How to Edit Premium Instagram Reels Using ONLY Claude! (Full Breakdown) — Transcript
Full transcript
- 0:00Over the last 3 weeks, I've been
- 0:01building this short form editing skill,
- 0:03and I've used it to create the last 12
- 0:05premium reels that I posted on my
- 0:07Instagram. And one of them even hit
- 0:0990,000 views. Now, a lot of people have
- 0:11been wondering if these are edited using
- 0:12AI or an actual editor. So, today I'm
- 0:15finally showing you how I trained Claude
- 0:17to edit my short form videos for
- 0:19Instagram. First, I'm going to break
- 0:20down the five keys that make up my viral
- 0:22short form editing style so that you can
- 0:23understand it. Second, I'll walk you
- 0:25through the training process of how you
- 0:26can create a viral short form editor
- 0:28skill for any editing style, including
- 0:30mine. And finally, I'll take a raw short
- 0:32form video and edit it using this skill
- 0:34with you step by step. And by the end of
- 0:36the video, you'll know exactly how you
- 0:38can train Claude on any editing style
- 0:40that you want, and how to use it to edit
- 0:42viral short form videos like the ones
- 0:43you love. If you want access to this
- 0:45very skill, I just dropped the Joseph AI
- 0:47editing masterclass, where I'm sharing
- 0:49the skills that edit both my short form
- 0:51and long form content. [music] It's all
- 0:53in Ultimate Editors, and the link is
- 0:54down below. But without further ado,
- 0:55before we learn how we can create the
- 0:57skill that edits short form videos for
- 0:59us, first, let's understand the style
- 1:01that we're about to train it on. You
- 1:02see, I've been posting for quite some
- 1:03time, and a lot of my audience
- 1:05specifically loved the style of the
- 1:07videos that we were making. It felt
- 1:08clean, it was premium, and it was really
- 1:10simple. So, my goal with the skill that
- 1:11I was about to build was very simple. I
- 1:13wanted to train Claude on how it can
- 1:15create these exact videos. So, before we
- 1:17do that, let's first break down what my
- 1:19editing style is actually made of. The
- 1:21Joseph short form editing skill is made
- 1:23up of five keys. If you combine these
- 1:25five keys, you get premium stunning
- 1:26edits that look like this. The first key
- 1:28to the Joseph editing style is the
- 1:30captions. We start with our A-roll and
- 1:32break down the scene into thirds. Then,
- 1:34we add a darkness and blur to the lower
- 1:36third, and our caption sits in this box
- 1:38here. The caption is made up of two
- 1:39separate fonts. A simple sans font for
- 1:41the regular text, we're using Creator
- 1:43Display, and a special script font for
- 1:44the highlighted text, where we use Apple
- 1:46Garamond. When we place the text, we
- 1:48start by placing one or two script fonts
- 1:50for the special words, then we look for
- 1:51gaps around it where the rest can fit.
- 1:53And we fit the rest of the sentence in
- 1:55using the sans font. Finally, for the
- 1:56text animation, it's a simple pop-up
- 1:58blur fade-in, where the text pops up,
- 2:00fades in from low opacity, and even has
- 2:02a blur at the beginning as an extra
- 2:04touch. The first key is done. Now, on to
- 2:06the second key, the on-screen UI
- 2:08listicles. A lot of our videos are
- 2:09chapter-based, where we walk the viewer
- 2:11through chapter one, then two, then
- 2:13three. So, we use these UI listicles to
- 2:15show the viewer three chapters early in
- 2:16the video. For the design, it's a
- 2:18rhombus with a slight gradient and a
- 2:20stroke around the outside that's thin
- 2:22with a number that's in the middle. For
- 2:23the chapter animation, we simply
- 2:25introduce each one with a pop-up fade.
- 2:27Then, every time we mention the chapter
- 2:28throughout the video, we will reuse it
- 2:30with text next to it to name the
- 2:31chapter. Key three is our on-screen UI
- 2:33pops and number counters. There's many
- 2:35different kinds, and they all differ
- 2:37based on what is being said in the
- 2:38script. For example, when we talk about
- 2:40two elements or compare two things, we
- 2:42use a before and after layout like this.
- 2:44Object on the left, object on the right,
- 2:46linked with a clean simple arrow. When
- 2:47we mention a certain software or an
- 2:49event, we can use a UI pop-up animation
- 2:51like this with a blurred background, the
- 2:53logo of the software, and text
- 2:54representing the notification. If we
- 2:55ever mention timers or counters, we use
- 2:58a circular animation like this one. It
- 2:59has a gray stroke background and a
- 3:01colored foreground and number in the
- 3:02middle that represents the amount. And
- 3:04if we ever need to list out multiple
- 3:05things, we pop up a blurred square just
- 3:07like this one and list out each element
- 3:09in a sequence like this. Key four is how
- 3:11we create engaging hooks. We use a
- 3:13simple three-piece formula for our
- 3:14hooks, speaker, text, and visual. The
- 3:17first thing we do is ensure the speaker
- 3:18is visible by aligning our speaker's
- 3:20eyes to the upper thirds of the video,
- 3:21we can ensure that the viewer instantly
- 3:23sees the speaker and connects with them.
- 3:24Then, for the text, it all starts by
- 3:26looking at the script and asking
- 3:27ourselves, "What about this makes the
- 3:29viewer want to watch the video?" Once
- 3:30you've found it, then you want to
- 3:32emphasize it using text. Finally, for
- 3:34the visuals, we simply ask ourselves,
- 3:36"What can we show on the screen that
- 3:37would support the text in hooking the
- 3:39viewer?" This could be popping up the
- 3:40editing styles that we're talking about,
- 3:41or it could be showing a timer if the
- 3:43video is about how short we're going to
- 3:45be teaching the viewer a certain thing.
- 3:46Finally, key five is the full-screen
- 3:48animations. These are the bread and
- 3:50butter of the video. They take up half
- 3:52of the edit, but have the most impact.
- 3:54These fully depend on what the script is
- 3:55saying, but to keep it simple, sometimes
- 3:58we use listical animations to take our
- 3:59viewer from one point to another. These
- 4:01are composed of a timeline, UI chapter
- 4:03cards, and text and elements that slide
- 4:05by. Other times we use simple
- 4:06full-screen scenes where one element
- 4:08takes up the entire scene and showcases
- 4:09a screen recording or a sample of what
- 4:11we want to show. We even use full-screen
- 4:13text animations where the background and
- 4:14text contrast each other to help the
- 4:16viewer read through the point that we're
- 4:17delivering. And finally, we'll use
- 4:18out-of-screen zooms if we want to take
- 4:20the viewer out of the A-roll and
- 4:21introduce new elements like other edits
- 4:23and other showcases. Now, all five of
- 4:25these keys come together to form the
- 4:27editing style that you guys know and
- 4:29love on my Instagram. Now, here's the
- 4:30thing. You clicked on this video to
- 4:32learn how you can edit premium videos
- 4:33with AI. But what if I told you that
- 4:35I've built a full-skill pack that
- 4:36creates premium stunning videos like
- 4:38these called the Joseph AI short-form
- 4:40editing skill. And I've also created a
- 4:42skill pack that edits the very YouTube
- 4:44videos that you've been watching on this
- 4:46channel, and it's called the Joseph
- 4:48long-form editing skill. And I've even
- 4:50recorded step-by-step courses showing
- 4:51you how I train both of them and how I
- 4:53use both of these skills to edit my
- 4:55short-form and long-form YouTube videos.
- 4:57This is all inside the Joseph AI editing
- 4:59masterclass. And we just dropped this
- 5:01into Ultimate Editors 2.0. This is just
- 5:04one of the 12 masterclasses that you can
- 5:05get access to, including the five viral
- 5:08editing styles that you can learn to
- 5:09recreate, and an AI editing fundamentals
- 5:11course that teaches you the basics of AI
- 5:13video editing. The program is closing in
- 5:15about 10 more days on November 15th. So,
- 5:17if you want to create stunning edits
- 5:19like these using AI, click the link down
- 5:21below because we have a special discount
- 5:23before the program closes down forever.
- 5:25But now that you understand all five
- 5:26keys, it's time to understand how you
- 5:28can train Claude on this editing style.
- 5:30You might think that training Claude on
- 5:31the editing style this complex is very
- 5:34difficult. But the truth is, when
- 5:35training Claude on any editing style,
- 5:37you only need two simple things. The
- 5:38first thing is a big reference folder, a
- 5:41folder that contains all the videos that
- 5:42we want to replicate. How do I collect
- 5:44that? I head over to my personal brand
- 5:46and I watch through the edits and pick
- 5:47out the ones that I like the most. I
- 5:49ended up downloading 14 edits. Now, I
- 5:51place those in a reference folder, and
- 5:53this checks off the first part. Now, the
- 5:55second thing I will need is a full
- 5:56breakdown of the editing style. And this
- 5:58is the part that really makes a
- 5:59difference. Check it out. First, you
- 6:01start by loading up a program like
- 6:02Figma. Then we're going to split the
- 6:03screen into two, have Figma on the
- 6:05right, and we'll load up our reference
- 6:07videos and watch through them on the
- 6:08left. Now, what we need to do is simple.
- 6:10Anytime we see a good design scene, we
- 6:12snap a screenshot and place it on the
- 6:13board. We do this for text scenes,
- 6:15on-screen animations, full-screen
- 6:17animations, and everything that looks
- 6:18high quality until we have a big
- 6:20inspiration board of more than 120
- 6:23images. Now, this is very important
- 6:25because we just turned the videos that
- 6:26we want to create into images that we
- 6:28could see on the screen. Now, the next
- 6:30step is we need to break down the style.
- 6:31So, remember the five keys that we
- 6:33talked about? Well, now we're going to
- 6:34break down each one using the
- 6:36inspiration board that we just built.
- 6:37Start with key number one, collect all
- 6:39the inspiration that shows on-screen
- 6:40text design, and bundle them together
- 6:42here. Then, take one to the side and
- 6:43break down what it's made of, the fonts,
- 6:45the placement, and everything in
- 6:46between. Next, we're going to do this
- 6:48for every single key. I drag all my
- 6:49listicle inspiration over here, and I
- 6:51break them down like so. Then, I drag my
- 6:52on-screen animations here, and I break
- 6:54them down in a table of each design and
- 6:56every kind of animation. Then, I have a
- 6:57segment where it talks about key four,
- 6:59how we set up the hooks, character,
- 7:00text, and visuals. And finally, I take
- 7:02all the inspiration of the full-screen
- 7:04animations and bundle them over here,
- 7:05where I section them out into tables and
- 7:07break down their designs and animations.
- 7:09Now, if we zoom out, this Figma board
- 7:10has 120 images of what our style looks
- 7:13like and breaks down every element in it
- 7:15and how it is made from scratch. The
- 7:17designs, the animations, and even the
- 7:18references. So, now that we have both a
- 7:20reference folder and a full Figma board,
- 7:22how do we create a short-form editing
- 7:23style? This is where things get
- 7:25interesting. First, we're going to head
- 7:26into Claude and start by uploading the
- 7:2714 reference videos and the full Figma
- 7:29breakdown that we just created. Then,
- 7:30we're going to prompt it with this.
- 7:32First, you're going to break down the 14
- 7:33reference videos into a word-by-word
- 7:35transcript and a frame-by-frame
- 7:36breakdown. Then, you're going to study
- 7:37three main things, the design principles
- 7:39of every scene, the colors, layout,
- 7:41effects, and everything else, the
- 7:42animation logic, what does each [music]
- 7:44element have as an animation, a pop-up,
- 7:46fade-in, a blur reveal, and so on, and
- 7:48the placement of the animations and
- 7:49timing relative to the script of the
- 7:51video. Then, you're going to use the
- 7:52Figma breakdowns as a deep analysis of
- 7:54the design principles of this editing
- 7:56style. So, study it and analyze how the
- 7:58style's made. Learn everything there is
- 7:59to this editing style so that you can
- 8:01recreate it and turn it into a skill.
- 8:03Claude starts by taking all 14 videos
- 8:05and breaking them down into all the
- 8:07frames that make up the animations. And
- 8:09word-by-word transcripts of each video.
- 8:11Finally, it looks at the Figma file and
- 8:13studies everything from top to bottom.
- 8:14Every design, how it's made, and how
- 8:16it's animated, and formulates the rules
- 8:18for the video style. Then it combines
- 8:20all of that into the skill pack, the
- 8:22short-form editing skill. Now, inside
- 8:24the skill pack, first, there's a rule
- 8:25book. The rule book determines all the
- 8:27nitty-gritty details about the skill,
- 8:29like the font sizes, the spacing, the
- 8:30layout of the designs, the animation
- 8:32curves, and the speed of the movement.
- 8:33Then it creates what's called a
- 8:34lookbook, which is a book that contains
- 8:36what my editing style looks like, the
- 8:38shapes, the colors, gradients, icon
- 8:40styles, assets used, and everything in
- 8:41between. And finally, it creates a
- 8:43reference folder, where it saves every
- 8:45single animation from [music] the 14
- 8:46reference videos into these files. In
- 8:48each one is a screenshot of the design,
- 8:50a keyframe sheet of the animation, and a
- 8:52breakdown of how the animation works.
- 8:54And it does this for almost 200
- 8:56animations. This all comes together to
- 8:58form the short-form editing skill that's
- 8:59responsible [music] for creating these
- 9:01stunning viral short-form edits. And as
- 9:03I mentioned before, if you want to skip
- 9:05the training, I've uploaded the
- 9:06short-form skill that creates stunning
- 9:08short-form edits for my brand, and the
- 9:10long-form editing skill that has edited
- 9:11the long-form YouTube videos you're
- 9:12watching right now, all into the Joseph
- 9:15AI editing masterclass. I've even
- 9:16recorded step-by-step courses on how I
- 9:18trained both of them, so that you can
- 9:20use the same logic to train Cloud on any
- 9:22editing styles [music] that you like.
- 9:23And this is just one of the many courses
- 9:25that you get access to inside of
- 9:27Ultimate Editors 2.0, where you can
- 9:28literally learn how to edit stunning
- 9:30videos like these in 2026 and make money
- 9:33as a video [music] editor. The editors
- 9:34that join Ultimate Editors join as
- 9:36complete beginners. And over just a few
- 9:37months, they master viral video editing
- 9:40because of how easy the courses are.
- 9:41We've helped editors make $282,000
- 9:44in the last 9 months of Ultimate Editors
- 9:462.0. We were only able to do that
- 9:48because of our $2,000 per month editor
- 9:50blueprint, which teaches editors how to
- 9:51build a premium personal brand and land
- 9:53high-paying clients. This is all going
- 9:55to close down forever on November 15th,
- 9:57which is why the price for this program
- 9:59just went down from $1,200 per year to
- 10:02just $299
- 10:04for lifetime access. If you want to
- 10:06learn how to edit premium like these
- 10:08using AI and make $2,000 per month as a
- 10:11video editor. Click the link down below
- 10:12and join Ultimate Editors 2.0 before it
- 10:15closes down forever. But now that we've
- 10:16trained Claude on our editing style, it
- 10:18understands everything about our editing
- 10:20style and can recreate it from scratch.
- 10:22So, let's show you how we can use this
- 10:24skill to create the stunning edits you
- 10:25guys know and love. This is the raw
- 10:27video I'm going to be editing. I'll
- 10:28start by booting up Claude and going
- 10:30into Claude Code, setting the model to
- 10:32Opus 5.5 and the effort to extra. Then I
- 10:34start by asking Claude to load up my
- 10:36short-form editing skills so that I can
- 10:38edit a short-form video in my style. The
- 10:40first thing I want to do is turn my raw
- 10:41footage with silences and bad takes into
- 10:43a raw cut clip that's actually ready to
- 10:45be edited. To do this, I upload my raw
- 10:47video into Claude and prompt it asking
- 10:48to do a word-by-word level transcript of
- 10:50the video, finding all the silences and
- 10:52all the bad takes, and cutting them all
- 10:54out with tight cuts. Then I click on
- 10:56enter. Claude starts by taking the
- 10:57video, transcribing it word-by-word into
- 10:59a full transcript, then it analyzes the
- 11:01transcript and searches for any silences
- 11:03or any bad takes or anything that needs
- 11:04to be removed and takes them out and
- 11:06delivers the raw cut video back. Sweet.
- 11:08Now that we have a raw cut video, the
- 11:10next thing we want to do is plan out how
- 11:12the edit is going to go. We definitely
- 11:13don't want AI to plan out what it needs
- 11:15to show in the edit because if we do
- 11:16that, it's going to end up creating
- 11:18trashy AI edits that look very bad. The
- 11:20real secret to getting good results with
- 11:21AI editing is planning out the editing
- 11:23yourself and having AI do the work. So,
- 11:25I prompt Claude to use the transcript of
- 11:27the video to create a planning document
- 11:29for me to plan out what I want each
- 11:30scene to look like. On the right, it's
- 11:32going to have each script line and on
- 11:33the left, it's going to have an empty
- 11:35text box where I can plan out my edit.
- 11:37You can also ask it to do this. Based on
- 11:38the study that you did on my short-form
- 11:40content, recommend four potential
- 11:41designs for each scene that I could
- 11:42choose from. Since Claude studied my
- 11:44short-form videos, it knows what kind of
- 11:46animations I use. So, it can actually
- 11:47recommend good scenes based on what I'm
- 11:49saying. Now Claude will spend a few
- 11:50minutes building the document out and
- 11:52once it's done, it's going to send me
- 11:53this back. You can click on it and open
- 11:55it up. This full document allows you to
- 11:57see the scenes on the right and plan out
- 11:59your edit on the left. And this is the
- 12:00real trick. Now this is where I would
- 12:01spend around 15 minutes thinking from
- 12:03the viewer's perspective and planning
- 12:05out the edit accordingly. Let me show
- 12:06you how I did that for our video here.
- 12:08First, the hook. The video starts with
- 12:09me saying this as the hook. Getting
- 12:11hired as a video editor in 2026 comes
- 12:14down to three simple steps. The hook in
- 12:16this video is around making money as a
- 12:17video editor. So, I plan a stripe
- 12:19notification pop-up that shows an editor
- 12:22earning. Then, I plan a three-chapter
- 12:23listical animation popping up once I
- 12:25mention the three steps. Then, I keep
- 12:27thinking from the viewer's perspective.
- 12:29The next segment says this, "The problem
- 12:31is 90% of editors give up after the
- 12:33second step." Since it breaks the
- 12:34pattern a little, I chose to ask Claude
- 12:36to track me and keep the tip of my nose
- 12:38in the center of the screen, desaturate
- 12:40the screen and add a reverb. That's when
- 12:41we get started on the chapter by saying
- 12:43this, "Step one is become a viral
- 12:45editor." Here, I ask Claude to create
- 12:47the chapter one listical with text
- 12:49describing the chapter. Now, the first
- 12:50point I make is this, "Business owners
- 12:53don't want to hire average editors
- 12:54anymore. They want to hire the editor
- 12:56that knows how to turn the raw boring
- 12:58footage into the viral edits that
- 13:00actually perform." That's why it's more
- 13:01important than ever to master the viral
- 13:04editing styles of 2026. So, I start with
- 13:06an out-of-screen zoom out where we slide
- 13:08through low-quality edits to showcase
- 13:09them. Then, we're going to pan to a
- 13:10scene where the viewer can see raw
- 13:12videos as the camera keeps panning over
- 13:14to the final editing showcase. This
- 13:16delivers my point and helps the viewer
- 13:17understand exactly what I'm saying. Now,
- 13:19I just keep working through this
- 13:20document, selecting the designs, and
- 13:22filling the animations that I want,
- 13:23thinking from the viewer's perspective,
- 13:25until we end up with this, the full plan
- 13:27for the edit, exactly how I want it to
- 13:28turn out. Again, this step is so crucial
- 13:31because the objective isn't to let AI
- 13:32come up with the edit. It's to guide AI
- 13:34to build the edit that we have in our
- 13:36mind. And with all that done, now we
- 13:38just hand Claude the full plan and ask
- 13:40it to create the edit using the plan as
- 13:42a guide to what it needs to create, and
- 13:43use the skill as a guide on how it needs
- 13:45to look. And this is the real magic.
- 13:47Claude now looks at the plan and sees,
- 13:49"Okay, the user wants this here." Then,
- 13:51Claude looks at the skills and sees,
- 13:52"Okay, this is how the style shows this
- 13:54kind of animation." Then, he uses this
- 13:56logic to build these animations inside
- 13:58of Remotion for us. And it's going to do
- 14:00this for every single scene that we just
- 14:01planned out. It looks at the plan,
- 14:03concludes how it can build it with the
- 14:04skill, gathers the assets, and builds it
- 14:06out. And this is the step that takes the
- 14:08longest, but after around 40 minutes or
- 14:10so, it should have the full video built
- 14:12out for you you a look at it. And when
- 14:14the first draft is ready, don't get too
- 14:15excited. You're probably going to be
- 14:16mind-blown by how good it is, but you
- 14:18need to review it at least once or twice
- 14:20before it's actually good. I watched
- 14:22through the entire edit and noticed that
- 14:23it looked amazing, but there were a lot
- 14:25of things that could be changed to look
- 14:26better. So, I prompted Claude to speed
- 14:28up the slide down animation of Stripe,
- 14:30to increase the scale of the chapter
- 14:31three distichal, remove these animations
- 14:33in the tracking scene, show a viral edit
- 14:35in this scene, smoothen out this zoom
- 14:37out, and completely change this design
- 14:38to where the camera snaps to the
- 14:40personal brand on the left and then
- 14:41added on the right. Then, I told it to
- 14:43decrease the user icons in this scene,
- 14:44change the design of the graphs here to
- 14:46one with a blueprint grid in the
- 14:47background, and change this scene to a
- 14:49one-line text scene because it actually
- 14:51made a mistake when building it. Then, I
- 14:53clicked on enter. Now, this will be a
- 14:54much faster process since Claude already
- 14:56has the project file, it's going to take
- 14:58around 10 minutes, make all the changes
- 14:59that need to be made, and send you back
- 15:01the final edit. This should be much
- 15:03better. So, watch through it and confirm
- 15:05that it looks good. And then, tell
- 15:06Claude that he did a great job so that
- 15:08in the case that AI later does become
- 15:10conscious, he doesn't hunt you down and
- 15:11get revenge for abusing him. But, now
- 15:13that you have our final video ready, you
- 15:14can simply prompt Claude asking it to do
- 15:16the sound design and music for the edit.
- 15:18This is where Claude first creates a
- 15:20full Q sheet of your edit, which shows
- 15:21every animation, everything that happens
- 15:23on the screen, exactly when it happens,
- 15:25and which sound effect needs to be used
- 15:26accordingly. Then, it adds those sound
- 15:28effects in, double-checks the volume,
- 15:29and wraps things up with music. Once it
- 15:31sends you this, the master file, this
- 15:33means that the video is complete and
- 15:35ready to be watched. By this point,
- 15:36you'll have uploaded a fully raw video
- 15:38into Claude, it did the cuts, you
- 15:39planned the video, it animated it, sound
- 15:42designed it, added the music, and sent
- 15:43you the final edited version. me just
- 15:45around an hour and a half to do this
- 15:47edit with Claude. And if you guys want
- 15:48to see the final results, here you go.
- 15:50Getting hired as a video editor in 2026
- 15:52comes down to three simple steps. The
- 15:54problem is 90% of editors give up after
- 15:57the second step. Step one is become a
- 15:59viral editor. Business owners don't want
- 16:01to hire average editors anymore. They
- 16:03want to hire the editor that knows how
- 16:04to turn the raw boring footage into the
- 16:06viral edits that actually perform.
- 16:08That's why it's more important than ever
- 16:10to master the viral editing styles of
- 16:122026. Step number two is build your
- 16:14brand. Russell Brunson said you can't
- 16:16build something amazing and expect
- 16:18people to find it. You need to market
- 16:20your editing skills. To do this, you
- 16:22must build a social media page and post
- 16:24your best work to attract the highest
- 16:26quality clients. Finally, step number
- 16:27three is treat your clients like kings.
- 16:30The real money is in the clients that
- 16:31never want to leave. Over-deliver and
- 16:33finish before deadlines. And go above
- 16:35and beyond to make sure that your
- 16:36clients actually love you. And if you
- 16:38just do these three things, you'll never
- 16:40need to find clients ever again. Now,
- 16:41after seeing today's edit created by AI,
- 16:43you might be worried that video editing
- 16:45is dying or that AI video editing is
- 16:47about to take all the jobs. The truth
- 16:48is, today's edit wouldn't have looked
- 16:50this good if it wasn't for my 8 years of
- 16:52video editing experience. You still need
- 16:54to understand how a good video is made
- 16:56to guide AI on how to make good videos
- 16:58for you. So, as a video editor in 2027,
- 17:00there's two skills you need to know. You
- 17:01need to understand content psychology,
- 17:03which is knowing what needs to be where
- 17:05in the video for it to look good, and
- 17:06you need to learn how to execute that
- 17:08using AI. And if you're scared that AI
- 17:09is taking over, chances are you don't
- 17:11know how to create stunning videos and
- 17:13you have no clue how to do that with AI.
- 17:15This is why, with less than 10 days
- 17:17left, this is the best time to join
- 17:19Ultimate Editors 2.0. It's the easiest
- 17:20place to learn the content psychology
- 17:22skills step-by-step. We teach you the
- 17:24design fundamentals, the fundamentals of
- 17:25setting up your animations, and
- 17:27short-form content psychology in
- 17:28step-by-step courses. Then, through our
- 17:30five editing style masterclasses, our
- 17:32students learn how to edit premium
- 17:33videos like these. Then, our AI editing
- 17:35fundamentals masterclass starts from
- 17:37zero and teaches you the basics of the
- 17:39AI tools Claude, Remotion, and
- 17:41Hicksfield. And the Joseph AI editing
- 17:42masterclass gives you the short-form
- 17:44editing skills that edit my reels and
- 17:45the long-form skills that edited the
- 17:47video that you're watching right now.
- 17:48And finally, our $2,000 per month editor
- 17:50blueprint teaches you how to build a
- 17:51premium personal brand and land
- 17:53high-paying clients. This is how we've
- 17:54helped editors make $282,000
- 17:57in the last 9 months. Look, there's less
- 17:58than 10 days left before the program
- 18:00closes down forever. And instead of
- 18:02$1,200 per year, you can now get
- 18:04lifetime access for just $299.
- 18:07This includes all the AI modules and all
- 18:09the skills you'll ever need. After
- 18:11November 15, there's no other place that
- 18:13teaches you the viral editing styles of
- 18:142026 and how to do them with AI. This is
- 18:16going to be your last chance, so take it
- 18:18while you can. Click the link down below
- 18:20and I'll see you guys
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