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how to EDIT a killer youtube video (to blow up your channel) — Transcript

by Aprilynne Alter · 4,635 words · 681 segments · language en · Watch on YouTube

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  1. 0:00this is how to edit a killer YouTube
  2. 0:01video to blow up your Channel watch
  3. 0:03closely because even the best script
  4. 0:05with most stunning footage can be ruined
  5. 0:07with a bad edit but what exactly makes a
  6. 0:10good YouTube edit what do the top
  7. 0:11YouTube editors know that we don't to
  8. 0:14find out I spent the last 42 days
  9. 0:16pouring over interviews listening to
  10. 0:18talks and analyzing timelines to the
  11. 0:20most successful creators in the world
  12. 0:22131 pages of notes later I realized that
  13. 0:25great YouTube edits aren't about fancy
  14. 0:27effects or expensive software the best
  15. 0:30best YouTube edits regardless of nature
  16. 0:32or video type follow a five-part formula
  17. 0:35and it all starts with an understanding
  18. 0:37of who the edit is for you see there's a
  19. 0:40common misconception that good editing
  20. 0:43means fast editing it's no secret that
  21. 0:45some of the biggest YouTubers on the
  22. 0:47platform make Fast Cuts so naturally we
  23. 0:50assume that in order to make a video
  24. 0:52that people will actually watch all the
  25. 0:53way through we need to do the same but
  26. 0:56in making this assumption we neglect the
  27. 0:59single most critical component of any
  28. 1:01edit and in a recent interview prolific
  29. 1:04YouTube strategist Patty Galloway
  30. 1:06confirmed the exact same thing so I
  31. 1:08would say my advice generally for a
  32. 1:10young editor is to really understand who
  33. 1:11you're editing for that's I think that's
  34. 1:13the first and foremost thing a video
  35. 1:14edited for the wrong audience can be
  36. 1:16jarring at best and flat out unwatchable
  37. 1:19at worst even if every technical detail
  38. 1:22is perfect take Mr Beast for example his
  39. 1:26primarily young male audience expects
  40. 1:28fast-paced videos packed with non-stop
  41. 1:31dopamine hits so as editing reflects
  42. 1:33that but imagine if he applied that same
  43. 1:36editing style to an educational video
  44. 1:38about early retirement it would Clash
  45. 1:40completely with the older audience's
  46. 1:42expectations for clarity and
  47. 1:44trustworthiness if your editing choices
  48. 1:47don't align with who your audience is
  49. 1:49what they want and what they expect it
  50. 1:51doesn't matter how clean your cuts are
  51. 1:53or how beautiful your transitions they
  52. 1:55won't watch your video won't blow up and
  53. 1:58your channel won't blow up So to avoid
  54. 2:01pouring countless hours into an edit
  55. 2:03that's doomed to fail from the very
  56. 2:04first cut it's worth taking the time to
  57. 2:07deeply understand who you're editing for
  58. 2:10first after you're 90% confident you
  59. 2:12have a good idea of your audience's
  60. 2:14wants and needs you're ready to move on
  61. 2:16to part two of the formula to make a
  62. 2:18killer YouTube edit to blow up your
  63. 2:19channel building your story We tend to
  64. 2:22think of editing as the process of
  65. 2:24making a video look and feel good and in
  66. 2:27a way that's true but in all of my
  67. 2:29research to prepare for this video
  68. 2:31there's one word that kept coming up
  69. 2:34again and again story story story story
  70. 2:37story story and while the idea of story
  71. 2:40or storytelling may seem like a buzz
  72. 2:42word that's only relevant if you're
  73. 2:43writing a book about Hobbits or dragons
  74. 2:46it actually applies to every YouTube
  75. 2:49video out there from a high stakes
  76. 2:50challenge to a cinematic Vlog to even a
  77. 2:53technical tutorial because at its core
  78. 2:56every story can be broken down into
  79. 2:58three key elements setup progress and
  80. 3:02payoff literally all the best performing
  81. 3:05videos on YouTube have those three
  82. 3:08elements let's break it down every video
  83. 3:10can be broken down into a series of
  84. 3:12payoffs these are the main beats or
  85. 3:14points of your video the moments that
  86. 3:16deliver the value that your audience
  87. 3:18came for these are the moments that make
  88. 3:20your video feel worth watching each pay
  89. 3:23off comes with its own setup which
  90. 3:26provides the purpose context and tone of
  91. 3:28the upcoming section it primes your
  92. 3:30audience to care about what's coming
  93. 3:32next it helps give your viewers a sense
  94. 3:34of structure and finally we have the
  95. 3:37progress which is anything that takes
  96. 3:39you from the setup to the payoff this is
  97. 3:42where you build tension and curiosity
  98. 3:44and where you deliver everything the
  99. 3:46viewer needs to experience the payoff
  100. 3:48and the storytelling framework isn't
  101. 3:50reserved for classically story-driven
  102. 3:53challenges here's the setup progress and
  103. 3:55payoff map of an educational video and
  104. 3:58here it is again applied to a blog this
  105. 4:00structure works across every video type
  106. 4:03because at the end of the day
  107. 4:05storytelling is a universal concept
  108. 4:08without the right setup your payoffs are
  109. 4:10unimportant or confusing without the
  110. 4:13right progress your payoffs are rushed
  111. 4:15or unearned and without the right
  112. 4:17payoffs themselves it doesn't matter how
  113. 4:19many flashy visual effects or fancy
  114. 4:21transitions you use your video itself
  115. 4:24isn't worth watching so to ensure
  116. 4:26there's even a story good enough to
  117. 4:28watch in the first place the best
  118. 4:30YouTube editors in the world map out the
  119. 4:32skeleton of their video before they even
  120. 4:35touch the timeline actually write down
  121. 4:38what's happening in the video I do that
  122. 4:40all the time like I I just call it the
  123. 4:42skeleton nothing too creative of the
  124. 4:44video I just write the entire script and
  125. 4:46then I just go at the top and like okay
  126. 4:47what what is the eight things like what
  127. 4:48are the eight different progressions the
  128. 4:50eight scenes or whatever in this video
  129. 4:52this skeleton makes it easier to
  130. 4:54identify any missing setups progressions
  131. 4:56or payoffs cut out any unnecessary
  132. 4:59tangents and ensure your base story is
  133. 5:01sound and if you have any Clips or
  134. 5:03segments that don't fit into a setup a
  135. 5:06progression or a payoff it probably
  136. 5:08doesn't belong in the video Even if you
  137. 5:10love a clip maybe it took you forever to
  138. 5:13film or maybe it was expensive to make
  139. 5:15if it doesn't serve the story it has to
  140. 5:18go this is what top editors call killing
  141. 5:21Your Darlings and while it may feel
  142. 5:22painful in the moment trust me I know
  143. 5:25it'll result in a tighter story a more
  144. 5:28compelling edit and or overall a better
  145. 5:31video once you've mapped out your story
  146. 5:33skeleton and trimmed any excess Clips
  147. 5:35you now have your starting point a
  148. 5:37version of your video that tells a clear
  149. 5:39and cohesive story but the best YouTube
  150. 5:42edits don't just tell the story they
  151. 5:44show it which brings us to part three in
  152. 5:47making a killer YouTube edit to blow up
  153. 5:49your Channel showing the story and this
  154. 5:51is where it gets interesting because
  155. 5:53anyone can just say something but taking
  156. 5:57me message or value of your video and
  157. 5:59finding a way to impart that value
  158. 6:01visually is what turns a passive viewer
  159. 6:04into an Engaged one as legendary YouTube
  160. 6:07editor Hayden Hiller Smith likes to say
  161. 6:09storytelling is the wrong word you need
  162. 6:12to be story showing the best YouTube
  163. 6:14editors in the world obsess over
  164. 6:16crafting a compelling visual experience
  165. 6:20and to do that they Master the three C's
  166. 6:22of YouTube visuals content Clarity and
  167. 6:26continuity the content is the what of
  168. 6:29the edit the type of visual that's being
  169. 6:31shown on screen and in most videos the
  170. 6:35base of the visual edit is constructed
  171. 6:37using two primary categories of footage
  172. 6:40a roll and b roll a roll is footage
  173. 6:43where someone is speaking directly to
  174. 6:45the camera the direct to viewer
  175. 6:47presentation creates a unique connection
  176. 6:49between the speaker and the viewer
  177. 6:51making the words spoken feel more
  178. 6:53personal by showing the emotion and
  179. 6:55delivery behind them and then there's
  180. 6:57b-roll which is supplementary footage
  181. 6:59that shows the viewer what you're
  182. 7:01talking about as opposed to just telling
  183. 7:03them and while Boll can take many forms
  184. 7:06it often falls into five main shot types
  185. 7:09wide shots which establish location to
  186. 7:11set the scene medium shots which capture
  187. 7:14the subject and the environment and
  188. 7:15equal Focus closeups which highlight
  189. 7:18details and then the extremes extreme
  190. 7:21wide shots which create a sense of scale
  191. 7:23or awe in extreme closeups which
  192. 7:26emphasize micro details for dramatic
  193. 7:29effect these clips can be used
  194. 7:30individually to enhance a specific
  195. 7:32phrase or sentence or combined into
  196. 7:35sequences for time- lapses montages and
  197. 7:37scenes together a r and b roll create a
  198. 7:41strong visual Foundation but they don't
  199. 7:43always convey everything your story
  200. 7:46needs which is where other types of
  201. 7:48visuals come in text can emphasize a key
  202. 7:51Point provide additional context and
  203. 7:53help transitions between sections screen
  204. 7:56recordings can help viewers follow along
  205. 7:58as you expect explain something images
  206. 8:00or icons can provide visual references
  207. 8:03for objects or concepts you mention
  208. 8:05external clips from other sources can
  209. 8:07provide context or add humor in a way
  210. 8:09that feels fresh or
  211. 8:13unexpected yeah baby and finally Motion
  212. 8:17Graphics can illustrate key points often
  213. 8:20being used to explain complex ideas or
  214. 8:22seamlessly transition between sections
  215. 8:25and while Motion Graphics can feel
  216. 8:27intimidating you can achieve most
  217. 8:28effects that you want using just three
  218. 8:31key frames position to move elements
  219. 8:33across the screen scale to make elements
  220. 8:36larger or smaller and opacity to fade
  221. 8:39elements in or out combine these basic
  222. 8:42key frames with simple cropping and
  223. 8:43layering you can easily create
  224. 8:45professional looking visuals that add
  225. 8:47Dimension and polish to your video but
  226. 8:50while it may feel tempting to jam as
  227. 8:52many visuals as humanly possible into
  228. 8:54your edit that could end up hurting
  229. 8:57rather than helping you just because you
  230. 8:59can add a visual doesn't mean that you
  231. 9:02should and overloading your video with
  232. 9:04unnecessary Graphics or cinematic shots
  233. 9:07risks distracting your viewers from the
  234. 9:09story itself every visual you add should
  235. 9:12have a purpose so choose the ones that
  236. 9:15enhance rather than distract from your
  237. 9:17story and remember that sometimes it's
  238. 9:20Simplicity that's the most effective
  239. 9:22with your visuals chosen you have the
  240. 9:24building blocks of a killer YouTube edit
  241. 9:26to blow up your channel but how you show
  242. 9:28your chosen footage and elements is just
  243. 9:31as if not more important than what you
  244. 9:34show which brings us to the second SE of
  245. 9:36YouTube visuals Clarity and at the heart
  246. 9:40of visual Clarity is one critical
  247. 9:42question where do you want your viewers
  248. 9:45to look you see every frame of your
  249. 9:47video has a focal point the single most
  250. 9:50important detail in that moment it could
  251. 9:53be you speaking to the camera a reaction
  252. 9:56a specific detail in your b-roll or
  253. 9:58anything else your job as an editor is
  254. 10:00to make that focal point crystal clear
  255. 10:04because if your viewer doesn't know
  256. 10:05where to look they'll get distracted
  257. 10:07confused or lose interest entirely the
  258. 10:11question is how do you effectively guide
  259. 10:13their attention the simplest way is
  260. 10:16through positioning most editors either
  261. 10:18place their focal point in the center of
  262. 10:19the frame or follow the rule of thirds
  263. 10:22aligning the focal point on the left or
  264. 10:24right third of the frame but positioning
  265. 10:26alone isn't always enough if the back
  266. 10:29background or competing elements draw
  267. 10:30too much attention away from your focal
  268. 10:32point you can guide the eye by masking
  269. 10:35out your focal point and creating
  270. 10:36separation through brightness where you
  271. 10:39darken everything other than the focal
  272. 10:40point color where you mute the
  273. 10:42surrounding tones and blur where you add
  274. 10:45a depth of field effect motion can also
  275. 10:48play significant role in guiding
  276. 10:50attention a quick zoom in or cut in
  277. 10:52immediately draws the eye to the subject
  278. 10:54of the zoom and movement within the shot
  279. 10:57effectively grabs attention as well well
  280. 10:59and if you're ever in a pinch a classic
  281. 11:01highlight Circle or Arrow can help quite
  282. 11:04literally point out the main subject of
  283. 11:07focus visual Clarity is about guidance
  284. 11:11by properly driving attention to the
  285. 11:12focal point you make it effortless for
  286. 11:15viewers to follow along and when the
  287. 11:16viewer doesn't have to think about where
  288. 11:18to look they're free to stay immersed in
  289. 11:20the story you're telling at this point
  290. 11:23you've chosen what to show and you
  291. 11:25decided how to show it but even the most
  292. 11:27beautifully composed shots feel jarring
  293. 11:30or disconnected if they don't flow
  294. 11:33together because editing isn't just
  295. 11:35about individual frames it's about how
  296. 11:37those frames interact with one another
  297. 11:39which brings us to the final C of
  298. 11:41YouTube visuals continuity when a cut
  299. 11:44feels smooth the story flows the viewer
  300. 11:48stays engaged they're not thinking about
  301. 11:50the editing at all it's as if it's
  302. 11:52invisible but when a cut feels off even
  303. 11:55first Split Second it breaks immersion
  304. 11:58it pulls of you are out of the
  305. 11:59experience and that's where you risk
  306. 12:02losing them and one of the biggest
  307. 12:04factors in determining whether or not a
  308. 12:05cut feels smooth is the type of cut
  309. 12:08itself straight cuts are the simplest
  310. 12:11and the most common they're clean and
  311. 12:13effective for moving between Clips but
  312. 12:15if your visuals are pacing change to
  313. 12:17dramatically they can feel abrupt j cuts
  314. 12:20and L Cuts blend audio and visuals to
  315. 12:22soften transitions A J cut brings in the
  316. 12:25audio of the next clip before the visual
  317. 12:29while an L cut lets the previous clip's
  318. 12:31audio continue after visuals
  319. 12:38change match Cuts can connect two
  320. 12:41otherwise unrelated Clips through Visual
  321. 12:44similarities creating continuity between
  322. 12:46scenes but Cuts aren't the only way to
  323. 12:49connect Clips transitions like dissolves
  324. 12:51and cross Fades ease the viewer from one
  325. 12:54shot to the next by blending the two
  326. 12:56together slides are useful when
  327. 12:57transitioning in and out of full Screen
  328. 12:59Graphics and Camera whips carry through
  329. 13:02motion keeping the energy up and if no
  330. 13:05matter what you try two clips just don't
  331. 13:07connect naturally you can always bridge
  332. 13:09the gap with full screen visuals like
  333. 13:11b-roll text or quick animation but as
  334. 13:14you make your cuts and transitions keep
  335. 13:16an eye out for changes in focal point
  336. 13:19because the focal point of One Clip is
  337. 13:20in the top left corner and the focal
  338. 13:22point of the next is in the bottom right
  339. 13:24your viewers eyes have to work to find
  340. 13:26it this creates visual friction making
  341. 13:29the edit feel chaotic and hard to follow
  342. 13:32this most commonly happens with cins and
  343. 13:34cutouts because when you zoom in the
  344. 13:37focal point often shifts which can be
  345. 13:39jarring reviewers especially if the cuts
  346. 13:42happen quickly luckily the solution is
  347. 13:44quite simple every time you cut in
  348. 13:46simply adjust the positioning to ensure
  349. 13:49the focal point stays consistent across
  350. 13:51shots and if you do ever need to shift
  351. 13:53the focal points between Clips just make
  352. 13:55sure to give your viewers a little more
  353. 13:57time to adjust either by using a slower
  354. 14:00transition or by holding on the shot
  355. 14:02just a smidge longer with your focal
  356. 14:05points aligned there's only one thing
  357. 14:07separating you from Smooth frictionless
  358. 14:09Cuts micro gaps these are the tiny
  359. 14:12spaces at the very starts and ends of
  360. 14:14your clips that create unnecessary braks
  361. 14:17between cuts and removing these musal
  362. 14:19gaps can be the difference between your
  363. 14:21Cuts feeling seamless and stiff just
  364. 14:24take it from Hayden hiler Smith the
  365. 14:26micro gaps of Silence sometimes the
  366. 14:28loudest
  367. 14:30Cuts now if you think the thought of
  368. 14:32combing through your entire video clip
  369. 14:34by clip to remove the micro Gap sounds
  370. 14:36exhausting you're absolutely right which
  371. 14:39is why many of the top YouTubers and
  372. 14:41YouTube editors use a tool specifically
  373. 14:43designed to cut out silences and clean
  374. 14:45up footage called gling I've been using
  375. 14:48gling for a few months now and it's my
  376. 14:50absolute pleasure to introduce them as
  377. 14:52the sponsor of this video here's how it
  378. 14:54works all you have to do is upload your
  379. 14:56raw footage to glan you can add as many
  380. 14:59files as you want and it even offers
  381. 15:01multicam support and then decide what
  382. 15:04you want gling to help you with you can
  383. 15:06cut out just silences but gling can also
  384. 15:09automatically remove bad takes add in
  385. 15:11Jump cut zooms and enhance the speech
  386. 15:13and audio of your footage these first
  387. 15:15two features are what initially sold me
  388. 15:17on gling they've saved me so much time
  389. 15:20in making my initial rough cut after you
  390. 15:22select what you want done gling will go
  391. 15:24through your footage generate a
  392. 15:26transcrip for you and automatically cut
  393. 15:28out and anything you don't want yes
  394. 15:31automatically and if you want to adjust
  395. 15:33any cut gling made you can do so
  396. 15:35directly in the text editor easily
  397. 15:37adding sentences back in or taking them
  398. 15:39out you can also easily adjust how much
  399. 15:42silence you want in between your Cuts
  400. 15:44tighter Cuts will make the video feel
  401. 15:45more fast-paced while leaving in more
  402. 15:47silences will make the video feel more
  403. 15:49relaxed you can adjust the length of any
  404. 15:51cut directly within the timeline but the
  405. 15:54best part of gaying is that once you're
  406. 15:55done you can export your Cuts directly
  407. 15:58into your editing software where you can
  408. 16:00make any further changes you may want
  409. 16:02gling has seriously saved me so much
  410. 16:05time and I was genuinely so happy when
  411. 16:07they reached out asking to sponsor this
  412. 16:09video they're constantly finding ways to
  413. 16:11improve their software and they have the
  414. 16:13best team and I highly recommend
  415. 16:15checking them out I was able to get you
  416. 16:17guys a free extra video edited by gling
  417. 16:19if you sign up through my link so I'll
  418. 16:21put that in the video description below
  419. 16:23thank you so so much to gling for
  420. 16:25sponsoring this video up to this point
  421. 16:28we focus on making making individual
  422. 16:29cuts and transitions feel seamless but a
  423. 16:32killer edit doesn't just connect
  424. 16:34individual Clips it creates continuity
  425. 16:36across the entire video which is where
  426. 16:39style comes in no not this type of Style
  427. 16:42style is the glue that holds your video
  428. 16:44together making it feel cohesive no
  429. 16:46matter how many different visuals or
  430. 16:48animations you use consistent color
  431. 16:50grading ensures that every shot feels
  432. 16:52like it's part of the same story and
  433. 16:54when text overlays and Motion Graphics
  434. 16:56share the same font color palette and an
  435. 16:59style they establish a visual Rhythm
  436. 17:01that not only ties sections together but
  437. 17:04also reinforces your brand these
  438. 17:07elements work together to unify your
  439. 17:09video resulting in a video that both
  440. 17:11flows well and feels unmistakably yours
  441. 17:15so you're building your story you're
  442. 17:16choosing your visuals you're aligning
  443. 17:19your focal points and you're using style
  444. 17:21to glue everything together the
  445. 17:23ingredients for your killer YouTube edit
  446. 17:25to blow up your channel are all there
  447. 17:28well all your ingredients except one
  448. 17:31because there's one concept that we
  449. 17:32haven't talked about yet a concept that
  450. 17:34determines which edits get merely
  451. 17:36watched in which gets shared commented
  452. 17:39on and remembered for months to come
  453. 17:41this concept emotion the best YouTube
  454. 17:44editors in the world know how to evoke
  455. 17:47feeling because they know how to
  456. 17:49leverage the three main drivers of
  457. 17:51emotion Framing and shot selection sound
  458. 17:54design and pacing the way a shot is
  459. 17:57framed can completely shift the way your
  460. 17:59audience feels often ways they don't
  461. 18:02even notice a tightly framed closeup
  462. 18:04makes a moment feel intimate personal or
  463. 18:07intense which is perfect for emotional
  464. 18:09reveals heightened drama or moments of
  465. 18:12vulnerability compare that to wide shots
  466. 18:14which create a sense of distance or
  467. 18:16isolation a wide shot of a lone figure
  468. 18:19standing on a massive landscape can make
  469. 18:21them feel small and vulnerable even
  470. 18:23subtle movements and framing can make a
  471. 18:25difference a slow zoom in builds tension
  472. 18:28and focus while a quick cut in adds
  473. 18:30urgency or humor and the type of shot
  474. 18:32you choose within that framing can also
  475. 18:35dramatically impact the tone and feeling
  476. 18:37of a scene handheld shots feel raw
  477. 18:40vulnerable and intimate they feel
  478. 18:43personal like the audience is right
  479. 18:44there with you and they're great for
  480. 18:46anything that's supposed to feel candid
  481. 18:48and real static shots on tripods and
  482. 18:51contrast feel polished and controlled
  483. 18:53they're perfect for tutorials explainers
  484. 18:55or scenes where Clarity and focus matter
  485. 18:58most and then there are drone shots
  486. 19:00which feel Grand and cinematic the
  487. 19:03sweeping wide angles at a sense of awe
  488. 19:05scale or drama but you can't talk about
  489. 19:07emotion without bringing up sound design
  490. 19:11because your choice of backing track and
  491. 19:13supporting sound effects is one of the
  492. 19:15fastest and most effective way of
  493. 19:17influencing how your viewers feel take a
  494. 19:20single clip of someone opening a door
  495. 19:22set it to the right song and it feels
  496. 19:24like something good is about to happen
  497. 19:31but swap that for something Eerie paired
  498. 19:34with an ominous Creek and suddenly it
  499. 19:36feels
  500. 19:42suspenseful the music you chew sets the
  501. 19:45tone break your video up into sections
  502. 19:47based on how you want the viewer to feel
  503. 19:49and select your tracks accordingly want
  504. 19:51to build tension use a trap with a slow
  505. 19:54gradual buildup need to add energy and
  506. 19:56excitement choose something upbeat with
  507. 19:58a fast Tempo how at a calm reflective
  508. 20:00moment opt for something soft slow and
  509. 20:03Atmospheric but it's not just about
  510. 20:05picking the right track it's about using
  511. 20:07it effectively sync your key moments to
  512. 20:10the beat dramatic reveal hitting on a
  513. 20:12Down Beat feels intentional and adds
  514. 20:14impact build momentum with crescendos
  515. 20:17using tracks that rise in energy and
  516. 20:19volume to build onto big moments or
  517. 20:21payoffs and use Fades to smooth out
  518. 20:24transitions and signal to a viewer that
  519. 20:26something new is coming but music only
  520. 20:29tells one half of the audio story sound
  521. 20:32effects when used thoughtfully can
  522. 20:34immerse your viewers into your video
  523. 20:36allowing them to experience your cuts
  524. 20:37and transitions through another sense
  525. 20:40pops and whooshes can make your visual
  526. 20:42edits feel snappier and Ambient sound
  527. 20:45like birds chirping or howling wind can
  528. 20:47ground your video in a specific place
  529. 20:50but subtlety here is key overloading
  530. 20:52your edits with sound effects can feel
  531. 20:54distracting or overproduced overwhelming
  532. 20:56your audience and pulling them out of
  533. 20:58the story and the entire subject of
  534. 21:00sound design is something that can go
  535. 21:02infinitely deep the concepts I mentioned
  536. 21:04here just barely scratch the surface but
  537. 21:07if you want a full deep di video like
  538. 21:09this exclusively about sound design let
  539. 21:11me know in the comments below the final
  540. 21:13driver of emotion is pacing fast-paced
  541. 21:16edits with Quick Cuts and minimal
  542. 21:18downtime build energy and excitement
  543. 21:20slower pacing with longer shots and
  544. 21:23deliberate holds creates space for
  545. 21:25reflection and emotional weight but the
  546. 21:27real magic pacing lies in contrast by
  547. 21:31alternating between fast and slow
  548. 21:33moments you create Peaks and valleys in
  549. 21:35your edit high energy sections grab
  550. 21:37attention while slower moments give your
  551. 21:39audience room to breathe without this
  552. 21:42contrast everything starts to feel
  553. 21:44monotone if everything is cut to a 10
  554. 21:47nothing is cut to a 10 when you combine
  555. 21:49Framing and shot selection sound design
  556. 21:51and pacing you're not just editing a
  557. 21:54video You're creating an experience
  558. 21:57because a video that looks nice but
  559. 21:59doesn't make your audience feel
  560. 22:00something is forgettable but a video
  561. 22:03that can evoke emotion that's the kind
  562. 22:05of content people remember share and
  563. 22:07come back to and by this point it's safe
  564. 22:09to say that a lot of work has gone into
  565. 22:12your video you've built your story
  566. 22:14chosen your visuals created flow and
  567. 22:17guided feeling so as you're making your
  568. 22:19final cuts and adjustments how do you
  569. 22:21know when you're done how do you know
  570. 22:23that you've made a killer edit that's
  571. 22:25good enough to blow up your channel to
  572. 22:27evaluate the quality of their edits the
  573. 22:29best YouTube editors in the world run
  574. 22:31their finished video through a series of
  575. 22:33three tests which brings us to the fifth
  576. 22:36and final step in making a killer
  577. 22:38YouTube edit to blow up your channel
  578. 22:40final checks the first check is the
  579. 22:42sound check because while we tend to
  580. 22:45edit our videos in a perfectly silent
  581. 22:46room with headphones on not everyone
  582. 22:49will watch your video under those
  583. 22:51conditions they might watch on their
  584. 22:52phone in the gym in a noisy cafe or with
  585. 22:55the AC blaring in the background so play
  586. 22:57your video in a less than ideal
  587. 22:59environment lose the headphones play
  588. 23:01something softy in the TV or open a
  589. 23:03window ask yourself can you still hear
  590. 23:06the words clearly does the music
  591. 23:08overpower your voice and do the sound
  592. 23:10effects pop too much or get lost
  593. 23:12entirely the goal is Clarity if the
  594. 23:15audio doesn't hold up tweak the levels
  595. 23:18clean up the sound and ensure that your
  596. 23:20audience can hear exactly what they need
  597. 23:22to no matter where or how they're
  598. 23:25watching Once your audio passes the
  599. 23:27sound check it's time for the flow check
  600. 23:29watch your video all the way through but
  601. 23:31this time as a viewer not as an editor
  602. 23:34where do you start to feel bored where
  603. 23:35do you feel overwhelmed or rushed if a
  604. 23:38section drags trim unnecessary Clips or
  605. 23:41adjust the pacing of your cuts to keep
  606. 23:42the momentum going and if a section
  607. 23:44feels too fast add Breathing Room by
  608. 23:47holding shots a bit longer check that
  609. 23:49your focal point continuity is sound or
  610. 23:51smooth out transitions and finally we
  611. 23:54have a style check take a step back and
  612. 23:56ask yourself does this video feel like
  613. 23:59me your edit should match the tone
  614. 24:01personality and brand you're going for
  615. 24:04do your music choices color grading and
  616. 24:06sound effects align with your Vibe does
  617. 24:08your typography feel cohesive and does
  618. 24:10the overall video reflect your voice and
  619. 24:13what your audience expects from you
  620. 24:15because at the end of the day a killer
  621. 24:17edit isn't about technical prowess it's
  622. 24:20about creating a video that resonates
  623. 24:21with your audience and communicates who
  624. 24:24you are as a Creator if your edit passes
  625. 24:27all three checks
  626. 24:29Sound flow and style congratulations
  627. 24:32you've just edited a killer YouTube
  628. 24:34video to blow up your channel I know
  629. 24:36we've covered a lot in this video and
  630. 24:39for good reason good editing is
  631. 24:41simultaneously incredibly important and
  632. 24:43Incredibly complex and although I threw
  633. 24:46a lot at you today if there's anything
  634. 24:47to remember in editing a killer of
  635. 24:49YouTube video to blow your channel it's
  636. 24:52understand who you're editing for Build
  637. 24:54Your Story show your story evoke feeling
  638. 24:58and pass your checks to help you out you
  639. 25:00can even save this guide to reference
  640. 25:02every time you edit a video I'll put a
  641. 25:04link to download it for free as well as
  642. 25:06a link to try out gling in the video
  643. 25:08description below and here's the thing
  644. 25:10editing is a skill and like any other
  645. 25:13skill it takes time patience and
  646. 25:15practice to get better the best editors
  647. 25:18in the world didn't start out by making
  648. 25:20perfect edits they started right where
  649. 25:22you are now making Cuts tweaking clips
  650. 25:25and learning from every single upload
  651. 25:28and besides there's no such thing as the
  652. 25:31perfect edit anyway because one of the
  653. 25:33greatest beauties of YouTube is that
  654. 25:35there is no one siiz fits-all approach
  655. 25:39yes this video provides you with
  656. 25:40Frameworks and models of thinking to
  657. 25:42guide you but if you spend a few hours
  658. 25:44on YouTube You'll quite quickly realize
  659. 25:46that there is no one right or wrong way
  660. 25:49to do it every creator has their own
  661. 25:51style their own goals and their own way
  662. 25:54of bringing their Visions to life and
  663. 25:56the more you edit the more you'll disc
  664. 25:58discover what feels true to you so keep
  665. 26:01editing keep experimenting you might not
  666. 26:04get it all right in the first go or the
  667. 26:06second or the third but each time you'll
  668. 26:08get a bit closer pick one concept to
  669. 26:11improve with each edit and just keep
  670. 26:13going because sooner or later Your Big
  671. 26:16Break will come you're just one killer
  672. 26:19edit away but in order for someone to
  673. 26:21watch your edit they need to click on
  674. 26:23your video in the first place so to
  675. 26:25learn how to make a killer thumbnail to
  676. 26:27blow up your Channel click here
  677. 26:29otherwise thank you so much for watching
  678. 26:32like And subscribe if you can keep
  679. 26:34creating and I'll see you in the next
  680. 26:36video
  681. 26:38[Music]

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