EXPLORÉ LA ESCUELA MÁS ANTIGUA DEL PAÍS FT LEYENDAS LEGENDARIAS — Transcript
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- 0:00Today we are going to explore the most
- 0:02haunted school in Mexico, literally
- 0:03built on top of a cemetery. Yes, I know
- 0:06everyone says everything is on top of
- 0:07cemeteries, but this school is truly
- 0:09built on top of one. Under these
- 0:11foundations there are literally bones,
- 0:13tunnels that lead to danger, and
- 0:15prominent stories of five ghosts that
- 0:17the teachers themselves claim to have
- 0:19seen.
- 0:21>> They have taken photos during events
- 0:23and such, and you can manage to
- 0:24perceive some kind of silhouette.
- 0:27>> But I'm not coming alone for this
- 0:28exploration. I present to you today's
- 0:30ghost hunters.
- 0:31>> They are the legendary legends Badía,
- 0:33Lolo, and Bor. They have spent years
- 0:35telling stories of crimes, mysteries,
- 0:37and disturbing cases. And today they
- 0:38will be my partners to investigate the
- 0:40secrets that this school hides. The
- 0:46first story is about the girl who fell
- 0:48into the vat of plaster. While this
- 0:51school was being built in the late 30s,
- 0:53a little girl was playing near the
- 0:54construction site. At some point she
- 0:56fell inside a vat full of liquid
- 0:58plaster. No one heard her. By the time
- 0:59they noticed she was missing, it was
- 1:01too late; she had drowned. They say
- 1:04that when the hallways are empty and
- 1:05silent, some students and teachers have
- 1:07heard childish wails and even feel a
- 1:08small hand tugging at their clothes, as
- 1:10if the girl were still looking for
- 1:11someone to pull her out of there.
- 1:13>> It's a little girl statue.
- 1:14>> Ivory statues. It's not
- 1:17>> not that expensive, but yeah. The
- 1:18student who threw herself from the
- 1:20third floor. It is said that a teacher
- 1:21punished a student by leaving her
- 1:22standing in the hallway. The teacher,
- 1:24distracted by her other
- 1:25responsibilities, simply forgot about
- 1:27her. Meanwhile, the girl waited and
- 1:29waited. At some point, overwhelmed by
- 1:30humiliation, fear, or loneliness, she
- 1:32went up to the third floor and into the
- 1:34void. Current witnesses speak of a
- 1:36presence on the stairs and the
- 1:37third-floor railings. A shadow that
- 1:39peeks out, footsteps that go up but
- 1:41never come down.
- 1:42>> A tragedy for her and the family
- 1:43because the other children got a day
- 1:44off. Surely
- 1:47>> it probably wasn't therapy, because in
- 1:48that era that didn't exist. So,
- 1:50>> no, nobody had trauma back then.
- 1:52>> No, no.
- 1:53>> The girl from the bathrooms. When there
- 1:54were still bone remains in the
- 1:56courtyard of this school, there was
- 1:57also a road where cars passed by. One
- 1:59day, in a moment of carelessness, a 7-
- 2:02year-old girl was hit here next to the
- 2:04school. And the story goes that a girl
- 2:07unfortunately crossed the street
- 2:09without looking and a vehicle was
- 2:11coming, it hits her, and well,
- 2:13unfortunately she dies. As a result of
- 2:16that, it is said that the girl's spirit
- 2:18has remained here in the hallways of
- 2:20our school.
- 2:22>> We have the one who jumped,
- 2:23>> we have the one in a cast, and we have
- 2:25the accident victim who appears in the
- 2:26restrooms.
- 2:27>> Yes, this used to be a street.
- 2:28>> They weren't careful near the cemetery
- 2:30>> and she was run over there.
- 2:31>> Exactly.
- 2:32>> I did know that one. The other two, no.
- 2:33The principal who chats with you
- 2:35without knowing she is already dead.
- 2:37This is the story of the spirit of a
- 2:38deceased former principal who
- 2:40frequently appears in this place. She
- 2:42dresses like a normal person, walks the
- 2:44halls, and even holds conversations
- 2:46with staff or visitors.
- 2:47>> An interviewer from INEGI arrived here
- 2:49at the school and was collecting data.
- 2:52He went into a classroom, talked to the
- 2:54teacher, she gave him her information,
- 2:56but she lacked her voter ID. He goes
- 2:58down to the office, asks for the
- 3:00teacher, "You know what?""I just went
- 3:01into such-and-such classroom, I've been
- 3:03waiting a long time for the teacher to
- 3:05return because her ID was pending and
- 3:07she hasn't brought it to me." Then,
- 3:09they asked him which classroom he had
- 3:11been in, and that room was closed and
- 3:13out of use. In our office, we have a
- 3:15gallery of photos. So the person points
- 3:18exactly to which teacher it was, and
- 3:19everyone was surprised since the
- 3:21teacher had passed away a long time ago
- 3:23, so it was impossible for him to have
- 3:25spoken with her. However, he is
- 3:27surprised, I mean, he gets scared, and
- 3:29he didn't even come back to finish any
- 3:31of that. The supervisor came back
- 3:33instead because he didn't want to know
- 3:35anything more about the subject.
- 3:36>> I mean, being a girl at this school is
- 3:37a terrible idea.
- 3:38>> Yeah, man. I mean,
- 3:39>> being a girl in this world.
- 3:41>> Oh, yeah, true.
- 3:43>> Sad.
- 3:44>> Yes, very sad. Today we are going to
- 3:46perform several rituals to try to
- 3:48communicate with any of those five
- 3:49spirits that inhabit this place.
- 3:51>> Yes. Bring it.
- 3:53>> How about later? I feel like Borre is
- 3:55very excited.
- 3:55>> Yeah, right? Ooh,
- 3:57>> I see you're very excited.
- 3:58>> Borre's secret is that he does get
- 4:00scared, but he doesn't back down.
- 4:01>> In each of the rituals, we will
- 4:03surround ourselves with motion and
- 4:04energy detectors to identify where they
- 4:06are coming from. We can see that the
- 4:08foundations of this school look very
- 4:10old.
- 4:11>> Now, there is something very
- 4:12interesting about this school. The
- 4:13stairs, the floor, everything below is
- 4:15granite. Granite is known for absorbing
- 4:18energy frequencies like quartz. So,
- 4:20that could explain part of the
- 4:22phenomena.
- 4:22>> Mm. It absorbs all the children's
- 4:24energy and releases it at certain hours
- 4:26. That’s why they say there were lots
- 4:27of kids running around screaming. It
- 4:28doesn’t mean it’s full of ghost
- 4:30children, but it could be that it
- 4:31suddenly releases energy like quartz in
- 4:33a watch that marks the seconds.
- 4:34>> Wow.
- 4:35>> And then look, it looks like a demon
- 4:37there, doesn't it? Back there.
- 4:39>> Yeah.
- 4:40>> Dude, looks like a bat right there.
- 4:43>> The saddest part is that it isn’t
- 4:45abandoned, man. They have classes.
- 4:47>> Sure. For real. The saddest thing, just
- 4:50like Borre says, is that this school is
- 4:52still operating.
- 4:53>> Yeah, with the money that the parents
- 4:55and the principal put in; I mean, it's
- 4:57not even state-funded,
- 4:58>> they've forgotten about it. So, they
- 5:00are the ones maintaining it. Imagine,
- 5:01this should be a heritage site.
- 5:03>> Yeah, it has so much history, so much
- 5:06culture. Maybe
- 5:08>> the wall is all original.
- 5:09>> Well, you can tell. Holy cow. What?
- 5:13>> From 1939.
- 5:15>> What? Those are the students from 1939
- 5:17to 2000. Hey, those guys took forever
- 5:20to graduate.
- 5:22>> It’s just that the first one is the
- 5:23hardest.
- 5:24>> They teach Latin and Hebrew here.
- 5:27>> This is the library,
- 5:29>> Borre’s favorite place. If you heard
- 5:32that, you heard wrong.
- 5:34>> Maybe it was just a...
- 5:37>> that you run and don't look back,
- 5:38that's just part of paranormal
- 5:40investigations. I don’t know if
- 5:41it’s rude to let someone go first or
- 5:43the other way around. So, you go deal
- 5:45with the ghosts first. Well, the truth
- 5:46is, I always go in first. Wow,
- 5:49>> the theater is beautiful.
- 5:51>> No way. This really should be a
- 5:53national heritage site.
- 5:54>> And it’s on the second floor,
- 5:55>> bro. This is incredible. I mean, I love
- 6:01that they keep maintaining the
- 6:03structure and have preserved it as much
- 6:05as they could, I imagine, because you
- 6:07can clearly see the deterioration
- 6:09>> and look at all the ceilings, all the
- 6:11Art Deco architecture from the 30s,
- 6:13just like you see many of the buildings
- 6:15in downtown Los Angeles and all that
- 6:17are Art Deco, this building is too.
- 6:19This is where they took the photo where
- 6:21you could see the girl with a hood, and
- 6:23the principal told us there was a
- 6:24curtain when we arrived. There was a
- 6:26curtain
- 6:27>> and it was empty, and someone walked by
- 6:29moving the curtain from behind. This is
- 6:33the first place we are entering, and it
- 6:35seems wonderful, beautiful, exquisite,
- 6:38divine to me. It’s a good place to do
- 6:41our first invocation, which will be the
- 6:44Red Book.
- 6:45>> The Red Book. You place the book on
- 6:47your hand and put your palm on top of
- 6:49it. With your eyes closed, you ask out
- 6:51loud.
- 6:51>> Red Book.
- 6:53>> I want to play. Without opening your
- 6:55eyes, you open the book to a random
- 6:57page and point to any spot with your
- 6:58index finger. When you open your eyes,
- 7:01you must read aloud from where your
- 7:03finger is to the first period you find,
- 7:05and that is your answer. You are the
- 7:08one touching the device.
- 7:14>> After one of these silent prayers, the
- 7:16disciple in semi-ecstasy saw standing
- 7:18beside him, like a vision risen from
- 7:20the earth, the hierophant wrapped in
- 7:22the warm glow of the sunset.
- 7:24>> We are looking for more of a yes or a
- 7:25no, but okay.
- 7:29>> A bohemian ghost.
- 7:30>> Quite the pretentious ghost. Well, it
- 7:34basically says that in silence
- 7:36something is found, right?
- 7:38>> It says he was standing beside his
- 7:40hierophant. Uh-huh. It is curious that
- 7:42the phrase that came out is about
- 7:43standing to the side.
- 7:44>> Exactly.
- 7:45>> Okay.
- 7:46>> Okay.
- 7:47>> Are you angry with us or are you
- 7:49welcoming us? Good.
- 7:51>> Welcome.
- 7:54>> The Eleusinian mysteries were an object
- 7:56of special veneration in Greek and
- 7:58Latin antiquity. The same authors who
- 8:00ridiculed mythological fables did not
- 8:01dare to touch the cult of the great
- 8:03goddesses. So we are great goddesses to
- 8:05him and he is venerating us. No, "
- 8:08object of special veneration" was
- 8:09literally what your finger touched. You
- 8:12can hear voices, right?
- 8:13>> Yes, it sounds like,
- 8:14>> I don't know if, oh man, it's the ghost
- 8:16>> train or not, I don't know, but it is a
- 8:18train. Yes,
- 8:19>> yes, it's the echo, but it is hearing,
- 8:21>> but how convenient, right? That the
- 8:23train sounded right now
- 8:25>> and that we are reading, right? In a
- 8:26school. Let's see if that kind of
- 8:27brings out the teachers. Do you think
- 8:28it's a student or a teacher?
- 8:30>> Ask it.
- 8:31>> Go ahead. Who are you?
- 8:35>> Do you want to become a pontiff of
- 8:37Amun-Ra? I just put Amun-Ra and prophet
- 8:40of Egypt. Shh, I loved that sound. No,
- 8:44but to know what is in these books.
- 8:47>> Teacher, dude. It sounds totally like
- 8:49it. Teacher.
- 8:50>> Yes, teacher. No, because it wants to
- 8:52make you a disciple and it is showing
- 8:53you what is in these books. Okay.
- 8:55Teacher. M
- 8:56>> I missed the train, teacher. to study.
- 8:58>> It literally just left.
- 9:04>> Do you like being here? Ardent,
- 9:08impressive, which made him return
- 9:09suddenly from the most sublime heights
- 9:11to the sufferings of the earth that he
- 9:12felt as his own. He shed tears over
- 9:15Jerusalem. So, no.
- 9:18>> Over the holy city and over his people,
- 9:20whose dreadful destiny he sensed. I
- 9:22don't think he's having a great time.
- 9:25Like, I'm in my quarters, but honestly,
- 9:27having to come down really annoys me.
- 9:28We understand you. We all like going to
- 9:31school.
- 9:31>> No, but teacher, man.
- 9:33>> Oh, how weird. That's why she has to
- 9:35like it.
- 9:35>> Good point.
- 9:36>> Where should we go
- 9:37>> to find things? Uh-huh. to find more
- 9:40things.
- 9:41>> Where can we have more physical contact
- 9:42with you? And if you're here, touch the
- 9:45sensor again.
- 9:47>> On that hot and splendid night, the son
- 9:49of Partenis looked alternately at the
- 9:50earth, the temple, and the starry sky.
- 9:53There is a roof there
- 9:55>> and it's hot,
- 9:56>> man. It’s literally a hot night. I
- 9:59interpret it as her being everywhere.
- 10:01>> Okay.
- 10:02>> And that little light.
- 10:03>> It's the reflection of the light from
- 10:04over here. In all this time we haven't
- 10:11stopped hearing little voices coming
- 10:12from over there,
- 10:14>> from over there in the hallways.
- 10:15>> Yes, it could be our echo, but
- 10:18>> Oh. Hello. Is someone walking around
- 10:28there? Any teacher? Any girl? Well, I
- 10:34think we've moved things a little bit.
- 10:37We literally asked where we could find
- 10:39you and it said that on this hot night
- 10:41we can basically find her everywhere or
- 10:43under the stars. But if, I mean, there
- 10:46is a rooftop we can go up to
- 10:47>> and also the library balcony is there.
- 10:50>> There is an internal courtyard where
- 10:51you can see the stars.
- 10:52>> Well, I keep hearing footsteps outside,
- 10:54man.
- 10:57>> Could it be the echo of what Santiaga
- 10:59is doing?
- 11:00>> I don't know. But we can't leave
- 11:05without closing whatever we opened with
- 11:07the red book, guys.
- 11:09>> So we are going to place our hand on it
- 11:11again and tell it, "
- 11:13>> Red book, I'm leaving now. Let's close
- 11:16and stop playing. Can be fine. Love you
- 11:19."
- 11:19>> Thank you. Oh, damn man. This classroom
- 11:25transports you 1,000 years back; I mean
- 11:27, the wooden floor, the desks, it's the
- 11:29original floor; I mean, look, it's so
- 11:31worn that the staples are coming out.
- 11:34And look, it’s not as hot as the city
- 11:36was because it's high up and
- 11:38>> yes, that little group in the back is
- 11:39separating from me.
- 11:40>> It’s just look, there are little
- 11:41figures over there. There is a dinosaur
- 11:42, a lion, an elephant, and a lion.
- 11:45>> Very good, Mario.
- 11:46>> Let's see, we have to sit there. Film
- 11:48us. We have to sit down. Sit down like
- 11:50students.
- 11:50>> President,
- 11:52>> Teacher Borre, you didn't give me back.
- 11:54>> Teacher Borre, you didn't give me back
- 11:55my eraser. There is your book eraser.
- 11:59>> Okay. We are going to try to see if we
- 12:01can literally manage to get the
- 12:03attention of the teacher or the
- 12:05principal by acting like students
- 12:08>> of this school.
- 12:09>> Yes. While this classroom, classroom,
- 12:13sorry, activates, we are going to leave
- 12:15these REM pods. Look,
- 12:18>> in its little pink case.
- 12:21>> How pretty.
- 12:24>> What I really like about REM pods is
- 12:26that basically the only thing that can
- 12:28break the electromagnetic field is
- 12:30something solid, not light, not
- 12:31Bluetooth. So,
- 12:33>> so when they go off
- 12:35>> it's because something more voluminous,
- 12:37matter, is getting close to it. It’s
- 12:39fascinating. And if you have a Theremin
- 12:41, you can use it as a REM pod, leave it
- 12:43in a room, turn it on, and if it starts
- 12:45playing, it’s hard to explain.
- 12:46>> Okay. We’re going to leave this pink
- 12:49REM pod on the teacher's desk. And this
- 12:53one, as you can see,
- 12:53>> did you hear that?
- 12:54>> Yes,
- 12:55>> it was from the back. Yes,
- 12:59>> yes, did you see?
- 13:01>> It was this dude. No,
- 13:02>> no,
- 13:03>> it wasn't that one. Because
- 13:05>> this one sounds like this and the other
- 13:07one sounds.
- 13:09>> They sound different. And meanwhile, we
- 13:11are also going to use the Spirit Box to
- 13:13see if we can manage to hear some
- 13:15teacher or some student or some girl
- 13:17who wants to manifest herself and at
- 13:19the same time if there is anything here
- 13:22that wants to contact us please touch
- 13:24these sound machines.
- 13:27>> You ask her.
- 13:29>> Are you a child?
- 13:31>> Hello, it said.
- 13:33>> Hello. Are you a child?
- 13:36>> No,
- 13:37>> no,
- 13:37>> were you punished here or what? Are you
- 13:45trapped? Are you the girl who fell in
- 13:50the quarry? Are you the girl who was
- 13:55run over?
- 13:58>> Yes.
- 13:59>> Yes.
- 14:02>> Do you remember the plates? Don't be
- 14:08afraid, go rest now.
- 14:13>> Here goes Dia, left a very clear
- 14:15message in which today, September 1st,
- 14:172026, she is asking, "Hello, touch the
- 14:19chalk," and the chalk is literally on
- 14:21the pink REM pod
- 14:23>> which won't do anything to the REM pod.
- 14:26>> You already saw that the last time they
- 14:28were here was in 2024 according to the
- 14:30chalkboard.
- 14:31>> Yes,
- 14:32>> listen, listen, listen, listen. 2024
- 14:38was the last time they were here. There
- 14:41is the chalk. There is today's homework
- 14:43. Touch the chalk.
- 14:44>> That was curious.
- 14:45>> Yes, yes, yes. You can see us, you can
- 14:51hear us,
- 14:54>> you can touch the chalk. Curious,
- 14:57curious. Yes, we can see that they
- 15:00touched it back there and those things
- 15:02are very sensitive to when things get
- 15:04close. So, for now they don't want to
- 15:07keep talking to us, they've gotten very
- 15:09quiet, but there is still a lot of
- 15:11school left to explore.
- 15:12>> Yes, but that part was fascinating
- 15:14because we really can't explain it,
- 15:17>> but twice there was a very interesting
- 15:19anomaly there.
- 15:20>> Let's go, it seems they didn't want to
- 15:22grab any chalk. The mirror and the
- 15:23staircase. Place a mirror in front of
- 15:25the stairs and take a lit candle. While
- 15:27looking at yourself in it, you have to
- 15:29climb each step saying,
- 15:30>> Who is there?
- 15:32>> If the game works, you will see a
- 15:33figure behind you in the mirror.
- 15:35>> Who is there?
- 15:36>> Do you not see anything yet?
- 15:38>> No, I don't see anything.
- 15:39>> Don't you look blurry? Isn't your face
- 15:41distorting? Do you not see anything?
- 15:43>> No, actually I can't see my face there
- 15:44anymore, but yeah. And my legs still
- 15:48look the same, but I didn't perceive
- 15:50anything different in the mirror, nor
- 15:52did I feel anything.
- 15:54>> Juarez is famous for having tunnels,
- 15:56tunnels that connect
- 15:58>> a lot, especially throughout this area.
- 15:59Well, from the beginning there were,
- 16:01for example, the revolutionaries and
- 16:02all that. I knew an acquaintance of
- 16:04mine whose grandmother's floor
- 16:05collapsed in the center and they found
- 16:07a car from like the 30s,
- 16:08>> no way, that
- 16:09>> they had buried. Then the Chinese, all
- 16:10the borders, they're full of Chinese
- 16:12people. The best Chinese food you'll
- 16:13ever taste is at the borders, Mexicali,
- 16:15Tijuana, and Juarez. Because the
- 16:16Chinese finished the east-west railroad
- 16:18with the gringos and the gringos kicked
- 16:20them out. So many Chinese who stayed
- 16:22made tunnels to the borders to bring in
- 16:24their people and relatives. In El Paso
- 16:25there's a place called the Turtle House
- 16:27. It's a very big turtle outside. It
- 16:29was like the symbol to know that it was
- 16:31a shelter and the tunnels reached here
- 16:32to Juarez, and the whole center is
- 16:34known to be full of tunnels between the
- 16:36basements because there was also a lot
- 16:37of alcohol, Al Capone came here. They
- 16:40made three whiskeys here in Juarez, one
- 16:41of them bourbon, the only bourbon
- 16:42outside of Kentucky and it belonged to
- 16:44Al Capone during Prohibition. It was
- 16:46made here and then sent illegally
- 16:47through tunnels. All the tunnels. It
- 16:49started illegally with people, then
- 16:52with whiskey and eventually
- 16:54>> and still with people. The smugglers
- 16:56still use them.
- 16:57>> Like that. Sure.
- 16:57>> And now it's more of that. The first
- 16:59time I ended up in the slammer there
- 17:00was a kid and the kid told me, "Why are
- 17:02you here?" And I said, "Oh, I broke
- 17:03some windows.""And you?" He was
- 17:05crossing people to the other side, but
- 17:06he was an 8-year-old kid. A little
- 17:08smuggler. Uh-huh. That's right.
- 17:09>> Well, yes.
- 17:10>> And then my mom came for me on Mother's
- 17:12Day at the police station. It's a true
- 17:14story.
- 17:15>> Yes,
- 17:16>> you were in the slammer, right?
- 17:17>> On Mother's Day. Well, they just took
- 17:19me to the station, they didn't lock me
- 17:20up. I was a minor.
- 17:21>> It
- 17:22>> I was there three times.
- 17:24>> Okay.
- 17:25>> In different others.
- 17:25>> Stay because later you will know the
- 17:27other two, but you have to stay for the
- 17:29whole thing.
- 17:29>> Surely that's why he's very good at
- 17:31confessing. Like and subscribe or we
- 17:32won't tell you them.
- 17:33>> Yes.
- 17:34>> Killed the bastards who were being
- 17:35curious at a school.
- 17:38>> What?
- 17:39>> The hourglass. For this ritual, we
- 17:41obviously need an hourglass and a
- 17:43candle. Stand in front of it and you
- 17:45have to say, "
- 17:46>> Stop time and come to me."
- 17:47>> And from that moment on, you must focus
- 17:50on the falling sand saying, "
- 17:51>> When time runs out, open the door."
- 17:55>> Before the sand finishes falling, you
- 17:57will hear footsteps, murmurs, or soft
- 17:59knocks in the room.
- 18:00>> Besides, it's super weird to think that
- 18:02something is going to happen because
- 18:04there's a tiger, a Piglet, a Pooh.
- 18:06>> To finish you must say, "Time flows
- 18:08again, the door closes." Time flows
- 18:10again, the door closes, we are
- 18:16literally in the school courtyard area.
- 18:19As you can see, this doubles over there
- 18:21, it's genuinely very, very large and
- 18:23it has me very surprised how they have
- 18:25maintained it for so many years. Love
- 18:27for the art literally, love for
- 18:29teaching and educating
- 18:31>> educating because it's also a downtown
- 18:33area, right? So downtown areas
- 18:35generally have a lower socioeconomic
- 18:36level and these schools are indeed the
- 18:38only thing many of the children have
- 18:41>> and you notice the lack of books, I
- 18:42mean, in schools they already ask for
- 18:44iPads, here there aren't even windows
- 18:45in some classrooms. Here is the
- 18:47basement, do you see it?
- 18:49>> Yes.
- 18:50>> From hospital to school and from school
- 18:52to tunnels and clandestine basements to
- 18:55transport things. Holy crap, man. No,
- 19:03dude. And there are little red hands
- 19:05over here, dude. I mean, I feel like
- 19:06the hands are showing us a path, dude.
- 19:08Ah,
- 19:09>> damn.
- 19:10>> Have you seen them, there are red hands
- 19:11>> at Halloween. They make a haunted house
- 19:13here in this part
- 19:13>> to raise money for supplies and
- 19:16everything.
- 19:17>> Oh man, it was awesome, dude. Guys, we
- 19:21have to buy it.
- 19:23>> Hey, but this school is super well
- 19:24equipped, it has showers. Cloth
- 19:26everywhere. I was never in a school
- 19:28with showers.
- 19:28>> Okay, this part is actually creepy.
- 19:30Dude, are you afraid of cockroaches?
- 19:32>> They don't scare me, it falls on me
- 19:33without looking.
- 19:35>> Get out of here, man. This place is
- 19:37splendid. Watch out for the spider.
- 19:39Watch out for the spider.
- 19:42>> When you guys came, did you come in
- 19:44here for
- 19:45>> it wasn't closed.
- 19:46>> It's way cooler. No.
- 19:49>> You know what this area reminds me of.
- 19:51Have you guys ever been to the Posada
- 19:53del Sol hotel or heard about it? Yeah,
- 19:56I was going to go in and just as we
- 19:57were about to enter, they closed it to
- 19:59the public,
- 20:00>> enter, no way,
- 20:00>> because they were going to remodel it
- 20:02or something.
- 20:03>> It's a great experience and it really
- 20:05reminds me of the area here where they
- 20:07kept, like, the students; did you know
- 20:09that at that hotel, during the era of
- 20:12Durán, sorry, El Negro Durazo, he
- 20:14would take students and many of their
- 20:16bodies were put inside the walls.
- 20:19>> Oh, they were walled in.
- 20:20>> Uh-huh.
- 20:21>> A student sandwich.
- 20:22>> Yeah.
- 20:23>> This goes all the way to the top. I
- 20:24think it was for throwing trash or
- 20:27laundry down. In one of the offices I
- 20:30saw one of those laundry chutes,
- 20:32remember?
- 20:33>> Laundry chute.
- 20:34>> Laundry chute.
- 20:35>> I don't know if it connects to this. If
- 20:37it does, it also makes it super modern
- 20:38in the 30s to already have
- 20:40>> a laundry room, for starters. And also.
- 20:44>> Oh, a ton of cockroaches. Oh, beetles,
- 20:48dude.
- 20:48>> Where? Where? Where? When there's an
- 20:50accumulation of cockroaches, they say
- 20:52it's because something there is rotten
- 20:53or there is evil energy.
- 20:54>> Oh, wow.
- 20:55>> Oh, damn.
- 20:56>> It's the one from the ceiling. Look.
- 20:58>> And this one here, uh, right up here is
- 21:00the one for, like, dropping off the
- 21:02laundry.
- 21:03>> Ah, okay. Okay. So, this was like the
- 21:06laundry area,
- 21:07>> probably a school with a laundry room,
- 21:10that's normal,
- 21:11>> right? But it was a hospital before,
- 21:13right?
- 21:13>> Ah, well then, yeah.
- 21:15>> Yes. How interesting, it's literally a
- 21:17structure because look, it even has
- 21:18light fixtures.
- 21:20>> Yes, yes. This looked like it was
- 21:22inhabited,
- 21:23>> but, oh, what I find surprising is how
- 21:25this whole area looks as if at some
- 21:27point they wanted to hide it.
- 21:29>> I find it strange that the entrance is
- 21:30through the
- 21:31>> through the bathroom with the broken
- 21:33wall.
- 21:33>> I don't know if there was. That's what
- 21:35I was wondering. Is there another
- 21:36entrance over here?
- 21:37>> If there's a more professional entrance
- 21:38.
- 21:38>> There must be a main entrance. But why
- 21:40did they close off this whole area?
- 21:42>> Eh,
- 21:43>> what were they trying to hide? That's a
- 21:47good question. I have no idea. It's
- 21:48just, I don't know if you noticed, but
- 21:50it's full of huge holes. The strange
- 21:52thing is that look, there's another one
- 21:54here.
- 21:54>> Look, these are hospital beds, dude.
- 21:57>> Oh, in one of the rooms that was also
- 21:58closed there were a lot of these
- 22:00>> hospital beds.
- 22:01>> Mattresses.
- 22:02>> Little mattresses.
- 22:03>> Look, they break them and then they
- 22:05make us. I don't know if they're
- 22:06looking for something,
- 22:07>> dude. Exactly,
- 22:09>> there's another one here. Look,
- 22:10>> well, it could have been revolutionary
- 22:12stuff, often they say they used to hide
- 22:13gold and that's it.
- 22:15>> Yeah, I'm thinking maybe they think
- 22:17that behind some—Right now at the
- 22:19entrance you didn't see much bigger
- 22:20ones, but they always stop at a certain
- 22:22distance, but I think that hole was
- 22:24already there, but look, they broke the
- 22:26wall and dug
- 22:28>> and it's like they found something. Uh,
- 22:29>> maybe they're stopping, or they got
- 22:31bored, or they didn't find anything,
- 22:33but they all have more or less the same
- 22:34. Oh, look, this is another one of the
- 22:36holes that go all the way up. It must
- 22:37be for ventilation too, right? But this
- 22:39is weird because the basement is full
- 22:41of holes. Like that.
- 22:43>> Precisely these types of properties,
- 22:45what we know is that they're used to
- 22:47hide treasures inside them, and many
- 22:49people who have this knowledge come and
- 22:51start, well, opening them; and we've
- 22:53found many holes, just like Badía says
- 22:55, but this one makes me think they have
- 22:57found things, because otherwise, they
- 22:59wouldn't keep digging, don't you think?
- 23:03Besides, it's a very restricted area,
- 23:04like really, no one can pass because on
- 23:06this side here, I mean, here is the
- 23:08wall we just hit, where the giant
- 23:09spider is, and then here it doesn't
- 23:11look like there's anything else behind.
- 23:13>> And besides, in that era they also did
- 23:15that thing of impaling or what is it
- 23:17called when
- 23:18>> walling up
- 23:19>> walling up people inside the walls so
- 23:21they wouldn't be found and there would
- 23:24be no evidence they got rid of them.
- 23:28>> It moves away, it turns on above. Holy
- 23:34crap,
- 23:35>> something was seen, it just turned on.
- 23:38>> It took a while to turn on,
- 23:48>> dude. There's movement.
- 23:50>> Yes, dude. Under the table
- 23:51>> there's movement. Under the table. Okay
- 23:55, okay, that was epic. You go in.
- 24:04>> That was three.
- 24:06>> That's three now. We're far away.
- 24:10>> Yes. No, there's no way it's us
- 24:12interfering with the
- 24:13>> No, no.
- 24:15>> It keeps moving and we're going to
- 24:22start with this famous method. Okay,
- 24:25how brave. Okay, he's going over there
- 24:28into the dark. We're going to throw out
- 24:30uh the questions. We won't hear him,
- 24:32but let's see if any of our questions
- 24:34are answered with what is
- 24:36>> Can you hear me?
- 24:37>> Yes,
- 24:38>> tell me when I start shouting things.
- 24:40>> Oh, okay. Yes, we'll hear him. Yes,
- 24:42>> already,
- 24:43>> already.
- 24:44>> Select,
- 24:45>> select.
- 24:47>> They chose him for something
- 24:48>> today. Today,
- 24:49>> today is a select day. There has been a
- 24:51lot of talk that tonight is a special
- 24:53night. that we should go to sleep now,
- 24:55he says. He's sleepy. Yes, I'm tired,
- 24:58but I want to see something.
- 24:59>> The other day.
- 25:01>> The other day you are the girl who got
- 25:02plastered.
- 25:04>> Explain it. Explain yourself.
- 25:06>> Well, a girl fell into a tub of plaster
- 25:08and came out covered in it and died.
- 25:11>> She didn't come out.
- 25:12>> She didn't come out. Sorry.
- 25:13>> Talk.
- 25:14>> Talk.
- 25:14>> I am talking. Well, what else can I
- 25:16tell you? Um, are you teacher Tomasa?
- 25:18Are you one of the spirits of the
- 25:20>> Tiembo, ti amo, ti amo.
- 25:24>> What happened?
- 25:25>> Are you okay?
- 25:26>> Go in
- 25:27>> just alone
- 25:28>> is someone smoking?
- 25:29>> Yes.
- 25:30>> Oh, no. He started to feel really weird
- 25:34in there.
- 25:35>> Why? What happened?
- 25:36>> Eh, I started getting chills. Wait for
- 25:39me. It smells like a cigarette and I
- 25:41didn't know someone was there, but that
- 25:42was the first thing. That's the least
- 25:43of it. I started to feel like that. Go
- 25:46in there again. again.
- 25:47>> And then it made a sound, dude, when
- 25:48you left.
- 25:48>> Yes, as soon as you left. Wait, wait.
- 25:50And that started making a lot of noise.
- 25:52Yes, yes, yes, yes. Yes. I started
- 25:54getting like chills all over my body,
- 25:55it's wild. Uh. It feels really weird in
- 25:57here, but it's cool. Okay. And here is
- 26:00the tunnel behind me.
- 26:01>> It feels weird in here, but it's cool.
- 26:03Very good.
- 26:04>> Spirits follow the crazy ones, huh?
- 26:06Later when he has a Monabel stuck to
- 26:08him
- 26:09>> he's going to be very happy, honestly.
- 26:10>> Yes, right? He he's going to be the
- 26:12happiest. It's his dream.
- 26:13>> His dream. That they have a Monael.
- 26:14>> I don't think it was bad, honestly. I
- 26:17mean, I feel like it's being playful,
- 26:18right?
- 26:18>> Yes.
- 26:19>> It's just that every time we talk about
- 26:20playing, the hill seems to light up.
- 26:22>> Uh-huh. T out.
- 26:24>> I don't know.
- 26:26>> Him again. But are you are you bad or
- 26:30are you good?
- 26:31>> What? Oh, dude, I got chills too.
- 26:33>> Are you a child?
- 26:34>> Are you a child or an adult or a demon?
- 26:37Honestly.
- 26:38>> What are you?
- 26:41>> It hurts.
- 26:43>> What hurts?
- 26:44>> Are you suffering? You,
- 26:48>> you hurt me.
- 26:49>> You hurt me. You have a red heart.
- 26:51>> I want to be or I want to see you.
- 26:54>> I'm here. Well, here we are.
- 26:56>> Who do you want to see?
- 26:57>> Say the name of one of us
- 26:59>> that we should stay. Okay.
- 27:01>> Who do you want to stay?
- 27:03>> It's reacting a lot
- 27:05>> that thing. As soon as we started, this
- 27:07thing just kept going and going and
- 27:09going.
- 27:09>> Do you want us to leave?
- 27:13>> Yeah.
- 27:14>> Yes. You heard them, they want us to
- 27:17leave, so the hosts are in charge,
- 27:19right? It's time for us to go. Let's
- 27:23tell Badia that he can wrap it up now.
- 27:25I think he likes it over there.
- 27:27>> I don't think they're saying anything
- 27:28to him anymore, huh? It's not even
- 27:29making noise over there.
- 27:34>> But I hope I don't scare him.
- 27:36>> Oh,
- 27:36>> I was coming in slowly just so I
- 27:38wouldn't scare you.
- 27:40>> I was just thinking about how we were
- 27:41going to do this so you wouldn't scare
- 27:43me. And
- 27:44>> look. We asked if we could. No, it
- 27:47hasn't stopped, huh? It hasn't stopped
- 27:48since—yeah, since you've been doing
- 27:49this. It hasn't stopped, I swear. I
- 27:51tried to record behind me too so you
- 27:53can see.
- 27:54>> Oh, damn.
- 27:55>> What happened? What happened? What
- 27:57happened? What happened?
- 27:59>> No, I'm not getting chills.
- 28:00>> It's cold.
- 28:06>> How did it stop?
- 28:12>> Uh-huh. But it got to a point where we
- 28:14asked, we asked if we could leave, and
- 28:16that's when you said, "Yeah."
- 28:18>> Oh. Oh.
- 28:19>> So it's like our batteries are running
- 28:21out of everything now, and that's also
- 28:23very strange. When energy starts to
- 28:26increase, the batteries for everything
- 28:28start to drop.
- 28:29>> They have to get energy from something.
- 28:31Whatever is happening, it needs energy,
- 28:34>> and that thing hasn't stopped going off
- 28:36, and the batteries in all our lights
- 28:38are dead, so I think it's time to head
- 28:40out, guys. Berlin. It was really
- 28:42fascinating. That's good.
- 28:43>> It's really interesting.
- 28:45>> I swear, the whole time you were in
- 28:47there, it went off a bunch of times.
- 28:49It’s rare that it lights up and even
- 28:51rarer that it lasts so long, right? And
- 28:53especially in such an open area where
- 28:55we know perfectly well that nothing
- 28:57>> nothing is interfering with it.
- 29:01>> Well, friends, we hope you really liked
- 29:04this video with my favorite
- 29:05ghostbusters from Leyendas Legendarias
- 29:08for you.
- 29:09>> Leyendas Legendarias. Of course. How
- 29:11was it for you, guys?
- 29:12>> Cool.
- 29:12>> Verdicts. It was weird.
- 29:15>> It’s kind of haunted, right?
- 29:16>> It was weird. We’ve been here before,
- 29:17as everyone knows, and this time things
- 29:18actually happened. Especially with the
- 29:20REM pod, it was very interesting,
- 29:21especially where it happened and how it
- 29:23occurred, and yeah,
- 29:25>> yeah, besides that, I mean, I didn't
- 29:26feel a heavy vibe per se, but there was
- 29:29a lot of interaction.
- 29:30>> Me alone inside this creepy place with
- 29:32the tunnel behind me, to see if
- 29:34anything shows up later in the night
- 29:35vision that I had
- 29:36>> I hope so. But anyway, guys, give it a
- 29:38thumbs up if you liked this little
- 29:40video. Thank you so much, guys, also
- 29:41for your time. Here we are until 2 in
- 29:44the morning recording this video for
- 29:46you. Many
- 29:47>> thanks. And well, friends, here I leave
- 29:49their social media so you can go follow
- 29:51what is, honestly, the best podcast
- 29:52you'll ever hear in your life, ladies
- 29:54and gentlemen. You'll get informed,
- 29:56you'll learn, you'll laugh, you'll uh
- 29:58cry, you'll get angry. Every feeling
- 30:01you can imagine, you'll find it right
- 30:03there with my buddies from Leyendas
- 30:05Legendarias. I am and I'll see you next
- 30:08time. Bye.
- 30:09>> So long.
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