Every Man Deserves a Space Like This — Transcript

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1. 0:00A man generally knows when his home
2. 0:02doesn't fit him. He might not articulate
3. 0:04it, but he feels it. A delicate
4. 0:07disunityity, subtle but persistent. When
5. 0:10a man's home doesn't meet his standards,
6. 0:12it slowly taxes everything else he does.
7. 0:15Remember that a room can respect the man
8. 0:18who lives in it, it can also undermine
9. 0:20him, compromising his values. Today, I'm
10. 0:23going to help you understand and create
11. 0:25a deserving room, one that matches you
12. 0:28in discipline, taste, and trajectory. If
13. 0:31you're a returning subscriber, hit the
14. 0:32thumbs up. If you're new here, hopefully
15. 0:35by the end of this video, you'll be a
16. 0:37subscriber. Remember that if you would
17. 0:39like our help in designing your room,
18. 0:41you can have that help by clicking the
19. 0:43link in the description below. The core
20. 0:46goal is alignment. When a room is
21. 0:49designed with respect for its owner,
22. 0:52something interesting happens. He starts
23. 0:54to maintain it. It's kept orderly. He
24. 0:56spends time there because he wants to.
25. 0:59Not out of obligation, but a returned
26. 1:02fondness. Rooms that feel deserving of
27. 1:05their owners do three things well. The
28. 1:08first is prudence in selection.
29. 1:11Eliminating excessiveness. Nothing feels
30. 1:14accidental. The materials feel chosen
31. 1:17rather than defaulted to. This approach
32. 1:19lowers visual noise, and without that
33. 1:22noise, nothing has to scream for
34. 1:24attention. Give this a try in your room.
35. 1:26Remove one object that only exists
36. 1:29because it was easy to buy, already
37. 1:31there, or had nowhere else to go. Don't
38. 1:33replace it. Don't upgrade it. Just
39. 1:36remove it. If the room feels calmer
40. 1:38instead of emptier, you've just lowered
41. 1:40visual noise. Secondly, the room carries
42. 1:43weight. Genuine materials, honest
43. 1:46finishes, visual gravity. The room feels
44. 1:49anchored and decisive, and that's always
45. 1:51easy to get behind. One way you might do
46. 1:54this is to replace a lightweight or
47. 1:57temporary feeling item with something
48. 1:59more authentic. You could try swapping a
49. 2:02hollow side table for a solid wood one.
50. 2:05Replace a lightweight lamp with one made
51. 2:07of real metal. or move one stable,
52. 2:10difficult to ignore piece into the room.
53. 2:13A solid desk, a reading chair, an
54. 2:15impressive sideboard or cabinet. Before
55. 2:18you buy anything, look around the house.
56. 2:20You may already have something that's
57. 2:22perfect for the task. Finally, character
58. 2:25continuity. This is when the man in the
59. 2:27room feels like the room could only
60. 2:30belong to him. Not a magazine, not a
61. 2:32rental, not a fleeting phase. It feels
62. 2:35as though it has moved through time with
63. 2:37him. And because of that, it feels
64. 2:39familiar. You begin doing this by
65. 2:41removing one or two items in your room
66. 2:43that signal anyone could live here and
67. 2:46replace them with items which only make
68. 2:48sense for you. A book you've read and
69. 2:51constantly return to, an object tied to
70. 2:54a period in your life, a framed
71. 2:56commemoration with personal relevance,
72. 2:58or a tool or instrument connected to
73. 3:01your interests. It wouldn't make sense
74. 3:03in someone else's home, but it makes
75. 3:05sense in yours. When you have all three
76. 3:08of these, now the room begins to respect
77. 3:10you and you'll reciprocate that
78. 3:12admiration. Before you start making
79. 3:14changes, how can you tell if you are in
80. 3:17this state of dissonance? Although
81. 3:19quiet, there will be signs. A reluctance
82. 3:22to invite people over, a sense that the
83. 3:25room is fine but uninspiring. [snorts]
84. 3:27Difficulty focusing or settling into
85. 3:30deep work, constantly thinking that the
86. 3:32space needs something without really
87. 3:34knowing what. feeling more energized
88. 3:36outside the home than inside it. Not
89. 3:39always, but often that points to
90. 3:41friction. One item not fitted to
91. 3:43another, like trying to tighten a lug
92. 3:46nut with a hammer. The two are not meant
93. 3:48for one another. For a person oriented
94. 3:51toward growth, in business, craft,
95. 3:54skill, or self-comand, his environment
96. 3:56can act in one of two ways, and both of
97. 3:59them are equally powerful. It can act in
98. 4:02silent support or subtle sabotage. When
99. 4:05the home doesn't match his internal
100. 4:06compass, it's like watching a tree
101. 4:08resist a bulldozer. The roots will hold
102. 4:11temporarily, but eventually they will
103. 4:13give way. Standards weaken, momentum
104. 4:15waines, discipline feels heavier than it
105. 4:18should. Will a lacking room or home stop
106. 4:20an individual completely from getting
107. 4:22where they want to go or being what they
108. 4:24want to be? No, of course not. But it
109. 4:27won't help either. Can a small paddle
110. 4:30boat make it across a river with a few
111. 4:32pin holes in it? Possibly it would be
112. 4:35smarter to seal the leaks before you
113. 4:37start paddling, though. Let's talk about
114. 4:39shifting a space to match identity.
115. 4:41Before the shopping list, focus on
116. 4:44reframing, changing how you view the
117. 4:46space. Start by identifying a clear use
118. 4:49and make that purpose apparent. Ask
119. 4:51yourself, what is this room meant to
120. 4:53support? What version of me uses it at
121. 4:56his best? What behaviors should feel
122. 4:58natural here? A reading room that
123. 5:00doesn't invite reading has failed its
124. 5:02purpose. Okay, but what about style? How
125. 5:05do I choose the right interior style?
126. 5:08Style is downstream of values. Instead
127. 5:11of asking, what do I like? Ask, do I
128. 5:13value clarity or comfort? Do I want the
129. 5:16room to feel stable or grand? Is this
130. 5:19space meant for retreat, focus, hosting,
131. 5:22or reflection? With those answers,
132. 5:25you're able to express the description
133. 5:27of what you are looking for. When it
134. 5:29comes to choosing the colors that are
135. 5:31going to appear in your room, think
136. 5:33about the intended mood. Deeper tones
137. 5:35support focus and authority. Muted
138. 5:38pallets reduce mental noise. Contrast
139. 5:40exemplifies deliberate decision. Which
140. 5:43of these surroundings would benefit you
141. 5:45most? Next, try including a few better
142. 5:48pieces. Have the objects in your room
143. 5:50earned their place? Are they anchors or
144. 5:53distractions? Do they feel provisional
145. 5:55or permanent? A room that presents
146. 5:57itself as resolute will have pieces that
147. 6:00required commitment. Accents are the
148. 6:03last item, the icing on the cake. Many
149. 6:05make the mistake of trying to form their
150. 6:07room's identity through accents. Art,
151. 6:10lighting, objects, small decor. These
152. 6:13are only added after the identity is
153. 6:16confirmed. They're punctuations to
154. 6:18well-written sentences. You wouldn't
155. 6:20place a question mark or exclamation
156. 6:23point before the beginning of a sentence
157. 6:25that would leave your reader confused.
158. 6:27Only after forming a coherent thought
159. 6:30would you choose the punctuation that's
160. 6:33best suited to the messages purpose.
161. 6:35When a man has the room he deserves, it
162. 6:38doesn't just motivate, it permits. It
163. 6:41permits focus. It permits serenity. It
164. 6:44permits pride. And from that permission,
165. 6:48his output becomes optimal. If you like
166. 6:51the video, hit the thumbs up. If you
167. 6:52feel like sticking around a while, feel
168. 6:54free to subscribe. See you on the next
169. 6:56one.
170. 6:59[music]