ENFRENTÉ A MINI MINI.EXE EN EL LADO OSCURO — Transcript
Full transcript
- 0:01We are still processing the fact that
- 0:02we literally saw a portal to the
- 0:04backrooms from the Pink House,
- 0:05including the ending where when we
- 0:07entered the backrooms hallway, we saw
- 0:08the dark side of my house. Guys, now we
- 0:11are really going down to the dark side
- 0:14of my house. It makes no sense. One,
- 0:16two. Hello, guys. How are you? Welcome
- 0:24to a new video on my channel, friends.
- 0:28Uh, I don't know where to start because
- 0:30I think most of you already saw the
- 0:32last video which was complete madness,
- 0:35and we really are still processing that
- 0:37we literally saw a portal to the
- 0:39Backrooms from the Pink House. Can
- 0:41anyone explain to me how that is
- 0:43physically possible?
- 0:45It's just not physically possible, I
- 0:46mean, we knew things changed and stuff,
- 0:47but we hadn't, I mean, we hadn't
- 0:48witnessed a portal like that before.
- 0:50It's on another level now, man. I mean,
- 0:52we are talking about it as if it were
- 0:54from another dimension, man. I mean, as
- 0:58if the backrooms were another dimension
- 0:59and there's the ability to go through
- 1:01portals there. I mean, the thing is
- 1:04that we never expected this because the
- 1:06reality is that the house just kept
- 1:07growing, I mean, this house has been
- 1:09crazy since day one. We thought it was
- 1:12something that could be normal and we
- 1:13first justified the deep web, we
- 1:15justified the clowns, but time and time
- 1:17again they have shown us that this is
- 1:19madness and always will be, man. I mean
- 1:21, we have to understand that whatever
- 1:22follows in the layers below is only
- 1:24going to be more impressive, man. And
- 1:27now that you say that about normalizing
- 1:28things, I think for them it is, man.
- 1:30Because, for example, Alfa knows when
- 1:31that thing opens. Alfa has the time and
- 1:34he knows how to open it somehow,
- 1:35because he told us that when it opened
- 1:37again, he would let us know to make the
- 1:39sacrifice. Man,
- 1:40there are things we don't understand.
- 1:42For example, yesterday there were
- 1:43beta-soldiers lying there, I mean, at
- 1:45what point or how do they get there.
- 1:47There are things we don't understand,
- 1:48which is just what I said, I mean, how
- 1:50Alfa knew about certain things. I feel
- 1:51like they have knowledge that we
- 1:53wouldn't even imagine that has been
- 1:56gradually revealed.
- 1:57This that we are experiencing and
- 1:59documenting in all the videos is much
- 2:01bigger than we imagine. This portal
- 2:03thing explains some of the things we
- 2:05lived through in our videos. For
- 2:08example, when we first went to the Pink
- 2:09House and saw the clown-soldiers coming
- 2:11out of the tunnel, we were like, "How
- 2:12can there be tunnels that far away?" Or
- 2:16when we first saw the temple of the
- 2:17three clowns, which was in this place
- 2:19that looked like bathrooms that
- 2:21physically seemed much longer, in the
- 2:23end, it was always about portals.
- 2:26It's crazy because, honestly, how do we
- 2:28know—I mean, we understand that
- 2:30reality breaks in the Backrooms, but
- 2:32how can we think the clown-soldiers
- 2:34entered the Backrooms? I mean, that
- 2:37would be insane. Guys, without a doubt,
- 2:39we’ve never seen anything like the
- 2:41Backrooms floor. I mean, so many things
- 2:44happened throughout the video,
- 2:45including the ending, when we entered
- 2:46the Backrooms hallway and saw the dark
- 2:48side of my house. I mean, it’s
- 2:51impressive to see, to understand that
- 2:53we are three or four floors underground
- 2:55, and I could see my house through a
- 2:56door. Besides, even the door changed.
- 2:59It was a wooden door and it turned into
- 3:01a blue bunker door. I mean, the thing
- 3:03here is that it's crazy because we have
- 3:05to consider how dangerous it is, since
- 3:07every time you've gone in, you haven't
- 3:09been able to come back the same way. So
- 3:11, we have to understand that if we're
- 3:13going to go in, you more or less know
- 3:14the exit. I mean, you know the closet
- 3:16is the exit. But what if something
- 3:18happens to us there? We could get
- 3:19trapped. You were on the verge of
- 3:21getting trapped on the dark side of
- 3:23things twice, man.
- 3:24Yes, and we don't know the nature of
- 3:26the portals. We don't know if they are
- 3:28open all the time or if someone opens
- 3:30them whenever they want. I mean, if we
- 3:32go down, we don't know if we'll be able
- 3:33to get through, and if we do, how we'll
- 3:35get out.
- 3:36Exactly. If we don't go down, we'll
- 3:37never understand that, man. I mean,
- 3:39just sitting here, it's something we
- 3:40won't grasp, and we'll just be back to
- 3:41square one.
- 3:42I mean, we have to go, no matter what.
- 3:43I mean, it was in front of our eyes for
- 3:45a reason. I mean, I'm realizing that
- 3:48that hallway, those doors, are like
- 3:50magic. It's like every door can change
- 3:53the location where it takes you.
- 3:55We really have to understand the nature
- 3:57of that hallway, man, because that
- 3:58hallway isn't there by coincidence. No.
- 4:01I mean, the reality is that this
- 4:02hallway must have a purpose and a
- 4:04function within the whole system. It
- 4:06could even be like the exits in Minimi.
- 4:09Maybe that's what mini mini Mini is.
- 4:11Ever since he entered, he's managed to
- 4:13generate power without leaving his
- 4:15reality, because he's stuck in a place
- 4:16he can't escape. Maybe it's a way to
- 4:19connect with the outside world in some
- 4:21other way, man.
- 4:23The only things we know for sure are:
- 4:24one, the backrooms are changing,
- 4:26they're modifying themselves all the
- 4:28time, because how could a door just
- 4:29appear out of nowhere, the hotel one
- 4:31vanished, and another thing is we
- 4:33somehow know where some of those doors
- 4:35lead. One definitely leads to the woods
- 4:38, now we know the yellow door leads to
- 4:39the dark side of this part of Fede’s
- 4:41house, and another one leads toward the
- 4:43pink house. Now, there’s an issue.
- 4:44Let’s not forget the fact that
- 4:46we’re being threatened. I mean, Alfa
- 4:48literally threatened us. If we don’t
- 4:50do what he asks, if we don’t go
- 4:52through with sacrificing Luli, he’s
- 4:53going to sacrifice one of us. But
- 4:55that’s impossible, it’s just
- 4:56impossible.
- 4:57He wants us to confront Minimini.X.
- 4:59That is the reality of the situation.
- 5:00Yeah, didn't you guys think that was
- 5:01crazy? Yesterday, we basically saw Mini
- 5:05Mini.X talking to Alfa. It was insane
- 5:09hearing Mini Mini talk through those
- 5:10three clowns. Speaking of talking,
- 5:13everything that happened with the other
- 5:15Luli, man, who we discovered is also
- 5:17Ruiz Ortega’s daughter, who wants to
- 5:19be like Luli, but isn't. I mean, I
- 5:22didn't really understand all that very
- 5:24well, man.
- 5:24Yeah, I mean, it’s like there are
- 5:25hierarchies, right? I want to
- 5:27understand it because in the end, if
- 5:28she said, "I want to be a clown," I
- 5:30mean, like, how? Well, you’re dressed
- 5:33like, like Luli, I mean, what’s the
- 5:34difference between the two of them and
- 5:36why does one want to get on Alfa’s
- 5:37good side to get a higher rank? I mean,
- 5:40that seems crazy to me, and what I
- 5:41definitely want to stress is that we
- 5:43aren’t going to sacrifice Luli
- 5:44because it makes no sense for us to do
- 5:46that, and before that, he’d have to
- 5:48do whatever to us first to get to her.
- 5:50I mean, the only issue here is that we
- 5:51have to understand we’re between a
- 5:52rock and a hard place. One is to buy
- 5:54off mini.x because it’s the only way
- 5:55to move forward. There is no other way
- 5:57to move forward in this game if it
- 5:58isn't by buying off the clowns. We're
- 6:00clear on that. So we have to figure out
- 6:02how to sacrifice, how to bypass, how to
- 6:04cheat, or how the hell we manage to buy
- 6:07Mini. Without sacrificing, but if we
- 6:10don't do that, Alpha is going to kill
- 6:12us. Guys, I think this is the first
- 6:15time we've been stuck in this story,
- 6:17not stuck because we don't know what to
- 6:20do, but because what comes next is very
- 6:22difficult. I mean, literally, to
- 6:25continue, we have to buy Mini. As the
- 6:28beta game shows, we have to sacrifice
- 6:30someone. We're stuck on that for that
- 6:33reason. But the good thing is that
- 6:36doors are literally opening up. I mean,
- 6:38things are being unlocked so we can
- 6:40understand how to move forward in the
- 6:41story. Something I just realized is
- 6:44that Ruiz Ortega must still be alive
- 6:46because it didn't count as a sacrifice,
- 6:49otherwise we could already buy him.
- 6:51I mean, the point is not to confuse a
- 6:53death with a sacrifice. I mean, a
- 6:55sacrifice is when someone offers
- 6:56themselves to die.
- 6:58Guys, now we're going down to the
- 7:00backrooms and we're going to try to
- 7:03enter the dark side of my house that we
- 7:05saw in the last video. Before we go
- 7:08down, I want to say two things. We want
- 7:09to thank you from the bottom of our
- 7:10hearts for all the support on the
- 7:12videos. I know there are many of you
- 7:14who watch the videos all the time. All
- 7:16the time when I run into you on the
- 7:17street, you tell me, "I love your
- 7:19videos. I love watching Mystery Club."
- 7:21So we want to thank you from the heart
- 7:22on behalf of the whole team because
- 7:24it's crazy how you support the videos,
- 7:25and I also really appreciate it when
- 7:27you like them; by the way, you have to
- 7:29like this video right now. How many
- 7:31likes does this video deserve?
- 7:32500 at least.
- 7:33500,000.
- 7:34500,000. It can be done. It can be done
- 7:36.
- 7:36Okay, 500,000. And while we're at it,
- 7:37before we go down quickly, remember
- 7:39that we also do shows. We start first
- 7:40in Peru on September 19th, as you see
- 7:42there on the screen. Then we go to
- 7:44Mexico, to these cities that are
- 7:45appearing. So, people in Mexico, see
- 7:47you soon in November. And finally,
- 7:48people in Chile, see you on December
- 7:5119th at the Claro Arena. It's a stadium
- 7:53, our first stadium; it's going to be
- 7:55crazy. So we'll see you there. Well,
- 7:57guys, it's time to go down and see if
- 7:58we can get into the dark side of my
- 8:00house. You know what scares me about
- 8:04going into the house, like, what if
- 8:07it's open and we get locked inside? I
- 8:10mean, imagine if there's no way out.
- 8:12I mean, is it even safe to cross that
- 8:14portal? I mean,
- 8:15we don't even know if it's open, man.
- 8:16No, I get that, but is it safe? I mean,
- 8:17what what happens to your body? I mean,
- 8:19you alre,
- 8:19dude. Nothing about this has been safe,
- 8:21man. I mean, just being here isn't even
- 8:23safe anymore.
- 8:24No, but I mean, the times Fede has
- 8:25crossed, he's kind of lost
- 8:27consciousness. He only remembers
- 8:29moments later.
- 8:30Could be. No, there it is, it's there,
- 8:33it's there. That's insane. And why
- 8:35wasn't it working? But is it safe to go
- 8:39up if the elevator is failing, aren't
- 8:41we at risk, man? We're already here.
- 8:42It's always the same thing.
- 8:44Yeah, let's go for it.
- 8:47Hey, I'm thinking, that wasn't a good
- 8:50option, trying to use the closet in
- 8:53Ian's room for the portal. I mean, if
- 8:57something happens.
- 8:58The exit, the exit. That's how you got
- 9:00out, right?
- 9:00Uh-huh.
- 9:01Like getting back to the house that way
- 9:03, by
- 9:03man. But that's crazy. And how did you
- 9:05do it?
- 9:05I mean, I don't know. I mean, it was
- 9:06kind of weird. I mean, it was the same
- 9:08thing that happened with the tree. Now
- 9:19going in. The computer's off, right? As
- 9:31always. Nothing, man. It's already
- 9:33powered down. Quick. Okay. Uh, I think
- 9:40the door we saw is behind the yellow
- 9:44house, right?
- 9:46I mean, you want to just go there
- 9:47running like that,
- 9:48right? Running, no. Let's open the door
- 9:50and see what's up.
- 9:56Yes, it's there. Yeah, it was here, I
- 10:00think. No, let me. Whoa,
- 10:08do you hear something?
- 10:09No, nothing. Yeah, God. Okay. Ready,
- 10:15guys. It's just going to be crazy
- 10:17seeing the house here. It makes no
- 10:20sense. One, two. What the...No way, man
- 10:30. It's insane, man. That can't be your
- 10:34house, man. No, man. Is it safe for us
- 10:36to go in there? It's not safe, man.
- 10:37No, no, but what is this? It's magic,
- 10:39man. What is this?
- 10:41It it makes no sense. It makes no sense
- 10:44. What the. No, no, it can't be.
- 10:52Dude, it can't be, it can't be. What do
- 10:56we do, man?
- 10:58It's your house,
- 10:59man. Even the weather changes, man.
- 11:01It's your house.
- 11:02I mean, it's insane.
- 11:02No, it doesn't feel like we're outside,
- 11:04man. I can't believe it. But how are
- 11:09you going to do that, dude?
- 11:12It makes no sense, dude. If you think
- 11:14about it, it doesn't at all.
- 11:15No, dude, we're downstairs, we're not
- 11:16upstairs. How? We can't be downstairs
- 11:19and upstairs at the same time, dude. It
- 11:20feels cool, dude. It's it's it's unreal
- 11:22. It's impossible.
- 11:25Let's go, let's go, dude. Let's go, man
- 11:27. Let's go then. Alright, guys, here we
- 11:31go.
- 11:38No, no, no, no, no, man.
- 11:39What? It can't be, it can't be.
- 11:43It can't be. What is that? What is that
- 11:46? What is that? Dude, it can't be. How
- 11:50is this real? How is this real?
- 11:53Upstairs, upstairs, upstairs. Kiss.
- 11:55Close the door, close the door. Eh,
- 11:57what is that, man? What? No, no, no,
- 12:04man. This, these, is What do we do or
- 12:06that?
- 12:07No, no, no, no. Fede,
- 12:10what is that?
- 12:10The window. Dude, the walls, the walls.
- 12:20The walls are taking over everything,
- 12:23dude.
- 12:25No, Fed, it's crazy, dude.
- 12:26No, no
- 12:26this is crazy, dude.
- 12:28It's identical to your house.
- 12:29What do we do?
- 12:31It's the same. It's your house,
- 12:33man. We have to move here, dude. It's
- 12:35looking right at us, man. What the
- 12:40. But look at the wall, dude. No, dude,
- 12:44how crazy is this. I can't believe it.
- 12:49I can't believe it. What the.
- 12:54It's the backrooms wall. It could be.
- 12:59Everything is very strange. It's
- 13:02another world, man. But we're in danger
- 13:03, man. I mean, being here we're sitting
- 13:05ducks, man.
- 13:06We have to find the exit, man. I really
- 13:08hope the closet is the exit. In the
- 13:11walls. No, this is very strange. This
- 13:16is very strange. And what if it's not
- 13:17the backrooms and it's something taking
- 13:19over here. Makes sense.
- 13:25Look at this. No,
- 13:26no, man. It's the backrooms.
- 13:31That. These are the backrooms furniture
- 13:34.
- 13:34I don't like this.
- 13:35Oh, man.
- 13:36Look at that, look at that. Go. What is
- 13:39this? Dude, what the, man. I have
- 13:45chills, but really horrible ones, dude.
- 13:46I mean, what explanation is there for
- 13:48the furniture appearing here in my
- 13:50house? No, the thing is, this isn't
- 13:52your house, dude. This isn't your house
- 13:54.
- 13:54But it's like a duplicate of his house,
- 13:56man.
- 13:57But it has everything, dude. It's very
- 13:59strange. These aren't the office chairs
- 14:01. Yeah, man,
- 14:03but it's as if they were smaller. It's
- 14:06it's Fede, Fede,
- 14:08what? No, no way, no dude. They're all
- 14:15here, man. What appeared?
- 14:18Th th no, he's not reacting.
- 14:22Why isn't he moving?
- 14:23It's like he's hibernating, dude. I
- 14:25mean, as if they were on the normal
- 14:26plane, man. But here they are like
- 14:28like turned off.
- 14:29Like turned off, dude.
- 14:30No, no, they're just different, man.
- 14:32And what if they can't see us, dude?
- 14:34Friend, I don't understand a thing.
- 14:35What's happening, man? The thing is,
- 14:37this isn't your house, man. That's what
- 14:38we need to be thinking about. This
- 14:40isn't your house.
- 14:41But then, what is it? I mean, why is it
- 14:42identical to his house?
- 14:43It's the dark side.
- 14:44It's it's crazy, dude. It's crazy, man.
- 14:47But what is the point of this, dude?
- 14:52What do we do?
- 14:52Do you realize this is like as if it
- 14:54were just forming? I mean, the one in
- 14:56the offices is much bigger,
- 14:58man? What Luli Alfa said about it
- 15:00taking over the backrooms of life, I
- 15:02mean, of the outside, it's real. It's
- 15:04taking over everything. Yeah, yeah,
- 15:06yeah. Are are you guys seeing it? Yes,
- 15:08yes, yes, yes, yes, dude. No,
- 15:09no, no, but it's just insane, but it's
- 15:10going to take over the dark side too.
- 15:12What if that's why they want to stop it
- 15:14, man? But they don't really tell us,
- 15:15dude. They really don't tell us that.
- 15:17They don't tell us, like, stop this
- 15:18mess because it's taking over
- 15:20everything. So it's Minimini. He's the
- 15:22one doing this, dude. That's why
- 15:23it's consuming everything, man. It's
- 15:24consuming everything. But
- 15:26I just don't understand. Isn't the dark
- 15:27side supposed to be part of the
- 15:28backrooms? I mean, are the backrooms
- 15:30only the yellow part? That's just it,
- 15:33man. Minimini. He wants to eat
- 15:35everything, dude. He wants to consume
- 15:36everything.
- 15:37Friend, we have to think. I'm thinking
- 15:40of something. At the portal exit in
- 15:42Ian's room was this guy, the sun one,
- 15:46the guardian of the forest.
- 15:47I mean, if things get complicated, we
- 15:49go straight out up there.
- 15:50It’s the only way. So scary. But why
- 15:57isn’t it moving right, man? I don’t
- 15:59get it. What the. Man, with the
- 16:10rabbit. It’s like it’s turned off,
- 16:12dude. What the hell is happening?
- 16:18Everything is so off, man. This is
- 16:20insane. No, don’t get close, man.
- 16:25Everything is so weird, so weird.
- 16:27Careful, Fed, careful. I swear. We have
- 16:33to move, man. Let’s get out of here.
- 16:35Stay still. Nothing.
- 16:36It’s insane. It’s
- 16:37F. Let’s explore quickly and get out
- 16:38of here, man.
- 16:39The thing is we are discovering so much
- 16:40, dude. Could that rabbit be the same
- 16:42version, like, the same one from
- 16:43yesterday, dude? It must have gotten in
- 16:44, like, the one that chased us. Dude, I
- 16:46don’t know what’s going on, man,
- 16:48but we’re discovering too much.
- 16:49It’s too much. I mean, at what point
- 16:53did we start living something like this
- 16:54? I mean, is what we’re living
- 16:57actually real? Let’s see, we have to
- 16:58keep going, we have to keep moving
- 16:59forward.
- 17:00It’s not real, man. To me, it isn’t
- 17:01real, man. It’s insane, guys. This is
- 17:11insane. I mean, it doesn't make sense.
- 17:27Guys, this woman, man, it’s the
- 17:31Backrooms thing, man. What happened?
- 17:35There’s water and Backrooms
- 17:37inflatables. Everything is wet, man.
- 17:42What if it wants everything to be the
- 17:44Backrooms, for everything to be the
- 17:45Backrooms. Same upstairs, outside,
- 17:47everything,
- 17:48man. It’s flooded, man. It’s insane
- 17:50, man.
- 17:50It’s flooded. It’s the whole
- 17:52kitchen, man. It’s the whole kitchen.
- 17:54No, man. Let’s move, man.
- 17:57I don’t get it. I don’t get it.
- 17:58This is dangerous.
- 17:59I don’t get it. I don’t get it.
- 18:01No way, man. It’s as if everything is
- 18:03changing in real time. I mean, I want
- 18:06to find an explanation. I mean, it’s,
- 18:12I mean, everything is just very weird.
- 18:15Everything is so strange. What explains
- 18:16it? I mean, I can’t find, I’m
- 18:18trying to understand and I can’t find
- 18:19an explanation. What if because we
- 18:22didn't buy Minimi.xe and he can’t
- 18:24leave the Backrooms, he’s sending the
- 18:27Backrooms everywhere so he can get out,
- 18:29dude? But think if it can cross into
- 18:32real life, I mean, we’re on the dark
- 18:34side, think if there’s a way for it
- 18:35to cross over to the outside.
- 18:37Maybe the dark side is like the first
- 18:39part, man.
- 18:40Dude, but of course, what Iván says
- 18:41makes sense because if you think about
- 18:43it, it's like if he can't get out, then
- 18:45he creates everything the same so he
- 18:47can be there, you know? Ramos said it
- 18:49too, I mean, he's also invading other
- 18:51floors, not just the dark side, he's
- 18:53also moving to the simulation floor,
- 18:55but of course, with the intention of
- 18:56what, of being there,
- 18:57of expanding.
- 18:58Let's go upstairs. Let's try to go to
- 19:03Jan's room to check the closet portal,
- 19:06but we have to be careful.
- 19:09He's not here anymore,
- 19:10he's not here.
- 19:13Fede, if we go up, we have to be
- 19:15careful because the forest guardian is
- 19:16there.
- 19:19How weird. Could it be that the
- 19:21guardian is the one who decides if we
- 19:23leave or not, man? I mean, it has to be
- 19:25the guardian, man. This is very weird,
- 19:27man. What the. He's there. Let's
- 19:51go to the bathroom portal,
- 19:52man. No, it's very weird that he's not
- 19:53doing anything, huh? Should we run to
- 19:55the room or what, man? How weird. What
- 20:04the. What is that, man? There's a
- 20:07stain. No, no, no.
- 20:09What?
- 20:09No, it can't be, man.
- 20:12What? It's just like the one in the
- 20:13backrooms.
- 20:14Do you know what that is,
- 20:15the one that was next to the slide?
- 20:18How can it be that one?
- 20:19It's like the one from the Miniminii
- 20:21cave. Exe. That's why, but you
- 20:22understand what you're saying, right?
- 20:25What does it say is here? No, it can't
- 20:28be. Be careful,
- 20:44Fede, let's go.
- 20:45Let's go back, man.
- 20:46And where are we going to end up, man?
- 20:56This is very weird. Literally a replica
- 21:00of the cave. I don't know if it's a
- 21:02replica. This feels very real.
- 21:04And it's cool in here, man. What is
- 21:06that? No, no, you're here, man. It's
- 21:16happening. You finally found my
- 21:18favorite place. I've been watching you
- 21:22for a long time. I was here the day you
- 21:27arrived at this house and since I felt
- 21:30your presence I did everything possible
- 21:33so you would enter the deep web. The
- 21:39sacrifice of the game has to happen. It
- 21:45has to receive the time Come on, come
- 21:54on, come on, come on. The bunker. We
- 21:57have to go to the bunker. Run, run.
- 21:59Let's go to the Let's go, let's go,
- 22:00let's go. Ah, what the, man. Let's
- 22:02go. He's there, get out fast. He's
- 22:05coming.
- 22:06Come on, come on, come on, come on,
- 22:07come on. To the bunker, to the bunker,
- 22:08to the bunker.
- 22:16My ultimate transformation is about to
- 22:18come.
- 22:20Hey, are they not going to let us go or
- 22:21what, man?
- 22:21And when it happens, no one will be
- 22:24able to stop me. The purchase will be
- 22:28made. Whether you like it or not. The
- 22:32sacrifice is still pending and I'm
- 22:34still waiting. That day I will return
- 22:40to what I once was, but this time I
- 22:47will be much worse. Get out of here and
- 22:53sacrifice someone. Close it, close it,
- 23:06clo-close it, close it, close it, man.
- 23:08Let's go, let's go.
- 23:11What the. Get
- 23:16in fast, buddy. This is crazy, man.
- 23:21They let us go. They let us go,
- 23:23man. It makes no sense. It makes no
- 23:25sense for the house to be there, man.
- 23:27And we're going to upload the house
- 23:28back.
- 23:29But that is your real house. That
- 23:30wasn't your real house.
- 23:31But but it's very confusing, man. I
- 23:33mean, there's a sky, there's everything
- 23:34. I mean, man, it's identical, man. No,
- 23:38this is crazy. No, I can't believe it.
- 23:40Let's go,
- 23:41look what we've come to. No, stop, no,
- 23:43no, no,
- 23:43no. It's a-it's a fantasy, man. It's
- 23:46unreal.
- 23:47No, man, we were lucky they let us go.
- 23:49Besides, man, I mean, the backrooms are
- 23:50expanding inside that house, man. It's
- 23:52madness,
- 23:53man. We have to think about what we're
- 23:54going to do. What
- 23:54he said, that when we buy it we reach
- 23:57the final transformation.
- 23:59No, man,
- 23:59we can't handle all this, man. We have
- 24:01to think things through well, man. It's
- 24:02worse. I mean, more time will pass
- 24:04without buying it because we have to
- 24:06sacrifice someone, and the worst part
- 24:07is that when we buy it we're going to
- 24:09see it in a bigger, different way.
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