My neighbor's Mom Called Me “the one she never stops talking about”… and She Turned Bright Red. — Transcript
Full transcript
- 0:00I was standing in the hallway of my
- 0:02apartment building with two bags of
- 0:03groceries when my neighbor's mother
- 0:06looked me up and down, gasped, and said,
- 0:09"Ay, Dios mio. Nora, is this him? Is
- 0:12this the one you never stop talking
- 0:14about?"
- 0:15Nora Castillo turned bright red. I mean,
- 0:18bright red from her neck to her
- 0:20forehead. The tattoo of a rose on her
- 0:23collarbone practically disappeared into
- 0:25the color.
- 0:27And I just stood there with a carton of
- 0:29eggs in one hand and absolutely no idea
- 0:32what was happening.
- 0:33Because here's the thing. Nora Castillo
- 0:36had lived across the hall from me for
- 0:38eight months, and in eight months, she
- 0:40had said exactly 12 sentences to me. I
- 0:44know because I counted. "Hey, your
- 0:47package came. Hey, elevator's broken.
- 0:50Hey, your walls are thin." That last one
- 0:54was on a sticky note on my door her very
- 0:56first week. So, when her mother called
- 0:59me the one she never stops talking
- 1:01about, my brain simply shut down.
- 1:05"Mama," Nora hissed, grabbing her
- 1:07mother's arm, "inside, now."
- 1:10"But, mija, he's so handsome. You didn't
- 1:13tell me he was this handsome. You only
- 1:15talked about his voice." "Mama!"
- 1:18The door slammed shut. I stood alone in
- 1:22the hallway holding my groceries staring
- 1:24at apartment 4B.
- 1:26Then the door opened again 2 in.
- 1:29Nora's mother poked her head out.
- 1:31"Dinner's at 7:00. You're coming. I'm
- 1:34making ropa vieja. Don't be late." The
- 1:37door slammed shut again.
- 1:39My name is Logan Shaw. I'm 31 years old,
- 1:43and I live in an old brick apartment
- 1:45building in Baltimore. And I have one of
- 1:47the strangest jobs in the world. I'm an
- 1:50audiobook narrator. You know, when you
- 1:53listen to a book in your car and some
- 1:55guy does all the voices, the detective,
- 1:57the duchess, the pirate, That's me. 47
- 2:01audiobooks, and yes, a lot of romance
- 2:04novels.
- 2:05I record from a little soundproof booth
- 2:07I built inside my bedroom closet lined
- 2:10with gray foam.
- 2:12So, when Nora moved into 4B last March
- 2:15and left that sticky note on my door
- 2:17that said, "Your walls are thin." I was
- 2:19mortified. I figured she could hear me
- 2:22doing my pirate voice at 11:00 p.m. and
- 2:25thought I was a lunatic. I bought more
- 2:27foam. I put a rug against our shared
- 2:30wall. I stopped recording after 10:00.
- 2:33And every time I saw her in the hallway,
- 2:35I tried to look as normal as possible.
- 2:38That wasn't easy because Nora Castillo
- 2:41was the coolest person I'd ever seen.
- 2:43She was a tattoo artist, 29, long black
- 2:47braid, dark eyeliner, both arms covered
- 2:50in colorful tattoos. She rode a vintage
- 2:53motorcycle and carried her helmet like a
- 2:55superhero.
- 2:57And she barely ever looked at me. In the
- 2:59elevator, she'd stare at the buttons
- 3:01like they were the most interesting
- 3:02thing in the world.
- 3:04I figured she found me annoying, the
- 3:06weird guy across the hall who talks to
- 3:08himself in a closet.
- 3:10So, you can understand why when her
- 3:12mother said, "The one you never stop
- 3:14talking about." I nearly dropped my
- 3:17eggs.
- 3:18At 6:58 p.m., I stood outside apartment
- 3:214B in my best blue button-down holding a
- 3:25bottle of wine and a bouquet of
- 3:26sunflowers, feeling like I was walking
- 3:29into a trap.
- 3:31I knocked. The door opened. Nora stood
- 3:34there in jeans and a black T-shirt, her
- 3:36braid over one shoulder. She looked at
- 3:39me. She looked at the flowers. Her
- 3:41cheeks went pink again.
- 3:43"You didn't have to come." She said
- 3:45quietly.
- 3:46"Your mom told me not to be late."
- 3:49"She tells everyone that. She once
- 3:51invited the mailman to dinner. He came.
- 3:54He still sends her Christmas cards."
- 3:56"Logan!" Her mother appeared behind her
- 3:59wearing a red apron and holding a wooden
- 4:01spoon. "Come in, come in. Sunflowers.
- 4:04Nora, look, he brought sunflowers, your
- 4:07favorite." I glanced at Nora.
- 4:10"Sunflowers are your favorite?"
- 4:12Nora closed her eyes. "Mama, please."
- 4:16Nora's apartment was the mirror image of
- 4:18mine, but full of color. Plants in every
- 4:21window, sketches taped all over the
- 4:23walls, a record player playing old salsa
- 4:26music. And on the wall that we shared,
- 4:29right next to her bed, there was a
- 4:31little bookshelf
- 4:32filled with CDs and audiobook cases.
- 4:36I recognized the covers, every single
- 4:38one of them. They were mine, all 47.
- 4:43I stopped in the middle of the living
- 4:44room and stared at the shelf. Nora saw
- 4:47me looking. She went completely still.
- 4:50Her mother looked between us with a
- 4:52huge, delighted smile. "Ah, he found the
- 4:55shrine."
- 4:56"It is not a shrine." "It's a shrine,
- 4:59mijo. You alphabetized it." I turned to
- 5:02Nora. "You own all of my audiobooks?"
- 5:06She crossed her arms. Her face was
- 5:08bright red again. "Some of them."
- 5:11"All 47." Her mother said, cheerfully,
- 5:14stirring the pot. "Even the boring one
- 5:17about the submarine."
- 5:18"It wasn't boring." We both said at the
- 5:21same time.
- 5:22Then we looked at each other, and for
- 5:24the first time in 8 months, Nora
- 5:26Castillo laughed at something I said.
- 5:29Dinner was the best ropa vieja I'd ever
- 5:32had, with sweet plantains. Teresa
- 5:35Castillo kept piling more on my plate.
- 5:38"Eat, eat. You're too skinny. Nora,
- 5:41isn't he too skinny?"
- 5:43"I'm not discussing his body, Mama."
- 5:45"You discussed his voice for an hour on
- 5:48the phone last Sunday."
- 5:50Nora put her face in her hands.
- 5:52"Okay, I have to ask, what exactly does
- 5:55she say about my voice?"
- 5:57"Logan." Nora groaned through her
- 5:59fingers.
- 6:01Teresa leaned across the table, eyes
- 6:03sparkling. "She says the walls are very
- 6:06thin, and at night she can hear you
- 6:08recording your books. She says you do
- 6:10all the voices, the pirate, the old
- 6:13lady, the detective with the sad past.
- 6:16She says your duchess voice is better
- 6:18than any real duchess.
- 6:20Mama, I'm begging you.
- 6:22And she says, that Asa continued,
- 6:24completely ignoring her daughter, that
- 6:27ever since she moved to Baltimore, she
- 6:29couldn't sleep. Too much noise, too many
- 6:32sirens. She was lonely. She missed home.
- 6:35And then one night, she heard you
- 6:37through the wall reading a story, and
- 6:39she fell asleep for the first time in
- 6:41weeks.
- 6:43The table went quiet.
- 6:45I looked at Nora. She'd lowered her
- 6:47hands. Her eyes were on her plate. Her
- 6:50cheeks were burning.
- 6:51Is that true? I asked softly.
- 6:55She didn't look up. She just nodded,
- 6:57once. So, the sticky note, I said, your
- 7:01walls are thin. That wasn't a complaint?
- 7:04Nora finally looked at me.
- 7:07No, she whispered. I was trying to tell
- 7:09you I could hear you, and that I liked
- 7:12it, but I'm terrible with words. That's
- 7:14why I draw.
- 7:16My heart did something it had never done
- 7:18before.
- 7:19And then, you put a rug against the
- 7:21wall, she said, a little sadly, and
- 7:24bought more foam, and stopped recording
- 7:27after 10:00, and I couldn't hear you
- 7:29anymore.
- 7:31Oh, no.
- 7:32So, I bought all your audiobooks so I
- 7:35could still fall asleep to your voice.
- 7:38I sat back, stunned. 47 audiobooks?
- 7:42Eight months? 12 sentences?
- 7:46I thought you hated me, I said.
- 7:49Nora's eyes went wide. Hated you?
- 7:52You never look at me. You stare at the
- 7:54elevator buttons. She laughed, a short
- 7:57embarrassed laugh. Logan, I stare at the
- 8:00elevator buttons because if I look at
- 8:02you, I'll turn red, like this. She
- 8:05gestured at her own face. I have tattoos
- 8:08on both arms. I ride a motorcycle. I've
- 8:11tattooed bikers twice my size, and I
- 8:14can't say good morning to the guy across
- 8:16the hall without blushing.
- 8:18Teresa clapped her hands together like
- 8:20she was watching the best telenovela of
- 8:22her life. "You know," she said, standing
- 8:26up with her plate, "I'm thinking I'm
- 8:28going to go take a very long walk. A
- 8:30very long one. Maybe to Ohio." "Mama,
- 8:35it's raining." "I'll take an umbrella."
- 8:38She kissed Nora on the top of her head,
- 8:40then patted my cheek. "You're even
- 8:42better in person, Miho."
- 8:44And she grabbed her coat and walked out
- 8:46the door. Nora and I sat there alone at
- 8:50her little kitchen table with the salsa
- 8:52music playing softly and the rain
- 8:54tapping on the windows. "I'm so sorry,"
- 8:57she said. "My mother has no filter." "I
- 9:00like your mother." "Everyone likes my
- 9:03mother. That's the problem." She pushed
- 9:05a plantain around her plate. "I'm sorry
- 9:07about the shrine." "It's not a shrine."
- 9:11"It's a little bit of a shrine. Nora,
- 9:14lean in. Can I tell you something?" She
- 9:16nodded. "I've narrated 17 romance
- 9:20novels. 17. And in every single one,
- 9:23there's a scene where the hero sees the
- 9:25heroine for the first time and he just
- 9:28can't breathe." She looked up. "I've
- 9:31read those scenes out loud a hundred
- 9:33times. I always thought they were exa-
- 9:35ggerated. Nobody actually forgets how to
- 9:37breathe." "And?" "And then, last March,
- 9:42a girl with a motorcycle helmet moved in
- 9:44across the hall and said, 'Hey' to me in
- 9:47the elevator, and I forgot how to
- 9:49breathe."
- 9:50Nora's lips parted. Her eyes filled with
- 9:53something soft and stunned. "You're just
- 9:56saying that." "You do this for a living.
- 9:59You say beautiful words." "Other
- 10:02people's words," I said. "These ones are
- 10:04mine, and they're not very good, but
- 10:07they're true." She stared at me for a
- 10:09long moment, then she smiled, a real
- 10:12smile, small and shy and beautiful.
- 10:16"That's the 13th sentence," she said.
- 10:20"What?" "I've been counting, too, Logan.
- 10:23I've said 12 sentences to you. That was
- 10:25the 13th thing I wanted to say for 8
- 10:28months."
- 10:29I took a breath.
- 10:30"I like you a lot."
- 10:33I laughed. I couldn't help it. "You've
- 10:36been counting, too?"
- 10:37"I'm a tattoo artist. I count
- 10:39everything. Needle passes, lines,
- 10:42sentences to cute neighbors." "Cute?"
- 10:46She went bright red again. "That was 14.
- 10:49I'm done talking now."
- 10:51I reached across the table and took her
- 10:52hand. Her fingers were covered in tiny
- 10:55ink stains. She didn't pull away.
- 10:58"Nora, can I let you read to you? Not
- 11:01through the wall, in person." She looked
- 11:03at our hands, then she nodded. That
- 11:06night we climbed out onto the fire
- 11:08escape outside her window. The rain had
- 11:10stopped. The city lights of Baltimore
- 11:12glittered below us, and you could see
- 11:14the harbor in the distance.
- 11:16I brought a book, one I'd never
- 11:18recorded, a collection of old love poems
- 11:21I'd had since college. She sat close to
- 11:23me, wrapped in a blanket, her head
- 11:26resting against my shoulder, and I read
- 11:28to her softly, just for her, no
- 11:31microphone, no foam, no wall between us.
- 11:35Halfway through the third poem, I looked
- 11:37down. She wasn't looking at the city
- 11:39anymore. She was looking at me.
- 11:42"Keep going," she whispered. "You're not
- 11:44listening. I'm listening to you, not the
- 11:47poem." I closed the book. She reached up
- 11:50and touched my face very gently with her
- 11:53ink-stained fingers, like she was
- 11:55sketching me.
- 11:56"Can I tell you a secret?" "Always."
- 11:59"Sometimes I fall asleep with my hand
- 12:02against the wall because I know you're
- 12:04right on the other side of it."
- 12:06I didn't say anything. I just leaned
- 12:08down and kissed her. Her lips were soft
- 12:11and tasted like sweet plantains and
- 12:14rain. She made a tiny surprised sound
- 12:17and then she wrapped her arms around my
- 12:19neck and kissed me back. The blanket
- 12:21slipped off her shoulders. Somewhere
- 12:23below us a car honked. Neither of us
- 12:26noticed. When we finally pulled apart,
- 12:29she rested her forehead against mine.
- 12:32Okay. That was way better than the audio
- 12:34books. Even the submarine one?
- 12:37Especially the submarine one. The next
- 12:40few weeks were perfect. We stopped
- 12:42needing the wall. Some nights I'd read
- 12:44to her while she sketched. Some nights
- 12:46she'd sit on the floor of my booth
- 12:48watching me record and I'd have to start
- 12:50over 12 times because she kept making me
- 12:53laugh. Stop smiling. The microphone can
- 12:56hear you smiling. Microphones can't hear
- 12:59smiles. This one can. She designed me a
- 13:03tattoo. My very first one. A tiny open
- 13:06book on the inside of my wrist with a
- 13:08little wave of sound coming off the
- 13:10pages. You don't have to get it, she
- 13:13said holding out the sketch. I just drew
- 13:16it. I want it. It's going to hurt. Will
- 13:19you hold my hand? She smiled. I need
- 13:22both my hands to tattoo you, Logan. Then
- 13:25talk to me the whole time. So she did.
- 13:29For 45 minutes the woman who spoke 12
- 13:32sentences to me in eight months talked
- 13:34non-stop about her grandmother teaching
- 13:37her to draw on napkins at a Cuban
- 13:39bakery. About her first tattoo ever. A
- 13:42lopsided dolphin on her cousin. I didn't
- 13:45feel the needle at all. When it was
- 13:47finished, she wrapped my wrist in
- 13:49plastic and held it in both her hands.
- 13:52There, she said softly. Now you carry a
- 13:55piece of me.
- 13:56I already did, I said. She looked at me
- 14:00and her eyes got wet and she kissed me
- 14:02right there in the middle of the tattoo
- 14:04shop while her co-worker pretended not
- 14:06to watch.
- 14:07But then about two months in everything
- 14:10fell apart. And it was my fault. I'd
- 14:13just been hired for the biggest job of
- 14:15my career, a six-book romance series.
- 14:19One night, around 11:00, I was in my
- 14:22closet booth recording the most
- 14:24important scene of book one, the big
- 14:26confession, the moment where the hero
- 14:28finally tells the heroine how he feels.
- 14:32I'd forgotten to close my closet door,
- 14:34and I'd moved the rug off the wall weeks
- 14:36ago because Nora liked hearing me.
- 14:39I read the lines exactly how the author
- 14:41wrote them.
- 14:42"I've loved you since the day you moved
- 14:45in. Every night I lie awake knowing
- 14:47you're just on the other side of the
- 14:49wall. I can't do this anymore. I can't
- 14:52keep pretending I'm in love with you."
- 14:555 minutes later, there was a knock on my
- 14:57door.
- 14:58When I opened it, Nora was standing
- 15:01there in her pajamas, her face glowing,
- 15:03tears in her eyes.
- 15:06"Logan," she whispered.
- 15:08"I heard you through the wall. I heard
- 15:11what you said."
- 15:12My heart dropped.
- 15:14"Nora,
- 15:16I love you, too," she said, stepping
- 15:18toward me.
- 15:19"I've been so scared to say it, but I
- 15:21love you, too. And when I heard you say
- 15:24it, I just"
- 15:25"Nora," I said quietly.
- 15:28"That was the book."
- 15:29She stopped.
- 15:31"It was a scene," I said, "from the new
- 15:33series I was recording.
- 15:35I'm so sorry. I should have closed the
- 15:37door."
- 15:39I watched her face change. The color
- 15:41went out of it. The color drained. She
- 15:44took a step back.
- 15:46"Oh," she said.
- 15:48"Nora, wait."
- 15:51"No, it's fine." She laughed, but it
- 15:54came out broken.
- 15:55"It's my fault. I knew it was a book. I
- 15:58mean, I should have known. Of course it
- 16:01was a book."
- 16:02"Nora,
- 16:04that's the problem, isn't it?" She wiped
- 16:06her eyes fast, like she was angry at
- 16:08them.
- 16:09"I fell in love with a voice through a
- 16:11wall, Logan. You say beautiful things
- 16:14for a living every night to strangers.
- 16:18How am I ever supposed to know which
- 16:20words are yours?
- 16:22They're all mine when I'm with you.
- 16:25How do I know that? You're really,
- 16:27really good at sounding like you mean
- 16:29things.
- 16:31I didn't have an answer
- 16:33because she was right. I was good at it.
- 16:36It was my job.
- 16:38I need some time, she said quietly, and
- 16:41she walked back across the hall and
- 16:43closed her door.
- 16:45For the next week, Nora barely spoke to
- 16:48me. A nod in the hallway, a quick hey.
- 16:52We were back to 12 sentences.
- 16:55It was the worst week of my life.
- 16:58I couldn't record. Every time I opened a
- 17:00script and read someone else's romantic
- 17:02words, I thought about her face when I
- 17:05said, "That was the book."
- 17:07On the seventh night, I sat in my closet
- 17:10booth staring at my microphone, and I
- 17:12realized something.
- 17:14In 8 years, I'd recorded 47 books,
- 17:18millions of words, and I'd never once
- 17:21recorded anything in my own words.
- 17:24So, I deleted the script on my screen. I
- 17:27pressed record, and I just talked. No
- 17:30accent, no character, no author, just
- 17:34me. Stumbling, terrible, real.
- 17:39Nora, it's Logan. This isn't from a
- 17:42book. You'll know it's not from a book
- 17:45because it's really bad.
- 17:47I took a breath.
- 17:49I don't know how to say this the right
- 17:51way. Every book I've ever read, the
- 17:54words are perfect. Mine are messy. So,
- 17:57here are my messy words.
- 18:00I love the way you hum when you draw. I
- 18:02love that you stare at elevator buttons.
- 18:05I love that your mom invited the mailman
- 18:08to dinner.
- 18:09I love that you alphabetize the shelf of
- 18:11my audiobooks and then told me it wasn't
- 18:14a shrine. It's a shrine, Nora. It's
- 18:17okay.
- 18:18I love the tattoo on my wrist. I touch
- 18:21it a hundred times a day. I love that
- 18:24you talked for 45 minutes so I didn't
- 18:26feel the needle.
- 18:27I love you. Not like the hero in chapter
- 18:3022, like a guy who reads to himself in a
- 18:33closet and forgot how to breathe the day
- 18:36you said hey in the elevator.
- 18:39I don't know if you can hear this, but
- 18:41I'm going to keep talking until you do.
- 18:44I stopped recording. Then I did
- 18:47something I'd never done before.
- 18:49I took the foam off the wall, all of it.
- 18:52The wall we shared, and I put my speaker
- 18:55right against it, turned the volume up
- 18:57just enough, and pressed play.
- 19:00My own voice filled my apartment, messy
- 19:04and real and stumbling.
- 19:06And I sat on my floor and waited.
- 19:09The recording played through once, then
- 19:11twice.
- 19:13Halfway through the third time, there
- 19:15was a soft knock on my wall.
- 19:17Three knocks from her side.
- 19:20I put my hand flat against the wall. I
- 19:23knocked back three times.
- 19:2530 seconds later, there was a knock on
- 19:27my front door.
- 19:29Nora was standing in the hallway in her
- 19:31pajamas, her braid falling apart, her
- 19:33face wet with tears.
- 19:36"That was terrible," she whispered.
- 19:39"I know."
- 19:41"That was the worst thing you've ever
- 19:42recorded."
- 19:44"I know."
- 19:45"Your voice cracked four times. You said
- 19:48um 11 times. I counted."
- 19:51"I know."
- 19:52She stepped toward me.
- 19:55"It was the most beautiful thing I've
- 19:57ever heard."
- 20:00I pulled her into my arms. She wrapped
- 20:02hers around me and held on so tight I
- 20:04could feel her heart pounding.
- 20:07"I'm sorry," she said into my chest. "I
- 20:10got scared. I've always been scared that
- 20:13people only like the version of me
- 20:14that's cool and tough, the tattoos and
- 20:17the motorcycle. And I thought maybe you
- 20:19were just a voice I made up in my head."
- 20:23"I'm not a voice. I'm just a guy, a guy
- 20:26who's crazy about you.
- 20:29She pulled back and looked up at me.
- 20:32Say it again, she whispered.
- 20:34In your own voice.
- 20:37I love you, Nora.
- 20:39Again.
- 20:40I love you.
- 20:42No accent?
- 20:44No accent. Just me.
- 20:48She smiled through her tears.
- 20:50I love you, too, Logan.
- 20:5315th sentence.
- 20:55The most important one.
- 20:57And she kissed me in my doorway, slow
- 21:00and sweet, while my terrible recording
- 21:03played softly in the background for the
- 21:05fourth time.
- 21:07The next morning, Teresa Castillo called
- 21:10me. Not Nora, me.
- 21:13I heard you two had a fight, she said.
- 21:16How did you hear that?
- 21:18Miha called me crying, then she called
- 21:20me again at midnight crying happy tears.
- 21:23I'm her mother. I hear everything. She
- 21:26paused. Did you really take the foam off
- 21:29the wall?
- 21:30I did.
- 21:32Teresa was quiet for a moment, then she
- 21:34said softly,
- 21:36Her father used to sing to me through
- 21:38the wall of my parents house when we
- 21:39were teenagers in Havana. My parents
- 21:42never knew. She laughed. We were married
- 21:4540 years. He passed 4 years ago.
- 21:48Nora was his favorite.
- 21:50He would have liked you, Logan.
- 21:53My throat got tight.
- 21:56Thank you, Mrs. Castillo.
- 21:59Call me Teresa, and come for Christmas.
- 22:01I'm making lechon.
- 22:03I'll be there.
- 22:05Don't be late.
- 22:08That Christmas we flew to Miami.
- 22:10Teresa's little house was packed with
- 22:12cousins, music, and enough food for 300
- 22:15people.
- 22:17The moment we walked in the door, Teresa
- 22:19threw her arms around me and announced
- 22:21to the entire room, "Everybody, this is
- 22:24Logan, the one Nora never stops talking
- 22:27about. Nora turned bright red. Of course
- 22:30she did. But this time I put my arm
- 22:33around her waist and said loud enough
- 22:35for the whole room to hear, "Actually,
- 22:37Teresa, it's the one I never stop
- 22:40talking about."
- 22:42The whole family cheered. Nora buried
- 22:44her face in my shoulder laughing, and
- 22:46her cousin, the one with the lopsided
- 22:48dolphin tattoo, clapped me on the back
- 22:51and said, "Welcome to the family, man.
- 22:53You're stuck now."
- 22:55A year after that first dinner, I asked
- 22:58Nora to come over on a Sunday night. I
- 23:00told her I had a new audiobook I wanted
- 23:02her to hear before anyone else.
- 23:04"Which one?" she asked. "It's a short
- 23:07one, just one chapter."
- 23:09She sat on my couch with a blanket,
- 23:11curled up like she always did.
- 23:14I went into my closet booth and closed
- 23:16the door. Then I pressed play on the
- 23:18recording I'd made earlier that day.
- 23:21My voice came through the speakers, my
- 23:23real voice.
- 23:25Chapter 1, The Girl Across the Hall.
- 23:30Once upon a time, a guy who talked to
- 23:32himself in a closet lived across the
- 23:35hall from a girl with a motorcycle and a
- 23:37rose tattoo.
- 23:39For 8 months, she said 12 sentences to
- 23:42him. He counted every one.
- 23:46On the couch, I heard Nora laugh softly.
- 23:49Then her mother showed up with a
- 23:51suitcase and a wooden spoon, and she
- 23:53told him something that changed his
- 23:55whole life.
- 23:57She told him that he was the one her
- 24:00daughter never stops talking about.
- 24:03But here's the part the mother didn't
- 24:05know.
- 24:06Every night on the other side of the
- 24:08wall, he was talking about her, too. To
- 24:11the walls, to the microphone, to the
- 24:14foam, to anyone who would listen.
- 24:17And now he only wants to talk to one
- 24:20person
- 24:21for the rest of his life.
- 24:24The recording paused.
- 24:26Then I opened the closet door and walked
- 24:29out.
- 24:30I was holding a small velvet box.
- 24:33Nora was sitting on the couch, frozen,
- 24:36both hands over her mouth.
- 24:39I got down on one knee in front of her.
- 24:42"This part's not recorded," I said.
- 24:45"This part I want to say in person."
- 24:47She was already crying.
- 24:50"Nora Castillo," I said. "You told me
- 24:53once you can't tell which of my words
- 24:56are real. So, here are the realest ones
- 24:59I've got. I love you. I want to read to
- 25:03you every night for the rest of our
- 25:05lives. No walls. Will you marry me?"
- 25:09She stared at the ring, then at me, then
- 25:12she started laughing and crying at the
- 25:14same time.
- 25:16"Logan Shaw," she whispered. "That's the
- 25:1916th sentence I've been waiting for."
- 25:22"Is that a yes?" She grabbed my face
- 25:25with both hands. "Yes! Yes! A million
- 25:29times yes!"
- 25:31I slid the ring onto her finger. She
- 25:33kissed me so hard we both fell back onto
- 25:36the floor laughing.
- 25:38And then, her phone buzzed on the coffee
- 25:40table, then buzzed again, and again.
- 25:43Nora picked it up and looked at the
- 25:45screen, then she groaned. "It's my mom."
- 25:49"Why is your mom calling right now?"
- 25:52Nora turned the phone around. It was a
- 25:54text. "Did he do it yet? Did you say
- 25:57yes? I've been waiting by the phone for
- 26:00an hour. Call me."
- 26:02I laughed. I may have asked her
- 26:04permission last week. "Of course you
- 26:07did."
- 26:08We got married the next summer in
- 26:10Teresa's backyard in Miami under a big
- 26:13mango tree strung with lights. Nora wore
- 26:16a white dress that showed off every one
- 26:18of her beautiful tattoos. Teresa walked
- 26:21her down the aisle and cried the entire
- 26:24time. The mailman from 3 years ago came.
- 26:28He brought a card. For our first dance,
- 26:31the band played the old Bolero her
- 26:33father used to sing through the wall.
- 26:35Nora rested her head on my chest and
- 26:38whispered, "Sing it to me." So, I did,
- 26:41badly, in my own voice.
- 26:44We still live in that old brick building
- 26:46in Baltimore, but we knocked down the
- 26:48wall between our two apartments. Now,
- 26:50it's one big apartment with a recording
- 26:53booth on one side and a drawing table on
- 26:55the other. Sometimes, late at night, I
- 26:58still record in my closet and Nora still
- 27:01falls asleep listening. Only now, she
- 27:04doesn't need a wall. She just needs me.
- 27:08So, tell me, has someone's mom blown
- 27:11your cover in the best way? Or have you
- 27:14ever fallen for someone before you even
- 27:16really met them? Share your story in the
- 27:18comments. And if this story made you
- 27:20smile, hit like, subscribe, and I'll see
- 27:24you in the next one.
About this transcript
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