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Mushroom Song Vocal FX - Psytrance Tutorial Ableton — Transcript

by Psiger Records · 1,563 words · 225 segments · language en · Watch on YouTube

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  1. 0:00You asked me about the cool vocal effect
  2. 0:01in the killer mushroom song and I will
  3. 0:04show you today how to make that.
  4. 0:07[Music]
  5. 0:09So step number one, we need a vocal from
  6. 0:12a professional singer like me which
  7. 0:14sounds ultra amazing like this one.
  8. 0:17>> We take the mushroom and LSD. Better the
  9. 0:21input, the better the output. And I'm
  10. 0:23sure um some of you guys will have some
  11. 0:25very nice vocals um to sing. Um, just
  12. 0:28check that you record it um good so that
  13. 0:30you don't have too much noise in it or
  14. 0:33use some AI tool to clean it up. Uh,
  15. 0:35record it like as loud um, that you're
  16. 0:37not clipping but you have like a good
  17. 0:39like signal to noise ratio. And that's
  18. 0:41basically all. And maybe you want to
  19. 0:43kind of like already bring the the pitch
  20. 0:46progression in there which you um plan
  21. 0:48to do later a bit. Uh, that will help in
  22. 0:51making that vocal. But you can also use
  23. 0:54probably like any vocal or sing like
  24. 0:56splicer loop cloud. Um, so the options
  25. 0:58are endlessly here. Step number two is
  26. 1:00that you already arrange the vocal. Um,
  27. 1:02so bring it into the right rhythm. As
  28. 1:04you can see, um, I chopped it like a
  29. 1:07little bit here and rearranged it so
  30. 1:09that if we have like a 16th grid here
  31. 1:11that it falls like nicely on the grid.
  32. 1:14Also made these things like longer and
  33. 1:17shorter um, in order to really have not
  34. 1:20too many like gaps in here. Um, so that
  35. 1:23everything kind of like works a little
  36. 1:26bit already with the vocal without the
  37. 1:28processing so that it already has like a
  38. 1:30rhythm um, you want to have later. The
  39. 1:32mushroom and
  40. 1:35>> you can play a bit around with the
  41. 1:37warping modes. You will get like
  42. 1:38different results, but complex is a
  43. 1:40pretty good one um, for vocals. Um, you
  44. 1:43can try that one or you could try like
  45. 1:44with tones and texture if you want to
  46. 1:46have a little bit more um, processing in
  47. 1:48it and a different sound. In the third
  48. 1:50step, we come to the processing and the
  49. 1:52processing basically has three parts and
  50. 1:55an extra part which I will show in the
  51. 1:57next step. Um so the first um is the
  52. 2:00pre-processing. So I'm already like
  53. 2:02cutting um some lows which I don't need.
  54. 2:04And you can write the vocal here the
  55. 2:06volume a little bit to compensate for
  56. 2:09example things which peak out so that
  57. 2:11you don't need to like compress this as
  58. 2:14much later. You can also put like DS's
  59. 2:17and everything, whatever you need in
  60. 2:19order to get like a clean source vocal
  61. 2:21in there. And from there, we actually go
  62. 2:23into the the trick here of this
  63. 2:26tutorial, what makes that sound. We had
  64. 2:28now four students releasing a duck
  65. 2:30record and you could be one of the next.
  66. 2:32If you're interested in leveling up your
  67. 2:34music production skills, then check the
  68. 2:36link in the description box below and
  69. 2:38see the course. The thing which really
  70. 2:40makes and breaks the sound here is this
  71. 2:44spectral resonator here. Um, and I would
  72. 2:46put it to the key of your track. Um, so
  73. 2:49you will need to find like a good octave
  74. 2:51which sounds nicely. And the chorus in
  75. 2:53the wonder mode um are pretty good for
  76. 2:56this. Um, you can play a bit around with
  77. 2:57the DK. Um, you can um change the the
  78. 3:02pitches in here. So to make it even more
  79. 3:04melodic and add a little bit of unison.
  80. 3:07Um, don't do too much because then it
  81. 3:09gets like this kind of like spooky
  82. 3:11horror sound and then you get like a
  83. 3:13sound like this.
  84. 3:15[Music]
  85. 3:22And I layered this a bit. So I added
  86. 3:25like a higher layer with a little bit
  87. 3:27different settings. Um, so they all have
  88. 3:29the same um, pitch here, but this one is
  89. 3:31one octave higher and it has a little
  90. 3:33bit longer DK and the same I have one
  91. 3:36octave lower with a little bit shorter
  92. 3:38DK in here. Um, without unison in the
  93. 3:42lower one and with a little bit of
  94. 3:44unison uh, unison of two, a bit more
  95. 3:46amount. So you basically tune them like
  96. 3:49a little bit different um, to make that
  97. 3:51whole thing kind of like stack nicely in
  98. 3:53different octaves. So if we compare like
  99. 3:55only this one
  100. 3:59with all three
  101. 4:03it gets way richer. Um, so I will play
  102. 4:06you the other two also as a comparison
  103. 4:09[Music]
  104. 4:15especially the low one kind of like adds
  105. 4:17that a little bit like gritty kind of
  106. 4:20like chopped feeling um to it. Um, so I
  107. 4:24did another tutorial as far as I
  108. 4:26remember about like creating like robbo
  109. 4:28vocals where you also use like spectral
  110. 4:30and then you just put it like in a
  111. 4:31really low octave and you get that kind
  112. 4:33of like robo sound. And if you have it
  113. 4:35in a higher octave like here, then you
  114. 4:36get a little bit more this kind of like
  115. 4:38alien type of sound. Um, so that's kind
  116. 4:41of like the main processing here which
  117. 4:43really changes the vocal a lot. And then
  118. 4:46we have um a little bit of mixing here.
  119. 4:48So I have like a transient shaper. Um, I
  120. 4:51do have a compressor. Uh, this one is
  121. 4:54not doing anything. I have a little bit
  122. 4:55of delay here. Another compressor here.
  123. 4:58Um, some EQing to get out some
  124. 5:00resonances and to boost some spots where
  125. 5:02there were frequencies. And in the end,
  126. 5:05I put like a little bit of reverb. Um,
  127. 5:07so I will turn each of those off and
  128. 5:09then I will turn each of them
  129. 5:12individually on and you can see what it
  130. 5:14does. Thank you so much for subscribing
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  137. 5:28[Music]
  138. 5:31So it's not like huge uh things which
  139. 5:34happen here. So let's put that one.
  140. 5:37This one is actually not even
  141. 5:40[Music]
  142. 5:42we could turn that one off as well. And
  143. 5:45we have the delay here.
  144. 5:49So I put it to a 1/16th delay without
  145. 5:51ping pong. A little bit more dry wet.
  146. 5:54Not too much feedback. Um I have another
  147. 5:57compressor here um which is on a
  148. 6:00aggressive vocal setting.
  149. 6:02[Music]
  150. 6:11[Applause]
  151. 6:11[Music]
  152. 6:17So, it's also only adding a little bit.
  153. 6:20This makes it a little bit more
  154. 6:21pleasant, I would say,
  155. 6:23[Music]
  156. 6:29and colors it a little bit. And then we
  157. 6:31have the reverb here.
  158. 6:33[Music]
  159. 6:34[Applause]
  160. 6:39But the reverb is also like pretty um
  161. 6:41subtle. You can also try like a bigger
  162. 6:43one. Then you get a little bit more
  163. 6:44atmospheric.
  164. 6:46[Applause]
  165. 6:48So the reverb has a very um subtle mix
  166. 6:50here and a very tiny kind of like deck.
  167. 6:54Um I can also show you it gets a little
  168. 6:57bit more atmospheric if we use a bigger
  169. 7:00one here.
  170. 7:06[Music]
  171. 7:08Then you have it a bit more atmospheric.
  172. 7:10Uh, whatever you prefer. Um, I prefer
  173. 7:12this one. And then I have like a little
  174. 7:14final trick. Um, so I recorded
  175. 7:16everything with all the stuff on here
  176. 7:19with the the reverb and the delay on it
  177. 7:23and the transient designer and all the
  178. 7:25processing here into this um channel
  179. 7:28here uh into one channel like this um
  180. 7:31with like a lower octave. So I basically
  181. 7:34went in here and set all those one
  182. 7:37octave lower. So instead of E3, E2, E1,
  183. 7:41and E 0. And then we get this one here.
  184. 7:45[Music]
  185. 7:48And one higher
  186. 7:52on both. I put them to beats 116 in that
  187. 7:58with that arrow here. And around like
  188. 8:0140. And I think the other one is more or
  189. 8:03less the same, 47 here. Um, and what it
  190. 8:06does, it chops it again to 16. And I
  191. 8:09also put the warp markers because
  192. 8:11through all the processing, it wasn't
  193. 8:12really on the grid as I wanted to have
  194. 8:15it any more. Um, so together, this
  195. 8:18sounds a little bit nicer. So, if we
  196. 8:19compare um this version here
  197. 8:23[Music]
  198. 8:25with this, this sounds a bit more on
  199. 8:28time and richer.
  200. 8:31[Music]
  201. 8:33and the chopping is a little bit more
  202. 8:36pronounced. I show you one time in
  203. 8:38context
  204. 8:40[Music]
  205. 8:41and then gets a little bit more of that
  206. 8:43rhythmic feel. So, I hope you got the
  207. 8:46idea how to make those kind of vocals
  208. 8:48and I'm really curious what you're
  209. 8:50experimenting on. And as this was from a
  210. 8:52user request, um let me know in the
  211. 8:54comments if you want to know something
  212. 8:56whenever I feel this fits the channel
  213. 8:59then I'm happy to make a video about
  214. 9:00this. If you want to download this patch
  215. 9:02for free, I will put it for my
  216. 9:04newsletter subscribers and I will only
  217. 9:06send it out once. So it's really
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  225. 9:20for you to be on that newsletter.

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