HABLAMOS CON EL ESPÍRITU DEL HOMBRE QUE MUR10 AQUÍ — Transcript
Full transcript
- 0:00Today we are going to explore an estate
- 0:02that is almost 200 years old, and it
- 0:04houses one of the most disturbing
- 0:05stories I've ever heard, that of a
- 0:07witch, a young girl, and a German man
- 0:09who said, "No, I don't want this
- 0:10anymore. I didn't like this life
- 0:12because it's too difficult." And he
- 0:14took his own life right in that room we
- 0:16are about to enter. Come with us. Well,
- 0:20this estate is very large. They say it
- 0:23has about 5,000 square meters of
- 0:25construction and 27,000 square meters
- 0:28of total land. More or less, that was
- 0:31it. Hello.
- 0:33>> Hello, hello, welcome. Hi, guys.
- 0:36>> Today we are here with the Cahuamo
- 0:38family.
- 0:39>> Hello, hello. Thanks to everyone. Hello
- 0:41.
- 0:41>> Hello. Greetings. In case you don't
- 0:44know them, they were with us at the
- 0:45orphanage and we had a very, very, very
- 0:47cool experience. I mean, literally, I
- 0:50feel like that day we saw things and
- 0:51heard things, and it was incredible.
- 0:53And you brought Vero along.
- 0:55>> Ah, yes, Vero.
- 0:56>> She couldn't be left out.
- 0:57>> Vero helped us in the children's
- 0:58exorcism room to see if we could make
- 1:00contact with any child who might be
- 1:01there. In case you haven't seen that
- 1:04video, go, go watch it. And precisely
- 1:05for that reason we brought her, because
- 1:07there is a girl here.
- 1:09>> There is a girl here. Exactly. This
- 1:11location is amazing. Why? Because it
- 1:14dates back to about 1850. Just imagine.
- 1:16Well, let's investigate because the
- 1:18paranormal activity here is good. Uh,
- 1:20there is an entrance where we can enter
- 1:22the church directly.
- 1:23>> It's right over here.
- 1:24>> This
- 1:25>> that is the
- 1:26>> for the church.
- 1:27>> Let's go. Come over here.
- 1:29>> This estate is divided into how many
- 1:31sections, and what are they?
- 1:32>> Easily about four, in my opinion,
- 1:34>> but this is one of the important ones
- 1:36because there is a church here where we
- 1:38are going to investigate; well, it will
- 1:40be revealed who inaugurated it, and
- 1:41there is a plaque, a very interesting
- 1:43marker that I would like you to see.
- 1:46>> This is where I was telling you about.
- 1:55>> Yes.
- 1:56>> Yes, yes. It sounds like someone crying
- 1:58.
- 1:59>> It's already welcomed us.
- 2:01>> What could it be? The girl or the
- 2:03German man who took his life?
- 2:05>> It welcomed the
- 2:06>> or the witch. Or the witch.
- 2:08>> The witch. Yes, because there is an
- 2:10interesting tree over there where that
- 2:11witch spent her final days.
- 2:13>> Wow. Okay.
- 2:15>> Let's go. I'll go first. Ready. Go
- 2:20ahead. Come on in. Welcome.
- 2:22>> Vero goes first, otherwise she...
- 2:26>> Whoa. How many people lived on this
- 2:29estate?
- 2:30>> Uh,
- 2:31>> It was built by a Spaniard, then bought
- 2:33by a German who couldn't handle the
- 2:35pressure, and later it passed into the
- 2:37hands of a Jewish family who literally
- 2:39abandoned it, neglected it, and now it
- 2:41belongs to the state. Unfortunately,
- 2:43they haven't been able to renovate or
- 2:45maintain it, but even though nobody has
- 2:47kept it up, it's still very beautiful.
- 2:50>> Yes. Look, I want you to see this. Come
- 2:52on, get closer.
- 3:00>> How much gossip must those walls have
- 3:01heard?
- 3:02>> I know.
- 3:03>> I think to be a priest you really have
- 3:05to be a big gossip, right? Today, April
- 3:073, 1921, it was blessed by the Most
- 3:09Reverend José María Mora y del Río,
- 3:11Archbishop of Mexico. Wow. An
- 3:14archbishop came here to bless this
- 3:16chapel. We've tried leaving
- 3:19transmissions running, and I've even
- 3:20set up a fixed transmission on a bench,
- 3:22but they crash, our phones have been
- 3:24knocked over, and they've been turned
- 3:26off in the chapel.
- 3:29>> So, of all the places you've explored,
- 3:30this is the only one they don't let you
- 3:31record in?
- 3:32>> They don't let us record.
- 3:33>> Could it be because it's a holy place?
- 3:34Because I personally don't like being
- 3:37here. Yes, there's a bit of peace, but
- 3:39there's also something like mysticism,
- 3:41something is about to happen or I don't
- 3:43know if it already happened, I don't
- 3:45know, but we've never been able to find
- 3:46out because they turn off our phone or
- 3:48knock it down. I'm bringing in a new
- 3:51member here from Cahuo Paranormal, we
- 3:53call him "Plant." That plant is one of
- 3:57those classic toys that repeats what
- 3:59you do.
- 4:00>> Hello.
- 4:00>> Hello.
- 4:01>> Hello, Plant.
- 4:02>> Hello, Plant. Ah.
- 4:06>> Ah. It got it perfectly, dude. It got
- 4:08it perfectly, dude.
- 4:14>> Look, here we have these characteristic
- 4:16excavations; it's like people used to,
- 4:18or well, I think it's still done, hide
- 4:20treasures or valuables in the walls, or
- 4:22maybe the families took them out
- 4:23because they were leaving, or someone
- 4:25else did, because it's very specific,
- 4:27right? We can see there are no other
- 4:30excavations anywhere else. What do you
- 4:32think, guys? We should acquire an
- 4:35estate and invite you all to explore it
- 4:37and stay the night here. I think so. Oh
- 4:40,
- 4:46>> upstairs.
- 4:47>> Yes,
- 4:47>> yes. Interesting.
- 4:53>> I'm telling you, something whistled
- 4:55when we walked in.
- 4:58>> Okay, I think it's time to use the
- 5:00Plant. We're going to leave a phone
- 5:02recording so that the Plant is
- 5:04completely alone. We're going to ask
- 5:06the questions from far away to see what
- 5:07it answers.
- 5:08>> I'll give you the honor. Right now,
- 5:10we've just left the Plant in the atrium
- 5:12, and through this radio, we're going
- 5:13to speak to it to see if it repeats
- 5:15what we're saying. We are going to ask
- 5:17questions, and in case the plant
- 5:19activates without us speaking to it, it
- 5:21is because we are receiving answers and
- 5:23there is genuinely something here.
- 5:26>> Hello, is there any spirit here? Give
- 5:38us a sign if there is any energy in
- 5:40this area. We are going to record
- 5:42everything that happens. Manifest
- 5:49yourself. If you manifest, we will lend
- 6:00you the doll, Vero. A scream is heard.
- 6:12>> We are going to leave her.
- 6:13>> Ah, we support you. We support you from
- 6:14here. You can do it, you can do it.
- 6:16>> I'm going to leave Verito here for you
- 6:19so that you can play with her. Okay.
- 6:21Come play, little one. We want to hear
- 6:24you or see you.
- 6:25>> She remained calm, but let's watch her
- 6:27expression because it changes. That's
- 6:28right.
- 6:28>> Yes, exactly. That's what I like about
- 6:31Verito and that's why I told you to
- 6:33bring her, because you can really tell
- 6:35what she is feeling, right? You can
- 6:37tell when she is angry, you can tell
- 6:38when she is happy. We've left Verito
- 6:40with you now. Can you play with her?
- 6:50Let's also see if Verito wants to play.
- 6:52There is another place we can go while
- 6:54whatever is going to happen, happens.
- 6:56>> If you want, let's go quickly so you
- 6:57can see the witch's tree.
- 6:58>> Let's go. Sure, let's go.
- 7:09>> Here in this hacienda, they told us
- 7:11there is a jail for people who didn't
- 7:13obey the bosses. Uh, remember that
- 7:17before, it was common that whoever pays
- 7:19rules, so if you didn't follow
- 7:20instructions and made them angry, if
- 7:22you didn't put sugar in the coffee or
- 7:24whatever, you ended up in this jail,
- 7:26even dead.
- 7:28>> And look, behind you is an entrance to
- 7:31the tunnels.
- 7:32>> Santi can fit here.
- 7:33>> Yes, easily. You can see there how good
- 7:35old Santi can go down. Right there
- 7:37behind that tree, where that one is,
- 7:39that is the witch's tree. Ah, that's
- 7:43what they were telling me, that all the
- 7:45flora around it is green and the
- 7:46witch's tree is all dry.
- 7:48>> That's right.
- 7:49>> Look, from here it really looks super
- 7:50dry. It looks completely dead.
- 7:52>> Actually, I think those two
- 7:54>> are where she used to stand, but the
- 7:56one where she was burned is that one.
- 7:58>> We've arrived.
- 7:59>> The witch's tree. This is very
- 8:02interesting, I mean, how nature really,
- 8:05because in the end they say that
- 8:07witches were actually very wise women
- 8:10who used nature and things from it to
- 8:12heal or to uh make types of medicines
- 8:15or types of rituals that helped people.
- 8:18>> Actually, the tree was fine because
- 8:21woodpeckers are also found here. Look,
- 8:23there's a little hole there.
- 8:25>> Let's go for the plant.
- 8:27>> Let's go, let's go. Yeah. And I think
- 8:29it's worth it for us to go back to the
- 8:31jail to see if we can do a spirit box
- 8:33and see what we get.
- 8:35>> Go ahead and let's go down
- 8:36>> to the jail.
- 8:37>> Yes, yes, yes. Sure, sure, sure.
- 8:44>> I don't know, it, it won't activate the
- 8:45>> Let's see, let's look at Vero's face.
- 8:47They go,
- 8:48>> it's different. Yes, you're right,
- 8:50Karina. Eh, it's not that comfortable.
- 8:54>> No, I left it more upright here. Ah, I
- 8:57think it's us, right?
- 9:00>> Plant, plant. No, we left.
- 9:05>> We didn't leave.
- 9:06>> It's not even repeating what we said.
- 9:09>> Hey guys, we were reviewing what the
- 9:11phone captured when we left it alone
- 9:12here in the chapel and I want you to
- 9:14see this, guys.
- 9:18>> Oh, no way. Don't tell me that, I'm
- 9:20going to take her home with me. I felt
- 9:22like it didn't do it.
- 9:23>> Okay, now look at what I was telling
- 9:25you. Look at how Vero is in Mama
- 9:27Kahuama's arms. Look, she looks happy.
- 9:32>> Who moved you, Vero? Eh, who moved you?
- 9:37That's incredible. No, if I don't see
- 9:39the video, I don't believe it, huh?
- 9:40Truly,
- 9:41>> excellent evidence. You worry me, baby.
- 9:44>> Who played with you? There's a
- 9:49beautiful spider. On this side there's
- 9:51another beautiful spider. And I'm, and
- 9:53I'm surrounded by beautiful spiders.
- 9:56>> Oh, yeah. One.
- 9:58>> What do I have?
- 10:00>> No, you can't go through.
- 10:01>> Four spiders in front of me.
- 10:08>> You stay with them and Santi and I will
- 10:10do it from inside like we were. What
- 10:13happened? Ah, I thought it was Santi,
- 10:17that's why
- 10:18>> it wasn't Santi.
- 10:25>> It sounded as if someone were
- 10:30>> You know, I imagined them worse, huh? I
- 10:32thought that when they said a mini-jail
- 10:34, I thought they were going to, like,
- 10:35really lock them up and they'd spend
- 10:37their time all curled up. Maybe the
- 10:39helplessness of being locked up for
- 10:41something that you didn't do.
- 10:43>> What's up? Hello. Is there anyone there
- 10:53?
- 10:58>> That is a bug.
- 11:00>> Yes. No,
- 11:01>> a moth. Okay.
- 11:04>> Something is interrupting us talking,
- 11:05eh, here. But, what do you think if we
- 11:08then take advantage of this little
- 11:10moment of interruption that they are
- 11:12giving us to try to get some EVP and
- 11:14see
- 11:16>> what, that someone or something answers
- 11:18us. Let's try it, does that sound good
- 11:19to you?
- 11:20>> Yes, yes, yes.
- 11:21>> What we are going to do next is an EVP.
- 11:23What is an EVP? Literally, Mom is
- 11:25bringing a speaker, and using an app we
- 11:28have on our phones, we're going to
- 11:30record our ecosystem, we're going to
- 11:32record the ambient sound; we're going
- 11:34to tell it and listen if there's
- 11:36anything we aren't perceiving that
- 11:38might be speaking to us. Why? Because
- 11:41that app we have is like a very
- 11:43sensitive ear, which will help us
- 11:45detect things that with the naked ear
- 11:47we wouldn't hear. Is there a lost soul
- 11:50here? What is your name? How did you
- 12:05die? Are you here? Will you manifest
- 12:17yourself? What did you do for a living?
- 12:30What happened to you? How were your
- 12:35final days of life? Is there anything
- 12:43we can do for you? Now we are going to
- 12:46listen to see if we get any response.
- 12:48Is there a lost soul here? What is your
- 12:59name? How did you die? Are you here?
- 13:16Will you manifest yourself? What did
- 13:22you do for a living? What happened to
- 13:30you? How were your final days of life?
- 13:42Is there anything we can do for you?
- 13:45Did you notice one where you are
- 14:03speaking and it sounds exactly like
- 14:05they are whispering? It overlapped.
- 14:07Exactly. I think that's the only thing
- 14:09I heard, because everything else—yes,
- 14:11there is noise, but I perceive it more
- 14:13as the wind. But there was a moment
- 14:15where I am literally speaking and you
- 14:17can hear the voice of a man. We are
- 14:19going to look for Walter the German.
- 14:21Very well. Now we are going to go to
- 14:23the second floor, and specifically,
- 14:26what interests us about this second
- 14:28floor is the third room. In this third
- 14:31room is where they say that Walter, the
- 14:34German Walter, took his own life
- 14:36because, apparently, he suffered a lot
- 14:39from alcoholism.
- 14:43>> Alright. And in a fit of depression and
- 14:46anxiety and not seeing a solution to
- 14:49life, he decided to uh, check out of it
- 14:53. Unfortunately, we can't enter that
- 14:55room, and now we are going to show you
- 14:57why. Okay, wait here. I hope it happens
- 15:00.
- 15:02>> You wait. No, dude. How am I going to
- 15:07get through, dude? Wait, it's not a
- 15:10leash, dude. Welcome to the second
- 15:16floor of the cursed hacienda. On this
- 15:25side, uh. What's there?
- 15:28>> Oh, you came out. I hate you, I hate
- 15:31you, I hate you, I hate you.
- 15:33Everything's fine, it's fine, it's fine
- 15:35, it's fine.
- 15:38>> We are in a wing of the hacienda, and
- 15:40normally these types of structures were
- 15:42meant to guard the property. They kept
- 15:46their respective guards or security
- 15:48personnel here, who were attentive to
- 15:50the perimeter and watched for possible
- 15:53threats that might approach the place.
- 15:56A watchtower.
- 15:57>> Uh-huh. Basically, it's a watchtower.
- 16:05>> What? There's no floor left. Look, take
- 16:07a peek. Holy. Oh,
- 16:15>> I forgot that Peque is afraid of
- 16:17heights.
- 16:17>> This, let's say, is the beginning. Now
- 16:19we’re going to the next room. Oh, oh,
- 16:25I almost killed myself.
- 16:26>> Please, no. We have to finish the video
- 16:28. Yes, Celeste. Thanks for worrying.
- 16:31>> Look, I feel like this was a bathroom
- 16:33because we can see some tiles there and
- 16:36like a drainage system. I'm going to go
- 16:38in by myself and you film me from here.
- 16:40>> Why? Because I was warned, I mean, it's
- 16:43a 200-year-old estate and in many of
- 16:45these rooms the floor is totally
- 16:47trashed and the ceiling has collapsed.
- 16:51>> Don't fall, please.
- 16:58>> Believe me, I'm scared to step here
- 16:59because
- 17:00>> well, you can see it. The brick is just
- 17:01crumbling.
- 17:03>> No one has set foot on these structures
- 17:05in years, so let's just say what I'm
- 17:07doing is a bit dangerous. Wow. I’m
- 17:11not getting any closer, man. What is
- 17:15this, bro? We are above the church and
- 17:26apparently this is a secret entrance to
- 17:30the church. Oh. Oh. Hello, little bird.
- 17:34>> Oh, no, no. Ah,
- 17:35>> it's a little bird. It's a little bird
- 17:37too.
- 17:38>> Oh, sorry. First of all, I want you to
- 17:41see my paranormal exploration gear.
- 17:43Have you ever seen a prettier kit? It's
- 17:46pink. Here we have a pink rig as well.
- 17:52And we’re going to use this one in
- 17:54Walter's room, over. Look, this is like
- 18:00an entrance to the church. And you
- 18:05might be asking, how do I know? Look,
- 18:07on this other side, look, that is like
- 18:13the choir loft. And honestly, I'm not
- 18:15going down there because it's very
- 18:16dangerous, so you'll have to take my
- 18:18word for it. This is a, a bathroom. You
- 18:22can see the shower head there, the
- 18:24shower, and there are the tiles. It
- 18:32leads to that other room, which I
- 18:34assume that other room was one of, I
- 18:37don't know, Walter's children's. Let's
- 18:40see. Actually, the guy who let us in
- 18:48did say it makes him very nervous for
- 18:50us to be walking around here. In fact,
- 18:53it’s because of these kinds of
- 18:54details that he’s scared. Now let’s
- 18:57go to the second room. We are getting
- 18:59closer and closer to Walter's room. And
- 19:02this is where it keeps getting more and
- 19:04more dangerous, because the ceiling is
- 19:05literally falling down, it’s caving
- 19:07in. For safety, we aren't going through
- 19:10here, but we can go around the outside.
- 19:12>> It’s really destroyed over there.
- 19:14>> Yeah, man. That’s where we have to go
- 19:16.
- 19:16>> No way, the floor is going to collapse,
- 19:18man. I mean, the cement.
- 19:19>> The roof has already fallen in,
- 19:20actually. Look. Yeah, you can see
- 19:22everything.
- 19:25>> Next, I present to you the famous room
- 19:28of Walter, the German who said bye-bye
- 19:31to life. All the other structures are
- 19:34intact; I mean, there isn't that much
- 19:36deterioration yet, but as we start to
- 19:38approach this area where this tragedy
- 19:40happened, everything went to hell, man.
- 19:44I mean, you look in and there’s no
- 19:47roof, there’s no floor, it’s all uh
- 19:49downward, and you start to see the
- 19:51structure is all collapsed. I think
- 20:02something is in here.
- 20:11>> Maybe a dog climbed up.
- 20:13>> No, no way. There’s no way. I mean,
- 20:15there’s no way for them to be there.
- 20:22One more little rock and that’s going
- 20:23to fall.
- 20:25>> Man, that sounded so weird. Like
- 20:27someone was taking steps inside this
- 20:29room, and look, I mean, there isn't
- 20:31even
- 20:33>> a floor, so there is no way for someone
- 20:36—it was perfectly clear that they
- 20:39were stepping on those bricks.
- 20:41>> That’s how bad the floor is; we could
- 20:44fall at any moment.
- 20:45>> Rem pod.
- 20:50>> We’re going to leave it right here,
- 20:51as close to the room as possible.
- 20:53We’re leaving it right there. And now
- 20:59we’re going to use the Spirit Box to
- 21:00see if we can make contact with good ol
- 21:02'Walter, Walter White. Like if you got
- 21:04the reference to who Walter White is.
- 21:07Hello, we want to know if there is a
- 21:09lost soul here. Cesar,
- 21:15>> I heard. It’s here.
- 21:16>> It’s here. What happened to you? Why
- 21:21did you do it? You ended your life in
- 21:26this room. That's right. Okay. Why did
- 21:35you do it? Why does he care? to forget,
- 21:57>> to forget, forget.
- 22:03>> Everything I’m hearing is literally a
- 22:05person with a lot of negative feelings.
- 22:08I mean, it makes a lot of sense that
- 22:10this person felt so bad that they made
- 22:12the choice to lean towards this
- 22:14terrible decision to forget; I mean,
- 22:16it’s like they were really carrying
- 22:18so much and said, "No, I can't do this
- 22:20anymore.""I, I’m leaving, I’m out
- 22:23of here." You know, at no point have I
- 22:26felt a negative vibe in this estate.
- 22:28You did,
- 22:29>> didn't you? I mean, it feels big, old,
- 22:32and very calm overall.
- 22:34>> Uh-huh. I mean, I haven't perceived at
- 22:37all like there is an entity or
- 22:38something evil.
- 22:39>> Maybe the church, but it feels more
- 22:41playful than anything else, right?
- 22:42>> Yeah. True. The church is like the one
- 22:44that has the most. You just said
- 22:46exactly what I think. Like if there is
- 22:48someone, maybe an entity that just
- 22:50likes to bother or play or
- 22:52>> for a reason it is in a temple, it
- 22:54doesn't feel like it's forbidden from
- 22:56>> it is a sacred place, man, because an
- 22:58archbishop literally consecrated that
- 22:59place. So, I don't think it allows
- 23:02entry to anything evil. We are so sorry
- 23:04, Walter. We hope that somehow your
- 23:07soul can rest here and we are going to
- 23:09pray for you. Rest in peace. We're
- 23:12going to tell mom and dad all of this
- 23:13and they'll be freaked out.
- 23:14>> What do you think happened to me?
- 23:16>> What happened there?
- 23:17>> What do you say?
- 23:18>> Tell us everything, please.
- 23:19>> Okay. In the room where Walter, uh,
- 23:22said bye-bye to life. So, there was a
- 23:25moment when we started setting up all
- 23:26the things and we started to hear
- 23:28footsteps on the bricks. No way?
- 23:30>> Mm. We literally started to hear the
- 23:33footsteps on the bricks and I also
- 23:35found a passageway that leads to the
- 23:37church. It connects, connects one of
- 23:40the rooms to the church.
- 23:41>> Oh, yes, we have to go up,
- 23:42>> don't we? Yes.
- 23:43>> Well, okay,
- 23:47>> did everyone hear that? What was that?
- 23:49That
- 23:50>> they are saying goodbye to us.
- 23:51>> Yes, Walter is already telling us that
- 23:53it's 9 o'clock.
- 23:55>> Follow the Cahuamo family, please. You
- 23:58guys are the best. Thank you very much.
- 23:59Thank you very much.
- 24:00>> Thank you. Please, whenever you want to
- 24:02come back, it's here.
- 24:03>> That's right.
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