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HE CHOSE THE VILLAGE GIRL OVER THE RICH LADY 😭❤️ | New Nigerian Nollywood Romantic Movie 2026 — Transcript

by Peaceplay Movie · 6,867 words · 1,471 segments · language en · Watch on YouTube

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0:03[music]
0:09[music]
0:15[music] to our continued success and
0:17partnership
0:18>> and to family. We're so proud. The
0:20mansion is incredible. Truly,
0:22>> thank you. It represents everything
0:23we've built.
0:24>> It's breathtaking. You must be so proud.
0:27We are and we are glad to share it with
0:29you. [music]
0:31>> This evening is perfect. Chadera,
0:33>> with you it is. You two look so
0:37wonderful together. Thank you, Mrs.
0:39Okafor.
0:55You two look beautiful together. When
0:58are we finally hearing wedding bells,
1:02sir?
1:04There's a young woman outside asking for
1:06you.
1:07>> Who?
1:09[snorts]
1:10>> She said her name is Amarachi.
1:14Chidera
1:16[music]
1:21[music]
1:34[music]
1:40Amarachi,
1:42what happened?
1:44Why didn't you call me?
1:46>> My phone died.
1:49>> You came all the way from Umago alone
1:51>> at this hour.
1:53>> I didn't know where else to go.
1:55>> Come inside.
2:07>> Cheddar,
2:08who is she?
2:10>> Her name is Amarachi.
2:13I heard her name. I'm asking who she is
2:15to you. I'm just a friend.
2:19>> It's not what you think.
2:21>> She's important to me.
2:24>> Chideda.
2:26>> I know.
2:27>> We have guests. Then send someone to
2:29take care of whatever this is.
2:32>> She's not whatever this is.
2:37Come.
2:41How long have you known him?
2:43>> I've been waiting [music] for you.
2:52>> Oh na na.
2:54>> Oh yeah.
2:56Leave your worries [music] for the door.
2:57Now something fresh you've not seen
2:59before. Now we going to take you on a
3:01journey. [singing]
3:02Relax your mind. No need to hurry. It's
3:05a cinematic [music]
3:06vibe. Yeah. We going to make your spirit
3:08high. Yeah. Please play movie one. Oh,
3:11this another one. Please [music] play
3:14movie [singing] one. Come and have some
3:16fun. Please play [music] movie one. Oh,
3:20this not the one. Please play movie one.
3:24Come and have some fun. Please play
3:26[music] movie one. Oh, this one. Please
3:31play movie [singing] one. Come and have
3:33some fun.
3:41>> [music]
3:42>> The Umago community access road project
3:44has passed preliminary approval, [music]
3:46but there are concerns about drainage,
3:47compensation, and access to several
3:49farming areas.
3:50>> Previous contacts abandoned that route.
3:52Why?
3:53>> Community disagreements.
3:58>> Did anybody actually sit with the
3:59community?
4:01I'll go tomorrow. [music]
4:03>> Personally,
4:04>> yes.
4:05>> You have the investor meeting tomorrow
4:06afternoon.
4:08Move it.
4:10>> Sometimes I think you enjoy destroying
4:12my schedule.
4:13>> That's why [music] I pay you well.
4:41>> [music]
4:41>> Um project documents.
4:44>> Thank you.
4:46>> What?
4:47>> Your mother called.
4:49>> That's never good. [laughter]
4:53>> Dinner tonight.
4:55>> Tell her I'm traveling [music]
4:57>> tomorrow. Tell her I'm preparing to
4:59travel.
5:00>> Chidera,
5:02>> you are helping me avoid suffering.
5:03[music]
5:04>> One day she'll blame me for helping you
5:06avoid every woman she introduces to you.
5:08Maybe she wouldn't introduce women if
5:10you gave her somebody to stop worrying
5:12about.
5:13>> I'm not searching.
5:14>> Sometimes you're not searching when you
5:16find someone.
5:27>> [music]
5:28[singing]
5:30>> You're going early today.
5:32>> Mama Neca said people from the city are
5:35coming to inspect the road.
5:37>> So,
5:39more people means more customers.
5:42>> Amarachi,
5:45>> don't forget your nursing application.
5:48>> I haven't forgotten.
5:49>> The deadline is approaching.
5:51>> I know we'll find a way. We always do.
5:56[singing]
5:59>> Where's your money?
6:01>> Tomorrow.
6:03>> That's what you said yesterday.
6:06>> Go.
6:09>> God bless you.
6:10>> Tell God to bless me with paying
6:12customers. [laughter]
6:14>> Cheeky boy.
6:16>> Bye.
6:19[singing]
6:22Your shadow joins the end.
6:26[music]
6:31[music]
6:37[music]
6:39Why exactly am I here? Because you
6:42complain that I never take you anywhere.
6:44[music] I meant Dubai.
6:47>> London. Umagu. You have no respect for
6:50friendship.
6:52Wa! Hold on. Perfect. So, what's this
6:55about? A new project. Take a look. H
6:59looks interesting. See this [music]
7:01chart? It's promising. All right, I'm
7:03in.
7:12>> Sir, give me a moment.
7:26Sir, give me a few minutes. Barely any
7:29signal. I'll walk ahead. I'll stay with
7:32civilization. Which civilization? This
7:35one. [music] I'm walking.
7:41[music]
7:56Hey,
7:57stop it.
7:59>> Me?
8:00>> Who else?
8:02>> Why is it following me?
8:04>> Because you're confusing it.
8:06>> I'm confusing it.
8:12>> [laughter]
8:17>> Hold still.
8:18>> I'm holding still.
8:20>> You're moving
8:21>> because you're pouring water inside my
8:23shoe.
8:23>> Would you prefer mud?
8:25>> H
8:26>> exactly.
8:29>> Does that goat belong to you?
8:31>> No.
8:32>> Then why were you chasing it?
8:34>> Because those [music] belong to me
8:39>> for the trouble. Keep it.
8:42>> You cleaned my shoe
8:43>> and
8:44>> take it.
8:46>> Did I tell you I clean shoes for a
8:47[music] living?
8:49>> No.
8:50>> Then put your money away. Interesting.
8:53>> What's your name?
8:55>> Why?
8:56>> Because people normally introduce
8:57themselves after one of them [music]
8:59destroys the other shoe.
9:01>> The goats destroyed your shoe.
9:03>> You're defending it now?
9:04>> Amarachi. [music]
9:05>> Chida.
9:06>> Okay.
9:08What? Nothing.
9:10>> Were you expecting me to recognize you?
9:13>> Should you?
9:15>> I don't know. You look disappointed.
9:28[music]
9:36>> What happened? [music]
9:38Goat.
9:40You fought a goat
9:43and [music] lost.
9:46Interesting.
9:51[music]
9:51>> Guy, let's go to the hotel. I need to
9:53change my outfit. Amarachi, I will see
9:55you later.
9:56>> Okay. See you.
9:57>> All right. Let's go.
10:01[music]
10:08>> [music]
10:08>> Mr. Okafo, we're grateful you came
10:11personally.
10:16>> Mr. Okafo [music]
10:24[music]
10:30the drainage can be redirected here.
10:37She's pretty.
10:41Who? The goat.
10:45You're very stupid but observant.
10:56>> 12 - 5
10:58>> 7.
10:59>> Good. Let's try another one.
11:20teacher [music] too.
11:22>> Sometimes
11:24>> nursing.
11:26>> I was studying nursing.
11:28was
11:30>> my father died 2 years ago.
11:32>> I'm sorry.
11:34>> Thank you.
11:35>> You want to go back
11:37>> more than anything?
11:39>> Then [music] you will.
11:40>> You say that like you control tomorrow.
11:43>> No,
11:45[music] I just don't think you look like
11:47somebody who gives up easily.
12:07Don't rich people have restaurants?
12:09>> Who told you I'm rich? [music]
12:11>> You're right.
12:27Hot.
12:28>> No,
12:29>> your eyes are crying.
12:30>> Smoke.
12:32>> Smoke.
12:35>> What smoke?
12:37>> I was just saying it's smoky. [laughter]
12:40>> You thought I meant real smoke.
12:42>> All right. All right.
12:49Click.
12:55>> [music]
13:06[music]
13:07>> She zooms in, not on Amarachi, on
13:10Chedara, his [music] smile. She knows
13:12that smile. She hasn't seen him look
13:14this relaxed around a woman in years.
13:23Hello.
13:25Hello.
13:27Move tomorrow morning's meeting to
13:2811:00.
13:30>> You're not coming back tonight?
13:32>> I'll come back later.
13:35>> Everything okay?
13:36>> Everything's fine.
13:40>> The road people came.
13:42>> Yes.
13:43>> Did you sell well? Somewhat. Ah, I see
13:47that smile.
13:49>> Okay, it was good.
13:55>> Why are you smiling?
13:57>> I'm not smiling.
13:59>> You are.
14:00>> Mama, please eat. [laughter]
14:04The food is getting cold.
14:06>> Okay, my dear.
14:10[music]
14:25So, so what? Amarachi, what about her?
14:30You tell me.
14:37>> [snorts]
14:40>> You're going back there. There's still
14:42work to inspect.
14:45Of course, drainage. [music]
14:48[laughter]
14:56[music]
15:01[music]
15:03Heat. Heat.
15:35>> [music]
15:40[music]
15:43>> Ooh.
15:45Ooh.
15:54Ooh.
15:56Ooh. Morning.
16:02[music]
16:11>> Morning.
16:12>> How was
16:14>> interesting?
16:15>> Interesting.
16:25Why are you interrogating me?
16:27>> I'm not.
16:30Kenna [music] sent this.
16:32I saw that smile.
16:39>> She's beautiful.
16:41>> She is.
16:42>> Who is she?
16:44>> Her name is Amarachi.
16:46>> I mean, who is she?
16:48Just someone [music] I met.
16:50>> Oh,
16:55>> I'm going back tomorrow.
16:57>> Tomorrow?
16:59>> Yes.
17:00>> Why?
17:02>> I need to inspect something.
17:04>> What?
17:06>> Drainage.
17:11>> This isn't about drainage.
17:18>> [music]
17:24[music]
17:27>> Ooh. [music] Mhm.
17:41>> Your shoe is dirty again. No
17:44>> goat problem.
17:46>> No.
17:47>> Then what are you doing here?
17:49>> I was just passing by.
17:52I came to buy oranges.
17:55[music]
17:56>> You drove all the way from Enugu for
17:59oranges.
18:01>> Damn,
18:02[laughter]
18:04you really did.
18:07Mr. The chideda.
18:10Are you sure it's oranges you came here
18:12to buy?
18:21She has followed Chidara through the
18:23windshield. [music] She watches him
18:24standing with Amarachi. She watches
18:26Amarachi laugh. Then Chidara laughs with
18:29her. Vanessa grips her steering wheel.
18:32Her [music] eyes fill with hurt. Not
18:34hatred. Not yet. Then she whispers, "So
18:37this is why you came back.
18:52Maybe I wanted to see you.
19:07Good morning, [music]
19:08>> Vanessa.
19:10>> You weren't answering your phone. And I
19:12suppose this is Amarachi.
19:16You know my name.
19:19I've heard about you.
19:21>> Vanessa. [music]
19:22>> Vanessa Ez. Nice to meet you. Likewise.
19:34Chidera and I have been together for
19:35seven years. Vanessa [music]
19:39>> at the company.
19:41We've worked together for 7 years.
19:48>> Vanessa sees the relief on her face
19:50[music] and now she knows Amarachi
19:53cares.
19:54>> Vanessa looks at Chidera and he is
19:56watching Amarachi. Now she knows
19:58something else. [music]
20:00He cares too.
20:03>> The engineers need you at the community
20:05meeting.
20:06>> They could have called.
20:08>> They did.
20:09>> You left this in the SUV.
20:12>> Okay, I'll see [music] you later.
20:14>> You have work.
20:16>> That's not an answer.
20:17>> Maybe.
20:18>> See you.
20:20>> He's always in a hurry. [music]
20:22>> He is, but he'll be back.
20:27He doesn't normally come to places like
20:29this.
20:30>> I mean personally for projects. Oh,
20:33>> nice meeting you. [singing]
20:36[music]
20:44>> What was that?
20:45>> What? [music]
20:47>> We've been together for seven years.
20:51>> [singing]
20:52[music]
20:56[laughter]
20:58>> I said we've worked together
21:00>> after deliberately making it sound like
21:02something else.
21:03>> Why does it matter?
21:05>> Unless you're worried about what you'll
21:07think. Wow.
21:08>> What?
21:10>> Nothing.
21:12>> But it isn't nothing. Oh,
21:14>> what is it, Vanessa?
21:17[singing]
21:20>> [music]
21:22>> Nobody loses access to their farmland
21:24because we're building a road.
21:26Redirecting this section increases
21:28costs. Then costs increase.
21:31The road is progress.
21:34>> Your father used to speak like that.
21:37Thank you, sir.
21:38>> Vanessa watches him. She knows the
21:40mention of his late father affects him.
21:42Her jealousy softens for a moment. She
21:44genuinely cares about this man.
21:46>> [music]
21:47>> Thank you, sir.
21:49>> You just gave that woman change twice,
21:52did I? Who is he? Who? The man occupying
21:57your brain.
22:03Amarachi, his name is Chidera, the tall
22:06one. How do you know? Everybody knows.
22:11Knows what? That's Chidera Okafo. Who?
22:15Peace play Development Group. No, you
22:19really don't know who he is.
22:25If have you seen this? No. What is it?
22:29Look, Chidera Okuro, managing director.
22:32Yes. From here to all this incredible
22:36with politicians and everything.
22:39That's the woman who came earlier. Yes.
22:42H don't whom? I didn't say anything.
22:46Your face did. Just be careful.
22:49Men like that live differently from us.
22:54>> Okay, class. Let's solve this problem.
22:56>> 7 * 8
22:58>> 56.
22:59>> Good. [music]
23:00>> What's wrong?
23:02>> Nothing.
23:08[music]
23:09>> That's usually what people say when
23:11something is wrong.
23:12>> Mr. Managing director. [music]
23:15>> Who told you?
23:16>> Does it matter?
23:18>> Amarachi, why didn't you tell me?
23:21>> You didn't ask.
23:23>> I asked what you do
23:25>> and I told you construction.
23:27>> You said it like you were carrying
23:29blocks.
23:31It's funny.
23:33>> No, I'm sorry.
23:34>> People like you sometimes come to
23:36villages and treat everything like
23:38entertainment.
23:39>> You think that's what [music] I'm doing?
23:41I don't know you well enough to know
23:42what you're doing.
23:43>> Then get to know me. Not my company, not
23:46my house, not whatever you read online.
23:48Me.
23:49>> Okay. [music]
23:50Why?
23:52>> Because I'd like to know you, too.
23:55[music]
23:56>> I have to go home.
24:02[music]
24:06>> You're following me. I'm walking
24:09>> behind me. [music]
24:10>> Coincidence.
24:11>> You always have an excuse
24:13>> and you always smile.
24:16[music]
24:21>> Mama, [music] you're back. This is
24:24Chidera.
24:25>> Good evening, ma.
24:26>> Good evening, [music] my son.
24:33[music]
24:35>> Will you drink something? Yes, ma'am.
24:37[music] Thank you.
24:39>> You're staying?
24:40>> Your mother invited me.
24:42>> Is there a problem?
24:44>> No, mama.
24:47[music]
24:50>> Come in, my son.
24:52>> Thank you, ma.
24:55[music]
25:01>> [music]
25:05>> How do you know my daughter?
25:09>> Mama.
25:11>> A goat [music]
25:12introduced us.
25:15[laughter]
25:20>> Mama, I should be going now.
25:22>> All right, my dear. [music] Safe
25:24journey.
25:25>> Thank you, ma.
25:26>> You didn't have to stay. I wanted to.
25:29>> Why?
25:31>> You [music] ask why a lot
25:33>> because you avoid answering.
25:36[music]
25:36>> I like being here
25:39>> here.
25:41>> Yes.
25:42>> Why? [music]
25:44>> Because when I'm here, nobody wants
25:47anything from me.
25:48>> Maybe they just haven't discovered
25:50you're rich yet.
25:52>> The moment becomes warm [music] again.
25:58>> [music]
25:59>> It's 7:48 already. Chedara, call me
26:02back.
26:02>> It's important.
26:04>> Why isn't she answering?
26:06>> Look at us. We were so happy.
26:08>> Chedara, [music] finally.
26:12Hello.
26:13>> Sorry. I saw your calls.
26:15>> Where are [music] you?
26:17>> Still in Umuagu
26:19>> at this hour.
26:20>> I'm leaving [music] now.
26:22>> Were you with her?
26:25Who?
26:27>> Don't do that. [music] Amarachi.
26:30>> Yes.
26:32>> Okay.
26:37After all my dedication to you, you
26:40still choose a dirty village girl over
26:42me. Look at me full of beauty. Chida, I
26:47won't let this happen.
26:52Do you know what time it is? Good
26:54evening to you too, Mom.
26:57>> Vanessa called.
26:59>> Why?
27:00>> She wanted to know whether you'd arrived
27:02safely. That girl cares about you.
27:05[music] Chidura, when will you stop
27:08pretending you don't see what's in front
27:10of you?
27:11>> Mom, Vanessa is my friend.
27:13>> Vanessa is everything a man like you
27:15should be looking for.
27:16>> Maybe I'm not looking.
27:19>> There is someone.
27:21Who is she?
27:23Good night, Mom. [music]
27:44>> Good morning
27:45>> again.
27:46>> Again?
27:47>> Don't you have a company? I hired people
27:51>> to work while you disturb me [music]
27:53>> exactly.
27:54[laughter]
27:55>> You think you can bargain? [music]
27:57>> Watch me. 5,000.
27:59>> Yes.
28:00>> 3,000
28:02>> for you?$7,000.
28:04[laughter]
28:06>> Cheda, let me teach you how to bargain.
28:08>> All right, Amarachi, show [music] me.
28:10>> See these tomatoes? Don't accept the
28:12first price.
28:13>> How much for these?
28:14>> Offer half. They'll come down.
28:16>> Half? Okay, let's try.
28:18People are looking.
28:20>> Let them.
28:21>> Easy for you to say.
28:23>> Why?
28:24>> Because when you leave, you go back to
28:26Enugu. [music] I stay here.
28:28>> I understand.
28:30>> It's not that simple.
28:36>> You know, I still can't believe you're
28:38actually driving yourself today.
28:39>> What? You think rich people don't know
28:41how to drive?
28:41>> I thought people like you had drivers
28:43for everything. [music]
28:44>> People like me? What exactly does that
28:45mean?
28:46>> You know exactly what I mean. Big
28:47businessman, expensive suits, plenty of
28:49cars,
28:49>> and yet here I am driving you around.
28:52>> Where are we?
28:53>> Somewhere nobody knows me.
28:56>> I don't know you. [music]
28:57>> Perfect.
29:07>> What do you actually want?
29:10>> Peace.
29:11>> That's not an answer. [music]
29:13>> It is. Everybody around me already has a
29:16plan for my life. My mother, [music] the
29:18board, investors, people who don't even
29:20know me.
29:22Sometimes I wonder whether anybody sees
29:23Chidera before they see Okafur. [music]
29:26>> I didn't know Okafur.
29:28I just knew you were the annoying man
29:29who couldn't defeat a goat.
29:31>> That's why I like you.
29:34I like you, Amarachi.
29:37>> You barely know me.
29:39Then let me
30:05[music]
30:10Good evening, ma.
30:11>> Vanessa, where is Chedera?
30:14>> Umangu
30:15>> again.
30:18>> Yes, ma'am.
30:19>> What's going on?
30:21>> Vanessa,
30:22>> there's a girl.
30:24>> What girl?
30:25>> Her name is Amarachi.
30:28[music]
30:29>> You like him?
30:31>> Mama,
30:33>> I'm your mother.
30:35Does he like you? He says he does.
30:39>> And [music] what do you say?
30:41>> I think I like him too. I don't know.
30:45>> You know,
30:47>> I'm afraid.
30:49>> I [music] understand.
30:51>> Mama, you should see his world. People
30:53like Vanessa belong there. What would
30:56somebody like me even be doing in it?
30:59>> Never make yourself [music] small
31:00because another person's house is big.
31:04But protect your heart. I will, mama.
31:08[music]
31:33I need you to find out something for me.
31:37>> There's a young woman in Umuagu. Her
31:39name is Amarachi.
31:46>> [music]
31:58[music]
32:03[music]
32:08>> Good [music] morning.
32:09>> Good morning. Ma,
32:11>> are you Amarachi?
32:14Yes, ma.
32:15>> Good. I'd like to buy some.
32:18>> How many, ma?
32:20>> Enough for us [music] to have a
32:21conversation.
32:34>> Mom, your mother.
32:37>> So, you're the reason my son suddenly
32:40enjoys village roads. Mom, what are you
32:44doing here?
32:49>> Meeting the young woman I've been
32:50hearing so much [music] about.
32:53>> Good afternoon, ma'am. Cheddar has told
32:56me about you.
32:57>> Yes, ma. [music] This is Amarachi.
32:59>> It's nice to meet you.
33:01>> Mhm.
33:04>> Amarachi, you should visit the Okafur
33:06mansion.
33:07>> Oh, Mrs. Okafo, I would love to.
33:09>> Wonderful. The car is here.
33:14The mansion must be beautiful.
33:16>> It is. You will see.
33:20>> Good afternoon, Mrs. Okafo. Good
33:23afternoon, dear. How are you?
33:24>> I'm well, thank you.
33:26>> If you love my son, stop standing there
33:28and watching another woman take him. Do
33:31you really think love is enough? [music]
33:33>> Mama, Chidara's mom was at my stall
33:35today. I was so scared when I found out
33:37she's Chideda's mom.
33:38>> Really? I hope no problem. No, mama.
33:41Instead, she invited me to dine with
33:43them this evening. Mama, can I go?
33:46>> Yes, you can, but be careful.
33:49>> Jolof rice ready.
33:52>> Suya skewer here.
33:55[music] Peppa soup coming.
33:57>> Table is ready.
34:08>> [music]
34:16[music]
34:25[music]
34:33>> Good evening. Good evening everyone.
34:38>> Amarachi.
34:39>> Good evening ma.
34:41>> Come sit.
34:51So this is the young lady from Umagu.
34:53>> Yes ma. What do you do?
34:56>> I sell fruits and vegetables.
35:06Oh, and Chidera met you selling fruits.
35:10>> Yes, ma. Interesting.
35:13She also wanted to become a nurse.
35:16>> Yes, ma.
35:18[laughter]
35:20>> But unfortunately, she couldn't
35:22continue.
35:24>> She will continue.
35:26>> Excuse me?
35:28>> I said she will continue.
35:36And who exactly will make that happen?
35:38>> If she allows me,
35:41I will.
35:48>> Mom, what are [music] you doing here?
35:50>> Buying oranges.
35:52>> You drove almost 2 hours to buy oranges?
35:55>> Apparently, your family has suddenly
35:57developed an interest in village fruit.
35:59Mom,
36:00>> how much?
36:01>> 2,000 naira. Ma
36:04ma, this is too much. [music]
36:06>> Keep the change.
36:08>> Thank you, ma. But I can't.
36:11Uh-huh.
36:15>> So, this is where you walk?
36:17>> Yes, ma.
36:19>> Every day.
36:20>> Most days.
36:21>> And this is what has been keeping you
36:23away from your office?
36:25>> Ma Chedera comes here because of the
36:26road project. [music] Yes, the road
36:28project.
36:30>> I'm sure he does. Come to dinner
36:35tomorrow evening.
36:36>> Ma,
36:37>> since my [music] son has clearly decided
36:39that you're important.
36:41Since my son has clearly decided that
36:44you're important, I should get to know
36:46you.
36:47>> Mom,
36:48>> what?
36:49>> Nothing.
36:50>> 7:00.
36:55[music]
36:56No.
36:58>> No. What?
37:00>> I'm not going.
37:01>> Why?
37:03>> Did you see your mother's face? [music]
37:06>> That's just her face.
37:08>> Chadera.
37:12>> Okay. She's intimidating.
37:14>> Intimidating. That woman looked at me
37:16like she was interviewing someone
37:18accused of stealing government money.
37:24>> [laughter]
37:26>> I'm serious. [music]
37:28>> You'll be fine.
37:30>> Easy for you to say. It's your house.
37:34>> I'll be there. You won't be alone.
37:36[music]
37:44>> Good afternoon, Ma.
37:45>> Are you free tomorrow evening?
37:47>> Yes.
37:48>> Dinner at the house.
37:50>> Okay, Ma. Thank you.
37:53The girl will be there. Amarachi.
37:56[music]
37:57Yes. I want to see what exactly my son
38:00sees in her.
38:02>> You know him better than almost anyone.
38:05>> Yes, ma'am.
38:08Then come.
38:18This one too simple. You are going for
38:22dinner, not the Oscars. [music] You're
38:24nervous. I'm not nervous.
38:33She has changed clothes six times.
38:36>> What if they laugh at me?
38:38>> Then let them. Clothes can show money.
38:42They cannot show character. Go there as
38:45yourself.
38:48Your mother really invited me herself
38:50[music]
38:51>> for the third time. Yes.
38:53>> I still can't believe it.
38:55>> Why? She's been [music] asking me to
38:57bring you home for weeks.
38:59>> That's exactly why I'm nervous. What if
39:00she's expecting someone different?
39:04Look at me. Then look at your family.
39:06>> I am looking at you. I don't see a
39:08problem.
39:09>> You won't be the one sitting across from
39:11your mother while she studies me.
39:13>> Oh, she'll study you. My mother studies
39:15everybody.
39:19By the way, thank you
39:20>> for what?
39:22>> For saving the day. That quick shopping
39:24trip really helped. I [music] would have
39:25spent another 2 hours standing in front
39:27of my wardrobe complaining that I had
39:28nothing to wear.
39:30>> You looked fine before we went shopping.
39:32>> Fine. I'm going to dinner at the Okafo
39:34mansion. Your family mansion. Fine.
39:36Wasn't going to calm my nerves.
39:37>> My mother already knows you're coming.
39:38You could have worn what you had and she
39:40still would have welcomed you.
39:41>> Easy for you to say. You were born into
39:43that house. And you're still nervous?
39:45[music]
39:46>> Of course I am. Your mother has been
39:49asking to meet me. Now I'm actually
39:51going to sit across from her at dinner.
39:52[music]
39:52>> She already likes you. She likes the
39:54woman who finally got her stubborn son
39:56to come home for dinner.
39:58>> Then maybe I have a chance.
39:59>> You don't need [music] a chance. Just be
40:00yourself.
40:01>> Still, thank you for the shopping, for
40:03bringing me, for making tonight feel a
40:05little less terrifying.
40:06>> You're [music] welcome. And stop
40:08worrying. I'll be right beside you.
40:10>> Okay. But if your mother starts asking
40:11me difficult questions, I'm sending them
40:13straight to you.
40:18>> This is your house.
40:20>> Technically, [music] my mother's house.
40:22>> That doesn't make it smaller.
40:27>> What?
40:28>> I changed my mind. [music]
40:29>> Too late.
40:30>> Chidera,
40:32>> trust me.
40:41You can look.
40:42>> I'm not looking.
40:45>> Careful there.
40:47>> Oops.
40:48>> It's okay. [laughter]
40:54>> Vanessa, you look beautiful. Thank you.
40:58You look very expensive. [music]
41:01I'll take that as a compliment.
41:05>> [music]
41:08>> Amarachi,
41:10>> good evening. Ma, [music]
41:12>> welcome.
41:13>> You don't drink wine?
41:15>> No, ma.
41:25[music] Why? I just don't like it. Good.
41:30>> Chidera looked surprised. One point for
41:32Amarachi.
41:41Come, let me take you around the Oafo
41:42mansion.
41:43>> Okay, let's go.
41:46>> This is our grand entrance.
41:48>> Wow, it's so beautiful.
41:50>> The interior is even better.
41:52>> I can't wait to see.
41:55[music]
41:59[music]
42:05>> [music]
42:12>> Jolof rice [music] ready.
42:15>> Suya skewers here.
42:17Pepper [music] soup coming.
42:20>> Table is ready.
42:41>> [music]
42:50[music]
42:55[music]
42:56>> Where did you attend university?
42:59>> I started nursing school.
43:01>> Started?
43:03>> Yes. [music]
43:04And
43:06>> my father died. I had to stop.
43:10>> So what do you do now?
43:12>> I sell fruits and vegetables
43:15at the roadside. [music]
43:17>> Yes, ma. Interesting.
43:23[music]
43:26And that's where you met her?
43:28>> Yes.
43:29>> My goodness. Life really is
43:32unpredictable. Mhm. [music]
43:34>> She also teaches children in the
43:36village. Wonderful.
43:38Cheda mentioned it. I think [music]
43:41that's admirable. Thank you, Vanessa.
43:45>> Yes, it's wonderful.
43:53>> Amarachi, do you intend to return to
43:55school?
43:56>> Yes, ma.
43:57>> How?
43:58>> I'm saving
44:00>> from selling fruit. Mom,
44:02>> that could take years.
44:05>> Maybe
44:06>> that could take [music] years.
44:09>> But taking longer doesn't mean I should
44:11stop trying.
44:17>> Such a shame. A pretty girl like you
44:19shouldn't have to struggle so much.
44:21Perhaps now that you know Chidera, life
44:23will become easier.
44:25>> That's unnecessary.
44:27>> I didn't mean anything bad.
44:28>> You did,
44:30>> Chidera.
44:31No, Mom. Amarachi had a life before she
44:35met me, and she'll have one whether I'm
44:38in it [music] or not. She says she wants
44:41to return to nursing school.
44:43>> She will. [music]
44:48>> And who exactly will make that happen?
44:51>> If she allows me, I will.
44:54>> Cheda,
44:55>> I'm not saying I'll buy your future. I'm
44:58saying I won't watch you give it up if
45:01there's something I can do.
45:04That hurts.
45:18>> You shouldn't have [music] said that.
45:25>> Said what? that you'll help me go back
45:27to school.
45:28>> Why?
45:30>> Because everybody at that table already
45:31thinks I'm here because of your money.
45:33>> I don't care what they think.
45:35>> I do. I don't want anyone looking at me
45:37and thinking you rescued me.
45:38>> Then don't let me rescue you. [music]
45:40Let me support you.
45:42>> There's a difference.
45:44>> A big one. You choose the road. I just
45:46help remove a few stones.
46:06What's going on out there?
46:12How long, ma? [music]
46:15How long have you loved my son?
46:18>> I don't. Don't insult me.
46:22[music]
46:25a long time.
46:27And you've never told him?
46:29>> No.
46:31Why?
46:32I thought we had time. Apparently, you
46:36don't.
46:38[music]
46:40Amarachi. Yes, ma. My son likes you more
46:46than I expected. Ma, I'm not attacking
46:50you.
46:55>> [music]
46:55>> I'm warning you, Chidera's life is
46:58complicated. The company, the family,
47:01people watching everything he does.
47:03Affection is easy when you're sitting
47:05under a tree eating roasted corn. Living
47:07in his world is [music] different.
47:11>> You're thinking too loudly.
47:13>> Your mother doesn't like me.
47:16>> My mother doesn't like most people.
47:19>> I'm serious. So am I.
47:22>> She thinks I don't belong in your world.
47:25>> What do you [music] think
47:28>> tonight?
47:30I felt like she might be right.
47:50You don't have to walk me.
47:52>> I know.
47:55>> Amarachi, I'm not asking you to become
47:58like anybody in my world.
48:00>> Then what are you asking?
48:02>> I'm asking you not to run because you're
48:04afraid of it. Give me a chance.
48:07>> A chance to do what?
48:09>> To date you properly.
48:10>> Date me?
48:12>> Yes. People still say that.
48:15>> I'm trying to be respectful. I'm
48:17serious.
48:18>> And Vanessa,
48:20>> what about Vanessa?
48:23>> She loves you.
48:25>> What?
48:26>> You really don't know
48:29men.
48:42>> [music]
49:02>> Good morning.
49:03>> Do you love me?
49:04>> What?
49:05>> Do you love me?
49:07Where is this coming from?
49:08>> Amarachi said,
49:10>> "Of course she did."
49:12>> Is she wrong?
49:14>> No, she's not wrong.
49:17I love you.
49:21[laughter and gasps]
49:24Look at your face.
49:26>> Vanessa,
49:28>> don't. Please don't tell me you never
49:30knew.
49:31>> I didn't.
49:32>> That hurts even more. 7 years. 7 years.
49:36Chedera,
49:38>> I'm sorry.
49:38>> Do you love her?
49:41Do you?
49:44>> I don't know yet,
49:47but I'm falling.
49:50[music]
49:58>> Good evening, Ma.
50:00>> Vanessa, how are you? I didn't remember
50:01inviting you. [music]
50:04I'm sorry for coming without calling
50:05first. I wanted us to talk.
50:12>> You told [music] him
50:15he's falling in love with her. Maybe I
50:18should [music] just accept it.
50:20>> Accept what? That after 7 years, a girl
50:24he met beside a road simply walks
50:26[music] in and takes your place.
50:29If you love my son, stop sitting there
50:32and watching another woman take him.
50:37>> I still can't believe this is you.
50:39>> What's wrong with me?
50:41>> Where is your suit?
50:42>> My suit?
50:44>> Yes, Mr. Chid Okafur. Suit in the
50:46morning, suit in the afternoon, probably
50:47suit to sleep.
50:48>> I [music] don't wear suits to sleep.
50:50>> I'm not convinced. Since I met you,
50:51you've been looking like you're about to
50:52enter a board meeting. Now look at you.
50:54You're beginning to look like one of us.
50:56>> Maybe that's the idea. Wait, why did you
50:59really dress like this today?
51:01>> Maybe [music] there's someone here who
51:02makes me want to forget the man I am in
51:04the city.
51:05>> Someone
51:06>> a village girl. She talks too much. She
51:08argues [music] with me. She makes fun of
51:09my suits.
51:10>> She sounds troublesome.
51:11>> Very troublesome. Unfortunately, I think
51:14I'm falling in love with her.
51:15>> Shidira,
51:16>> are you coming? Village girl,
51:17>> you still look better in [music] a suit.
51:19>> Liar.
51:20>> So
51:21>> So what?
51:22>> Vanessa,
51:24>> you were right. She told you I'm sorry.
51:28>> Why?
51:30>> She's loved you for years.
51:35>> That doesn't mean I owe her romantic
51:37love.
51:38>> No,
51:40>> I'm acha.
51:41Don't make decisions for me,
51:44especially about who I should love.
51:50>> What if this doesn't work?
51:52>> What if it does? You always have an
51:55answer.
51:56>> Not always. [music]
52:01>> I hate technology.
52:04>> It's Kenny,
52:05>> your friend. Answer it.
52:08>> I'm going to kill him. [laughter]
52:12>> Stop sitting there and watching another
52:14woman take him.
52:17>> Hello.
52:19I need the complete background file on
52:21Amarachi. [music]
52:22Everything.
52:26>> My fellow Nigerians, welcome to the
52:28launch of the Umuna Village Road
52:30Project. This project will bring new
52:32hope and opportunities to our community.
52:34Together, we will build a better future.
52:37[cheering]
52:37>> Let the work begin.
52:43>> This project is not charity.
52:46It's a partnership.
52:53>> [applause]
52:58>> Your mother tells me you're [music]
53:00still impossible to catch. Maybe I
53:02should try again.
53:03>> Maybe you should.
53:10>> That is the kind of woman Chidera grew
53:12up around. Beautiful, educated, [music]
53:16connected, accomplished women who
53:19understand his world.
53:23[snorts]
53:35>> Come with me.
53:37>> Where?
53:41>> [music]
53:48>> I forgot to acknowledge someone. When we
53:50first came here, I thought this project
53:52was only about roads. Someone reminded
53:55me that development means nothing if the
53:57people living here don't get
53:58opportunities too. [music]
54:00So, Peace Development Group will also
54:02fund a community education program for
54:04children and provide scholarships for
54:05qualified students from Umagu. [music]
54:08And I want Amarachi to help us design
54:10the education program.
54:15>> You [music] didn't tell me.
54:17>> You would have said no.
54:19>> I might still say no.
54:21>> Then I'll keep asking.
54:27[cheering]
54:31[music]
54:45and a scholarship for Amarachi.
54:47[cheering]
54:49>> You really should have told me.
54:50>> You would have refused.
54:52>> Maybe because you keep doing things that
54:54make people think.
54:55>> Think what?
54:59>> That I'm benefiting because you like me.
55:02>> The education program is not for you. I
55:05know
55:06>> you suggested half of it without
55:07realizing. Every time you talked about
55:09the children here, I listened. [music] I
55:11didn't choose you because I'm doing you
55:12a favor. I chose you because I trust
55:14your judgment.
55:16>> Amarachi OB education history, [music]
55:18attended nursing school, then withdrew.
55:22A note about an old dispute. Her late
55:25father borrowed heavily.
55:27Creditors pursued the family.
55:30Their home nearly went into foreclosure.
55:32Nothing criminal, nothing scandalous.
55:34[music]
55:36Amarachi, a cleaner in Enugu, Chai. This
55:40will humble her.
55:43[music]
55:48They're actually laughing.
55:52Where are we going? [music]
55:54>> Somewhere quiet.
55:56>> That sounds suspicious. You came
55:58willingly?
56:00>> Because [music] I assumed you're
56:01responsible.
56:02>> Terrible assumption.
56:08>> Why me?
56:10>> What?
56:11>> You meet women every day. Beautiful
56:13women, educated women, women like
56:15Vanessa. Women who understand your
56:16world. Why do you keep coming back to
56:18me?
56:20>> Because you're the one who truly knows
56:21me. Because when I'm with you, I don't
56:23feel like I'm performing. I don't have
56:25to be the managing director. I don't
56:27have to be anybody's son. I don't have
56:28to prove anything. I'm just Chedera,
56:31>> the man defeated by a goat.
56:33>> I knew you would ruin the moment.
56:42>> Tell me [music] to stop.
56:51Sorry for the quick interruption. I
56:53promise this will only take 30 seconds.
57:03>> [music]
57:03>> want to create movies like this?
57:06>> Wait, you mean I can actually learn to
57:08create movies like this with AI?
57:10>> Yes, even if you've never created an AI
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57:14[music]
57:21In my AI storytelling class, I'll teach
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58:03Check out our website for more details.
58:06>> The link is in the description box.
58:08>> Thanks for your time.
58:09>> We appreciate you.
58:12>> Are you angry?
58:14>> I haven't decided.
58:16>> Should I apologize?
58:18>> No.
58:20You kissing?
58:23[laughter]
58:34[laughter]
58:38[sighs]
58:41Why you smiling like somebody stole meat
58:43from soup? Leave me. [laughter]
58:46>> He kissed you. How do you know? I knew
58:50it.
58:53What?
58:55>> I'm happy.
58:58And that scares me.
59:02[sighs]
59:05What did you find? [music] Nothing
59:07dangerous.
59:09Her father had financial problems before
59:11he died. They nearly lost their house.
59:13[music] She left school, worked briefly
59:15as a cleaner at a clinic. That's all I
59:18know.
59:20>> A cleaner. There is nothing wrong with
59:23honest work. You are defending her now.
59:26[music]
59:27I'm saying she hasn't done anything.
59:30>> Not yet.
59:35[music] Invite her to the company.
59:37>> Why?
59:38>> I want to see how she behaves outside
59:40[music] the village. Ma,
59:43>> if she wants to become part of Chidera's
59:45life, she should [music] understand what
59:47that life actually looks like. Give her
59:50something useful to do with the
59:52education project. You want her
59:54involved?
59:56>> I want to observe her.
59:58>> I see. That's wise.
1:00:14>> [music]
1:00:19[music]
1:00:25>> Can I help you? I'm here to see Miss
1:00:27Vanessa. Ez
1:00:28>> Amarachi,
1:00:34what are you doing here?
1:00:36>> Vanessa called me.
1:00:38>> Vanessa?
1:00:39>> Yes.
1:00:41>> Come.
1:00:47The scholarship program needs someone
1:00:49from the community, someone who
1:00:51understands the families. I suggested
1:00:53you. You did? Yes, I did.
1:00:58>> [music]
1:00:59>> You're qualified for that part of it.
1:01:02Thank you.
1:01:13[snorts]
1:01:20>> [music]
1:01:34[music]
1:01:44>> Budgets are tight. We must optimize.
1:01:45[music]
1:01:45>> Deadlines are critical. We need metrics.
1:01:48Community metrics show positive impact.
1:01:49>> We could simply select 10 top [music]
1:01:51performing students and leave it there.
1:01:53>> What about children who are not top
1:01:55performing because they don't have books
1:01:58or children who miss school because they
1:01:59work on their parents' farms? If the
1:02:02scholarship only rewards children who
1:02:04already have advantages, then we're not
1:02:06helping the people who need it most.
1:02:19>> [music]
1:02:23>> Vanessa discovers information from
1:02:24Amarachi's past, but it has nothing to
1:02:26do with a missing child or secret child.
1:02:28Chedara and Amarachi finally share their
1:02:29first kiss. Mrs. Okafer privately offers
1:02:31Amarachi an opportunity that comes with
1:02:33a hidden test, and Vanessa must decide
1:02:35whether to use what she has discovered.
1:02:37Later,
1:02:44>> [music]
1:03:07>> You investigated me.
1:03:10You came to my village. You smiled at
1:03:13me. You sat beside me. And all that time
1:03:16you were digging through my life. It
1:03:19wasn't like that.
1:03:22Then tell me what it was like. I was
1:03:25trying to protect someone I care about
1:03:28from me. So that's what you think I am.
1:03:31A danger, a problem, something that
1:03:33needs to be investigated.
1:03:36>> Good morning.
1:03:38Good morning, sir. Welcome back.
1:03:40>> Thank you.
1:03:43Morning, boss. Everything is set.
1:03:45Excellent. Carry on.
1:03:50>> It wasn't personal.
1:03:52My father's debts are in this file. How
1:03:54is that not personal? Chideda is not an
1:03:56ordinary man. People around him are
1:03:58checked. Did you check everybody he
1:04:00talks to?
1:04:03>> I can't believe you did this,
1:04:05>> Amarachi.
1:04:08What happened?
1:04:10Vanessa, what did you do?
1:04:13>> I didn't mean for this to happen.
1:04:18>> Who authorized this?
1:04:21I asked you a question.
1:04:23>> Your mother wanted [music]
1:04:25>> my mother? Chidiraa,
1:04:33>> you had no right. And what happens if
1:04:36she wasn't who you thought she was?
1:04:38>> Then I would find out myself.
1:04:40>> You're not thinking clearly. You barely
1:04:42know this woman and suddenly you're
1:04:42restructuring programs for her driving
1:04:44to the village every day.
1:04:45>> This isn't about Amarachi anymore. It's
1:04:47about you crossing a line.
1:04:50Amarachi,
1:04:53please.
1:04:55>> Did you know?
1:04:56>> No.
1:05:03Are you sure?
1:05:05Yes,
1:05:07[snorts]
1:05:07>> your mother knew. Vanessa knew. How many
1:05:11other people know everything about my
1:05:13family now? This is what I was afraid
1:05:15of.
1:05:16In your world, people don't [music] just
1:05:19meet me. They investigate whether I'm
1:05:22good enough.
1:05:28>> Why did you investigate Amarachi?
1:05:30>> Because you weren't going to. She's a
1:05:33person, mom, not a company acquisition.
1:05:34>> You are my [music] only son.
1:05:36>> So
1:05:37>> So I will not watch you bring someone
1:05:39into this family without knowing who she
1:05:41is.
1:05:41>> You found out her father owed money,
1:05:43that she cleaned floors to survive, and
1:05:45somehow you think that tells you who she
1:05:46is.
1:05:47>> It tells me your lives are completely
1:05:48different. [music]
1:05:49>> I already knew that.
1:05:51>> Then act like it.
1:05:53>> Maybe that's exactly why I love being
1:05:54around her.
1:05:55>> Love
1:06:07What [music] am I doing?
1:06:41Can we talk?
1:06:43>> I'm walking.
1:06:45>> I'll wait.
1:06:46>> Chideda,
1:06:48>> I'll wait.
1:07:00Waiting for someone.
1:07:01>> Yes, I'll wait.
1:07:03>> Good afternoon. These greens, please.
1:07:06>> Of course.
1:07:06>> Here you are.
1:07:07>> And some tomatoes, please. Certainly.
1:07:09That will be all. Still waiting. It's
1:07:12been an hour.
1:07:12>> Yes, I have time. [music]
1:07:14>> You've been waiting a long time. Can I
1:07:16help you?
1:07:17>> No, thank you. I'm just waiting.
1:07:23Why are you still here? [music]
1:07:25>> Because you said you were working
1:07:28>> and
1:07:29>> you're done now.
1:07:31I'm [music] sorry.
1:07:32>> You didn't investigate me.
1:07:34>> No.
1:07:37>> Then why are you apologizing?
1:07:39>> Because I brought you into a world that
1:07:41made you feel ashamed of things you
1:07:42survived. [music]
1:07:44Working as a cleaner isn't shameful.
1:07:46Selling fruit isn't shameful. Your
1:07:47father's debt isn't your shame. Don't
1:07:49let anybody make you carry embarrassment
1:07:51that doesn't belong to you.
1:07:52>> Your mother thinks this can't work.
1:07:55>> I know
1:07:56>> Vanessa loves you.
1:07:57>> I know
1:07:59>> your whole world is complicated.
1:08:01>> I know.
1:08:02>> Then why are you doing this?
1:08:04>> Because I'm falling [music] in love with
1:08:06you.
1:08:07And I've tried pretending it's too early
1:08:09to say that.
1:08:11>> But it's true.
1:08:13>> Chitter,
1:08:14>> you don't have to say it back. I just
1:08:16needed you to know.
1:08:19>> I'm scared.
1:08:21>> I know.
1:08:23>> But I'm falling, too.
1:08:26>> I've got [music] you.
1:08:28>> Hold me.
1:08:35[music]
1:08:44>> [music]
1:08:49>> There's another issue. Someone leaked
1:08:52photographs from Umuagu.
1:09:01Investors are [music] already asking
1:09:02questions
1:09:03about my private life, about whether
1:09:06your private life is influencing company
1:09:08decisions.
1:09:09>> What? That's ridiculous.
1:09:18Village girl catches billionaire from
1:09:20selling oranges to millionaire's
1:09:22girlfriend. Village girl catches
1:09:24billionaire from selling oranges to
1:09:26millionaire's girlfriend.
1:09:31So that's why he [music] keeps coming
1:09:32here. She has made it.
1:09:38Don't listen to them.
1:09:46Slow down.
1:09:49Do you know who leaked it? Not yet. And
1:09:52if it was Vanessa, then we're done.
1:10:06>> Where is she?
1:10:07>> Inside.
1:10:16I'm going to fix this.
1:10:18>> No, I don't want you fixing anything.
1:10:22[snorts]
1:10:22>> Amarachi,
1:10:23>> every time you try to protect me, more
1:10:24people start talking about me. Before I
1:10:27met you, I was just Amarachi. Now I'm
1:10:29the village girl dating the rich man.
1:10:31People don't even say my name anymore.
1:10:34Maybe your mother was right
1:10:36>> about what? Maybe love isn't enough.
1:10:41I think we should stop seeing each
1:10:42other.
1:10:45[sighs]
1:10:46Chideda refuses to accept the breakup
1:10:48easily. Vanessa tries to repair the
1:10:50damage between herself and Amarachi.
1:10:52Peace development group begins
1:10:54investigating who leaked the
1:10:55photographs. Mrs. Okafo believes the
1:10:58breakup has solved the problem, but
1:10:59Chidera shocks his mother.
1:11:01>> If Amarachi walks away because of what
1:11:03this family did to her, don't expect me
1:11:05to forgive you.
1:11:06>> [music]
1:11:12[music]
1:11:17>> The leak didn't come from me. Someone
1:11:20inside Peace Play is trying to frame
1:11:21Chideda. [music]
1:11:22They're making her relationship look
1:11:24like corruption. We have to expose this.
1:11:26And Amarachi [music] receives an
1:11:28unexpected offer that could finally take
1:11:30her back to nursing school. But
1:11:32accepting it may mean leaving Umagu.
1:11:43Oh yeah. [music]
1:11:45Leave your worries for the door. Now
1:11:47something fresh you've not seen before.
1:11:49Now we going to take you on a journey.
1:11:51[singing]
1:11:51Relax your mind. No need to hurry.
1:11:53[music] It's a cinematic vibe. Yeah. We
1:11:56going to [singing] make your spirit
1:11:57high. Yeah. Peace play movie one. Oh,
1:12:00this not the one. Peace play [music]
1:12:03movie one. Come and have some fun.
1:12:07>> Movie [singing] one. Display movie one.
1:12:10[music]

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