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Learning English—How to learn ENGLISH SPEAKING—Learning English with movies | Rachel’s English — Transcript

by Rachel's English · 4,752 words · 523 segments · language en · Watch on YouTube

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  1. 0:00I’ve got something very exciting for you.
  2. 0:02In this video, we’re going to study English with movies!
  3. 0:06Today it’s a short scene from a new movie, On the Basis of Sex,
  4. 0:10and we’re going to do an in-depth pronunciation analysis to
  5. 0:14boost your listening comprehension and help you sound more American.
  6. 0:18It’s amazing what we can discover by studying even a small bit of English conversation.
  7. 0:24I call this kind of exercise a Ben Franklin exercise.
  8. 0:27First we’ll watch the scene, then you and I will study together to understand exactly how the
  9. 0:33words are being pronounced.
  10. 0:34You’ll be amazed at what we’re going to find after watching the scene.
  11. 0:38First, the scene.
  12. 0:40I apologize, okay?
  13. 0:42I want to know where you were.
  14. 0:44Denise and I went to a rally to hear Gloria Steinem speak.
  15. 0:47What?
  16. 0:49Gloria Steinem. She's a writer. She just started her own magazine.
  17. 0:53>> She testified in the Senate. >>Yeah, I know who Gloria Steinem is.
  18. 0:57>> What if you got hurt, or, arrested? >> Mom, it's a rally, not a riot.
  19. 1:00Jane, these things can get out of hand.
  20. 1:02Okay, well I'm fifteen years old, and you don't need to control every minute of my life.
  21. 1:05Yes I do. That is my job. And your job is to go to school and learn.
  22. 1:08Now, the analysis.
  23. 1:10I apologize.
  24. 1:12I apologize.
  25. 1:13I apologize.
  26. 1:15A five-syllable thought group.
  27. 1:18I apol--
  28. 1:19And the middle syllable, the third syllable is the most stressed.
  29. 1:23I apologize.
  30. 1:27But the intonation is smooth. We don't have skips.
  31. 1:30It scoops up, the voice scoops up and then it comes back down.
  32. 1:33I apologize. I apologize.
  33. 1:36I apologize. I apologize.
  34. 1:38Linked together smoothly. We have a vowel to vowel link here, with a diphthong AI.
  35. 1:43I uh-- linking right into the schwa of 'apologize'.
  36. 1:48In a link like this, when it's an AI diphthong linking into another word that begins with a vowel or diphthong,
  37. 1:54you can think of connecting them with a Y sound. I ya-- yapologize, yapologize.
  38. 2:01I apologize. It can help smooth out that link.
  39. 2:05I apologize.
  40. 2:06I apologize.
  41. 2:08I apologize, okay?
  42. 2:10Okay? Okay? Pitch goes up at the end. Okay.
  43. 2:15It's a yes/no question. However, it's, she's not really asking yes or no.
  44. 2:20Her tone is pretty harsh, isn't it? I apologize.
  45. 2:23It doesn't sound very apologetic at all.
  46. 2:26I apologize, okay?
  47. 2:28I apologize, okay?
  48. 2:30I apologize, okay?
  49. 2:32I apologize, okay?
  50. 2:33I want to know where you were.
  51. 2:35I want to know where you were.
  52. 2:37One sentence, one thought group. What are the most stressed syllables there?
  53. 2:42I want to know where you were.
  54. 2:44I want to know where you were.
  55. 2:46I want to know where you were.
  56. 2:48I want to know where you were.
  57. 2:53I think 'know' and 'were' are the most stressed words there.
  58. 2:56Every word is linked together smoothly, the words 'want to'
  59. 3:00linked together into a single reduction. Wanna.
  60. 3:04I wanna, I want to know.
  61. 3:06I wanna know where you were.
  62. 3:09No gaps between the words, everything super smooth.
  63. 3:13I wanna. AI diphthong right into the W constant sound,
  64. 3:19schwa of 'wanna' uh, uh, right into the stressed word know. I want to know.
  65. 3:24I want to know where you were.
  66. 3:27I want to know where you were.
  67. 3:29I want to know where you were.
  68. 3:31I want to know where you were.
  69. 3:33Denise and I went to a rally to hear Gloria Steinem speak.
  70. 3:35Then her daughter replies with a long thought group.
  71. 3:38Denise and I went to a rally to hear Gloria Steinem speak.
  72. 3:42What do you hear as the most stressed words there?
  73. 3:45Denise and I went to a rally to hear Gloria Steinem speak.
  74. 3:49Denise and I went to a rally to hear Gloria Steinem speak.
  75. 3:52Denise and I went to a rally to hear Gloria Steinem speak.
  76. 3:55Went to a rally to hear Gloria Steinem speak.
  77. 4:01So Denise is a little bit stressed, but
  78. 4:05there's also, she's not putting a lot of energy in her voice there at the beginning,
  79. 4:09Denise, Denise.
  80. 4:11Denise and I went to a rally--
  81. 4:13Denise and I went to a rally--
  82. 4:15Denise and I went to a rally to hear Gloria Steinem speak.
  83. 4:18Speak is also a little bit longer.
  84. 4:20Let's talk about her reductions.
  85. 4:22Do you hear any reductions here?
  86. 4:24A reduction is where a sound on a word is dropped or changed.
  87. 4:29Denise and I went to a rally to hear Gloria Steinem speak.
  88. 4:32Denise and I went to a rally to hear Gloria Steinem speak.
  89. 4:35Denise and I went to a rally to hear Gloria Steinem speak.
  90. 4:38This first one, right here. Denise and I--
  91. 4:41Denise and I--
  92. 4:42The word 'and' is reduced, it's just an N sound, quick schwa N. Denise and, Denise and,
  93. 4:50Denise and I.
  94. 4:51I think this word sounds sort of like the word 'in' when it's reduced. Denise and I, Denise and I.
  95. 4:58And it's really smoothly linked together, the ending S sound links into the schwa.
  96. 5:03Denise and I.
  97. 5:05And then the N sound links right into the AI diphthong.
  98. 5:08Denise and I--
  99. 5:11Denise and I--
  100. 5:12Denise and I--
  101. 5:13Denise and I--
  102. 5:15Denise and I--
  103. 5:16Denise and I went to a rally to hear Gloria Steinem speak.
  104. 5:20Went to a -- Went to a --
  105. 5:22We have two T's here, they're connected with just a single true T sound.
  106. 5:27So you don't need to make two T's here, we link them together.
  107. 5:31Went to a -- Went to a --
  108. 5:33Went to a rally.
  109. 5:35Went to a rally.
  110. 5:36Went to a rally.
  111. 5:38Went to a rally.
  112. 5:39The word 'to', this word usually reduces.
  113. 5:43Almost always the vowel changes to the schwa but
  114. 5:47here, the next word is simply the schwa.
  115. 5:50So if we changed the OO vowel to a schwa,
  116. 5:54then we wouldn't have anything to let us know we're changing syllables here,
  117. 5:59because it would be the same exact sound.
  118. 6:01So in order to link smoothly, but have us know,
  119. 6:05have us hear that as two separate words,
  120. 6:08we don't reduce the vowel when it's followed by a schwa.
  121. 6:11To a-- To a-- To a-- To a--
  122. 6:14So even though it's not stressed, that would be 'to'
  123. 6:17it's still said flatly and quickly. To, to, to.
  124. 6:20It's not reduced.
  125. 6:22Went to a-- Went to a-- Went to a--
  126. 6:24Went to a rally.
  127. 6:26Went to a rally.
  128. 6:27Went to a rally.
  129. 6:28Went to a rally.
  130. 6:29Went to a rally.
  131. 6:30Okay, now, look. Here, we have another word 'to',
  132. 6:33another opportunity to study the word. How is it pronounced here?
  133. 6:36Went to a rally to hear--
  134. 6:38Went to a rally to hear--
  135. 6:39Went to a rally to hear--
  136. 6:41T's definitely not: to, to, to.
  137. 6:44There's no true T and there's no OO vowel.
  138. 6:47It's more of a flap T and then the vowel is the schwa. Rally to--
  139. 6:52So we make it t a flap T when it comes between two vowels.
  140. 6:56We don't usually do this at the beginning of words,
  141. 6:59but words like today, tomorrow, two, together,
  142. 7:04these words we do sometimes do this with, make the true T a flap T instead.
  143. 7:09Rally to-- Rally to-- Rally to--
  144. 7:12So we have two occurrences of the word 'to', both times they're unstressed but once it's not reduced at all,
  145. 7:19none of the sounds are changed and the other time it's reduced a lot. Both sounds change flap T and schwa.
  146. 7:25Rally to-- Rally to--
  147. 7:28Rally to hear--
  148. 7:29Rally to hear--
  149. 7:30Rally to hear--
  150. 7:32'Hear', this is a verb and usually our content words are stressed, but in any sentence,
  151. 7:37if we have a lot of different content words that is nouns, verbs, adjectives, or adverbs,
  152. 7:42they won't all be equally stressed.
  153. 7:44So here, went and hear, even though those are both verbs, to me feel less stressed than the others.
  154. 7:52Then we have Gloria Steinem, a proper noun.
  155. 7:55Now, any time we have a name, it's the last word in the name that's the most stressed.
  156. 7:59So Gloria-- Glor--, the stressed syllable there is stressed but Steinem,
  157. 8:06the stressed syllable there, to me, is even more stressed.
  158. 8:09Gloria Steinem.
  159. 8:11Da-da-da-DA-da. Steinem.
  160. 8:15The stressed syllable of her last name would be the most stressed in the group of her name.
  161. 8:21Gloria Steinem.
  162. 8:22Gloria Steinem.
  163. 8:24Gloria Steinem.
  164. 8:25Gloria Steinem.
  165. 8:27Gloria Steinem.
  166. 8:28And then one more stressed word, speak, at the end.
  167. 8:31Gloria Steinem speak.
  168. 8:33Gloria Steinem speak.
  169. 8:35Gloria Steinem speak.
  170. 8:37What?
  171. 8:38What? What?
  172. 8:40She does a light true T release at the end,
  173. 8:44that's a little uncommon, it's more common to make a stop T at the end of a thought group. What?
  174. 8:49What? But she does a light release. Notice the intonation goes up. What?
  175. 8:53What? She's surprised. She can't believe what she's hearing.
  176. 8:58Let's talk about the WH consonants here.
  177. 9:02How does she pronounce these sounds?
  178. 9:04What? What? What?
  179. 9:08Just as a pure W sound. What? What?
  180. 9:12It's become outdated, I would say, to pronounce the hh sound before the W.
  181. 9:17What? What?
  182. 9:20In WH words, you might hear some people say it that way.
  183. 9:22My mom does it that way, what, white, for example,
  184. 9:27but it's much more common these days to just do a clean W sound. What.
  185. 9:32Not the W sound with the little escape of air H before. What?
  186. 9:39What?
  187. 9:40What?
  188. 9:42What?
  189. 9:43Gloria Steinem.
  190. 9:45Gloria Steinem.
  191. 9:46Gloria Steinem.
  192. 9:47Okay there's that name again.
  193. 9:49And again, we have a little bit of stress on the stressed syllable of Gloria,
  194. 9:53but then more stress on the stressed syllable, Steinem.
  195. 9:57Gloria Steinem.
  196. 9:59There's no separation between these words they're linked smoothly together
  197. 10:02because they're part of the same thought group.
  198. 10:04Everything in English is really smoothly linked together within the same thought group.
  199. 10:09Gloria Steinem.
  200. 10:11Gloria Steinem.
  201. 10:13Gloria Steinem.
  202. 10:14Gloria Steinem.
  203. 10:16She's a writer.
  204. 10:17She's a writer. She's a writer.
  205. 10:19Again, linked together, really smoothly there's no break, the letter A, the article a here is the schwa.
  206. 10:25She's a--, so the apostrophe S is a Z sound, it links right into the schwa.
  207. 10:31The schwa links right into the beginning sound of the next word, which is an R.
  208. 10:36The W is silent in this word.
  209. 10:38She's a writer. She's a writer.
  210. 10:40What's the most stressed syllable there?
  211. 10:42She's a writer.
  212. 10:43She's a writer.
  213. 10:44She's a writer.
  214. 10:45It's the stressed syllable of writer. So we have smoothly going up, she's a writer,
  215. 10:53then the peak on wri--, and the pitch falls down. She's a writer.
  216. 10:58Uuuhh--- Really smooth, no jumps or gaps in the pitch there. She's a writer.
  217. 11:05And notice the T here is a flap T because it comes between two vowel sounds.
  218. 11:09So it's not a true T, but rather a flap of the tongue.
  219. 11:15She's a writer.
  220. 11:16She's a writer.
  221. 11:17She's a writer.
  222. 11:19She's a writer. She just started her own magazine.
  223. 11:21She just started her own magazine.
  224. 11:24What are your most stressed words there?
  225. 11:26She just started her own magazine.
  226. 11:28She just started her own magazine.
  227. 11:30She just started her own magazine.
  228. 11:32Started her own magazine.
  229. 11:36Star and mag the most stressed syllables there,
  230. 11:40the other syllables said quickly. She just--
  231. 11:45How is the word 'just' pronounced?
  232. 11:47Focus especially on the ending cluster ST.
  233. 11:51She just started-- She just started-- She just started--
  234. 11:54Just started-- Just started-- She just started--
  235. 11:57The T is dropped. This is really common with the ST cluster at the end
  236. 12:02when the next word begins with a consonant,
  237. 12:05we tend to drop the T.
  238. 12:07Just started. So the two words linked together with a single S sound.
  239. 12:12She just started. She and just, low in pitch, flatter, compared to star. She just star-- she just started.
  240. 12:22She just started. She just started. She just started.
  241. 12:26The T here in started, another flap. Why?
  242. 12:30It comes after an R before a vowel, not between vowels. True,
  243. 12:34but this same rule applies. A T becomes a flap T when it comes after an R before a vowel.
  244. 12:39Started. Started.
  245. 12:41So the vowel sound here is the IH as in sit vowel followed by the D consonant.
  246. 12:46This is how we pronounce the ED ending. Started.
  247. 12:52The ED ending is pronounced this way if the sound before is a T or a D. Started. Started.
  248. 12:59The ED ending when it makes an extra syllable is always unstressed.
  249. 13:03Star-- ted, ted, ted.
  250. 13:06So it's said more quickly, it's flatter in pitch, less energy in the voice. Started.
  251. 13:11She just started.
  252. 13:13She just started. She just started.
  253. 13:15She just started her own magazine.
  254. 13:17Her own magazine.
  255. 13:18Her own magazine.
  256. 13:20So her and own, less stressed, a little flatter, leading up in pitch and energy to the stressed syllable, mag.
  257. 13:27Her own magazine.
  258. 13:30And then smoothly, the voice falls off.
  259. 13:33So this is how stress works in American English.
  260. 13:35We have stressed syllables where the pitch of the voice peaks, and the energy of the voice peaks,
  261. 13:41and it's always a smooth connection up to, and then falling away from that peak.
  262. 13:46The word her, she doesn't drop the H although that is a common reduction.
  263. 13:51Started her. Started her own. Started her own magazine.
  264. 13:55You might hear that. She doesn't do that though, she pronounces a light H sound even though it's unstressed.
  265. 14:01Her own magazine.
  266. 14:03Her own magazine, her own magazine, her own magazine.
  267. 14:06She testified in the senate.
  268. 14:08She testified in the senate.
  269. 14:10Okay so she's getting more impassioned.
  270. 14:13The pitch of her voice, the high pitches of her voice are getting higher.
  271. 14:16She testified in the Senate.
  272. 14:20And then her mom starts speaking.
  273. 14:22But she, in, the, all function words, a little less important for meaning, lower in pitch, faster,
  274. 14:34less clear than the stressed syllables of the stressed words.
  275. 14:38Test, sen.
  276. 14:40She testified in the senate.
  277. 14:42She testified in the senate.
  278. 14:44She testified in the senate.
  279. 14:46Notice the ED ending here in testified.
  280. 14:49It's just a sound, it's the D sound.
  281. 14:52So there's no extra syllable, it's not a vowel and a consonant, it's just a consonant.
  282. 14:57And that's because the sound before was not a T or a D. Testified.
  283. 15:03So just a light D sound at the end which then links into the next word, the IH as in sit vowel for in.
  284. 15:10She testified in the Senate.
  285. 15:14And it's hard to hear because her mom starts talking but this T is a stop T.
  286. 15:19She doesn't release the escape of air. Senate.
  287. 15:22It's an abrupt stop of air. If I said that with a true T, it would sound like this: Senate.
  288. 15:28Do you hear the difference? Senate.
  289. 15:30But instead it's, Senate.
  290. 15:32That might sound to you like the T is dropped but it's not totally dropped because we do stop the air.
  291. 15:38Senate.
  292. 15:40It, it, it. And that abrupt stop is part of the T.
  293. 15:45Senate.
  294. 15:46Senate.
  295. 15:47>> Senate. >> Yeah, I know who Gloria Steinem is.
  296. 15:50Yeah, I know who Gloria Steinem is.
  297. 15:54So a really quick yeah, and then I know who Gloria Steinem is, a thought group with three stressed syllables.
  298. 16:05I know who Gloria Steinem is.
  299. 16:08And all of those sounds linked together really smoothly. There's no break between words.
  300. 16:12I know who Gloria Steinem is.
  301. 16:18Ending M links right into the beginning vowel IH of 'is'.
  302. 16:23Is, pronounced with a light weak Z sound at the end. Is, is, is.
  303. 16:28Yeah, I know who Gloria Steinem is.
  304. 16:31Yeah, I know who Gloria Steinem is.
  305. 16:33Yeah, I know who Gloria Steinem is.
  306. 16:36What if you got hurt?
  307. 16:38What if you got hurt?
  308. 16:40What if you got hurt?
  309. 16:42Two stressed words there. What if you got hurt?
  310. 16:47Hurt, the most stressed. She does a light release so that's a true T. Hurt.
  311. 16:55The T here, got hurt, is a stop T.
  312. 16:59We make a T a stop T when it's at the end of a thought group, like here in Senate
  313. 17:04or when it's followed by a word that begins with a consonant sound.
  314. 17:08And here, it begins with a consonant sound, H.
  315. 17:12Got hurt, got hurt.
  316. 17:15So there's a stop here. Got hurt.
  317. 17:18And that signifies the stop T.
  318. 17:20What about the T in 'what' over here?
  319. 17:24What if you got hurt?
  320. 17:26What if you got hurt?
  321. 17:27What if you got hurt?
  322. 17:29What are you hearing there?
  323. 17:31It's a flap T. What if, what if.
  324. 17:34And that's because it comes between two vowel sounds.
  325. 17:37So even though the vowel in 'if', the IH vowel, isn't part of the same word,
  326. 17:43these two words link together so that T does come between two vowels and it is a flap T.
  327. 17:48That flap T connects the two words.
  328. 17:52What if, what if, what if.
  329. 17:54What if you got hurt?
  330. 17:55What if you got hurt?
  331. 17:57What if you got hurt, or, arrested?
  332. 17:59Arrested, arrested. Da-DA-da.
  333. 18:05Stress on the middle syllable. A-rres-ted.
  334. 18:08The ED ending of this word, how is it pronounced?
  335. 18:12It is an extra syllable. That means it's a vowel and a consonant. The IH vowel
  336. 18:17and the D sound, that's because the sound before was a T. Arrested. Arrested.
  337. 18:24>> Or, arrested? >> Mom.
  338. 18:26>> Or, arrested? >> Mom.
  339. 18:27>> Or, arrested? >> Mom, it's a rally, not a riot.
  340. 18:31Mom, it's a rally, not a riot.
  341. 18:34Okay, so what do we have here?
  342. 18:36What are our most stressed syllables?
  343. 18:39Mom, has some length. Mom, it's a rally, not a riot.
  344. 18:45Then stress on the syllable rall-- and riot, she also exaggerates the R, rally, rrr--
  345. 18:52and when we exaggerate a consonant by holding it out a little bit, giving it a little bit more time,
  346. 18:57that adds more stress. It's a rally.
  347. 19:01It's a rally, not a riot.
  348. 19:03It's a rally, not a riot.
  349. 19:06It's a rally, not a riot.
  350. 19:08It's a little hard to hear, what her final T is. I think it's a true T
  351. 19:13but it's a little hard to hear because her mom starts talking.
  352. 19:16It's a-- not a--,
  353. 19:18these two sets of unstressed words, flatter in pitch, it's a-- not a--
  354. 19:24said more quickly compared to rally and riot which are stressed. Everything links together.
  355. 19:32Everything's very smooth. It's a rally, not a riot.
  356. 19:36Not a, linking together with that flap T.
  357. 19:40It's a rally, not a riot.
  358. 19:42It's a rally, not a riot.
  359. 19:45>> It's a rally, not a riot. >> Jane, these things can get out of hand.
  360. 19:49Jane, Jane. Single thought group, stressed word, up down, Jane, Jane.
  361. 19:56Jane, these things can get out of hand.
  362. 20:02Get out of hand. She says this word a little bit differently.
  363. 20:07It's part of the accent that she's developed for this movie, we would say hand,
  364. 20:13the AH as in bat vowel when it's followed by N, like it is here, has an UH sound like butter or schwa before the N.
  365. 20:22Hand--
  366. 20:25This is where the back of the tongue relaxes. But this is not really how she pronounces it.
  367. 20:29Jane, these things can get out of hand.
  368. 20:32Jane, these things can get out of hand.
  369. 20:34Jane, these things can get out of hand.
  370. 20:36Hand, hand, hand.
  371. 20:38So that's not really a standard pronunciation of the word.
  372. 20:42Hand, hand, ah, ah, ah,
  373. 20:45Would be more standard. The word 'these' unstressed, said more quickly. These things can get--
  374. 20:53Then we have the word 'can'. It's not only unstressed but it reduces, a sound changes.
  375. 20:58Rather than ah, it's the schwa, and it's said really quickly. Can, can, things can, things can get.
  376. 21:07These things can get out of hand.
  377. 21:09These things can get out of hand.
  378. 21:11These things can get out of hand.
  379. 21:13Now, we have two T's here. This T comes between two vowel or diphthong sounds.
  380. 21:17This T comes between two vowel or diphthong sounds, so they should both be flap T's.
  381. 21:23Let's listen to how she does it.
  382. 21:25Can get out of hand.
  383. 21:27Can get out of hand.
  384. 21:28Can get out of hand.
  385. 21:29And they are both Flap Ts.
  386. 21:32Get out of, get out of.
  387. 21:35The word 'of' is reduced to just the schwa. That's pretty common especially with 'out'.
  388. 21:39Out of, out of, out of. Get out of hand, get out of hand.
  389. 21:45Get out of hand.
  390. 21:46Get out of hand.
  391. 21:48Get out of hand.
  392. 21:48Okay, well I'm fifteen years old, and you don't need to control every minute of my life.
  393. 21:52Then we have a very long thought group here, it continues on to the next slide.
  394. 21:57Let's listen to this first part and listen for the stressed syllables.
  395. 22:01Okay, well I'm fifteen years old--
  396. 22:03Okay, well I'm fifteen years old--
  397. 22:05Okay, well I'm fifteen years old--
  398. 22:07So her pitch is higher, her speech is a lot faster, showing emotion here, but I still hear a couple syllables,
  399. 22:14a couple words is a little bit more stressed.
  400. 22:16Okay, well I'm fifteen years old--
  401. 22:20Fifteen and old, a little bit longer, a little bit more stressed.
  402. 22:24The T here is a true T because it starts a stressed syllable. Fifteen.
  403. 22:30That's different than the word 'fifty' where it's the first syllable that's stressed. Fifty.
  404. 22:36Then we usually make that T a flap T even though it doesn't follow the rules.
  405. 22:40Fifty, but 1-5, fifteen, has a true T, stress on the second syllable.
  406. 22:46Well, I'm fifteen years old--
  407. 22:48Notice everything links together really smoothly, the plural S in years is pronounced as a Z
  408. 22:53and it links into the next words. Zold, zold. Years old, years old.
  409. 22:58Okay, well I'm fifteen years old--
  410. 23:00Okay, well I'm fifteen years old--
  411. 23:02Okay, well I'm fifteen years old, and you don't need to control every minute of my life.
  412. 23:06And you don't need to control every minute of my life.
  413. 23:08Okay, don't, she stresses that, she does a gesture with her arms on it to add more stress.
  414. 23:14You don't need to control every minute of my life.
  415. 23:19Okay, so those are our most stressed syllables. What else is going on here?
  416. 23:24First of all, I notice the reduction with the word 'and'.
  417. 23:28And, and, and, and, and, said really quickly. And you, and you, and you.
  418. 23:32And you don't need to--
  419. 23:34And you don't need to--
  420. 23:35And you don't need to--
  421. 23:36Now we have a stressed word, don't. Usually when a word is stressed,
  422. 23:39we don't change anything about the pronunciation. We don't reduce it.
  423. 23:43But what happens to the T? Let's listen.
  424. 23:46And you don't need to--
  425. 23:48And you don't need to--
  426. 23:49And you don't need to--
  427. 23:50You don't need, you don't need.
  428. 23:52It's it's totally dropped. This is a way that we do pronounce N apostrophe T contractions.
  429. 23:58There are several different ways it's pronounced, this is one of them.
  430. 24:02T completely dropped, the N in don't links directly into the N in need. Don't need, you don't need.
  431. 24:09And you don't need to--
  432. 24:11And you don't need to--
  433. 24:12And you don't need to--
  434. 24:13Need to-- need to-- need to--
  435. 24:15Now, here, again, it's a flap. It's not a true T sound. It's more like a D.
  436. 24:21And we can link that with the word before, need to-- need to--.
  437. 24:24So this is just like earlier when she reduced the word 'to' to flap and schwa.
  438. 24:30She's doing it again. Need to-- need to-- need to--
  439. 24:33And you don't need to control--
  440. 24:35And you don't need to control--
  441. 24:37And you don't need to control--
  442. 24:38Control, stress on the second syllable, TR cluster is often pronounced as CHR
  443. 24:45and I do hear this lightly as a CH, rather than a T sound. Control, control.
  444. 24:53Control, control, control every minute of my life.
  445. 24:57Minute of my life. Every minute of my life. Every minute of my life.
  446. 25:04Again, the pitch change is always very smooth.
  447. 25:08Every min-- that's leading up to the peak in minute of my life.
  448. 25:16It goes down and then back up, minute of, linked together with a flap T. Minute of my life.
  449. 25:23Now, here, the V sound isn't dropped. It is said lightly.
  450. 25:27Minute of my life.
  451. 25:30Every minute of my life.
  452. 25:31Every minute of my life.
  453. 25:33>> Every minute of my life. >> Yes, I do. That is my job.
  454. 25:35Yes, I do. That is my job.
  455. 25:39Quite a bit of stress here. Yes, I do. That is my job.
  456. 25:46Two peaks in each of those sentences. Yes I do.
  457. 25:49Uhhhh. But the pitch change is very smooth, very linked together, those words: Yes, I do. That is my job.
  458. 25:57These two words linked with a flap T. That is, that is, that is. That is my job.
  459. 26:03Yes, I do. That is my job.
  460. 26:05Yes, I do. That is my job.
  461. 26:07Yes, I do. That is my job. And your job is to go to school and learn.
  462. 26:11And your job is to go to school and learn.
  463. 26:14And your job is to go to school and learn.
  464. 26:22Those are the most stressed words there. What's happening with reductions?
  465. 26:27And your job is to go to school and learn.
  466. 26:30And your job is to go to school and learn.
  467. 26:32And your job is to go to school and learn.
  468. 26:35And your job, and, and, and, and.
  469. 26:38So the word 'and' reduced again. I would probably say the vowel isn't reduced, and,
  470. 26:44instead of un, un, un, un. Here, it was: and you, and you, and you.
  471. 26:49But here it's: and, and, and, and your, and your, and your.
  472. 26:53And your job--
  473. 26:55And your job--
  474. 26:56And your job--
  475. 26:57And your job-- And your job--
  476. 27:00So even though she's stressing the word 'your', she's reducing it, she's not saying:
  477. 27:06your, she's saying: yer, yer.
  478. 27:09So that's the Y sound, the schwa, and the R.
  479. 27:14So she's reduced the sounds but the intonation and the stress is there. Yer-- up down, it's a peak.
  480. 27:21And your job, and your job.
  481. 27:24And your job--
  482. 27:25And your job--
  483. 27:27And your job is to go to school.
  484. 27:29Is to go to school.
  485. 27:31So interestingly, alright, first we have the Z sound in 'is'. Iz, iz to. Then I here this as a true T and the OO vowel,
  486. 27:43not reduced: to, to, to.
  487. 27:46I'm not quite sure why she does that, it might be part of the accent she's developing for this period.
  488. 27:52To, to, to. Your job is to go to--
  489. 27:55But then the second word 'to, totally reduced. Flap T and the schwa.
  490. 28:02Go to, go to, go to, go to school.
  491. 28:05Is to go to school.
  492. 28:07Is to go to school.
  493. 28:08Is to go to school and learn.
  494. 28:10And learn. And learn. And learn.
  495. 28:13I would write that as schwa N, that reduction, it's certainly not and.
  496. 28:18And learn. And learn. And learn.
  497. 28:22So as you've seen here in this dialogue, there are lots of different reductions in American English.
  498. 28:28T's are pronounced differently depending on the context.
  499. 28:31ED endings, pronunciation is not always what you think, like the N apostrophe T in 'don't', why is that T dropped?
  500. 28:39So the more you study English like this, and the more you pay attention to how Americans speak,
  501. 28:44the easier time you will have understanding them, and then also the easier you'll be able to imitate them
  502. 28:50when you know the details of what's happening.
  503. 28:52And when you're able to really imitate then you will start to sound more natural
  504. 28:57when you speak American English.
  505. 28:59Because a lot of what Americans do with pronunciation might be different from what you learned in school.
  506. 29:04Let's listen to this whole dialogue one more time.
  507. 29:08I apologize, okay?
  508. 29:09I want to know where you were.
  509. 29:11Denise and I went to a rally to hear Gloria Steinem speak.
  510. 29:15What?
  511. 29:17Gloria Steinem. She's a writer. She just started her own magazine.
  512. 29:20>> She testified in the Senate. >> Yeah, I know who Gloria Steinem is.
  513. 29:24>> What if you got hurt, or, arrested? >> Mom, it's a rally, not a riot.
  514. 29:28Jane, these things can get out of hand.
  515. 29:30Okay, well I'm fifteen years old, and you don't need to control
  516. 29:32>> every minute of my life. >> Yes I do. That is my job.
  517. 29:34And your job is to go to school and learn.
  518. 29:36We’re going to be doing a lot more of this kind of analysis together.
  519. 29:39What movie scenes would you like to see analyzed like this?
  520. 29:43Let me know in the comments.
  521. 29:44And if you want to see all of my Ben Franklin videos I’ve ever made, here is that playlist.
  522. 29:50You can also find the link in the video description.
  523. 29:53That’s it, and thanks so much for using Rachel’s English.

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