"John Edwards 911 show" 2002.VOB — Transcript
Full transcript
- 0:09Thank you.
- 0:14Thank you.
- 0:15I want to thank you guys for coming out
- 0:17and being a part of the show today. And
- 0:18I always say this, you guys are the
- 0:19show.
- 0:21All right, here we go.
- 0:23Okay.
- 0:26So, I'm being pulled this way. So, it
- 0:27might extend past
- 0:29whoever you came with and shoot down
- 0:31here. So, I need you guys to listen as
- 0:32well.
- 0:33Um
- 0:36I need to acknowledge that there is a
- 0:38male figure here who has crossed to the
- 0:40side, which is husband or brother. Which
- 0:42means I've got a male figure to the side
- 0:43here who has crossed. That's got to be a
- 0:44husband or brother except from here
- 0:46going down here. So, you lost a husband?
- 0:49As your husband is coming through, he
- 0:50wants to acknowledge that he has either
- 0:52your brother or his brother with him,
- 0:54okay? There's a a brother figure that's
- 0:55there. I also want to acknowledge that
- 0:57September is significant for the family,
- 0:59okay? He's making me feel like I should
- 1:01say 28. He's making me feel like the
- 1:0329th. The end of a month has to be
- 1:05significant as well. Maybe not
- 1:07September, but the end of another month
- 1:08is significant.
- 1:09His birthday was 29th.
- 1:11Okay. Our anniversary also. Now,
- 1:14there's a war song that he wants me to
- 1:17bring up.
- 1:18So, I don't know if there's a special
- 1:20connection that you have with him from a
- 1:22war time song.
- 1:23Um but there's a war reference here,
- 1:25like a war song, like do you know the
- 1:27song You Were Always In My Heart?
- 1:30Oh my god.
- 1:31Always in my heart. What does that mean?
- 1:33it on his graveside, Always In My Heart.
- 1:35Those exact words. Okay. Cuz
- 1:38I actually have
- 1:40I was listening to that song this
- 1:42morning in my car
- 1:44because it was a song that reminded me
- 1:46of my grandmother and my grandfather.
- 1:48And I looked at that and I'm thinking,
- 1:49why am I listening to that today?
- 1:51Now I know why.
- 1:52And he's telling me to acknowledge the
- 1:53person who ran the meat store or the
- 1:55person who worked in food or they did
- 1:57something with food cuz I've got a food
- 1:58feeling like I feel like I'm actually
- 1:59slicing meat in a deli or something. I
- 2:01feel like I've got that connection. Who
- 2:02worked with the food? Who worked with
- 2:04meat or sliced in a deli or did this?
- 2:05Past. Do you think it's still here?
- 2:06Well, I used to have a dessert catering
- 2:08business. Did he help you with this? No,
- 2:10but
- 2:11not really. This has to be somebody
- 2:13who's in meat.
- 2:15Specifically what they're showing me is
- 2:16prosciutto.
- 2:18Where's the CR, like Carmine, Karen,
- 2:22Chris, who's got that? Who is that? It's
- 2:24my ex-sister-in-law. Okay. It's that
- 2:27family that we're probably going to be
- 2:28acknowledging that last statement to as
- 2:29well.
- 2:30Now, let me just say
- 2:32Okay.
- 2:36Now, you're not related to her husband?
- 2:38Mhm. Okay. But you must have known him
- 2:40because he's telling me to say hello to
- 2:41you. Yeah. Hi.
- 2:44I think I'm coming to you. You've got
- 2:45the S connections on the other side cuz
- 2:47it's coming through from him. I'm
- 2:48supposed to say that your father's there
- 2:49as well. He's telling me to No? Yeah.
- 2:51Oh, okay. Cuz I was going to be all
- 2:52pissed off ready to argue with like,
- 2:53yes, he is.
- 2:54No, no, no, no, that was like
- 2:56Okay, cuz this man is telling me to
- 2:57acknowledge that your father is there.
- 2:59I'm also going to tell you that there's
- 3:00a connection to somebody listening to
- 3:02This is my musical section. There's a
- 3:04connection to um a male opera singer.
- 3:07There's a connection to something with
- 3:08male opera. I'm hearing loud opera
- 3:09voice, whether it be Mario Lanza or
- 3:11Pavarotti, Placido, I don't know what
- 3:13this is.
- 3:14Um
- 3:15Josh Groban, but there's like a male
- 3:16voice, loud.
- 3:18It's here.
- 3:19It's here.
- 3:20listened to Andrea Bocelli a lot.
- 3:21Yeah. Okay.
- 3:23Then it's to the point
- 3:25that it's as if somebody made a song or
- 3:28a cassette or a CD of music to remind me
- 3:30of dad, like that kind of that kind of
- 3:32stuff. Okay.
- 3:34My brother did it. Now,
- 3:36Mom is also crossed?
- 3:38No. Well, really?
- 3:40Not since I've TALKED TO HER.
- 3:49NOW, I THINK THAT WHAT HE'S TRYING LET
- 3:50ME JUST SAY THIS. WAS HE MARRIED BEFORE?
- 3:52NO. OKAY.
- 3:55Your dad has a female energy who's with
- 3:57him. Uh-oh.
- 4:02That I would see as not being his
- 4:04sister.
- 4:05Okay.
- 4:06That's there. I feel like it's another
- 4:08female energy that he wants to
- 4:09reference.
- 4:10It's a non-blood
- 4:13connection to him.
- 4:15Okay, and her name was?
- 4:18Hold on, let me ask him.
- 4:22This is going to be sound worse. I'm
- 4:23like digging a deeper hole here. Um
- 4:26Might somebody have been a Rockette?
- 4:30He's dancing?
- 4:33He looks amazing in these tights.
- 4:38All I know
- 4:38as he's happy. As long as he's happy.
- 4:42So, let's get your mom on the line and
- 4:43see what she says.
- 4:45Hey. Oh, my mother was jealous over her
- 4:47situation and that's what I'm wondering
- 4:49if it's
- 4:49About like a dancer or Rockette or some
- 4:51type of like, you know, at a showgirl
- 4:53kind of connection. Okay. Well,
- 4:55with him? Now, my mother's going to be a
- 4:57little upset with She's here and he's
- 4:59there?
- 5:00It could just be his reference to like
- 5:02say, you know, go tease your mom.
- 5:03around, yeah.
- 5:05It's just very significant that he finds
- 5:06this fun to do to put out there.
- 5:08But I feel like it's important that
- 5:09March for your mom, March is connected
- 5:11to your mom.
- 5:12That's what he done. Okay. Cuz you need
- 5:14to just put March to your mom. And he's
- 5:16also making me feel like there is a
- 5:18young handicapped boy
- 5:21that he wants me to acknowledge. That's
- 5:22my ex-husband's wife's son. Okay.
- 5:26My feeling is I'm watching over the
- 5:27child. So, I I I I know that, you know,
- 5:30this is like one of those things where
- 5:31you sit back and go, why would your dad
- 5:33Yes, that's what
- 5:33want to watch over Right, that's what
- 5:35anybody that would be sitting in your
- 5:36position would be thinking. But I have
- 5:37to tell you that it's an amazing thing
- 5:39about when they come through and they
- 5:41see the connections or what your dad
- 5:42might be working out, you know, on the
- 5:44other side and he's seeing this child as
- 5:46being waved I don't know. All I know is
- 5:47what they're showing.
- 5:48birds.
- 5:51Okay, I want to be really clear. You
- 5:52just said asking about the birds, right?
- 5:54Okay.
- 5:55He just said wait. He just said he
- 5:57didn't have birds.
- 5:59No.
- 6:00Is that incorrect? No, that's correct.
- 6:02Keep thinking. Oh, okay.
- 6:08No, I mean, let him talk a little bit
- 6:09more.
- 6:10Okay, cuz they're not with him. No.
- 6:12Okay, cuz he's making me feel like I
- 6:13don't have them.
- 6:17Am I getting I'm not getting anything
- 6:18else on that except that I don't have
- 6:20them. They're not there. Okay.
- 6:24If you ever do, let me know.
- 6:25Would you settle for
- 6:27a catfish?
- 6:30Now he's being smart.
- 6:33Did they show me the catfish?
- 6:35I rescued two of them from the pond.
- 6:38In Florida where I lived.
- 6:41I hate fish.
- 6:50He knows you too, then.
- 6:52So, did one of your catfish
- 6:54leave? Cross over?
- 6:56Well, I put them in this pond. I rescued
- 6:57them after rain in Florida and I put
- 6:59them in the pond and I had never saw
- 7:00them again. So, there were two of them.
- 7:02I went running in the backyard with
- 7:03these catfish cuz they were on the
- 7:04street. You
- 7:06They ended up
- 7:07The sump backed up from the from the
- 7:09pond and it All the fish were on the
- 7:11street, so I
- 7:12That would have been my worst nightmare.
- 7:16And with the the real ugly ones.
- 7:18me screaming like a woman in the middle
- 7:19of the street going, get these things
- 7:20away from me.
- 7:22And I just picked them up.
- 7:25Do you know some Louie Louie?
- 7:27He's singing that in my head. Any reason
- 7:28why?
- 7:29I have an Uncle Lou who passed.
- 7:33Do you guys like all know families and
- 7:34stuff like that because it's like he is
- 7:35hanging out with his family and his
- 7:36family's walking by this family. Okay.
- 7:39Yeah.
- 7:40Just know that they see this as their
- 7:41way of coming through and they're very
- 7:42excited to be able to do this for you.
- 7:44These women tell us more about their
- 7:46reading when we return.
- 7:48And later, she was a doctor testing the
- 7:51healing power of prayer with those who
- 7:53needed it most. But at the crossroads of
- 7:55science and faith, she met a fate that
- 7:58no one expected.
- 8:04The computer is
- 8:06Welcome back to Crossing Over with John
- 8:08Edward.
- 8:09I need to acknowledge that there is a
- 8:11male figure here who has crossed to the
- 8:13side, which is husband or brother. He
- 8:15was
- 8:16an extraordinary man.
- 8:18Unfortunately, he
About this transcript
This page contains the full transcript of "John Edwards 911 show" 2002.VOB by Andy Rachfalski, generated from the public captions YouTube serves with the video. The transcript has 1,501 words across 255 segments, with the original timestamps preserved so you can click any line to jump to that moment in the embedded player.
What you can do with it
Use the transcript to take notes, quote the speaker, build a study guide, generate a summary with ChatGPT or Claude via the YouTube Summary tool, or export it as a timed subtitle file with YouTube to SRT. You can also re-open it in the transcriber to translate the transcript into 100+ languages.
Free YouTube transcript tool
YouTube2Text is a free YouTube transcript generator — no signup, no daily limit. Paste any YouTube link and get the full transcript instantly, with timestamps, click-to-jump, translation to 100+ languages, AI prompts for ChatGPT, Claude, and Gemini, and exports to TXT, SRT, VTT, or Markdown.