Negotiating an Artistic Contract - Litigators — Transcript
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- 0:04this is a negotiation between agents for
- 0:07community opera company and a singer
- 0:08the operas new production is due to open
- 0:10in three weeks and the lead singer has
- 0:12suddenly withdrawn from the role the
- 0:15opera is contacted Sally a veteran
- 0:17soprano who's performed the role for the
- 0:18opera before about taking it on I'm
- 0:22Alyssa I can tell you fine thank you how
- 0:25are you good I understand that you
- 0:27represent salad is family available
- 0:31during the time period yes yes she is
- 0:35does she have any other commitments
- 0:36during that period not during that time
- 0:38for instance the sense is that among
- 0:43some people that she may not quite have
- 0:45the skills that she used to have well
- 0:48I'd like to give you some assurances on
- 0:50that point because of her familiarity
- 0:52with this part she's a perfect fit and
- 0:55in fact she feels that she's probably
- 0:57better for this role now than she was
- 0:59when she was a bit younger why she feels
- 1:02that the role is calls for a more mature
- 1:05operatic voice as well as actress and
- 1:08that she can fit that bill even better
- 1:11than she could when she performs it's
- 1:13quite a few years ago okay do you have a
- 1:17sense of what it is that she would be
- 1:20looking for in terms of compensation for
- 1:24serving in this lead role I guess I can
- 1:29explain to you I can give you a number
- 1:31and explain to you how we get there
- 1:34which i think is the more important part
- 1:37sally would be looking for approximately
- 1:41$40,000 for this role and that's based
- 1:45upon what she had been paid previously
- 1:48when she performed this part and how the
- 1:51market has changed since that time and
- 1:54in fact from our analysis of her
- 1:57position we believe that female operatic
- 2:00singers over the past couple of years
- 2:02their price and salary has almost
- 2:04doubled
- 2:13but why don't I start off by saying it's
- 2:16certainly substantially more for $40,000
- 2:21substantially more than what we had and
- 2:23learned and is well beyond what I've
- 2:27been authorized by my board to offer
- 2:34what we were really thinking was is
- 2:36something wrong in a range of $25,000
- 2:40and we arrived at that given her stature
- 2:47in the community the artistic community
- 2:50today what our budget is the fact that
- 2:54she has only three weeks to prepare and
- 2:57normally there is a longer lead-in in
- 2:59preparation time so there's less work
- 3:01involved for her when you say budgetary
- 3:05concerns can you be a little more
- 3:06specific
- 3:07well our concern is that we need again
- 3:10to put bodies in the seats and if we had
- 3:1380% capacity we're going to lose $50,000
- 3:17and if mrs. soprano were the type of
- 3:21draw that you were four years ago
- 3:23we would have a better sense that we
- 3:26would exceed that 80% range and how
- 3:30confident are you that the understudy
- 3:32would be able to achieve an 80%
- 3:33attendance it's not so much the 80%
- 3:37attendance that were concerned with on
- 3:39the understudy its how many bodies we
- 3:42can put in the seats versus what we
- 3:44would pay her in a salary and although I
- 3:46don't have it in my notes here my sense
- 3:49is that we would probably pay the
- 3:51understudy on the range of 20 to 25,000
- 3:53dollars as I see it if your current
- 3:59number is 25,000 and I've put 40,000 I
- 4:03feel like somewhere along the line we
- 4:04can hopefully reach some agreement so
- 4:07maybe we should just try now to move
- 4:09closer together on that point
- 4:12I think that's a fair proposition well
- 4:17you asked me if there was any
- 4:18flexibility in the 40,000 dollar number
- 4:21is there any flexibility in the 25,000
- 4:23dollar number yes there is
- 4:27we agreed to pay ms rising star
- 4:33twenty-eight thousand dollars for this
- 4:35role I've been the kata that I'm
- 4:38prepared to pay twenty eight thousand
- 4:41dollars and that I have the authority to
- 4:42do that I think in a fair negotiation
- 4:47like the one I think we've had to this
- 4:49point it's up to you to give me a sense
- 4:51of what your reaction to that is well my
- 4:55reaction I'm very happy to hear that
- 4:57you're willing to come up from the
- 4:5925,000 I've heard everything you've had
- 5:01to say in your comparisons of Miss
- 5:03rising star miss soprano though I don't
- 5:05completely agree with them I think that
- 5:07there is some merit to them and we would
- 5:10be willing to come off of the forty
- 5:12thousand dollar position but I would
- 5:13tell you that we are really looking
- 5:15really for nothing lower than somewhere
- 5:18in the mid thirties given the positions
- 5:21that we've set out we are not too far
- 5:23apart and trying to reach some closure
- 5:27on this and I'm wondering if there's any
- 5:29flexibility in the $20,000 position
- 5:36there is I think though with certain
- 5:42conditions attached other than just a
- 5:45straight bump and salary I think that
- 5:49mrs. soprano would bear some risk in
- 5:55this venture your position has been mid
- 5:59soprano can help you put bodies into the
- 6:01seats if miss soprano cannot help us put
- 6:06bodies into the seats then she should
- 6:09not be paid a premium in his oh she
- 6:12could have we're prepared to go north of
- 6:15$28,000 on the condition that we do so
- 6:18with that performance incentive I wonder
- 6:20you think each other I would be thinking
- 6:23in terms of having targets in terms of
- 6:29percentage of seats sold I believe your
- 6:32last offer was 36 five is that correct
- 6:34that's outside of my authority but if we
- 6:39could agree on some lower number then we
- 6:43could hold that portion above $28,000
- 6:48that we've agreed to in an escrow
- 6:50account
- 6:51and in the event that we hit our
- 6:54performance benchmarks with the help of
- 6:57mr. soprano then we're prepared to pay
- 7:00her that s really mine and what is the
- 7:03base amount she would be paid in the
- 7:05scenario regardless of the number of
- 7:07seats enter $40,000 and then between
- 7:11$28,000 and some number that we would
- 7:13negotiate the rest would be held in
- 7:15escrow and be paid out all right so if I
- 7:17can summarize where we are right now I
- 7:20would say that we have agreed that there
- 7:23will be some set amount of compensation
- 7:26we've already agreed there will be 20 no
- 7:28I don't think we've agreed it will be 20
- 7:30thousand I think that's the number that
- 7:31you threw out but we will agree it will
- 7:34be some number and then why and then
- 7:39we've agreed that between the be bought
- 7:44the minimum we'll call it the minimum
- 7:46level go between the minimum level
- 7:49and the escrow amount there will be some
- 7:51amount that's going to be kept in escrow
- 7:54and that will be based on news Sopranos
- 8:00performance okay in part and I'd agree
- 8:05to that concept but also included within
- 8:07that you have agreed in principle to at
- 8:10least include some provisions to protect
- 8:11my client for many failures on behalf of
- 8:15lyric opera that may be responsible for
- 8:18not filling the house so to speak my
- 8:23understanding was that we had an
- 8:24agreement to $28,000 but I understand
- 8:28that you don't agree with that I guess
- 8:32the the minimum amount depends on how
- 8:34much we agree to keep in escrow I still
- 8:37think that $28,000 is a fair offer
- 8:40without regard to or without respect to
- 8:44any additional bonus compensation and I
- 8:47believe that we could in all likelihood
- 8:52put on a financially successful or at
- 8:57least break even show at that number I'm
- 9:03not prepared to pay a substantial bonus
- 9:06over and above that amount when you
- 9:08asked me originally whether I was
- 9:10prepared to go north of that amount
- 9:12that's when I raised the idea of this
- 9:14bonus understood I need to know what
- 9:18your kappas I have thrown out thirty
- 9:20sixty five and I need to know what your
- 9:23what your numbers if we put in the
- 9:26structure that we just outlined
- 9:29where he's willing to go I'm prepared to
- 9:31go with a bonus so total compensation
- 9:37paid dear client of $32,500 and that's
- 9:43assuming that's with the bonus at
- 9:49attendance in excess of 85% are all the
- 9:56other roles already filled in the Opera
- 9:59they are and it's 30 to 5 eyes thrown
- 10:04out 36 5 again we seem to be closing the
- 10:07gap between us is 32 5 is that what your
- 10:10authority is here today is there any
- 10:12flexibility in that number one I don't
- 10:15have any flexibility in that member well
- 10:21certainly my client would prefer given
- 10:26the numbers that you've laid out to
- 10:29accept 30 to 5 as the bottom line
- 10:33compensation without any tie in to
- 10:35attendance as there are you amenable to
- 10:37that at all no we're not prepared to do
- 10:39that because we're not prepared to take
- 10:40a loss on this show if you would be
- 10:46willing to give up the base compensation
- 10:47of 29 5 and a cap on the escrow of 30 4
- 10:555 we would be willing to make the deal
- 10:58with you and again the 29 5 would be
- 11:00based on mr. Prado having more of a
- 11:02household name and the additional the
- 11:05escrow is in recognition of the risks
- 11:07that she's willing to take here because
- 11:08she thinks she should be more having
- 11:10value and that you will be benefit by
- 11:12having her interest
- 11:14if she's prepared to do a cap of 34 and
- 11:2129,000 days you have a deal
- 11:26we will make the deal on that basis we
- 11:28should work out the detail
- 11:30thank you very much
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