Does photographing a moment steal the experience from you? | Erin Sullivan — Transcript
Full transcript
- 0:00Translator: Joseph Geni Reviewer: Camille Martínez
- 0:13What is the most beautiful place you have ever been?
- 0:17And when you were there, did you take a picture of it?
- 0:21Here's a place that tops that list for me.
- 0:23This is Mesa Arch in Canyonlands National Park in Utah
- 0:27at sunrise.
- 0:28It's the traditional homeland of the Pueblo, Ute,
- 0:31Paiute and Navajo people,
- 0:33and when you are there,
- 0:34it is absolutely stunning.
- 0:36The sunrise illuminates the bottom of the arch orange,
- 0:39and then behind it you see the buttes and clouds and cliffs.
- 0:43But what you might not see from my photo here
- 0:46is the 30 people behind me who were also taking photos.
- 0:49And these are just the committed people, the sunrise people, right?
- 0:52So when you think about that,
- 0:54there must be hundreds if not thousands of photos of Mesa Arch taken every week.
- 0:59I've been sharing my photography on Instagram for years,
- 1:03and it started to become really interesting and funny, even,
- 1:07just how many similar photos of the same places
- 1:11I started to see online.
- 1:13And I was participating in it.
- 1:15So this made me wonder:
- 1:17Why are we taking photos in the first place?
- 1:20Sometimes, I visit a popular landmark --
- 1:23this one is Horseshoe Bend in Arizona --
- 1:26and I see all the people with their phones and cameras out
- 1:28who snap a photo,
- 1:30just to turn and get back in the car or walk back to the trailhead.
- 1:33And sometimes it seems like we are missing the point
- 1:37of going to this place to experience it for ourselves
- 1:41or to see it with our own eyes.
- 1:44When I'm behind the camera,
- 1:46I notice the smallest details:
- 1:49the layers of light in the mountains
- 1:51as the light fades at the end of the day;
- 1:54the shapes that nature so expertly makes,
- 1:57abstract and yet completely perfect.
- 2:00I could go on and on here musing about the intricacies of this planet
- 2:04and the way that it makes me feel.
- 2:07Photographing the beauty and complexity of this world
- 2:10for me is like making a portrait of someone that I love.
- 2:14And when I make a photograph,
- 2:15I have to think about what I want it to say.
- 2:18I have to ask myself what I want it to feel like.
- 2:21When you're communicating through an image,
- 2:24every creative choice matters.
- 2:25Sometimes, I plan to share my images,
- 2:27and other times, I take them just for myself.
- 2:30I currently host a video series on the future of the outdoors,
- 2:33and for one of the episodes we wanted to explore
- 2:36the relationship between photography and outdoor spaces.
- 2:39I learned about the research of Kristin Diehl
- 2:42and her colleagues at USC,
- 2:43who studied photo-taking's effect on enjoyment levels.
- 2:46They found that when we're behind the camera,
- 2:49when we're the ones taking the picture,
- 2:51we enjoy our experiences more, not less.
- 2:53But it wasn't true all the time.
- 2:55If the person took the photo solely with the intention of sharing it,
- 2:59there was no increase in enjoyment,
- 3:00because they didn't do it for themselves.
- 3:03So this points to an important distinction:
- 3:05photography can enhance your experience
- 3:07if it's done intentionally.
- 3:09The intention piece is what matters.
- 3:12As a photographer, I've really had to check myself on this.
- 3:15When does it help me to have my camera out,
- 3:18and when do I just need to put it away?
- 3:20On a trip to Alaska, I had the opportunity to photograph Alaskan brown bears.
- 3:25I was on a boat with four other photographers,
- 3:27and we were all having our minds blown
- 3:30at the same time
- 3:31in such close proximity to these animals.
- 3:34It's an emotional experience.
- 3:36Being eye to eye with these bears gave me a feeling of connection
- 3:39that transcends words,
- 3:41and having my camera with me in this case enhanced that.
- 3:45We were all creating independently but also all completely in the moment,
- 3:49both with nature and with each other.
- 3:51I so clearly remember
- 3:52capturing the water droplets and the motion as the bears swam
- 3:56and the cute cubs following their mothers.
- 3:59That group and I will have that experience together
- 4:02and these images to look back on
- 4:04time and time again,
- 4:05and photography is what enabled us to share this in the first place.
- 4:10Other times, I choose to leave the camera behind,
- 4:12and I think that choice ultimately improves both my experience
- 4:16and my work.
- 4:18I recently flew to the South Pacific island of Tonga
- 4:21to swim with humpback whales.
- 4:23I noticed myself feeling pressure
- 4:26and a certain obligation to take the camera with me,
- 4:29when sometimes I just wanted the pure experience itself.
- 4:32And the experience is seriously amazing.
- 4:34You're talking about being in the water
- 4:36with a curious baby animal the size of a station wagon
- 4:39while you are surrounded by particles that float around you like glitter,
- 4:43and the mom swims gracefully below you.
- 4:46There were times, obviously, when I did take my camera with me,
- 4:49and those were really amazing to capture as well.
- 4:52But the setup is pretty big.
- 4:54It's like this big box. This is what it looks like.
- 4:56And so this is between me and the whales,
- 4:58and at times that feels like a block between you and reality.
- 5:02Is there a difference when it's just your phone?
- 5:05Last year, I went to Uluru in Central Australia,
- 5:07which is this massive rock that towers over the desert.
- 5:11This is sacred land to Anangu,
- 5:14who are the Aboriginal people from this area
- 5:16and the traditional owners of the land.
- 5:19There are particular spots in Uluru that you cannot photograph professionally,
- 5:23because they are culturally sensitive,
- 5:26equivalent to sacred scripture to Anangu.
- 5:29So because of this, most of my photographs are from either far away, like this one,
- 5:34or from specific angles in the park.
- 5:36You could say that some of the most interesting and beautiful visuals in Uluru
- 5:41are located in these sensitive areas,
- 5:43but the request not to photograph them is an explicit and direct invitation
- 5:49to learn more about the land, its importance and its people.
- 5:53Isn't that what we should be doing anyway?
- 5:55So my visit to Uluru quickly became not about me
- 5:58but about connecting with the place.
- 6:02Ironically and unsurprisingly,
- 6:04I have found that presence and connection
- 6:06also happens to make for more compelling images.
- 6:10We can probably all point to social media
- 6:12as being a good place to share the images from our travels and from our lives.
- 6:17We not only share pieces of the world that we have seen
- 6:20but also parts of our day-to-day experiences.
- 6:22And if we're applying intentionality to the photos we take,
- 6:26then hopefully we're sharing intentionally too.
- 6:30For me, allowing people to see pieces of my story and my perspective online
- 6:35has reminded me that I'm not alone.
- 6:38It's helped me build support and community
- 6:40to do the same for others.
- 6:43Let me be clear:
- 6:44I am not trying to discourage you from taking photos.
- 6:48Even if thousands of people have been to whatever exact location
- 6:52and taken whatever exact photo,
- 6:54I encourage you to get out and create too.
- 6:56The world needs every voice and perspective,
- 6:59and yours is included.
- 7:01But what I'm trying to show you is that the phone or camera
- 7:04doesn't have to stay out all the time.
- 7:07What I'm trying to encourage you to do
- 7:09is to put it away, just for a moment --
- 7:11a moment for you.
- 7:13So let's go back to Mesa Arch,
- 7:15the way that the rock glows orange
- 7:17and the lovely layers of blue in the background.
- 7:21What if the next time you were somewhere amazing,
- 7:24you couldn't bring your camera or phone?
- 7:27What if you were not allowed to take any pictures at all?
- 7:31Would it feel like a limitation?
- 7:33Or would it feel like a relief?
- 7:36So what can we do?
- 7:38Well, the next time you feel the impulse to take out your camera or phone,
- 7:42or, in my case, once you realize you have already pulled it out --
- 7:45(Laughter)
- 7:46First: stop.
- 7:48Pause.
- 7:49Take a deep breath.
- 7:52Look around. What do you notice?
- 7:56Are you experiencing this moment with someone else?
- 7:59Remember that this moment only comes once.
- 8:02Photography can be part of a beautiful experience.
- 8:05Just don't let it be a block between you and reality.
- 8:08Be intentional,
- 8:09and don't lose a beautiful, irreplaceable memory,
- 8:13because you were too focused on getting the shot.
- 8:16Thank you.
- 8:17(Applause)
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