Falsetto vs. Head Voice Explained | What's the Difference? — Transcript
Full transcript
- 0:01[singing]
- 0:12Is that falsetto or head voice? Most
- 0:14singers use these terms interchangeably,
- 0:16but they're actually not the same thing.
- 0:18When I was learning to sing, anything
- 0:19higher than my full voice would have
- 0:21been called falsetto. But if we go back
- 0:22to the origin of the word falsetto, it
- 0:24literally means false. What's false
- 0:26about it isn't the pitch, but the
- 0:28phonatory pattern. The way the vocal
- 0:30folds are vibrating in relationship to
- 0:32the airflow. In falsetto, the vocal
- 0:34folds stay relatively loose with little
- 0:36resistance and don't come together
- 0:38completely. Air leaks through the sound
- 0:40which [music] creates that breathy
- 0:41quality.
- 0:44Because the vocal folds aren't fully
- 0:46resisting [music] the air flow, falsetto
- 0:48comes with some limitations. It's harder
- 0:49to build dynamic contrast. It's harder
- 0:51to build strength. And you can't
- 0:53smoothly transition into other parts of
- 0:55your voice.
- 0:58Now let's compare that to head voice.
- 1:05>> In head voice, the vocal folds come
- 1:07together more completely, providing more
- 1:09resistance to the airflow. The sound is
- 1:11still high, but it's more connected,
- 1:13more stable, and more efficient. One way
- 1:15to find that coordination is to add a
- 1:17gentle cry sound to the voice.
- 1:21That little cry encourages the vocal
- 1:23folds to come together in a more
- 1:25balanced way.
- 1:27>> [singing]
- 1:30>> Now I can stay on that pitch with much
- 1:32more stability, flexibility, and
- 1:34control. Falsetto can be a beautiful
- 1:36[music] stylistic choice. But if your
- 1:37goal is to build strength, consistency,
- 1:39and range, make sure you're also
- 1:41learning how to sing in the head [music]
- 1:42voice coordination.
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