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Introduction to Surrealism — Transcript

by Niki Conley · 908 words · 173 segments · language en · Watch on YouTube

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  1. 0:00hi y'all so this video is your quick
  2. 0:02introduction to
  3. 0:04surrealism as a movement so the movement
  4. 0:07of surrealism is actually
  5. 0:08kind of hard to succinctly define
  6. 0:12in just a few minutes for a video like
  7. 0:14this and the reason for that is that
  8. 0:17you know surrealism wasn't just one
  9. 0:19particular style
  10. 0:20but rather a set of shared concerns
  11. 0:23a set of concerns that were held by a
  12. 0:26group of artists
  13. 0:28you know hundreds of them actually uh
  14. 0:30you know most of the
  15. 0:31groups that we've been talking about
  16. 0:32thus far have been sort of small
  17. 0:35right some of them only like two people
  18. 0:37uh but in fact
  19. 0:38for the surrealist movement we're
  20. 0:40talking about dozens
  21. 0:42even even hundreds of individuals who
  22. 0:45are all sort of interested
  23. 0:46in this same sort of again sort of set
  24. 0:49of concerns in their art
  25. 0:50and these artists writers etc were all
  26. 0:53sort of working under the watchful eye
  27. 0:56and
  28. 0:56control of a man named andre breton
  29. 0:59who was a french novelist and poet
  30. 1:03who was the leader the sort of official
  31. 1:05leader
  32. 1:06of the surrealist movement breton
  33. 1:09was really pretty bossy and controlling
  34. 1:12uh
  35. 1:13so there were lots of infights between
  36. 1:15the surrealists
  37. 1:16and you know even some expulsions
  38. 1:19famously
  39. 1:20dali who is perhaps today the most
  40. 1:22famous surrealist painter
  41. 1:24was actually kicked out of surrealism by
  42. 1:26breton
  43. 1:27so again this is a sort of very official
  44. 1:29sort of bureaucratic
  45. 1:30group uh that was fairly organized
  46. 1:34and we're all sort of working toward
  47. 1:37again a sort of particular set
  48. 1:39of ideas it through different stylistic
  49. 1:42strategies all right so what were these
  50. 1:45concerns
  51. 1:46well the surrealists had lived through
  52. 1:48the first world war
  53. 1:50so similarly how we spoke about data
  54. 1:53that dada
  55. 1:54was interested in irrationality
  56. 1:57given the belief that you know in
  57. 1:59irrational people
  58. 2:00if humans were truly at their core
  59. 2:03rational
  60. 2:04and enlightened how would these
  61. 2:06individuals
  62. 2:07you know walk into a war that led to
  63. 2:10such
  64. 2:11destruction the surrealists felt
  65. 2:13similarly
  66. 2:14and they were following a thinker named
  67. 2:16sigmund freud
  68. 2:18who was a psychoanalyst who believed
  69. 2:20that
  70. 2:21everyone uh had these sort of dark
  71. 2:24churning
  72. 2:24inner worlds that this unconscious
  73. 2:28that was just sort of bubbling you know
  74. 2:30beneath the surface
  75. 2:32full of violent dark and oftentimes
  76. 2:35darkly
  77. 2:36sexual thoughts fears anxieties desires
  78. 2:40and the surrealists were interested in
  79. 2:43tapping into that
  80. 2:44in his manifesto breton says you know
  81. 2:47we're sort of at war with a
  82. 2:49oppressive reign of logic so they wanted
  83. 2:51to do away with logic with rationality
  84. 2:54in their art
  85. 2:55and instead wanted to embrace the
  86. 2:58illogical
  87. 2:59wanted to utilize strategies that
  88. 3:02could enable artists to tap into their
  89. 3:05unconscious minds that dark
  90. 3:07bubbling inner world that is not easily
  91. 3:10accessed
  92. 3:11through conscious thought right that's
  93. 3:13sort of the whole idea of the
  94. 3:14unconscious is that
  95. 3:15it's this inner world that's there
  96. 3:17that's controlling us in ways that we
  97. 3:18don't understand
  98. 3:19but we can't through our awake thoughts
  99. 3:23understand and access and process that
  100. 3:26so the surrealists are sort of looking
  101. 3:29for ways that they can tap
  102. 3:30into that so they come up with a few
  103. 3:32different strategies for doing so
  104. 3:34so one of the strategies that we'll talk
  105. 3:36about is automatic drawing
  106. 3:38automatism trying to paint and draw
  107. 3:42before thought not putting too much
  108. 3:44awareness in their actions just sort of
  109. 3:46doing it with a sort of clear
  110. 3:48and unencumbered mind then the other way
  111. 3:52that these surrealists try to tap into
  112. 3:54their unconscious
  113. 3:56is through exploring dreamscapes
  114. 3:59and there aren't making worlds that
  115. 4:02appear
  116. 4:02like strange dream visions that are
  117. 4:05meant to be
  118. 4:06a sort of insight for viewers and
  119. 4:09insight into the inner mechanisms of the
  120. 4:12artist's mind
  121. 4:13so they're meant to be a sort of
  122. 4:14cathartic sort of spilling
  123. 4:16of the artist's guts onto the canvas
  124. 4:19right the sort of outpouring
  125. 4:20of not just anyone's unconscious but the
  126. 4:22artist unconscious
  127. 4:24so is this political right so we've
  128. 4:26talked a lot about different
  129. 4:28movements and where they lie in terms of
  130. 4:30politics i think that's an
  131. 4:32important theme in this class with
  132. 4:34surrealists it's a little trickier
  133. 4:36so some of the surrealists were
  134. 4:38communist but
  135. 4:39it wasn't something that the entire
  136. 4:41group was a part of
  137. 4:43so they each sort of had their own
  138. 4:45politics right so it wasn't
  139. 4:47at its heart a movement about explicit
  140. 4:50engagement with politics
  141. 4:51but there is something sort of radical
  142. 4:55just about the notion of the unconscious
  143. 4:58right the notion that
  144. 4:59we all have these dark inner worlds
  145. 5:01right there's something sort of
  146. 5:02leveling about that that we're all sort
  147. 5:04of these dark sickos inside
  148. 5:06even the people who look really sort of
  149. 5:09buttoned up like they've got it all
  150. 5:10together right we're
  151. 5:11we're all messed up in our own sort of
  152. 5:13weird unique ways
  153. 5:15and so there is something sort of
  154. 5:16radical about that
  155. 5:18you know embrace of that particular
  156. 5:21philosophy
  157. 5:22and the rejection of enlightenment
  158. 5:24philosophies which
  159. 5:26had been by that time sort of reigning
  160. 5:28in society
  161. 5:29for a couple of centuries so
  162. 5:34so what i don't really know how to so
  163. 5:36political
  164. 5:38radical yeah kind of so it's sort of a
  165. 5:41tricky
  166. 5:42question i think to answer when it comes
  167. 5:44to the surrealists
  168. 5:45all right uh so that probably is enough
  169. 5:49for our quick intro to surrealism for
  170. 5:53our lesson this week and we will dig in
  171. 5:56a lot more to these themes in our videos
  172. 5:59below
  173. 6:00and i will see you there

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