Engineer & Interior Designer Duo | Rayon x Hejmo Designs — Transcript
Full transcript
- 0:00Hey, my name's Chris. Um, I run Hey Mode
- 0:02Projects with my wife Kate. We're a
- 0:04small familyun business based in uh in
- 0:07the French Alps. We typically undertake
- 0:10large scale renovations, the odd new
- 0:12build and extensions, kind of a mix of
- 0:14like interior design and more
- 0:17construction work. How do you handle
- 0:19unexpected issues during projects?
- 0:21Having done this for a while now, I
- 0:23guess the main thing is there shouldn't
- 0:24really be anything unexpected. As in
- 0:26things will come up that you didn't know
- 0:29were going to happen, but you should
- 0:31kind of expect that to happen. You know
- 0:32what I mean? Like out of everything I've
- 0:34done, I think I think I've had one I've
- 0:36had where it just I don't think there
- 0:38was anything in there that changed. But
- 0:40the client had a but he was really open
- 0:42up front. He was like, "This is my
- 0:43budget. I'm not sticking from it. I'm
- 0:45not moving from it." The base was
- 0:46already poured and we put a new we put a
- 0:48new wooden structure on the top. So,
- 0:50it's basically a new build, but without
- 0:52having to do any ground works. And I
- 0:53think that's about as simple as a
- 0:55project can ever get. Pretty much
- 0:56everything else we do, whether it's a
- 0:57new build and a client changes their
- 0:59mind, which is because with the best
- 1:00will in the world, until you till you
- 1:03see something in reality, all the
- 1:04drawings and the 3D models in the world
- 1:06aren't quite the same as standing like
- 1:08in the space with the view. And even if
- 1:11you model through Google Earth or
- 1:13something like the sunlight and stuff,
- 1:14it's never quite the same as standing
- 1:15there. So, someone changing their mind
- 1:17or if it's a renovation. Lots of the
- 1:19farm houses here are more than 100 150
- 1:22years old. So, you just don't know what
- 1:24you're going to find until you take it
- 1:25apart. So, the floor height is probably
- 1:27not going to be the same as you've drawn
- 1:29it or a wall's going to need
- 1:30underpinning or whatever it is, it's
- 1:33highly unlikely that you're going to end
- 1:35up doing exactly what you've drawn to
- 1:38start with. So, yeah, kind of it not
- 1:40being unexpected is the is the first
- 1:41thing. And then and then after that is
- 1:44kind of just trying to walk people
- 1:45through the consequences of whatever it
- 1:48is, whether it's time or money or what
- 1:52they're going to achieve from the
- 1:53building, whether they've lost a room
- 1:55because of head height is no longer the
- 1:58is no longer the same. Um, and it's just
- 2:00being it's just trying to be as quick
- 2:02with communicating as clear as
- 2:03communicating that as you as you can.
- 2:05And that's that's partly with the
- 2:06drawings. It's so much easier to
- 2:08communicate with a drawing than it is
- 2:10trying to explain to me because it's
- 2:11just it's just reference just written
- 2:13down in front of you. There's no
- 2:14language barrier. Like I I speak French
- 2:16so I find it easy to talk to trades, but
- 2:18lots of our clients are English. And if
- 2:20there's a bit of talking between trades,
- 2:21it's just much easier with a with a
- 2:23drawing, which is which is why we which
- 2:26is why we came to using Rayon because
- 2:29it's so important to be able to manage a
- 2:32drawing pack as you're going through a
- 2:33build. What are some of your favorite
- 2:35projects and why? It was a project
- 2:37called the Stonehouse which is local to
- 2:39where we are which was um I think the
- 2:41building itself was a couple of hundred
- 2:42years old and the main it's a very tall
- 2:45as the name implies stone house and they
- 2:47I think the family that built it maybe
- 2:49they'd run out of money at the end of it
- 2:50they' never rendered the outside so you
- 2:53can see all the beautiful stonework um
- 2:55that was how the building was created
- 2:57and where we is part of the Savoir
- 3:01region which for quite a long time was
- 3:03Swiss and then it was Italian before it
- 3:05was French and you You can see lots of
- 3:07like Italian architectural details like
- 3:10the there's on the window shutters where
- 3:12they have like a little over center
- 3:13latch is um a really common the just the
- 3:17molding the casting is like a really
- 3:19common thing you see in Italy. Uh and
- 3:21when we renovated we found loads of uh
- 3:24documents in there from the family had
- 3:26owned it and the guy had been to he had
- 3:28his diploma in watchmaking from his
- 3:29helen university and there was just lots
- 3:31of little details you could see in
- 3:32there. Anyway, so it's quite an
- 3:34interesting project, but off the the
- 3:35main house was cool, but off to the side
- 3:37of it, he had a small barn that he
- 3:39wanted to renovate as well. He wanted
- 3:41the owner wanted to try and get three
- 3:43bedrooms in there as like a quite an
- 3:46interesting like Airbnb rent. Like it it
- 3:48wouldn't clearly wouldn't work as a
- 3:50family home. It would work as somewhere
- 3:52to live, but that was not that wasn't
- 3:53what the brief was. And that was I can't
- 3:55remember the size of it. It was probably
- 3:57only 7 m by 3 m footprint over three
- 4:01floors, but then it had split level in
- 4:02it and then a gable in the roof and that
- 4:04was really tight to try and get
- 4:06everything to fit in. And pretty much
- 4:08pretty much everything we did had to
- 4:10have a dual purpose as in like where the
- 4:13split level was, the split of that
- 4:15became the bench seating for the dining
- 4:16table. So where the split was, you could
- 4:18sit on that. Yeah. Literally every 50
- 4:20mil in the building counted. And that
- 4:22was Yeah, it was a really He had a
- 4:24really good aesthetic. We didn't I did
- 4:26more of the um construction project
- 4:28management than the interior design cuz
- 4:29the client had a really clear aesthetic
- 4:31of of what he wanted and that blended
- 4:33with how the building turned out in
- 4:36terms of layout. Yeah, it's only small
- 4:39and I but I just really liked it. It was
- 4:40just a really fun project to work on and
- 4:42it's just really cool when you walk in
- 4:44like how everything kind of just works
- 4:46and the stairs duck under the split
- 4:47level and the kitchen's levered in and
- 4:49it still feels big enough to be in and
- 4:51yeah, really cool little space. Which
- 4:53features of Ryan made you decide to
- 4:55start using it for your projects? It
- 4:57wasn't one feature particularly. It was
- 4:59the way it was the way the whole package
- 5:01worked. Like whenever I try out a new
- 5:03piece of software, whether it's like
- 5:05drawing software or I don't know,
- 5:06project management stuff, you kind of
- 5:08you just kind of sandbox it for a little
- 5:10while and just kind of play around with
- 5:12it. and maybe a project you're doing,
- 5:14you're like, "Right, well, I'm not going
- 5:15to draw the whole thing on here, but
- 5:17maybe I'll just put a day into starting
- 5:19drawing with it and just kind of get a
- 5:21feel for how just kind of get a feel for
- 5:23how it works." Been using AutoCAD before
- 5:26and I've used really um capable 3D CAD
- 5:30um products from uni. So, my background
- 5:33is a mechanical engineer like Pro
- 5:34Engineer. They're um they're really
- 5:36capable, but they're just too they're
- 5:38too hard to use on the scale that we're
- 5:41using. They're also especially AutoCAD
- 5:44is very hard to use as a designing tool.
- 5:47It's a very good drafting tool, but it's
- 5:49a terrible design tool. What I what I
- 5:52sort of when I was sandboxing, I came to
- 5:54realize fairly quickly that was that
- 5:56it's actually much easier to design in
- 5:59Rayon. Like you do you need to put like
- 6:01with any program you need to put the
- 6:02time in to set up and understand like
- 6:04the walls for example and how the doors
- 6:06fit in as openings but once you've kind
- 6:09of put that leg work in and that
- 6:11groundwork in which is still much less
- 6:13than it is understanding the basics of
- 6:15like a full-blown 3D package once you've
- 6:18done that redesigning is much much
- 6:20easier just it's quite intuitive and
- 6:23quite a nice mix of the I don't know
- 6:25it's AI but the whole kind of snapping
- 6:27to lines that aren't immediate
- 6:29immediately obvious that they're that
- 6:31they're lined up along with like the
- 6:32normal snap functions and the grid snap
- 6:34functions and the realization that we
- 6:37could design in it rather than just
- 6:39draft in it that I think was the main
- 6:40thing that we that we we got on to
- 6:42fairly early and that's what we started
- 6:44to invest more time into into using it
- 6:46and then yeah and for us it just fitted
- 6:48really well. It's it's much easier to go
- 6:50from model to paper than it is in some
- 6:53other instances. Like there's always
- 6:55issues around scaling and dimensioning
- 6:57and where you're drawing or one or the
- 6:59other which is yeah which is you need a
- 7:01bit of in-depth understanding of how
- 7:03it's working to make sure it comes out
- 7:05right. But with you like we've I use
- 7:07SketchUp sometimes for like 3D
- 7:09visualization more for me for like the
- 7:11interior of a building and that's
- 7:13terrible for trying to get anything out
- 7:14on 2D from that and AutoCAD's pretty
- 7:17clunky for getting anything out onto
- 7:19onto a PDF. And we found with Rayon it's
- 7:21really quite easy to go from your model
- 7:24to something that you're that looks
- 7:26professional that you're very happy to
- 7:27put in front of a client fairly quickly
- 7:29without you know it's kind of loss not
- 7:31lost time. That communication bit with
- 7:33the client is super important. It kind
- 7:35of stops you doing the stuff you
- 7:37actually need to do to move the project
- 7:38forward. So the easier that is for us,
- 7:40the the better. To be able to quickly go
- 7:42from a technical view to something that
- 7:44the client can understand and look
- 7:45professional is is super super helpful.
- 7:47How has Ryan improved your design
- 7:49process compared to the tools you've
- 7:51used previously? Yeah. So in terms of
- 7:53like the design process, I think when
- 7:55like referencing earlier when you were
- 7:57talking about dealing with unexpected
- 7:59changes, which I was kind of saying like
- 8:01they are kind of expected, you just
- 8:03don't know what it's going to be is
- 8:05exactly that for our process. I mean I
- 8:07can't we've only worked and done this in
- 8:08the French house. So different places
- 8:10build differently. But from the way the
- 8:13way that we work where you have a a
- 8:14structural engineer is telling a masson
- 8:16how to execute the part of the building
- 8:18and an architect is with France is more
- 8:22often than not concerned with the
- 8:24planning commission and the outside of
- 8:26the building the number of different
- 8:27steps of changes in there even if it was
- 8:29a new build because the structure
- 8:31engineer will their execution drawings
- 8:33will differ slightly to the architects
- 8:35and having someone who can keep on top
- 8:37of that and there might be quite small
- 8:39changes or 20 or 30 millimeters here or
- 8:42there, but uh to have a to have a
- 8:44software program that you can make those
- 8:46changes onto fairly regularly without it
- 8:48like ruining your whole model, you know,
- 8:51like you can drag a wall down and all
- 8:52the walls come down with it. You don't
- 8:54leave yourself like 5,000 lines that you
- 8:56have to go and trim afterwards. Even
- 8:58then, especially because of what we do
- 9:00with renovations where it's never quite
- 9:01as you as you thought it was going to
- 9:03be. It's inevitable that's going to
- 9:04happen. So the biggest part of our that
- 9:06helps with the design process with us is
- 9:09being able to manage those changes
- 9:11quickly. Um you can kind not not any
- 9:14product you can do an initial set of
- 9:15drawings and it's fairly easy but
- 9:17they're just they're not going to stay
- 9:18like that as you go through the product.
- 9:19So having something that's easy to
- 9:21change as you go along because if it's
- 9:23not you end up everyone ends up working
- 9:25off an old issue of a drawing or a
- 9:27sketch and that's when it horribly
- 9:28starts to fall apart because the Tyler's
- 9:30got the initial version and you haven't
- 9:32had time to update a new version and
- 9:34everyone's working off different
- 9:36versions of drawings and it's horrible.
- 9:37So is it the same thing? Having
- 9:39something that's capable enough to do
- 9:40what you need to do but is flexible
- 9:42enough to be able to change it on the
- 9:45fly as you're as you're going through a
- 9:46project is the is the biggest thing.
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