Local Adjustments — Transcript
Full transcript
- 0:01[Music]
- 0:05welcome back in our last video we
- 0:06covered Global adjustments edits made to
- 0:08an entire image when it comes time to
- 0:11finetune only a specific part of your
- 0:14photo that's where local adjustments
- 0:16come into play local adjustments let you
- 0:19apply targeted edits to specific areas
- 0:23without affecting the whole image now
- 0:25that we understand how adjustment layers
- 0:28work we can take that knowledge and
- 0:30apply it to make changes to select parts
- 0:34of our image instead of the entire image
- 0:37and this is what we call a local
- 0:39selection so for example maybe I think
- 0:42my foreground and my background or maybe
- 0:45my sky need to be changed independently
- 0:50of one another I can now do something
- 0:52like grab a selection tool and select my
- 0:56sky and when I add a brightness and
- 0:58contrast layer you're going to see The
- 1:00Mask my sky and my foreground are
- 1:03separated so when I change my brightness
- 1:06and contrast it's only going to change
- 1:09the selected area this is done in a
- 1:12non-destructive way because it's been
- 1:14applied with an adjustment layer on top
- 1:17of my background layer so let's make a
- 1:20few changes to the
- 1:22[Music]
- 1:24sky I'm also going to maybe change the
- 1:28Hue and saturation
- 1:30but instead of doing this to the whole
- 1:32image I'm going to add that clipping
- 1:41mask and now I can maybe make the guy a
- 1:44little Bluer and then I'll go back to my
- 1:46original layer or my background layer
- 1:48and maybe now I want to select the
- 1:51foreground and I can change the
- 1:53brightness and contrast of the
- 1:55foreground independently there are some
- 1:57builtin selection tools
- 2:00such as this one we find right here
- 2:02called select subject where when I push
- 2:05that it's going to find my tent for me
- 2:08or what it thinks is going to be the
- 2:10subject you can see that I can use an
- 2:13adjustment layer to affect this tent
- 2:16maybe we want to change the color of the
- 2:18tent if I go up to my menu bar where it
- 2:21says select there's some other options
- 2:24for me one being select sky so I don't
- 2:28if I have a complic ated Sky to select I
- 2:32can choose here it's going to analyze my
- 2:34image and it's going to select my sky so
- 2:37everything we've learned about
- 2:39adjustment layers while making Global
- 2:41adjustments I can continue to apply
- 2:44locally let's select the
- 2:47subject and let's say I want to make
- 2:50everything black and white except for
- 2:52this tent that'll really make the tent
- 2:55pop out if I choose black and white
- 2:56right now it's going to make the tent
- 2:59black black and white let's undo this
- 3:01Commander contrl Z and down here on my
- 3:04toolbar I can invert my selection now we
- 3:08see that everything except for the tent
- 3:10is selected I'll choose black and white
- 3:14now I have a colored tent with a black
- 3:16and white background let's take a look
- 3:18at some of the tools we use to make
- 3:20local adjustments to start us off there
- 3:23are three very similar looking tools
- 3:26one's called the spot healing brush tool
- 3:28one is called the remove tool and one is
- 3:30called the healing brush tool they all
- 3:33have this little
- 3:34band-aid and they work in similar ways
- 3:37but with slight
- 3:39variations you'll find that while
- 3:41retouching sometimes each scenario or a
- 3:44different scenario will call for a
- 3:47slightly different tool so let me show
- 3:49you how they all work um and then you
- 3:52can
- 3:53practice uh using them in your own
- 3:55images starting with the Spy healing
- 3:57brush tool
- 3:59this tool works by painting Loosely over
- 4:04top of something you want to remove
- 4:06letting go and it'll disappear now this
- 4:08is a type of AI that has existed for
- 4:12years and it's not called generative AI
- 4:15it is called content aware fill or
- 4:19content aware AI whereas generative AI
- 4:23would
- 4:24have analyzed this and
- 4:27recreated a new image
- 4:30using other similar images from Adobe
- 4:33stock content aware fill is going to
- 4:38analyze the image and steal pixels from
- 4:41around that area and then make that
- 4:45imperfection disappear although this
- 4:47image has improved you'll see that we
- 4:50have a problem that correction was
- 4:53destructive editing if I want to use
- 4:55these tools in a non-destructive way I'm
- 4:57simply going to make a cop Cy of this
- 5:00background layer I can right click on it
- 5:02and I can select duplicate or I could
- 5:05drag it down to this plus and now any
- 5:08changes that I make to this image I
- 5:11still have the original image underneath
- 5:13um the second tool I want to show you is
- 5:15called the remove tool the remove tool
- 5:18doesn't analyze the
- 5:20pixels and steal from over here and
- 5:23steal from over here and make something
- 5:25disappear the remove tool analyzes the
- 5:29image goes to Adobe stock and
- 5:32rebuilds this area using generative AI
- 5:36my healing brush tool works very
- 5:39similarly to my spot healing brush tool
- 5:43but instead of
- 5:45automatically selecting pixels from
- 5:48around my targeted area when I click
- 5:50you'll see it says option click to
- 5:53define a source point to be used to
- 5:56repair the image what does that mean it
- 5:59means that I manually have to select the
- 6:03area that I want to use to replace this
- 6:06by holding option or alt on my
- 6:09keyboard
- 6:11clicking and then when I go down here
- 6:13it's going to steal this area to paint
- 6:16over here a better way to watch this
- 6:18happen is if I hold option or alt
- 6:24here you'll see it Paints in that area
- 6:27so I need to choose where I'm saying
- 6:29sampling from and I might sample from
- 6:33here paint that here and it'll blend it
- 6:36a little bit another slight variation on
- 6:38this tool is called the patch tool and
- 6:41the patch tool works by drawing a circle
- 6:45around what you want to remove and then
- 6:48you click and drag to the area you want
- 6:50to use to replace it with so I wouldn't
- 6:53want to drag it down here I might drag
- 6:55it to here and let go and then I'll
- 6:59select by hitting command or control D
- 7:02the next tool we'll look at is called
- 7:04the Clone stamp tool the Clone stamp
- 7:07tool Works in a similar way where I have
- 7:10to select my source by holding option or
- 7:16alt and then I can
- 7:20paint and it will sample these pixels
- 7:23and paint them in another area let's
- 7:27undo that and I would want to the sample
- 7:30by holding option or Alt from an area
- 7:33like
- 7:36this and then I'll start painting here
- 7:40now if I go too far I'm going to start
- 7:43to repaint those pixels in a different
- 7:47area so if I'm working in a confined
- 7:51space I'm going to want to sample from
- 7:55here and paint a little bit and then I
- 7:58might resample and paint a little bit
- 8:01and resample and paint a little bit this
- 8:03tool works well for complicated areas
- 8:06like this where I might grab my clone
- 8:08stamp and sample from
- 8:11here and then
- 8:15paint to make this baseboard kind of
- 8:19continue and
- 8:21unbroken sample again paint
- 8:26again might sample from the cleanest are
- 8:29[Music]
- 8:31area start to paint over here and then
- 8:34one final tool we can use to do some
- 8:37retouching is actually just to grab a
- 8:40lasso
- 8:43tool that's a selection tool and just
- 8:46select an imperfect area and then I can
- 8:49go down to my contextual taskbar click
- 8:53generative fill and if I don't type
- 8:55anything in I can hit generate
- 8:59and then at the mercy of your internet
- 9:02speed Photoshop will use Adobe Firefly
- 9:05to analyze this image make the
- 9:07imperfection disappear and it will give
- 9:10me three different options let's use a
- 9:12different image to to look at these same
- 9:15tools and understand a little bit about
- 9:18the difference between content aware
- 9:20fill Ai and generative AI if I were to
- 9:25grab this spot healing
- 9:27brush and I'm going to use the brackets
- 9:29on my keyboard to make this a little
- 9:32bigger I could also go up here and
- 9:34change the size but if I was maybe to
- 9:39try to make something
- 9:43disappear using a Content aware fill
- 9:47AI it's not going to look great because
- 9:50it's going to sample from other parts of
- 9:53the image to try to rebuild um and make
- 9:57something disappear that's not the best
- 9:59tool for me if I use a similar tool that
- 10:02use uses generative AI to do the same
- 10:06thing instead this tool is going to
- 10:08analyze the image and then use Adobe
- 10:11stock images to rebuild and give me a
- 10:15much more successful result let's look
- 10:18at that one more way using a lasso
- 10:23tool I will make a rough
- 10:28selection around this subject hit
- 10:31generative fill type nothing when you
- 10:33type nothing you're indicating to the
- 10:36program that you want something to
- 10:38disappear let's hit
- 10:41generate and if I use this tool it'll
- 10:44give me three variations and I can
- 10:47select whichever one I think looks the
- 10:49best now if you're thinking well that
- 10:50tool works better I should just always
- 10:53use the remove tool that's not always
- 10:56the case you can see when I try to
- 10:58remove this card car using generative AI
- 11:02it will remove the car but often times
- 11:04it'll just replace it with another
- 11:07car um so if you just want to make one
- 11:10of these cars disappear instead of
- 11:14regenerating more cars you might use
- 11:17something
- 11:18like a spot healing brush
- 11:24Tool uh let's say that I want to add a
- 11:28sh depth of field effect or I want to
- 11:32draw more attention to my subject by
- 11:34making the background more
- 11:37blur I could do something like hit
- 11:40select subject and I'm going to go to
- 11:43where it says
- 11:44filter and I can choose
- 11:47blur and let's add a lens blur that's
- 11:50going to pull up this screen and now my
- 11:53subject is blurry I definitely don't
- 11:55want that so I'm going to
- 11:57invert that blur and I can turn up and
- 12:01make changes to how blurry I want the
- 12:04background to be now if you go too far
- 12:06it's going to not be very convincing so
- 12:09let's keep in mind less is more
- 12:12Photoshop also has a really cool tool
- 12:15called neural
- 12:17filters and when I select this these
- 12:20aren't automatically downloaded um
- 12:23you'll have to download each of these
- 12:26that you want to use but there are some
- 12:27really cool Tools in here like this
- 12:29photo restoration tool that's in beta
- 12:32where if I turn this on and I'm going to
- 12:34turn the scratch reduction way up I'm
- 12:38going to turn the enhancement way up and
- 12:40the enhanced face way up now that's
- 12:42going to be Overkill um but just to see
- 12:45what this does and what it accomplishes
- 12:48you can see that it
- 12:50enhances these images quite a bit so
- 12:52we'll turn those back down a little bit
- 12:55it looks that looks nicer and then I
- 12:58even have a colorized tool that with a
- 13:00click of a button it'll turn this from a
- 13:02black and white photo to a color photo
- 13:06and I can make adjustments to that we
- 13:08can find another pretty cool neural
- 13:11filter under landscape mixer and again
- 13:14this is in beta when but when I turn it
- 13:17on I can choose to change an image from
- 13:22Summer to Winter or I could change it to
- 13:26a sunset or I can apply some of
- 13:29these preset filters neural filters will
- 13:33also let me do cruel and hilarious
- 13:36things to my
- 13:38co-workers like turn on smart portrait
- 13:42and let's make zivic a little happier
- 13:45this was a photo taken at my wedding
- 13:48let's turn up his happiness now you can
- 13:52see that this is definitely a scenario
- 13:55where less is more if you change things
- 13:58too dramatic
- 13:59the results can be a little too much so
- 14:03let's just make that more of a smirk
- 14:06that's better I can click on my own face
- 14:08I'll turn up my facial age and turn
- 14:11myself into my father there he is and
- 14:14then you can also just do things like
- 14:18change the direction eyes are looking
- 14:21change the direction a head is facing
- 14:26you can also make changes like
- 14:29surprise or let's make you less angry
- 14:33I'm going to make a selection on this
- 14:41image and then by choosing select and
- 14:44mask I'm going to feather my selection
- 14:47this is going to kind of blur this Edge
- 14:50or this outline let's try 4.4 I'll hit
- 14:55okay and now I'll hit command command or
- 14:59contrl C move over to this image and hit
- 15:03command or contrl V and I've moved one
- 15:07mouth from one image to another image
- 15:10but they don't completely match up right
- 15:14the color balance is a little off if you
- 15:17blur your eyes this is a little bit more
- 15:20yellow orange red and this is a little
- 15:23bit more blue green so my options are to
- 15:28try to correct that color balance myself
- 15:31but I also have a neural filter called
- 15:34harmonization whereas if I turn
- 15:37harmonization on I can harmonize this
- 15:40new layer I've added with the background
- 15:43layer turn up the strength that did a
- 15:45pretty good job and then I can just make
- 15:48minor color adjustments to make it blend
- 15:51and look more realistic and I can now
- 15:54use Firefly Integrations to make local
- 15:57adjustments using generative AI so let's
- 16:01say if I were to grab a lasso tool and
- 16:03directly on my background layer I were
- 16:06to make a selection like this I'll
- 16:09select generative fill and I'll type
- 16:12hair when I select
- 16:15generate the program's going to assume I
- 16:18want hair added to this in the shape
- 16:22that I've made my selection so the
- 16:25selection you make is important when
- 16:27trying to get a desired result Sal so
- 16:29let's undo that and if I were to make a
- 16:31little bit more traditional of a
- 16:34selection and type hair you'll see it'll
- 16:37give me three very different Generations
- 16:40these are generated with masks created
- 16:43on their own layers so you can
- 16:47see it up that this is a non-destructive
- 16:51editing technique this tool works great
- 16:54for some things and not for others let
- 16:57me hold shift and add to this selection
- 17:00and if I were to type blue eyes what
- 17:03it's not going to be able to do for me
- 17:05is just change these eyes the color of
- 17:09these eyes to be blue eyes it's going to
- 17:11completely generate new eyes so keep in
- 17:14mind when you're retouching using tools
- 17:17like this that very quickly somebody's
- 17:21going to completely look like a
- 17:24different person this tool also works
- 17:26great for blending multiple images
- 17:29together so you can see I put two images
- 17:32on the same canvas as one layer and by
- 17:35selecting the
- 17:38middle selecting generative fill and
- 17:41leaving this blank and hitting generate
- 17:43you'll see that the program will blend
- 17:47these two images together giving me
- 17:51three variations there's one there's two
- 17:56and there's three they all look great so
- 17:58there's just just a few examples of the
- 18:00infinite amount of ways that you can
- 18:02make local adjustments using Adobe
- 18:05Photoshop so those are just a few ideas
- 18:08to get you started in making local
- 18:10adjustments take your own photos and
- 18:12adjust them in a way that makes sense to
- 18:14you and I'm looking forward to seeing
- 18:16what you make
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