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Fritz Perls en Terapia Gestalt de parejas (Inédito) / Subtitulado al español — Transcript

by Psicología Gestalt · 1,723 words · 341 segments · language en · Watch on YouTube

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0:08we spoke yesterday about the life script
0:11of a
0:13person
0:15and in this life
0:18script
0:20we have a number of other people
0:26involved be it that we need other people
0:30for a certain amount of support
0:32emotional other
0:35support especially the support for our
0:39selfesteem or that we need another
0:42person for
0:43our feeding or sexual
0:47needs but in very many cases our life
0:51script demands
0:57marriage and the trouble in a marriage
1:01starts if the spouse does not fit into
1:07that life
1:09script in other words if a person is not
1:13in love with his
1:16spouse but with an image what this
1:19spouse should
1:23be now very
1:26rarely does the image of the spouse and
1:30the real
1:31person
1:33fit so there be frustrations and
1:39difficulties and
1:41especially if a person is cursed with
1:46perfectionism then you're really in for
1:49trouble the curse of perfectionism is
1:52the worst thing that can befall any
1:54person once you're perfectionist you
1:57have a yard stick we can always beat
1:59your yourself and beat other
2:01people because you demand them possible
2:05and once you start demanding them
2:07possible from your
2:11partner then the resentment starts the
2:15blaming game irritations and so on and
2:18so
2:21on so in our marriage game we can't do
2:26much more than just playing games here
2:30and finding
2:33some
2:35basis for where people stand with each
2:39other let's start with the same kind of
2:43communication approach as we used in the
2:48awareness in other words I like let's
2:52first get you two
2:58here would you face the
3:04enemy so your name is
3:12CLA and I would like you to do this in
3:17exchange withdrawing to yourself with
3:19word
3:20I and then come back to Dawn and say you
3:25go back again I and you and you do the
3:28same shly and see to what degree a
3:33simple communication is
3:36possible and what we are most interested
3:39in of course is what kind of
3:41communication do you
3:46avoid because there are plenty of
3:49catastrophic
3:50expectation if I tell you what I really
3:53think about you you will not like me you
3:56will leave me or whatever the cast toic
4:00expectations
4:11are I find it hard to go into
4:22myself I want to go out to
4:26you and assure you that I
4:30with
4:34you go back again I go into
4:39myself and I want
4:42to be myself
4:47too I
4:50want are you aware that you're full of
4:53good intentions I want I want I want
4:56this you're not telling us what you're
4:58aware of
5:00but what you want in other
5:03words you're not in the now you're not
5:06telling us what you're doing but you
5:08what you
5:10want okay
5:13Don um I'm back to the clutch in myself
5:20here and uh I find it's easy to go into
5:26myself um and more difficult come to
5:32you and
5:35um I think I I was I was aware I am not
5:40remembering that I was aware that I when
5:42I looked at all the people I didn't look
5:43at
5:44you when I sat here
5:48before this is very simple clear symptom
5:51of avoidance if you avoid looking at
5:54another person means that you're not
5:58open
6:01yeah you
6:11to I'm aware of tension outside
6:16myself s
6:18of
6:26dropping cing for expect
6:32ation unware of your
6:39calm
6:41uncertainty what's
6:42[Applause]
6:48underneath I'm aware of my inadequacy
6:52to express
6:58myself for holding
7:02[Applause]
7:03myself being
7:05[Music]
7:06unsure are you aware of your
7:10voice
7:12quiet can you talk to Don about your
7:15voice what you're doing to him with your
7:25voice well I hope it's not so quiet that
7:28you have to too strange to hear me
7:32you're hoping what are you
7:36doing I'm talking softly yeah
7:45hesitantly I'm
7:49certain by the way this low voice is
7:53always a symptom of hidden
7:57cruelty it's one of the best means of
8:00touching other
8:07people it's not always
8:16s
8:21don't I'm aware that I am calmer
8:25now
8:27um I think I am calm partly because I
8:31feel your
8:32uncertainty and your
8:35fear and uh this places a
8:39demand on
8:41my being here and
8:46present
8:50um inside I feel a kind of
8:58rigidity
9:02I think I'm trying to say to
9:06you are you aware that you always say I
9:09think I'm
9:14trying could you tell us what you're
9:17aware
9:21of um I'm aware of a sense that I'm
9:28becoming like con
9:31conrete sort of setting sort
9:35of like I I am
9:40setting moving towards
9:44[Applause]
9:49rigidity everything is
9:57still what do you want for me
10:01um I feel what do you want for
10:06me well I was going to start to speak to
10:09him I guess I was checking with you
10:12you're checking up with
10:15me I didn't feel
10:17[Applause]
10:20happy I
10:22guess was guidance that I was doing the
10:26right thing could you tell him to seal
10:33I don't like to tell see that I'm
10:37looking to him for guidance but I
10:39realize my attitude has implied
10:43that I was going to say I felt resentful
10:46that you became
10:48rigid and you felt that I was
10:52fearful that I can handle my own
10:55fearfulness and it made me feel quite
10:58strong okay let's have couple number two
11:01I don't want to go any deeper yet I just
11:03want to get the first idea of how much
11:06communication is there to
11:23cross your name is R your name
11:28isny
11:47look once
11:48more the experiment is so
11:52simple I don't mind you to be somewhat
11:55rigid about it first what am I wear in
11:58regard to myself and what am I aware in
12:02regard to you what am I aware in regard
12:04to myself what am I aware to regard to
12:11you if this is too much of a task please
12:16say
12:17so then we have to deal with the
12:20difficulty in comprehending such a
12:23simple
12:25request I'm aware that I'm afraid of
12:28what you're going to say
12:54I can
12:58listen
13:13you I'm aware of the tenseness in my
13:18chest I'm aware of your looking at me
13:22very
13:27intensely you seem to want me to carry
13:30the
13:33ball is this what you're aware of or is
13:36this what you think that's what I
13:41think I'm aware that I want you to do
13:44that I want you to get me primed and
13:48aware them are you aware of your heads
13:50doing do
13:52this now please try the most difficult
13:59task of all stick to the
14:08obvious it's obvious that you just made
14:11this movement with your
14:13head it's obvious that you're holding
14:16your hands this way it's obvious that
14:18you're nodding your
14:21head try to get to the difficult task of
14:25simplic
14:28simplicity
14:34I'm aware that I'm trying too
14:38hard trying to relax and trying to hold
14:40on at the same
14:42time how are you doing this
14:46try my with my
14:49hands
14:51and my body is
14:54rigid I'm
14:58rigid
15:00now what are you aware of
15:09there your hands are saying
15:13something quietly
15:16softly you're leaning away from
15:21me no first time that he
15:25sees yeah now go back to yourself again
15:33you
15:36to I'm
15:39aware of the pressure in my right arm
15:43I'm aware that I'm leaning away from
15:45you I feel myself pulling back away from
15:50you I'm afraid of being sucked
15:56in you to
16:07oh what a suck
16:09human are you aware of
16:13what
16:15uh another
16:18difficult moment is that we are very
16:21much inclined to do this mind [ __ ]
16:25bit and talk talk talk talk talk just
16:29tell us your response what you actually
16:32feel you feel yourself sitting on a
16:35chair you feel yourself noing the
16:38head so be simple I feel I'm putting a
16:42lot of pressure on my right arm that's
16:44it see this I believe I'm holding myself
16:48back with my left yeah now we get a bit
16:53to
16:54reality now open your eyes again what do
16:57you see
17:00what do you
17:05hear second can't come all the way
17:10out okay thank
17:12you next
17:15couple it's unbelievable how people live
17:19together how little communication there
17:21is between them want to get to
17:26the West what called breast Tech uh
17:32level to the real
17:36level I'm aware of um what's your name
17:40an
17:44an I'm aware of my heart
17:50pounding and that I'm I'm aware of sort
17:54of sitting in this chair very
17:57um sort of
18:00solidly back in the
18:03chair with my arms kind of pro on each
18:10[Applause]
18:18side and I'm aware of
18:22you looking
18:26very uh intently
18:29into my
18:34eyes and breathing um more quickly or at
18:40least I'm aware of your
18:51breathing my heart is
18:56thumping and I'm leaning a little bit on
18:58my left
19:02arm another thing uh I seem totally to
19:07be settling settling
19:12down coming coming to Center
19:21you all right see
19:27you
19:29I
19:30see your face is
19:37being
19:39soft but a bit
19:42tense I I see your your your right
19:45shoulder just very
19:51slightly slightly
19:53tense are you aware of what your eyes
19:55are
19:57doing
19:59they're they're wandering
20:04around what are you voiding when you
20:06look at
20:10to
20:13I'm I'm trying to find myself right now
20:16I
20:19think and I'm not prepared to deal with
20:23what's out there until I come back here
20:25very good close your eyes
20:29and
20:30withdraw this is a very good example
20:33he's not ready to
20:35cope so here it needs more time
20:38for withdrawing into himself and get
20:42support from
20:49within what do we
20:53experience I experience a need really to
20:56readjust my position now and to to come
20:59right down the center just son
21:02[Applause]
21:04of come back to
21:08um take your time when you're ready to
21:11come back come
21:20back I'm experiencing some tension in my
21:23knees
21:25now my legs are shaking a bit
21:36[Applause]
21:37now let's integrate these two
21:42things tell her of your inner
21:50experiences I'm feeling a
21:52bit trembling now I'm feeling a bit
21:57uncertain
22:00nervous um
22:06[Applause]
22:13Twitchy that's changing now I'm I'm
22:16seeing you now ah you noticed what
22:20happened from the conceptual from the
22:25intentional to the attention to using
22:29this experience as a means of
22:35communication now he doesn't hide his
22:38trembling anymore he gives it to her and
22:42as soon you express yourself
22:46genuinely all discomfort disappears or
22:50if you feel uncomfortable you can be
22:52sure that you're not in honest
22:57communication
23:01okay thank
23:08you

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