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Negotiating an Artistic Contract - Litigators — Transcript

by Dwight Golann · 1,611 words · 222 segments · language en · Watch on YouTube

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  1. 0:04this is a negotiation between agents for
  2. 0:07community opera company and a singer
  3. 0:08the operas new production is due to open
  4. 0:10in three weeks and the lead singer has
  5. 0:12suddenly withdrawn from the role the
  6. 0:15opera is contacted Sally a veteran
  7. 0:17soprano who's performed the role for the
  8. 0:18opera before about taking it on I'm
  9. 0:22Alyssa I can tell you fine thank you how
  10. 0:25are you good I understand that you
  11. 0:27represent salad is family available
  12. 0:31during the time period yes yes she is
  13. 0:35does she have any other commitments
  14. 0:36during that period not during that time
  15. 0:38for instance the sense is that among
  16. 0:43some people that she may not quite have
  17. 0:45the skills that she used to have well
  18. 0:48I'd like to give you some assurances on
  19. 0:50that point because of her familiarity
  20. 0:52with this part she's a perfect fit and
  21. 0:55in fact she feels that she's probably
  22. 0:57better for this role now than she was
  23. 0:59when she was a bit younger why she feels
  24. 1:02that the role is calls for a more mature
  25. 1:05operatic voice as well as actress and
  26. 1:08that she can fit that bill even better
  27. 1:11than she could when she performs it's
  28. 1:13quite a few years ago okay do you have a
  29. 1:17sense of what it is that she would be
  30. 1:20looking for in terms of compensation for
  31. 1:24serving in this lead role I guess I can
  32. 1:29explain to you I can give you a number
  33. 1:31and explain to you how we get there
  34. 1:34which i think is the more important part
  35. 1:37sally would be looking for approximately
  36. 1:41$40,000 for this role and that's based
  37. 1:45upon what she had been paid previously
  38. 1:48when she performed this part and how the
  39. 1:51market has changed since that time and
  40. 1:54in fact from our analysis of her
  41. 1:57position we believe that female operatic
  42. 2:00singers over the past couple of years
  43. 2:02their price and salary has almost
  44. 2:04doubled
  45. 2:13but why don't I start off by saying it's
  46. 2:16certainly substantially more for $40,000
  47. 2:21substantially more than what we had and
  48. 2:23learned and is well beyond what I've
  49. 2:27been authorized by my board to offer
  50. 2:34what we were really thinking was is
  51. 2:36something wrong in a range of $25,000
  52. 2:40and we arrived at that given her stature
  53. 2:47in the community the artistic community
  54. 2:50today what our budget is the fact that
  55. 2:54she has only three weeks to prepare and
  56. 2:57normally there is a longer lead-in in
  57. 2:59preparation time so there's less work
  58. 3:01involved for her when you say budgetary
  59. 3:05concerns can you be a little more
  60. 3:06specific
  61. 3:07well our concern is that we need again
  62. 3:10to put bodies in the seats and if we had
  63. 3:1380% capacity we're going to lose $50,000
  64. 3:17and if mrs. soprano were the type of
  65. 3:21draw that you were four years ago
  66. 3:23we would have a better sense that we
  67. 3:26would exceed that 80% range and how
  68. 3:30confident are you that the understudy
  69. 3:32would be able to achieve an 80%
  70. 3:33attendance it's not so much the 80%
  71. 3:37attendance that were concerned with on
  72. 3:39the understudy its how many bodies we
  73. 3:42can put in the seats versus what we
  74. 3:44would pay her in a salary and although I
  75. 3:46don't have it in my notes here my sense
  76. 3:49is that we would probably pay the
  77. 3:51understudy on the range of 20 to 25,000
  78. 3:53dollars as I see it if your current
  79. 3:59number is 25,000 and I've put 40,000 I
  80. 4:03feel like somewhere along the line we
  81. 4:04can hopefully reach some agreement so
  82. 4:07maybe we should just try now to move
  83. 4:09closer together on that point
  84. 4:12I think that's a fair proposition well
  85. 4:17you asked me if there was any
  86. 4:18flexibility in the 40,000 dollar number
  87. 4:21is there any flexibility in the 25,000
  88. 4:23dollar number yes there is
  89. 4:27we agreed to pay ms rising star
  90. 4:33twenty-eight thousand dollars for this
  91. 4:35role I've been the kata that I'm
  92. 4:38prepared to pay twenty eight thousand
  93. 4:41dollars and that I have the authority to
  94. 4:42do that I think in a fair negotiation
  95. 4:47like the one I think we've had to this
  96. 4:49point it's up to you to give me a sense
  97. 4:51of what your reaction to that is well my
  98. 4:55reaction I'm very happy to hear that
  99. 4:57you're willing to come up from the
  100. 4:5925,000 I've heard everything you've had
  101. 5:01to say in your comparisons of Miss
  102. 5:03rising star miss soprano though I don't
  103. 5:05completely agree with them I think that
  104. 5:07there is some merit to them and we would
  105. 5:10be willing to come off of the forty
  106. 5:12thousand dollar position but I would
  107. 5:13tell you that we are really looking
  108. 5:15really for nothing lower than somewhere
  109. 5:18in the mid thirties given the positions
  110. 5:21that we've set out we are not too far
  111. 5:23apart and trying to reach some closure
  112. 5:27on this and I'm wondering if there's any
  113. 5:29flexibility in the $20,000 position
  114. 5:36there is I think though with certain
  115. 5:42conditions attached other than just a
  116. 5:45straight bump and salary I think that
  117. 5:49mrs. soprano would bear some risk in
  118. 5:55this venture your position has been mid
  119. 5:59soprano can help you put bodies into the
  120. 6:01seats if miss soprano cannot help us put
  121. 6:06bodies into the seats then she should
  122. 6:09not be paid a premium in his oh she
  123. 6:12could have we're prepared to go north of
  124. 6:15$28,000 on the condition that we do so
  125. 6:18with that performance incentive I wonder
  126. 6:20you think each other I would be thinking
  127. 6:23in terms of having targets in terms of
  128. 6:29percentage of seats sold I believe your
  129. 6:32last offer was 36 five is that correct
  130. 6:34that's outside of my authority but if we
  131. 6:39could agree on some lower number then we
  132. 6:43could hold that portion above $28,000
  133. 6:48that we've agreed to in an escrow
  134. 6:50account
  135. 6:51and in the event that we hit our
  136. 6:54performance benchmarks with the help of
  137. 6:57mr. soprano then we're prepared to pay
  138. 7:00her that s really mine and what is the
  139. 7:03base amount she would be paid in the
  140. 7:05scenario regardless of the number of
  141. 7:07seats enter $40,000 and then between
  142. 7:11$28,000 and some number that we would
  143. 7:13negotiate the rest would be held in
  144. 7:15escrow and be paid out all right so if I
  145. 7:17can summarize where we are right now I
  146. 7:20would say that we have agreed that there
  147. 7:23will be some set amount of compensation
  148. 7:26we've already agreed there will be 20 no
  149. 7:28I don't think we've agreed it will be 20
  150. 7:30thousand I think that's the number that
  151. 7:31you threw out but we will agree it will
  152. 7:34be some number and then why and then
  153. 7:39we've agreed that between the be bought
  154. 7:44the minimum we'll call it the minimum
  155. 7:46level go between the minimum level
  156. 7:49and the escrow amount there will be some
  157. 7:51amount that's going to be kept in escrow
  158. 7:54and that will be based on news Sopranos
  159. 8:00performance okay in part and I'd agree
  160. 8:05to that concept but also included within
  161. 8:07that you have agreed in principle to at
  162. 8:10least include some provisions to protect
  163. 8:11my client for many failures on behalf of
  164. 8:15lyric opera that may be responsible for
  165. 8:18not filling the house so to speak my
  166. 8:23understanding was that we had an
  167. 8:24agreement to $28,000 but I understand
  168. 8:28that you don't agree with that I guess
  169. 8:32the the minimum amount depends on how
  170. 8:34much we agree to keep in escrow I still
  171. 8:37think that $28,000 is a fair offer
  172. 8:40without regard to or without respect to
  173. 8:44any additional bonus compensation and I
  174. 8:47believe that we could in all likelihood
  175. 8:52put on a financially successful or at
  176. 8:57least break even show at that number I'm
  177. 9:03not prepared to pay a substantial bonus
  178. 9:06over and above that amount when you
  179. 9:08asked me originally whether I was
  180. 9:10prepared to go north of that amount
  181. 9:12that's when I raised the idea of this
  182. 9:14bonus understood I need to know what
  183. 9:18your kappas I have thrown out thirty
  184. 9:20sixty five and I need to know what your
  185. 9:23what your numbers if we put in the
  186. 9:26structure that we just outlined
  187. 9:29where he's willing to go I'm prepared to
  188. 9:31go with a bonus so total compensation
  189. 9:37paid dear client of $32,500 and that's
  190. 9:43assuming that's with the bonus at
  191. 9:49attendance in excess of 85% are all the
  192. 9:56other roles already filled in the Opera
  193. 9:59they are and it's 30 to 5 eyes thrown
  194. 10:04out 36 5 again we seem to be closing the
  195. 10:07gap between us is 32 5 is that what your
  196. 10:10authority is here today is there any
  197. 10:12flexibility in that number one I don't
  198. 10:15have any flexibility in that member well
  199. 10:21certainly my client would prefer given
  200. 10:26the numbers that you've laid out to
  201. 10:29accept 30 to 5 as the bottom line
  202. 10:33compensation without any tie in to
  203. 10:35attendance as there are you amenable to
  204. 10:37that at all no we're not prepared to do
  205. 10:39that because we're not prepared to take
  206. 10:40a loss on this show if you would be
  207. 10:46willing to give up the base compensation
  208. 10:47of 29 5 and a cap on the escrow of 30 4
  209. 10:555 we would be willing to make the deal
  210. 10:58with you and again the 29 5 would be
  211. 11:00based on mr. Prado having more of a
  212. 11:02household name and the additional the
  213. 11:05escrow is in recognition of the risks
  214. 11:07that she's willing to take here because
  215. 11:08she thinks she should be more having
  216. 11:10value and that you will be benefit by
  217. 11:12having her interest
  218. 11:14if she's prepared to do a cap of 34 and
  219. 11:2129,000 days you have a deal
  220. 11:26we will make the deal on that basis we
  221. 11:28should work out the detail
  222. 11:30thank you very much

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