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How Basic Chords Work - Music Theory Lesson 1 — Transcript

by Michael New · 5,924 words · 825 segments · language en · Watch on YouTube

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0:00okay um i wanted to do a little music
0:04theory lesson on chords
0:06and uh just sort of how they work
0:08specifically chord names and how to know
0:11uh what you're looking at whenever you
0:12see a different chord written out um how
0:14to know exactly what that means and how
0:16to sort of put those notes together and
0:18how to play it
0:19um the the approach that a lot of people
0:21take to learning chords is um they'll
0:23sort of see something um you know say
0:25like that
0:26and uh let's just kind of memorize that
0:28chord so we're just one at a time okay
0:30when i see that i need to play
0:32those three notes or um
0:34you know if you saw something like that
0:36you'll learn that okay that means that i
0:38play that right there
0:40and that's fine that works for a while
0:42but um it turns out to be pretty
0:44limiting especially when you get farther
0:46along musically when you start to learn
0:48a lot more chords and different keys or
0:51you start to get into more advanced
0:52chords it just turns into so many
0:54different things to try to remember
0:56and if you were to see a chord uh
0:59say
1:01say something like that
1:03odds are you're not going to know what
1:04that means there's just so many
1:06different
1:07advanced chords and things to try to
1:08memorize that it just gets to be
1:09overwhelming
1:11but if you know how this system works if
1:12you know what these names mean and how
1:14they work then um this is simple there's
1:16really nothing to that chord you'll know
1:18exactly what to do there really right
1:19away so that's what i want to kind of
1:21break down
1:23and um there's actually a bigger reason
1:25to learn how the chords work and that's
1:26just sort of understanding music in
1:28general if you want to learn music
1:31theory and just kind of how it all works
1:32this is a great way to get into it
1:34learning how these chords fit and how
1:36they interact that's going to let you
1:38just sort of improvise and compose and
1:40just sort of lets you understand how
1:42this music fits and it's just a really
1:44really wonderful thing to get a hold of
1:46so we'll get started and we'll start
1:47with a real simple one i think we'll
1:49just start with this one right here um
1:51and kind of uh kind of work our way up
1:53from there so let's take that cord and i
1:56want to show you how this is going to
1:57work
1:59anytime you see a core doesn't matter
2:02how advanced it is there's always just
2:04two parts to it there's a there's this
2:06first part right here and this is what's
2:08called uh the the root of the chord and
2:11the root is just one single note it's
2:13the note that everything kind of starts
2:14on and it's not you're going to kind of
2:16measure everything else against you're
2:18going to use that note to find the other
2:20stuff in the chord so to find the root
2:21of the chord you just kind of find the
2:23note and there you go there's really
2:24nothing to that
2:25um but it's this next part here this uh
2:28they call us the chord quality um this
2:30is where things get
2:32a little more involved this is what i
2:34want to kind of break down
2:36so what this does this tells you what
2:39the other notes on the chord are going
2:40to be
2:41but it doesn't actually tell you what
2:43they are directly
2:45it just tells you how far away they are
2:47from your root note so to find these
2:49notes you have to know how to measure
2:51distance in music and the way you
2:53measure distance is you use something
2:55called an interval
2:57um now intervals are just how far apart
3:00two notes are they've tried to be pretty
3:01simple so let me show you a few of those
3:03and we'll kind of get going that way
3:05so the first interval you want to know
3:08is a uh what's called a half step
3:10half step is just two notes that are
3:12right next to each other so for instance
3:15like c
3:16and c sharp those are right next to each
3:18other there's a half step um
3:20see f sharp to g that's a half step any
3:22one of those two notes that are right
3:24next to each other those are a half step
3:26apart now the the one spot where it's a
3:28little bit weird is right here e to f um
3:30these two notes are also a half step
3:32they are right next to each other there
3:34is nothing in between so they're a half
3:35step but if you're kind of just looking
3:37at the white notes that can look kind of
3:39strange you know these two are a half
3:40step apart but these two are not there's
3:42something in between those so just make
3:44sure that in that little area there you
3:46kind of know how that works
3:49but other than that half step real
3:50simple then you can find those anywhere
3:53so once you have that um that's kind of
3:54one of the basic building blocks there's
3:56another one you need and that's what's
3:57called a whole step
3:59um whole step is kind of just what you
4:01think it's just two half steps so if you
4:04start on a note and you want to go up a
4:05whole step you go up a half step you go
4:07up another half step and then you have
4:09your your whole step
4:10now when you're looking for these you
4:12don't really want to have to count up
4:14you don't want to be thinking you know
4:16half step half step every time you want
4:17to just see these right away so what
4:19you're kind of looking for here is you
4:21just look for this little shape where
4:22you have two notes with one note in
4:24between just kind of
4:25see that and then this gets to be really
4:27easy um you know so right here here's
4:29another whole step here's your your one
4:30note in between um there there
4:33one of those places you just have a
4:35whole step now the one weird spot is
4:37going to be like right in here or right
4:38in here where
4:40you get this now this is a whole step
4:42here's your one note in between but it
4:44looks a little strange at first so just
4:46make sure that you're comfortable with
4:47just kind of how a whole step works in
4:49that area
4:51um and and that's pretty much it those
4:53two are what we're going to use to kind
4:55of find any other intervals any of these
4:57bigger ones so as long as you're
4:58comfortable with that then figuring out
5:00this chord should be pretty simple
5:03so let's actually get into what this
5:05means
5:06this right here
5:07this is this name and this chord quality
5:10it's going to tell you what these other
5:11notes are now this is what's called a
5:12simple chord it's just a it's a triad it
5:14means it just has three notes in it
5:16and the first note we've already got is
5:18that f so this is just telling you where
5:20these other two notes are
5:23now the the first one we're going to
5:24start on our f we already have that one
5:26figured out um but the first nut we need
5:29is going to be
5:30up above f somewhere it's going to be a
5:33major third higher
5:35um and that's kind of what this name is
5:38coming from this major here is saying
5:39your next note up needs to be a major
5:41third higher now a major third is just
5:44an interval in the same way that uh that
5:46a whole step or a half step is an
5:47interval
5:48um now this interval is two whole steps
5:51that's what a major third is it's like
5:53the definition of a major third so if
5:55you want to go up a major third say
5:57we're starting on our f right um you're
6:00going to go over a whole step that'll
6:01put you right here here's that one note
6:02in between and you go up another whole
6:04step to put you right there
6:06there's that one note in between and
6:08there you go there's your major third
6:10and it doesn't matter it doesn't matter
6:11what instrument you're on or where you
6:13start whatever note it's always going to
6:14be the same thing a major third is two
6:17whole steps in the same sense that a
6:19foot is 12 inches so we could start
6:21anywhere else we could start on uh
6:23starting in an a and we go up a whole
6:24step another whole step and i'll put you
6:26right there and there's a major third
6:28you could start saying this a flat go up
6:30a whole step another one there's a major
6:32third
6:33really
6:34now
6:35same with the with the whole step you
6:38don't really want to have to count your
6:39way through this this is i'm showing you
6:41this to start with but you want to get
6:43good just kind of seeing those just kind
6:44of looking for that pattern kind of
6:46seeing those those two whole steps right
6:48away so it'd be great to just kind of
6:50spend a little while just sort of trying
6:52to find these real quickly just sort of
6:54starting on random notes and and spend a
6:56little while in these little areas this
6:59is where things tend to look a little
7:00bit strange just because of that little
7:03funny business around these notes so
7:05there's your major third there's a major
7:07third and sort of just kind of get used
7:10to that but after a little while
7:12it's pretty easy
7:13so
7:14there's our major third we started on f
7:17that was our root note and then this
7:18told us that we need to go up a major
7:19third to get to our next note and that's
7:21two out of three notes already
7:23now there's one more note on this chord
7:25um and that note is going to be
7:28um up a little higher it's going to be
7:30up here somewhere i don't know what it
7:31is yet so just leave it like that and uh
7:33it's going to be
7:35what's called a perfect fifth higher
7:37than f
7:38um now a perfect fifth is just another
7:40interval in the same sense that a major
7:42third is an interval it's a bigger one
7:44this one is going to be
7:46three whole steps and a half steps and
7:48i'll show you how to kind of find that
7:49in a second but first you may be
7:51thinking okay
7:52i understand how this would be telling
7:55you that you need to do a major third
7:57that sort of makes sense but there's
7:58nothing in this chord name that really
8:00says anything about a perfect fifth so
8:02you think okay how do i know that i'm
8:04supposed to do a perfect fifth and the
8:06way this works um just about every
8:09course you do is going to have a fifth
8:11in it
8:12they almost always have a perfect fifth
8:15um and so
8:16it would be kind of nice if this chord
8:18was called you know f major third
8:21perfect fifth that would be like okay
8:22that tells you exactly what you need to
8:24do over here but almost every chord has
8:26this and so you usually just leave this
8:28off most chords just kind of tell you
8:30this part and they don't really tell you
8:31anything about the fifth and whenever
8:32that happens you just assume that you
8:34need to have a perfect fifth of the
8:36chord
8:37now there are times when your fifth is
8:39going to be different you can do
8:41like an altered fit called like a
8:42diminished fifth or an augmented fifth
8:44or something like that but if that ever
8:46happens the chord is going to tell you
8:48that it will specifically say diminished
8:50or augmented or something like that to
8:52change this fifth if it doesn't say
8:53anything about it you just assume that
8:55you have a perfect fifth and you kind of
8:57get used to that pretty quickly
8:59so anyway we have our third we figured
9:01that out now we need to find this
9:02perfect fifth and like i said it's just
9:04three whole steps and a half step so if
9:06we start from start from this f again
9:10we start counting over um here's a whole
9:12step there's one go another whole step
9:14there's two another whole step it's
9:16three and this last little half step
9:18that takes us right there and that gives
9:19us our fifth
9:20now same as the third um you don't
9:22really want to have to count through
9:24this you will at first to kind of get
9:25used to where this is but you want to
9:27just be able to see this right away but
9:29this is kind of a bigger interval and it
9:31can be kind of hard to uh to count all
9:33the way up with something like this so
9:35there's a real simple pattern you can
9:36kind of look for on a piano that makes
9:38this really easy to find
9:40if you start on a white note and you
9:42sort of skip over three white notes and
9:44you wind up right here that should give
9:46you a perfect fifth right here go to
9:48right there i have those three white
9:49notes in between there is your perfect
9:51fifth same thing there
9:53so really anywhere you start you should
9:55just be having those three notes right
9:56in between that makes that really easy
9:58to find
9:59if you were to start on a black note
10:00like here
10:02you want to have exactly two black notes
10:04in between so you should be seeing that
10:06and that can be really easy to find too
10:08just look for this two in between and
10:10you've got your perfect fit so that
10:11works great the only time that doesn't
10:13actually work is when you start on the
10:15note b or b flat if you start on b and
10:19you try to do that little pattern you
10:20kind of skip over these three you wind
10:23up right here and if you look at it this
10:25actually isn't quite far enough
10:28if you start from here you go up a whole
10:29step go up another whole step and
10:31another whole step you wind up with
10:33three whole steps between here and here
10:35and that's not quite enough you actually
10:36need three whole steps and a half step
10:38to make a perfect fifth so you need to
10:40go all the way up to there and the
10:41reason for that is just because there's
10:44these two spots where there's no black
10:46note and that means that these notes are
10:47kind of squished closer together than
10:49they would be if you were say over here
10:51there's actually more notes in between
10:52these two so that's the the one spot
10:54where it's going to be weird you have to
10:55kind of just watch out for that so b
10:57go all the way up to here there's your
10:59perfect fifth and then for b flat if you
11:01tried to go to this black note to put
11:03these two in between um you have kind of
11:05the same problem this is actually going
11:06to be too wide um you've got all these
11:09extra notes kind of crammed in here so
11:10you need to do this and that will give
11:12you your perfect fit so most cases it's
11:15really easy to find but just watch out
11:17for b if you start on b you got to kind
11:19of remember that you need to be doing
11:21that or if you start on b flat you're
11:23going to go to right there
11:24so as long as you're used to that these
11:26these fists get real easy so anywhere
11:29you start from like say for our chord
11:31here you know first thing you find is
11:32your major third then for that fifth
11:34just here to there you should be able to
11:36see those three notes in between
11:38and then you pretty much got it so
11:41that's our
11:42major chord um and and this is going to
11:45work for any any root note and you can
11:47put any kind of note in here this is not
11:49going to change this is like the
11:51definition of what a major chord is so
11:53this is not able to change so it's let's
11:56say we started on c sharp um we would
11:58start right here here's our new root
11:59note but we're going to go up a major
12:01third so that'll take you from there to
12:03right there and then you're going to
12:04have your perfect fifth so from here to
12:06right there you can kind of see here's
12:08these two with those two black notes in
12:09between it gives you c sharp major right
12:12there we can start on uh i don't know g
12:15there's our major third and then our
12:16perfect fifth there you go
12:18anywhere you want to start from this is
12:20not going to change
12:22okay so there's a major chord and that's
12:24probably the most common chord you're
12:25going to see now quick little note a lot
12:29of times since this is such a common
12:31chord a lot of times you'll see it
12:33written
12:34just like that
12:36it's just a single note and what's
12:38happening here is just kind of the the
12:40chord quality is just being left off
12:41completely figure that a major chord is
12:44kind of your default chord if you just
12:46see a chord like f or d sharp assume
12:48that it's a major chord it's such a
12:50common thing that this sort of gets left
12:52off the next one we're going to do is a
12:54minor chord and if if a chord is going
12:56to be a minor chord it has to say minor
12:58you can't just put an f and
13:00imagine that it's a minor chord this
13:02would mean major chord that's kind of
13:04your default but let's go ahead and do
13:06the minor chord once we have the major
13:08chord the minor chord is really easy
13:11um so let's say
13:13we actually wanted to do
13:15this this time
13:16all right so for a minor chord
13:18for now we have the same root note so
13:20we're gonna start on f again but our
13:22quality is different um this is telling
13:24you that now you need a minor three
13:25that's why this says minor you're doing
13:27a minor third here now a minor third is
13:30just another interval um and there's
13:33actually a lot of intervals that sort of
13:35have these two versions you have sort of
13:37a major version and a minor version um
13:39for a third major third minor third
13:41there's also an interval of a second
13:42there's a major second and a minor
13:44second um there's also a sixth he'll
13:46have a major six and a minor six and a
13:48seventh of a major seventh and a minor
13:50seventh and and understanding a minor is
13:53real easy um it's always just a half
13:56step lower than the major interval so if
13:58our major third
14:00was uh two whole steps then our minor
14:02third is just going to be a whole step
14:03and a half just one half step back so if
14:06you're if you're pretty familiar with
14:07this major third by now then finding
14:09those minors should be really easy
14:11uh let me go ahead and change that
14:14and uh that gives us our minor three
14:16that's all you really need um now up
14:19here there there's nothing about the
14:21fifth here again and so you're just
14:23gonna assume that you still need a
14:24perfect fifth so this isn't gonna change
14:26if we start on f so now we have our
14:28minor third so that's a whole step and a
14:30half step remember just a half step
14:32lower than a major third that's going to
14:34put you right here
14:35and then the perfect fifth isn't going
14:37to change there to there is still a
14:38perfect fit so that's going to be the
14:40same thing so that right there is your f
14:42minor chord now same deal that's going
14:44to work on any root note you want to
14:46start from so let's say we were doing e
14:48flat
14:50start on e flat go up a minor third
14:52remember be careful in this little area
14:53things look strange but there's your
14:56whole step and a half step
14:57and then for your fifth same deal here
14:59to here here's those two black notes in
15:01between
15:02and there you have your
15:03e flat minor
15:05okay
15:06so those two chords the uh the major and
15:09the minor those are by far the most
15:11common you're going to see lots and lots
15:13of those
15:14and even the more advanced chords are
15:15usually built kind of on top of those
15:17will be sort of adding extra notes on
15:18top but you want to be very familiar
15:20with the majors and the minors just sort
15:21of spend a little while just kind of
15:23picking a random note to start on
15:25and just kind of finding the rest of the
15:26chord try to see it as quickly as you
15:28can just get used to how this whole
15:29shape works
15:30and if you're pretty good with your
15:32intervals you know being able to see a
15:33major third minor third then this should
15:35be pretty simple
15:36now there's two other uh three note
15:39chords that i want to show you
15:41um and these are
15:42these are a little less common but they
15:45do still happen and uh they're still
15:46good chords so i'm going to show you
15:47those um so i'm going to start with uh
15:51what's called a diminished chord
15:53and we'll pick a different root note
15:54this time
15:55let's say
15:57we'll start on a
15:58all right so we're going to do it's
16:00called an a diminished
16:02now
16:03sometimes you'll see diminished written
16:04like this
16:06sometimes you'll see this little circle
16:09thing that means the same thing that's
16:11an a diminished um for now i'm just
16:13going to leave it as a as this it's a
16:14little easier to remember
16:17but a diminished
16:18now
16:19same thing as before you have a root
16:20note and then you have a chord quality
16:22so to find the root note that's simple
16:23just look for an a and there's our a now
16:26this name here this chord quality this
16:28is actually referring to the fifth this
16:31time i told you the fifth wouldn't
16:32change much but it does for this chord
16:35um so over here we're still starting on
16:37a that's our root note and uh we're
16:39still going to have a third we're going
16:40to have you know some note here
16:43that we're going to go up to with a
16:44third but we don't actually know what
16:45kind of third that's going to be it
16:46might be a major third or minor third
16:48i'll show you that in a second
16:49but this interval
16:51um going all the way up to uh
16:53to this note up here this is what this
16:56needs to be what's called a diminished
16:57fifth
16:58right there now diminished fifth real
17:01simple this is just a it's just like a
17:03perfect fifth but it's a half step lower
17:06sort of the same way that like a minor
17:08third is a half step lower than a major
17:09third so we're starting on our note a
17:12right here um to get a perfect fifth we
17:15go from here
17:16right to there but that's not what we
17:18need this time we need our diminished
17:20fit so we're just going to lower it by a
17:21half step and put it right there
17:23now you might think okay
17:25why not just call it a major fifth and a
17:27minor fifth that seems like it's doing
17:28the same thing as the third and
17:30that
17:31kind of has to do with just how the
17:33music is set up and how these things
17:34work but um kind of think of it this way
17:37the the fifth is not gonna change very
17:39often this is a little bit of an unusual
17:41chord you're gonna see it but not that
17:42much
17:43um so that the fifth is almost always
17:45going to be this it's a it's what's
17:46called a perfect interval it's usually
17:49that right there um but the other ones
17:51like the the third you're going to have
17:52major thirds and minor thirds all the
17:54time those are constantly being kind of
17:56shifted around so think of that as
17:58something that's going to change a lot
17:59this doesn't change much so you just
18:01kind of think of it as it has this one
18:02version of this perfect fifth and uh
18:04every now and then you get these sort of
18:06altered fits but they're a little bit
18:07less usual
18:08so anyway this diminished thing that's
18:10referring to this your fifth becomes a
18:12little bit lower so so far we have that
18:15a here's our perfect fifth
18:17lower little bit and then you have your
18:18diminished fifth
18:20now
18:21this chord name this chord quality
18:23doesn't tell you anything about this
18:25third so you don't actually know what
18:26kind of third you need here so you could
18:28think okay this could be a major third
18:30or it could be a minor third but when
18:31you start looking at it
18:33it actually turns out that it can only
18:34be a minor third i'll show you why
18:38let's say that we tried to put in a
18:39major third thinking okay maybe this
18:41should be a major third we have our
18:42diminished fifth so you start on a you
18:44go up your major third there's a whole
18:46step whole step so put you right there
18:48and then we still have our diminished
18:49fifth which was right here
18:51now this doesn't actually work as a
18:54chord and there's there's this sort of
18:56rule about the way chords have to work
18:58um any two notes when you line a chord
19:00up like this um any two notes can at the
19:03most be a major third apart and at the
19:06least be a minor third apart so like
19:08from here to there that note to that
19:10note that's a major third and that works
19:12fine um it's no bigger or smaller than
19:14the major third of minor three so that
19:16that fits perfect but from here to there
19:19these two notes they're only a whole
19:21step apart that's even smaller than a
19:23minor third and that kind of breaks that
19:25rule that means that this can't really
19:27work as a chord
19:28um so when you see that you got to think
19:30okay this doesn't work it doesn't fit
19:32that rule so i can't be using a minor
19:35third here that would put these two
19:36notes too close together
19:38so the only kind of third you can use is
19:41that minor third and when you do that
19:43everything works fine you start on a and
19:45you go to here there's your minor third
19:47and then if you compare this note to
19:48that note that's also just a minor third
19:50and both of those work just fine
19:52so just remember that rule when you're
19:54kind of figuring out chords they have
19:56any two notes have to be either a major
19:58third apart or a minor thread they can't
19:59be anything else so when you see this
20:01you think okay that can't work it has to
20:03be this
20:04and that's why there's there's nothing
20:06about the third in this chord name is
20:08because it can only be one thing it can
20:10only be a minor third write that in just
20:12you can see it um and that's how
20:16that's how diminished chord works so and
20:18same thing as before you can start at
20:20any root note you want like let's say
20:21you start on an f
20:23up a major third and then your
20:25diminished fit over here is your perfect
20:27fifth and there's your diminished fifth
20:28right there
20:30now
20:31one thing that could maybe make these a
20:32little easier to find is um if you think
20:35about how this lines up there's a
20:37there's a minor third between here and
20:38there just measuring that distance
20:40that's a minor third but when you're
20:41doing this diminished chord you have
20:43your minor third and your diminished
20:44fifth there's also a minor third between
20:46here and there if you measure the
20:48distance between these two notes it's
20:50also a minor third so when you're
20:52putting together this chord instead of
20:53looking for your fifth making it a
20:55diminished fifth you can just kind of
20:57compare this note to that middle note
20:59and think okay this needs to be a minor
21:00third that's just how this is going to
21:01work out
21:03so that can sometimes be easier to see
21:04either way it's the same thing but it
21:06kind of helps to sort of be able to see
21:08that from both directions so like i said
21:10any room you want to start on say c
21:12g right there
21:14there's any flat diminished all they all
21:16work the same way same formula no matter
21:18what you're doing
21:19and and that's a diminished chord um
21:22pretty basic once you get sort of how
21:23this works there's there's one more i
21:25want to show you out of the um
21:27kind of these simple three note chords
21:29and this is what's called an augmented
21:31chord and this chord is pretty unusual
21:33you're really not going to see very many
21:34of these
21:35the major and minor are by far the most
21:37common you're going to see some
21:39diminished chords they they pop up from
21:41time to time but the augmented chord
21:43doesn't happen a whole lot so let's
21:45start on
21:46say a g this time
21:48um this a lot of times gets written like
21:50this like just a plus
21:52and other times you'll actually see
21:55the words kind of abbreviated a u g
21:58let's go and leave it at that for now
22:00um so when you do an augmented chord it
22:03works a little bit like the diminished
22:05um this this quality here is referring
22:08to that fifth again
22:10so here's our root note um starting on g
22:13we're going to have this third still not
22:15sure which kind it is yet but we know
22:17that our fifth
22:19going all the way up to whatever that
22:20note is needs to be what's called an
22:22augmented fifth
22:24now an augmented fifth is um it's just a
22:27perfect fifth that is raised by a half
22:29step this time so if you you start on g
22:32and you look for your perfect fifth
22:33which would put you right here you just
22:35have to raise that by a half step put
22:37you right there
22:38and there's your augmented fifth easy as
22:40that um
22:42if you if you get confused between these
22:44two just remember that the word
22:46diminished means like to make smaller
22:48kind of think of it as being squished so
22:50when you diminish a fifth you're sort of
22:51squeezing it together you're going to
22:53lower that when you augment something
22:55you make it bigger you're sort of
22:56expanding it so that's going to sort of
22:58push you outwards you're going to get to
22:59a bigger interval just try to keep those
23:01straight you should be fine
23:02now same as before this doesn't tell you
23:05anything about the third but if you look
23:06at the way this chord works it turns out
23:08there's only one kind of third you can
23:10use
23:11if you try to use a minor third so you
23:13want to try that first start on g you go
23:16up your minor third put you right here
23:18you have kind of the same problem if you
23:20look at these two notes they work fine
23:22but if you compare this note to that
23:24note they're too far apart this is this
23:26is bigger than a major third a major
23:28third from here would put you right here
23:30there's a whole step there's a whole
23:31step
23:32right there and this is too far away
23:34it's bigger than that so this can't
23:36really work as a chord
23:38so that means that putting a minor third
23:40into an augmented chord is not gonna
23:41work the only one that's going to work
23:43is that major third so you go from here
23:45go to right there there's your major
23:47third and then from here to there to our
23:50augmented fifth that's also a major
23:51third i think from there there's a whole
23:53step there there's a whole step and that
23:55works fine so same as before this chord
23:58doesn't tell you anything about the
23:59third because it can only be one thing
24:01it can only be that uh that major third
24:05and uh
24:06that's that's how that score is going to
24:08work um same thing as before same same
24:11formula here anywhere you start it's all
24:13going to wind up the same way start on a
24:14d
24:15major third and then you have your your
24:17augmented fifth
24:19and then same as the other chord too if
24:21you if you want kind of a different way
24:22to look at this um you know you find
24:25your major third if you're looking for
24:26this augmented fifth you know when you
24:29think augmented fifth you're measuring
24:30from this root note here all the way up
24:32to here but if you want to just measure
24:35it from the second note it should just
24:36be a major third you can think of it
24:38that way i think okay if i need to do an
24:40augmented chord i go up a major third
24:42and then from here i go up another major
24:44third or you can just think of it the
24:46other way and think okay major third
24:48from my root note and then an augmented
24:50fifth from the root note either way is
24:52going to take you to the same place
24:54so that's um that's pretty much it for
24:56these these three note chords um all the
24:58other more advanced chords are going to
25:00be built right on top of these and if
25:02you have a pretty solid understanding of
25:04how these work then those more advanced
25:06chords of four note chords or five note
25:07chords there's really not a lot extra to
25:09that it's all just sort of real simple
25:12intervals you're going to kind of put on
25:13top and sort of learn what these
25:14different names mean
25:16and i think i'm going to leave it at
25:17that for now it's already pretty long so
25:18i'm probably going to do some of these
25:20other chords in like a separate video
25:22um so
25:23yeah that's going to be it if this helps
25:25you um if this worked for you then let
25:27me know leave me like a comment or
25:29something like that and you could thumbs
25:30up the video or um or even subscribe um
25:34if this works for people and this is
25:35helpful then i'm probably gonna make a
25:36lot more um if not then i'm probably
25:39just gonna play more starcraft too so
25:40let me know and i'll kind of decide what
25:42i want to do but yeah that's it for now
25:44so i hope that helps you and
25:46i will see you next time thanks

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