MINI MINI.EXE SE PELEA CON 404 — Transcript
Full transcript
- 0:00Guys, 404's mother just arrived.
- 0:03I need you to help me. They took my son
- 0:05. They've taken him.
- 0:07Something sounds wrong to me. What is
- 0:08it? Oh, he said he was going to burn my
- 0:10house down. Friend, forever. Hey, if
- 0:13he's in danger, man. No, Ivan, stop, no
- 0:15, but we're at his house. There,
- 0:23guys, 404's mother just arrived. She's
- 0:27ringing the doorbell. What does she
- 0:29want, dude? She rang it again. She's
- 0:35worried, dude. Have you seen her?
- 0:37Whoa, she's nervous, dude. She looks
- 0:39like she's walking nervously.
- 0:40No, she's not, dude.
- 0:42Eh, but look,
- 0:42no, she doesn't look like she's crying,
- 0:43dude.
- 0:44But she didn't look over there, dude.
- 0:45She looks like she's crying, dude.
- 0:49Let's open the door. I mean, literally,
- 0:54yes. No, yeah, dude, but I saw her
- 0:56acting suspicious, like she was looking
- 0:58to one side.
- 1:01Hello,
- 1:03good evening. Please, I need you to
- 1:05open up. I need you to listen to me. I
- 1:07need you guys. Please, open the door.
- 1:12We're coming, we're coming.
- 1:13Please,
- 1:17what? Eh, wait. When was the last time
- 1:20we saw her? 404 took her, dude. Dude,
- 1:22they kidnapped her, Ruis Ortega
- 1:24kidnapped her and then gave her to 404
- 1:26in a fight. Don't you remember they
- 1:27even fought?
- 1:27After that, didn't we see her again?
- 1:28Yes, no, we did see her. When? Okay,
- 1:31let's open it. No, dude, but it's a
- 1:33lady in the middle of the street, dude.
- 1:43Ask if you're coming or not, dude.
- 1:45Come in, come in.
- 1:46Oh, please, I need you to help me.
- 1:50Please, help me.
- 1:51What happened?
- 1:52They took my son. They've taken him.
- 1:54Who took him?
- 1:55Alfa took him. Just imagine. Please,
- 1:58help me, come with me to my house. I
- 2:00don't want to be alone, I need no. See,
- 2:02come in, come in, come in, come in,
- 2:03come in.
- 2:04I mean, they took 404,
- 2:06please.
- 2:07Dude, Alfa took him. But, how did he
- 2:08take him?
- 2:09Yes, he came to the house, we were
- 2:11there, my son and I, we were talking,
- 2:13we were, and suddenly he entered, he
- 2:15came in, he broke in, I don't even know
- 2:17how. Oh, please, help me.
- 2:20Right when we went to the pink house.
- 2:21To find him,
- 2:22no, dude. I mean, Alfa is against
- 2:23everyone, dude. We can't leave her
- 2:26alone. Man, she's a threat to us, dude.
- 2:28No, I don't know, dude, but like, what
- 2:30do we do? Did Alfa tell you to come
- 2:31here or did he not tell you to come
- 2:32here?
- 2:32No, no, no. I came here because I know
- 2:35you could help me, that's why. Please,
- 2:37come with me. Look, at my house there
- 2:39are things of my son's. He has several
- 2:42things. Maybe if we look and observe,
- 2:44we might find something that tells us
- 2:46where he took him. What do we do?
- 2:48Please,
- 2:48but how did you get here from the pink
- 2:50house? I mean, we just saw him two days
- 2:53ago. No, not because of that, but if he
- 2:54wants to kill Minim.ex, maybe he wants
- 2:56to kill 404, dude.
- 2:57And what if he has things and what if
- 2:59he sacrifices him, dude?
- 3:00No, I get that, but also there are
- 3:01things of her son there, I mean, we can
- 3:02understand more about everything, dude.
- 3:04Literally.
- 3:05Well, I mean, if you want to go, what
- 3:07do we do? But, can we trust you? I mean
- 3:09, really, I mean, because oh, I need
- 3:13your help. It's my son.
- 3:18But was 404 with you? Yes, yes, of
- 3:20course. On this occasion yes, because
- 3:23he isn't always with me, he comes and
- 3:26goes, well, he is special, right? So,
- 3:29but but in the end he is in the house,
- 3:31I mean,
- 3:32I mean, you? Does he live with you?
- 3:35Well yes, he does live with me, but he
- 3:37he goes out a lot, he has friends, he
- 3:39he goes out, comes and goes.
- 3:42It's just that maybe he has to stay
- 3:43with us, dude, because if Alfa comes
- 3:44back, what what is he going to do? I
- 3:46mean, let's go and see what's up. But,
- 3:47where is it?
- 3:48We're almost there. We're going soon,
- 3:52guys. I don't know if I trust
- 3:55100%.
- 3:59Something is wrong here. This way, this
- 4:27way.
- 4:29What the. This is crazy. Excuse me
- 4:33.
- 4:36Over here, here. What are we doing here
- 4:40?
- 4:43Over here.
- 4:48What the.
- 4:50Come in here, please. Come in, take a
- 4:55seat. I'll go bring you something to
- 5:00drink and I'll go get the things I told
- 5:03you about my son to see if we can find
- 5:05him.
- 5:06Okay, thanks.
- 5:08Sit down, please. Always. What the
- 5:15.
- 5:16No, no, the vibes are horrible, dude.
- 5:18Yes, this is super weird.
- 5:21Everything is very strange, right?
- 5:23Something feels wrong to me.
- 5:26Dude. This house is too big for just
- 5:28her, man. And it doesn't feel like
- 5:30someone broke in, I mean, it doesn't
- 5:31feel like Alfa came in here, huh? Dude,
- 5:32it smells like a cemetery, man, like a
- 5:34graveyard, damn. What the, dude.
- 5:37Something’s weird, huh? Maria. Dude,
- 5:44no, Maria. Maria. She might have gone
- 6:12to some kind of basement or some room
- 6:14or something, but something is weird
- 6:16here. It’s that you can’t hear
- 6:20anything, dude. You can’t hear
- 6:23anything. What the. This house is
- 6:31giant. Maria. Mrs. Maria.
- 6:44Ma'am.
- 6:44Hey, Maria.
- 6:46Let’s go, let’s go, dude. If
- 6:49she’s in danger, man. No, Ivan, stop
- 6:50it. No way, dude. But we are in her—
- 6:56Let’s go, let’s go, let’s go,
- 6:58let’s go.
- 6:59Dude. It was a trap by the lady, man.
- 7:01We at least have to check, man.
- 7:02But what are we going to check, man?
- 7:03They’re going to kill us, man. Damn.
- 7:05Lower your voice. We’re leaving,
- 7:08we’re leaving, we’re leaving, man.
- 7:10Mother of God. No way, don’t move.
- 7:21What the. Let’s go to the door,
- 7:29guys. We have to go slowly. Careful.
- 7:36Let’s go. I don’t understand
- 7:37anything. What the. Fede, Fede,
- 8:02Fede, Fede. Hold on, hold on. There
- 8:09must be another exit.
- 8:10How, dude? We came in there, dude.
- 8:12Dude, we can’t leave that way.
- 8:19There’s no way out there, friend.
- 8:20What is happening? We have to move
- 8:22forward. We have to move forward. We
- 8:23have to move forward. No, no, no. How
- 8:30do we go? Dude. Run, run. What the
- 8:39. Look at that. What is it, dude?
- 8:46It’s the animatronics. It was a trap
- 8:47by the lady, man. To bring us to her
- 8:49house and disappear.
- 8:50There must be another exit.
- 8:51It was a trap.
- 8:53Literally. It was a trap, man.
- 8:54404 could be here too.
- 8:56No, no, no. It’s most likely 404 is
- 8:57here. It’s not that the lady is evil,
- 8:59but we don’t know if 404 threatened
- 9:01her, man. They’re the animatronics,
- 9:09man. No, maybe we can open the window,
- 9:13but you can’t climb down, dude.
- 9:14Literally, man, we came and walked
- 9:16right into the lion's den, dude. You
- 9:17can’t get down through there.
- 9:19I don’t know, I don’t see anything.
- 9:21I don’t see anything. I don’t see
- 9:22anything. Whoa, they cornered us, dude.
- 9:24For me, it was all a plan by A...What
- 9:28is that noise? I’m going to open it,
- 9:33man. No, no, it’s not there. Careful.
- 10:11Run, run, run, run. What do we do?
- 10:21Where are we going? Where are we
- 10:23heading? Where are we going?
- 10:25Hello there. Did you really believe
- 10:32everything my mother said? What the
- 10:38.
- 10:40You surprise me more every time, guys.
- 10:45I didn't think you were that stupid.
- 10:49What do you want?
- 10:51Revenge, Fed.
- 10:53Why?
- 10:53I want to take from you what you took
- 10:55from me. Uh,
- 10:58what are you talking about?
- 10:59What are you talking about? About what
- 11:02you burned, what you destroyed? You
- 11:05took everything I had, you understand?
- 11:14And now that everyone is out, I'm going
- 11:16to burn your house like you burned mine
- 11:18. How does that sound? Uh, no,
- 11:23but first I'm going to kill you now.
- 11:30Run, run, run, run, run. Watch out,
- 11:36watch out. No, what is this? What is
- 11:40this? No, no, no, man. What is this,
- 11:46dude, dude, dude? What What the?
- 11:54What is this? What is this, man? No, no
- 12:02, buddy. We have to get out of here now
- 12:03,
- 12:03man. Dude, there's an exit, a back door
- 12:05here, man. Oh, he said he was going to
- 12:07burn my house, man. What is this? Run,
- 12:10run. What? This, what is this place?
- 12:20What is this, dude? Buddy, like, this
- 12:22is the Ruiz Ortiz office.
- 12:23Yeah, yeah. And what was this, dude? I
- 12:25mean, if it was the real house, then
- 12:27it's, it's insane. It smells
- 12:29horrible in there, dude.
- 12:31I mean, dude, but why is it so big here
- 12:32, man? No, it makes no sense. It's the
- 12:35real house. I mean, 404 lived here.
- 12:39It's crazy. I mean, 404 grew up
- 12:41here, man. And if there's information,
- 12:44we have to find the exit once
- 12:46and for all. Yes, because they might
- 12:48burn your house, man. It's locked.
- 12:56Break them, break them, buddy. What
- 12:58happened? They're sealed shut, man. No,
- 13:06no, no, no, no. to pass or they have
- 13:11passed they can't get in here. What do
- 13:18we do? I don't know dammit. What is
- 13:28that, Oscar? It's an award, like, a
- 13:30diploma for something. The writer of
- 13:33Ruiz Ortega, man. God, those monsters
- 13:37are scaring me so much. We have to wait
- 13:39, man. Let's see, what is this? Stay
- 13:43back. Let me see, with your light.
- 13:48They're brains, man. They're brains.
- 13:50They're brains. No way, man..
- 13:53They're brains, dude. Dude. Hey, what's
- 13:56that? Dr. Ruis Ortega, recognition for
- 13:59your outstanding work, leadership, and
- 14:01commitment to the research study and
- 14:03treatment of behavioral disorders
- 14:04disguised as mental pathologies, and
- 14:06for having successfully concluded your
- 14:08participation in project B.
- 14:11Beta, dude.
- 14:12Beta from the demonic mental department
- 14:15, dude. Not mine. What is this? No, no,
- 14:25there's no way out. No way out. The
- 14:28lady brought us, dude, knowing we
- 14:29wouldn't be able to leave, man. It's
- 14:32madness, dude.
- 14:32That's why we have to wait, otherwise
- 14:35Wait for what? For her to burn down
- 14:36Fede's house, dude. For her to burn the
- 14:38house, dude.
- 14:38Let's look for another exit, then.
- 14:39Yes, yes, yes. How, dude? There's no
- 14:43other exit. There has to be another
- 14:46exit. No, impossible. There's no way.
- 14:54There's no way out. We have to wait for
- 14:56them to leave. There's no window.
- 14:58There's no way, dude. We have to wait
- 14:59for them to leave. There's no other
- 15:01choice. Then let's wait. Do you realize
- 15:09it's just one thing after another? We
- 15:12just went to Alpha's house, then we
- 15:14went into the dark side of my house,
- 15:17and now we're seeing 404 with the
- 15:19animatronics we thought had already
- 15:21disappeared. I mean, things just don't
- 15:23stop happening. It's all the time, dude
- 15:25. It's getting intense, man. I mean,
- 15:27it's all going to hell, everything is
- 15:29changing, dude. Dude, we have to get
- 15:31out of here, man. One way or another,
- 15:32man. They can't burn your house. No, I
- 15:36don't get how we're going to get out. I
- 15:39mean, do you realize these people love
- 15:41making us suffer all the time, seeing
- 15:44us scared? These clowns feed on fear.
- 15:48That's exactly it, because otherwise
- 15:49they would have come to get us a long
- 15:51time ago, they want us suffering like
- 15:52this? In a closed place, with no escape
- 15:55, there are no windows anywhere.
- 15:59Besides, this room here has a ladder
- 16:01going up, right? I mean, no, no if
- 16:07there's an exit there, but if you go up
- 16:09, I mean, it's impossible. That's why
- 16:11if we jump there's a window there.
- 16:29Window. Let's see, here's another
- 16:31window. That leads downstairs. No way,
- 16:40we are totally trapped. What if they
- 16:49left? And we jump from here. It could
- 16:55be, dude. How much do you think it is?
- 16:573 meters. 3 meters. It's going to be
- 17:01like six. It's tough.
- 17:11It's too high.
- 17:17They're not here. They're not here.
- 17:21Let's go, dude. Let's go, please. Let's
- 17:22get out of here, man. There it is. Dude
- 17:32. This is the moment, dude. We have to
- 17:34run now, dude. Please, we have to run
- 17:39in silence. Sorry, dude. What is that?
- 18:16No way, he stayed watching so they
- 18:21don't come. What? Oh, how crazy, dude.
- 18:29What is this? These are drawings, huh?
- 18:39Man, how super weird. This is crazy,
- 18:46dude. This mini point is crazy, dude.
- 18:52Film this, please, friends forever. Who
- 18:57is sick, dude? Believe that it's a hole
- 19:09. I don't know, it's a tunnel. What the
- 19:15. We have to go, let's go. Dude,
- 19:19it's like the little house in the eye
- 19:20room, man. Okay. Which way do we go?
- 19:28It's straight ahead, right? Let's go
- 19:39this way. Let's go. Let's go. No, there
- 19:54it is, guys. Don't be afraid. Come,
- 20:01come, come.
- 20:03Over here,
- 20:04you're in my house. Come in. Welcome.
- 20:10The exit is this way. I just, I just
- 20:13want us to talk. And you can leave. I,
- 20:16I swear. Come on. I understand. These
- 20:21are the nine traitors. We have to go.
- 20:26Ah. Now you know my house where it all
- 20:33began. Do you remember when you were
- 20:39kids? Because I do. No, I wasn't a very
- 20:45happy kid, guys. You already saw where
- 20:50Ruiz Ortega worked. He, he never
- 20:54treated me very well. And the worst
- 20:59part wasn't me, the worst part was the
- 21:02others. He would bring other kids here,
- 21:05my friends, and he would do horrible
- 21:09things to them and I couldn't do
- 21:13anything. He would take us to his
- 21:21office and I don't want to remember it.
- 21:25Sorry, it can't be.
- 21:30But I remember that he would give us
- 21:34something to drink. It was it was a
- 21:39black liquid. Black liquid. Do you know
- 21:43? You know it.
- 21:45Yes, yes, yes, yes.
- 21:46Do you know what it is?
- 21:47No, I have no idea. We drank it. Dude,
- 21:52it's blood. It's Oculus blood.
- 21:55How?
- 21:56Yes. Uh, uh, Ruiz Ortega realized that
- 22:02if we had contact with Oculus blood, we
- 22:06were part of Oculus. That is what gave
- 22:11my siblings and me our abilities.
- 22:15That's why we have abilities.
- 22:17We are connected to Oculus. I mean,
- 22:22since 2023 we saw that liquid. Yes, it
- 22:33makes sense. Thank you, Ruiz Ortega. Oh
- 22:38. Ah, all thanks to Ruiz Ortega. And I
- 22:45couldn't save my friends. I couldn't
- 22:48save my siblings. And look what he
- 22:51turned us into. And now you're part of
- 22:56this, guys. And there's only one way
- 23:00out. Attack.
- 23:10What's happening? Attack.
- 23:13404. I know we're friends, but I'm only
- 23:19going to say this once. You can't kill
- 23:24them. They are destined to be consumed
- 23:29by me. I can respect our friendship,
- 23:35but I can't stop what started us.
- 23:40Decide now. Are you?
- 23:44They are mine. It is my revenge. I
- 23:48don't care about the sacrifice. If I
- 23:52can't do it with you, I'll kill them
- 23:53myself. What the? Run, run. Run,
- 24:23what happened? Run. Let's go to the
- 24:27house. The house. Dude. What's up?
- 24:44We're at home. At home. At home. Run.
- 24:49You can't burn it, man. Uh, uh, look,
- 25:00it was Mini Mini, look Mini, Mini, look
- 25:02Mini Mini. What do you mean you want to
- 25:04sacrifice us?
- 25:05He's speaking for the animatronics, man
- 25:06. It's crazy, man.
- 25:07He spoke for the animatronics.
- 25:09It's crazy, man. No, nothing makes
- 25:11sense, man. But man, we have to think
- 25:13clearly. What, what, what did he say?
- 25:15We have to think clearly, man. It makes
- 25:17no sense, jerk. I never imagined
- 25:19something like this, man. I mean, I
- 25:21imagined everything but that. 404 wants
- 25:24to burn your house, jerk.
- 25:26Jerk, but let it be. I mean, Mini Mini.
- 25:28Your exit has power over everything,
- 25:29man. He has power over the animatronics
- 25:31. It's madness.
- 25:32He has the power to kill this jerk,
- 25:33man. We have to, we have to think
- 25:34things through, man.
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