Katey Sagal (Full Episode) | Where Everybody Knows Your Name — Transcript
Full transcript
- 0:00I just love that we're doing this cuz
- 0:02>> pretty fun.
- 0:03>> Yeah, for people just tuning in,
- 0:05beginning, uh you and I are
- 0:08not about to, we've started working
- 0:10together on a new show for Apple.
- 0:13>> Yes.
- 0:13>> The Elizabeth Banks project.
- 0:15>> Right.
- 0:16>> A rowdy
- 0:17>> I thought it was the Ted Danson.
- 0:18>> No. No.
- 0:20I told you that, I know. I'm sorry, but
- 0:22that was just to try to, you [laughter]
- 0:24know, impress you. Um
- 0:26Yeah, it's I I called Liz,
- 0:30uh our, you know, leader, writer,
- 0:32creator.
- 0:33It said well
- 0:35I've been saying it's like Modern Family
- 0:37on acid, which is not a great way to
- 0:39describe it, but it is a rowdy
- 0:41>> It's rowdy.
- 0:42>> Yeah, comedy.
- 0:43Rowdy, underlined two or three times.
- 0:46>> I really
- 0:48I can't wait to get way in because we're
- 0:50just start we've just started, so.
- 0:53>> Yeah.
- 0:54You and I did a lot of it was a lot of
- 0:56group
- 0:58acting the first
- 1:00the first week.
- 1:01>> A lot of face acting.
- 1:03>> Yes.
- 1:03>> Reacting in a crowd. [clears throat]
- 1:05>> yes.
- 1:07I don't know.
- 1:08>> [gasps]
- 1:09>> I don't think you did it as much as I
- 1:10do, but when I'm in the background with
- 1:13no words, but supposed to be alive and
- 1:15present in the moment, I am become the
- 1:18world's worst mime.
- 1:21Where I just everything is way too large
- 1:24and you know
- 1:25>> I thought you were very funny. I thought
- 1:27you were and definitely present.
- 1:29>> Yeah.
- 1:29>> I thought, I'm going to take a few
- 1:31lessons from Ted over here.
- 1:33>> Oh boy.
- 1:33>> Crowd acting.
- 1:35>> You and I probably would never really
- 1:37have gotten together in life because I
- 1:39think we're
- 1:40similar in many ways, but uh you're
- 1:43magnificent. I'm so excited to get to
- 1:46know you in this way. I would never go
- 1:48out
- 1:49and have a beer with well, for sure with
- 1:52you, a beer with you. But even have a
- 1:55sandwich because I'm shy and I go home
- 1:57to Mary cuz that's where my goodies are.
- 2:00>> Aw, that's so sweet.
- 2:02>> I get to
- 2:04hang with you today and I get to really
- 2:06hang with you and work together.
- 2:09>> Yes.
- 2:09>> Hopefully for a long time.
- 2:11>> Are you Are you kind of reclusive? Is
- 2:13that what you're saying? A little bit?
- 2:15>> I I I I
- 2:17>> Like my husband is that way as well.
- 2:18>> I I listened to your husband a little
- 2:20bit. Um
- 2:21I like him. He's a manly manly cream
- 2:24puff.
- 2:25>> 100%.
- 2:27He was going to come today just to meet
- 2:29you and say hello and then he literally
- 2:31called me 15 minutes ago and said, "I
- 2:32really don't feel well. I just can't."
- 2:35Which is like the cream puff side. He's
- 2:36fine. He He just like He doesn't love
- 2:39leaving the house.
- 2:41>> Yeah, I'm not quite
- 2:43reckless. I I've said this before on
- 2:45this show, but it's like
- 2:48if it's not with Mary, it's slightly and
- 2:50this sounds like I'm trying to
- 2:52you know, get an aw, but it's beside the
- 2:55point. You know, life's a little little
- 2:58See, I got one. It's Women love it when
- 3:01I talk like this.
- 3:02Mary accuses me of talking like this
- 3:04purposefully knowing that it's
- 3:06you know, it's good for me.
- 3:08>> But
- 3:09it's kind of true. When she leaves, my
- 3:11endorphins crash so and so do our dogs.
- 3:15We both sit around moping when she's
- 3:16gone.
- 3:18But it's just because the we have so
- 3:20much fun together. It's not like I'm
- 3:21depressed, but it's just different. It's
- 3:23a little grayer.
- 3:25>> Aw.
- 3:25>> home tonight, so I'm very excited.
- 3:27>> Where was she was gone?
- 3:29>> Yeah, you
- 3:30>> How did her thing What a minute. I know
- 3:32I'm jumping ahead. Nobody knows this.
- 3:34But how did her singing situation go the
- 3:36other night? You were on your way to a
- 3:38thing.
- 3:39>> Yeah, it was a It was she calls it the
- 3:42please vote for me tour. The beginning
- 3:44of you know, you getting out in the
- 3:46world when it's award season. And she
- 3:48and her co-writes from Nash co-writers
- 3:51from Nashville um and several people
- 3:54here in LA wrote a song that she sang as
- 3:58a character in um, a man on the inside.
- 4:02>> Oh, all right.
- 4:03>> So, it it it was lovely and she co-wrote
- 4:05it and, um, sang it. And so, this was a
- 4:10group this event she went to of
- 4:13composers.
- 4:15>> Oh.
- 4:15>> Who were getting their music out in the
- 4:17world.
- 4:19And but it was held in an,
- 4:21uh,
- 4:22I wish I could remember the name of
- 4:24this, but it's it's now in a big
- 4:25building and they have different rooms
- 4:28doing all sorts of symposiums and things
- 4:30like that, but it was started in
- 4:31somebody's living room of composers and
- 4:35song and music people to support each
- 4:38other. It was like a support group that
- 4:40expe- expanded. So, here were all these
- 4:42people who were probably will compete in
- 4:45some way
- 4:46for awards from their music.
- 4:49So supportive.
- 4:50>> Yeah, that's musicians.
- 4:51>> Yeah.
- 4:52>> Musicians are very supportive.
- 4:54>> there was, uh, 16, maybe, larger you
- 4:58know, orchestra?
- 4:59>> Wow.
- 5:00>> Horns, violins, cellos, you know,
- 5:02everything. Um, E Pluribus, that guy who
- 5:06wrote the music for that.
- 5:08>> Oh, okay.
- 5:08>> was a choral group there as well. So, it
- 5:11was such a musical evening and at the
- 5:13end she got up. She was the only singer,
- 5:15got up and sang the song and people were
- 5:17so supportive. It was a lovely evening.
- 5:20>> I'm telling you, the music community
- 5:22which I
- 5:24started my that's where I come from
- 5:27is is is that way. Is that way. And I
- 5:30don't know that I mean, I'm sure
- 5:32I I find the acting community a little
- 5:34doggy-dog compared to that. I mean, it's
- 5:37sort of I don't that's just my
- 5:39experience, but I I love to hear that
- 5:41that's what's going on.
- 5:43>> I'll have to admit that a lot of our
- 5:45friends, we have great friends here in
- 5:47this community.
- 5:49But we have
- 5:51we made so many great friends from her
- 5:53music in Nashville. I mean
- 5:56just, you know, who who know our dogs
- 5:58and kids names, you know, which is
- 6:00>> And don't forget them.
- 6:01>> Yeah, yeah. I love our community here.
- 6:04So I I but it is it is different because
- 6:07music's different.
- 6:08>> Yes.
- 6:09>> You know.
- 6:09>> Yes, it is.
- 6:11>> I've been listening to you sing a lot.
- 6:12>> Oh, okay.
- 6:13>> Googling and
- 6:15you know, YouTubing you like crazy.
- 6:18Um
- 6:19I started just when I found out we were
- 6:20going to work together. But wow, what a
- 6:23wonderful voice you have and you are a
- 6:26professional real deal singer and that's
- 6:28how you started, right?
- 6:30>> I started and that was the goal.
- 6:33And uh yeah, since I was a kid, that was
- 6:36my first entree into any kind of social
- 6:39life. I was completely
- 6:41terrified of people.
- 6:43But I remember learning how to play the
- 6:45guitar when I was 10. My mother taught
- 6:48me how to play
- 6:49>> Because
- 6:50>> the folk guitar
- 6:51>> Was also a singer.
- 6:52>> She was a singer.
- 6:54And I remember all through school, I
- 6:56would just bring my guitar where I if I
- 6:58remember going to a girl scout meeting
- 7:00and them making me leave the room
- 7:03because I had to have my guitar with I
- 7:05mean it was kind of like this sad but it
- 7:07was my
- 7:08it was my entree. It was my
- 7:10>> Yeah.
- 7:11>> my safe place. So yes, music is what
- 7:14I've known the best for most of my life.
- 7:18>> When did you first sing professionally?
- 7:22>> I got into a band when I was well, I
- 7:26went on the road when I was 18 in a rock
- 7:30musical. I was a chorus girl in the rock
- 7:34and roll version of two gentlemen of
- 7:35Verona.
- 7:37That was my first pro singing job and
- 7:39then And there I was like I was a
- 7:41singing waitress. That was kind They
- 7:43paid me to sing.
- 7:44>> Where
- 7:45>> [laughter]
- 7:45>> Where was this?
- 7:46>> There was a restaurant in Santa Monica
- 7:47called The Great American Food and
- 7:49Beverage Company.
- 7:50>> Right.
- 7:50>> And you had to audition to to get a job
- 7:53there. Like Danny Elfman started there,
- 7:55Rickie Lee Jones started there. A bunch
- 7:57of people
- 7:58that were around We were all coming up
- 8:01together and you'd go in. I was a
- 8:02horrible waitress, but I could play my
- 8:05guitar, play the piano, and sing, and
- 8:08make really good tips. So, that was the
- 8:10gimmick of the restaurant. There were
- 8:12jugglers and magicians and
- 8:14>> Who would take your order, go deliver
- 8:17it, pick up some balls and juggle or
- 8:19sing a song.
- 8:20>> Yes. Yes. That was the whole
- 8:22And it was kind of It was around for
- 8:24about 10, 15 years. Like people would
- 8:27come and go and you know, so I had sort
- 8:31of a solid gig there and then from
- 8:33there,
- 8:34I got into a band. I got a record deal
- 8:37at Casablanca Records and then Elektra
- 8:39Records. I mean, things were happening.
- 8:42And then but I'd always come back to the
- 8:43restaurant cuz I couldn't make a living
- 8:45living until I started working as a
- 8:47background singer. And then that is when
- 8:50I
- 8:51So, the answer to the question is I
- 8:52started professionally, I guess, when I
- 8:54was about 18, 19.
- 8:57And when they actually would pay me to
- 8:59to sing. So.
- 9:01And then, you know, from there I just
- 9:04I kept making records. I never wanted to
- 9:06be in the background, but it really paid
- 9:09my bills. So, I'd go on and off the road
- 9:12with various people and I'd do session
- 9:14work in town, but I'm a terrible reader.
- 9:17I don't read music. I just have a really
- 9:19good ear.
- 9:21So, as long as they would put me in the
- 9:22middle section,
- 9:24I could hear my part. So, I bluffed my
- 9:27way through all of that.
- 9:29And this was also in the days when there
- 9:30were publishing deals where songwriters
- 9:33would write songs and then they'd need
- 9:35somebody to demo the song so they could
- 9:37sell it so I did a lot of that.
- 9:39>> Right. Right.
- 9:40>> Yeah.
- 9:42>> Boy, it's changed a lot, hasn't it?
- 9:44>> Oh my god, it's really
- 9:46>> demonetized
- 9:48by what was the invention that came out
- 9:51and all of a sudden everyone could
- 9:52download whatever they wanted.
- 9:54>> Napster, Napster, yeah. I mean, I watch
- 9:58now my um my older kids
- 10:01are both musicians and actors and my one
- 10:04my old this daughter just has made the
- 10:06most beautiful record that she wrote and
- 10:09produced and she's amazing. And just to
- 10:12see the process of how you have to be
- 10:14able to market yourself now. Like where
- 10:17labels used to you know, you'd have to
- 10:19pay them back but they'd give you money
- 10:21so that you could you know, just be an
- 10:24artist and just sell and they do all the
- 10:26selling. And now it's just a very
- 10:28different world for young artists.
- 10:32Hard. I mean, on the acting side, too.
- 10:34>> Can I this is a parenthesis but I wanted
- 10:37to share this with you cuz I think you'd
- 10:39be interested that there's a group of
- 10:42ladies artists out of Nashville put
- 10:45together something called Mother.
- 10:47And they go around singing and
- 10:50performing but the idea is to raise
- 10:53money consciousness on how hard it is
- 10:57when you're an artist and then you have
- 10:59a child.
- 11:00>> Oh.
- 11:00>> You know.
- 11:01>> Yeah.
- 11:01>> And do you tour anymore? What do you
- 11:04have a babysitters who are allowed you
- 11:06know, some support system cuz it's very
- 11:10hard to be a mother and an artist.
- 11:14>> It absolutely is.
- 11:15>> So anyway, keep your eye out for it.
- 11:17It's
- 11:18a fledgling group that's pretty cool.
- 11:20>> I love that. That's a really good
- 11:22support to to have.
- 11:24>> Yeah.
- 11:24>> Do they watch each other's kids?
- 11:26>> I don't know yet enough about it. Mary
- 11:29was was friends with several of them but
- 11:32Yeah.
- 11:32>> I spent some time in Nashville. I I had
- 11:34a house in Leiper's Fork when it was
- 11:37>> Yeah, what a great
- 11:38>> It was great, but it was when I bought
- 11:40there, it was like 25 years ago. It was
- 11:42cheap, nobody was there. And
- 11:45I've watched the community kind of and I
- 11:47tried to sort of plug myself in down
- 11:49there musically, but it was a very
- 11:51different approach than I
- 11:54was used to in terms of songwriting and
- 11:57it was kind of like you'd go in and by
- 11:58the end of the day you had a song
- 12:00written.
- 12:00>> Oh, a factory.
- 12:01>> And a it was like a factory.
- 12:02>> But not a bad factory, but definitely
- 12:05>> But it was it was weird for me a little
- 12:08bit just cuz I had I was not used to
- 12:10that process and
- 12:12plus I'm not really a country singer, so
- 12:14I and this is before
- 12:16everything expanded to where now you
- 12:17don't have to be a country singer.
- 12:19>> Yeah, it's
- 12:20every musician great musician in the
- 12:22world is now there.
- 12:23>> Yeah, I was down there when Waylon
- 12:25Jennings was down there and they were
- 12:27telling him he was an outlaw. They were
- 12:29like that community was so tight. They
- 12:32were, you know, they barely let Waylon
- 12:34in cuz he was from Texas. So [laughter]
- 12:37um
- 12:37but yeah, it's
- 12:38>> Waylon's not country
- 12:40>> not wasn't country enough.
- 12:41Apparently, you know, so
- 12:43>> Yeah.
- 12:44>> It's a great community.
- 12:46>> So so you're surrounded like you were by
- 12:49creativity. You're now are your kids
- 12:52around you or are they off?
- 12:54>> Oh, no, they're all here. Well, my son
- 12:58is now he's he's doing quite well as an
- 13:01actor. He's in Australia right now
- 13:02making a movie,
- 13:04but he's on a television show called
- 13:05Tell Me Lies on Hulu
- 13:08and they just finished their third
- 13:09season. So he
- 13:11yeah, he just kind of blew up my my
- 13:14sweet son.
- 13:15And uh but they all live in LA. My
- 13:17daughter lives, you know, 10 minutes
- 13:19from me and
- 13:21and uh
- 13:22my youngest one is 19 and she's home
- 13:25from college.
- 13:27So um yeah, they're all awesome.
- 13:29>> their Do you get to be around their
- 13:31creative process or is that kind of
- 13:33stuff
- 13:34>> my way in.
- 13:35>> Yeah.
- 13:35>> No, I Yes, I do and some what I've
- 13:39really learned lately is
- 13:41to say things like, I have some thoughts
- 13:43about that. Would you like to hear it?
- 13:45>> Yeah.
- 13:46>> [laughter]
- 13:47>> And then if they say, No, Mom, I don't
- 13:49want to hear it. Then I I have to follow
- 13:51suit.
- 13:52>> Yeah, yeah.
- 13:52>> You know, but yeah, I'm not like a pushy
- 13:55um stagey mom, but I I relate to their
- 13:58art. Like when my daughter was making
- 13:59her record and she would send me um
- 14:02mixes, rough mixes.
- 14:04I had a bunch of notes, you know, and I
- 14:06would really have to
- 14:08pick and choose what because I I just
- 14:10felt like I just know that world.
- 14:13>> Yeah.
- 14:13>> In terms of
- 14:15my son's acting, not so much. We got to
- 14:18do a little together. I was on his show.
- 14:21I played his mom in one episode on his
- 14:23show. So, that was really fun and
- 14:27>> Are they proud of you?
- 14:28Do they
- 14:29>> are. No, I know they are.
- 14:31>> You know they are. Are they
- 14:32demonstratively
- 14:34proud of you?
- 14:35>> I I I would say yes.
- 14:38>> Oh, that's great.
- 14:39>> I would say yes. They're very like um
- 14:42you know, their their only thing to me
- 14:44is, Mom, you've been working for so many
- 14:46years. Why don't you just chill for a
- 14:47while? I'm like, you guys, I like to
- 14:50work. That is chill for me. I I don't
- 14:53like all the downtime.
- 14:55>> Yeah.
- 14:55>> And I don't really know
- 14:57I I
- 14:58what else I would do, you know? So,
- 15:01um but they're really proud, you know,
- 15:03like they're the first ones I call when
- 15:04I get a good job.
- 15:05>> That's great.
- 15:06>> Yeah, they're awesome.
- 15:07>> Did you call them about our job
- 15:10together?
- 15:10>> 100%. Are you kidding?
- 15:12100%. They're so thrilled. They're just,
- 15:15you know,
- 15:16they love you. They love Elizabeth. They
- 15:18love Rob Delaney from Catastrophe. Did
- 15:20you
- 15:21>> Wow. Yeah, Rob.
- 15:22>> Isn't he something?
- 15:22>> Yeah, he is something. I'm I I'm trying
- 15:25to pull back cuz I, you know,
- 15:28I don't know. I I'm just overly effusive
- 15:31the first week or two to make me feel
- 15:33comfortable.
- 15:34>> [laughter]
- 15:35>> But everybody,
- 15:36>> I know, it's a good bunch, so far.
- 15:38>> bunch. Yeah.
- 15:39>> I can't wait to get, you know, I think
- 15:42next week we do some more sort of like
- 15:44>> Yeah, we got
- 15:45>> scenes rather than group scenes, so.
- 15:47>> which is nice.
- 15:48>> That'll be fun.
- 15:49>> No more mugging.
- 15:50>> No more mugging. Well, maybe.
- 15:52>> Maybe.
- 15:53>> [laughter]
- 15:56>> You never know. I When I worked with
- 15:57John Ritter, he used to always he would
- 16:00make such big jokes about face acting.
- 16:02He was like, "Well, okay, now we're you
- 16:03know, cuz he had that rubbery face."
- 16:05>> So, he um
- 16:07>> Yeah.
- 16:07>> What a sweet soul. Was that
- 16:10>> We uh I we know his son, Jason, really
- 16:13well and he's been on this.
- 16:15But was that what he was working on
- 16:18>> I was there.
- 16:19>> I I didn't know.
- 16:20Oh, wow.
- 16:21>> Yeah, we were doing
- 16:23press pretty much at 4:00 in the
- 16:24afternoon on that day and then by 10:00
- 16:27that night
- 16:29it he he he left us.
- 16:32>> It was
- 16:33mind-blowing. It was just really
- 16:35mind-blowing and um
- 16:37>> Yeah.
- 16:38>> But you know, it's interesting. I don't
- 16:39know how what your belief system is, but
- 16:41I feel him around a lot. I I just feel
- 16:44him around. I can just um his energy and
- 16:47his
- 16:48his
- 16:49love of laughter and
- 16:52life and even though I think he had his
- 16:54darker side, too, but he just brought so
- 16:57much light that um
- 16:59I just feel him around.
- 17:01>> Yeah, definitely.
- 17:02That belief system, yes, is shared in
- 17:05this room.
- 17:06>> Great.
- 17:06>> We've had uh
- 17:08people that were very specific about
- 17:10that belief system here talking to them.
- 17:13Um
- 17:15but let's talk about me first a little
- 17:16bit more.
- 17:18>> to. It'll put me at ease. Uh Um
- 17:20>> Okay.
- 17:21See, I love this about you, Ted, because
- 17:23you are so self-aware
- 17:26of that. That's just so cool. I've
- 17:28worked with so [laughter] many male
- 17:29actors that
- 17:31they they don't have that
- 17:33self-awareness. So I I love that.
- 17:35>> Yeah, I I can [laughter] make I can make
- 17:38people work a little hard to make me
- 17:41feel better. You know, self-effacing is
- 17:44kind of cuz I'm magnificent. I
- 17:46love being Ted. I All of those things
- 17:49are also true.
- 17:51You know, [laughter]
- 17:52to be self-deprecating you have to have
- 17:54a pretty huge ego to begin with, I
- 17:57think. Support for Where Everybody Knows
- 17:59Your Name comes from The Gray Take,
- 18:02presented by Brookdale Senior Living.
- 18:04Whether at the bar or a senior living
- 18:07community, people tend to look for the
- 18:09same things: connection, support, and
- 18:12maybe a little laughter along the way.
- 18:14The Gray Take brings these elements into
- 18:16conversations about aging, caregiving,
- 18:19and the moments families don't always
- 18:22see coming.
- 18:23Hear from those who have lived it on The
- 18:25Gray Take, wherever you listen to
- 18:27podcasts.
- 18:28All right, so actors, when they work
- 18:30together, they avail themselves to each
- 18:33other uh in a controlled way of this is
- 18:37who I am. Let's get intimate, not
- 18:40physically, but let's be intimate and
- 18:42personal uh so that I can share with you
- 18:46parts of me that maybe will be good for
- 18:49us in our working together as actors and
- 18:52for the characters, right?
- 18:53>> Right.
- 18:55>> [laughter]
- 18:55>> I agree.
- 18:56>> Okay, you start.
- 18:58>> Okay.
- 18:59So
- 18:59>> What is it about you I should know to
- 19:01help me play? And vice versa, what do
- 19:04you want to know about me? Because we,
- 19:06for the audience out there, and for
- 19:08these guys who don't really know.
- 19:10You meet us.
- 19:12>> Yes.
- 19:13>> Let's spoil it.
- 19:14No.
- 19:15You meet us
- 19:18not visually, so everyone can relax, in
- 19:20a steam room having sex
- 19:22>> Yes.
- 19:22>> in a retirement village when our
- 19:25families have gotten together
- 19:27haphazardly to find to go visit there us
- 19:31>> Yes.
- 19:31>> and can't find us.
- 19:33And we
- 19:34enjoy each other's physical company. I
- 19:37For his one Here's a question I never
- 19:39got. Is this our first time having sex?
- 19:42>> Oh, no.
- 19:43>> The steam room? You think we've been
- 19:44doing this for a while?
- 19:45>> I think we've been I think it's been
- 19:47going on a minute.
- 19:48>> Okay. I like that cuz otherwise
- 19:51>> be my choice.
- 19:52>> Yes.
- 19:52>> Yeah, because
- 19:54I feel like the dialogue after where we
- 19:56go no spoiler like yeah.
- 19:58>> It's too yes, offhand to be a
- 20:01first-timer.
- 20:02>> Right. Right. That would be my
- 20:03>> Great. So, this is why the the what I my
- 20:06description of our relationship is why
- 20:08I'm really curious about all of this.
- 20:11Um yeah, what should I know about you
- 20:14that we're Tell me who
- 20:15>> I'm very sexual, Ted.
- 20:17>> Okay.
- 20:18>> [laughter]
- 20:18>> Um
- 20:20>> I'm I'm I'm at this age of my life and
- 20:22still
- 20:24still into it.
- 20:25So,
- 20:25>> I'm Okay.
- 20:27>> [laughter]
- 20:28>> I'm the exact
- 20:31opposite. Not I mean, but I I
- 20:35growing up
- 20:36and it's still not that Well, you know,
- 20:39I'm madly
- 20:39>> [laughter]
- 20:40>> I'm madly in love with my wife, Mary.
- 20:42We've been together for 32 years. So, me
- 20:44talking about how I would be out in the
- 20:46world is like a distant
- 20:49>> Right.
- 20:49>> bad memory kind of thing. But, growing
- 20:53up, the girl would have to be naked
- 20:56standing in front of me and I would
- 20:58still be going, "Who? Me?"
- 21:00>> Oh, you're so sweet.
- 21:01>> it's not sweet. It's it sucks. You know,
- 21:04I it it was so
- 21:07>> No game.
- 21:07>> Sam Malone, I would break into a sweat
- 21:10in the early days when I had to come on
- 21:12to a woman in the bar. It was just not
- 21:14me.
- 21:16I've learned how to do it. But so when
- 21:18you say I'm very sexual, I'm starting to
- 21:21sweat.
- 21:22>> Don't sweat.
- 21:23>> Yeah, okay.
- 21:23>> No, I think I think what's important
- 21:26about saying that and I I say that
- 21:29somewhat facetiously, but it is true is
- 21:31I think that when I was growing up, I
- 21:33thought that by the time I'd get to this
- 21:35age of my life
- 21:37>> Which is?
- 21:38>> Uh 72.
- 21:39>> Right.
- 21:39>> That that that would be a distant
- 21:42memory. And
- 21:43>> You'd have tight curled gray hair.
- 21:45>> Something.
- 21:46>> Yes.
- 21:46>> Yeah. And it seem it's it's not that.
- 21:49And so I think that the more that's sort
- 21:52of spoken about, I think that's a good
- 21:54thing. I mean, I think the fact that
- 21:56we're doing a show where you're going to
- 21:57see people in their 70s having sex
- 22:00is
- 22:01>> Not literally, folks. So relax.
- 22:03>> far from the truth and I think it's very
- 22:05affirming. I think that, you know,
- 22:08>> 100%.
- 22:08>> It's a it's a good thing.
- 22:10>> And we're not making this up. This is
- 22:11rampant.
- 22:12>> Oh, rampant.
- 22:13>> Rampant in
- 22:15um retirement homes.
- 22:16>> Absolutely. Yeah. They have the highest
- 22:18rate of STDs.
- 22:19>> Yeah.
- 22:19>> [laughter]
- 22:22>> Okay, but you're all right, right? I'm
- 22:24all right.
- 22:24>> Yes.
- 22:25>> Okay.
- 22:25>> You're so sweet you said that. You know,
- 22:26my husband is very similar. I think he's
- 22:28I think my husband is super hot, but I
- 22:30think he would never he would never
- 22:32think that. He would just That's what
- 22:34makes him so great, I think.
- 22:36>> Yeah, actually it was also part of my um
- 22:40seduction.
- 22:41>> Right.
- 22:42>> Which was, "Hey, it's me, Ted, one of
- 22:44the girls. Let's take our clothes off."
- 22:46>> god, you're so funny.
- 22:48You know, my husband said that to me
- 22:49when we were first dating, he said, "You
- 22:51know, I'm half a girl." I was like,
- 22:52"Okay."
- 22:54In a good in the greatest way. In the
- 22:56greatest like in tune with his feminine
- 22:59which self which I feel like so to be an
- 23:02actor, to be an artist, to be anything,
- 23:05we have to
- 23:07you have to have a a good connection to
- 23:09your female self. Because that is our
- 23:11emotional life.
- 23:12>> Yeah.
- 23:13>> Right?
- 23:13>> So, that's what I think.
- 23:16>> And once you all you ladies get past the
- 23:19old danger,
- 23:21you know, we I love a dangerous guy.
- 23:23Once you get past that,
- 23:26which I think
- 23:28most people don't get stuck there, then
- 23:30that that's what you want. You want
- 23:32kindness. You want to be seen. You want
- 23:34to be
- 23:34>> I got stuck there many times.
- 23:38>> [laughter]
- 23:38>> That was the other thing that I got
- 23:39stuck in, by the way, which I think is
- 23:42great about cuz you both I think in our
- 23:44characters, neither one needs fixing.
- 23:49You know,
- 23:49>> say so.
- 23:50>> You know, it's like you're not I I don't
- 23:52my character would not look at you and
- 23:54go, "Oh." Cuz here's what I used to do,
- 23:57sorry. I would find the the woman who
- 24:00had the wound, you know, and I would
- 24:02become indispensable
- 24:05to making that wound go away and feel
- 24:07better. That was my
- 24:08It's a horrible way, cuz then you're
- 24:11whatever.
- 24:12It's it's
- 24:13>> Is that how you grew up?
- 24:15>> Yeah.
- 24:16>> Taking care of somebody's wound?
- 24:17>> Yeah. Yeah.
- 24:18Yeah. I was making up for
- 24:20>> Yeah.
- 24:21>> Yeah.
- 24:21Uh
- 24:22but it's not a great way to go. When I
- 24:24met Mary, I started doing one of those
- 24:27bits, and I could see her not literally,
- 24:30cuz she didn't know what I was about
- 24:31what I was doing, look at me with this
- 24:33kind of
- 24:34confused look, and it was like, "Oh,
- 24:37I don't have to do that anymore."
- 24:38>> Wow, that's great.
- 24:40>> I don't have to do push-pull anymore.
- 24:42This person is totally
- 24:44>> Okay.
- 24:44>> okay with, you know, within herself. She
- 24:47does not need me.
- 24:49It's a magnificent gift to give to the
- 24:51other person.
- 24:52>> If you're a person that always has
- 24:54chosen people that need you, that
- 24:56>> first leap into the person that doesn't
- 24:59actually need you. I mean, to me I
- 25:01learned enormous lessons about myself
- 25:02that way cuz I watched myself get afraid
- 25:05of abandonment and this and that. Like,
- 25:07if you don't need me
- 25:09and buy enough all that stuff came up.
- 25:12>> Yeah.
- 25:13>> But
- 25:13>> And it still comes up.
- 25:15>> [laughter]
- 25:15>> It does, you know, you
- 25:17I don't think those patterns go away.
- 25:19You can you can go, "Oh, here comes that
- 25:21pattern. I don't have to
- 25:24react that way."
- 25:25>> Right.
- 25:25>> But that pattern will poke its head up,
- 25:27I think, always.
- 25:28>> 100% yeah.
- 25:29Yes, I I come
- 25:30>> Okay, so we don't need each other.
- 25:32>> All right.
- 25:33>> Um and I admire that and you are uh I
- 25:37don't think I'm ruining anything, but
- 25:39you are
- 25:40were a reporter.
- 25:42You were on 60 Minutes.
- 25:44>> Right.
- 25:45>> I was a very successful plumber.
- 25:48>> Love that.
- 25:48>> And proud of it.
- 25:49>> Right.
- 25:50>> Um and I'm very
- 25:54um
- 25:54self-assured.
- 25:56>> And isn't that great that two people
- 25:58that come from those I mean, like as
- 26:00younger people
- 26:02I don't know that a 60 Minutes
- 26:03journalist would be attracted to the
- 26:05plumber and I don't know that the
- 26:07plumber would feel like, "Oh, I can go"
- 26:09You know, it's kind of different, I
- 26:11think, as you get older. It's not so
- 26:12much about
- 26:14what you do, you know, it's about who
- 26:17you are. So
- 26:18>> And how does this feel in the moment?
- 26:20>> Yeah.
- 26:20>> Yeah.
- 26:20>> So, I think that that's um
- 26:23>> Here's something I could I I need to
- 26:25work on for myself.
- 26:26>> Yeah.
- 26:27>> For Fred the Plumber
- 26:29is I I do tend to
- 26:31even though I've confessed I'm very uh
- 26:34chuffed to be myself. I love Ted. I I
- 26:37do. But I walk in and
- 26:40uh in a knee-jerk kind of way
- 26:42apologizing.
- 26:43>> Really?
- 26:44>> Sorry is yes. Sorry is like, you know, a
- 26:46comma in my I'd say it way too much.
- 26:49That's not Fred the Plumber.
- 26:51>> Mhm.
- 26:52>> I need to be able to walk in,
- 26:54put aside my fears about am I a good
- 26:57actor, put aside my fear of I have to be
- 27:00a little bit
- 27:01different to be like, you know,
- 27:03whatever. Put aside all my fears and
- 27:05walk into the room as an actor,
- 27:08totally confident,
- 27:10pleased with myself.
- 27:12>> This is so interesting to hear because
- 27:14my since I've just met you,
- 27:16my lore in my brain about you is that
- 27:20confident,
- 27:22very like it is exactly what you're
- 27:24saying Fred should be. I would not
- 27:27You know, it's so it's so so interesting
- 27:28what you make up about people before you
- 27:31actually meet the people.
- 27:32>> Yeah.
- 27:33>> And I would, you know, to me you're
- 27:34legendary Ted Danson. I mean, and I and
- 27:38you know, I would not think that
- 27:41with given all that you've done, I would
- 27:43not think that those things would still
- 27:45pop up. But you know, as I say it,
- 27:47I think that quality of like,
- 27:50you know, not quite feeling good enough,
- 27:52ba ba ba ba ba, I think that's what
- 27:54makes for interesting actors.
- 27:57Curious people.
- 27:58>> Yeah.
- 27:59>> I and I sometimes think if if you are if
- 28:02Sam Malone had been played by
- 28:04somebody who was just a pure for real
- 28:07womanizer and arrogant and cocky and
- 28:10everything, I think he that person would
- 28:12have missed the joke.
- 28:13>> Uh absolutely.
- 28:14>> think you have to get the joke
- 28:16>> Right.
- 28:17>> to play
- 28:18>> to play that.
- 28:19>> Yeah.
- 28:20Anyway, what about you?
- 28:22>> What about me?
- 28:23>> I don't know. Anything more.
- 28:25>> Let's see.
- 28:25>> About the parts we're about to play. You
- 28:27know, the truth is this is just silly
- 28:29talk. We'll find out as we go and it'll
- 28:31be fun.
- 28:32>> Right.
- 28:32>> But
- 28:33>> What about the parts we play? Well, it's
- 28:35interesting for me because I'm sort of
- 28:37grappling with even though it as I talk
- 28:39about being older and being sexual and
- 28:41having all those things, there is part
- 28:43of me that still kind of grappling with
- 28:45this whole like like when they first
- 28:47said to me, "Okay, you're going to live
- 28:49in a retirement village." I was like,
- 28:51"Huh? What are you talking about? It's
- 28:53me. I don't I'm not there."
- 28:55>> Oh, I'm riding my motorcycle to this
- 28:57interview.
- 28:58>> [laughter]
- 28:58>> And um and then I've sort of like like
- 29:01once I spoiler, but they put a beautiful
- 29:05gray wig on my on my head. And then I I
- 29:08kind of um
- 29:11I think it's helping, you know, just the
- 29:13thought of that I got that role is
- 29:15making me be more in acceptance of maybe
- 29:19that I can do that, that I am that, that
- 29:22this is you know, cuz I don't know about
- 29:24you, but I feel like I'm 45. I don't
- 29:26feel like I'm the number.
- 29:29>> Yeah.
- 29:29>> And you know, so at first I was almost
- 29:33not like offended, but it was almost
- 29:35like, "Really? Me?"
- 29:36>> This is not This won't be believable.
- 29:40>> But then I saw how we all both got put
- 29:42together and you have a youthful vibe.
- 29:44So it was like, "Oh, okay. These are two
- 29:47people that
- 29:49are at this place in their life." I
- 29:50don't know what you've decided about why
- 29:52you're there. I know why I've decided
- 29:54why I'm there cuz they didn't really
- 29:55tell us why we're there.
- 29:56>> yeah.
- 29:57>> [laughter]
- 29:58>> So I made up a a thing about why I'm
- 30:01there.
- 30:01>> Yeah.
- 30:02>> And um
- 30:03which doesn't necessarily have to do
- 30:05with not being able to take care of
- 30:06myself.
- 30:07>> Right.
- 30:08>> It just has to do with
- 30:10um
- 30:10a a few things that would be much nicer
- 30:14if somebody else would do them.
- 30:16Do you know what I mean?
- 30:17>> Not quite, but I don't want you to have
- 30:18to tell me what it is. Maybe it's just
- 30:20wonderful to keep yourself
- 30:22>> and you know, all the things. Like my my
- 30:24imagination is that I come from New
- 30:26York. I'm not a person who drives. I'm
- 30:28not this and somehow I ran out of money,
- 30:30all my money. So my son had to support
- 30:33me and so he said, "Yeah, but you can't
- 30:35live with me, but you can live here."
- 30:38That's my sort of
- 30:39>> I love it.
- 30:40>> made up
- 30:40>> Yeah.
- 30:41>> thing.
- 30:42And I'm sure you must have something
- 30:44you've kind of
- 30:44>> Close. I kind of
- 30:46s-
- 30:47I'm not
- 30:48I should I don't know. This is Am I a
- 30:51bad actor? Am I just surface-y? But um
- 30:54there's some spoiler alerts that I don't
- 30:56want to talk about. There's some
- 30:58physical stuff and all of that, but but
- 31:00it's like
- 31:03my backstory or what's comes will come
- 31:05out and be thus a part of the story is
- 31:10um
- 31:11gives me the
- 31:12an attitude that I like, which is well
- 31:16what the
- 31:18Let's I'm going to have fun.
- 31:20>> Oh, yeah.
- 31:20>> You know, what the Okay.
- 31:23You know?
- 31:24>> Acceptance of it.
- 31:25>> Yeah.
- 31:25>> Right.
- 31:25>> Yeah.
- 31:27>> Yeah, I think I'm kind of she's maybe
- 31:29working I don't know. I have no idea.
- 31:30You know, when you do a job like this
- 31:32and the writers are they're right, you
- 31:34know, I live with a writer. So, I know
- 31:36that I'm just there to service whatever
- 31:38he's going to give me.
- 31:39>> Right.
- 31:39>> So, I
- 31:41I'm not sure where we're going. I'm not
- 31:43sure how much we're going to know about
- 31:46anything, really. So,
- 31:48but I know for me I have I have to know
- 31:51sort of that
- 31:52backstory a little bit, even if I've
- 31:54just made it up, just so I know
- 31:57where you know, the relationships. I
- 31:59just, you know, cuz sometimes the
- 32:01>> No, no, I think it's incredibly
- 32:03valuable. I mean
- 32:06>> And not to be too deep about it. It's
- 32:08not like some method-y thing.
- 32:09>> you need to walk in the door feeling
- 32:11like this is not This makes
- 32:13sense to me because of yada yada yada.
- 32:15>> Especially in funny stuff. Don't you
- 32:17find? I mean, I really think that, you
- 32:19know,
- 32:19>> Yeah, cuz funny stuff only to me is
- 32:22worth watching is if it's grounded in
- 32:25some sort of uh sadness.
- 32:28Primarily.
- 32:29>> And reality. And
- 32:30>> Yeah. Yeah.
- 32:31>> You know,
- 32:31>> We're we're lucky about that. We we're
- 32:33not doing three For me I I I I'm not
- 32:36good at doing three jokes to a page
- 32:38anymore. It's
- 32:40more interested in
- 32:41>> No, more interested. Yeah.
- 32:42>> Yeah. So, this is good. You know what
- 32:44else is cool about our parts?
- 32:45>> Huh?
- 32:47>> We're not um
- 32:49we may be a pain in the ass to our
- 32:52children,
- 32:53but we don't need them.
- 32:54>> No.
- 32:55>> And we're not stupid.
- 32:56>> Right.
- 32:57>> And we're not, you know, so it's like
- 32:59actually kids, you would do us all a
- 33:01favor if you would like clear the way
- 33:04and let us do our life, you know,
- 33:06whatever it is. And that's nice not to
- 33:08play old people who are
- 33:11the joke old people.
- 33:12>> Oh.
- 33:13>> You know. And the trope old people.
- 33:15>> Yeah. I That's what I think is
- 33:16>> I I I kind of know what trope means, but
- 33:18say it again.
- 33:19>> Trope is is really the the stereotypical
- 33:22what you think of people in their 70s,
- 33:24which
- 33:25you know, has changed so much over the
- 33:27years. So, it's you know,
- 33:30we are not the
- 33:32the trope.
- 33:33>> Yeah. And And Nora and the kids.
- 33:36>> And Nora and the kids.
- 33:36>> We have what? Two eight nine 10-year-old
- 33:40boys somewhere in that range.
- 33:42>> the grandchildren.
- 33:43>> The grandchildren and a 16-year-old
- 33:46grandchild. And it's just They're just
- 33:48really great, but they don't They're not
- 33:50written
- 33:51in a trope-like fashion, you know.
- 33:53>> what I I I liked the script a lot
- 33:55because nobody really is. You know, it
- 33:58sort of goes against I'm sure it's
- 33:59intentional. It's really It's good.
- 34:02>> For me, and I don't know you well enough
- 34:04to really say this, but
- 34:06one of my favorite things is uh sadness.
- 34:10>> Yeah.
- 34:10>> Because sadness I Someone once told me
- 34:12this years ago, kind of guru-ish
- 34:16kind of person, but nevertheless, I
- 34:18thought it was very wise. Sadness is a
- 34:20function of winning.
- 34:23And I really like that. Anger, no, you
- 34:27know, sadness. Fear, no, but sadness is
- 34:30a good thing to have. And I see in you,
- 34:32and this is just me, I see sadness.
- 34:36>> Yeah.
- 34:37>> Not not unexamined sadness, not anything
- 34:41that's running
- 34:43doesn't feel to me that you're I don't I
- 34:44don't feel smeared by your sadness. I
- 34:47just feel like there's a hint of
- 34:48sadness, which to me I find um
- 34:51real and uh
- 34:53>> Well, it's examined.
- 34:54>> It's examined. Wow, that's great.
- 34:57So, can we talk about where that sadness
- 34:59came from? And I don't mean I I know you
- 35:01talked about being sober and all of
- 35:02that. I'm not talking about that part.
- 35:04W-
- 35:05Can we talk about family and losing
- 35:08parents at a
- 35:10>> young age?
- 35:11>> Young age. I mean, you were not a
- 35:13teenager, but it doesn't matter. You
- 35:15were very young.
- 35:17>> I think I grew I think I was born sad.
- 35:20>> [laughter]
- 35:22>> Honestly, I do. I look at pic- like
- 35:24serious and sad.
- 35:26>> Yeah.
- 35:26>> Like I look, you know, I've raised three
- 35:28kids, and when they were 10 years old,
- 35:30they didn't look like my pictures of me
- 35:32at 10 years old.
- 35:34So, I think that um
- 35:37you know, I'm the oldest of five, and my
- 35:41father was a director, one of the early
- 35:43television directors, Boris. So, he was
- 35:47gone a lot, and my mother
- 35:49um who
- 35:51should have been born now. My mother was
- 35:53a very creative person, an artist
- 35:56person, and had been singing and had her
- 35:59own radio show when she was 11.
- 36:02And she kind of did that
- 36:03>> Wait, wait, what? Had her own radio
- 36:05show?
- 36:05>> My mother was called the singing
- 36:06sweetheart of Cherokee County.
- 36:09>> [laughter]
- 36:09>> That's fantastic.
- 36:10>> How cool is that?
- 36:11>> Yeah.
- 36:11>> In South Carolina.
- 36:13>> [clears throat]
- 36:13>> And she'd have like a 15-minute, you
- 36:15know, radio show where she'd yodel. I
- 36:17mean, it was like this wild thing. And
- 36:19then she she ended up kind of supporting
- 36:21her family when they moved to New York,
- 36:23and my grandfather left, and
- 36:25anyway, so the truth is that I but my
- 36:28mother was sad. My mother was one of
- 36:32those people that
- 36:35did the trope thing of getting married,
- 36:37quitting working, having kids. And I
- 36:40just don't think it was really following
- 36:42her authentic self. I think that that
- 36:45was the trap that she fell into. And
- 36:49so I just remember, you know, being
- 36:52being the grown-up, being, you know,
- 36:55the little kid grown-up.
- 36:57And my mother being
- 37:00my dad being at work a lot and mom being
- 37:02at home and telling me things that kids
- 37:04don't really need to know.
- 37:06So
- 37:08>> uh in a confidential
- 37:10>> like a friend.
- 37:11>> Yes.
- 37:12>> Like a like something you would tell
- 37:13your girlfriends.
- 37:14>> There was a little bit more too much
- 37:16sharing going on for which I didn't
- 37:18realize till much later in my life, but
- 37:21um so I think I kind of grew up in sort
- 37:24of a sad, fearful way.
- 37:28And I don't know, maybe it was just out
- 37:29of the shoot that way or maybe it was
- 37:31circumstance. I'm not I don't really
- 37:34know.
- 37:35But um and then I did, I had a rough go
- 37:38in my um
- 37:4020s when my both my parents, my mother
- 37:43died when I was 20 and my father
- 37:46died when I was 25, 26.
- 37:49And so I had a lot of early loss, which
- 37:52is
- 37:54an interesting way to process mortality.
- 37:58You kind of get a hit of it really
- 38:00early. You understand like, oh,
- 38:04this this is finite, this whole journey
- 38:07here.
- 38:08Which
- 38:09if you're if you're not processing that
- 38:11in the correct way like a young person,
- 38:13that can be sort of scary and sad.
- 38:15>> Mhm.
- 38:16>> So um
- 38:17>> And you haven't had a chance yet to get
- 38:20your feet really underneath you.
- 38:22>> No. No. Plus, I was, you know,
- 38:25drinking and drugging a lot at the time.
- 38:26So, it was kind of I was just all over
- 38:28the place.
- 38:29But, it's like what you said, I look at
- 38:31it now like all that sadness kind of
- 38:35growing up just kind of made me like I'm
- 38:38not sad now.
- 38:40>> [laughter]
- 38:40>> I feel
- 38:41>> I Yeah.
- 38:42>> I feel much more and it's because I've
- 38:45learned how to
- 38:47sit with that and not run away from
- 38:50that.
- 38:51>> Yeah.
- 38:51>> You know what I mean?
- 38:52>> I do.
- 38:53>> And
- 38:54and it's been a great teacher. I mean,
- 38:56discomfort
- 38:58as the Buddhists say, we need to be
- 39:00comfortable with our discomfort. And I
- 39:03find that um the more I can practice
- 39:06that, not perfect at it at all, but the
- 39:08more I can practice that, the more I
- 39:10grow.
- 39:12Right? The more I
- 39:14rather than And it's kind of what I try
- 39:16to
- 39:17pass on to my kids a little bit. You
- 39:19know, I've always told them life's not
- 39:21fair, so don't don't start thinking
- 39:23you're going to
- 39:24You know, so and I've tried to
- 39:27sort of
- 39:28push that on them that, you know,
- 39:31discomfort is is where you're learning.
- 39:33It's where you're actually growing.
- 39:36So,
- 39:37try to
- 39:38>> again. Life is not fair. I mean, it's
- 39:40something we hear all the time, but
- 39:42there's sometimes when it's said by life
- 39:44is not fair, it's from a victimi, angry
- 39:48>> Mhm.
- 39:50No.
- 39:50>> know that's not what you're saying, but
- 39:52it's
- 39:52>> Right.
- 39:53>> What does that mean life's not fair?
- 39:55>> Life is not fair means to me that um
- 39:59you know, one and one doesn't always
- 40:02equate to two.
- 40:04That, you know, there's so many more
- 40:05circumstances around whatever it is life
- 40:09is presenting us and we think we're on a
- 40:11certain trajectory and we should now get
- 40:13the prize. We should now get the pot of
- 40:15gold.
- 40:17And then sometimes we don't realize that
- 40:19the pot of gold is way down the line,
- 40:22and you're not going to get that until
- 40:24you've missed this thing.
- 40:27That's how I believe, what I believe is
- 40:29that everything is leading to this or
- 40:31something greater than.
- 40:33And so, when I say life is not fair,
- 40:35that just sort of means like you know,
- 40:39what we think we have to have,
- 40:41>> Yeah.
- 40:41>> we don't
- 40:43get,
- 40:44and that's okay because we're not
- 40:46supposed to get it. Something something
- 40:48else is going to happen.
- 40:50I didn't always feel this way. I used to
- 40:52feel like, you know, if I don't get what
- 40:54I want, I got to either push harder to
- 40:56get that thing, force that round thing
- 40:59into the square peg, or you know, just
- 41:01be
- 41:02resentful and regretful and, you know,
- 41:05why didn't I, you know, [clears throat]
- 41:06competitive, all those weird things.
- 41:09And so, I guess that's what I Is that Is
- 41:11that Is that super long?
- 41:12>> I agree. I agree. Um It's not I don't
- 41:15really Well, I almost do lead my life as
- 41:17by the law of attraction.
- 41:19>> Oh, yeah. Right.
- 41:20>> Yes, we all have desires. That's what it
- 41:22is to be human beings. So, you have
- 41:23these
- 41:24little rockets of desire going off all
- 41:26the time. Um
- 41:28but the trick is,
- 41:31you know, yes, I desire this that's over
- 41:33there,
- 41:35then and imagine it,
- 41:38but then let it go,
- 41:40and be grateful,
- 41:42and in the moment now.
- 41:44>> Mhm.
- 41:45>> And the rest will
- 41:47take care of And don't
- 41:49limit yourself by how you think you
- 41:53should get to that desired goal because
- 41:55life will, you know,
- 41:58>> 100%.
- 41:58>> will take a left turn, and you'll go,
- 42:00"Oh, well, no, this was not a left turn.
- 42:03I'm actually now feeling more fulfilled.
- 42:06I'm more of service to people. I have
- 42:09more love in my heart than, you know,
- 42:11which is what you're really
- 42:13>> Right.
- 42:13>> targeting
- 42:14in life, you know.
- 42:16>> You're not to get super recovery.
- 42:18>> do.
- 42:18>> Let's do. But, you know, recovery is all
- 42:21about, you know, don't leave before the
- 42:22miracle. And also about
- 42:24>> Don't leave before the miracle.
- 42:27>> In other words, don't don't um
- 42:31like what I was told when I got into
- 42:33recovery is that you're
- 42:35you're you're you're you're dreaming too
- 42:37small.
- 42:38Your life will be bigger and better than
- 42:40you can even imagine. Which sounded like
- 42:42a sales pitch to me. Which is like, what
- 42:44do you mean? Like, I don't get I don't
- 42:46drink anymore and then that's going to
- 42:48I thought it was all But, when
- 42:50I look back now and I see how my life
- 42:52has the trajectory it's gone on,
- 42:55everything I thought was important to be
- 42:57a rock star, to be like blah blah, you
- 42:59know, all the things,
- 43:01my life is so much better than I could
- 43:03have imagined in terms of raising a
- 43:06family and being like you said, the
- 43:07mother group in Nashville. I was able to
- 43:10work and raise children and be married a
- 43:13couple of times. And, you know, all the
- 43:16things that
- 43:18I I I was cutting myself short by
- 43:20thinking, no, it has to be this way. Has
- 43:22to be this way.
- 43:24>> Which was a lot of what my drinking and
- 43:25using had been about. Was about
- 43:28um being so rigid in my desires. And
- 43:31every time one of them would not come to
- 43:33fruition, I would be like, this.
- 43:35I'm not, you know, I'm going to just
- 43:37blank this out this part of my my life
- 43:39was very very small is what I'll say.
- 43:41>> Yeah.
- 43:42>> And then with with my recovered state,
- 43:45recovery state, my life
- 43:48is pretty big in a great way.
- 43:50>> Who who do you look to nowadays to I
- 43:52mean, is it that
- 43:56the 12 steps that kind of are your
- 43:58leading
- 43:59light or do you have people or I mean,
- 44:02obviously
- 44:04obviously your husband is that for you
- 44:06as well and your children and all of
- 44:07that, but
- 44:09where do you get your kind of
- 44:11>> My head my god head.
- 44:12>> Yeah, yeah, yeah, thanks. Your god head.
- 44:14>> Which I still have trouble with
- 44:16the word sometimes because of the dogma
- 44:19behind it.
- 44:20And I was not raised that way. I was
- 44:22raised pretty much as a socialist.
- 44:25It didn't run
- 44:26>> Not a bad way to go.
- 44:26>> not a you're not a bad way to go, but um
- 44:28no no religious dogma at all.
- 44:31>> So um yeah, I would just say the tenants
- 44:34of
- 44:36a spiritually based program is
- 44:39um allows me to not live afraid.
- 44:43And the way that I do that are all the
- 44:48you know, I learned in 12-step rooms. I
- 44:50learned about taking life in small
- 44:53pieces because if I take them in too big
- 44:56a piece, I'll get scared. I I'll I'll
- 44:58project out and it won't be good.
- 45:01You know, I'll go all the way there.
- 45:02>> yeah.
- 45:03>> So
- 45:04I would say that I'm I'm very much in
- 45:06that community. I stay in the middle of
- 45:08all that and I
- 45:10work with other people and I don't
- 45:12forget where I came from. And
- 45:14you know, I I got pretty dark for me
- 45:17there for a minute. And so I um
- 45:21this is what I know about all addiction.
- 45:23It all is in my brain. It's not about
- 45:26any substance.
- 45:27All the substances are filling the same
- 45:30space. So um yeah, I guess that's sort
- 45:34of my
- 45:35you know, and I just have a faith
- 45:38that you know, faith is believing in
- 45:40things you cannot see.
- 45:42Faith is saying, you know, I'm going to
- 45:44turn the light switch on and it's all
- 45:46going to work. And I don't I don't see
- 45:47the wires. I don't know what's
- 45:48happening.
- 45:49>> So I tend to I I like to go there.
- 45:52That's where I But I have to do it
- 45:55kind of daily. I'll forget.
- 45:57>> I know, it's kind of like
- 45:59>> [laughter]
- 46:00>> Huh.
- 46:01This is what I love about acting, cuz
- 46:03really good acting
- 46:07and especially on film, cuz you can see
- 46:09it
- 46:10is the moment, you know, your goal is to
- 46:12be in the moment. Literally not really
- 46:16knowing, even though
- 46:18you have the technique to know that you
- 46:20have more lines coming up or whatever,
- 46:22but to genuinely be in the moment, not
- 46:25do anything until you make me do it, you
- 46:28know, so I'm not
- 46:30giving a demonstration of how
- 46:33it is to be in this moment, but I am
- 46:35literally in that moment. It's very
- 46:36rare.
- 46:37For me, it's 50/50 at best.
- 46:40And you you And when I'm in the moment,
- 46:43I'll go, "Wow, a me. Look at this.
- 46:46I'm in the moment." And boom, you're not
- 46:47in the moment. Which is which is life,
- 46:50>> That's so life.
- 46:51>> it really is.
- 46:52>> It absolutely is. And
- 46:54you know, as an actor, you know, you
- 46:55sort of you have to say sort of it's
- 46:56like the first time you've said
- 46:57something and you've just really said it
- 46:5925 times.
- 47:00>> Yeah.
- 47:00>> So, yeah, it's a hard it's a hard road
- 47:03to to maintain.
- 47:05>> Yeah.
- 47:06>> Yeah, life is like that, too, you know,
- 47:07I find that in my um
- 47:12you know, I think the main thing I
- 47:13probably worry about in my life these
- 47:15days is
- 47:16the future of my children. You know what
- 47:19I mean? Like
- 47:20>> know what you mean.
- 47:20>> Yeah, like wanting their lives to be
- 47:24um
- 47:25as much as I say that we learn so much
- 47:27from adversity, but you know, you want
- 47:30their lives to be
- 47:32comfortable and and not too bumpy and
- 47:35all the things. And so, I have to really
- 47:38practice that concept of
- 47:42you know, one moment at a time with them
- 47:44as well, because I can project way into
- 47:47the you know, I can just tell myself
- 47:48scary stories.
- 47:50>> Just like
- 47:50>> Absolutely. You got yours.
- 47:52>> Yes.
- 47:52>> Yeah.
- 47:53>> And I didn't have the parental guidance
- 47:55that they you know, my parents were gone
- 47:57by the time I was 25. And I pretty much
- 48:00raised myself anyway is what I would
- 48:01say.
- 48:02>> Yeah.
- 48:02>> And um so it's an interesting
- 48:06mix to be the parent of grown children
- 48:10and support and paint pictures of good
- 48:14things rather than put my anxiety on
- 48:17them. Do you know what I mean?
- 48:19>> Yeah, we have one of our kids is leading
- 48:21a life where sometimes I go, I am so
- 48:24fearful and I want to No, no, no, but
- 48:26then as Mary will point out, no, you
- 48:29that's you putting yourself into their
- 48:32life and going, this is unbearable. I
- 48:34couldn't live that way. Not so.
- 48:37For our child
- 48:39quite capable
- 48:42to live within that construct and you
- 48:45know, you're just trying to make her
- 48:47construct your whatever.
- 48:49>> That's what we do as humans. We're like,
- 48:51you know,
- 48:52and we we repeat we we Yes, I'm the same
- 48:55way and as is my husband where we'll
- 48:57just be like, well,
- 48:59they must be feeling the way I felt when
- 49:01I was that age.
- 49:02>> Yeah.
- 49:03>> They're not feeling that way.
- 49:04>> Or or the guilt we have our generation
- 49:07of this world we're leaving them, you
- 49:10know, or AI and all of these things that
- 49:13are genuinely
- 49:15fearsome.
- 49:16>> Yeah.
- 49:16>> Clim- you know, forget about all that.
- 49:18Climate change
- 49:19>> Oh, I know.
- 49:20>> is fearsome and it and it don't really
- 49:22care what your political la-di-da is,
- 49:25it's marching along.
- 49:26>> Yep.
- 49:27>> So it there's a lot of fearsome stuff.
- 49:30But
- 49:31>> They'll manage it. They'll handle it.
- 49:32They'll you know,
- 49:34>> Yeah. Maybe they're the ones that are
- 49:35>> that are going to figure it out. Yeah.
- 49:37>> And so it's kind of our arrogance as
- 49:40parents. You know, it's like we know
- 49:42better.
- 49:42>> Especially boomers, you know.
- 49:44>> Oh, yeah, we're still arrogant.
- 49:47>> not a chance. No.
- 49:49>> That's right.
- 49:50>> I still got it.
- 49:51>> That's exactly right. I I totally agree
- 49:53with that. And so
- 49:55yeah, it's kind of like you know, with
- 49:58age you get wisdom is what I think, but
- 50:01but you also have to remain
- 50:04teachable and humble and all those
- 50:07things rather than shoving your wisdom
- 50:10down everybody's throat.
- 50:12You know, it's like cuz that's how you
- 50:12stay
- 50:14stuck. You know, you know, that once
- 50:17again that trope of what getting older
- 50:19means.
- 50:19>> Yeah.
- 50:20>> I think [clears throat] getting older
- 50:21has to be you have to remain curious.
- 50:23You have to remain like open like I have
- 50:25a lot of young friends. I don't know if
- 50:28you and Mary do, but I hang with like
- 50:30younger people.
- 50:31And I
- 50:32>> and I feel like one of I mean, I don't
- 50:34you know, and I learn so much from them.
- 50:37>> Yep.
- 50:38>> You know, and their perspective and
- 50:39their lives and but you know, so
- 50:42>> And your children I mean, our children
- 50:44are included which is
- 50:47Yeah, sometimes, you know, we feel not
- 50:50included, but 90% of the time we're
- 50:52included in their young friends' lives
- 50:55as well and that's really amazing.
- 50:57>> they love to hang out with you, your
- 50:59kids, you know, because
- 51:01you know, that's just it's an
- 51:03interesting you can be supportive and
- 51:05also be um
- 51:08just uh
- 51:09not arrogant. Not I don't even know how
- 51:11to put it any other way, but I remember
- 51:13my parents like this is the way it is.
- 51:16This is the how
- 51:18and even though I they didn't live long
- 51:19enough for me to really
- 51:21you know,
- 51:22>> rebel
- 51:22>> get in there, but I you know, I
- 51:25I I find it very different now. I just
- 51:28I'm not that way. Plus I find younger
- 51:30people right now since they went through
- 51:31the pandemic.
- 51:33>> Yeah.
- 51:33>> Most of what the younger people and I'm
- 51:35talking like late 20s, early 30s, they
- 51:37feel like they're behind.
- 51:39They feel like you know,
- 51:41>> two years behind
- 51:42>> they've missed it and and they'll forget
- 51:44that they did miss two years. It's not
- 51:47that you're behind, it's that the world
- 51:49stopped. So, um I I do I think
- 51:53that that the example of longevity in
- 51:56whatever you're you know, your career,
- 51:58your family, whatever. I mean, I had a
- 51:59child at 52 through a surrogate, but I
- 52:03became a mother again
- 52:05at 52. And you know,
- 52:09that's
- 52:09>> What? Wait, wait, I just let that in.
- 52:1252?
- 52:13>> Yeah, my husband is 6 years younger than
- 52:15I am, and this is my third husband, and
- 52:17he kind of was he was Sarah and
- 52:20Jackson's stepdad, and when we met, he
- 52:23was like, "I don't want I don't want to
- 52:24have any kids." And I was like, "Okay,
- 52:26cuz I have about 5 minutes left if you
- 52:29want to have kids." And then about 5
- 52:32years in, we started really talking
- 52:34about it, and so we did the whole
- 52:37surrogate process, and and he that's
- 52:41what happened. And so,
- 52:43and did I feel like
- 52:44>> And who is that?
- 52:45>> This is Esme, my sweet Esme, who's 19,
- 52:49and just you know, she's my favorite
- 52:52right now.
- 52:53>> Kids, I love you all. You others. Right
- 52:56now, that's the key thing to take away
- 52:57now.
- 52:58>> Yeah.
- 52:59So, um yeah. So, I think that what
- 53:02you're saying is correct. It's like, you
- 53:04know, you we continue to live life.
- 53:07>> Yeah.
- 53:07>> We don't just fold up and die. I mean, I
- 53:10I I think Jane Fonda is, you know, she's
- 53:13>> Yeah.
- 53:13>> you know, like somebody should look up
- 53:16to.
- 53:16>> Yeah, she pisses me off.
- 53:18>> Really?
- 53:18>> Yeah.
- 53:19>> Cuz she keeps going.
- 53:20>> cuz you keep comparing I compare myself
- 53:23to her, and I go, "Well, you're sure as
- 53:26a slacker, Ted."
- 53:27>> No, I think you're doing just fine, Ted.
- 53:29>> I I am. I am. But tell me about this
- 53:32moment, cuz I read
- 53:34uh you and Kurt did a uh an evening
- 53:36>> Mhm.
- 53:37>> uh of
- 53:39What do you describe it? Sorry, I can't
- 53:41I can't remember. Is a chorus Harmon
- 53:43>> Chorus Harmonia is what it was called.
- 53:46It started about a year ago. I you know,
- 53:49all these years whenever I'm not act
- 53:51whatever I always have a band. I go out
- 53:52and play. I go out and play clubs. So
- 53:55this year I was like I really want to
- 53:57sing and I want to be in a choir. I
- 53:59wanted to sing with other people and I
- 54:01couldn't find a choir. So I just put one
- 54:03together in my living room and I got
- 54:06together 11 singers
- 54:09from different friends from not audition
- 54:11you know, just people that would like
- 54:13you know, kind of come together.
- 54:15And I started picking material
- 54:17contemporary material without the intent
- 54:20here's where it came out of I was so
- 54:22despondent in the early 25 of what the
- 54:25was going on. I had to do something
- 54:29to sort of make myself feel better. So
- 54:31music has always been the thing. So I
- 54:34started picking songs that eventually
- 54:37they didn't tell a literal story but
- 54:38they told an emotional story. It would
- 54:41became an arc of kind of
- 54:44health messed up things are to like
- 54:47what are we going to do about it to like
- 54:49we've been messed up before to like we
- 54:51have to stick together. So it became
- 54:53all the music was sort of leaning itself
- 54:55that way and then I wanted to share it
- 55:00in a way I didn't it this was the great
- 55:02lesson. I had no end game in sight. This
- 55:06was about let's all get together in my
- 55:08living room and we're going to sing. And
- 55:10I found a vocal arranger who put
- 55:12together some arrangements.
- 55:14And before I know it knew it it became
- 55:16like a we decided to make it like a
- 55:18theater piece and my husband stepped in
- 55:20and he wrote almost like a Greek chorus
- 55:24these things that I would say little
- 55:26interstitial things between the music.
- 55:29And then we put like a multimedia
- 55:32component to it where we showed images
- 55:36that didn't literally go with the music,
- 55:38but went with the emotional arc. I hope
- 55:40this is not too complicated.
- 55:42>> it's exactly what I
- 55:43>> It became this beautiful thing that we
- 55:45did at a little theater in Hollywood at
- 55:48the Hudson Theatre.
- 55:49And the intent of it was to make people
- 55:53feel, make me feel that I'm not alone,
- 55:57that there is hope, that the world has
- 56:00been in horrible places before,
- 56:04and we have survived.
- 56:06And so the the little show became that.
- 56:09It was an it's a 66 minutes of music and
- 56:12feels is what we called it.
- 56:14And
- 56:15>> music and
- 56:16>> And and feels.
- 56:18>> And feels.
- 56:19>> Yeah, because it's a very emotional
- 56:21It's not like a play. I don't even know
- 56:22what you call it. It's not a musical,
- 56:24it's not a play, it's a it's it's a it's
- 56:27a piece.
- 56:28>> Yeah.
- 56:28>> And so we performed it
- 56:31um
- 56:32about 2 months ago we we performed we
- 56:35did like 10 performances of it and
- 56:38people walked out really feeling
- 56:41hopeful in a very dark time. And
- 56:46I did, too. And that was it was kind of
- 56:48selfishly motivated. I was just like,
- 56:50you know, but when you sing with people,
- 56:52that choir energy, that vibration
- 56:55is very um
- 56:57and healing and very um community. It's
- 57:02like it's just it just gives you that
- 57:04sense of not being alone. Uh it's really
- 57:07especially when you blend your voices
- 57:08into one sound.
- 57:10>> And um
- 57:12that was the intent and that's what it
- 57:14is. And now we might we might move it.
- 57:16We might do it somewhere else. Yeah, it
- 57:18was really I mean
- 57:19>> Cuz it is what you're describing is
- 57:21literally what
- 57:23the world needs lots of things,
- 57:25including Jane jumping on the ramparts,
- 57:28but it also needs giving people a sense
- 57:31of community.
- 57:32>> Uh-huh.
- 57:33>> Not just because the world is for
- 57:36up politically, but
- 57:39because
- 57:40the you know, technology is leading us
- 57:43into not feeling community. So, you're
- 57:46spreading community, you're spreading
- 57:47that love and hope and everything that
- 57:49music does just naturally. I think it's
- 57:52brilliant what you did and I hope you do
- 57:54do it again.
- 57:55>> Yeah, and it was in a very um not
- 57:59like
- 57:59preachy way. You know what I mean?
- 58:02>> Yeah.
- 58:02>> Like you got the message, you get the
- 58:04message
- 58:05from your
- 58:06>> Yeah.
- 58:06>> from inside without somebody preaching
- 58:09to you and telling you. It was it really
- 58:11my husband who's a really good writer,
- 58:13he just came up he just pieced it all
- 58:15together.
- 58:15>> Yeah, which is brilliant because music
- 58:17penetrates everybody, but if you have uh
- 58:19you put up an opinion out there, then
- 58:22you get push back, you know.
- 58:24>> 100%.
- 58:25>> Yeah.
- 58:25>> This was I mean it's really how we feel
- 58:27about the world it's how I feel about
- 58:28the world. I'm sure you do too. It's
- 58:29just so divisive, just you know,
- 58:32split. It's
- 58:34>> Yep.
- 58:35>> Yeah.
- 58:36>> Can I ask you what it supported? Did you
- 58:38raise money?
- 58:39>> Is that all right to ask?
- 58:40>> money. We gave all the proceeds to
- 58:42Wounded Warriors, which is a vet
- 58:44>> An amazing organization.
- 58:45>> organization and then Chirla, which is a
- 58:48organization for immigrant rights.
- 58:51And so we Yeah, we donated the whole
- 58:53thing. We just, you know, it it was
- 58:56really like we didn't we have no
- 59:00ambition for it, which was one of the
- 59:03first things I've done cuz I'm a very
- 59:05ambitious person create career-wise.
- 59:09You know, I'm just always like I've just
- 59:11a little bit like a
- 59:13this step leads to
- 59:14So, this was a real lesson in doing
- 59:16something just for the sake of doing it.
- 59:18This was not about getting it somewhere,
- 59:21making it something.
- 59:23>> I kind of feel that's what I'm doing
- 59:25with this podcast for me.
- 59:26>> Oh, I bet.
- 59:27>> I mean, of course, you know,
- 59:29the lure was, "Oh my god, there's a pot
- 59:31of gold in these things." But that was,
- 59:33you know, 20 years ago or something. And
- 59:36when you go, "Oh, no, it's that's not
- 59:37it." And then I think about it going
- 59:40away or, you know, not doing it or it
- 59:42would make me very sad because I get to
- 59:45hum a note.
- 59:46>> Yeah.
- 59:47>> That's my note in life and hopefully
- 59:49that it's a
- 59:51like your music, you know, something
- 59:54that is hopeful and
- 59:56>> And we're speaking. We're We're human
- 59:57beings talking to each other, you know.
- 1:00:00Yes. I That's why I like Kurt and I have
- 1:00:03a podcast that's nowhere near this sort
- 1:00:06of pro level. We do it in our house.
- 1:00:09And and when people want to do it on
- 1:00:10Zoom, I'm like, "Yeah, okay.
- 1:00:14If we have to." But I I much prefer
- 1:00:18It's all
- 1:00:19talking to people cuz we're we don't we
- 1:00:21don't we're not super social other than
- 1:00:23sort of in our little recovery
- 1:00:25communities.
- 1:00:26And um so it's been really great. So I
- 1:00:29understand that. Just to
- 1:00:32talk and shoot the It's great.
- 1:00:34>> I like you, Kate.
- 1:00:35>> Oh, Ted.
- 1:00:37>> This is going to be fun.
- 1:00:39>> I think it's going to be really fun.
- 1:00:40Yes. And
- 1:00:42I mean, I felt very like immediate when
- 1:00:44I met You know, I'm sort of one of those
- 1:00:46people that um
- 1:00:48most people um
- 1:00:51tell me their life stories really
- 1:00:52quickly.
- 1:00:53>> [laughter]
- 1:00:54>> When I meet people and um because I
- 1:00:57don't know why I don't know why. It's
- 1:00:59but it's kind of like how Remember Rob
- 1:01:01sat with us and
- 1:01:03>> Yeah.
- 1:01:03>> Yeah.
- 1:01:03>> Yeah, he did. That was very sweet. I
- 1:01:05kind of came in at the tail end of that.
- 1:01:07>> That was Yeah.
- 1:01:08>> Yeah.
- 1:01:09>> Felt safe.
- 1:01:10>> My first mentor, I walked in and his
- 1:01:13depth of uh
- 1:01:15pain that he came back from, you know,
- 1:01:19was like, "Well, why am I
- 1:01:22not going to open up
- 1:01:23>> Absolutely.
- 1:01:24>> real if this person is sharing, you
- 1:01:26know, the depths of real, you know? I
- 1:01:29So, I think that's why people share.
- 1:01:31>> Maybe. And I'm also nosy. I ask a lot of
- 1:01:33questions.
- 1:01:35>> [laughter]
- 1:01:36>> I'm really I I I sort of, you know,
- 1:01:39sometimes inappropriately. Like, I'll
- 1:01:40meet somebody, I'll just be like right
- 1:01:42into their personal life, you know? Got
- 1:01:44a girlfriend? Got a boyfriend? What's
- 1:01:45up?
- 1:01:46And, you know, it's it sometimes it's
- 1:01:49intrusive, but most times I find people
- 1:01:51are happy to talk about themselves.
- 1:01:53>> Yeah.
- 1:01:54>> You know, they really like that. And
- 1:01:56plus, you know, when you're around the
- 1:01:57I'm not good at small talk. I I don't
- 1:01:59even know what small talk is.
- 1:02:01>> her. I mean, really terrifies.
- 1:02:03>> Yeah. I I I get that. I'm not
- 1:02:05[clears throat] sure even exactly what
- 1:02:07that
- 1:02:08is. I I don't know.
- 1:02:11You know, if somebody says to you, "How
- 1:02:12are you?"
- 1:02:14and your statement is always fine,
- 1:02:17that feels a little ingenuous to me.
- 1:02:20Like, I I think I think the answer is
- 1:02:23like, "Well, today's okay."
- 1:02:25But
- 1:02:27you know, I I think for me
- 1:02:30So
- 1:02:31>> No, I
- 1:02:32Yeah, and and also that Yeah, you you
- 1:02:34>> We've met at like things.
- 1:02:36>> I guess so because she said to please
- 1:02:38give you
- 1:02:39>> Yes.
- 1:02:40>> her best.
- 1:02:41>> Yeah. We've met like backstage at some
- 1:02:43blah blah blah. So um
- 1:02:46>> yeah, yeah. I think there is a kindred
- 1:02:47something because she has a lot of
- 1:02:47respect for you.
- 1:02:48>> That's great. Well
- 1:02:49>> Yeah.
- 1:02:50>> She plays music.
- 1:02:51>> wouldn't have let me be with you on
- 1:02:53film, you know.
- 1:02:54>> [laughter]
- 1:02:55>> Does she have that kind of say? No.
- 1:02:57>> No.
- 1:02:58>> No.
- 1:02:58>> No, she doesn't.
- 1:03:01Well, you know what?
- 1:03:03>> Mhm.
- 1:03:04>> The rest will will will be in front of a
- 1:03:07camera.
- 1:03:07>> That's right. And more will be revealed.
- 1:03:09>> Yeah, you're very kind to come in and do
- 1:03:11this. I really appreciate it.
- 1:03:14Selfishly for the podcast, I'm saying I
- 1:03:17really appreciate it. But I I love that
- 1:03:19we got to do this.
- 1:03:21>> I know.
- 1:03:22I think it'll help us out.
- 1:03:23>> Because on a set, there is by necessity
- 1:03:25sometimes small talk.
- 1:03:27>> Right.
- 1:03:27>> Or talk us interrupt us, you know, you
- 1:03:30don't get to always go there.
- 1:03:33>> And that's a good one. Talk us interrupt
- 1:03:35>> interrupt us. Very good. Yes.
- 1:03:37>> So I I really feel
- 1:03:40Yeah. Because we our characters do like
- 1:03:43each other.
- 1:03:43>> Yeah. We do like each other.
- 1:03:45>> Yeah. And respect each other.
- 1:03:47>> also started so quickly that it's good
- 1:03:49to
- 1:03:51you know, have a have a bonding
- 1:03:53experience.
- 1:03:54>> Yes, I agree.
- 1:03:54>> So that we, you know,
- 1:03:56>> Cuz we can't go out and have a drink
- 1:03:57together and consider that bonding,
- 1:03:59which it never was by the way.
- 1:04:01>> I like to eat.
- 1:04:02>> [laughter]
- 1:04:04>> Thank you.
- 1:04:04>> Thank you.
- 1:04:05>> Yeah.
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