 6:17>> Llorona. What's wrong? Oh, man.
- 6:20>> What what?
- 6:21>> Well
- 6:25>> ah, dark magic or what.
- 6:27>> I think so. Yes, there's alcohol on the
- 6:30side.
- 6:34>> Hello. Hello.
- 6:38>> Oof! Well, you can hear twigs snapping,
- 6:40huh?
- 6:41>> As if someone were coming to walk.
- 6:45Okay. For those who don't know what "
- 6:46dark magic" is, we just found some.
- 6:48It's when they come to perform rituals
- 6:51to cause or wish harm upon other people
- 6:54, and that's basically it.
- 6:56>> There
- 7:04there's someone in white.
- 7:07>> Someone in white.
- 7:08>> Yes.
- 7:09Let's see, how can I get up there?
- 7:13>> The woman who cries in the forest.
- 7:14Another version related to this place is
- 7:16that of a woman who lost her life very
- 7:18violently. According to the story,
- 7:21travelers hear her wailing among the
- 7:23trees and occasionally observe a female
- 7:25silhouette near the roads. Many say they
- 7:27believe it's La Llorona.
- 7:31>> Let's see, zoom in on it. Do you see it
- 7:32through the phone? No, I don't see it
- 7:34anymore, but
- 7:47>> no
- 7:50way.
- 7:52Are you listening? I'm listening.
- 7:54>> She is crying. She's listening.
- 8:02>> We have to contact them. It's
- 8:05that it's getting too clear.
- 8:14You can hear the crying of a woman or a
- 8:16child.
- 8:17It sounds as if someone were crying. As
- 8:19if someone were crying,
- 8:21>> but because of the dogs, it's almost
- 8:23impossible to hear well. Do you see that
- 8:25tiny light coming out of there?
- 8:29>> Yes, do you see that light?
- 8:30In fact, they say that the woman in
- 8:32white appears as a light first.
- 8:34Yes, you see it.
- 8:38>> There it
- 8:44disappeared.
- 8:45>> Yes.
- 8:48Let's see, I'll do it here. No way, it
- 8:50disappeared, man.
- 8:53What I feel is a lot of I feel fear, I
- 8:55feel sadness, I feel as if I'm being
- 8:57watched, as if something bad is about to
- 9:00happen at any moment.
- 9:03>> The place has a deathly vibe, literally
- 9:05.
- 9:06>> When Alonso is very quiet, that's when I
- 9:08start to worry, because remember this
- 9:10kid is a little witch and has a sixth
- 9:12sense of being able to see things and
- 9:13feel them more.
- 9:15I mean, he has a certain sensitivity.
- 9:17100,000 likes and we take him to
- 9:19Catemaco to the head warlock so they can
- 9:21take those gifts out and give him, I
- 9:23don't know, an exorcism.
- 9:26>> He didn't even ask me or anything.
- 9:28>> Well, I say I'll do whatever the public
- 9:30decides and whatever they challenge.
- 9:33You already know you have it here. Aha.
- 9:36>> Hear Santi whispering right here. I mean
- 9:38, whispering right here. I mean, as if
- 9:40it had passed between us,
- 9:41>> as if you had him right beside you.
- 9:43Santi is over there, look.
- 9:47>> That's why I freaked out, I turned
- 9:48around. I heard it as if it had spoken
- 9:50to me.
- 9:53Listen, listen.
- 9:55>> You know, in these types of forest
- 9:56places they say that when you hear
- 9:57something very close, it's because it's
- 9:59far away.
- 9:59>> No, but the worst part is I heard it as
- 10:01if it had spoken to me. I mean,
- 10:02>> that's why you heard it right here close
- 10:04and he was far away. But if you hear
- 10:06something far away
- 10:07>> it's because it's very close.
- 10:10So, we have to be very careful because
- 10:12just now we were hearing a woman crying
- 10:14very far away.
- 10:24>> Terrified, man, like Oh,
- 10:30damn it, man. It sounds far away, man.
- 10:33This place is messed up. The battery is
- 10:35draining, man.
- 10:37But you son of a b****.
- 10:43Hello.
- 10:46Is anyone there?
- 10:54Holy mother. Look.
- 10:56>> Oh, no way. No way. I hope so. Yes. No.
- 10:59Yes.
- 11:00What? Yes, yes, yes, yes.
- 11:02Someone peeked out from there. Yes,
- 11:04someone peeked out.
- 11:05>> What do you think we found?
- 11:08Come.
- 11:11>> No, we're not going, man.
- 11:20It looks as if people were here recently
- 11:23,
- 11:28but there's no one here right now, right
- 11:29? There was no one.
- 11:33Did you record it? Yes. Okay.
- 11:36Well, the spaces on the sides are very
- 11:38close to the bushes.
- 11:40If you want, you go.
- 11:42I'll stay here, right down here a little
- 11:44bit.
- 11:45If I hear something, I'll call you right
- 11:46away so you get out of the house.
- 11:51Step on it because it's not okay here.
- 12:06Many people suffered here
- 12:08>> yes.
- 12:08>> Yes,
- 12:12can't you hear them.
- 12:13>> No,
- 12:16they are crying.
- 12:19Are you listening? They are crying. They
- 12:21are all crying.
- 12:24Listen.
- 12:26I hear
- 12:29holy.
- 12:35Yes, yes, I heard it.
- 12:38Did you hear as if they were knocking up
- 12:40here?
- 12:45Let's see, we have to put this here.
- 12:47We're going to take out my little pink
- 12:49rhino. Where do you want to place it?
- 12:50Where do you think there might be
- 12:52movement?
- 12:57>> Oh, I knew it, I knew it, I knew it, I
- 12:59knew it.
- 12:59>> Put it there, leave it there.
- 13:00>> Oh, I don't know. It's just that I don't
- 13:03think it wants me to leave quickly.
- 13:06>> Ask for permission, Celeste. He is very
- 13:08angry.
- 13:11I hear, I hear a lot of noise that
- 13:15>> we are leaving the spot there. What is
- 13:18your name? The
- 13:21blood Lucifer,
- 13:27>> what do you want?
- 13:38>> Goodbye.
- 13:41>> How many are there?
- 13:45>> Two.
- 13:47>> Three.
- 13:48All of them, he said,
- 13:50"How did they die?"
- 13:53>> Dead, he said.
- 13:54>> Do you know that you are dead?
- 13:57>> Out of this world, he said.
- 13:59It's not of this world, he said.
- 14:05>> Who do you want to go?
- 14:18Enough, enough,
- 14:20>> enough.
- 14:23Come here.
- 14:27Go away. Do you want us to pray for you
- 14:29?
- 14:32Yes.
- 14:33Ah, it feels like it's above us, I think
- 14:37.
- 14:38I don't know if it's leaning on my
- 14:40shoulders.
- 14:41You see it
- 14:46>> that it's leaning on me.
- 14:51>> You are on top of Alonso. Are you
- 14:53touching Alonso?
- 14:56Yes.
- 14:59>> Well, please, leave and rest in peace.
- 15:05>> You hear the noise, no. I don't know if
- 15:07it's the kid, the lady, or whatever, but
- 15:09>> as soon as we arrived, Alonso started
- 15:11saying he was hearing them all crying. I
- 15:13feel it, dude.
- 15:15>> And actually, over here it looks like
- 15:16there's another house, man.
- 15:24No way, I hadn't even seen it yet. Ah,
- 15:26yes, look
- 15:29like there. Well, I don't know if
- 15:33so many things.
- 15:49What is happening?
- 15:53You don't hear them.
- 15:57What do you hear?
- 16:00As if they were here.
- 16:07No, you don't hear them. Seriously.
- 16:09I don't hear anything.
- 16:11I mean, they are whispering.
- 16:14>> What are they telling you?
- 16:15>> There are like three of them. I think
- 16:16they still don't know they're dead.
- 16:19It
- 16:24because they are talking among
- 16:26themselves, but they are kind of annoyed
- 16:28.
- 16:28I think.
- 16:29I think they don't know what happened to
- 16:31them.
- 16:35Sandra.
- 16:37Yes, it's Sandra.
- 16:40>> And who else?
- 16:42>> Tell them what they need from us to be
- 16:44able to leave them be.
- 16:45>> That I didn't hear them. They are
- 16:48already on the roof.
- 16:55>> I think Santi is telling us now that we
- 16:57have to go.
- 16:58>> Yes, he says we've bathed already. or at
- 17:00least like
- 17:01>> or at least Sandra
- 17:02>> ashes.
- 17:03>> Yes, I was there
- 17:04>> dude. It worries me a hell of a lot.
- 17:05Santi is looking after us and is
- 17:07signaling us with the lamp.
- 17:10Never
- 17:18is there noise around.
- 17:20I hear
- 17:22radio or something.
- 17:24Let's get out of here.
- 17:27I'm joking, but a lot
- 17:36we're not safe anymore. We have here
- 17:46>> Santi, do you know where the exit is, S
- 17:48?
- 17:50Because Alonso is, is feeling bad, man.
- 17:52He can't lead us, man.
- 17:54You go ahead.
- 17:55Alonso is doing bad, man.
- 17:58Go ahead. We'll follow you here.
- 18:08The lady told us that when we wanted to
- 18:10leave they wouldn't let us.
- 18:26Damn.
- 18:27Oh,, man.
- 18:30What the? What is that?
- 18:34I feel like they were following us.
- 18:35>> Yeah, man, they were following us, man.
- 18:39No, you're recording.
- 18:41Ah, yes you are recording.
- 18:43>> What happened?
- 18:43>> Nothing. Well, I heard noises, man,
- 18:45behind us.
- 18:47Oh, mother. We weren't alone, man. I
- 18:49don't know if alive or dead, but we
- 18:51weren't alone at all. Goddammit, man.
- 18:53What did we just go through, man? What
- 18:54did we just experience, man? Let's go to
- 18:56the car.
- 18:57>> Let's go to the car. We have to go, man
- 18:59. We have to go now, man.
- 19:09Are you okay?
- 19:11What? What happened? What is? What did
- 19:13you hear? Well no, I don't know, I mean
- 19:15, it was
- 19:20it's just that she didn't even know her
- 19:22full name and didn't know what had
- 19:24happened to her
- 19:27and then she started saying that I was
- 19:29next.
- 19:30Shut up.
- 19:34But how did you not hear her. No, I
- 19:36don't think I heard anything.
- 19:43Let's go now.
- 19:52We were focused on this Alonso because
- 19:55Alonso was like talking to the girl. I
- 19:58was more worried because I was seeing
- 19:59this guy
- 20:00>> and suddenly I saw how this Santi
- 20:02started moving the lamp like that from
- 20:04side to side and I said, "That's not
- 20:06normal, man, we have to go now, man."
- 20:09>> Uh-huh.
- 20:10I heard and wanted to tell you to be
- 20:12quiet, but you were in the, man, and I
- 20:13turned off the light, man,
- 20:15>> because I needed to get my eyes used to
- 20:17it a little bit.
- 20:18I turned it off because I literally felt
- 20:20people right on top of me. That's why I
- 20:22turned it off and when I felt something
- 20:24, boom, I'd turn it back on like that.
- 20:26But damn. Oh, man, it made me want to
- 20:28throw up, man.
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