If you hear footsteps in the Hoosac Tunnel, RUN — Transcript
Full transcript
- 0:00Today, I'm going to share two stories,
- 0:02and [music] in each of them,
- 0:04the story hinges on one really specific,
- 0:08very strange event
- 0:10that nobody in the story is really able
- 0:13to understand.
- 0:14And so I'm going to tell you these
- 0:15stories. I'm going to detail those
- 0:17events, and it will be up to you what
- 0:19you believe.
- 0:20But before we get into today's stories,
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- 0:24Mysterious delivered in story format,
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- 0:48Okay, let's get into today's stories.
- 0:52[music]
- 1:06On the afternoon of March 20th, 1865,
- 1:10an explosives expert named Ringo Kelly
- 1:12held up his lantern as his two
- 1:14co-workers, Ned Brinkman and Billy Nash,
- 1:17drilled some holes in the wall at the
- 1:19end of this tunnel that was deep
- 1:20underground. So Ringo and Ned and Billy
- 1:23were part of an excavation team that was
- 1:25building the Hoosac Tunnel, which would
- 1:27eventually become a massive five-mile
- 1:30railroad tunnel that went straight
- 1:31through the Hoosac Mountain in
- 1:33northwestern Massachusetts. And so far,
- 1:36their team had already dug through and
- 1:37basically blasted away about two miles
- 1:40of this tunnel. And so now, Ringo and
- 1:42his two co-workers, they were basically
- 1:44at that two-mile endpoint deep in this
- 1:47mountain, and they were setting up some
- 1:48more explosives to continue to to burrow
- 1:51deeper into the mountain. Now, they did
- 1:53this every day, so even though obviously
- 1:55they're working with something really
- 1:56dangerous, explosives, the three of them
- 1:59were very casual as they doing this. I
- 2:01mean, as they're drilling their holes
- 2:02and getting ready to to blow up this
- 2:04section of the tunnel, they're just
- 2:05laughing and joking and making plans to
- 2:08get a drink after their shift was over.
- 2:10And so Ringo watched as Ned and Billy
- 2:12finished drilling these holes in the
- 2:13wall, and then they began placing these
- 2:15tubes of explosives into these holes
- 2:18that had just been drilled out. And each
- 2:20of these sticks of dynamite, they were
- 2:22connected with a lead, basically wiring
- 2:24that all fed into one sort of main trunk
- 2:27line or a main wire. And that went all
- 2:30the way back, way back up the tunnel in
- 2:32the direction of the mouth of the
- 2:34tunnel, but not all the way out of the
- 2:36tunnel that was, you know, 2 miles away,
- 2:38but pretty far back to where there was a
- 2:41detonator. And so the idea was when you
- 2:43press the detonator, you are far enough
- 2:45back from the actual explosive site that
- 2:48the blast radius, you know, won't affect
- 2:50you. And so it was actually Ringo's job
- 2:52to be the one overall in charge of the
- 2:55scene, and it was actually his job to
- 2:57literally press the detonator. And so
- 3:00once he saw that Billy and Ned were
- 3:02basically done placing the explosives
- 3:04and they were kind of like finishing
- 3:06tying them all off and he could
- 3:07basically see they were just about done,
- 3:09he told them that he was going to head
- 3:11back up the tunnel and go to the
- 3:13detonator and just sort of prep his
- 3:15station so that he would be ready to
- 3:17press the detonator
- 3:19once Ned and Billy came up there and
- 3:21joined him. And so the group separates.
- 3:24Ringo makes his way up. You know, Ned
- 3:25and Billy, they're they're talking about
- 3:27the weekend. They're they're finishing
- 3:28up.
- 3:29And Ringo, he goes all the way back way
- 3:31up the tunnel and he eventually reaches
- 3:33this detonator.
- 3:35And when he gets there, he had to, you
- 3:36know, finagle this trunk line and
- 3:38connect it to the detonator and just
- 3:39sort of make sure all the pieces were in
- 3:41the right place. And so he did that. And
- 3:43as he's, you know, getting himself ready
- 3:45here, he keeps looking back into the
- 3:47tunnel, deeper into the tunnel where his
- 3:49his colleagues are and he can hear them,
- 3:51but they haven't emerged yet. And so
- 3:53he's just kind of he's not anxious. He's
- 3:55just waiting and, you know, looking down
- 3:57the tunnel and he's, you know, finagling
- 3:59again with the detonator, making sure
- 4:00it's it's all good to go. know, it good.
- 4:04And at some point, just inadvertently,
- 4:06as he's sort of manipulating the
- 4:08detonator,
- 4:09he accidentally presses it. And a second
- 4:13later, before he can do anything, there
- 4:15is this massive eruption deep inside the
- 4:18tunnel as he's now set off the
- 4:20explosives, and Ned and Billy clearly
- 4:23are still down there. Like they are
- 4:25clearly in the blast radius. And he's
- 4:28like, oh my god, I've killed them. He
- 4:30doesn't even know what to do. Like this
- 4:31rush of smoke and dust and debris comes
- 4:34blazing up the tunnel. He's he's
- 4:35blocking himself as he's getting hit by
- 4:37all this debris. And then he stands up
- 4:40and he's he's thinking like, what do I
- 4:41even do? Like if they were down there
- 4:43near enough to the blast site, I mean,
- 4:45one, they're probably dead, but maybe
- 4:47they've just been been maimed or they've
- 4:49been wounded and now they're they're
- 4:50covered in rubble. Like I have to go
- 4:52down there and try to save them.
- 4:55But he's also thinking like this type of
- 4:56of potential rescue effort could be
- 4:58could be massive. [music]
- 5:00And he's like, I need to go get help.
- 5:02Like I can't possibly potentially remove
- 5:04the rubble to get to them if they really
- 5:06are okay. And so he's like,
- 5:08I have to go back up to the entrance and
- 5:11get help here.
- 5:12Because remember like blasts going off
- 5:14inside of this this tunnel were totally
- 5:16normal. And so anybody outside the
- 5:18tunnel would not assume there was an
- 5:20emergency in the tunnel just because
- 5:22there was an explosion.
- 5:24And so Ringo, he hopped on this cart
- 5:27that basically went up and down the
- 5:28tracks within the tunnel. It would get
- 5:30the the the miners basically in and out
- 5:32of the tunnel. And he began racing up
- 5:35the tracks. It's like a manual pump
- 5:37racing up the tracks with this cart all
- 5:39the way to the entrance to to get some
- 5:40help. And so he finally after, you know,
- 5:42this agonizing several minutes of,
- 5:44[music] you know, he's running through
- 5:45his head like what he's done. He can't
- 5:47believe it. He he still can't hear Ned
- 5:48and Billy. You know, it's silent in the
- 5:50tunnel.
- 5:51He finally gets to the entrance. He
- 5:53comes [music] outside and he sees other
- 5:55workers nearby. They're unfazed because
- 5:58again, they know like explosions they
- 6:00happen in this tunnel. That's normal.
- 6:02And he's waving. He 's yelling like,
- 6:03please, you got to help. Like
- 6:05Ned and Billy, they were in there. I I
- 6:07set off the explosive to early. They're
- 6:09they're trapped. You got to help me.
- 6:11And immediately people did jump into
- 6:12action. They [music]
- 6:13they rushed back into the tunnel
- 6:15alongside Ringo. You know, they they hop
- 6:17on the cart. They go blazing in. [music]
- 6:20And sure enough, they get down to that
- 6:21two-mile mark where the explosion that
- 6:24Ringo had inadvertently triggered too
- 6:26early. They they get there
- 6:28and [music] Ned and Billy are are are
- 6:30not there. I mean, Ned and Billy, if
- 6:31they're there, they're they're they're
- 6:33underneath the rubble.
- 6:34I mean, they were killed. [music] It was
- 6:35it was obvious they were dead. Like no
- 6:37one could have survived. And eventually
- 6:39after a pretty gargantuan effort by the
- 6:42other miners, they were able to to pull
- 6:44away the debris
- 6:46and they were able to confirm that
- 6:48Ned and Billy were in fact killed from
- 6:50this blast.
- 6:52Now Ringo, of course, just [music] felt
- 6:55awful about what had happened. I mean,
- 6:57you know, it was totally an accident
- 6:59that he had pressed on the detonator. I
- 7:01mean, it was almost like muscle memory
- 7:03in some ways because he had done this so
- 7:04many times before. It's like he just did
- 7:06this thing that he was so used to doing,
- 7:08but
- 7:09you know, obviously with catastrophic
- 7:11consequences.
- 7:12And so when his colleagues, [music] his
- 7:15friends to some degree were were pulled
- 7:17out of the tunnel,
- 7:19I mean, Ringo felt an enormous amount of
- 7:21guilt and he felt like [music] if
- 7:23anything his his co-workers, the other
- 7:25miners that were not involved in this,
- 7:27that were a part of the the rescue
- 7:28efforts,
- 7:29they would see what a terrible accident
- 7:32this was. And of course, you know,
- 7:34sympathize with with Ned and Billy and
- 7:36their families of course, but also
- 7:38sympathize with Ringo. Like this was a
- 7:40genuine accident. [music]
- 7:42But Ringo found shortly after the the
- 7:45bodies were removed from the tunnel
- 7:48that Ringo really didn't receive any
- 7:51sympathy.
- 7:52If anything, people, the other miners
- 7:54and people in [music] town
- 7:56began to suspect that
- 7:58this was no accident,
- 8:00that Ringo did not accidentally press
- 8:03the detonator.
- 8:05Ringo did that on purpose. [music] He
- 8:06murdered Ned and Billy.
- 8:08And this became like the story.
- 8:11And Ringo, I mean, again, he already
- 8:13felt so awful about what happened. You
- 8:15know, he certainly wasn't going to, you
- 8:17know, go on some tirade defending
- 8:18himself because he did ultimately kill
- 8:20them, not intentionally, but it was like
- 8:23this terrible situation for him. And so
- 8:25he quickly quit his job as a miner. And
- 8:28then even after that, he couldn't even
- 8:29stay in town because everywhere he went,
- 8:31he was persona non grata. He was like
- 8:34the killer. No one liked him. No one
- 8:35wanted to be around him. And so
- 8:37ultimately Ringo, he just left town. He
- 8:39just had to get away from this this
- 8:41[music] place that was full of so much
- 8:42trauma and and pain for him.
- 8:45And so he leaves town and he he tries to
- 8:47get jobs in other parts of of the area,
- 8:49but to no avail. And really it wasn't
- 8:52because of his reputation. It was
- 8:53actually just because Ringo himself was
- 8:55was so tortured by what had happened.
- 8:58It's like he couldn't think about
- 8:59anything else besides what happened to
- 9:01to, you know, his colleagues that he
- 9:03[music] killed.
- 9:04He wasn't thinking that he did it on
- 9:05purpose. Like he knew it was an
- 9:06accident, but he just felt like I ended
- 9:09people's lives. Like that's so awful.
- 9:10How can I do anything at this point
- 9:12[music] in my life? Like I'm a I'm a
- 9:13tainted person here.
- 9:15And so he's just like this tortured
- 9:17soul. He's he's living by himself, you
- 9:19know, he's he doesn't really have any
- 9:20friends. He's sort of just living this
- 9:22very isolated life.
- 9:24And before long, it winds up being a
- 9:26year since the actual unfortunate
- 9:29accident and he realizes like the the
- 9:31first anniversary of the deaths [music]
- 9:33of Ned and Billy is fast approaching.
- 9:36And Ringo, you know, he's he's moved out
- 9:39of town, but he's close enough that he
- 9:41he knows that tunnel is not far from
- 9:43where he is. [music] And he thinks to
- 9:44himself,
- 9:45you know,
- 9:46even though he'll never be able to take
- 9:47back what happened, he can't, you know,
- 9:49undo the fact that he caused, you know,
- 9:51these deaths,
- 9:52he thinks, you know what, I should I
- 9:54should on the anniversary to honor, you
- 9:56know, the these these two men that I I
- 9:58[music] killed.
- 10:00I should go back to the Hoosac tunnel. I
- 10:02should just go into the tunnel, go back
- 10:04to the the two mile mark
- 10:07inside of the tunnel where the actual
- 10:08explosion had happened. And also by this
- 10:10point, you know, they drilled much
- 10:11further into the tunnel, but go to the
- 10:14the two mile mark and sort of pay his
- 10:16respects. He's thinking, maybe if I do
- 10:18that,
- 10:19I can sort of move on and and not be
- 10:22tortured by this for the rest of [music]
- 10:23my life. Because for what it's worth, he
- 10:25had not gone back inside that tunnel
- 10:27since the day it happened. So this is
- 10:28like his chance to
- 10:30yeah, move on, basically.
- 10:32And so on the day
- 10:34uh of the anniversary, Ringo, he he's
- 10:36not going to go back to the tunnel in
- 10:38the middle of the day because workers
- 10:40are there still trying to drill this
- 10:42massive five mile tunnel through the
- 10:43mountain.
- 10:44So he waits until after midnight when he
- 10:47knows, you know, from having worked on
- 10:49this tunnel that no one's going to be
- 10:50there. You know, their equipment will be
- 10:52there and, you know, technically there
- 10:53could be some people that are supposed
- 10:55to oversee it, but
- 10:56realistically he knew, you know, nobody
- 10:58was going to be there.
- 11:00And so he goes, he makes his way back,
- 11:02he goes to the opening of this tunnel
- 11:04and, you know, no one's there. And he's
- 11:06like, okay, I'm going to I'm going to go
- 11:08inside this tunnel, I'm going to walk
- 11:10all the way to the
- 11:11the two mile mark, [music] I'm going to
- 11:12pay my respects, and I'm going to move
- 11:14on with my life.
- 11:16And so he's got his lantern and he's
- 11:17he's standing there like looking into
- 11:19this this dark tunnel late at night.
- 11:21[music] And once he's ready, he begins
- 11:24walking and he disappears into the
- 11:26tunnel.
- 11:27Several hours later, so early the next
- 11:30morning, if you will, basically at the
- 11:31start of the next work day,
- 11:33a worker who worked in the Husick
- 11:35tunnel, who basically was doing the same
- 11:37job that Ringo had been doing, you know,
- 11:39before the accident happened, [music]
- 11:41this worker shows up and the first thing
- 11:43he does is he gathers his crew, they hop
- 11:45on that cart that takes them down into
- 11:47the tunnel and they begin their commute
- 11:50deep into this tunnel. They [music] were
- 11:51at like the three mile mark at this
- 11:53point. That's where they needed to keep
- 11:54drilling from. But when they got near
- 11:56the two mile mark, right as they were
- 11:58getting close to that point, they have
- 11:59their, you know, lanterns up, there's
- 12:01some sparse lighting in the tunnel,
- 12:03they saw something laying on the ground
- 12:05in the middle of this tunnel that
- 12:06looked, you know, totally out of place.
- 12:09And so they slowed down their cart and
- 12:10they're trying to figure out what it is.
- 12:12And then as they walked over, they got
- 12:13up the cart and walked over and they
- 12:15looked more closely,
- 12:17they realized it was a person. And the
- 12:19person was dead.
- 12:20And so they're totally shocked by this.
- 12:22They're wondering like who is this?
- 12:23How'd they get down here? You know,
- 12:25we're the first ones in here. We were in
- 12:27here late last night. Like nobody was
- 12:28here. [music] And they they roll this
- 12:30person over. And they recognize him.
- 12:34It was Ringo. They they knew him from
- 12:36his reputation from when he had worked
- 12:38there a year earlier. I mean, this is
- 12:39sort of a notorious person in the mining
- 12:41community, but they're like
- 12:43how is he dead? Why is he here? What's
- 12:45going on?
- 12:47So after Ringo was discovered, obviously
- 12:49authorities were called. They came out
- 12:51and they investigated. And really
- 12:53quickly, they were just confounded at
- 12:56the details of of this case.
- 12:59Because, you know, it was true that no
- 13:00one really knew why Ringo was in the
- 13:03tunnel to begin with. I mean, obviously
- 13:04he had this history of the tragic
- 13:06accident a year earlier, but
- 13:08you know, it's been a year. He hasn't
- 13:10worked here. There's no reason for him
- 13:11to be here.
- 13:13But more than that, there wasn't a clear
- 13:15[music] explanation for even how he had
- 13:18died. I mean, he was just laying in the
- 13:20middle of this tunnel. He was not on the
- 13:22tracks of this cart. He was just laying
- 13:24in sort of the walking section of the
- 13:26tunnel. And there was no, you know,
- 13:29debris that could have fallen on him.
- 13:31There were no at least [music] visible
- 13:32marks on his body that suggested how he
- 13:34had died.
- 13:36He wasn't a particularly old guy. He
- 13:38didn't have any, you know,
- 13:40you know, health issues that anybody
- 13:41knew about. It was just like, oh, here's
- 13:43this guy who really shouldn't be here,
- 13:45who's randomly dead deep in this tunnel.
- 13:48It just
- 13:49it was odd. And so quickly, [music]
- 13:51his body was sent off to the medical
- 13:53examiner to to figure out what happened
- 13:55to him. [music] And the medical examiner
- 13:57did make a very significant discovery.
- 14:00They found that Ringo almost certainly
- 14:04had been murdered because they
- 14:05discovered he had [music] strangulation
- 14:07marks all around his neck. He had been
- 14:10asphyxiated. Somebody had very likely
- 14:12wrapped their hands around his neck and
- 14:14throttled him to death.
- 14:17But
- 14:18that information does not comport with
- 14:21what was actually found in the tunnel.
- 14:23So if somebody's throttling you, like
- 14:25you're going to be moving around, but it
- 14:27was as if he was just like placed there
- 14:28in the tunnel. Now obviously Ringo had
- 14:30this this bad reputation for having
- 14:33killed these these [music] two guys. And
- 14:35so, you know, of course there were
- 14:36people out there that likely wouldn't
- 14:38have been [music] that upset to find out
- 14:40that Ringo had died.
- 14:42But it had been a year since since the
- 14:44accident had happened. There really was
- 14:46no clear sign that he had any distinct
- 14:48enemies out there. Maybe a general
- 14:50negative sentiment towards him, but
- 14:52there really wasn't any one person or
- 14:55any group of people that really had it
- 14:57out for Ringo. At least that's what
- 14:58people said after he was found dead,
- 15:00that you know, he maybe wasn't loved,
- 15:02but he also wasn't hated to the point
- 15:04where somebody was going to come out
- 15:05here and and kill him.
- 15:07And more than that, it's again like why
- 15:09is he out in this tunnel, so deep in the
- 15:11tunnel? How is he found like this with
- 15:13with no sign of a struggle? Like the
- 15:15whole thing was just really weird.
- 15:17And so ultimately, despite a pretty
- 15:19extensive investigation,
- 15:21authorities were not able to determine
- 15:23who did this. Like there weren't really
- 15:25any clear suspects, and those that were
- 15:27identified were quickly ruled out.
- 15:29And so his murder just went unsolved.
- 15:31[music]
- 15:32And so what we're left with is either
- 15:35someone did expertly strangle Ringo so
- 15:40efficiently and effectively that they
- 15:42caught him off guard and you know,
- 15:44didn't leave any scuff marks and they
- 15:46somehow managed to either lure him into
- 15:48this tunnel 2 miles in and and killed
- 15:50him right there, or maybe they killed
- 15:51him elsewhere and they they placed him
- 15:53at the 2 mile mark likely to to sort of
- 15:56connect with [music] the fact that he
- 15:58had killed those two people at the 2
- 15:59mile marker. Like that's possible,
- 16:02unlikely considering how deep the
- 16:04investigation went and to figuring out
- 16:05who could have done this.
- 16:07Or as many people in the community began
- 16:10to suspect,
- 16:12maybe the ghosts of the two men who
- 16:15Ringo inadvertently killed, or maybe
- 16:17killed intentionally, we don't really
- 16:19know.
- 16:20Maybe they were waiting for him in the
- 16:21tunnel, and maybe they [music] strangled
- 16:24and killed him.
- 16:39Early one morning in January of 1939, a
- 16:43middle-aged woman named Caterina Veraldi
- 16:45was getting out of her bed at her home
- 16:47in the small town of Catanzaro, Italy,
- 16:49[music] when she heard a knock at the
- 16:50door.
- 16:51And she was a little confused by this
- 16:53because it was definitely too early for
- 16:54visitors.
- 16:56But still, she got dressed and she went
- 16:58to answer it anyways. And when she
- 17:00opened the door, she was very surprised
- 17:02to see a police officer standing there.
- 17:04And so Caterina, she looked at him
- 17:06clearly confused [music] why he was
- 17:08here, and he just said to her, Are you
- 17:10Caterina Veraldi? And she just nodded.
- 17:12[music]
- 17:13At which point the officer pulled out a
- 17:15letter that he had in his pocket, and he
- 17:17handed it to her.
- 17:18Caterina, she looked at it, and then she
- 17:20kind of looked at the officer, and he
- 17:22sort of nodded like you should open this
- 17:23right now. And so she just opened the
- 17:26letter up. She pulled out the letter,
- 17:28and immediately as she just saw the
- 17:31letter, I mean she felt her her knees go
- 17:33weak because she recognized the
- 17:34handwriting.
- 17:35All the letter said was, Dear Mother,
- 17:38[music] if you want to see me, I am
- 17:40still your poor son.
- 17:42And this really shook Caterina to her
- 17:44core because this for sure was her son
- 17:47Pepe's handwriting.
- 17:49But her son Pepe was dead.
- 17:523 years earlier, Pepe [music]
- 17:54he'd gotten really drunk after having
- 17:56this just awful breakup with his
- 17:57girlfriend. Pepe was 19 years old at the
- 18:00time, and he was just really struggling
- 18:02with this relationship. You know, he
- 18:04[music] felt like, you know, his life
- 18:05was ruined if you will. And you know,
- 18:08because he was drunk, he he leaped off
- 18:09the [music] bridge and he took his own
- 18:11life. And so Caterina, when she heard
- 18:13about this, I mean of course as a
- 18:15mother, she is just beyond devastated.
- 18:17[music] I mean even today, she still
- 18:19felt just as devastated in some ways as
- 18:21she did three years earlier. And then
- 18:22also making matters even worse somehow
- 18:25for Caterina
- 18:26was the fact that [music] Pepe was
- 18:28actually her last living child at the
- 18:30time.
- 18:31She had a daughter who also had
- 18:33tragically died before Pepe. And so Pepe
- 18:36is her only child. And to have him take
- 18:38his own life was just beyond devastating
- 18:41for her. [music] And so now to be seeing
- 18:43this letter and and to see his
- 18:45handwriting and and just the way the the
- 18:48wording was [music] raised is it was so
- 18:50Pepe. Like that was how he spoke.
- 18:53But, you know, Caterina she's she's
- 18:55looking at this letter and she's
- 18:56thinking
- 18:57this isn't possible. Like this must be
- 18:59like an old letter or something. And and
- 19:00why am I receiving it now? Like all
- 19:02these thoughts are going through her
- 19:03head because again her son is dead. Why
- 19:06am I getting this letter? Why is this
- 19:07officer giving this to me?
- 19:09But then as she's looking at this letter
- 19:11thinking it's got to be just really old
- 19:12and for whatever reason they're they're
- 19:14going to great length to give it to her
- 19:16or something, but she she's looking at
- 19:18the letter
- 19:19and it didn't [music] look old. The
- 19:20letter looked really new. The the ink on
- 19:23the page looked very fresh.
- 19:26And so [music] Caterina she just the
- 19:28first question she had to this officer
- 19:29was not like why are you giving this to
- 19:31me? It was
- 19:32is this a recent letter?
- 19:35And the police [music] officer he just
- 19:36nodded and he said yes, it's very
- 19:39recent.
- 19:41Less than an hour later, so around 7:00
- 19:43a.m. that morning,
- 19:44Caterina followed that same policeman up
- 19:46to the front door of a house that was in
- 19:48a nearby town. When they got to the
- 19:50door, Caterina just stood there not
- 19:52really even knowing what to expect.
- 19:54And the policeman looked at her, nodded,
- 19:56and then
- 19:57knocked on the door. And then a moment
- 19:58later, a man opened the door and quickly
- 20:01ushered Caterina and the officer inside.
- 20:03[music]
- 20:03And this man he introduced himself as
- 20:06Dr. Giovanni Scambia. And he quickly led
- 20:09Caterina down this short hallway and
- 20:12into a bedroom.
- 20:13And Caterina I mean she really is just
- 20:15so confused by this whole thing. She's
- 20:16just she's just going with the flow
- 20:18here. And you know, after a moment she's
- 20:20she's standing in this bedroom and she
- 20:23sees this girl, this teenage girl, that
- 20:26Caterina, she's she's never seen this
- 20:27girl before in her life, but this girl
- 20:30who's in this bedroom [music] as soon as
- 20:31she sees Caterina, the girl sprints over
- 20:34to her and gives Caterina this huge hug.
- 20:37And then in a voice that was like really
- 20:40deep relative to what you might expect
- 20:42of a teenage girl's voice, she's like,
- 20:45Mom, it's so good to see you. And
- 20:47Caterina at this point, she's so freaked
- 20:49out by all of this. I mean, this was all
- 20:51happening really quickly, and she still
- 20:53didn't even understand it. She just sort
- 20:55of stumbled backwards and just was
- 20:56completely shaken, like didn't even know
- 20:58how to react to this.
- 21:00So before Caterina and the police
- 21:03officer had arrived at this home, the
- 21:05police officer had explained a bit more
- 21:07to Caterina about sort of what was going
- 21:09on here.
- 21:10He told Caterina that this girl that she
- 21:13was going to go meet, this teenage girl,
- 21:15was named Maria Talarico, and she was
- 21:18the one who had actually written that
- 21:19letter that was supposedly from
- 21:21Caterina's dead son, Pepe. So Pepe had
- 21:24not written it,
- 21:25this teenage girl had. But this girl,
- 21:27Maria, was claiming that she was
- 21:30possessed by Pepe's ghost.
- 21:32And apparently she'd been acting so
- 21:34bizarrely that her family had hired Dr.
- 21:37Scambia to try to figure out what was
- 21:39happening to her, and one thing had led
- 21:41to another, and this letter had been
- 21:43given to the officer, and he [music] had
- 21:45found out about this weird situation,
- 21:47and now, you know, Caterina's getting
- 21:48involved. So no one really knew what was
- 21:51actually happening here, how legitimate
- 21:53this this was or was not, but but here
- 21:55they were. And so now in the bedroom,
- 21:57Dr. Scambia, he turned to Caterina and
- 21:59he just said, You know, I came here with
- 22:02the intent of of disproving that she was
- 22:05possessed by your son's ghost.
- 22:08But I have no medical explanation for
- 22:10her behavior.
- 22:12And she seems to know a lot of things
- 22:14about your son that
- 22:16she should not be able to know,
- 22:18which tells me
- 22:20maybe she's telling the truth.
- 22:22So Maria, the teenage girl, had never
- 22:25known Pepe when was alive. They have
- 22:27absolutely no connection whatsoever.
- 22:29But now somehow she was able to write in
- 22:32his exact handwriting. And she would
- 22:34even write the way she would organize
- 22:36words exactly the way Pepe used to
- 22:38speak. Like this this was channeling
- 22:41Pepe's essence really discreetly.
- 22:44And on top of that Maria also had been
- 22:46able to recognize people and and recall
- 22:48stories that
- 22:49really only Pepe would have known. Dr.
- 22:52Scombia had even brought some of Pepe's
- 22:54friends over to the house just to to
- 22:56show Maria as well as another police
- 22:58officer who had randomly encountered
- 23:00Pepe the night before he had died.
- 23:02And Maria unprompted had immediately
- 23:05recognized all of them. Knew who they
- 23:07were by name and what relationship they
- 23:10had to her, you know, as Pepe, as this
- 23:12this possessed [music] person. So like
- 23:14information that just was not possible
- 23:16for her to have she had. And Caterina, I
- 23:19mean she was just stunned beyond words
- 23:21at this point. [music] There was a part
- 23:23of her that was was horrified at what
- 23:25she was being told and and what she was
- 23:27seeing here in this girl who just kept
- 23:29looking at her really intently with
- 23:30these these big bright eyes, you know.
- 23:32She just staring at her like it's like
- 23:34they really are related here. Like she
- 23:36was horrified, but also there was a part
- 23:38of her, Caterina, that she just she
- 23:40wanted this to be true. She she
- 23:41desperately missed her son. And you
- 23:44know, the idea of, you know, in a weird
- 23:46indirect way of getting to interact with
- 23:48Pepe again through this this girl seemed
- 23:51sort of amazing.
- 23:52And so for the first time since arriving
- 23:54at this house
- 23:55Caterina, she went from just being
- 23:57completely shocked into inaction if you
- 24:00will
- 24:01to like taking a deep breath and just
- 24:03looking at Maria. Like looking at Maria
- 24:05closely and trying to see, you know, is
- 24:08is my son really in there?
- 24:10And so she looks at Maria and Maria
- 24:12again is like wide-eyed looking really
- 24:14expectantly back at Caterina.
- 24:16And there was this moment for Caterina
- 24:18where it's like wow I I feel like I can
- 24:21like sense my son here. It was like this
- 24:23really powerful thing.
- 24:25And as the two of them are having this
- 24:27this moment, this emotional moment in
- 24:28the room where everyone's just silent
- 24:30and they're staring at each other.
- 24:32At some point, Maria, the girl, she just
- 24:34she moves closer to Katerina
- 24:37and she says,
- 24:38I have to tell you a secret.
- 24:41Katerina, she's like, okay, like
- 24:44what?
- 24:45And this girl, Maria, in her her weirdly
- 24:47deep voice, she she put her her mouth up
- 24:50to Katerina's [music] ear and she
- 24:51whispered something in Katerina's ear.
- 24:54And when Katerina heard this, she just
- 24:56like recoiled. She went from having
- 24:58this, you know,
- 24:59wonderful moment to being like, what is
- 25:01going on here? Like who are you? What
- 25:04how could you say that to me?
- 25:06And for a minute, [music] there's like
- 25:07shocked silence again. And so before
- 25:10long, it's like Katerina's crying and
- 25:13and Maria's crying. The whole room is
- 25:14just filled with hysterics. And then a
- 25:16moment later, Maria's actual mother, her
- 25:19biological mother, she comes rushing
- 25:21into the room. She sort of sees this
- 25:23scene playing out. She doesn't really
- 25:25know anything about Katerina or really
- 25:28even know what to make of this whole
- 25:29situation. She just worried about her
- 25:30kid. She comes in and she grabs Maria
- 25:33and kind of shields her from Katerina as
- 25:35if it's Katerina's fault that any of
- 25:36this is happening. And she just says to
- 25:39Katerina like, you need to get out of
- 25:40here. Go.
- 25:42And Katerina, I mean, she's already so
- 25:44upset that she just turns
- 25:45and she leaves. And so Katerina, she
- 25:48gets back home and she really doesn't
- 25:50know what to make of what's just
- 25:51transpired here. I mean, talk about a a
- 25:54roller coaster of emotions here from
- 25:56receiving that letter to meeting the
- 25:57girl. I mean, the whole thing was just
- 25:59[music] chaos. You know, she has no idea
- 26:01what to make of it. But, you know, after
- 26:0324 hours or so, Katerina really began to
- 26:06fixate on the secret that Maria
- 26:08whispered in her ear.
- 26:10And she just she had to know,
- 26:12is it possible that what she whispered
- 26:14to me really is true? Because if it is
- 26:17true, it absolutely had an effect on her
- 26:20understanding of what happened to her
- 26:22son.
- 26:23And so Katerina, after about a day or
- 26:25so, was like, I need to go back and see
- 26:28this girl, Maria, and dig into this
- 26:30thing, and figure out like,
- 26:33is it possible that what you told me
- 26:34really is true?
- 26:36But unfortunately, Caterina would
- 26:38discover that by the time she went back,
- 26:40like a day or so later, to to talk to
- 26:43Maria again, that apparently Maria's
- 26:45possession was now over.
- 26:48And Maria was back to being regular old
- 26:50teenage girl Maria and apparently had no
- 26:52memory of even having been possessed by
- 26:55Pepe. [music] And more than that, even
- 26:57if, you know, Caterina had her own
- 26:59skepticism around whether or not she was
- 27:01ever possessed or what,
- 27:03Maria's mother
- 27:04really blamed Caterina for for a lot of
- 27:07the problems that that came from this
- 27:08possession. She sort of felt like
- 27:10Caterina was somehow to blame and when
- 27:12she walked in the room and saw the the
- 27:14crying happening, she really blamed
- 27:15Caterina.
- 27:17And so she wouldn't allow Caterina to
- 27:19even talk to Maria.
- 27:20So there's now like this wall being put
- 27:22up between Caterina and this girl and
- 27:24it's like she'll never get to the bottom
- 27:27of what she was told by Maria for for a
- 27:30multitude of reasons now. No more
- 27:32possession and mom will not let me see
- 27:33Maria.
- 27:35And so Caterina's like stuck.
- 27:37You know, she has no way of knowing if
- 27:38it's true or not and so for for for
- 27:40days, months, for years, Caterina would
- 27:43try to investigate and figure out if
- 27:46what she was told was true or not and
- 27:48she just she couldn't get to the bottom
- 27:50of it, no matter what she did.
- 27:52And so eventually years went by and you
- 27:56know, it never really left Caterina's
- 27:57mind, you know, what she had been told.
- 28:00But fast forward to 1951. So now it's
- 28:02been 10 years since Caterina received
- 28:05that letter and and met Maria for the
- 28:08first time.
- 28:09And Caterina on, you know, some morning
- 28:11in 1951,
- 28:13she goes out to her mailbox and she sees
- 28:16there's a letter and it's from
- 28:17Argentina.
- 28:18And she immediately is thinking it's
- 28:20kind of odd that she's receiving mail
- 28:22from Argentina. She she didn't know
- 28:24anybody in Argentina.
- 28:26This was definitely a personal note
- 28:27someone had written her.
- 28:29But she she opens it up
- 28:30and she reads the letter inside and she
- 28:33just cannot believe what it says.
- 28:36So when Caterina went to the home where
- 28:40Maria lived and met with Maria,
- 28:42at the time Maria was possessed, you
- 28:45know, possessed by
- 28:46Pepe's ghost. At least that that was
- 28:48what Maria was saying, that's what the
- 28:49doctor was saying. That was sort of the
- 28:51running theory is that she is currently
- 28:52possessed. And so as she's speaking, as
- 28:55Maria is speaking,
- 28:57theoretically it's sort of like Pepe is
- 28:59speaking. And so what Maria told
- 29:01Caterina or what, you know, Pepe's ghost
- 29:04told Caterina the secret was
- 29:07I didn't jump off the bridge. I was
- 29:10murdered by Luigi Marchetti.
- 29:12And when Caterina heard this, at first
- 29:14she was just horrified that somebody
- 29:16would even insinuate something so awful
- 29:19about her son. I mean, as it is, the
- 29:21whole situation was bad enough, but to
- 29:23suggest something so inflammatory, so so
- 29:25incredible, it's like it felt really
- 29:27disrespectful. [music] And so obviously
- 29:30Caterina's initial reaction to this is
- 29:32shock, it's it's to be upset.
- 29:35But over the coming hours, days, weeks,
- 29:38you know, even though she didn't have
- 29:39access, Caterina did not have access to
- 29:42Maria because of her mother and, you
- 29:43know, the the possession stopped.
- 29:45Caterina, she began to think about Luigi
- 29:48and began to remember details about sort
- 29:51of what happened after her son died that
- 29:53now seemed really suspicious.
- 29:55Most notably, that friend, uh, Luigi,
- 29:59right after Pepe died,
- 30:02Luigi fled the country.
- 30:05Like left his life. Didn't didn't tell
- 30:07anybody he was leaving, he just left.
- 30:09Left the country.
- 30:10And where did he move?
- 30:12Argentina.
- 30:14And so fast forward to 1951, so 10 years
- 30:17after Caterina has has met with Maria
- 30:20and she's been told this secret that,
- 30:21you know, her son was actually murdered
- 30:23by this this guy Luigi who's now in
- 30:25Argentina. She can't prove it. She's
- 30:27gone to the police. No one no one's
- 30:28buying this because it's coming from,
- 30:30you know, this possessed person. Like no
- 30:32one's buying that. She receives this
- 30:34letter from Argentina [music] and it's
- 30:36from Luigi. And this letter from Luigi
- 30:40is a confession.
- 30:41He had fled the country because he
- 30:43killed Pepe along with some other
- 30:45people. They had gotten drunk. They had
- 30:47basically beaten Pepe to death and then
- 30:49left his body under the bridge to make
- 30:51it look like they suicide.
- 30:53But he'd felt so guilty about it, he was
- 30:55now writing to Pepe's mother to say, you
- 30:57know what?
- 30:58I got to come clean. I did this.
- 31:01And so Caterina, she can't believe it. I
- 31:03mean, this is incredibly vindicating.
- 31:04It's also like, wait a minute. Does that
- 31:06mean Maria was actually possessed by my
- 31:09son? Like, this is also crazy. And so
- 31:11using this letter, the police tracked
- 31:12down Luigi in Argentina and they
- 31:14arrested him. And they also arrested
- 31:17another suspect who apparently was
- 31:18involved.
- 31:20In total, there had been four people
- 31:21according to Luigi, including himself,
- 31:23that that committed this murder. But by
- 31:25this point, two of them had died. So it
- 31:27was just Luigi and the one remaining
- 31:29suspect as well. They were both
- 31:31arrested, charged with murder, and found
- 31:33guilty.
- 31:34Maria claimed she was never possessed
- 31:36any other time except for that one
- 31:38instance where she spoke to Caterina and
- 31:40told her the secret.
- 31:41Following that, she lived a completely
- 31:43normal life and again had no memories of
- 31:46anything that happened when she was
- 31:47possessed. It was only other people who
- 31:49were able to recall what she said and
- 31:51what she did at the time. Dr. Giovanni
- 31:53Scambia, who oversaw the entire
- 31:56possession incident, would go on to
- 31:58publish a very detailed report on what
- 32:00he saw, what he experienced. [music] And
- 32:03that report was ultimately published in
- 32:05a prominent Italian journal in June of
- 32:071939. And in this report,
- 32:11it's basically unclear if what Maria
- 32:13experienced was psychological
- 32:16or perhaps paranormal.
- 32:24Thank you so much for watching. Let me
- 32:26know what you thought of today's episode
- 32:27in the comments. And remember, we have
- 32:29hundreds of videos for you to binge
- 32:31right now.
- 32:33But if you're looking for a
- 32:33recommendation from me of that one video
- 32:36that 's worth your time, well, it's this
- 32:38one right here. So give it a watch.
- 32:41All right, until next time, see you.
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