Main Tenu Phir Milangi - A Storytelling Special | Sahir Ludhianvi, Amrita Pritam, Imroz | — Transcript
Full transcript
- 0:04In our lives, there are some names
- 0:06of the few people whom we want to meet.
- 0:08At least once before dying.
- 0:11They were at the top of my list.
- 0:16But this could not happen.
- 0:24Hi Mumbai!
- 0:43My name is Laksh Maheshwari. Some of you may already know me.
- 0:47Because every show has a category of people whom I call the "tag-alongs."
- 0:52They don't know anything about me.
- 0:53If you were dragged here by someone, let me show you something.
- 0:57Those who have no idea, raise your hand.
- 1:01Shame on you!
- 1:05For those who don't know me, let's start with an introduction.
- 1:07My name is Laksh Maheshwari. I am a storyteller by profession.
- 1:11Do you like listening to stories?
- 1:14Over the next hour or hour and a quarter,
- 1:16I will ask many questions.
- 1:17Whenever I ask a question, you'll answer, "Yes."
- 1:22It's simple, but that "yes" has a specific tone.
- 1:24That's the tone you've got to maintain.
- 1:25It goes like this: "Yes."
- 1:28You're good, dear.
- 1:31Would you listen to the story?
- 1:32Yes.
- 1:34The story you're going to listen to today is called…
- 1:36Main Tenu Phir Milangi.
- 1:38Come on, you should know this.
- 1:41Whoever dragged you here, make sure you ask them where they're taking you.
- 1:46Do ask, "Where are you taking me?"
- 1:50Yet they came anyway.
- 1:52This is a story of some beautiful people.
- 1:53I will ask first,
- 1:55how many of you have heard of Sahir Ludhianvi?
- 1:59- Yes.
- 1:59- Sahir Ludhianvi
- 2:01is one of the finest lyricists this country has ever seen.
- 2:04He wrote more than 400 songs in his life.
- 2:06You may not know his name.
- 2:08First this name… do you know the meaning of the word 'Sahir'?"
- 2:11Sahir means the magician.
- 2:14A magician with words.
- 2:15The one who did magic with his words.
- 2:17He cast a spell over people's minds and hearts.
- 2:20You may not have heard his name
- 2:22but we have all heard songs written by him.
- 2:25-Should I give a song or two to sing?
- 2:26-Yes.
- 2:28I am a poet for only a moment or two.
- 2:33My life story is for a moment or two
- 2:37I am here for a moment or two,
- 2:41My youth is for a moment or two
- 2:45I keep embracing life all the way through.
- 2:50I blow the tensions in the smoke
- 2:55Any smokers in the house? Make some noise!
- 2:58Shit.
- 3:02When your hair flew in the air,
- 3:06When your hair flew in the air,
- 3:09The young girls' hearts start pounding.
- 3:12The young girls' heart start pounding, my dear.
- 3:16Sometimes, in my heart…
- 3:21A thought comes
- 3:25Do not leave now,
- 3:29My heart is still not satisfied.
- 3:33And one song for you, ma'am.
- 3:35On his behalf, okay?
- 3:37Oh, my beautiful darling.
- 3:40You do not know
- 3:42You are still beautiful and I'm young
- 3:47I can give up my life for you.
- 3:51The show's cancelled.
- 3:53We will sing for one hour now.
- 3:56We'll start a band with 250 people.
- 3:59Wedding season is coming.
- 4:01We also take bookings for wedding performances.
- 4:03Clap for yourself. You guys were wonderful.
- 4:10The writer of all these songs…
- 4:12Sahir Ludhianvi.
- 4:13Yes, no money will be given for guessing here.
- 4:16See, I think that. If you want to know the story of any person.
- 4:20Then first you need to know his upbringing.
- 4:23Whatever happens to you in your first fifteen years…
- 4:26It largely determines the kind of person you are going to become.
- 4:29There's a 10–15% chance of change;
- 4:31the rest is already embedded.
- 4:33As we are starting the story
- 4:35so let's start from Sahir Sahib's childhood.
- 4:38-Say what?
- 4:39-Yes.
- 4:41Sahir Sahib was born in 1921.
- 4:44In a city in Punjab.
- 4:45Can anyone guess the name of the city.
- 4:47Ludhiana.
- 4:49Sahir Ludhianvi was born in Ludhiana in 1921.
- 4:53His parents divorced in his childhood.
- 4:56Then his mother brought him to Lahore, then…
- 5:01All was ours.
- 5:04But it is said, when you're wounded like this in childhood.
- 5:07Then the artist within you grows by itself.
- 5:10The same thing happened to Sahir Sahib.
- 5:12He immersed himself so deeply in poetry,
- 5:14at the young age of 24…
- 5:16his first book had been released.
- 5:19It was announced in the whole country,
- 5:21that a new poet named Sahir Ludhianvi had emerged.
- 5:24The name of the book was 'Talkhiyan'.
- 5:27Everything was going well until partition changed everything.
- 5:31-Which bomb?
- 5:32-Partition.
- 5:33The bomb of 1947. After that, he was completely shattered.
- 5:35He came and lived in Delhi with his mother like a refugee.
- 5:40He lived in the hustle and bustle of Delhi for only one month.
- 5:43And went to Bombay, telling his friends,
- 5:46Bombay needs me.
- 5:49When he came to Bombay, the house in which he started living
- 5:52in the lower flat in the same building, a man shifted after some time.
- 5:57Some of you may know him.
- 5:59How many of you know Sampooran Singh Kalra?
- 6:01-Raise your hands. -Yes.
- 6:03Take a guess now and raise your hand.
- 6:07And how many of you do not know Sampooran Singh Kalra at all?
- 6:09Raise your hand.
- 6:12You know how much you need me?
- 6:16You may not know that person by this name.
- 6:19The name he used as a pen name,
- 6:22we all know him very well, and he is...
- 6:24Gulzar.
- 6:26How many of you write? How many of you write, even for yourselves?
- 6:30You will find that quite good.
- 6:32Someone had said quite beautiful for Gulzar Sahib,
- 6:35that writing well in a difficult language is quite easy.
- 6:39Listen to it very carefully, writing good in tough language
- 6:41is an easy task, but writing well in simple language…
- 6:46is quite difficult.
- 6:51And Gulzar Sahib is an expert at it,
- 6:53that he could say so much in a single line.
- 6:55I recently read a line "You smiled too much;
- 6:59try being a little happier too.
- 7:01What a thing!
- 7:08He wrote, "When you came to my home last time,
- 7:10you drew a plant on my cigarette box,
- 7:13come and see, it has bloomed into a beautiful flower."
- 7:18Saying 'If tears had any value,
- 7:20if tears had any value
- 7:23then last night's pillow would be worth millions.'
- 7:31I will do a full 2 hour show on Gulzar but not today.
- 7:35Today we are talking about his neighbour Sahir Sahib.
- 7:38Those who knew Sahir Sahib closely know that he hated two things very much.
- 7:44One, Isolation.
- 7:45He never liked living alone.
- 7:47Always looking for a companion.
- 7:49And I read in a book that he did not like his own face.
- 7:53He did not have a mirror in his home.
- 7:54A person like this would naturally immerse himself in poetry.
- 7:57Think about his first book 'Talkhian'.
- 8:00The meaning of 'Talkhian' is bitterness.
- 8:02That bitterness made a permanent home within him.
- 8:05And it is only a man like him who could have written.
- 8:07I cried sometimes on myself, sometimes on situation,
- 8:09when started talking, each talk made me cry
- 8:13Friend, who cry here for other,
- 8:15everyone cry on its own thoughts.
- 8:21Brother, don't play the rhythm, copyright issues!
- 8:24So who will sing those songs today?
- 8:27I am the poet of a moment or two
- 8:31My story is for a moment or two
- 8:35I am living for a moment or two
- 8:39My youth is for a moment or two
- 8:43This was one side of the coin.
- 8:45Now, since this is a love story, there must be a second part.
- 8:48Let's move to the other side of the coin.
- 8:51Let's move on to that person.
- 8:52According to me I think that person is really unlucky.
- 8:55Who has never heard this name before. And that name is,
- 8:59Amrita Pritam.
- 9:01Amrita Pritam.
- 9:02Amrita Ji is known as the first Punjabi poetess.
- 9:05Let's know a little about her upbringing too.
- 9:07She was born in Gujranwala, Punjab, in 1919.
- 9:10Amrita was born as Amrit.
- 9:12Her name was Amrit Kaur.
- 9:14Amrita was named later.
- 9:16Since childhood this sweet little girl,
- 9:18used to sing self-written bhajans in the gurdwara every day.
- 9:21She was fond of singing self written bhajans.
- 9:23People loved it so much that a sweet little girl came and,
- 9:26sing self written bhajans.
- 9:28But in her childhood her maternal aunt said to her that,
- 9:31that God heard the prayers of young children very soon.
- 9:36So, once when her mother got sick.
- 9:39So sick that the doctors gave up hope.
- 9:41Then Amrita went and sat in the gurdwara.
- 9:45That until you cure my mother,
- 9:47I will not get up from here.
- 9:49Her mother did not survive.
- 9:51God's wish was something else.
- 9:53But Amrita's faith in God faded forever that day.
- 9:57She straight said to her father,
- 9:59neither would I go to the gurdwara nor would I write bhajans ever.
- 10:04After some time her father also did not passed away.
- 10:07Moved on.
- 10:08The thing we called renunciation.
- 10:10Got up once and moved toward forests.
- 10:13Then nobody ever saw him again.
- 10:15Same night Amrita Pritam wrote two lines.
- 10:18She wrote
- 10:19that "My life was a night,
- 10:21I stay awake.
- 10:23But my luck slept".
- 10:26She was so alone.
- 10:28At the very young age of 16, she was married to
- 10:31Pritam Singh and she became,
- 10:34Amrita Pritam.
- 10:36But then there blasted a bomb.
- 10:39The same bomb.
- 10:40See, all of us sitting here are too young,
- 10:44to understand how horrific 1947 was.
- 10:47Amrita Ji, Sahir Sahib, and Gulzar Sahib all migrated from there to here.
- 10:50You will see that pain in their writing.
- 10:53I read in one of Gulzar Sahib's books that
- 10:55he wrote that he had seen bodies being hacked apart on the roads.
- 10:59I had seen their blood flow and then dry up.
- 11:02And I had seen people come months later and scrape that blood off the roads.
- 11:07If you see so much will it not be a permanent image in you.
- 11:11Those nightmares would stay with you for life. Nightmares will be there.
- 11:14There were so many atrocities against Sikh women
- 11:17Amrita Pritam wrote a poem for Sikh women.
- 11:20(ki Akhan Ajj Waris Shah Nu)
- 11:22Have you heard of Waris Shah?
- 11:24Waris Shah was a Punjabi poet. Who wrote the story of Heer-Ranjha.
- 11:28From Heer's point of view.
- 11:29because society often disregards a woman's perspective.
- 11:33So, when atrocities were being committed against Sikh women,
- 11:35Amrita pleaded with Waris Shah through her poetry.
- 11:38It is in typical Punjabi.
- 11:40If you'd like, I can recite four or six lines in Hindi.
- 11:43Yes.
- 11:45Since you're insisting so much, alright.
- 11:49Amrita is writing "I am telling Waris Shah,
- 11:52speak from your grave
- 11:54And open a new page of that book of love.
- 11:59When one daughter of Punjab cried, you wrote such a big saga.
- 12:03Today millions of daughters of Punjab are crying.
- 12:05All are saying to you that
- 12:07Oh, friend of grieving people see the situation of Punjab.
- 12:10The town squares are stuffed with dead bodies.
- 12:11Chenab is filled with blood.
- 12:13And someone mixed poison in 5 rivers.
- 12:16And now this poisonous water is irrigating the upcoming generations.
- 12:21Today I am calling out to Waris Shah.
- 12:23-That "Speak from your grave". -Speak
- 12:25It is said during that time this poem,
- 12:26was found in the pocket of every second person.
- 12:29In both countries, India and Pakistan,
- 12:31she received both love and hatred from both sides.
- 12:34was given to Amrita. When asked she said,
- 12:37the people who hate me,
- 12:40they have never met me.
- 12:42Amrita was very bold with the words.
- 12:45Pritam was never removed from her name.
- 12:47But her relationship with Pritam ended in 1960.
- 12:52The thing that now I am going to tell you.
- 12:54Your patriarchy might awaken after hearing this.
- 12:57So keep it asleep.
- 13:00Because we are just listening.
- 13:02All that had already happened.
- 13:04When Amrita left her husband,
- 13:06She'd had two children by then.
- 13:09Even after that she felt life want something else from her.
- 13:13She wasn't born just for this.
- 13:15And she stood up one time,
- 13:17and started walking her own path alone.
- 13:19Like the first independent woman.
- 13:21This is still difficult for present day woman.
- 13:24You know what I am saying. She had done it in 1960-65.
- 13:28"What will people say?" How much would she be judged?
- 13:31How much she would be criticized. She moved without caring for it.
- 13:34Because she had a voice in her heart.
- 13:38At a poetry gathering in Preet Nagar, she heard a poet recite a couplet.
- 13:41-To whom? -Sahir Ludhianvi,
- 13:43Friends, as soon as she listened to his voice,
- 13:46Amrita said that it seemed to me as though…
- 13:48I am bound with this person from past life.
- 13:52Was this magic of his words or silent eyes,
- 13:55I felt like spell bound like magic.
- 13:58I do not know anything else. But I can say this, that night
- 14:02someone sow the seed of love in soil of my heart.
- 14:09She was in extreme love.
- 14:11Slowly, Sahir began to fall in love with her too.
- 14:14Amrita told in her books.
- 14:15That during those days Sahir used to come to her home.
- 14:19and sit quietly in a chair.
- 14:22He said nothing.
- 14:24He would simply sit there quietly.
- 14:26It seemed like it was a piece from my own silence,
- 14:29sitting right in front of me.
- 14:35Like a piece of my silence sit right in front of me.
- 14:39He said nothing. but I don't know how many hours passed.
- 14:44Smoking cigarette after cigarette.
- 14:47Then put out half cigarette in ash tray.
- 14:49Got up and went out from there.
- 14:52Imagine two lovers sitting in a room.
- 14:54Neither of them said a word.
- 14:56Not a single word was spoken.
- 14:58But even after that there is no discomfort.
- 15:00There was peace. There was calmness.
- 15:03She said he got up and go.
- 15:05But I wanted to stop him.
- 15:06I wanted to hold his hand
- 15:08I wanted to say so much.
- 15:09But social norms never allowed those boundaries to be crossed.
- 15:13But yes, after he had gone,
- 15:15the pieces of cigarette that he had left
- 15:17I kept them very carefully.
- 15:20I hid them in an almirah.
- 15:21When I was alone and nobody was around,
- 15:26I took those cigarette pieces between my fingers
- 15:30I felt as though Sahir's fingers were touching mine.
- 15:33I lit those pieces,
- 15:34I saw Sahir's face in its smoke.
- 15:37In fact, Amrita Pritam wrote many poems on Sahir's cigarettes.
- 15:43Would you like to hear four lines?
- 15:44Yes.
- 15:45Amrita is writing about Sahir's cigarette
- 15:47She said, this is about the fire
- 15:50-Whose? -Fire
- 15:51This is about the fire that you had recited to me.
- 15:54This is that cigarette of life,
- 15:56That you once lit long ago.
- 15:58I no longer worry about life.
- 16:00Just take care of this fire.
- 16:02I only pray for your touch.
- 16:04that you light one more cigarette.
- 16:10Sahir kept on lighting that cigarette,
- 16:13-keep blowing all your worries away in... -Smoke.
- 16:16-I keep on -Embracing life.
- 16:21-Blowing off every tension -In the smoke.
- 16:22-It was useless -It was useless.
- 16:26It was useless to cry over the damages
- 16:30Keep on moving celebrating the destruction.
- 16:35-Blowing off every tension -in the smoke.
- 16:39Everyone saw Dev Anand dancing.
- 16:42Clap for Dev Anand Sahib. Wow!
- 16:47Now, the love between them began to grow slowly.
- 16:52Amrita was living in Delhi.
- 16:53And Sahir had moved to Mumbai.
- 16:55When Amrita came to Sahir's city,
- 16:57Sahir through a very big party.
- 16:59He invited all his friends.
- 17:00And introduced her to everyone, saying...
- 17:06Is Amrita,
- 17:08When someone gave recognition like this. It felt very good.
- 17:11During that time Sahir Sahib wrote a poem.
- 17:13The name was Taj Mahal.
- 17:15People say that whole poem was about Amrita.
- 17:18In fact Sahir Sahib had framed that poem in a very big frame.
- 17:21And gifted it to Amrita.
- 17:23It remained hanging on Amrita's wall until her death.
- 17:27Has anyone read it?
- 17:30-Would you like to listen? -Yes.
- 17:33Sahir Sahib is writing,
- 17:34'Million of people have loved in this world.
- 17:36It's right we all did.
- 17:39One second, here's an important question.
- 17:41If you've ever truly loved someone in your life,
- 17:46Then raise your hand.
- 17:48If you're here with your partner, then raise your hand.
- 17:52Otherwise, things may get awkward later.
- 17:55I asked once a husband and wife sitting on right side,
- 17:58The wife raised her hand, but the husband didn't.
- 18:02Then I saw a flying elbow coming.
- 18:06Sahir is saying millions of people have loved in this world
- 18:09Who said that they were not serious for it,
- 18:12but for their love neither was there any award of Taj or Heer.
- 18:16Because they were broke like me.
- 18:18It just went above your head right? Wait, let me explain.
- 18:21He is saying everyone do love.
- 18:24but not every love find status like Shahjahan got.
- 18:29Do you know why? Because you're poor.
- 18:32I am not saying.
- 18:34Sahir said so.
- 18:36After all, compared to Shah Jahan,
- 18:38We are poor, aren't we?
- 18:39Then he turned towards the Taj Mahal.
- 18:41And said seeing it that this monument, Yamuna bank,
- 18:45this palace, door, walls, and seat
- 18:47an emperor with help of wealth,
- 18:50made fun of love of poor like us.
- 18:54Think for once Taj Mahal is a slap on the face of every lover.
- 18:58I had made you go and try.
- 19:02In a show there was an elderly couple in front row.
- 19:05They were easily over seventy.
- 19:06So I asked them. I asked sir,
- 19:08If you had the chance, would you build a Taj Mahal for ma'am?
- 19:11He came with the stick.
- 19:13First he stood up, then said, sure I will definitely make one.
- 19:16Let her die first.
- 19:24I did not see that uncle again.
- 19:28There on the other hand a poem written by Amrita
- 19:31Namely 'Sunehre' was awarded with Sahitya Award.
- 19:33When an interviewer came to interview her,
- 19:35You know how reporters like to tease people.
- 19:37So they asked her,
- 19:38did you write this poem for Sahir?
- 19:41Amrita said, it is not yet read by the one for whom it is written.
- 19:45It does not matter if the whole world read it.
- 19:48Reporters said that it is okay ma'am
- 19:49I need a photo of yours for tomorrow's newspaper.
- 19:51So, pretend you're writing something. We'll click your photo and leave.
- 19:57Amrita picked up a pen and paper and started writing.
- 20:01Photographers were long gone after clicking photo.
- 20:04She kept on writing, she filled 8 pages, front and back.
- 20:09On every page in every corner only one word was written.
- 20:13Sahir, Sahir, Sahir, Sahir, Sahir.
- 20:17They had fallen deeply in love with each other.
- 20:19-Every true love is struck by -Evil eye
- 20:25Same happened here.
- 20:26Whose?
- 20:28Sahir's mother's.
- 20:33This is all new, I have nothing in it.
- 20:37Let me rephrase.
- 20:40Here also evil eye struck.
- 20:41That is of Sahir's mother Sardar Begum.
- 20:45She did not like Amrita at all.
- 20:46Think how it will be.
- 20:48A divorcee and a mother of two children,
- 20:50She left her husband and now wants to marry Sahir.
- 20:52She said a plain no.
- 20:53Now you know the upbringing of Sahir Sahib
- 20:55Then understand this thing that he was unable to go against his mother.
- 20:59How she brought him up alone with great difficulty.
- 21:02A mother's order means carving in stone
- 21:05half-heartedly Sahir Sahib started parting his ways from Amrita.
- 21:11They both were heartbroken.
- 21:13When a relationship is forced to end, both people are heartbroken.
- 21:16It was during this time that Sahir Sahib wrote that couplet,
- 21:19Everyone has heard it, but now you'll understand its meaning.
- 21:22That was for Amrita.
- 21:25-If you say I will recite. -Yes.
- 21:27Sahir is saying the issue which is impossible to make to the end,
- 21:34Sahir is saying the issue which is impossible to make to the end,
- 21:38better to give it a beautiful turn and left.
- 21:42Let's become strangers again both of us.
- 21:46Wow! who have recalled their ex?
- 21:51At the end both of them were at that phase of their life,
- 21:55To which today's generation lovingly
- 21:58denotes as breakup.
- 22:00Took a pause in Bangalore.
- 22:02A lady was yelling situationship.
- 22:08When heart broke, you both part the way.
- 22:12It felt like very hard crying.
- 22:13It feel like someone squeez out the heart.
- 22:16Every time it felt like all is lots.
- 22:19Usually girls kept 1 or 2 friends for this time.
- 22:23Hey…
- 22:27They kept because, they might feel like calling him. so whatever happen but I will
- 22:32Not make call.
- 22:33Those who laugh at it are those who are kept for it.
- 22:38You sit here
- 22:41Unfortunately Amrita Pritam did not have any such kind of friend.
- 22:45She stopped for a few weeks.
- 22:47The comes that a crack in the armour.
- 22:49-Heart is saying like make a call -today.
- 22:52It was time of STD PCO,
- 22:54She went to PCO rushing in the evening.
- 22:56Pick the phone and start dialing the number.
- 22:59Before she dialed last number.
- 23:01She saw a magazine lying nearby.
- 23:05In which the news was printed,
- 23:07about the affair of Sahir Sahib.
- 23:10There was another woman in his life in those weeks.
- 23:14At that time there was a famous playback singer Sudha Malhotra.
- 23:18See, I did not see that magzine. But you know how the reporters are
- 23:20Something like this would have been written "Amrita out, Sudha in".
- 23:24Amrita was heart broken.
- 23:26She put the receiver down without making the call.
- 23:29And went back to home
- 23:31I thought some times.
- 23:32If that call would have been made in evening,
- 23:35Would the situation be something else.
- 23:37It is the situation of what if.
- 23:39Amrita said I have loved you whole heartedly.
- 23:43Did you love me the same?
- 23:45Because she thought Sahir have forgotten her.
- 23:47But Sahir was never able to forget her.
- 23:50He wrote if you have forgotten me its your right.
- 23:54He wrote If you have forgotten me, it's your right.
- 23:58Not applicable on me as I have truly loved.
- 24:06Sahir said during those days usually I stand on the pan shop near your house.
- 24:12And kept on staring towards your window for hours.
- 24:16A glass of soda and a cigarette in hand,
- 24:18I keep on standing there for hours.
- 24:20But never saw you.
- 24:22Most of us have done this one day or other.
- 24:24yes.
- 24:27I feel like you are currently doing so.
- 24:31What is the meaning of this. We are standing here.
- 24:34We need to go.
- 24:36Her house is there.
- 24:40All have done this. okay.
- 24:44Lets clap once for this.
- 24:49He said he kept on going for 6 months.
- 24:52You were never seen.
- 24:53Tired he stopped going.
- 24:57See, reason for a relationship not working is the communication
- 25:01You're unable to express yourself properly.
- 25:05But they have the profession for the same.
- 25:07Writing your thoughts expressing them.
- 25:10Amrita said there are 2 big walls between us.
- 25:14One was silence, that did not left till death.
- 25:18And the second was language.
- 25:21Because I write in Punjabi,
- 25:23And Sahir wrote in Urdu. So the heartiest thoughts of both of us,
- 25:27never reached each other.
- 25:30Not every love story is destined to be fulfilled.
- 25:33And on the same time with same mentality Sahir Sahib wrote that song,
- 25:38which was breakup anthem for people at that time.
- 25:41-Would you listen? -Yes.
- 25:44-Would you sing? -Yes.
- 25:46-Don't know -who were those people who
- 25:52got love for love.
- 25:57When we seek buds,
- 26:02got the garland of thorns.
- 26:09-Don't know -who were those people who
- 26:13Who got love for love.
- 26:18What a rhythm!
- 26:21Too good.
- 26:26The broken pieces of Amrita ji's heart scattered everywhere.
- 26:29It felt so lonely when heart broke.
- 26:32But then,
- 26:35to gather the broken pieces of her heart came,
- 26:38the real hero of our story.
- 26:40This is not the story of Sahir Sahib. This story is not even of Amrita.
- 26:44The story is of this third person, whom I am going to make you meet.
- 26:48You love to love, you have slight affection for love
- 26:52if you have slight love for love,
- 26:53then in next 15 minute this person will become your role model.
- 27:01According to me in last whole century,
- 27:04in whole century,
- 27:06no other person had loved more compassionately than this person.
- 27:10-Let's say the name together. -Yes.
- 27:12Inderjit Singh Imroz
- 27:15Inderjit Singh Imroz.
- 27:15Inderjit Singh Imroz.
- 27:15Inderjit Singh Imroz.
- 27:18Imroz, painter by profession.
- 27:21And loved Amrita whole heartedly.
- 27:24And year younger to her in age.
- 27:26Never have met till now. Not even stood face to face,
- 27:29Even then love her. Ask how?
- 27:32How?
- 27:33It was that time when you loved people by their writings.
- 27:37He read Amrita's poetry, books,
- 27:39articles so much that he had already loved her.
- 27:43In 1960 when Amrita divorced her husband.
- 27:45she mentioned a fictional character in a book.
- 27:49Doctor Dev. Speak up.
- 27:51Doctor Dev.
- 27:52She wrote if someone would be my ideal partner,
- 27:55It would be like Doctor Dev.
- 27:59Imroz had read it.
- 28:04Managed Amrita's landline number with great difficulty.
- 28:07Dialed the phone
- 28:09When the phone call was picked Yes, who is speaking.
- 28:13Doctor Dev.
- 28:16Who?
- 28:19Amrita was also standing in front of the person like him.
- 28:21Saying this that my next book is coming. It's cover is to be designed.
- 28:25Would you design it?
- 28:26See, I was not there.
- 28:28But Imroz's situation would be like…
- 28:31He must have been trembling from head to toe.
- 28:34Imroz designed the cover.
- 28:36The color of the cover were beautiful,
- 28:38but the heart of its designer was much more beautiful than it.
- 28:43Imroz was living in East Patel Nagar in Delhi,
- 28:44and in West Patel Nagar Amrita.
- 28:47Daily Amrita came to the bus stop, waited for the bus,
- 28:50she needed to go All India Radio for job,
- 28:53And everyday a little far from bus stop
- 28:56Imroz watched her from behind a pole.
- 29:00Do not laugh. This is called stalking.
- 29:04And never to do it.
- 29:08Imroz did not like it that Amrita needed to travel by bus daily.
- 29:11Think you love somebody and
- 29:13that person moved daily in bus. would you like that?
- 29:17So, a total of 6 months by collecting every single penny.
- 29:20Imroz bought a scooter.
- 29:24And reached you know.
- 29:26You know.
- 29:28Reached out saying come let me drop you somewhere.
- 29:31That's how their friendship began.
- 29:32Everyday he picked Amrita dropped her to All India Radio
- 29:35picked again her from there and dropped her to home.
- 29:38There's was going on smoothly.
- 29:39You know a few days ago,
- 29:41I was making a small video of this whole incident,
- 29:43shared it on Instagram.
- 29:45Every third comment was
- 29:46Brother, even if I started saving every penny for six months,
- 29:48it will become 180 rupees.
- 29:52Is there any logic to it.
- 29:57In fact you won't believe, Imroz said he pick her everyday,
- 30:00and did drop her everyday.
- 30:02Amrita who knows that the person who is driving this scooter,
- 30:05how much he loves her.
- 30:06Sitting right at the rear of his scooter.
- 30:08Wrote something on his back with her own fingers.
- 30:12"SAHIR LUDHIANVI".
- 30:13Amrita with her own fingers
- 30:15was writing Sahir on Imroz's back.
- 30:18And Imroz had no jealousy toward all that.
- 30:22Not even a hint of jealousy.
- 30:24Friend, there is no place for jealousy in true love.
- 30:28There is a poetry of Shah Sahib
- 30:29If you drink poison by seeing it.
- 30:31What's fun in drinking that.
- 30:32If you drink poison by seeing it. What's fun in drinking that.
- 30:35If you love by giving it a thought. What's fun in that love.
- 30:38Expecting love after giving love
- 30:40Listen to it very carefully. Expecting love after giving love
- 30:45Oh, man you also loved with greed.
- 30:48Then what's fun in doing that.
- 30:55If by loving someone,
- 30:57you asked back or expect love in return would that be even considered love.
- 31:01It is then like a transaction, a deal.
- 31:04And here we are talking about Imroz, The epitome of love.
- 31:07Amrita did start liking Imroz's company. But once bitten
- 31:12Shy twice.
- 31:13Her point was, see,
- 31:15there was no love where she married,
- 31:17and there was no marriage where she loved.
- 31:19So she told him straight that marriage is not my cup of tea.
- 31:23Imroz was like…
- 31:25Okay.
- 31:27Then it all started in the end.
- 31:30One of the first live-in relationships in independent India.
- 31:34Live-in relationship.
- 31:42See unfortunately even today in India live-in is seen as an obscene concept.
- 31:47I am talking about 1960–65.
- 31:48They both started living together without being married, under one roof.
- 31:51What will people say? How many rumors will spread.
- 31:53How much criticism will be there, they were living without caring about it.
- 31:57To tell you the truth 'they were living happily'.
- 31:59Those who knew them told that they had separate rooms.
- 32:03But the doors to both their rooms always stayed open.
- 32:06It is just symbolic that you are always available for each other.
- 32:11Their life was going on smoothly when
- 32:15Sahir Sahib called Amrita ji.
- 32:20Amrita picked the call.
- 32:21Yes, tell me.
- 32:23Sahir said
- 32:25I have come to your city.
- 32:27Would you come and meet me?
- 32:29Just imagine your ex for a moment.
- 32:33See, no matter how bad the relationship was
- 32:36If he is in your city or you are in his.
- 32:38The heart longs to meet once, just for old times' sake.
- 32:41Amrita said, "Yes, I will surely come." Amrita did go there.
- 32:45She did take Imroz with her,
- 32:49Think of it, there would have been a proper table.
- 32:51All three of them sitting there. Sahir, Amrita, Imroz
- 32:55-Like a perfect -Triangle.
- 32:59It was during this that Sahir Sahib grabbed a bottle of whisky from under.
- 33:02Made a peg for all three of them.
- 33:05Amrita, Imroz did not even touch their drink.
- 33:09Got up after some time and moved from there.
- 33:13Sahir wanted to stop her, did not want her to go.
- 33:15He wanted to say so much. But could not do anything because
- 33:18sat quietly with Imroz and let her go.
- 33:20Kept on drinking whole night.
- 33:23Completely drunk on 11 or 11:30 at night called Amrita's landline.
- 33:28It was a drunk dial.
- 33:31The phone rang and the call was picked up.
- 33:34by Imroz
- 33:36Yes. Over to her.
- 33:40How heartbroken he must have been that night.
- 33:44Amrita came on the call and said, "Yes."
- 33:46Sahir said, "I wrote a poem after you were gone."
- 33:50Would you listen to it? I'm asking you.
- 33:52Yes.
- 33:54Sahir wrote that Those who leave the party.
- 33:58She had just left the party.
- 33:59Those who leave the party what to blame on you.
- 34:03You are a resident of a living house
- 34:05I am a stray and ill-fated with me,
- 34:08with me was this empty glass of whisky.
- 34:13Later on, this same poem was used in film Dooj Ka Chand but
- 34:17The reason I narrated this whole drinking incident to you is
- 34:19listen to me very carefully on it.
- 34:22I think personally it's just my belief
- 34:25on that night, Sahir Sahib must have written one more poem.
- 34:29My heart denied to believe that
- 34:31the poem would have been written apart from that night
- 34:34No proof was found for it.
- 34:35It's just a belief.
- 34:37You know which one?
- 34:39Do not go now leaving me,
- 34:44As my heart is still not satisfied
- 34:49You have just come
- 34:53Blossomed like spring
- 34:58Let the air be fragrant a bit
- 35:02Let my sight be a bit drunk
- 35:07Let this evening go down a bit
- 35:14Let this evening go down a bit
- 35:19Let this heart be steady a bit
- 35:23Let me live a bit
- 35:28Let me drink a bit
- 35:32Let me drink a bit
- 35:37I have not said anything yet
- 35:41I have not listened to anything
- 35:46Do not mind the words
- 35:50This is love not a complaint
- 35:55Do not go now leaving me,
- 36:00As my heart is not still satisfied
- 36:09Don't you feel that this song might have been written that very night?
- 36:12Yes.
- 36:13By the way
- 36:13I have ruined this song for all of you.
- 36:16Whoever you must be remembering while listening to this until now.
- 36:20But now, you’ll always visualise that table
- 36:23with the three of them seated around it
- 36:25Even Gujurati’s will imagine those glasses.
- 36:31Now, a few days ago
- 36:33I found a beautiful incident in a book.
- 36:37-Would you listen to it? -Yes.
- 36:38It is really very lovely. You'll enjoy it.
- 36:40Imroz was a painter.
- 36:42Along with painting, he also did calligraphy.
- 36:44-We all know what calligraphy is writing. -Yes
- 36:48So, one of Imroz's friends
- 36:49came to meet him from Lahore.
- 36:51By then, Amrita and Imroz had started living together.
- 36:54By then, Receipt Tickets by Amrita ji had been released.
- 36:56So she had told them about her relationship with Sahir.
- 36:59To all of them.
- 37:00It was clearly announced to the world.
- 37:02So when his friend came,
- 37:03Imroz was showing all his paintings to him.
- 37:05These are paintings.
- 37:08When it came to the calligraphy,
- 37:09on the very last canvas,
- 37:11Imroz had written "Sahir" with his own hands.
- 37:15As soon as Amrita moved away, his friend said, "Are you mad or what?"
- 37:20Don't you know him?
- 37:22And you are writing "Sahir."
- 37:24Imroz said, "It was just a canvas, dear.
- 37:26Sahir's name is written on my back."
- 37:32It was during this that reporters gathered around Amrita ji once again.
- 37:35And said, "See ma'am, you said you love Sahir,
- 37:39but you are living with Imroz.
- 37:41What is all this?"
- 37:43The answer that Amrita had given, I became a big fan of hers.
- 37:46Amrita said, "Listen, to me Sahir is the open sky."
- 37:51To me, Sahir is the open sky. And Imroz is the roof of my home.
- 38:02The roof stays below the sky, and below that roof is me.
- 38:06Reporters quit and got back.
- 38:09At the other end, for many months Sahir drowned himself in alcohol.
- 38:14Once there was an incident. His friend Jaideep,
- 38:16who was also a lyricist, went to meet him,
- 38:17But Sahir Sahib was all drunk.
- 38:20He went inside. The whole house was a mess.
- 38:22A cup on a table was surrounded by dust.
- 38:26Then Jaideep reached for it,
- 38:28saying, "Let me wash it, clean it."
- 38:30He reached for it, and Sahir yelled, "Do not touch it."
- 38:34Last time when Amrita came to my house, she drank tea from the same cup.
- 38:38It is kept exactly where it was.
- 38:41In fact, people say that during those days, if you went to Sahir
- 38:44for getting a song written,
- 38:46he would ask at the door,
- 38:48"What is the situation?"
- 38:50"If you need a happy song", then go.
- 38:54For some days, only sad songs will be written here."
- 38:57It was during this that Sahir wrote that poem,
- 39:01which later became a song,
- 39:03which you all have listened to, read, and written about.
- 39:04But you will understand now that it was for Amrita.
- 39:08-Sometimes a feeling -emerges.
- 39:12Would have been under the delicate shadow of your hair.
- 39:16Would have been under the delicate shadow of your hair.
- 39:20It would have been flourishing.
- 39:23This ink of grief and sadness on my heart
- 39:26would have been lost in the depth of your eyes
- 39:29But this did not happen.
- 39:32But it could not happen. And now the situation is like
- 39:35that neither are you here nor your sorrow. I do not even search for you anymore.
- 39:39Life is going on like this, not expecting support from anyone
- 39:45There is no way, no destination. There is no clue of light.
- 39:49I am wandering in the dark.
- 39:51I am afraid I may remain in the dark, my dear one.
- 39:53But just… try to say it. But just…
- 39:57sometimes the thought emerges
- 40:00-sometimes the thought -emerges
- 40:07Sometimes in my heart
- 40:12a thought emerges
- 40:17that you have been
- 40:21created for me.
- 40:27Until now, you were
- 40:30dwelling somewhere in the stars.
- 40:37And you were summoned down
- 40:41to earth for me.
- 40:46Sometimes a thought emerges
- 40:51in my heart
- 40:58Do you know? Between Amrita and Imroz, this was the most beautiful thing.
- 41:03Silence. They also did not talk much.
- 41:07People said that Amrita was fond of writing during the night
- 41:10and Imroz was fond of painting early in the morning.
- 41:13So when Amrita was writing during the night, then during the night,
- 41:15Imroz would wake up to an alarm in his room and go to the kitchen.
- 41:19He made a cup of tea,
- 41:21and without making noise, slowly placed it in Amrita's room.
- 41:25He came back from there. He did not say a word.
- 41:29On the other hand, in the morning, Amrita did not go to sleep.
- 41:33She would sit in the garden and watch Imroz painting.
- 41:38But the time does come when time plays its own game,
- 41:41when we do not have anything in our hands. A situation like this emerges.
- 41:44Imroz got a call from Bombay.
- 41:46An offer to work in movies.
- 41:49Not a small offer.
- 41:50The call was from Guru Dutt.
- 41:53Guru Dutt fans in the house, make some noise for me.
- 41:57So Guru Dutt sent an invitation to Imroz to work in the movies.
- 42:00Imroz did not want to go.
- 42:02Imroz did not want to go anywhere leaving Amrita.
- 42:05But Amrita pushed him a lot.
- 42:08Life does not give chances like these again. You should go.
- 42:11In the end, with a heavy heart, Imroz went.
- 42:15Now answer my question.
- 42:17Two people under the same roof, living together for so many years.
- 42:20So used to each other, then suddenly they have to part ways.
- 42:23Both physically and mentally got affected.
- 42:27They do. The very next day, Amrita got sick.
- 42:31But when Imroz's trunk call came from Bombay,
- 42:33then Amrita would not let him know from her voice that she was sick.
- 42:37But if you are attached to someone so much,
- 42:40whether one says anything or not,
- 42:43everything is understood. One knows automatically.
- 42:45Imroz ran. He left his work on the fourth day,
- 42:49caught a train and came back to Delhi.
- 42:51He held Amrita's hand and said, "Enough.
- 42:55Now I will not leave you till death."
- 42:58Take a deep breath. Take a deep breath.
- 43:02Aren't all of you trying to find the same person in life,
- 43:04who says this while holding our hand?
- 43:07"Now I will not leave you till I die."
- 43:12Amrita had found that person, Imroz.
- 43:15Her life would have been good.
- 43:17Then there came a call in 1980. She was getting so many calls by then.
- 43:24There was a call in 1980. Amrita picked up that call.
- 43:27She came to know a sad piece of news.
- 43:30That Sahir Sahib was no more.
- 43:36Amrita said, "As soon as I heard that news,
- 43:37it felt like a big part of me died."
- 43:41And she shut herself in a room and wrote a small incident.
- 43:45Amrita wrote, "Sahir, do you remember? Once you and I went to a poetic gathering
- 43:51where, by mistake, your name tag,
- 43:54was given to me, and you got my name tag.
- 44:00Maybe the same thing happened when death came.
- 44:06It came to take me,
- 44:08but took you by deceiving it."
- 44:10The skill of expressing things so precisely was rare.
- 44:17Writer of more than 400 songs, writer of many books and poems,
- 44:22the favourite lyricist of this country, Sahir Ludhianvi, was no more.
- 44:26But…
- 44:28But Sahir gave the right to mourn his death.
- 44:32Or perhaps he did not.
- 44:34-Ask me how. -How?
- 44:37How many poets before me
- 44:41came and went
- 44:46Some gone back sadly
- 44:50Some gone after singing songs
- 44:55He was also a part of a moment
- 45:00I am also a part of a moment
- 45:03will part from you tomorrow
- 45:07which is your part today
- 45:11Because…
- 45:12I am a poet of a moment or two
- 45:17My story is for a moment or two
- 45:21I am for a moment or two
- 45:24My youth is for a moment or two.
- 45:34As we are talking about Sahir's death, recently
- 45:38I found one more incident.
- 45:40If you want to listen, say it loudly.
- 45:41Yes.
- 45:43This incident was previously only assumed. People assumed that this had happened.
- 45:47Recently I met a person. Do you know Jadu?
- 45:51Thank you very much. When I asked in Hyderabad, they said, "Koi Mil Gaya."
- 45:57Here's what happened. Jadu, that is, Javed Akhtar,
- 45:59who was struggling at that time.
- 46:01He had lived in Sahir's house during that time.
- 46:03Sahir Sahib was like a mentor to him, like a father figure to him.
- 46:06He learned a lot from Sahir Sahib.
- 46:08It was like this. Once Javed Sahib was sleeping in the morning,
- 46:11and Sahir Sahib, before leaving for work,
- 46:13put 200 rupees near his pillow.
- 46:18200 rupees was quite a lot at that time.
- 46:20It meant one month was covered for Javed Ji.
- 46:22He got up and understood who did that.
- 46:24He used 200 rupees.
- 46:26Now luck took a turn. Then came the legendary Mr. Javed Akhtar.
- 46:31But whenever they met at parties,
- 46:34Sahir would usually ask, pulling his leg,
- 46:37"When will you give me my 200 rupees?"
- 46:39Javed said, "I will not give it."
- 46:41Sahir would say, "I will definitely take back".
- 46:43You know, 200 rupees is not much for anyone nowadays.
- 46:45But it was just a happy banter.
- 46:47Cut to 1980.
- 46:51Sahir Sahib left his body
- 46:53Then the very first call went to Javed Sahib.
- 46:57Javed Sahib came in taxi.
- 46:59With the help of the taxi driver,
- 47:01he put Sahir Sahib's body in the taxi and brought it to his house.
- 47:04He performed all the last rites and buried him in the cemetery.
- 47:08After everything was over, when Javed Sahib was going back home,
- 47:11the taxi driver asked for the fare. He asked, "How much?"
- 47:14He said, "It's 200 rupees."
- 47:16Not 199, not 201. It was 200 rupees.
- 47:21"I will not give it." "I will definitely take it."
- 47:24He took those 200 rupees on his last ride.
- 47:27To the biggest storyteller, there is time, give it applause.
- 47:36But now Amrita and Imroz stepped into a new century.
- 47:41It was around 2000, just recently.
- 47:43Amrita's companionship with Imroz stayed fresh every day.
- 47:47But the body started to grow old.
- 47:49Diseases surrounded Amrita from all sides.
- 47:51Amrita became very fragile. Once, Amrita felt the same guilt.
- 47:55Her point was that this person was seven years younger than her.
- 47:58I never named him, never told him what he is to me, never married him.
- 48:02Living with me and living as a partner. And love me dearly.
- 48:07So once when Amrita called him then she said Imroz you are still young
- 48:11Many experiences are waiting for you.
- 48:14Go and wander around the world.
- 48:17Imroz stood up at the same time.
- 48:19And wandered around Amrita four times.
- 48:22See, roam around the world 4 times.
- 48:25What can be done with such a person.
- 48:28In around 2005, Amrita called him again. And the same guilt was in her.
- 48:33Amrita told him that Imroz,
- 48:35why you met me in the evening.
- 48:39Why you met me in the evening. Now the track of life is about to end
- 48:44If you were to meet, you should have met in the noon of life.
- 48:48See, I was not there.
- 48:50But I guess Imroz might have said right away to her
- 48:53Oh my lovely darling
- 48:55You do not know
- 48:58You are still beautiful
- 48:59And I am young
- 49:02I will sacrifice myself for you
- 49:07Wow beautiful
- 49:13Unfortunately, in 2005,
- 49:16Amrita Pritam also,
- 49:18passed away.
- 49:20According to his promise, holding her hand through her last breath,
- 49:23Imroz was sitting right there.
- 49:25-The promise you made. -You must fulfill
- 49:28Ironically Sahir this song, also written by Sahir.
- 49:31There is also a photo on the internet. Amrita Ji was lying in a red gown,
- 49:34And Imroz sitting there wearing white Kurta Payjama holding her hand.
- 49:38In fact, one year before passing away,
- 49:41she may have written the last poem of her life.
- 49:44Wrote for Imroz.
- 49:46It is considered one of her most famous works.
- 49:49Even today, most people in the world remember her most for this poem.
- 49:53And fortunately our show have same name.
- 49:56I will meet you again.
- 49:58Would you listen to it? Even if you deny, I will still narrate.
- 50:01The whole story that I narrated to you in the last 45 minutes,
- 50:05I narrated it to you so I could recite this poem to you.
- 50:09Now you will understand it was written for Imroz.
- 50:13It is all the same.
- 50:15If it has pain of what is not completed.
- 50:19That is why Amrita is saying before dying my companion my partner
- 50:22I will meet you again
- 50:25Where, how do not know.
- 50:28Maybe I will become a spark of your imagination
- 50:31Maybe I will become a spark of your imagination
- 50:34Maybe I will become a spark of your imagination
- 50:37I will come on your canvas. He was a painter right?
- 50:41Maybe I will become a spark of your imagination
- 50:43I will come on your canvas I will be a mysterious line on your canvas
- 50:49And will stare at you silently.
- 50:52Or maybe I become a ray of sunlight and melt into your colours
- 50:57And sitting in the arms of the colours,
- 51:00and spin your canvas.
- 51:02I don't know how.
- 51:05But I will definitely meet you again.
- 51:08Or maybe I will become a fountain.
- 51:10And just like the water of a waterfall, I will fly
- 51:12I will rub the drops of water on your face.
- 51:17And like a cool breeze
- 51:19I will touch your chest
- 51:22I don't know anything else, but I do know this
- 51:25that whatever the time does
- 51:27One life will walk with me
- 51:36I do not know anything else, but I do know this.
- 51:39That whatever time does, one life will continue to walk with me.
- 51:42When this body ends, then everything will end.
- 51:45When this body ends, then everything ends.
- 51:47When this body ends Then everything ends
- 51:50But the threads of the memories were of the cosmic particles
- 51:55Amrita is saying that your memories are woven into the fabric of the universe.
- 51:58which we all called reality.
- 52:00If there are no memories there is no world.
- 52:02But the threads of the memories were of the cosmic particles.
- 52:05I will choose those particles,
- 52:08and spin the threads.
- 52:11Where, how, I don't know.
- 52:15But I will meet you again.
- 52:30Usually when I move to this time of show, I tell people Sahir was gone in 1980.
- 52:34Amrita Ji in 2005.
- 52:37Imroz is still with us.
- 52:39One who loved another so dearly is still living among us.
- 52:45Was. He just recently, on 23 December 2023,
- 52:5198-year-old Inderjit Singh Imroz passed away.
- 52:56He stayed alone after 2005.
- 52:58People usually asked him, "How are you living without Amrita?"
- 53:00He said, "Amrita left this world, but she never left me."
- 53:05She is still here with me.
- 53:07In fact I saw a documentary.
- 53:09The house at Houz Khas, where they both lived.
- 53:11Even today not even a single inch of any wall of the house.
- 53:15There is no corner without Amrita's picture on it.
- 53:18This is how dearly this person loved.
- 53:20For me after the whole story,
- 53:21Imroz has become a definition of unconditional love.
- 53:24What else is unconditional love,
- 53:26but knowing only how to give.
- 53:27Do not expect or demand in return. This is who Imroz was.
- 53:30He kept on giving his whole life.
- 53:32Never expected, never demanded anything.
- 53:34This is true love.
- 53:36Rest all is a lie.
- 53:43In our life There is an invisible list
- 53:46of the names of the few people whom we want to meet.
- 53:49At least once before dying. Does any of the names come to mind?
- 53:54Imroz was at the top of the list for me.
- 54:00-But this -could not happen.
- 54:03Now I will tell you why his story is so personal and important to me.
- 54:09I was going to organize the biggest show on 23 December 2023.
- 54:15In Bombay. In the auditorium and telling this same story.
- 54:19And a day before, the news came that Imroz Sahib had passed away.
- 54:24People sent me DMs. "You got the opportunity to pay tribute."
- 54:28From my heart I am saying I have done more than 450 shows
- 54:31But I had never cried on stage.
- 54:35Except that night.
- 54:37I couldn't, yaar. I just couldn't control myself.
- 54:40I saw the table in the clouds,
- 54:43where Amrita was sitting.
- 54:44Now Imroz had joined her.
- 54:47There is no Sahir.
- 54:50He might be stalking with cigarette in hand from behind the pole.
- 54:54But in the end, they became one.
- 54:57Nobody loves like Imroz now.
- 55:01I made the whole show only because of three questions,
- 55:04that I am going to ask you. Please give the truthful answer,
- 55:07what will you do with the lie.
- 55:10First question. I know everyone's answer to it.
- 55:13If you do not answer it is okay.
- 55:14How many of you in your life want a lover like Imroz?
- 55:19I know.
- 55:21All raise hand 3 to 4 times I know.
- 55:25Second question. The most important one.
- 55:28How many of you have lover like Imroz in life?
- 55:331, 2, 3, 4, 5. You are very lucky.
- 55:38Having a lover like him is not easy.
- 55:43Third question.
- 55:45How many of you are Imroz for someone else?
- 55:51Very good there are at least 4 to 6 to 8 people.
- 55:54If it is really true.
- 55:55Then you are very lovely people.
- 55:57Let's clap for them once.
- 56:01Now, do you see this irony? Isn't it true?
- 56:04If we head on with the first question everyone needs an Imroz
- 56:08but nobody wants to be Imroz.
- 56:12Now think for yourself. If no one becomes Imroz,
- 56:14how will people have an Imroz?
- 56:16Do not take anything else from this story. But take this only that.
- 56:19Whether you get your Imroz or not, be somebody's Imroz.
- 56:29My work is beautifying the story. But not the truth.
- 56:33But the truth was left somewhere behind.
- 56:37So for all of you guys, some time ago, I had added a small story to it.
- 56:41Which is the real truth behind the story.
- 56:45It should not be overlooked. If you say end or I narrate?
- 56:49Yes.
- 56:51The reason behind adding all this is behind the second question.
- 56:55Those whom I have asked that.
- 56:57Do you have someone like Imroz in your life?
- 56:59only 8 to 20 hands were raised.
- 57:00Sorry for the language but rest all
- 57:02Are you blind?
- 57:05You have lovers like Imroz, not one but more than one,
- 57:11Sitting at your home.
- 57:13But our attention never goes towards them.
- 57:15For us the love is only like husband and wife.
- 57:17One like that of a girlfriend and boyfriend.
- 57:19Imroz is one who only knew how to give.
- 57:21He never wanted anything or demanded anything.
- 57:27The people who love like Imroz are waiting at home for you.
- 57:32And are more than 1 or 2.
- 57:35Leave it, why am I telling all this? My job is to tell the story.
- 57:38So would you listen to a story?
- 57:39Yes.
- 57:41For this story, I want to take you to a jungle.
- 57:44Many years ago there was a jungle right in the middle of that jungle
- 57:47There stood a huge tree.
- 57:49You understand the word tree.
- 57:51It was an enormous tree.
- 57:52Its branches were scattered around in the sky.
- 57:54as if it were the emperor of the forest.
- 57:56It bore fruits, birds came. It bore flowers, butterflies came.
- 58:00It was a quite beautiful tree.
- 58:02Under that tree daily a small child came to play.
- 58:09That big tree fell in love with that kid.
- 58:14Love, obsession, attachment, devotion. What is the opposite of love?
- 58:20Think about it. Can hate ever be opposite of love
- 58:23Can hate be the opposite of love?
- 58:25Better word is indifference.
- 58:28Either you love someone.
- 58:30Or you don't care whether he lives or dies.
- 58:33Now the story that I am going to narrate to you.
- 58:35that story brought me one step ahead of it.
- 58:37That story tells that the opposite of love can only be one thing.
- 58:44Ego.
- 58:46Where there is love, there cannot be ego.
- 58:49And where there is ego there is no place for love.
- 58:53So what is opposite to love? Ego.
- 58:56Now, let's move on to the story.
- 58:58That big tree fell in love with that kid.
- 59:05That big tree fell in love with that kid.
- 59:06The condition is they should not know they are elders.
- 59:08The tree did not know it was big and the kid was small.
- 59:10It is love. It just happens.
- 59:12On the other hand, ego.
- 59:14Ego always wants to love the bigger.
- 59:18Good in looks, high in post having more money. We will love him.
- 59:22But true love is where your heart feels.
- 59:26The tree fell in love with the kid. The kid climbed up the tree daily.
- 59:29Swinging on its branches plucked and ate its fruit
- 59:33some raw fruits got plucked,
- 59:34some branches broke. Did the tree feel sorrow?
- 59:38The tree was dancing with happiness.
- 59:40That at least he came. He is with me that is enough
- 59:44But the time kept on moving.
- 59:46The kid kept on growing.
- 59:49Now he got desires.
- 59:51He needed to clear the examinations. He needed to win the friends.
- 59:54So sometimes he came, sometimes not.
- 59:56When he could not come the tree became very sad.
- 1:00:00See, love has this sadness only.
- 1:00:03That when it cannot share, it becomes sad.
- 1:00:07If it finds someone with whom it can share all its love.
- 1:00:11Once that kid grew up a bit, passing from there.
- 1:00:14The tree called him by making noise with its leaves.
- 1:00:16Come, I am looking for you.
- 1:00:20He went and asked, "Why should I come to you?"
- 1:00:24What you have to give to me?
- 1:00:27Ego asks, "What do you have that would make me come to you?"
- 1:00:30But tell me, is there any purpose to love?
- 1:00:32Is there any reason for love?
- 1:00:34It is totally purposeless without reason.
- 1:00:37He said, "I do not have time for this. I need to earn money and wealth."
- 1:00:41Can you give me money?
- 1:00:43The tree said Money?
- 1:00:46This is the thing made by you humans.
- 1:00:48The day we trees started making money you will find us doing Ram Ram in temples.
- 1:00:52But you need only money Right? Do one thing
- 1:00:59Pluck all my fruits sell them into the market,
- 1:01:03you will get pretty good money.
- 1:01:05The child found the idea good, brought a big basket and pluck all fruits.
- 1:01:09put them in basket and started moving.
- 1:01:11He did not stop even to say thank you.
- 1:01:13Was the tree sad?
- 1:01:15He was very happy. That at least he came.
- 1:01:19The tree is still just waiting. Waiting, now when will he come.
- 1:01:24Love is the wait of eternity.
- 1:01:27But the ego needs everything here right now.
- 1:01:32The kid now grew up to be a man.
- 1:01:35Once he crossed that path. The tree again waved its leaves.
- 1:01:37Calling him to come. "I am waiting for you."
- 1:01:40He went and said leave those childish things.
- 1:01:44Useless things.
- 1:01:45As much as we grew in age, the ability to stay close to love
- 1:01:50reduced by the same.
- 1:01:53He said leave those nonsense things I do not have enough time.
- 1:01:56I still need to build a house. Can you give me a house?
- 1:02:00The tree said house? We live under open sky.
- 1:02:05If you need a house, do one thing.
- 1:02:10Cut all my branches and take the wood.
- 1:02:14and make a house for yourself.
- 1:02:16The child found the idea good. He went and brought a big saw
- 1:02:20and cut all its branches in no time.
- 1:02:22Now only a small portion of the tree was left.
- 1:02:24Nothing else.
- 1:02:25It did not even have leaves. How would it call him by making noise?
- 1:02:29The child took all the wood and never even thanked.
- 1:02:32No. But was the tree sad?
- 1:02:35He was damn happy.
- 1:02:37Love is happy even when broken.
- 1:02:41But the ego is only happy by breaking.
- 1:02:44He just went away this much was only left.
- 1:02:47A lot of time had passed. That child was now an aged person.
- 1:02:51Once he went to tree by himself. Went by himself and the tree asked
- 1:02:55"Come, what else can I do for you?"
- 1:02:58It knew that he would not come without a motive.
- 1:03:01But was there any sarcasm or taunt in the tree's question?
- 1:03:04Only love. Tell me what else can I do for you?
- 1:03:07The older fellow said I need to move to a faraway country.
- 1:03:09I need to earn. I need a boat. Can you give me a boat?
- 1:03:15Cut me more.
- 1:03:18He brought the saw. Only a small part of the stump was left.
- 1:03:21He made a boat of wood When he was about to move in that boat
- 1:03:24The tree shouted, "Listen!
- 1:03:27If possible come back soon.
- 1:03:30My heart feels uncomfortable when you are not around.
- 1:03:33It feels sad.
- 1:03:35Okay. Saying this he sat in the boat and left.
- 1:03:39It was only this much of the stump alone in the jungle.
- 1:03:43Old near to its death.
- 1:03:45Only hoping someone bring the news that he is fine.
- 1:03:49It knew that he would not come back.
- 1:03:51Just if someone can bring the news that he is okay.
- 1:03:53If his boat had turned upside down, if something had happened to him,
- 1:03:56If someone tell only this to me I will die happily.
- 1:04:00Story ended.
- 1:04:03Every person sitting here is that child.
- 1:04:06And that tree is our Imroz.
- 1:04:09Only giving us throughout our whole life
- 1:04:11Never seeking or demanding anything in return.
- 1:04:15But how ill-mannered we become in anger.
- 1:04:20Said such things to the Imroz. Which are even a sin to think of.
- 1:04:24You understand about whom I am talking.
- 1:04:27We forget the upbringing of years.
- 1:04:30The one who taught us how to speak, we are silencing that same person.
- 1:04:34How lovingly they taught us counting.
- 1:04:38Now we count their mistakes to them.
- 1:04:42They had not slept until we slept.
- 1:04:44Today again, because of us, they are unable to sleep.
- 1:04:49In childhood we embrace them as we wish to
- 1:04:52Do you remember childhood?
- 1:04:54We embraced them whenever we wished to. Now they wish to, and we deny them.
- 1:05:00And the wounds given by us they carry them in their heart
- 1:05:03But tell our good deeds they speak to everyone proudly.
- 1:05:09It is still not late.
- 1:05:13Let us change.
- 1:05:15No matter who is wrong, let us ask them to forgive us.
- 1:05:18Wear them as a crown, keep them close to your heart.
- 1:05:20The love that Imroz gives you,
- 1:05:22I promise, I challenge you,
- 1:05:24nobody else can love you that much in your whole life.
- 1:05:29It is a fact.
- 1:05:33I know…
- 1:05:35The story is of that tree. It was not good right?
- 1:05:39I know. It was not good. Ending was not good.
- 1:05:43No need to worry. It is our story.
- 1:05:47Let us change the end.
- 1:05:50That old man came back with the boat.
- 1:05:53He sat right on that stump and said, "Please forgive me."
- 1:05:56I never understood your love.
- 1:05:59It is said that old man died on that same stump.
- 1:06:03And he was cremated from the wood of that same stump.
- 1:06:06Is it fine now?
- 1:06:10This is my ending. This is the ending of my story.
- 1:06:15What will be the ending of your story? You will decide it today
- 1:06:20When you go from here.
- 1:06:23If even one or two embrace their Imrozes after leaving here, then the job is done.
- 1:06:28But even today, when they ask, expect, or demand something, the answer is
- 1:06:32"What? We do not have time."
- 1:06:36Take a deep breath.
- 1:06:39Every person sitting here
- 1:06:41had lived more than half of his life on an average.
- 1:06:44And honestly, after COVID, trust issues are there.
- 1:06:47So speaking honestly we do not have time.
- 1:06:52So spare time from this chaotic life of yours.
- 1:06:56Spare time like this and sit.
- 1:06:59Spare time to immerse to flow.
- 1:07:04Spare time for the moon, for mornings, for home, for every if and but.
- 1:07:10Spare time to close your eyes. To feel.
- 1:07:14To laugh wholeheartedly and to cry with an open heart.
- 1:07:18Spare time to agree,
- 1:07:20to commit, for the same love happening again and again.
- 1:07:25To disagree, agree, and build a home together.
- 1:07:30Spare time, spare time for your childhood dream.
- 1:07:34You are looking for years for that one answer spare time.
- 1:07:38spare time, spare time for your childhood dream.
- 1:07:43For yourself.
- 1:07:46If nothing else smile like this one day.
- 1:07:51Try it. It feels good. Everyone.
- 1:07:55Spare time for your childhood dream. For yourself.
- 1:07:58If nothing else smile one day like this.
- 1:08:02Spare time for your parents.
- 1:08:12-Spare time or time will -Pass
- 1:08:16Time will pass. And we will remain sitting there.
- 1:08:19All of you have spared time today to listen to me.
- 1:08:23I wish whole heartedly for all of you that may you find your Imroz.
- 1:08:27You understand your Imroz. Embrace your Imroz close to your heart.
- 1:08:31And do tell them you love them every day.
- 1:08:34But be careful. If by mistake,
- 1:08:36that regret comes in between, you will be like what Amrita kept saying.
- 1:08:40-My companion my friend... -I will meet you again.
- 1:08:44-I will... -Meet you again!
- 1:08:46-I will... -Meet you again!
- 1:08:48Thank you ladies and gentlemen.
About this transcript
This page contains the full transcript of Main Tenu Phir Milangi - A Storytelling Special | Sahir Ludhianvi, Amrita Pritam, Imroz | by Laksh maheshwari, generated from the public captions YouTube serves with the video. The transcript has 10,020 words across 1,303 segments, with the original timestamps preserved so you can click any line to jump to that moment in the embedded player.
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