How do you save a shipwreck? | BBC News — Transcript
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- 0:04In the early 17th century, Sweden's King
- 0:07Gustaf II commissioned a magnificent
- 0:10gallion. Wow, just look at that. Isn't
- 0:13that incredible?
- 0:15A warship like no other, the Vasa was a
- 0:17symbol of the nation's great power and
- 0:20wealth. Decorated with [music] fine
- 0:22carvings by the most skilled of
- 0:24craftsmen, rather unusually, it also had
- 0:27two gun decks. The idea was simple.
- 0:30Double the amount of Gandex, double the
- 0:32firepower of the ship. Vas would have
- 0:34been the most powerful warship in the
- 0:35whole Baltic. [music]
- 0:38In 1628, the Vas set sail on its maiden
- 0:41[music] voyage. But after leaving
- 0:44harbor, catastrophe struck. A strong
- 0:46gust hit the vessel, rolling [music] it
- 0:48to the side. Water gushed in through the
- 0:51open gunports and it [music] sank to the
- 0:54bottom of the sea.
- 0:59The wreck was discovered in the 1950s,
- 1:02but it was in 40,000 pieces.
- 1:07Marine archaeologists raised it from the
- 1:09seafloor and began putting together one
- 1:12of the world's biggest jigsaw puzzles.
- 1:14>> The ship is [music] 98% original, so
- 1:16very, very few pieces are lost. And
- 1:19that's unique that you have such an
- 1:21intact [music] object. It's a moment in
- 1:25time. The 10th of August of 1628
- 1:28actually frozen. [music]
- 1:30>> For almost 50 years, this museum in the
- 1:33heart of Stockholm has been the Vassor's
- 1:35home.
- 1:36>> It's truly astonishing. This ship is
- 1:38almost 400 years old. And yet, it's so
- 1:42well preserved even after spending more
- 1:44than three centuries on the seabed.
- 1:47[music]
- 1:47>> Welcome aboard the Barcelona. But this
- 1:50national treasure is facing new
- 1:52problems. Although the Vasa is truly
- 1:55impressive in scale, it's also very
- 1:57fragile and so a major preservation
- 2:00effort is underway to save it for future
- 2:03generations. [music]
- 2:05>> One is the deterioration of the wood,
- 2:07but the second big problem is gravity.
- 2:10The ship is slowly moving downwards upon
- 2:12the steel structure you're standing
- 2:13upon. What's the risk [music] if you
- 2:16don't step in now to do all this work?
- 2:19>> The ship is once again leaning towards
- 2:21the port [music] side. In the long run,
- 2:23it will actually be a whole different
- 2:25shape that it was originally, [music]
- 2:27but it will also start to break.
- 2:31>> A multi-year rescue plan was launched
- 2:34and technology is giving a helping hand.
- 2:37>> It started with a three-dimensional
- 2:39model of the ship. We have scanned the
- 2:41whole area of the ship and then we had
- 2:43to figure out the quality of the
- 2:45structure itself. [music]
- 2:47>> Using the latest techniques, a new
- 2:49support structure and an internal steel
- 2:52skeleton [music]
- 2:52are being built before the ship is
- 2:55pulled upright again. [music]
- 2:57>> You can see that it's isometrical and
- 2:59that's because it's mirroring the
- 3:01structure of the ship itself. [music]
- 3:03The whole external street structure is a
- 3:05machine and there's a lot of [music]
- 3:06movable parts
- 3:09>> paired with sensors placed around the
- 3:10ship. A monitoring station in the roof
- 3:13also tracks the [music] tiniest of
- 3:15movements, recording measurements almost
- 3:17100 times a day.
- 3:20There's also digital preservation
- 3:22underway.
- 3:24Capturing every detail floor by floor is
- 3:27painstaking work. So, we're right in the
- 3:30base of the ship now, and this is where
- 3:32a lot of the work that Hawkins been
- 3:34doing has been taking place to build up
- 3:36a a 3D model of the lower part of the
- 3:40ship.
- 3:42[music] Almost a quarter of a million
- 3:44images have been taken and processed
- 3:46with photoggramometry software, and
- 3:48that's used to make a [music] 3D digital
- 3:51twin of the Vasa.
- 3:52>> What you see here is uh a preview of the
- 3:55model. It's part of the hold, [music]
- 3:57the lowest deck in the ship. I used to
- 3:59think it as painting the surface of the
- 4:01ship and every part of the surface must
- 4:04be painted with two images. [music] A
- 4:07deck like this, it needs about between
- 4:0920 and 30,000 photographs to to cover
- 4:13completely.
- 4:18>> [music]
- 4:18>> This will save a highly detailed visual
- 4:20record of the ship, both for historians
- 4:23and for the 1.5 million visitors who
- 4:26come here every year so [music] that
- 4:28they can also explore what it's like
- 4:31inside.
- 4:32>> At some point, [music] we won't know
- 4:34what will happen with the ship, but we
- 4:36will have a digital copy of it. But
- 4:38[music] also a bit in the shorter run
- 4:40when we'll do the internal steel
- 4:42structure. It's a last opportunity for
- 4:44us to actually see how the ship looked
- 4:47like.
- 4:48>> And it's hoped the Vasa will soon be
- 4:50ship shape again [music] for its 400th
- 4:52anniversary and far beyond.
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