FUI A CEMENTERIO A BUSCAR FANTASMAS EN UN CARRO — Transcript
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- 0:00I kept seeing lots of videos where you
- 0:02take a Tesla to a graveyard and these
- 0:03kinds of things happen, so I said, "
- 0:05Hell yeah, I have to go to a graveyard.
- 0:06" So I got a Tesla, I came to a
- 0:10graveyard, but I think this would look
- 0:11better at night and truth be told, I'm
- 0:13not here alone, I brought guests.
- 0:18>> No, I'm not going to party anymore, I'm
- 0:19going to leave. What
- 0:20>> the hell? Here we have two guests who
- 0:22are, let's say, scared shitless. Well
- 0:25guys, I'd like to introduce you to
- 0:27Bastian Coner and Namame. Today they're
- 0:29going to join us on this super
- 0:31exploration. Do you want to head over
- 0:33to our super vehicle that's going to
- 0:34help us identify all the ghosts that
- 0:36appear in this graveyard, right at 2 in
- 0:38the morning, and all the legends that
- 0:40show up, like the boy, the soldier, the
- 0:42old lady, the bakers, and all the
- 0:43former presidents of Mexico?
- 0:45>> Wow.
- 0:46>> Wow.
- 0:46>> Are we ready? How many likes? How many
- 0:48likes for us to play and convince
- 0:51Bastian to do it in a? It's just that
- 0:53we don't play Ouija or the red book
- 0:55here.
- 0:55>> Deal, 200,000 likes.
- 0:57>> Excellent. 200,000 likes and we'll
- 0:59invite them back. And this is the ship
- 1:02we're going to be traveling in today,
- 1:05ladies and gentlemen, a Tesla.
- 1:08>> Hey, it really is pretty scary, huh?
- 1:10>> No, no, it's not mine. Please, give it
- 1:12a like, guys.
- 1:13>> I'd go to graveyards every weekend like
- 1:15this, man. Do I have a Tesla. But Dani
- 1:17lent it to me. Thank you so much, Dani.
- 1:19We love you.
- 1:20>> And do you guys know why a Tesla and
- 1:22why not another car?
- 1:23>> Because of the sensors.
- 1:24>> Exactly. A Tesla is a car that has
- 1:27cameras and sensors that detect what's
- 1:29around the car. This system recognizes
- 1:31people, vehicles, and objects around it
- 1:33and shows them on this screen.
- 1:35>> Look, hands-free. But look, a Tesla
- 1:39isn't a paranormal detector and that's
- 1:42what makes this experiment interesting.
- 1:44The system can get confused by
- 1:46tombstones, trees, or other objects. So
- 1:49we're going to check if where figures
- 1:51appear on this screen there's any
- 1:52object that could explain what the car
- 1:54is detecting out here in the graveyard.
- 1:58>> No way, no way, no way.
- 2:01>> I'll take it from here.
- 2:03>> Well, it already knows well.
- 2:05>> It's just that it's there. There it is.
- 2:06>> Oh, no, but it's still him.
- 2:08>> Just in case it comes out, just in case
- 2:09. Holy [ __ ], man.
- 2:10>> Look, look, look, look, look, look.
- 2:12>> Oh my god. Santi has the devil attached
- 2:15to him.
- 2:16>> Hey, let's see if you have a face, man.
- 2:17>> Yeah, look. S.
- 2:19>> Hey, it actually looks like a little
- 2:20dead guy there, huh? Look, look, look,
- 2:22look, look.
- 2:22>> Do you have someone behind you, man?
- 2:24>> Do you have someone behind you? Holy
- 2:26mother.
- 2:27>> He's running away. There are the two
- 2:29guys. And those are the two you see
- 2:31here on screen. If we see something pop
- 2:34up there, we're going to freak out.
- 2:37>> Come on, come on, come on, come on,
- 2:38come on, come on, come on, come on. It
- 2:39looks super creepy. What? What? What?
- 2:43That I just started you and it's
- 2:45scaring me, man.
- 2:46>> Look, look at the hole. Look, look,
- 2:47look, look, look, look. No,
- 2:49>> but they already saw the camera.
- 2:50>> How cool.
- 2:52>> Pass the
- 2:54>> But did you see we have a giant black
- 2:55hole in front of us?
- 2:56>> What,
- 2:57>> man? Some feet came out here, man.
- 2:59>> I swear to you. I swear to you. I swear
- 3:01to you that some feet came out. I swear
- 3:02to you. I swear to you.
- 3:04>> Honestly, today I came with the
- 3:06intention of having the devil take us.
- 3:08No, no,
- 3:08>> it's really cool, man. Yeah, I
- 3:10recommend it. The ghost, do we respect
- 3:12him or do we run him over?
- 3:13>> Eh, we respect him. We respect him.
- 3:15>> I don't think anything will happen to
- 3:16him if we pass in front of him. Well no
- 3:18, because he's supposed to not be solid
- 3:20matter, so I don't think anything will
- 3:22happen either.
- 3:24>> This is literally the largest cemetery
- 3:27in Mexico with 254 hectares. There
- 3:30really are 254 hectares of graveyard
- 3:33here.
- 3:34>> I mean, this is absolutely enormous.
- 3:36This graveyard opened in 1875, meaning
- 3:39it's over 150 years old
- 3:42>> and has around 700,000 graves. Guys,
- 3:46our missions for today are to find the
- 3:48soldier's grave and find the little
- 3:51angel's grave.
- 3:52>> Little angel sounds like it was a boy,
- 3:53it was a boy.
- 3:54>> It was a boy.
- 3:54>> Go to the common graves. That boy
- 3:57arrives and starts bothering the people
- 3:59who come at night, I mean, he doesn't
- 4:01bother them in a nice way, he actually
- 4:03torments them, he has even followed
- 4:05them to their house. They say he
- 4:08possesses the because well, there are
- 4:10many children's graves, so many people
- 4:12come and leave them toys and those toys
- 4:15suddenly appear on other graves.
- 4:18>> I mean, it's like you left it here for
- 4:20your child who sadly passed away,
- 4:23>> but then the next day they play with
- 4:26>> they find that same doll on another
- 4:28child's grave.
- 4:30>> Oh. But let's head to an area that is
- 4:33one of the oldest parts of the cemetery
- 4:35, which is the bakers 'section. Look at
- 4:38that. Hey, whoa,
- 4:40>> a tree fell over there.
- 4:41>> A tree fell. We won't be able to pass.
- 4:43>> Yeah, that's true.
- 4:44>> Oh, no. And there is [a way] over here
- 4:46to the left. I don't even see
- 4:47>> Yes, yes there is. In theory, there is.
- 4:50It marks it here.
- 4:51>> Let's go left because a tree fell.
- 4:53>> There's a tree right there. So we're
- 4:54going to have to turn that way. The
- 4:56screen looks super creepy, huh? It
- 4:58looks badass. Plus, the cemetery too.
- 5:01Have you ever been in a cemetery in a
- 5:03car at this hour?
- 5:04>> Of course not.
- 5:05>> Doesn't it look incredibly beautiful?
- 5:09>> Yes,
- 5:10>> yes. Beautiful.
- 5:11>> Beautiful is the word I'm looking for.
- 5:14>> And what is it?
- 5:15>> Reaching these bakers. Yes, this is it.
- 5:20We have one of our first stops, ladies
- 5:22and gentlemen.
- 5:23>> And here, what? And here, what? And
- 5:25here, what are we going to do? What do
- 5:26you think? We're going to try to
- 5:28contact a baker,
- 5:29>> aren't we, man? Why, dude?
- 5:35>> A while ago they told us that usually
- 5:37the people who most want things to
- 5:39happen are the ones to whom they happen
- 5:41the least. And I think it's great that
- 5:44Bastian has the bell to call them
- 5:46because I want it to happen. A part of
- 5:49Connor, I'm sure Celeste is also
- 5:51begging for it to happen and the only
- 5:52one who is most afraid here is Bastian.
- 5:55So
- 5:55>> well look, I do like bread.
- 5:57>> To the kind of, kind of seems a bit
- 6:01creepy to go through a hole, right?
- 6:03>> This one is closed,
- 6:04>> right? I mean, this gate is halfway
- 6:07open and besides, let's see, I need the
- 6:09camera to see this. It's halfway
- 6:13>> the gate.
- 6:14>> Yes, true. Of dirt.
- 6:15>> Uh-huh.
- 6:16>> Wow.
- 6:16>> It's just pure mud.
- 6:18>> Yes, I saw. We'll have to go in through
- 6:20the back door.
- 6:21>> No, why? Oh, careful. Alright. My God.
- 6:26We do this with a lot of respect. I
- 6:29didn't imagine. To help
- 6:33>> that there would be such a big cemetery
- 6:35.
- 6:35>> Nothing dramatic happened with bakers
- 6:37there. It is simply a plot that the
- 6:40government gave at the time to
- 6:41different guilds and associations. It
- 6:44is a vestige of how guilds used to
- 6:46organize even their funeral spaces. Yes
- 6:49. Okay. It's like how before, there was
- 6:51a section for doctors here, a section
- 6:53for, you know, depending on your
- 6:54vocation.
- 6:55>> For content creators. Can you imagine?
- 6:57>> Why is no one talking about how sexy
- 6:59the Charter's voice is?
- 7:01>> It's sexy, my chat.
- 7:03>> This is a little machine that will
- 7:06answer us through touch or sensitivity.
- 7:09As you can see, this board has things
- 7:11written on it. It has hello, goodbye,
- 7:14maybe, yes, and no.
- 7:17>> And it works like this. If something
- 7:19touches it, we can ask it, like, "Hello
- 7:20, is anyone here?" and this guy will
- 7:22light up.
- 7:24>> Don't tell me it has no battery.
- 7:25>> I just put it in and I just tested it.
- 7:29>> The ghosts must have broken it.
- 7:31>> So, if we ask it, "Hello, is anyone
- 7:32here?" Maybe they'll answer us, like, "
- 7:35hello."
- 7:37>> If this lights up, obviously I just
- 7:39touched it myself, but we're going to
- 7:41leave it in a space far away from us to
- 7:42see if something is touching it. What
- 7:45do you think if we leave this in that
- 7:47suspicious-looking chapel over there?
- 7:48>> Sure.
- 7:49>> Sure.
- 7:49>> Bastien is going to leave it.
- 7:51>> No, I already
- 7:52>> I'll shine a light for you. I'll shine
- 7:53a light for you. Light the way, brother
- 7:55.
- 7:55>> Respect.
- 7:57>> I love that at the start of the video I
- 7:59told everyone they had to enter with a
- 8:00lot of respect, and now for everything
- 8:01they say "with a lot of respect."
- 8:03>> It's just that, listen, we don't want
- 8:05to get into trouble.
- 8:08>> We're also going to leave this little
- 8:09bell on the other side, right at the
- 8:10entrance that is closed, in case we
- 8:11hear this. Run.
- 8:16>> Run.
- 8:17>> No, why me? I mean, why? Why?
- 8:20>> I already went.
- 8:21>> I mean, do you really want me to go all
- 8:22the way up there? Yes.
- 8:24>> All the way up there. Where?
- 8:25>> Over there. There.
- 8:26>> No, you're kidding, but speak to me,
- 8:28okay? I mean, all the way to the door.
- 8:30I'm going to leave the little bell.
- 8:31Well, I'm not putting it inside of me.
- 8:33If
- 8:33>> that thing rings, I'm going to crap
- 8:35myself.
- 8:35>> Cele was saying that so far it's very
- 8:37calm, and I feel that here in this
- 8:39cemetery, even though there's a strong
- 8:41vibe, strong doesn't mean bad.
- 8:44>> I mean, I think the people who are in
- 8:46this cemetery are good.
- 8:47>> Is there anyone here who wants to talk
- 8:49to us? Do you like bread?
- 8:55>> Is there anyone here who wants to play
- 8:57with us? If there is any baker here, we
- 9:01want to know. Did you like your job? Do
- 9:08you want us to leave? How much do you
- 9:15want to bet you won't say a Lord's
- 9:17Prayer holding hands to set the vibe? I
- 9:21was going to say we should hold hands
- 9:22and ask them to communicate with us.
- 9:25Ooh, I have chills. Okay. Well, uh, we
- 9:27are here with the best intentions. I
- 9:30don't know how to do this, man. Why did
- 9:31it start for me?
- 9:34>> I accept the
- 9:34>> Now finish it. If there is any soul who
- 9:38wants to tell us something, who wants
- 9:40us to interpret a message, we are fully
- 9:42open to receiving it
- 9:44>> in good faith.
- 9:45>> In good faith.
- 9:46>> And with respect. And with respect. Yes
- 9:48, exactly
- 9:48>> above all, with respect. So if there is
- 9:52any spirit that wants to communicate
- 9:54with us, please manifest. Hey, has that
- 10:01thing ever turned on in any video? It's
- 10:03new. You get to break it in. And what
- 10:07if we turn off Luis? Why, I mean, why,
- 10:13it wasn't necessary. Very necessary
- 10:16because we need to get into the m.
- 10:19>> Hello bakers, good evening. Still night
- 10:22, right? It's not day yet. We came here
- 10:24with a lot of respect to chat with you,
- 10:26and if you want to tell us something,
- 10:27well, we're here.
- 10:29>> Well, then now the time to pray has
- 10:30arrived. Our Father, who art in heaven,
- 10:33hallowed be thy name; thy kingdom come,
- 10:35thy will be done, on earth as it is in
- 10:38heaven. Give us this day our daily
- 10:41bread; and forgive us our trespasses,
- 10:43as we forgive those who trespass
- 10:45against us. And lead us not into
- 10:47temptation, but deliver us from evil.
- 10:49Amen. Amen.
- 10:51>> And I don't know about you, but I'm
- 10:52hearing footsteps. We're going to say
- 10:56that and footsteps were heard behind
- 10:57Doris.
- 10:58>> Yes, no
- 10:59>> listen. [ __ ]. Yes, they are being heard
- 11:01.
- 11:01>> Yes, energies are moving.
- 11:03>> Hey, but immediately we started to hear
- 11:04they started moving leaves and
- 11:06sometimes we have this bad habit of
- 11:07believing that
- 11:10>> did you hear the loud thud over there?
- 11:13>> Yes,
- 11:14>> there is someone here.
- 11:16>> Touch the machine, touch the machine.
- 11:20Whoa.
- 11:22>> Well, the bakers here didn't want to
- 11:24talk to us. They said, "This isn't our
- 11:26working hours, so
- 11:28>> respectable. We're cutting it.
- 11:33>> Yes, we're cutting. Turn off your mics.
- 11:36>> We cut, but if something happens, we'll
- 11:37turn them on in a flash. No,
- 11:39>> fine. Did you hear that laugh?
- 11:42>> From where?
- 11:43>> From over there.
- 11:45>> Seriously, I swear. I swear it.
- 11:48>> You did hear it.
- 11:49>> Careful. I heard the or
- 11:50>> The girls here say they just heard a
- 11:53malevolent laugh. It sounds. scary, huh
- 11:56?
- 11:57>> It's just that there are witches here,
- 11:58>> right?
- 11:59>> Yes,
- 12:00>> people come here. A lot of people come
- 12:03here to practice Santeria and, well,
- 12:06rituals or spellwork because cemetery
- 12:09soil is sacred.
- 12:10>> Well, let's keep going, right? Let's
- 12:12head to the next point. I think it's
- 12:14time to head back. Yes, yes, yes.
- 12:15>> To the van.
- 12:15>> From here, the woman's weeping.
- 12:17>> The woman's weeping. Don't tell me. We
- 12:19just heard a laugh. The woman's weeping
- 12:22. I am the echo of the woman when the
- 12:25devil appeared to me. He said to me,"
- 12:30Come, "all in red, all in red, his suit
- 12:32, all in red, his hat and everything."
- 12:34He said,' Come, '
- 12:36>> here in the cemetery. "
- 12:37>> Uh-huh.
- 12:38>> In that one.
- 12:39>> Uh-huh.
- 12:39>> And where at?
- 12:40>> At the entrance.
- 12:41>> At the entrance.
- 12:42>> And how did the dog start acting? Both
- 12:45of them, the little dogs started, and
- 12:47the soldier there,
- 12:49>> huh? Eh, no, not anymore. It's just
- 12:52that they tried to steal the statue.
- 12:54>> Yes, they blew off one of its feet and
- 12:56since then we haven't known about this.
- 12:59>> Is there any place in the cemetery,
- 13:00either for you or maybe for any of your
- 13:02other colleagues, where more things
- 13:04have happened to you
- 13:05>> that you say," No, well, I don't go to
- 13:07that part of the cemetery much because
- 13:08there, yes,
- 13:09>> that's the most charged area in the
- 13:11whole cemetery. "
- 13:11>> The common one.
- 13:12>> The common, common one.
- 13:13>> That's where we're going.
- 13:14>> In the common grave. Yes, it's the one
- 13:16I'm telling you about, the stories of
- 13:17that place are very, very heavy. The
- 13:19story of the little angel of the
- 13:22>> Ah, that one, that's already. Ooh,
- 13:24ancient. I heard that one of the guards
- 13:27was scratched on his back.
- 13:30>> See, I told you it was the spirit of a
- 13:32child,
- 13:33>> it's half-and-half, right? Half is
- 13:34angel and half is devil.
- 13:37>> But anyway, let's go to those photos.
- 13:39Let's go to the next part of the tour.
- 13:40Run, run, run. But this time we're
- 13:43going to do a challenge. The loser will
- 13:45go down into a grave and leave a candle
- 13:48. We're going to make a thread. The
- 13:51person who takes more than 5 seconds
- 13:53loses.
- 13:54>> To the right, to the right.
- 13:56>> No way, no way, no way, no way, no way.
- 13:59To the right, to the right. Sorry, I
- 14:00got stuck.
- 14:02>> No way, are you recording, damn it,
- 14:03Bastion?
- 14:04>> Oh, that thing didn't pay, man. Did you
- 14:08record what appeared on the screen? I
- 14:10don't know, man. I don't know.
- 14:11>> Oh, look, look, look, look. There's two
- 14:13, man. There's two. There's two.
- 14:15There's two. There's two. There's two.
- 14:18>> Man, man. It looks like they’re
- 14:21walking toward the car. Look, look,
- 14:22look, look, look, look, look, look,
- 14:24look, look. No way, no way, no way, no
- 14:31way, no way.
- 14:33>> Okay, I think it’s a good time to try
- 14:36to contact these people. A woman’s
- 14:42scream.
- 14:44>> Who are they?
- 14:47>> 500, man. What do they want?
- 14:59>> Survive. One. There are many.
- 15:07>> You will die, it said.
- 15:09>> It said you will die.
- 15:10>> There are not many,
- 15:11>> they are dangerous.
- 15:14>> Yes.
- 15:16>> We need to get out of here. We are all
- 15:21in danger. You
- 15:32>> want us to leave you light. Do you want
- 15:34a candle? Candle. Look at him, look at
- 15:39him. He’s coming this way, man.
- 15:40He’s coming this way, man. He’s
- 15:42coming this way.
- 15:44>> What’s your name? What’s your name?
- 15:48Marcos, Humberto,
- 15:56>> Rodrigo, man. It’s just that there
- 15:58are so many, man, there’s a ton.
- 16:00There are men and women. They just gave
- 16:03us a bunch of names, bro. And who
- 16:05would’ve thought that here, where it
- 16:07looks like a dump, is where we find the
- 16:09most in the graves. We found them here,
- 16:11man. Could this be the common grave?
- 16:13Maybe so, yeah,
- 16:16>> because they’re like the ones who can
- 16:18rest the least, and it would make sense
- 16:20that they are
- 16:22>> Yeah, this isn’t, this isn’t a
- 16:23place of rest, literally, it’s a
- 16:25place that, I mean, it looks bad.
- 16:26>> We still haven’t finished the
- 16:28challenge to see when Dori is going to
- 16:29go down to take the candle to a grave.
- 16:34The game will be, remember the whole
- 16:36phrase and whoever forgets it loses and
- 16:38goes and lights a candle for a dead
- 16:40person. Sebastian starts. The
- 16:42>> the family
- 16:43>> the plush family.
- 16:45>> The plush family is plotting.
- 16:48>> The plush family is plotting. Was
- 16:51>> The plush family was exorcising.
- 16:55>> The plush family was exorcising some
- 17:01>> The plush family was exorcising certain
- 17:05ones. While we were doing this activity
- 17:08, somehow the camera failed on us, so
- 17:10we couldn't finish broadcasting this
- 17:11game to you. But I hope you had fun
- 17:14with what you were able to see, guys.
- 17:16Well, let me introduce you to the
- 17:19famous common zone of the Panteón de
- 17:21los Dolores. These graves, as you can
- 17:25see, have no names, just numbers,
- 17:27because they belong to people who were
- 17:30never identified, wanderers, and each
- 17:32one of these can hold four or five
- 17:35bodies. Wow.
- 17:38>> You can catch a bit of an unpleasant
- 17:39smell if you pay attention. Oh, no way,
- 17:42I smell it now. I hadn't smelled
- 17:43anything.
- 17:44>> Well, let's go further over there.
- 17:45>> Holy crap,
- 17:46>> the temperature dropped.
- 17:47>> Yes,
- 17:47>> yes. And the temperature here is very
- 17:50low
- 17:51>> and it smells awful. I think we're
- 17:54going to do an Estes method here.
- 17:56>> A what?
- 17:58>> What is that?
- 17:58>> The Estes method is a paranormal
- 18:00investigation technique. We need a
- 18:02receiver who will be blindfolded and
- 18:04wearing noise-canceling headphones.
- 18:06These will be connected to a Spirit Box
- 18:09that emits static. Other team members
- 18:11will ask the questions and the receiver
- 18:13has to say everything they hear through
- 18:14the Spirit Box. Note that this person
- 18:17cannot hear the questions we're asking
- 18:19at all, so everything they say to us
- 18:20has to be surprising,
- 18:22>> literally everything you hear, but
- 18:24you're going to do it
- 18:27>> while getting closer to the graves. Go
- 18:29for it.
- 18:30>> I actually told him as soon as
- 18:31>> holy crap they said let me out.
- 18:34>> Oh my God.
- 18:36>> Yes, yes, yes, yes. We'll let you.
- 18:39>> Who are you?
- 18:41>> No,
- 18:42>> no. What? What's your name?
- 18:44>> I'm about to throw up, dude.
- 18:48>> How many people are here?
- 18:50>> A long time.
- 18:51>> Wow. I mean, they've been here for a
- 18:53long time.
- 18:54>> I think so.
- 18:55>> It's just that we don't know for how
- 18:56long. Well, this cemetery has been here
- 18:58since 1000. 1875. Are you feeling bad?
- 19:00>> I'm going to pass out. I already won.
- 19:02>> I already won.
- 19:03>> Wait,
- 19:05>> meaning, you're feeling bad and he just
- 19:07said, or she, that they already won.
- 19:10>> Normally these entities do enter and
- 19:12where they start to affect you most is
- 19:14in your stomach. When I start to feel
- 19:16bad, it always starts in my stomach.
- 19:18>> It's just that the smell is what
- 19:19grosses me out, guys. It smells so much
- 19:20like dead bodies, really. That makes me
- 19:23, I mean, I'm about to leave.
- 19:25>> Ah, you're good, they're good, they're
- 19:29resting.
- 19:30>> Do you want us to return a Our Father?
- 19:32They said no.
- 19:33>> Yes,
- 19:33>> yes
- 19:34>> that we should return it.
- 19:36>> Ready?
- 19:36>> Ah, ready. Our Father who art in heaven
- 19:39, hallowed be thy name, thy kingdom
- 19:41come, thy will be done on earth as it
- 19:43is in heaven, give us this day our
- 19:45daily bread, and forgive us our
- 19:47trespasses as we forgive those who
- 19:49trespass against us. Death,
- 19:51>> and lead us not into temptation, but
- 19:53deliver us from all evil. Amen.
- 19:55>> What are we doing here? We came with
- 19:57all respect to know if you have any
- 19:58message you want to share with all of
- 20:00us
- 20:01>> for the purpose of investigation. How
- 20:06did you die?
- 20:12>> That's how it was.
- 20:14>> What the hell? I mean, yes, you did die
- 20:17your death. They killed you.
- 20:21>> Do you want your family to find you?
- 20:23>> Yeah,
- 20:24>> man. It’s that she isn’t listening
- 20:26to us. Yeah. Uh-huh.
- 20:28>> What’s your name so we know who your
- 20:30family is? Hey, you’re dead.
- 20:36>> Christ, no.
- 20:37>> Christ, no. Christ isn’t here. Sure.
- 20:40>> Come.
- 20:41>> Where to? Where to?
- 20:43>> Come and look.
- 20:47>> And they will stay.
- 20:48>> They will stay.
- 20:49>> And they will stay. No,
- 20:51>> I got goosebumps. Damn.
- 20:52>> I see Doris a bit upset.
- 20:54>> Yeah. Uh,
- 20:56>> write, close your eyes and let your
- 20:58hand move on its own. Let’s see what.
- 21:00>> Why? Just because. Let’s see,
- 21:02>> why? Just because.
- 21:03>> But close your eyes.
- 21:06>> Cele,
- 21:08>> Cele. Come on, come on.
- 21:10>> What do you want from me?
- 21:14>> The
- 21:15>> iPhone.
- 21:16>> iPhone.
- 21:18>> Shut up, shut up, shut up, shut up,
- 21:20shut up, shut up, shut up, shut up,
- 21:22shut up.
- 21:23>> I want.
- 21:23>> Yes.
- 21:25>> How does it know? And she isn’t
- 21:27seeing us
- 21:29>> nor hearing us, and we are literally
- 21:31trying to write on the iPhone, man.
- 21:35>> Listen behind us.
- 21:36>> No way.
- 21:37>> Live,
- 21:38>> live,
- 21:38>> live.
- 21:39>> Oh, well to live I think we should go,
- 21:41right? I’m going to let my finger
- 21:43move on its own and write literally. If
- 21:46there is someone here, you’re allowed
- 21:47.
- 21:47>> The bills,
- 21:48>> the bills.
- 21:49>> The bills.
- 21:50>> Me. Oh, I have it.
- 21:51>> Cele, look for me.
- 21:53>> Get the hell out. Get out, man, get the
- 21:55hell out. I mean, what an expression.
- 21:58>> Listen,
- 22:00>> man. I just feel it moving, but I
- 22:02don’t understand what it’s writing.
- 22:05>> We are here.
- 22:06>> How long does this have to last?
- 22:08>> I think we should tell it now that—
- 22:10>> No way. Hey, that iPhone thing was
- 22:13horrible, huh? Damn,
- 22:16>> can I take it off now?
- 22:17>> No, I mean, it was
- 22:18>> man, it was, it was really intense.
- 22:24Dude, you answered almost everything,
- 22:26but there was a moment when we grabbed
- 22:28the iPhone, man, to communicate, and
- 22:30you said iPhone, you bastard.
- 22:34>> That we were and I mean like they were
- 22:36telling us so much, like live,
- 22:38>> live, enjoy life,
- 22:40>> live, enjoy it. Wow, but how crazy that
- 22:42we are exactly in the common grave site
- 22:44where there were people with tragic
- 22:46deaths who no one identified and who
- 22:48probably didn’t have the chance to
- 22:50live life.
- 22:51>> No, man, I see, I mean, wow, I have
- 22:53goosebumps. Hey, but why were you
- 22:55saying my name so much? Because it
- 22:57sounded like C. So, we are going to go
- 23:00back. Let’s see if we manage to
- 23:02capture something with the Tesla,
- 23:03because we are going to put it in
- 23:05automatic mode now.
- 23:06>> Holy Jesus Christ, man. If anyone in
- 23:09the comments gives me a hug, you didn't
- 23:10say horrible, so much.
- 23:15>> It was horrible.
- 23:16>> It was intense. It wa
- 23:18>> Subscribe for Doris's sake.
- 23:20>> Yeah,
- 23:21>> my legs aren't shaking, honestly. I
- 23:23mean,
- 23:23>> thank you so much for the message.
- 23:24We're really going to stay.
- 23:26>> We're going to go live life. We're
- 23:27going to live life to the fullest.
- 23:29>> Let's see, we know it. It's coming
- 23:32behind us, no
- 23:36>> bro. This, this one is. This is super
- 23:38yes, man. It has the shape of and it's
- 23:40not one of ours, man. There
- 23:42>> is nothing. There is nothing there.
- 23:43There is nothing. It's still there.
- 23:45It's next to a tombstone, man. Look
- 23:48over there now.
- 23:51>> I was telling you that I felt emotional
- 23:54,
- 23:54>> I mean, I'm not, and the girls know it,
- 23:56I'm not a person who cries, especially
- 23:58not in videos. And well, look, I didn't
- 24:00cry, but I felt a lot of sadness
- 24:03because I feel like this person, I feel
- 24:05like this person was saying exactly how
- 24:08to live, and I feel like it's a person
- 24:11who didn't manage to, well, live
- 24:13everything they would have wanted and
- 24:15that surely it wasn't a nice way to
- 24:18leave this world.
- 24:20>> Now we are going to start the automated
- 24:23driving.
- 24:23>> And how does it know where we're going?
- 24:25It doesn't know.
- 24:26>> Look, now we're going forward. Now the
- 24:30Tesla is driving by itself, man. You're
- 24:33going like crazy, man. Yeah, yeah, yeah
- 24:35. You're going too fast. Do you know
- 24:36where we're going?
- 24:37>> Tesla,
- 24:38>> Tesla, relax.
- 24:39>> Relax.
- 24:40>> Tesla said," Let's go, buddy, I want to
- 24:42be. "
- 24:43>> Look, I'm not touching or pedaling.
- 24:47>> Holy cow. It's just, it's going very
- 24:50fast. The guides, the guides went that
- 24:52way. I just saw them. Um, and which way
- 24:58, there's one
- 24:59>> man man man man man there's one
- 25:00standing there, man. There's one
- 25:01standing there, man. Record, record,
- 25:03record, record.
- 25:03>> Yeah, yeah. There's nothing, there's
- 25:04nothing.
- 25:07>> I, I thought we were going to see one
- 25:08or two things, but we've already seen
- 25:10more than I thought we would see,
- 25:13>> man. It came out complet. Look, look,
- 25:16look, look. Move, move, please, move.
- 25:22Now they really are there. Ah, but you
- 25:23wanted you wanted you wanted them to
- 25:25appear. No,
- 25:27>> there's the son of a bit it's a
- 25:31>> But but but like no but there's no dog,
- 25:33the ghost of a little dog.
- 25:37>> Don't do this to me.
- 25:38>> It's the ghost of a little dog, man. Go
- 25:41ahead. Yes, it just came out. Look,
- 25:42there it goes. There’s the puppy. But
- 25:45you can’t see it, it’s a puppy.
- 25:49>> Guys, we are capturing the ghost of a
- 25:51puppy. I can’t believe it, man.
- 25:54It’s the one from Coco.
- 25:55>> Dante from Coco.
- 25:56>> No, yeah, record now that there’s
- 25:57nothing.
- 25:57>> Look,
- 25:58>> no way, there’s a puppy ghost.
- 26:01>> There’s a puppy ghost here.
- 26:04>> No, that was intense. Oh, there it is,
- 26:05there it is. No, don’t move it,
- 26:07don’t move it, don’t move it. It
- 26:09was right there.
- 26:11>> There was someone here. Yes, there it
- 26:13is, there it is.
- 26:16>> But clearly, I mean, we even saw it in
- 26:183D with this little candle. Uh, we
- 26:20thank all the spirits that received us
- 26:24today. We apologize and we show you, uh
- 26:27, indirectly or unintentionally,
- 26:30respect, and, uh, we wish you eternal
- 26:33rest and may you rest in peace.
- 26:36>> Peace.
- 26:37>> Rest in peace, Vicente. Guys, thank you
- 26:39, thank you so much. Uh, you guys
- 26:40really crushed it. The truth is, not
- 26:42just anyone dares to come to a cemetery
- 26:44at midnight, and you pulled it off.
- 26:46Besides, we’re going to record a
- 26:47podcast here right now.
- 26:49>> Follow us all on our social media.
- 26:51I’m Celegrini and we’ll see you
- 26:53next time. Ciao.
- 26:54>> Ciao.
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