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FULL MOVIE | Intern (HD) | Comedy | English Movie — Transcript

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0:01[music]
0:23Nice.
0:26How are you doing?
0:28Smoking
0:39[music]
0:44[music]
0:53[music]
1:00Is that Nina's Emoy?
1:02>> I can't believe that the editor of Vogue
1:03is going to parade her bony at a skirt
1:05party. Dare she
1:19[ __ ]
1:29>> [music]
1:39>> So, I don't care about that allure
1:40article. I mean, it got me to stop
1:42eating sushi for about [music] 20
1:44minutes, but then I said, "Steze the
1:46DM." I'm not going to be swayed just cuz
1:48some chicken the village eats a bad egg.
1:50I mean, it's not like I'm ding a Teryaki
1:52boy. And honestly, what's the worst
1:55thing that can happen? What? I [music]
1:57get a tapeworm and can eat whatever I
1:59like and still lose 20 pounds? And I'd
2:01really be like Karen Carpenter on top of
2:03the world looking down on creation.
2:06Wouldn't that be dreamy?
2:08>> But enough about ma. What did you say
2:10your name was again?
2:12>> Joselyn.
2:13>> And you're over at
2:14>> um Skirt magazine.
2:16>> Huh?
2:16>> Roxan Rocher. Love her like a sister.
2:19What do you do there? Um, you know, this
2:22and that.
2:23>> Details, darling. You're a writer, a
2:26stylist.
2:27>> I'm the head peon.
2:29>> Excuse me.
2:30>> The resident Xerox [ __ ]
2:32>> What's that?
2:34>> I'm an intern.
2:36>> She's an [music] intern.
2:40She's an intern.
2:43[music] A pathetic lonely [singing]
2:44intern. Slave driven intern.
2:48rocks this, she rocks that. [music]
2:51Div
2:55sometimes she may get the blues, but
2:58everyone [music]
2:58must pay their dues. You may think life
3:01just isn't fair, but everybody's got to
3:03start [music] somewhere.
3:07Slave driven internship
3:10[music]
3:17[music]
3:20should be
3:22those back cappuccino and that's the way
3:24it goes in the max
3:36[music]
3:36coffee. Kiss my ass.
3:44[music]
3:45Cappuccino skin kiss my ass. Sometimes
3:48she may get the blues, but every one of
3:51us must [music] pay. You may think life
3:54just isn't fair, but everybody's got to
3:56[music] start somewhere.
4:03>> [music]
4:03>> This Xerox
4:08[music]
4:08is my hand.
4:14She's [music] in.
4:19She's [music] in.
4:23She's
4:26lonely and
4:31Oh yeah.
4:38>> Okay. I'm Jocelyn Bennett and here we
4:40are at the Skirt magazine corporate
4:42headquarters, i.e. where fashion trends
4:44are invented.
4:45>> How about how you got here?
4:47>> Well, I think I took my school motto a
4:49little bit too seriously. When Horus
4:51Dutton Taft penned not to be served, but
4:54to serve. I think he had Anar and God's
4:56Love We Deliver in mind, not fashion
4:58magazines. I could have been on the
4:59staff at Glamour, but I'd rather be an
5:01intern at Skirt. I like to think of
5:03myself as a missionary to salvage the
5:04tacky. This is our associate greeter,
5:07[music] aka receptionist. Hey, Deborah.
5:11Deborah Duche is the gatekeeper, the St.
5:13Peter of Skirk. She separates the men
5:15from the boys. Let's watch her in
5:16action. What the hell are all these
5:18cameras doing here?
5:19>> I'm doing the tour for [music] the
5:20channel 13 that nobody else wanted to
5:22get.
5:23>> Hello, Skir. Isn't that genius? Let's
5:25move on. Oh, that's Roxan Rocher, our
5:28fashion director. Let's follow her.
5:30>> Don't you just love her Chanel?
5:33>> This is her first day back since the
5:35accident. Her breast implant exploded on
5:37the Concord.
5:39>> The show must go on. Messages. Get Tokyo
5:41in line one. In fact, my boot back to
5:43Christian Luban. It needs a new lace.
5:45Get me an herbal wrap. Did you call
5:47Garen? What's going on with the John
5:48Bartlett shoot? Forget [music] the
5:50herbal wrap. I want a Himalayan
5:52rejuvenation lyenberry acid peel. and
5:55get me some volume. I'm suffering from
5:57such jetet lag. Where is Cecilia Sole?
6:01>> Oh. Oh, she's on maternity leave this
6:03month. This month. It [music] only takes
6:06one day to bomb with a baby.
6:10>> Yes, Roxan.
6:11>> Cappuccino.
6:12>> Right away,
6:14>> okay, let's move on.
6:20>> This is the editor at large. This is the
6:22editor at super large. And this is the
6:25editor slender regular. Actually, I'm
6:27not sure what they do. They just order
6:29him from dormy and go to sample sales.
6:31>> Bob.
6:32Excuse me, Antonet.
6:34>> Bob.
6:36>> No, I'm Jocelyn.
6:38>> No, you need a Bob.
6:40>> Everybody, there's been a tragedy. Come
6:41quick. [music]
6:43>> Shishamese has faded.
6:46>> Messages.
6:47>> No. Let's go take it out.
6:54Guess boss, the first bound of vote just
6:57came out. There's an article on Cantic
6:59just like we have in our next issue.
7:00It's obviously a leak.
7:01>> It's another leak.
7:02>> Can you believe it? It's the third issue
7:04in a row that this has happened.
7:05>> That is not a coincidence. There must be
7:07a Yuri.
7:08>> What's a Yuri?
7:09>> A spy, you idiot. You know, Mahari,
7:10Ethan, Han, James Bond, all of James.
7:13When's the last time she ate?
7:14>> She had an apple two days ago. She
7:16should be fine.
7:16>> So, it's just the trouble from the
7:18article.
7:19Maybe we should take her shoes off or
7:21something.
7:26>> Oh my god.
7:28>> Where are my shoes?
7:29>> Your shoes.
7:32We should get out of here.
7:34>> That's when the air is on point. You
7:36know,
7:38>> ballet. [laughter]
7:39>> Yeah.
7:41>> Oh my gosh. I'm so sorry.
7:44>> Don't worry, Glossy.
7:46>> How'd you know my name? Um, I don't
7:50know.
7:52>> Oh, this is Paul Rochester, deputy art
7:54director.
7:55>> Uh, hello.
7:57>> Well, um, have a nice tour.
8:00>> Right. Thanks.
8:01>> Okay. Um, you go I'll you go that way.
8:08>> Where to now?
8:09>> The beauty department.
8:11>> What? What is it?
8:12>> [ __ ] Who? [ __ ] is here. [music] Roxan
8:16Rocher. No, not that. Or the nail
8:19enamel.
8:22>> What does it mean?
8:23>> It means [ __ ] me, but respect me.
8:25Worship my body, but the upkeep is going
8:27to be costly. Strike me, spurn me, treat
8:30me as but your spaniel. I'm your dog and
8:32I'm going to break the leaf law.
8:34>> Calm down, Cornelia. Arf.
8:35>> I am sorry. It just transports me to a
8:37dirty corner, 42nd Street. Pre-d Disney.
8:40>> Oh, nothing.
8:42>> I adore the shade.
8:43>> Who the [ __ ] are you and what do we care
8:45what you think? What are you, an intern?
8:47>> Yes.
8:48>> What happened to that last intern?
8:49[music] She had these big bug eyes. Look
8:51like Courtney Cox on chemo. [laughter]
8:55>> Hey, let me give you two pieces of
8:57advice. Always wear black. And you're
9:01never finished [ __ ] until you piss
9:03again. Remember that and we'll be fine.
9:05Here.
9:05>> Okay. Thanks. I'll keep that in mind.
9:07>> I'm just busting your balls.
9:09>> Come on.
9:11>> I like her vibe though. Good vibe. Uh,
9:14come visit me in my office and we'll
9:16[music] chat sometime. Okay. A little
9:17less rouge.
9:18>> Are we working or are we chatting?
9:20>> What? Who? Me?
9:21>> Yeah, obviously you. Who else would I be
9:23talking to? Rocky the cameraman?
9:26>> Director of photography.
9:27>> Oh, great. Um, come here now. Chop chop.
9:31You remember the other day when I asked
9:32you to do a very special project for me?
9:34>> Yeah. Didn't you see it? I left
9:35>> Oh, I saw it. I found it. You bet your
9:37little intern ass I found it. And I
9:39found something else along with it, too.
9:41Errors. Major ones. [music]
9:43errors that we cannot afford to make.
9:44>> Like what?
9:45>> Honey, we are not at Harper's Bizaar.
9:48Okay. The big boss down the hall would
9:50not be thrilled. You should be very glad
9:52that I had a spare moment to oversee
9:54this this work. I delegated this project
9:57to you because I thought you could
9:58handle it. Unfortunately, I've learned
9:59you can't. Retyping my Rolodex was just
10:02too difficult a task for you. Huh? For
10:05example, Yan winner's card.
10:09[clears throat] Why is there only one N
10:10on Yan? Hm. Did you know he added that
10:13extra N years ago? What's going on with
10:16this Andy Warhol card? Did you even
10:18think to verify this number?
10:19>> No, because he's dead.
10:21>> Excuses. You just don't get it, do you?
10:23Dead or alive, I still need their phone
10:26numbers.
10:28This is for your benefit, not mine.
10:31Okay. No bad blood. It's a curse.
10:36[laughter]
10:36Dolly, you're back from the couture
10:39shows. Papa,
10:42>> she's an institution.
10:43>> Give me a tissue.
10:44>> That man is a genius.
10:45>> The word genius is weary with overuse.
10:49Laqua The Qua transcends the English
10:51language. My god, how can they think
10:54these trit little vehicles words could
10:56could express what Laqua's all about?
10:59Don't they get it? Don't they
11:00understand? He's not about a dictionary.
11:03He's a He's about spirit. Oh, [laughter]
11:07God. Yes. Spirit, spirit, spirit. Any
11:10messages?
11:13Ooh, a fax is coming in from Europe.
11:18The Paris Studios. Carl Loggerfeld, too.
11:22The editor-inchief.
11:27I have a fax for the editor-inchief.
11:29Well, the editor-inchief is waiting for
11:31it. You can go in.
11:36Um,
11:37I'm sorry to interrupt. I have a fax
11:42for you.
11:48Okay. Um, thanks.
11:51>> Well, the work is piling up and I really
11:53should be getting to it. I have to
11:54retype a Rolodex, fetch green tea, and
11:56pick up a huge garment bag at Keable.
11:58Anyway, the Xerox machine awaits me. So,
12:01now you know. The people on staff aren't
12:02really snobs.
12:04They're just better than everybody
12:05else's. Is that enough?
12:07>> That was great. I think we got it.
12:09>> Well, let me know when it's on. I can
12:10watch it on the treadmill if they have
12:11channel 13 at Equinox.
12:13>> Thanks a lot, kiddo. Hang in there. It
12:14seems like a pretty tough place to work.
12:16>> Oh,
12:19>> hey, Paul. These are the photos from the
12:21belt editor's accessory page. She's
12:23going to come in here and show you
12:24exactly how she wants them.
12:25>> Why won't these people let me do my job?
12:28>> I know.
12:34What is that stuff you're always playing
12:36with?
12:37>> Silly putty. It calms me down.
12:42Hobos on a grassy null. I love them.
12:45They're the best band.
12:46>> You know, Herobos on a grassy null.
12:48>> Totally. Lee Harvey O is my favorite
12:50song.
12:50>> That's impossible. No one in the States
12:52knows them.
12:52>> I saw them when I went to London last
12:54March in Camden.
12:54>> That's insane. I was there.
12:56>> Get out of here. You were there. That's
12:58crazy. I worship this poster. Where did
13:02you get it?
13:04>> Well, I designed it actually.
13:06>> You know them?
13:08>> Yes. S and I were all at Eden together.
13:10>> Wow.
13:11>> Paul, I've been looking everywhere for
13:13you.
13:14>> Uh, everywhere except my office, I
13:15guess.
13:16>> I heard you were in the [ __ ]
13:18>> Roxan needs you to discuss the concept
13:19of tomorrow's cover shoot.
13:20>> Yes, yes, yes. Pardon me, Justin.
13:27>> Hey, cut it out. You can't go through
13:29his drawers.
13:29>> Does he not smoke? What is this?
13:31>> The 21st century. No smoking in office
13:33buildings. Go out on the street with the
13:35rest of the junkies.
13:36>> Sprink me again. I think there's a
13:37part-time position opening at the vault.
13:39>> Let's look in here. Maybe we'll find
13:42some naughty toys.
13:42>> Oh, he doesn't exactly seem like the
13:44kitty porn type.
13:45>> I know. He's such a sweetie and
13:47gorgeous. I wish that he was into
13:49sausages, but alas, Fire Island will
13:51never be graced by his sweet ass.
13:53>> What you mean? Paul's not gay.
13:55>> Honey, your gay door is failing. pole is
13:57as straight as a Mark Jacobs pleat.
14:00>> Interesting.
14:01>> Every fashion magazine needs the token
14:02heterero male. It's like reverse
14:04affirmative action. Oh, [ __ ] Got a
14:06dash. I'm off like a prom dress.
14:13[laughter]
14:15>> I think Judaism is the Buddhism of the
14:16next century. I really do. And I've
14:18gotten a jump start of it. I'm taking
14:19Cabala classes
14:20>> and I'm sure I've seen sketches of a
14:22Moses collection come across my desk.
14:24>> Wait a minute, Andre. Have you seen the
14:25latest issue of skirt this year?
14:27>> Darling,
14:28>> are they finally eclipsing Vogue and
14:30fashion forwardness?
14:31>> Darling, please. Skirt will only rain
14:33supreme. When shoulder pads are back on
14:34the runways,
14:35>> it's true, you guys. I mean, they
14:37completely missed the ball on Alexander
14:38McQueen's princess skirts.
14:40>> That's cuz Roxen Rocher is a cocoa.
14:42>> No, she's only addicted to painkillers.
14:45Remember her breast exploded?
14:48[groaning]
14:50>> You know, though I do think they're the
14:51most creative. I mean, who else would
14:53have paid me to scale that active
14:54volcano and keep a diary of it?
14:57>> And that Birkenstock layout was genius.
14:59>> True.
15:00>> Gwennneth, you like them because you've
15:02been in every issue for the past 3
15:03years.
15:05>> Excuse me. I like them because they're
15:07innovative. Okay. And you better watch
15:09your back, Jack.
15:10>> I'm not worried. I've got someone on the
15:13inside.
15:15>> Oo, you crocodile.
15:17>> You know it, girl. [laughter]
15:20As you all know, our editor-in chief's
15:22husband is suffering from testicular
15:24cancer.
15:27>> Once again, Skirt magazine will host
15:29this year's charity carnival at Balls,
15:31>> the Save Our Balls Ball.
15:34>> We'll have booze there, and I need all
15:36of you to sign up. The clipboard will
15:38now circulate.
15:40>> Okay. We have some very serious issues
15:43to get down to.
15:45>> As you know, Vogue magazine ran the
15:47Canteen Chic feature.
15:49Yeah.
15:49>> Oh, felt it.
15:50>> And that means that we still have an
15:53infiltrator in the midst of our
15:54operations.
15:56>> It was dreadful enough when they copied
15:58our earmuff explosions and terrific to
16:00touring spreads, but not this. I abhore
16:03Nina Zamoy. I abhore the horror. I wish
16:08the most evil thing in the world would
16:10happen to her. I wish that an anti-or
16:14activist would march into the four
16:16season and and drop a bloody dead
16:18raccoon carcass on a freeze salad,
16:20splattering the balsamic and blood all
16:22over her white valent
16:24front.
16:26>> Okay, sit down. Look,
16:27>> we're not in this battle alone. I've
16:29enlisted the aid of a very valued ally.
16:33>> Deep throat.
16:36We
16:37>> you know he was instrumental in cracking
16:38the case of the missing Manola
16:40Blondonics.
16:40>> Roxandi, do you really think we need a
16:43deep throat? I mean, why can't we just
16:44find the Yuri within ourselves?
16:47Call me silly, but I have a hunch that
16:50that it might be Pierre Laroo.
16:52>> Nonsense. Pierre may be an obscurous
16:55ass-licking meatricious sickopant, but
16:57Aori he's not.
16:58>> He is off doing a secret shoot
17:03for Vogue. What
17:05>> lies?
17:06>> He'd better not be.
17:08>> Okay, now let's move on. Cornelia
17:11>> Shishi, any trend reports from the
17:13front?
17:16>> I heard from the sue chef at Dav who
17:19heard from his boyfriend who worked
17:21backstage at Galana with Orlando Pizza
17:23whose blowd dryer assistant just came
17:25from the goier show that his next
17:27collection will be revolutionary.
17:30The girls will come out on the catwalk
17:34>> in wheelchairs.
17:38>> Wheelchair chic.
17:40>> Genius.
17:41>> Inspirational.
17:43>> I think Da Vinci did sketches of
17:45wheelchair prototypes. We can use those
17:47for the loud.
17:48>> I have goosebumps.
17:57>> Nine pages.
17:59>> [laughter]
18:00>> Huh? Jocelyn, I see you've put your name
18:03down at the make your own video booth.
18:07>> Do you know? I think I'm going to join
18:09you on that one.
18:10>> Paul, Joselyn, why don't you guys run
18:12over to Gustav Studio now and I'll be
18:14there in a few minutes. All right, just
18:15sit tight.
18:15>> Great.
18:16>> Great.
18:23>> Taxi.
18:34Hi, this is Luke Perry telling you to
18:36buckle up because the only thing worse
18:37than slamming into a windshield is
18:39getting a whiff of Jason Priestley's
18:41breath in the morning.
18:43[laughter]
18:45>> It was bad enough that every taxi in New
18:47York, but now in addition, tertiary
18:49level [music] celebrities are imploring
18:50us not to plunge through the windshield.
18:52>> Yeah, it's an interesting way to attempt
18:53a comeback. I bet it's a bummer to be
18:55all famous and on the cover of Tiger
18:57Beat in one decade and then be virtually
18:59anonymous in the next.
19:01>> I would rather never be famous than
19:03>> Yeah, I totally agree. But actually, I
19:06do think that it would be kind of badass
19:07to do a couple great culture kitsy
19:09projects and then disappear into like
19:10suburbia or some random M state.
19:13>> True.
19:14>> You know, it's all too easy to get
19:15sucked in.
19:16>> Oh man, what the [ __ ] What the [ __ ]
19:18[laughter] is this black and white cow?
19:20I specifically
19:22>> for all black
19:24desperate for this.
19:26>> Oh, I hate livestock. Where is
19:28everybody? We're completely
19:30understaffed.
19:32>> Oh, Paul, thank God.
19:35>> You look stunning, darling.
19:37>> Following these people are driving me
19:38crazy.
19:40The tono artist made me.
19:42>> What did he do?
19:43>> He followed my second to last toe too
19:45much and it looks weird.
19:47>> See, they look perfect, darling. Then
19:50the lip liner artist found this Garage
19:52burnt mahogany hue which totally classes
19:54with the Marusa scarlet lipstick. And
19:57you know how my cosmetic company hates
19:59it when the lip liner is darker than the
20:00lipstick. It's totally distracting. You
20:03can't even understand what I'm saying.
20:05>> Darling, darling, it's a cover shoot.
20:06You don't need to say anything.
20:09>> No more.
20:11>> Oh, whatever.
20:14Come on. Do you want to see what they
20:15want me to wear?
20:16>> Oh, yes.
20:17I'll let you tie my bikini string.
20:21>> Where are these cow people?
20:23>> Oh, excuse me. You're not supposed to
20:25touch that.
20:25>> Beg your pardon?
20:27>> No, I'm just kidding. You're Jocelyn,
20:28right?
20:29>> No, I don't.
20:30>> Alex, we met at the couture birthday
20:33fashion shoot.
20:34>> Oh, yeah. How are you?
20:37>> I don't know. I can't believe these
20:38people, man. They're nuts. What's up
20:40with a tootude on that broad, you know?
20:41It's I mean, we're doing fashion here,
20:43not high art.
20:44>> Oh, I guess she just takes pride in her
20:46work.
20:47We need you to fill the water bottles to
20:49spray on resin.
20:50>> What?
20:51>> Pierre insists on the misty look. I need
20:53you to pour this Evian into the bottles
20:54and practice spraying now.
20:56>> Here, I'll help you with the same thin
20:58little set of paint.
20:59>> You
21:01>> You're the spritzer.
21:04Fantastic.
21:08The vizium.
21:11Gentle rolling hills just outside
21:15Dublin.
21:17Meteorology 66°
21:20a crisp yet dewy October A on a gray day
21:24the charcoal clouds they pond yet beckon
21:32>> I'm ready now.
21:34>> Okay. Okay. Let's get this party started
21:37now. All right. We're sorry. I am not
21:40making that pal. I don't care. to hell
21:42with that. I told that man on the phone,
21:45I want this old black house and you and
21:47your makeup people are going to take the
21:50goddamn tow.
21:53I'm not ready for this.
22:01>> Well, that was a long day, wasn't it?
22:04>> Cannot believe we've been working for 8
22:05hours.
22:06>> Like a flight to Moscow, but without the
22:08Ailio Estus flick. [laughter]
22:12You know, Joselyn, I've got to tell you
22:14one thing. I think you are the best
22:16spritzer I've ever seen.
22:18>> M indeed.
22:19>> Indeed.
22:21Marvelous.
22:23>> Uh-huh. I have a new calling. Mom and
22:25dad are going to love this one.
22:26[laughter]
22:27[gasps]
22:27>> Oh, Dad, I've got to follow my heart.
22:31Who cares about my $300,000 education?
22:33>> Oh, is that This is me. I created the
22:36headed hills of Dublin in a Greenwich
22:39Village studio.
22:40>> My vision. You want to see my vision?
22:42>> No.
22:43>> Titanic serious class.
22:45>> Stop it. Where's Kathy B? You need send
22:50>> Don't let go.
22:52>> Paul.
22:53>> Oh, yeah. Right.
22:54>> Let's go.
22:55>> Yeah. I was just [ __ ] around with
22:56Josh here. [laughter]
22:58>> This is Jocelyn, your spritzer. Have you
22:59met yet?
23:00>> Hi.
23:02>> I'm going to be late for Patrick
23:04Dearley's book party. Yeah. Okay. Um,
23:08I've got a split. You'll be all right
23:10with your uh what is that? Uh
23:12>> ribbon.
23:13>> Ribbon wrapping.
23:15>> Yeah.
23:16>> Oh, wait. Just I can help you.
23:18>> Thanks, Alex.
23:21>> Right. Well, uh I'll see you at the uh
23:23carnival tomorrow.
23:24>> Yeah.
23:25>> Okay.
23:25>> Don't touch me. You're all wet.
23:28>> Uh
23:30Josyn, um I was thinking that maybe we
23:32could go get a cup of coffee after or
23:34something. Um, sure. Clean up time.
23:36Joseline.
23:44>> Hey, Joselyn. How you doing? Where you
23:46been?
23:46>> Hey, Nic. I need to pick up Sebastian's
23:48FedEx to himself.
23:49>> Oh, really? What was he FedExing? Big or
23:51small?
23:51>> It was his luggage from his trip to St.
23:53Barts.
23:54>> Oh, it's that stuff back there.
23:57It's too big for you, Joselyn. We'll
23:58take it up.
23:59>> Thanks.
24:00>> Oh, hey, while you're here, do you think
24:01you could help us out?
24:02>> Yeah, sure. What is it? See, we found
24:04this package outside our door this
24:06morning, but it didn't have no telephone
24:07extension on the return slip. So, we
24:09took it down to four times square. But
24:11that was way
24:12>> asked.
24:12>> Yeah, it was addressed to an Andre Leon
24:15tally, but they said he went back to
24:16>> Leon tally. Wait, let me see this.
24:20>> I don't even know where it came from.
24:21What should I do with it?
24:22>> Um, I'll take it. Thanks.
24:27>> Slow down, Thunderfoot. This isn't
24:29Sports Illustrated.
24:30>> Look what I just found in the messenger
24:31center.
24:32>> Where'd you get this? in the messenger
24:33center. Someone was trying to send it to
24:35>> I've been looking all over for these.
24:36>> I know. That's why
24:37>> this is very serious. Jocelyn, I don't
24:40understand. I don't understand why you
24:42have these layouts and why you're
24:44messening them to someone.
24:46>> I wasn't. The messenger asked me to
24:47return them. Somebody left them there.
24:49>> Someone
24:52Maybe that someone is you. And maybe you
24:55were planning on sneaking them back into
24:56my drawer before you were discovered.
24:59>> Sebastian, I'm not the Yuri.
25:01>> Interesting. You're very defensive.
25:04>> I can't believe this.
25:05>> Well, I'll believe it until you come up
25:08with another Yuri. I'mma keep my eye on
25:10you.
25:13>> Watch your back,
25:15Jack.
25:49taxi.
26:17Jackson.
26:27Over
26:43here. Over here.
26:45>> Where?
26:46>> Over here.
26:48>> I told you never to contact me again.
26:50>> It's an emergency.
26:52Look, you helped me with the Manolos and
26:54I really want this now.
26:56This goes deeper.
26:59>> How deep?
27:01>> Freaking [ __ ] [ __ ]
27:05[ __ ] [ __ ]
27:06>> Sorry, it's my Tourette's acting up
27:08again.
27:08>> I know. I'm used to it. Now listen,
27:10>> rat fact.
27:11>> We need help. Somebody's been stealing
27:13our story ideas and trading them to Nina
27:15Zemo at Vogue.
27:17>> I know. I know all about it, [ __ ]
27:19>> You know who it is.
27:20>> Oh, no. We're not going to do it that
27:22way. Oh, no. First, you're going to tell
27:24me what you know, and then I'll tell you
27:26if you're right.
27:27>> I have a sneaking suspicion. It could be
27:29Pierre Laroo, our makeup artist.
27:31>> Look deeper. Look closer. Follow the
27:35fashion.
27:37>> What do you mean?
27:39>> Oh, they're brilliant. Did you design
27:40one?
27:41>> Uh, no. I have to give credit where
27:43credit's due. Sebastian designed them.
27:45>> Oh, yes, darling. You do know that I
27:47have a better grasp on this subject than
27:50he.
27:50>> Okay, people. It's time to pile into the
27:52town cars. And you can check the list
27:54for what booth you're assigned to and
27:56the times. And remember, when you're not
27:58in a booth, you're still representing
28:00skirt.
28:01>> Wish I could always have a [ __ ] this big
28:03this close to my face.
28:05>> You're disgusting.
28:06>> Actually, my room service boy in Paris
28:08wasn't so different than the dimensions
28:10on this shirt. Let's just say he served
28:12up a lot more than petite dane.
28:14>> You Jezebel, what'd you add on your
28:17customs card when you came back?
28:18Business or pleasure? Honey, no matter
28:20how many times you get your quissant
28:21buttered over there, it's still work.
28:23>> All right, everyone. Time to move out.
28:25Chop. Chop.
28:26>> If you need to reach me, you can call my
28:28beeper. It's 917 upskirt.
28:40I have [music] I have a very important
28:41thing to do right now. Excuse me. I'm
28:43not listening. I'm not listening to you.
28:50It's an absolute disgrace. I can't
28:53believe that we have to come all the way
28:54downtown to volunteer at this dumb
28:57charity carnival. It's pathetic. You
28:59don't see anyone in Vogue having to do
29:01this. I'm the hair editor. I don't crawl
29:04around on the ground picking up darts in
29:06the name of testies.
29:07>> It's a fairly unusual charity.
29:10>> Although balls are important.
29:12>> Uh Antonet, how's your husband?
29:14>> You're married? Absolutely.
29:16>> And does he still live in Spain?
29:19>> Yes, the Atlantic thing is a fabulous
29:20thing for a relationship.
29:22>> How often do you see each other
29:25>> at holidays?
29:30>> You know, you were a great little
29:32director in that video. Maybe a film
29:34school is cool.
29:35>> Well, actually, what I always wanted to
29:36be is a photographer, but the only
29:38people who would hire me were these
29:39fleas balls in this tabloid photo
29:41agency.
29:42>> What would you be able to do? Stalk
29:43people? That's exactly what I did. He
29:46actually had me follow Carol Okconor
29:47with his son's ashes to find out where
29:49he was going to throw me. That was
29:50>> sick.
29:51>> Yeah, beyond. I had the severe moral
29:53epiphany when I was crouched down in the
29:55bush with my 30 lb Leica. I bagged after
29:57that.
30:00>> So, how'd you end up at Skirt?
30:02>> I just love Skirt. It has the best
30:04photography of any magazine. Really, the
30:05most innovative, stylish, artistic
30:07shoots around.
30:10>> So, how'd you end up in magazines?
30:14Um,
30:17I had an eccentric uncle who was my idol
30:20when I was growing up. He was sort of a
30:22black sheep pip rebel type, you know,
30:24and uh, well, whilst my parents were
30:27always trying to drag me off to polar
30:29matches and blah blah blah, he was
30:31always abducting me and taking me on the
30:34most amazing adventures.
30:35>> Sounds like a cool uncle.
30:37>> Yeah, he was. He was he was pretty much
30:40my savior when I was a child.
30:43My parents had a messy split and and he
30:44saw me through it and uh
30:47>> anyway, he knew I love to paint and uh
30:49he always encouraged it.
30:51>> So why don't you paint full time?
30:54>> That's kind of what I'm trying to do.
30:56But uh you know, I like graphic design
30:58and unfortunately it pays the bills. So
31:00I have just sort of got into the whole
31:02routine of it.
31:05>> Furthermore, I don't think anyone would
31:07want to buy my paintings except maybe a
31:09pizza parlor. Oh, I'm sure people would
31:11buy your painting.
31:13>> I have to get out of here. I'm being
31:15harassed. Sticky finger beast is tugging
31:18at me, begging for my autograph and
31:21annoying me.
31:23>> Children,
31:24>> I'm not the [ __ ] pie piper. I don't
31:26want them following me. Shu, get away.
31:29Go. [laughter]
31:31>> Listen, calm down. I'm going to be half
31:34an hour more with this and then we go
31:35for a night walk.
31:37>> I hate walking. Besides, my driver's
31:40around the corner and I have to go to
31:41meet Steven Morgan. He's going to
31:44introduce me to the model Norbert, who's
31:45going to be in the new CK campaign with
31:47me.
31:49>> Okay. Shall I come with you?
31:52>> It's business.
31:53>> It's business, right?
31:54>> Um, page me tomorrow and maybe we'll
31:57have dinner tonight. Okay.
32:00>> Page.
32:06Do you know what, Justin? I have been
32:07inside all day and I think I deserve an
32:11ice cream. Would you like to join me?
32:14>> Sure, I'd love to.
32:23>> Darling, [music] change of plans. Um, I
32:26have to meet Norbert at the Mercer at
32:272:00 a.m. So, let's grab some dinner at
32:30Raul's.
32:35>> Okay.
32:37Take a rain check.
32:39>> Sure, no problem.
32:40>> Sure.
32:49>> Antoaneta, can I borrow your intern? The
32:51Doyle Gallery just called and they're
32:53desperate for this garment. It's the
32:55dress Kim Basin award in the Oscars. The
32:56one with the one sleeve and one for the
32:58celebrity couture auction immediately.
33:00>> All right, you can finish this when you
33:01get back. Hurry up.
33:02>> You heard her. And for God's sakes,
33:04watch your back, Jack. There are spies
33:06everywhere. Trust no one and guard that
33:09with your soul. Darling,
33:11>> I shall.
33:12>> I owe you lunch. November, December
33:14something. Our girls will figure it out.
33:15>> Take the subway.
33:18>> Make sure
33:21it
33:26look sunshine.
33:31>> Oh, hello Josyn.
33:32>> Hi.
33:33>> How's everything at the Mantle wore
33:34downtown? You know, heinous, but as
33:36always, a learning experience.
33:37>> You're a trooper.
33:38>> That's lot 163. All right, Joselyn.
33:42Where have you been? Kim Basinger needed
33:44to go up on that wall hours ago. She's
33:47the cornerstone of this entire
33:49operation. What could have possibly held
33:50you up?
33:51>> Oh, well, I guess you haven't heard.
33:53>> Heard what?
33:54>> Oh, nothing. Just the revolutionary new
33:57nail color from Mac. Everyone's freaking
33:58out. She fainted.
34:01>> Well, you should have said that right
34:02away. [laughter]
34:04I'm going to have to have someone
34:05messenger me some.
34:06[cough and clears throat]
34:08[snorts]
34:11>> So, where'd you learn that one from?
34:13>> I know. Tricks of the trade.
34:15>> Yes. Well, he can be a real twit
34:17sometimes. Take no notice of him.
34:18>> I'll try not to.
34:20>> We've been upstairs.
34:21>> No.
34:22>> Well, if you get the chance, there is a
34:24fantastic new photographic exhibition up
34:26there. It is brilliant.
34:28>> I think you'd really love it.
34:31>> Reminded me of you.
34:54Na
34:58na.
35:00Hey
35:14>> [music]
35:24>> I've wrapped up everything downstairs.
35:27Maybe we can
35:29maybe we can make that walk after all.
35:33Sounds great.
35:35[music]
35:42[music]
35:50[music]
36:14Nice.
36:16>> Thank you.
36:22Is that amazing?
36:23>> Is that the best French fry you've ever
36:25tasted?
36:26>> I give him a silver medal.
36:29>> Silver medal.
36:32>> What are you German judge?
36:33>> No, I'm just not better.
36:36>> What? We'll go and do a taste test.
36:38>> Fine, but you have to buy the plane
36:40ticket.
36:41>> Where is this place?
36:42>> In Bruge, in Flanders. It's a province
36:45of Belgium.
36:46>> Yes. I
36:48I see someone did the requisite urelling
36:50with a bunch of girlfriends.
36:51>> I went by myself.
36:53>> Did you?
36:54>> So, how many countries did you visit?
36:56>> I traveled the world. I graduated early
36:59and got a grant from my college to do a
37:00photo essay as part of my thesis. It was
37:02incredible.
37:03>> That is amazing. I can't believe you did
37:05that all by yourself. I'm so impressed.
37:09>> So, uh, what were you scared at all?
37:12Well, they tried to stip search me in
37:13Indonesia and I got a little heat for my
37:15bubbleicious in Singapore, but other
37:16than that, it was smooth sailing.
37:19>> And did you make uh did you make any
37:22disposable friends?
37:24>> Eh, a couple, but no crazy night with
37:27Ethan Hawk in Vienna. I do still have
37:29this Moroccan family who writes to me. I
37:32have the best pictures of them.
37:33>> Really? Well, I would love to see them.
37:36>> Really?
37:36>> H
37:37>> you would.
37:38>> You are so observant. I bet you make a
37:41great photographer.
37:49>> Ah, home sweet home.
37:52>> I had a really good time, Justin.
37:55>> Well, anytime resin's indisposed, I'll
37:56be your walking partner.
37:58>> Yeah. Uh,
38:04>> tomorrow's going to be hectic. I've been
38:05assigned to the skirt security task
38:07force to find the Yuri. That sounds
38:08fairly glamorous.
38:10>> You know, it really bothers me all this
38:12fashion espionage. For someone to just
38:14take all her hard work and hand it over
38:15to Vogue, it really pisses me off.
38:18I'm going to make it my mission to
38:19apprehend the Yuri.
38:21>> Well, if anyone can nab him, I think you
38:23can.
38:24>> A spy's work is never done,
38:27>> right?
38:29Well, I really enjoyed our walk.
38:32Good night, Jess.
38:35>> Sweet dreams.
38:55Oh, pretty daisy.
39:03Good job.
39:06[music]
39:15[music]
39:28>> Sorry.
39:29>> No, that's okay.
39:31>> Madness. [music]
39:36in business. [music]
39:39I need my
39:52Love it. Ladies,
39:54the water
39:56everything
39:58to it. Let your water [music] wash away
40:00your sins, ladies. Take a lot more than
40:03this train to wash away their sins.
40:06Yes. Be sexy in the rain. Yes. Praise
40:10God. Hallelujah.
40:11>> Hallelujah. [music] Hallelujah.
40:12>> Hallelujah. Hallelujah.
40:13>> Hallelujah.
40:14>> Hallelujah. You know what we need? The
40:16lightning machine. Lightning.
40:18>> Lightning machine. [music] Let's get out
40:20of here.
40:21>> Maybe we should stand around here.
40:26>> Go.
40:29>> I love it.
40:35>> I'm freezing. Call me a cube. [laughter]
40:37>> This is unbearable. Cube.
40:40>> I can't believe that they're making rain
40:42for the photo shoot with water from the
40:43E River. [laughter]
40:45They're crazy. We're all going to get
40:46hepatitis B. Listen,
40:49we got to get out of these clothes. We
40:51don't want you getting pneumonia.
40:52>> Do you think that they would mind if I
40:54wore something from wardrobe?
40:56>> Go for it.
41:07>> Okay.
41:10Uhoh,
41:14it's Dolce.
41:15>> [laughter]
41:17>> These things are supposed to be worn,
41:19not framed.
41:20>> I'm swimming in them.
41:21>> Hang on. Where's your head? Hang on.
41:23Stay still. Stay still.
41:26There you go. There you go. It's all
41:29right.
41:31What's that? Oh, look.
41:35Hang on. Excuse me. You've got a tag
41:37here. Hang on.
41:44I can't get it.
41:47>> Where the [ __ ] is my eyelash color?
41:51These steps mad. These stupid people.
42:01>> Oh, here it is. [clears throat]
42:10do it this time.
42:12>> I think maybe we should get back out
42:14there.
42:16>> No. No. Look, I think we've got some
42:19time left. It won't be finished for a
42:21while. I'm going to sort you out.
42:24>> Here you go.
42:27It's
42:27>> hideous out there. I can't take it
42:29anymore. I just walked off.
42:37I don't feel well, Paul.
42:40I just want to go home and curl up with
42:43you.
42:46>> Okay. Look, um, I'll go and I'll I'll go
42:48and get your car. Okay.
42:50>> You're so sweet. You're so good to me.
42:52>> Yeah. Okay.
43:14Wow.
43:17>> Uh, listen, I had a great time the other
43:20day.
43:20>> Me, too. I loved working with you at the
43:23shoot, and I think that we make great
43:25walking partners. Maybe we should
43:27consider the marathon. Jos,
43:31I think you are amazing,
43:34you know, and and I loved that walk with
43:37you as well and I and I loved hanging
43:40out with you on the shoot.
43:43God only knows I'm always so happy when
43:44I see your face
43:47and
43:49um I think we make great friends.
43:53But
43:55>> um but Resin was a little pissed off
43:57that I've been seeing so much of you and
43:59I realized that well,
44:02>> you know, I I just hope that I wasn't
44:03giving you the wrong idea.
44:04>> Oh, no, no, no, no, no, no, no, no. I
44:06mean, how can I forget that you're going
44:07out with CoverGirl? Everyone else is
44:09orgasmic that you're going out with her.
44:13>> All right. Okay, good. You know, cuz I
44:14just wanted to
44:15>> Yeah, don't worry about it, Paul. It's
44:17good to keep things out in the open.
44:19Yeah, that's what I think.
44:29[music]
44:33>> Hey,
44:44>> here. And there are 10 more where this
44:46came [music] from.
44:59Jocelyn,
45:01what the hell are you doing?
45:03>> I was just wrapping this up so I could
45:04go to the last of Loggerfeld's book
45:06party. [laughter]
45:08>> I'll send Carl your best because you're
45:10not going. We have a very important
45:12project to do. Have you noticed people's
45:15desks lately? Atrocities? I haven't seen
45:18so many colors since Todd Oldm's debut
45:21collection.
45:22It's all about black. I mean, what is
45:25this [ __ ] anyway? This is not Lucky
45:28Charm cereal. This is not Oz. This is
45:32not Skittles.
45:35I want you to replace each and every one
45:37of these hideous five and dime
45:39accessories immediately. Everyone's desk
45:42should be in ship shape by tomorrow
45:43morning.
45:46Phipe Stark just messaged over his new
45:49line of desk accessories.
45:53>> From now on, everything should be black.
45:58Those [ __ ]
46:00They all said Brown's the new black.
46:03Well, I got news for you, baby. Black
46:07could kick Brown's ass.
46:25>> [laughter]
46:26>> Justin, what are you doing working so
46:28late?
46:29>> I'm making the bulletin boards clash
46:30proof. God forbid we have a stray yellow
46:32thumbtack.
46:34>> Oh, I'm so sorry.
46:35>> You missed a great party. Everybody was
46:38there. I could have stayed all night,
46:40but Paul forgot his stupid desk and we
46:43had to come all the way back up town.
46:46Bummer.
46:48>> Well, we won't keep you from your work.
46:52>> I'm sure it's very important.
46:55>> Come on, Polly. I want to go home.
46:58>> Justin, don't work too late, will you?
47:10Yes.
47:16[music]
47:28>> Fire upon thee. You are torture.
47:37>> [music]
47:42>> What are you doing? You're stupid.
47:43You're a bad person.
47:46You fool. You ugly North Dakota. You put
47:49a pocket upon skirt and you are [music]
47:51never ever working again.
47:58>> You
48:00>> [music]
48:02>> A new muse. Look at you. You're
48:06fabulous. You're incredible. The eyes,
48:09the hair, the smile. This is it. The new
48:12muse. [music]
48:16>> And I
48:18know
48:19way of parts you never see.
48:26Crossover [music] girl,
48:29you are my [singing] supermodel.
48:32Although you have a reputation, [music]
48:37can I afford [singing]
48:39to move above my station? I'm not the
48:43only [music]
48:43one to coner.
48:46And I [singing and music] love America.
48:52Boy, can she be
48:59Hi, Jess.
49:01What's wrong?
49:07I just had the worst day. I don't know
49:10how much more of this crap I can take.
49:12I've been there for hours reacorizing
49:14the bulletin boards.
49:16>> How's the hottie?
49:18>> Still completely taken.
49:22It's hopeless, Chelsea. It's completely
49:24hopeless. I'm beginning to think I'll
49:26never get on staff and my summer money
49:27is running low.
49:31>> Well, look on the bright side. You are
49:34the star of public television.
49:37They're running an office tour again for
49:38the fifth time this week. They must have
49:40it on a loop.
49:43>> Come here.
49:44>> Horrified.
49:45>> I know.
49:48>> Hey, did you see that?
49:52>> She just came out of the fax room.
49:53What's up?
49:55>> So, she never sends her own faxes.
49:59>> What's the big deal? Maybe she had
50:00something else to do in the fax room.
50:03>> That's what I'm thinking.
50:07>> Oh, I'm loving this toad.
50:08>> Tom Ford just sent it over. Isn't it
50:10genius?
50:10>> It's good. She does. LLB genius. I have
50:12to have time message some of her for me.
50:14>> Oh, this just in. LVMH is planning a
50:17hostile takeover of Fava
50:19>> Won Chellies. I love it.
50:21>> Yummy. Did anyone see the Fendy Bos bag?
50:24I've got to have it.
50:25>> It's going to be a staple. We're doing
50:26four pages on it.
50:27>> Wait, so Olivier, what's the deal of VC
50:29Vogue stealing all your stories? I heard
50:31there was a curry.
50:33>> It's Yuri, darling. We're talking
50:35Russians, not Indians.
50:36>> Well, it's not me. I won't work for
50:39Vogue anymore. They didn't airbrush me
50:41properly. The designers are butchers.
50:44>> Butchers?
50:45>> Anyways, and now I have my own private
50:47airbrusher over here at Skirt.
50:49>> Paul is such a sweetie. Oh, the Duke
50:52with a Macintosh.
50:53>> I love working with royalty. [laughter]
50:56>> I love sleeping with royalty.
50:58>> What are you, the fourth Miller sister?
51:00>> Not quite, Olivier. I don't do exiles. I
51:03like my men underfed and overbred.
51:06>> Can you get me a tiara?
51:08>> Sure. Anyways, this one is backed by
51:10polar fields and the largest private
51:12estate in all of England. Of
51:14>> course, all of you.
51:27Hey man,
51:29>> you know where Joselyn is?
51:30>> I know.
51:32>> Hey, French fries. Yeah.
51:36>> Uh, see you, Alex.
51:38>> All right.
51:39>> Yeah, please.
51:42>> Hey, Alex. What are you doing here? So
51:45nice to see you. I was uh you know just
51:47dropping off some contact sheets. I
51:49figured I'd stop by and say hi. How you
51:50doing? You holding up?
51:52>> H barely. I've had to stuff all the
51:54chunks for the western shoot all day.
51:56>> Yeehaw.
51:57>> Well, you want to go get some coffee?
51:59>> Yeah. I can probably sneak out of here
52:00for 5 minutes before I have to get back
52:02to this closet.
52:03>> Cool.
52:03>> Let me just grab my coat.
52:26John Simon. Hello, sweetie. Hello there.
52:33How art thou?
52:34>> Good. Heard about the yuri.
52:36>> Brutal.
52:36>> Brutal. I can't even think about it
52:38before breakfast. Please. Jocelyn, you
52:41just missed it.
52:42>> What? Raw brilliance. Helmets. Helmets.
52:46Helmet laying.
52:48>> Safety chic. Living is chic. Helmet
52:52lang. Helmets for motorcycles, mopeds,
52:55vespers, scooters even.
52:57>> To die for. Fofy green tea. We've got to
53:01make sure that this trend catches on.
53:03We've got to make sure that this trend
53:04is covered with pages in the magazine.
53:06Roxan just doesn't understand this.
53:08That's going to be all the rage.
53:09>> By this time next year, we'll have every
53:11single woman in America wearing a
53:13helmet. There'll be helmets in Wall
53:15Street. Helmets of the opera. Women have
53:17maternity wars and helmets. No longer
53:19will lessbians have to lock on helmets.
53:23I'll say that personally.
53:28>> That's great. Great.
53:30Now everybody's going to run out and
53:32spend four grand for a helmet.
53:34>> That's insane. These people wouldn't
53:35care about safety if a topic designer
53:37didn't tell them to.
53:39>> How do you deal?
53:40>> Well, a sense of humor is essential for
53:42this job.
54:01>> That's Einstein.
54:03>> Hi, how are you? Hannah, great shoe
54:04store here, too. Great shoes.
54:05>> Thank you so much.
54:06>> Hi, Cornelia. How are you?
54:07>> Great to see you.
54:10>> Did you just see that?
54:11>> Wow.
54:11>> Did you just see that
54:12>> statement? Statement? Kenneth Cole just
54:15cut me dead.
54:16>> Obviously, he didn't appreciate our
54:18dominatrix baby shoe editor. Now, we're
54:21$25,000,
54:23I repeat, is not enough to do a piece.
54:26It is an insult to the designer. It is
54:29an insult to the makeup artist. It is an
54:32insult to the photographer. and is an
54:33insult to me. Yeah, don't hurt her.
54:36>> Raymond Meyer said skirt isn't worth his
54:38time if we can't put out the dough to
54:40hang the Harry Winston [music] necklaces
54:41off the goggles of the Chrysler thing.
54:43>> I agree with Raymond Meyer. Can you
54:45blame Raymond for saying that?
54:46>> Need to spend that much money. Not in
54:48this day and age. Not with this
54:49technology. I can just superimpose them
54:51and then Photoshop them on my mind.
54:53>> But you would be cheating yourself and
54:55the reader.
54:56>> Well, I don't think the readers are
54:57really going to know.
54:58>> No, the reader knows. You know how I
54:59know? Because I knew. All right. Now,
55:01look, I was raised in a trailer park.
55:02not to leave this table.
55:03>> My god. But the point is what I look
55:05forward to is I look forward to getting
55:06my monthly skirt. All right, dropped off
55:08right at the trailer to give me just a
55:10dollop of Gotham glamour. I needed it.
55:12So do the other millions of teenage
55:14girls acid wash clad coming home from
55:16the arcade. We needed that. We wanted
55:18hope and fantasy. And we want our
55:21gargoyles real.
55:22>> Yes, we want real gargoyles. You
55:24understand us? Real gargoyless.
55:27Oh,
55:28>> there's my sweetie. Hey, sweetie. Sit
55:30your cute butt down here.
55:32She's great.
55:33>> Okay.
55:34>> Am I interrupting something?
55:36>> We were entrenched in a serious debate
55:38regarding the importance of investing in
55:40beauty. Have you any thoughts?
55:42>> Should one sacrifice their soul for just
55:44some change?
55:46>> Do you want to decide between a budget
55:48and truth?
55:49>> What they're trying to say, Justin, is
55:50do you think there should [music] be
55:51caps on our shoes?
55:55Well, I don't think that the sky should
55:57be the limit, but I do think that
56:01magazines offer escape and innovation,
56:03and I hope to always find fantasy and
56:06novelty on the pages of skirt.
56:08>> Thank you. Just as I thought.
56:10>> Thank you, bud. Fantasy doesn't come
56:11cheap, sweetheart.
56:12>> Please. I don't want to hear the cword.
56:15>> Hello, darlings.
56:16>> Oh, don't you don't you dare throw that
56:18away. Don't you know people are starving
56:20at Vogue?
56:20>> Take it. Jocelyn, did you finish testing
56:23all of the moose in the closet?
56:26>> Oh, well, I was almost done. I just
56:27wanted to grab a bite.
56:29>> Charmingly naive. But don't you think
56:31perhaps with such important work ahead
56:32of you, you shouldn't take time for
56:33lunch. Besides which, I don't know if
56:35you've noticed these are all editors.
56:39>> I'll take it easy, Antonet.
56:41>> Just be nice, D. You ever had
56:47>> over here?
56:50So glad you got my signal. I really need
56:52your help.
56:53>> You blew it. They got you again.
56:55[ __ ] hussy pots and pans.
56:58>> I know. I know. But I need your help
57:00now. Is there going to be another leak?
57:01And if so, what story?
57:02>> Think deeper. Think FDR.
57:06>> East River Drive. Traffic jams. Squeegee
57:09boys.
57:10>> Think deeper. Think tacky blonde
57:13bombshell.
57:14>> Sharon Stone.
57:15>> No. You [ __ ] rogue killed. Who? Who?
57:19kept black eyes when she jobs.
57:28What?
57:30We're on deadline and there's a shortage
57:32of interns. This is [ __ ] I have a
57:34series of appointments and I desperately
57:36need someone to carry my Polaroid.
57:37>> But we need her, darling.
57:39>> Gety.
57:40>> I don't know where Fuffy is.
57:41>> What are you filing cards for upcoming
57:43shoots? You know we only use five models
57:45anyway. Are you an idiot? No. So don't
57:48act like one. LA.
57:52>> So, here's the trick for getting free
57:53stuff. You call Louis Vuitton, call in
57:56four, beg, send back three. Next day,
57:58call in two, send back one. Then call in
58:00five, send back four. When they ask you
58:03to cough up the missing luggage, you
58:04delay and tell them it's on a shoot in
58:06Barbados. Until you find out somebody
58:08over there quit, which is weak, and say
58:10you just sent it back to Sheila, and
58:13fain surprise when they say she left the
58:14company.
58:15>> No way.
58:16>> Yeah. And if they keep questioning you,
58:18tell them you messaged it over to Vogue
58:20because [laughter] an editor there
58:22requested it.
58:23>> That's hilarious.
58:24>> Works every time. Hello, Louis V.
58:29>> This soup is delicious. It sure beats
58:31throwing Spent Lana in the acceptable
58:33pile. Thanks.
58:34>> It's such chaos over there. And this
58:37whole Yuri has to drive me insane. I had
58:40enough of the Cold War when we did the
58:41Dr. Javago shoot. Oh, you got the
58:44chicken, too. It's so good.
58:46>> Yeah, but I got the pieard. I don't like
58:49playing with bones.
58:51>> Got to [laughter] bite my tongue on that
58:52one.
58:54>> You are so great, Richard. I'm so glad
58:56that you work at Skirt. Some of the
58:58people there are just so snobby.
59:01>> The irony is they're all from trailer
59:03parks and they're all on the make.
59:05>> I was in the fashion closet the other
59:06day and I heard Aloha and Resin talking.
59:09What is it with Paul?
59:11>> The Duke.
59:13[laughter]
59:14Yeah. Wait, what the hell is that? Is he
59:16royalty or something?
59:17>> Prince Chuck is his cousin or something?
59:19You'd never know, would you?
59:21>> Why do you think Resin is going out with
59:22him? You think she'd be attracted to
59:24some guy in an art department, please?
59:26>> Well, he is really cute and funny and
59:31smart.
59:34>> Uh-oh.
59:35Is that an arrow in your ass from
59:37Cupid's quiver?
59:40[laughter]
59:40>> Got you. But it's hopeless.
59:43>> Why do you say that? Things could work
59:45out. You never know how a man's heart
59:47works.
59:48>> Yes, I do. He already told me he thinks
59:50of me as a great friend.
59:52>> The kiss of death.
59:53>> Mhm. But then the other day, he bought
59:55me fries.
59:56>> You did? That's a sign.
59:59>> He's so thoughtful. I'm smitten.
1:00:03>> See, I can tell.
1:00:06>> But you look green. Is that your heart
1:00:07and your throat or your fat? Don't you?
1:00:10>> Somebody get some pepper.
1:00:14>> Spritzer girl,
1:00:17where is the art department? Things
1:00:19should be clearly marked in these
1:00:21offices.
1:00:22>> It's down there.
1:00:24>> I'm supposed to meet with Sebastian to
1:00:26discuss strategy for covering up heroin
1:00:30tracks. Oh, it's so so sad.
1:00:34>> I know. It's terrible that these girls
1:00:37do that to themselves.
1:00:38>> It causes so much extra work for us.
1:00:41Matching skin tones, blending pallets.
1:00:46>> Forearms can be quite difficult for
1:00:48artists.
1:00:49>> I can imagine.
1:00:51>> Good luck.
1:00:51>> Mind you,
1:00:56>> my god. Are you okay? [laughter]
1:01:00>> Oh god, I think I got food poisoning.
1:01:02And Dorby,
1:01:03>> I'm so sorry. you.
1:01:06[clears throat]
1:01:09[cough]
1:01:10>> I'm horrified. I'm so sorry to see TV
1:01:13like this.
1:01:14>> Don't worry, it happens to everyone.
1:01:18>> I'll get some water.
1:01:23>> Honey. Oh my god. Are you all right? Oh,
1:01:26you got it all tripping.
1:01:29>> I just chered in front of Paul. I'm
1:01:32going to kill myself. No, don't worry.
1:01:34You'll lose weight.
1:01:36>> Here he comes. Bonding over barfing is
1:01:38key.
1:01:39>> Yeah, there's some water.
1:01:41>> Good. Shove them in some water.
1:01:46>> I have some mints. I'll leave them here.
1:01:54>> I'm okay. I just I got to I got to get
1:01:57back to work.
1:01:57>> No, I won't hear it. No, you're going
1:01:59home. I'll put you in a cab. Here
1:02:08you go. Hey, she's sick, buddy. Come on.
1:02:11What the hell are you doing?
1:02:13>> Now, listen. Go home. Curl up. Get some
1:02:15rest. You've got to take better care of
1:02:17yourself. You are working too hard. Come
1:02:19on.
1:02:20>> Thank you so much, Paul.
1:02:22>> Okay, listen. [music] I'll see you on
1:02:23Monday at Romeo and Juliet shoot. Okay.
1:02:25>> Splattering against the windshield won't
1:02:27win you any cosmetic contracts. This is
1:02:29resin telling you to buckle up because
1:02:31safety is always in fashion.
1:02:36>> What? [screaming] What?
1:02:39>> I can see the dresses that arrived for
1:02:41Juliet. Beautiful, sensious,
1:02:45feminine.
1:02:47>> Thanks, Diane. You are a goddess.
1:02:49>> Oh, remember child, life is love and
1:02:53love is life.
1:02:56that
1:02:58>> grimy yet charming New York subway in
1:03:01the summertime. Meteorology
1:03:04112 degrees mood,
1:03:08>> hassled, hot, hostile,
1:03:12>> you're hysterical.
1:03:13>> I've just been hanging around these
1:03:14people too long. It catches on.
1:03:16>> Yeah, totally. I like to get as far away
1:03:17from the fashion crowd when I'm not
1:03:19working.
1:03:19>> Yeah, but it's just so incestuous.
1:03:21Everybody's doing everybody else.
1:03:22>> Yeah, they feel like if they don't,
1:03:23they're going to miss out or something
1:03:24like that.
1:03:24>> Pathetic. Yeah. Hey, listen. I got to
1:03:27get back to work before I get fired, but
1:03:29uh I don't know. Maybe we can grab a
1:03:31drink after.
1:03:32>> I'd love to. Unfortunately, my day
1:03:34doesn't end here. Maybe tomorrow.
1:03:36>> Oh, great. Oh, wait. [ __ ] There's this
1:03:38cool band, Nimbus, playing at Rebar.
1:03:40It's sort of like, you know, disco sort
1:03:41of funk. You interested?
1:03:44>> Sounds fabulous. I'd love to.
1:03:46>> Yeah, cool.
1:03:47>> Oh, and uh
1:03:49>> definitely bring that silly putty. I'm
1:03:52all over that. Got to go.
1:03:54>> Resan Joey, time to take your places.
1:03:58>> I'm not ready yet. I'm still in makeup.
1:04:02>> See, Chi-Chi, I told you I don't work
1:04:03like this.
1:04:06>> I know. Okay, Artanders.
1:04:10Okay, I need standins. Standings. Uh.
1:04:14Oh, you spritzer girl.
1:04:16>> Did I hear my name?
1:04:18>> Mhm. Go stand on top of the balcony. I
1:04:21need another.
1:04:22>> Yeah. Yeah, I'll do it.
1:04:25>> Go climb up the trellis and stand on the
1:04:27other side of the balcony. Really?
1:04:30>> Yeah. Mon,
1:04:33we need a vision.
1:04:41>> The year
1:04:431323.
1:04:45No, four.
1:04:48The setting a stony el cove in the house
1:04:53of capolet perched upon the rocky jagged
1:04:56cliffs of stretaturure.
1:04:59Meteorology 58° with a post
1:05:03precipitative chill in the air.
1:05:07The tempest has fled to bumier pastures,
1:05:10but its icy kiss lingers.
1:05:14the mood.
1:05:16[snorts] Unbridled passion.
1:05:19Passion that [clears throat] rivals
1:05:21nature's fiery volcanoes and rumbling
1:05:25earthquakes. As these are acts of gods,
1:05:29>> so is this union
1:05:37>> gigus?
1:05:38>> Yes, baby.
1:05:38>> You need to show this Romeo and Juliet
1:05:40how to pose. And you can bet your sweet
1:05:43ass I will.
1:05:45>> Okay, Romeo,
1:05:47you just been running in from the Mars.
1:05:49Okay, you're all hot and sweaty, but
1:05:51you're thinking to yourself, damn,
1:05:53Juliet is looking hot and feel ready
1:05:55now. You know what I'm trying to mean. I
1:05:57want the body language to be a lot more
1:05:59charged. Okay, so move in a lot tighter
1:06:02closer together. Okay, look into your
1:06:04Juliet's eyes and Oh, Romeo, Romeo,
1:06:08wherefore art thou, boy? Come on, open
1:06:10your heart, man. Show some love and some
1:06:12affection for the girl and Juliet.
1:06:14Juliet, you just love this man. Oh, yes.
1:06:18You know that's your night and shining
1:06:20armor. Oh, I like that. Pull that. I'm
1:06:22going to take some test polaroid. Yes,
1:06:24Alex, move your ass. Move your ass,
1:06:27Alex. Please [music] move. I like that.
1:06:30Yeah. Oh yeah, I love that. Romeo and
1:06:35Juliet. [music] Romeo loves you Juliet.
1:06:46[music]
1:06:49Goodbye.
1:07:06>> [music]
1:07:13>> All that I know,
1:07:17all that.
1:07:18>> Wait, what the hell is going on here?
1:07:21>> Resin girl, you better watch out cuz we
1:07:23got some good models over here.
1:07:27>> Well, I'm not worried about her taking
1:07:28my job. She probably couldn't even fit
1:07:31into the samples.
1:07:43Well,
1:07:46>> your hair looks like a sheep dog
1:07:49>> and Juliet croakkes anyway.
1:07:55>> Oh, yes. You thought that was something
1:07:56when Tom Cruz caught that bead of sweat
1:07:59in the palm of his hand in Mission
1:08:00Impossible.
1:08:03That harness scene was so hot.
1:08:06>> This is a seat bigger than breaking into
1:08:08Quantico.
1:08:09>> You got the story from Skirt.
1:08:11>> And how full details. Vogue is
1:08:14important. Nina will be euphoric.
1:08:25And this neighborhood is it.
1:08:28>> Yeah. You see, Soho used to be fly, but
1:08:32now it's all just sell out, sell out,
1:08:34sell out.
1:08:36Then Tribecco was the it hood, but now
1:08:39it's a bunch of yuckies with their own
1:08:42editing facilities waiting 45 minutes in
1:08:45line for brunch at Bubbies.
1:08:50Woo! See, it's all about the alphabet
1:08:53city in the Y 2.
1:08:57>> Paul, what are you doing here? You
1:08:59remember Alex?
1:09:00>> Hey, man.
1:09:02>> What? Is something wrong?
1:09:07>> Look, I need some liquids. What's your
1:09:08poison, Jos?
1:09:09>> Oh, I'm okay.
1:09:13>> What's wrong?
1:09:13>> What's Jos?
1:09:16>> Okay. What's wrong with me? What is
1:09:17wrong with you hanging out with that
1:09:20>> grungy pose is beneath you?
1:09:22>> What do you care who I am?
1:09:24>> He's beneath you.
1:09:25>> Let's not get started with people
1:09:27hanging out with people who are beneath
1:09:28them.
1:09:31>> Are you standing my cover? My sexy,
1:09:34gorgeous cover girl because look at her.
1:09:36Everyone else wants to sleep with her or
1:09:38be her.
1:09:42>> Everyone except me.
1:09:44>> Yeah. What is that about?
1:09:46How come you can see through her?
1:09:50>> Holly.
1:09:52>> Hey man, you like this music?
1:09:54>> Yeah, I think they're great tunes, man.
1:09:56Terrific tunes, man. Yeah.
1:10:00>> Easy, Ringo.
1:10:03>> You're drunk. Go find. She's looking for
1:10:06you.
1:10:16>> [music]
1:10:30>> So resin is coming.
1:10:32>> Oh, hi.
1:10:33>> Hey.
1:10:35>> Ah, may I assume this is finally my iced
1:10:38cappuccino?
1:10:39>> Yes. and your change.
1:10:41>> Thank you.
1:10:49>> Jeez, Antonet, you really sucked that
1:10:51puppy back.
1:10:53>> Are you sure this was skim milk?
1:10:55>> Well, they ran out, so they used 2%.
1:11:00[sighs and gasps]
1:11:02>> Oh my god. Okay, come on. Oh my god.
1:11:08>> Come on, baby. Come on, baby. Do it. Do
1:11:10what you have to.
1:11:14>> Okay. Okay. Here you go, sweetie.
1:11:17>> Oh my god.
1:11:18>> How dare you? I specifically asked for
1:11:21skim milk. You bring me this fatty
1:11:23mujas. This coward.
1:11:24>> I'm sorry. I am so so sorry. It's just
1:11:27you're so thin. I don't
1:11:28>> patronize me. Get this out of here.
1:11:31Clean it up now. Did you get my husband
1:11:34on the phone? The hotel said he checked
1:11:36out.
1:11:36>> Can't you do anything right? Call again.
1:11:38I tried three times.
1:11:40>> Did you ask for the right name? Mr.
1:11:41Depp. I'm sure you got it wrong. Mr.
1:11:43Depp. Not that hard. Mr. Depp.
1:11:45>> I'm certain that I said it right.
1:11:47>> M.
1:11:52The hotel specifically said that Mr. and
1:11:54Mrs. Dilap checked out.
1:12:11Jocelyn, I am so terribly [music] sorry
1:12:13for the way I behaved. I'm off to London
1:12:15for a week or so for my father's
1:12:16birthday and to sort out some things.
1:12:18I'll see you at the rantre event. Take
1:12:20care. Paul,
1:12:25[music]
1:12:27I'll take
1:12:36[music]
1:12:37Jay, London's great, but I am missing
1:12:40the New York skyline. I hope you're
1:12:42well. Paul
1:12:43>> Jocelyn,
1:12:45>> fax this to Gallaliano's button maker's
1:12:47boyfriend stylist in Monaco.
1:12:56[sighs]
1:13:00You
1:13:02freak.
1:13:44I don't [music] want to ask. We never
1:13:47have to make a
1:13:49magazine.
1:13:51>> I want to make a
1:13:53>> I want Heat.
1:14:02[music]
1:14:11[music]
1:14:17Hey, heat. Hey, heat.
1:14:20Heat.
1:14:38Heat.
1:14:40[music]
1:14:50>> [music]
1:14:59>> must be corner.
1:15:37Heat. Hey, heat. Hey, heat.
1:16:03>> [music]
1:16:05>> What are those four? We're doing a story
1:16:07on stable tail shaws. Roxan [music] gave
1:16:09it six pages.
1:16:52Jeet,
1:16:56come in.
1:17:00>> I have to talk to you.
1:17:01>> What? Another raise?
1:17:02>> I don't get paid. Wait, I'm an intern.
1:17:04>> Oh, okay. I d mesh. I'll eat.
1:17:07>> I think I might know who the Yuri is.
1:17:13>> Tweet. Let's continue with the pedicure
1:17:15later.
1:17:21Privacy.
1:17:22Let's talk.
1:17:31>> Delicious.
1:17:34Good morning.
1:17:37>> Morning, boys.
1:17:41>> Good morning. Good morning. Good
1:17:43morning.
1:17:45>> Morning. My my my. Aren't we a bunch of
1:17:48silent?
1:17:56>> Did somebody die here?
1:17:59>> Yeah.
1:18:05Every dog has
1:18:12>> Well, it's obvious from the way that you
1:18:14two addressed you're not here to talk to
1:18:16me about fashion.
1:18:17>> I'm afraid not. Lieutenant Pathmark,
1:18:20you're under arrest for the Insider
1:18:22Trading Code 327B for industrial
1:18:25espionage.
1:18:27>> I always knew you were the Yuri. You
1:18:29have the right to remain silent.
1:18:31>> Yes.
1:18:33>> Yes, I did it. I wanted to make sure
1:18:36these were across the board trends. I
1:18:39wanted to make sure that if we featured
1:18:40it, they would come. But do you want to
1:18:42know why I did it? Because I love
1:18:45fashion.
1:18:47Fashion is my life. Or at least a good
1:18:49portion of my day. My dream was always
1:18:52that every man, woman, child in America
1:18:54would learn to spell Farerraamo. that
1:18:56little 5-year-olds would learn to play
1:18:58hopscotch on simplicity patterns. That
1:19:00words like polyester and leisure suit
1:19:04and houseress would be stricken from our
1:19:06vocabularies.
1:19:07Yes. Yes. If that's my crime, I'm proud
1:19:10that I did it. If I have to go to jail,
1:19:14so be it. As long as I can take my
1:19:17wardrobe with me.
1:19:20Officer
1:19:24Gold Company,
1:19:26>> your trend making days are over.
1:19:30>> You can share your precious fashion
1:19:31advice with the [ __ ] in the slammer.
1:19:35>> I can't wait to tell the girls on my
1:19:37cell block. Yes, you can mix stripes
1:19:39with floral. They'll be so happy.
1:19:48People,
1:19:51people,
1:19:52>> I have something to say.
1:19:56This has been a monumental day, marking
1:19:59the end of a bitter and tragic era
1:20:01that's cast a upon our fair [music]
1:20:03headquarters.
1:20:05The Yuri has been apprehended, and it's
1:20:09thanks [music] to a brilliant counter
1:20:10espionage by a very industrious,
1:20:14proactive [music]
1:20:15intern. So, let us raise our to Joselyn.
1:20:20>> Joselyn.
1:20:21>> To.
1:20:22>> Good job, honey. Good eye.
1:20:23>> Good girl.
1:20:27>> And I have more good news. Jocelyn has
1:20:30been made an assistant.
1:20:32She's on staff
1:20:34and she's our newest little skirt.
1:20:37>> Good luck, sweetheart.
1:20:40>> Jocelyn Gustaf just messaged over the
1:20:42photos from the shoot and he included
1:20:44the polaroids of you and Paul. They're
1:20:45adorable.
1:20:56>> I'm just disappointed that Paul missed
1:20:58my coup.
1:21:00>> Oh, I've got to get that guy out of my
1:21:01head. I need some mental flaws.
1:21:03>> Don't worry, sweetie. Just take a
1:21:04thought shower. The important thing is
1:21:05the editor-inchief knows your triumph
1:21:07and put you on staff,
1:21:09>> I guess. Oh, are you still coming with
1:21:11me to pick up the stationary from the
1:21:12calligraphers? I have to get it to the
1:21:13Armgard Messenger Center by 6.
1:21:15>> I'm totally going. I'll just do a quick
1:21:16email and we're off. We'll go to Il
1:21:18Kentori and celebrate the end of your
1:21:20life as an intern/slave.
1:21:22Woohoo. [screaming]
1:21:30[music]
1:21:40>> Hold on. There goes my call waiting.
1:21:47Cornelia. Cornelia. Have [music] you
1:21:48seen Joselyn?
1:21:49>> Who's Jocelyn?
1:21:55[music]
1:21:56>> Pink.
1:21:57>> Well, apparently 64 got a bony can can
1:22:00from Calvin Klein and he was so good to
1:22:02her, too.
1:22:02>> She was swallowing [music] everything.
1:22:05>> Yeah. I'm sorry. Excuse me. Is he just
1:22:08the inter?
1:22:09>> Absolutely not. Yeah, thank you. So,
1:22:12Joseline, I hear you get to do the Billy
1:22:14Cred in Las Vegas shoot with Roxan. Am I
1:22:17green or what?
1:22:18>> Oh, yeah. I'm so psyched.
1:22:20>> Oo, I see our little resins [music]
1:22:22found herself a new boyfriend.
1:22:24>> Oh, get a room.
1:22:27>> What about Paul?
1:22:29>> He's over at Sabrina Heels. [music]
1:22:31>> She swings like Tarzan through the
1:22:32vines. And I don't think Paul's too
1:22:34upset.
1:22:36Can you [music] believe Antwanette?
1:22:39Watching her in predator mode is better
1:22:41than Shark Week on the Discovery
1:22:43Channel.
1:22:44>> Hi [ __ ]
1:22:46>> Oh, [music] there's Steven's press
1:22:47China. She's probably giving her tips on
1:22:49how to remain in the spotlight without
1:22:51ever actually doing anything. Going to
1:22:53take [music] notes.
1:22:54>> Oh, I think I'll follow you.
1:22:56>> How you doing, sweetie?
1:22:59>> I don't know.
1:23:01Kind of tired. I don't feel so well. I
1:23:03want to just go home and [music] go to
1:23:04sleep.
1:23:04>> Oh, sweetie, have a drink of bourbon.
1:23:07Hit the hay 15 hours. You'll feel a
1:23:08million times better. I'll walk you
1:23:10through the door.
1:23:12[music]
1:23:14>> So, I told her, "You can have your Gucci
1:23:16Birkenstocks and you can have your fancy
1:23:18title, but really, you're nothing but a
1:23:20short fat Jackie wannabe with hideous
1:23:23people." There's good news and there's
1:23:26bad news. The good news is they gave her
1:23:28a nice title, director of special
1:23:30projects. The bad news is there are no
1:23:33special projects.
1:23:36>> Excuse me. I have to.
1:23:38>> Well, you're not going. We go. Let's go.
1:23:40>> Uh, no, Antonet. Uh, not tonight. Um.
1:23:43>> Oh.
1:23:47[laughter]
1:23:53Hey Polly,
1:23:55no hard feelings, right?
1:23:57>> You know, no, of course not. Look, you
1:24:00make a perfect couple. I can only
1:24:02imagine the lengthy philosophical
1:24:04conversations you will enjoy for years
1:24:06to come.
1:24:10>> Richard, please tell me you've seen
1:24:12Joselyn.
1:24:12>> She just left right behind the
1:24:14editor-inchief. She doesn't feel so hot.
1:24:16>> Right. Good.
1:24:21Joselyn. Joselyn.
1:24:24Josyn, why did you leave? I didn't see
1:24:25you all night.
1:24:26>> Well, I wasn't very having very much
1:24:28fun, I guess.
1:24:31>> Why?
1:24:33>> Well, I've been
1:24:34>> Listen, it doesn't matter.
1:24:36Justin Res and I have split up. I I
1:24:38don't love her.
1:24:40>> And I noticed another blonde has grown
1:24:41in her place.
1:24:43>> Antonet, you insane. She's a nightmare.
1:24:46She mean nothing to me. I am standing
1:24:48here with you leaving those phonies
1:24:49behind me because I'm crazy about you.
1:24:54>> You are?
1:24:55>> Yes.
1:24:58>> Paul, I could never be like them.
1:25:00>> You don't have to be. You and I both
1:25:02know how absurd it is. Don't you
1:25:04understand that I love the fact that
1:25:06[music] you are not obsessed with it?
1:25:08I'm not into all that [ __ ] I don't
1:25:10know what I was thinking of before.
1:25:12All that glamour fades fast [music] and
1:25:15when it is gone, there is nothing.
1:25:18>> Well, I've seen who you've been with.
1:25:21How can I compete with Resin? She's
1:25:22gorgeous.
1:25:23>> No, she's not gorgeous.
1:25:26I've been so stupid. She She doesn't
1:25:28like French fries. She doesn't play with
1:25:30with with silly putty all day long. And
1:25:32she doesn't make me laugh. And you know,
1:25:34she would never been clever [music]
1:25:35enough to find the urine.
1:25:38>> How do you know about that? Richard
1:25:40emailed me the whole story.
1:25:42>> Listen. No. Listen to me. Listen to me,
1:25:45please.
1:25:45>> No, it's okay.
1:25:46>> Jocelyn, listen. You
1:25:49>> are an updated version of of Quark
1:25:51Express. [music] You are a short line at
1:25:54the DMV. You're a walk around New York
1:25:57in the fall. You are funny and fun and
1:26:01and exciting and kind
1:26:05and beautiful. And when I went to
1:26:07England, I missed you. I missed you.
1:26:13I missed you so much.
1:26:21[music]
1:26:30Just
1:26:32you have the whole world inside you.
1:27:09Hi, this is Joselyn Bennett, photo
1:27:10editor of Skirt Magazine. There are a
1:27:12lot of beautiful things to see in New
1:27:14York, but your view can be ruined if
1:27:15it's from the hood of your cab. So,
1:27:16buckle up. There are too many amazing
1:27:18things that will happen in your life
1:27:19that you won't want to miss.
1:27:22And this is the kitchen.
1:27:25Here's our water supply. Most of our
1:27:27editors have a preference, like Shishi
1:27:29Shmese is into Volulvvic. Corny Crisp
1:27:32gets so upset if there's no more
1:27:33Pelgrino. Anyway, here's the design
1:27:37studio.
1:27:39That's Jocelyn Bennett, the senior photo
1:27:41editor. She's so nice. Hey, Charlotte.
1:27:44Rocky.
1:27:46>> Hi.
1:27:48>> Oh, hello.
1:27:49>> Hi.
1:27:51That was Paul. He used to work here. Now
1:27:53he's a famous artist. He shows in Soho
1:27:55and stuff. So rad. He and Jocelyn are
1:27:58getting married next month. Yoji
1:28:00Yamamoto is doing her dress. They are so
1:28:02cool. I love them.
1:28:12I'll get a room.
1:28:16Can I ask you something? What's with the
1:28:17angry?
1:28:24>> I'm angry, too.
1:28:31>> She's an intern.
1:28:36She's an intern.
1:28:38A pathetic lonely intern.
1:28:40[music and singing]
1:28:41Slavedriven intern.
1:28:44This X that stay in turn
1:28:49coffee my ass. Sometimes
1:28:51[music and singing] she may get the
1:28:52blues, but everyone must pay their dues.
1:28:55You may [music] think life just isn't
1:28:57fair, but everybody's got to start
1:28:59somewhere.
1:29:02[music]
1:29:03Slave driven intern
1:29:08slave driven internship
1:29:10[music]
1:29:16should be [music] fetch those back
1:29:18cappuccinos in that's the way it goes in
1:29:21the max honey.
1:29:32Get me coffee. Kiss my ass.
1:29:39>> [music]

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