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indi- genius nn — Transcript

by noy narciso · 2,474 words · 477 segments · language en · Watch on YouTube

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0:10[Music]
0:13welcome
0:14to indie genius
0:18the culture of improvisation
0:23innovation and creativity
0:27this is diner seesaw
0:31[Music]
1:10so
1:13improvisation is is a common word
1:17it is used by anybody it is issues by
1:20everybody
1:22not just the artists people are doing
1:25this unconsciously
1:26if they can encounter a
1:29uncertainty or certainties in their
1:33lives for example something to
1:35solve the problem sometimes you
1:38improvise
1:40is the act of improvising and innovating
1:42to find a solution
1:44for a particular circumstance it also
1:47means
1:47transformation or borrowing
1:51it is all commonly used in music theater
1:54and performing arts and
1:59for me to be able to rationalize
2:03and contextualize the relevance of my
2:06action the relevance of
2:09[Music]
2:10this art activity as part of my creative
2:13process
2:14i borrowed some concepts
2:17and anchored my idea to
2:21articulate it example from
2:26some scholars did not mention about
2:28improvisation
2:29but they use other terms to explain it
2:33johan and madeleine rose
2:37utilized the word spontaneity so
2:40spontaneity is a term always
2:43associated with um it is actuated
2:46directly to
2:46improvisation because it's the actual
2:48it's this the spontaneous
2:50is the flow of fluidity
2:53even kant is
2:57he described improvisation as the
2:59emergence
3:00it's an act of a particular moment or
3:03you use the word sponta spun tanitat
3:06while moreno mentioned about the
3:08readiness of the subject to respond as
3:10required so this is
3:12a a response no a direct response to
3:17question to a problem or a solution
3:22and it requires only basic
3:25uh ability on the common sense
3:28merrill men use the word anak so it is
3:32the actual an action
3:34aristotel use the word pronesis or
3:36practical wisdom
3:38so very simple practical wisdom
3:41refers to the common sense it refers to
3:43the ability
3:45to ability of the person to
3:49[Music]
3:51solve a certain issue or
3:55to respond on a certain act or an
3:58encounter
4:00some people use the word sport of the
4:02moment
4:04[Music]
4:05now some use the word ba it's a japanese
4:09term for knowledge creation so
4:11that is one thing good in improvisation
4:14this is not just an escape not an ugly
4:16but
4:16it allows the the individual the artist
4:19to
4:20somehow know to meet the accident
4:23or at the same time be able to draw out
4:26something a technique
4:28it can also be an aha or a yorica
4:33improvisation as described in
4:37other art forms means thinking and
4:39acting spontaneously
4:41it's an on the spot a theatrical
4:44improvisation with no script
4:46that's according to matuzak for dave
4:49morris suggested that improvisation is
4:51the act of
4:52improvising being spontaneous and making
4:54stuff
4:55up the next slides are
4:59are evidences of improvisation in the
5:03everyday life
5:04and encounter this in the early stage of
5:06my
5:07my exploration towards improvisation not
5:10just
5:10in the field of the arts but also in the
5:13everyday life
5:14and the this one is a street performer
5:17in panama city
5:18i was astonished uh and amazed with izab
5:21he's aside from his performances his
5:24bicycle because everything is there his
5:26things
5:28the battery the amplifier the speaker
5:31are all installed in the bicycle
5:33it's very good the next slide is a our
5:38toys these are improvised toy a speed
5:40boat by the elementary students in santo
5:42tomas
5:43central elementary school del norte i
5:46saw them i when i passed by i saw them
5:50playing
5:50so i was curious and i saw this
5:53this is a an artwork that this is a
5:57functional a toy and i was joking about
6:00it that this is a
6:01project between china america
6:05and philippines the the plastic
6:08is the other case is america
6:12and china is the rubber ban and the
6:15philippines is the barbecue stick
6:18and it provides team the next one is a
6:21an improvised four-wheel
6:22farm car i also found i found it i
6:25i discovered this in santo thomas public
6:28market
6:29um everything is 100 is actually done by
6:32a local look at the creativity
6:35this one is an improvised gasoline tank
6:36and i was looking to
6:38this motorcycle was the castle in tank
6:41but
6:42even use the plastic container
6:46the oil plastic now let's go there for
6:49the oil as the
6:50source of the gasoline and look at the
6:53rubber
6:53that they use as also an interior of the
6:56uh
6:57of a tire
7:02the next one is the the way we name
7:04cookies and bread and bakery
7:06filipinos love even i i love the napa
7:09with tape but what i enjoyed there most
7:12is the
7:13how they play with names naming the
7:17cookies and bread huffman
7:20boron hopia bulbari yoyo
7:23and torta raisin cake
7:26but you know glass i experimented
7:30i bought one each
7:34kind but when i tasted it they're almost
7:37the same
7:37yeah my joke is it's
7:42a lot the other one is an improvised
7:45shade for a hubble habal
7:47from a tarpaulin ads in montevista
7:50now the body or before it's combat look
7:53at this the
7:55before the for before the commercial
7:58plastic cover they already explode aside
8:01from that is the
8:03top load the upload is the design term
8:06for top load
8:07so it is appropriated for passengers and
8:11even local tourists love to stay on the
8:14top inside of
8:15the the seats under
8:18this tricycle is a design influenced by
8:21rolling hills and mountainous air
8:23terrain
8:23in pagadian city this is the best
8:25example of form fallow's function
8:28it is counterweight to be able to
8:31drive into uphill and downhill
8:36the other one is a calendar inspired
8:38tracy karinosami
8:39if you look at it it has a different
8:43design
8:43it is uh influenced by
8:47the old plaque an encounter with
8:51a ethnolinguistic uh
8:54group it was actually was uh
8:58doing a performance during christmas uh
9:01this is 10 or 15 years ago um
9:05i i was amazed because of a two-string
9:08guitar with the speaker
9:10microphone tape deck
9:13then if you notice there are other parts
9:16installed into that instrument
9:17that the traditional instrument the
9:20tuning keys
9:21are still in traditional format but at
9:24the back of the bodies
9:26there's battery and in front when you
9:29open it
9:30there's the tape deck
9:33so i asked him why so every time down uh
9:39he start playing he can play the
9:42record then or if he wants accompaniment
9:45he can also play it
9:46or in case the
9:50string he can play and just pretend that
9:52he's actually playing
9:54uh the uh pick still traditional but
9:58instead of using the abakka he used the
10:00nylon string
10:02and even under the trompano a speaker
10:05so this is something new so like this
10:08there's a microphone also in the
10:10in the instrument so i asked him
10:29another that interests me is the
10:32improvisation
10:33in apaya in a vernacular house
10:36so i am interested in this because of my
10:40love of the countryside so if you notice
10:44uh i mean dried coconut leaves
10:47are used as toothpick wood planks a step
10:50on and branches
10:52[Music]
11:11like the old sleepers as stoppers
11:14plastic containers as a funnel
11:18and even discarded galvanization as used
11:21as a gutter
11:23and start pulling posters from the
11:26cities are also reused as protection
11:29from rain
11:30or used as florma used as covering
11:34and even the net
11:37from a garden was also used as a fishnet
11:40and even a discarded metal was used as a
11:43scraper
11:44even the broom and dustpan
11:47was actually made from a plastic
11:49container
11:51and even the plus wrappers are also used
11:55to tie up the broomstick
11:58and all the the
12:02the materials there the plastics are
12:04reused
12:06and even the trees are converted into
12:09hangers
12:10or anything that you can put something
12:12they so the improvise
12:14everything is fluid the space is
12:17is alive and
12:22this is one thing that i notice with
12:23improvisation is that
12:25these are the movements the
12:28action the choreography that
12:31everything you can hang
12:34you can insert something you can
12:38do multi-functional space for example
12:40the
12:41veranda is for resting and it's also for
12:44receiving sea tours
12:45and for storing our vested crops and
12:48they
12:49to the extent of the the door was even
12:51used for a
12:52formula for a last two digit
12:55gambling and cleaning is also part of
12:59the
13:00activity you know the action that was
13:02used for improvising
13:04you can lean anything anytime in
13:07a farm in its vicinity
13:10even tying is one action also
13:15padella's door handle
13:19then the space are well
13:22but they're also there are distinctions
13:24of spaces some
13:26dangerous objects and elements like
13:28pesticides and organs are put
13:30on the on the top of the area of the
13:32house
13:33or the post but they're also donating
13:37spaces of sacred and private space the
13:39altar
13:41but they also put there the sprayer
13:44so but this particular utilization space
13:48they also
13:49change from time to time also the
13:51important
13:52the even the definition of space are
13:55also improvised
13:57put a bamboo but you can run over it you
13:59can step over it but
14:01just an installation just to remind you
14:03of a friendly territorial mark
14:08now this is what i realized that
14:12filipino houses filipino space either is
14:14a jeep that's a tricycle these are all
14:17extensions of the if you notice the
14:18design
14:20these are all uh according to antolia on
14:22his uh
14:23in her research that it's a culture of
14:26improvisation is a way of life
14:28it's characterized by adaptation
14:30creativity and innovation
14:32um and instead every day aesthetic
14:36it's different from the perspective
14:37looking into fine arts and
14:39other art forms in the mainstream then
14:42another thing that i learned from
14:45um this observation with the filipino
14:48spaces
14:49is uh the concept of de leon philippe
14:52philippe de leona the common filipino is
14:55a maximalist
14:56filling up every available space with
14:58forms and things
15:00so it spins from an expressive
15:02exuberance deeply rooted in emotional
15:04sensitivity
15:05and a strong urge to connect so to the
15:07extent they even use this as a
15:12as a representation for achievement or
15:16narrative or memories
15:21so even the way we deal with people
15:24they it's a fluid thing spontaneous
15:28young
15:29interaction now this time we will
15:32explore the
15:33my improvised instruments or my diy
15:36instruments
15:37this one is a battle this is one of the
15:39oldest instruments that i made
15:41these are this particular instrument
15:45by a pentatonic
15:49composition arrangement
15:52but the sound are based not only on the
15:57uh not by
16:00notes but based on the sound and pitch
16:02of the battle and their arranged as is
16:05and it's also inspired by the story of
16:09my
16:10mother that uh you know the sound of the
16:13shell when you put that in your in the
16:16beach
16:16[Music]
16:19i haven't experienced that now because
16:21you can no longer see
16:23conch shell in the along the shoreline
16:25but i was able to experience that
16:27in a decorative a
16:31conscious display in the house the next
16:34one is um
16:36an instrument these are found in the
16:40shoreline but they are actually from the
16:42mountains and uh during flood
16:44they went away to in the shoreline they
16:46are now
16:47soaked uh in salt water so it is not
16:51preserved
16:52so what i did is i assembled it i clean
16:54it up for
16:55almost a month under such time
16:58by instinct and then put my crack
17:02open so by putting up using a
17:06phenomenon top between three food and
17:08who i
17:09arrange
17:10[Music]
17:14the next one are my instruments using
17:17the
17:18miracle fruit and the white actually are
17:23left in the school these are used for
17:26armies
17:27all the materials there are found
17:29objects even even
17:31the they're all inspired also by
17:32indigenous the same exploration of a one
17:34string guitar
17:35they are fretless the casseroles to
17:38string vibrato
17:39those in guitar sound almost the same
17:42with the secret sound you can even see
17:44the
17:44even a wooden
17:48station to be as a bridge this one is uh
17:55you have to use a bow to
17:58to produce a sound you know high-pitched
18:01sound
18:03and this one is a three-in-one vibrato
18:05these are actually a combination of
18:07kalimba and pipe and battle
18:11this one is another instrument this is a
18:14tank from a motorcycle
18:18this one is a sprayer this one is a
18:21sound effects
18:22producer i also use
18:26discarded parts of the instruments like
18:28the tuning keys
18:29even the um belt from
18:32from the bicycle some parts of the
18:34motorcycle some parts of the
18:36anyway you know so there are springs
18:40the sounds uh it produces an eerie sound
18:45this one is a this is
18:48uh by the way all of these artworks are
18:52are visual they are decorative but at
18:54the same time
18:55you can also use it you can also use tc
18:57in a performance
18:59this one is a battle you can actually
19:01play this by carrying it like this
19:03it's a big work
19:06touch the spring they will create
19:08vibrations and when you put some
19:10when you amplify this you create a
19:12different sound a different
19:13uh vibration a different uh tone
19:18this one is a two single vibrato for an
19:21object a real takori
19:22and i use the the battle as the
19:26slider it's only a one swing guitar
19:33this one is um sound box so this is the
19:35first sound box i made that that
19:37was exhibited in manila in makatin
19:40the title so mine teratera means the
19:45not just food leftovers the tirana
19:47commentary but
19:49these are always discarded things you
19:51said you can actually play with it there
19:52are strings
19:54you can scrape it you can touch it and
19:57it is also amplified
19:58uh this is a time piano inspired by
20:02kalimba
20:03uh but instead of using the kalinda
20:07the african have their own way of
20:09musical notation
20:10what i did is that i i tried to imitate
20:13the kolintang
20:14uh using the pentatonic or the seven
20:17notes but uh
20:20but somehow i only use five notes not to
20:22retain
20:23its uh indigenous uh
20:26uh aura and sound so i even use the
20:29fashion tab was wash i have
20:31everything they're all some are by the
20:34way i use the tines i
20:35use they are actually they are
20:39from a wiper the metal
20:42uh strip in a wipe car wiper
20:46somewhere apart from the kitchen uh some
20:49are
20:50from old tambourine springs uh
20:54i use anything some are from the surplus
20:56store
20:57some are found objects but there are so
21:00many violations
21:03operated sit hit sing string and others
21:06that you can actually create sound
21:08but through vibrations the length and
21:10the way you
21:11tighten it also affects the sound
21:15this one is a discarded instrument it's
21:18a good precautions with
21:19metals uh with a height and sound
21:23so there are varied sound you put some
21:25springs and
21:26also some metal that i can produce um
21:31this innovation
21:45[Music]
21:56to
21:57[Music]
22:03[Music]
22:07you

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