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Futurism in 9 Minutes: How to Rewrite Culture — Transcript

by Curious Muse · 1,054 words · 214 segments · language en · Watch on YouTube

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  1. 0:05[Music]
  2. 0:10did you
  3. 0:11ever sit in history class and think
  4. 0:13what's the point in learning about
  5. 0:15ancient dusty objects
  6. 0:17events that have already happened and
  7. 0:18the opinions of someone who's been dead
  8. 0:20for hundreds of years
  9. 0:22yawn you'd rather think about what our
  10. 0:25next phone updates will let us do
  11. 0:27robots we can build or ways to get
  12. 0:29across the atlantic
  13. 0:30in under an hour well you sound
  14. 0:33just like a futurist
  15. 0:36the futurists were a group of artists
  16. 0:38who thought the world was stuck
  17. 0:40in a boring old-fashioned rut and wanted
  18. 0:44it to look forward by celebrating
  19. 0:46innovation modernity and speed
  20. 0:50they wanted to say goodbye tradition
  21. 0:53hello technology
  22. 0:56in 1908 charismatic italian poet
  23. 1:00felipo tomaso marinetti was driving
  24. 1:03along a road outside of milan
  25. 1:05when he had to dramatically swerve into
  26. 1:07a ditch to avoid hitting two
  27. 1:10cyclists but surprisingly
  28. 1:13he didn't emerge from the crash with an
  29. 1:15aversion to engines and speed
  30. 1:17and instead the face-off between old and
  31. 1:19new transport
  32. 1:20gave him the idea for a new philosophy
  33. 1:24the futurism movement was born
  34. 1:27marinetti became obsessed with
  35. 1:30everything the future had to offer
  36. 1:32things like factories urban landscapes
  37. 1:35and yes
  38. 1:36zooming trains planes and automobiles
  39. 1:38and he wanted everyone else to be
  40. 1:40too
  41. 1:45in 1909 he laid out his idea to the
  42. 1:47world in the manifesto of futurism
  43. 1:50on the front page of the french
  44. 1:51newspaper le figaro
  45. 1:54the manifesto was passionate aggressive
  46. 1:58and intended to stir controversy
  47. 2:02marinetti wanted italy to become the
  48. 2:04epicenter of progress
  49. 2:06by embracing cutting-edge industry and
  50. 2:08ridding itself
  51. 2:09of archaic institutions like museums
  52. 2:12libraries and academies
  53. 2:14he wanted to re-write culture
  54. 2:18his futurist vision could be applied to
  55. 2:20everything from literature
  56. 2:22theater architecture fashion and even to
  57. 2:26cooking
  58. 2:28but it particularly captured the
  59. 2:31imagination
  60. 2:32of a group of young like-minded italian
  61. 2:35artists
  62. 2:36inspired umberto boccioni carlo cara
  63. 2:40and luigi rusolo banded together and
  64. 2:43wrote the manifesto of futurist painters
  65. 2:47they turned marinetti's call to arms
  66. 2:49into a
  67. 2:50call to paintbrushes by denouncing the
  68. 2:52existing art scene
  69. 2:54as stagnant academic and full of
  70. 2:56copycats
  71. 2:58they sent their new guidelines to their
  72. 3:00contemporaries giacomo bala
  73. 3:03and gino severini who happily jumped on
  74. 3:06the high-speed bandwagon
  75. 3:08together this core group of futurist
  76. 3:11artists began to incorporate the vibrant
  77. 3:14raw
  78. 3:14energy promoted by marinetti into their
  79. 3:17work
  80. 3:18instead of painting the usual
  81. 3:20mythological scenes chubby babies and
  82. 3:23naked ladies rising out shells
  83. 3:25they veered towards chaotic portrayals
  84. 3:27of speed
  85. 3:28movement and power they used their
  86. 3:31canvases
  87. 3:32to glorify industry workers
  88. 3:35and even war the first major futurist
  89. 3:39work to grasp the nation's attention
  90. 3:41was bocciones the city rises
  91. 3:44which depicted the construction of
  92. 3:46milan's new electrical power plant
  93. 3:48a large red horse rears up in the center
  94. 3:51as the men around struggle to control it
  95. 3:54it's an homage to hard work and
  96. 3:56revolutionary change
  97. 3:58not a fat cheeked cherub in sight
  98. 4:03bocconi expresses a sense of strength
  99. 4:05and dynamism by using blurred
  100. 4:07repetitive brush strokes and merging
  101. 4:10colours to animate the skittish animal
  102. 4:13this technique is called divisionism and
  103. 4:16was commonly used by futurist painters
  104. 4:19in dynamism of a dog on a leash giacomo
  105. 4:22bala throws off the shackles of artistic
  106. 4:25tradition
  107. 4:26by presenting us with an abrupt random
  108. 4:28view that you'd normally see shrunken in
  109. 4:30the background of a peaceful
  110. 4:31impressionist scene
  111. 4:34while the subject of the painting is a
  112. 4:36lot cuter than
  113. 4:37other futurist paintings its true star
  114. 4:39is the concept of movement
  115. 4:42the repetition of the dog's legs leash
  116. 4:44ears and floppy tail
  117. 4:46creates a feeling of forward motion that
  118. 4:48is almost
  119. 4:49dizzying futurism also took inspiration
  120. 4:54from cubist artists
  121. 4:56like pablo picasso and george braca
  122. 4:59by using fragmented intersecting views
  123. 5:02of the same subject
  124. 5:05in luigi rossolo's dynamism of a car
  125. 5:08the vehicle is painted in multiple
  126. 5:10angular forms that all converge to the
  127. 5:12left
  128. 5:13this creates what are known as force
  129. 5:15lines which add pace and direction to a
  130. 5:18painting
  131. 5:20the futurist aesthetic was translated to
  132. 5:233d
  133. 5:24in bocchoni sculpture unique forms of
  134. 5:26continuity in space
  135. 5:28it depicts the form of a man striding
  136. 5:31forward
  137. 5:32almost machine-like in intensity its
  138. 5:35geometric outline creates the sense of
  139. 5:37air
  140. 5:38rippling around him as he marches
  141. 5:42as well as creating art the futurists
  142. 5:44wanted to spread their aesthetic
  143. 5:46political and social ideals as much as
  144. 5:49possible
  145. 5:51true to their roots they made the most
  146. 5:53of new technologies like
  147. 5:54mass media printing and transportation
  148. 5:58and published yet more manifestos
  149. 6:01hundreds of them in fact
  150. 6:06parallel strands began to emerge in
  151. 6:08russia england belgium
  152. 6:10and elsewhere russian futurism in
  153. 6:13particular grew into its own
  154. 6:14separate movement which was largely
  155. 6:16focused on literature
  156. 6:19futurism was just a few years old when
  157. 6:21world war one broke out across europe
  158. 6:24marinetti considered war and violence as
  159. 6:26a necessary step towards making a new
  160. 6:29modern italy
  161. 6:30and the artists who supported him were
  162. 6:32encouraged to fight for their country
  163. 6:35this led to the death of some of its
  164. 6:37members
  165. 6:38including bocconi which stopped the
  166. 6:41movement in its tracks
  167. 6:44but after the war was over marinetti
  168. 6:46revived it again in a phase known as
  169. 6:49second futurism
  170. 6:52artists in the new wave like tullio
  171. 6:55crowley
  172. 6:56enrico prampolini and philia were
  173. 6:59particularly fixated on
  174. 7:01aviation creating an offshoot of
  175. 7:03futurism
  176. 7:04called aeropitura
  177. 7:07meanwhile mussolini the future dictator
  178. 7:10of italy was rising to power
  179. 7:12and marinetti would soon play a major
  180. 7:14role in mussolini's new fascist regime
  181. 7:18marinetti already had his own futurist
  182. 7:20political party
  183. 7:22so he merged with mussolini's party and
  184. 7:25you guessed it wrote its manifesto
  185. 7:30futurism was never the official art
  186. 7:32movement of fascism
  187. 7:34the two ideologies had a lot in common
  188. 7:38both were patriotic supported disruption
  189. 7:41glorified workers and opposed
  190. 7:43parliamentary democracy
  191. 7:46while this bolstered futurism's image at
  192. 7:48the time it tarnished its reputation
  193. 7:51when fascism later fell out of fashion
  194. 7:54and was
  195. 7:54ultimately condemned by the end of the
  196. 7:58second world war
  197. 7:59new younger artists had different more
  198. 8:02nostalgic ideals
  199. 8:05after years of violence and unrest they
  200. 8:07wanted to return to reassuring
  201. 8:09traditional art styles
  202. 8:11so when marinetti died in 1944
  203. 8:14futurism became history
  204. 8:18its influence can be seen today in art
  205. 8:20deco constructivism
  206. 8:22surrealism dada and the architectural
  207. 8:25neo-futurism movement
  208. 8:27and even though the futurists were all
  209. 8:29about out with the old and in with the
  210. 8:32new
  211. 8:33they'd probably be secretly happy that
  212. 8:35their influence has stuck around
  213. 8:40[Music]
  214. 8:48you

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