Meet the photographer | Thomas Ruff — Transcript
Full transcript
- 0:00[Music]
- 0:10my name is Thomas Roth I'm an office
- 0:13working with photography I started
- 0:16underground better at the article in
- 0:18Dusseldorf and that was a kind of a very
- 0:20objective way of taking photographs I
- 0:24really thought that photography captures
- 0:27reality and it's the most true medium in
- 0:31the world this is not really right
- 0:35because the camera is recording what is
- 0:39in front of the lens this reality can be
- 0:41pre-arranged our heroes at the Art
- 0:45Academy where minimalistic conceptual
- 0:48artists I had the impression that the
- 0:50portrait had disappeared in contemporary
- 0:53art so I tried to bring the portrait
- 0:56back 2.0 in a very conceptual
- 1:00minimalistic way just show the face with
- 1:04little expression
- 1:06I practiced this kind of portrait
- 1:09photography for over five years and
- 1:11printed them in a smaller size
- 1:13I developed the wish of printing a
- 1:17really large scale print of a portrait
- 1:20and those portraits then became very
- 1:22successful people were really surprised
- 1:26because a large scale photograph had
- 1:29complete new pictorial quality in 1987 I
- 1:34started photographing buildings going
- 1:38out into the street a lot of things
- 1:41disturbed me my belief in the truth of
- 1:45photography already had some losses and
- 1:47I thought Thomas you are not so much
- 1:50interested in the real situation but in
- 1:53the image itself I then decided to
- 1:56retouch things digitally after I did the
- 2:01portraits I got interested also in
- 2:03scientific and medical photography and I
- 2:07started working with these kind of
- 2:09photographs negatives those photographs
- 2:12are taken by even bigger machines that
- 2:15can more or less work by itself I
- 2:18realized there's a shift in authorship I
- 2:21have a big affinity to astronomy and one
- 2:24of my favorite home pages is the NASA
- 2:28home page and what I found was really
- 2:32high-resolution scans of the surface of
- 2:35Mars and you could zoom in the image and
- 2:39I like the structure of the surface the
- 2:42photographs were taken in black and
- 2:44white so I started coloring the Martian
- 2:47surface you don't have the impression
- 2:50that these photographs were taken by a
- 2:52satellite
- 2:54you cannot recognize an authorship
- 2:57anymore I never was interested in
- 3:00showing that I am the author of this
- 3:03famous photograph but I was always
- 3:08interested in image itself
- 3:12if I want to create a photographic image
- 3:14and cannot pull the trigger by myself I
- 3:18don't care I want to have that image and
- 3:21if anybody else or machine or robot
- 3:25pulls the trigger it's fine the last 10
- 3:30years I'm working mainly in front of a
- 3:33computer screen my studio could be a car
- 3:36garage I had the possibility to buy this
- 3:40land and build a studio that could fit
- 3:44perfectly for my work it's just great to
- 3:48work in such a beautiful space
- 3:50[Music]
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