Having fun will make you more successful — Transcript
Full transcript
- 0:00Life can be much broader once you
- 0:02discover one simple fact and that is
- 0:04everything around you that you call life
- 0:07was made up by people that were no
- 0:09smarter than you.
- 0:11>> Everyone wants to be taken seriously.
- 0:13>> And that
- 0:15is exactly
- 0:16>> what's
- 0:17>> holding them back.
- 0:18>> Every decision you make about how you
- 0:20present yourself, what you say, what you
- 0:22don't say, what you try and what you
- 0:24don't try, somewhere underneath all of
- 0:26it is the same [music] question. Will
- 0:28this make me look stupid? And the answer
- 0:30to that question [music] controls more
- 0:32of your life than you'd probably like to
- 0:33admit. And yet the people who actually
- 0:36win consistently, unreasonably, in ways
- 0:38that don't make sense to everyone doing
- 0:40everything right, they all share one
- 0:42thing. They stopped caring about that
- 0:44question a long time ago. There's a word
- 0:47for this person, the fool, not as an
- 0:49insult, as an archetype. The character
- 0:52who shows up in every culture, [music]
- 0:54every era, every medium, always
- 0:57underestimated, always the last one
- 0:59anyone expects to win. And in real life,
- 1:02every few decades someone shows up who
- 1:04embodies this so completely that it
- 1:06changes everything around them.
- 1:11When you were a kid, you didn't think
- 1:12about how to have fun. You just [music]
- 1:14had it. You picked up a stick and it was
- 1:15a sword. You played for hours and lost
- 1:18track of time completely because time
- 1:20wasn't a concept that applied to you
- 1:22yet. You were just [music] in it. At
- 1:24some point that changed. It happens
- 1:26gradually, the way all the important
- 1:27things happen. You start caring about
- 1:29how you look [music] doing something.
- 1:31You start calculating whether it's worth
- 1:33the effort and before you know it,
- 1:35you've organized your life around
- 1:36avoiding the feeling of not knowing what
- 1:38you're doing. Adults watch kids play and
- 1:41say things like, oh man, I remember
- 1:43those days. Let them enjoy it while they
- 1:46can, as if play has an expiry date, as
- 1:49if presence is something that belongs to
- 1:51childhood and has to be surrendered
- 1:52[music] at some point in exchange for
- 1:54seriousness. It doesn't. You just forgot
- 1:57how.
- 1:58>> I I drove down from a whole and drive
- 2:00every every night, you know, that I went
- 2:02up there feeling that I was [music]
- 2:05one of the biggest actors in Hollywood.
- 2:07>> And I actually wrote myself a check, and
- 2:09this is for real. This is not a joke. I
- 2:11wrote myself a check for $10 million
- 2:14for acting services rendered, and I gave
- 2:16myself 5 years, and I dated it
- 2:19Thanksgiving 1995.
- 2:21>> At the time, he had essentially nothing.
- 2:23He was a struggling comedian who people
- 2:25found funny, but not quite serious
- 2:27enough to take seriously.
- 2:28>> But I was always into this, you know,
- 2:30visualization and stuff.
- 2:31>> Right.
- 2:32>> This is when you were broke and poor.
- 2:33>> right, having directors interested in me
- 2:36and saying, you know, I like your work
- 2:37or whatever that is, and and uh I would
- 2:40visualize things coming to me that I
- 2:43wanted or whatever.
- 2:44>> [music]
- 2:44>> The thing about Jim Carrey is that he
- 2:46was never doing what actors were
- 2:48supposed to do.
- 2:50He was playing.
- 2:52His whole career was built on a
- 2:53willingness to look completely
- 2:55ridiculous, to commit to a bit so fully
- 2:58that it stopped being a bit and became
- 3:00something else. To do the thing nobody
- 3:02was sure he should do and do it with
- 3:05such total conviction that it worked.
- 3:08>> I had no idea what I wanted to do with
- 3:09my life, and no idea how college was
- 3:12going to help me figure it out. So, I
- 3:13decided to drop out and trust that it
- 3:16would all work out okay.
- 3:18It was pretty scary at the time, but
- 3:20looking back, it was one of the best
- 3:22decisions I ever made.
- 3:23And much of what I stumbled into by
- 3:25following my curiosity and intuition
- 3:27turned out to be priceless later on.
- 3:30Reed College at that time offered
- 3:32perhaps the best calligraphy instruction
- 3:34in the country.
- 3:35Because I had dropped out and didn't
- 3:37have to take the normal classes,
- 3:39I decided to take a calligraphy class to
- 3:41learn how to do this.
- 3:43I learned about serif and sans serif
- 3:45typefaces, about varying the amount of
- 3:47space between different letter
- 3:48combinations, about what makes great
- 3:51typography great.
- 3:53It was beautiful, historical, [music]
- 3:56artistically subtle in a way that
- 3:57science can't capture.
- 3:59And I found it fascinating.
- 4:02None of this had even a hope of any
- 4:04practical application in my life.
- 4:07But 10 years later, when we were
- 4:09designing [music] the first Macintosh
- 4:10computer, it all came back to me.
- 4:13And we designed it all into the Mac. It
- 4:16was the first computer with beautiful
- 4:17typography.
- 4:19>> You couldn't have planned that. Nobody
- 4:21could have planned that. It only
- 4:23happened because he was playing,
- 4:25following [music] his interest without
- 4:26requiring it to make sense first,
- 4:28without demanding that it justify itself
- 4:31before he gave it his time. When he
- 4:33introduced the iPhone in 2007, he was in
- 4:35his element, bouncing across the stage,
- 4:38pulling the device out of his pocket
- 4:40like a magic trick,
- 4:42using the word magical more than seemed
- 4:44professional. He was having fun. He was
- 4:46playing, and the audience felt it.
- 4:49And the world changed. Kanye West
- 4:51released his first album in 2004 after
- 4:54being told repeatedly that rappers who
- 4:56produce beats don't also rap.
- 4:59That wasn't how it worked. The lanes
- 5:01were separate. He ignored this and made
- 5:03The College Dropout anyway, which went
- 5:06five times platinum and changed what
- 5:07hip-hop sounded like for the next
- 5:09decade. Then he made Late Registration,
- 5:12then Graduation, then 808s and
- 5:15Heartbreak, [music] where he processed
- 5:17grief through autotune in a way that
- 5:19almost everyone said was a terrible
- 5:21idea, and that influenced basically
- 5:24every artist who came after him.
- 5:27>> I always felt like I could do anything.
- 5:30That's the main thing people are
- 5:31controlled by. Thoughts, their
- 5:33perception of themselves.
- 5:35They're slowed down by their perception
- 5:37of themselves. If you're taught you
- 5:39can't do anything, you won't do
- 5:40anything.
- 5:41I was taught I could do everything. My
- 5:43mom always taught me you have You have
- 5:45it first. You have to believe it first.
- 5:47So, what's my I I have to believe that I
- 5:49can make it instant game first. That was
- 5:50the first step and I believed it and I
- 5:53willed it. And they say overconfident
- 5:55like that's a bad thing. I think
- 5:57overconfident They That used to be a bad
- 5:59word. How can you be overconfident?
- 6:02You should be overconfident. You should
- 6:05have more confidence.
- 6:06>> The through-line in all of it is that
- 6:07Kanye treats making music like play.
- 6:11He follows whatever interests him
- 6:13regardless of whether it makes sense
- 6:15from the outside. He commits to ideas
- 6:17that seem wrong until they seem obvious.
- 6:20He talks about himself with an
- 6:22enthusiasm that makes people
- 6:24uncomfortable.
- 6:25Because most people have learned to
- 6:27shrink their confidence to a size that
- 6:29won't offend anyone. And Kanye never
- 6:31learned that. Or decided not to.
- 6:34>> Just the fact that I'm willing to fail
- 6:36is an inspiration. People are so scared
- 6:39to move that they don't even try. Like
- 6:41one thing that people can't say is they
- 6:42can't say I'm not trying.
- 6:45>> We're all going to die one day. Live
- 6:46like that. Live like you could die
- 6:48tomorrow. You know, go for it.
- 6:52>> Monkey D. Luffy is the captain of a
- 6:55pirate crew who can barely read a map,
- 6:57>> [music]
- 6:58>> has no real plan for how to become king
- 7:00of the pirates, and regularly wanders
- 7:03into situations that should get him
- 7:04killed. His crew is constantly
- 7:07terrified. [music] His enemies
- 7:08consistently underestimate him, and he
- 7:10wins because he's playing while everyone
- 7:12else is working. Because he moves toward
- 7:15things with a kind of pure unfiltered
- 7:17enthusiasm that doesn't leave room for
- 7:19hesitation.
- 7:20>> [music]
- 7:20>> Because he decided what he wanted,
- 7:23declared it out loud without worrying
- 7:24whether it sounded stupid, and started
- 7:27moving toward it immediately. Jack
- 7:29Sparrow wins by being impossible to
- 7:31model. [music] Every villain, every
- 7:33rival, every person trying to
- 7:35outmaneuver him runs into the same
- 7:37problem. He doesn't behave according to
- 7:39the logic they're using. He's spinning,
- 7:42stumbling, making decisions that look
- 7:44like accidents and turn out to be genius
- 7:47[music] or actually are accidents and
- 7:49work out anyway because he's so
- 7:50committed to the bit that reality bends
- 7:53around him. He treats the whole thing
- 7:55like a game,
- 7:56>> [music]
- 7:56>> which means he's free to improvise while
- 7:57everyone else is executing a plan. And
- 8:00improvisation, [music] it turns out, is
- 8:02how you win when reality stops
- 8:04cooperating with the plan. All right,
- 8:06enough pirates. Peter Parker is the most
- 8:08relatable superhero ever written because
- 8:11he has no idea what he's doing most of
- 8:13the time and does it anyway. Miles
- 8:15Morales spends the entire first movie
- 8:17terrified, can't stick to walls
- 8:19properly, can't control his powers. And
- 8:22then there's that scene where he's
- 8:23standing at the edge of a building and
- 8:25someone tells him to leap and trust it
- 8:27and he just goes. He jumps before he's
- 8:30ready, figures it out on the way down.
- 8:32Watch any of them closely enough and you
- 8:34notice the same thing. Time stops
- 8:36mattering. Everything around them
- 8:38sharpens. Athletes call it being in the
- 8:40zone. Musicians say the music starts
- 8:43playing itself. You get there by
- 8:45playing, by loosening your grip on the
- 8:47outcome and just doing the thing. The
- 8:49fool is already doing it while you're
- 8:50still deciding whether to start. Already
- 8:52three reps in, already figuring out what
- 8:54works by finding out what doesn't.
- 8:55That's the actual advantage.
- 9:00>> [music]
- 9:00>> The number one advantage the fool has is
- 9:02the one that sounds like a weakness. Not
- 9:04being afraid to look like a fool. This
- 9:06sounds simple.
- 9:08It isn't. Most of what adults do on
- 9:10[music] any given day is organized
- 9:12around not looking stupid. The version
- 9:15of yourself you present to the world,
- 9:17edited down to the parts you're
- 9:19confident about with the uncertain parts
- 9:21kept private until you figured them out.
- 9:24This is completely understandable. It's
- 9:26also the thing that keeps most [music]
- 9:28people from ever finding out what
- 9:30they're actually capable of. The only
- 9:32way to get good at something is to be
- 9:33bad at it first, publicly, where people
- 9:36can see you. The only way to find your
- 9:38voice is to say things before you found
- 9:40it. The person who's afraid to look
- 9:42foolish
- 9:42>> [music]
- 9:43>> has to defend every decision they make,
- 9:45so they keep doing the wrong thing
- 9:47longer than they should. They optimize
- 9:49for appearing competent over actually
- 9:51being effective, and they fall behind
- 9:53the fool who already pivoted three times
- 9:56and is somewhere completely different
- 9:58now, [music] playing in a new space,
- 10:00figuring it out in real time. This is
- 10:03what fool maxing actually is. The full
- 10:05commitment to presence, to play, to
- 10:08action without the paralysis of
- 10:09self-consciousness, the willingness
- 10:11[music] to step toward the edge.
- 10:13>> The fool always wins because the fool is
- 10:15the only one actually playing.
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