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DJI Pocket 4P vs Insta 360 Luna Ultra vs DJI Pocket 4 vs DJI Pocket 3! Какую камеру выбрать блогеру? — Transcript

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0:00This is the brand new Insta 360 Luna
0:03Ultra. This is the DJI Osmo Pocket 4
0:05Pro. And these are the fourth-and
0:07third-generation DJI Osmos. And in this
0:09video, we'll compare these top-end
0:11cameras and choose the best. Okay,
0:13friends, let's get going. Top gadgets,
0:16quality, and that's premium. Friends,
0:25well, the first test is 4K, 50 fps on
0:28four of our top cameras. We're filming
0:30ourselves. I turned on active tracking,
0:32meaning the cameras are following me,
0:34moving, so I can't run away from them
0:36all the time. And here's a standard 4K,
0:3950 fps color profile. This is what it
0:42looks like, and, accordingly, my face,
0:44if I film myself in these conditions.
0:45I'm in Victory Park. This is the
0:47Victory Museum. A very beautiful park.
0:50Let's see how our cameras perform. What
0:53can I say about filming myself? The
0:55videos are similar in tone, with slight
0:57differences depending on how the colors
0:59fall. The skin tone differs minimally.
1:01There's not much to say about it. When
1:04shooting against the light, all cameras
1:05perform very well. The foreground and
1:08shadows are captured without issue, and
1:10the sky isn't blown out either.
1:11Incidentally, only the Po 4 shows a
1:13noticeable flare at certain angles.
1:15This is most likely due to us
1:17accidentally touching the lens with our
1:19fingers or something else while filming
1:21. We always thoroughly wipe our lenses
1:24before shooting, but this time, we must
1:25have missed it, and it was impossible
1:27to notice on the camera's small screen.
1:29While jogging, we observed an
1:31interesting situation. With the Insta
1:33360 and DJI Pocket 3, the background
1:35barely moves, while with the DJI 4 and
1:384P, we see slight jerking. It's not
1:41critical, but the result is still not
1:42as stable.
1:43Friends, now we're filming everything
1:44around us. This is what our picture
1:47looks like when filming everything
1:49around us. It will be especially
1:51interesting to see how this kind of
1:54shooting looks when shooting against
1:56the sun. I'm walking here right now.
1:58This is what our stabilization looks
2:00like, right? How's it going? Is
2:02everything okay, or are there any
2:03issues with the stabilizer? I'll climb
2:06a little higher now specifically to see
2:10how it works, but when we're shooting
2:14against the sun, when we're shooting
2:16everything around us against the light,
2:17we can clearly see the difference in
2:19the dynamic range of our cameras. The
2:21Po 3 has the most overexposed sky. The
2:23Insta 360 also has overexposure, but
2:25much less. Meanwhile, the Pocket 4 and
2:274P have no overexposure at all around
2:29the sun, which is, of course, very
2:31powerful. When shooting everything
2:33around us while running, we get four
2:35great and very smooth results. All the
2:37cameras performed perfectly. I have no
2:39complaints. We're currently using 2X
2:40digital zoom. Again, we're looking,
2:44we're shooting here, such a beautiful
2:47setting sun. Let's go test it. Let's
2:52run through it again. Let's get going.
2:54At 2x zoom, all four cameras performed
2:56reliably again. The footage is smooth.
2:59There are no stabilization issues. Now
3:02I've installed a 3X lens on the Insta
3:05360 and DJI. It's shooting with a
3:09slight delay. Again, 4K50 fps. I also
3:13installed 3X on the DJI Osmo Pocket 4,
3:17but that's just digital zoom. And on
3:20the DJI US Pocket 3, a 2x lens, so this
3:23is shooting without zoom. And this is
3:26the image we get. Zooming to 3x while
3:29running didn't change much. The videos
3:32are still smooth, without jerks, blur,
3:34or twitches. Everything looks great.
3:36Even at 4x zoom, our cameras provide
3:38reliable stabilization while running,
3:40which is, of course, awesome. On the
3:43DJI 4P Zoom 6X, the performance was
3:45just as confident as at previous focal
3:47lengths. Excellent results, but there's
3:50more to come. So, we're currently
3:52shooting with the Insta 360 and DJI
3:54Zoom 12X. This is the image we get. If
3:58we shoot at 12x zoom on the DJI Smart 4
4:024x and DJI SMT A 3, we get 2X footage.
4:06Let's see how the image is stabilized,
4:08to see if everything is okay. It even
4:11grabs the face of the person walking in
4:13front of us. It's actually pretty cool
4:16to shoot while
4:18running with the 12x zoom on the Insta
4:20360 and DJI, and it looks quite
4:22confident. No sudden jerks, no blur,
4:24and the horizon doesn't tilt. The
4:26cameras compensate for running well. We
4:29tested 8K shooting on the Insta 360.
4:31This is the only camera with this
4:34option. We see that the Insta 360K
4:36gives us the warmest image of all the
4:38cameras, even in this lighting,
4:40although the skin tone is a bit
4:42yellowish. In contrast, all DJI videos
4:44are cooler, with skin tones closer to
4:47neutral and natural. However, there's
4:50no noticeable difference in detail.
4:52Even in 8K, the Insta 360 Luna Ultra
4:56has no issues. Both the foreground and
4:58background hold perfectly. However,
5:00both DJI 4s exhibit minor lateral
5:03jerkiness. When shooting all around,
5:05there's no noticeable difference in
5:07video quality between 8K and 4K.
5:10Regarding stabilization, the Insta 360
5:12once again performed admirably while
5:14running, producing excellent, smooth
5:16footage. I also tested the
5:18stabilization with 8K zoom. The Insta
5:21360 also impressed here. It allows for
5:23up to 6x zoom when shooting in 8K. And
5:26at every focal length, the camera
5:27performed exceptionally well while
5:29running. The footage is always stable
5:31and smooth. And, of course, Insta
5:32clearly outperforms its DJI competitor
5:34in this regard. Let's move on to the
5:36video zoom test and run through the
5:38specs of our cameras. Let's start with
5:40the veteran DJI Osmo Pocket 3. It has a
5:43single lens of approximately 9.4
5:45megapixels with a 20 mm focal length, a
5:471-inch semi-auto sensor, and an f/2.0
5:50aperture. The new generation DJI Osmo
5:53Pocket 4 again has a 1-inch sensor, a
5:5520 mm focal length, and an f/2.0
5:58aperture. But in terms of resolution,
6:00it's already a noticeable step up,
6:02reaching approximately 37 megapixels.
6:04The new DJI Osmo Pocket 4P, however,
6:06has seen a significant upgrade in its
6:08camera system. In addition to the main
6:1137-megapixel camera with a 1-inch
6:13sensor, a 20 mm focal length, and an f/
6:152.0 aperture, it now features a
6:17separate 37-megapixel medium-focus
6:20telephoto lens. It has a 1/4 "1/4"
6:22sensor, a 60mm focal length, and an f/
6:261.8 aperture. The Vinsta 360 Luna Ultra
6:29, by the way, also has two cameras. The
6:32main lens is a 37-megapixel Leica
6:35Sumicron with a 1-inch sensor, a 20mm
6:37focal length, and a brighter f/1.8
6:40aperture. The telephoto lens is also 37
6:43megapixels with a 1/4 "sensor, a 60mm
6:46focal length, and an f/2.0 aperture.
6:50Incidentally, I highly recommend
6:52watching the zoom test in 4K. At a
6:54lower resolution, the results may look
6:56different due to image compression. At
6:58the base zoom of 1x, all four cameras
7:01perform very similarly and produce
7:03almost identical detail. 2x zoom. The
7:05CMU Pocket 3 has its last available
7:08focal length. Here, the difference is
7:09quite significant. Text is relatively
7:11legible only on the Pocket 4, while all
7:13the small letters on its competitor are
7:16blurry. We switch to 3x. And, of course
7:18, the telephoto lenses on the new
7:20cameras give us a significantly higher
7:23quality image than the same digital
7:25zoom on the Pocket 4. 6X on the Insta
7:27360 and Pocket 4P is 4X on the Pocket
7:294. This is the Pocket 4's last
7:31available zoom. The Insta 360 and 4P
7:33performed similarly, but details on the
7:35left are still blurrier than on the
7:37right. And, of course, both of these
7:39cameras produce a sharper result than
7:42the Pocket 4. We turn on the final
7:44focal length, 12x. The cameras are
7:46still usable, but they're a bit of a
7:47wash. However, the Pocket 4 P's image
7:49is slightly sharper and cleaner, while
7:51the Insta's result is washed out and a
7:53bit noisy. Will the Insta 360 have any
7:55advantage when shooting 8K? At 1x,
7:57there's almost no noticeable change.
7:59Text is slightly sharper than its
8:00competitors, but the difference is not
8:02significant. At 2X, we see roughly the
8:04same thing. The 8K image is sharper,
8:06but only slightly. At 3X, the telephoto
8:08lens engages. Here, the Pocket 4 P's 4K
8:11is on par with its competitor's 8K. At
8:13up to 6X, it's clear that the Inza 360
8:16actively adjusts the sharpness, which
8:18makes the video visually sharper but
8:20doesn't add any detail. Moreover, due
8:22to the high sharpness, pixel jaggies
8:24are visible in the details. Friends,
8:26since our two new cameras now have two
8:28lenses and optical zoom, it's important
8:30to also look at the smoothness of the
8:32switch from 1X to 3X. The Insta 360's
8:34zoom looks accurate, but when
8:36activating 3X, a change in perspective
8:38and background shift are still
8:40noticeable. If we use the same zoom on
8:42a Dii, the inclusion of a telephoto
8:44lens is also quite noticeable. The zoom
8:46itself is smooth, but the lens change
8:48is obviously not seamless, and the seam
8:51is visible on both cameras, both when
8:53zooming in and out. Friends, before we
8:56move on, it's important to mention the
8:58firmware versions used for all of these
9:00tests. The information is on your
9:02screens, and this is actually quite
9:04important. Firmware can significantly
9:06affect how the camera performs. For
9:08example, with the Igrofon, I haven't
9:11yet updated it through the app. So,
9:14friends, I'm also currently testing
9:15under very challenging conditions.
9:17There's a twelve-lane road behind me.
9:19Six lanes one way, six lanes the other.
9:22Kutuzovskoye Highway. A very loud road.
9:24How can you hear me? I'm recording
9:27myself using the camera microphones.
9:29That is, in theory, everything should
9:30be perfect, as they say, and the sound
9:32should be good. And let's listen. 1 23
9:35sound check. 1, 2, 3 1, 2, 3 Sound
9:38check. 1, 2, 3 1, 2, 3 Sound check. 1,
9:412, 3 1, 2, 3 Sound check. 1, 2, 3 All
9:44cameras except the DJI Pocket 4 had
9:45very decent sound from the external
9:47microphone, but most likely, with the
9:49Pocket 4, I simply needed to lower the
9:51input signal volume, and there would
9:53have been no problems. However, I
9:55should note that I initially did not
9:56change the volume at all. All
9:58microphones and cameras recorded sound
10:00with default settings. And this problem
10:02only appeared on the Pocket 4.
10:04Friends, this is what our camera
10:06records sound when recording directly
10:08into the camera's microphone. Not with
10:10a lavalier microphone, but directly
10:12into the camera's microphone. Such are
10:14the difficult conditions. A twelve-lane
10:16road, that is, as straight as possible,
10:17there is simply a lot of noise. You can
10:19literally hear how our microphones are
10:22probably drowning out the road sound. 1
10:2423 sound check. 1 2 3 1 2 3 Sound check
10:271 2 3 1 2 3 Sound check 1 2 3 And 1 2 3
10:29Sound check 1 2 3 The sound without
10:32external microphones from the cameras
10:34turned out to be quite decent. My voice
10:36is audible, it is separated from the
10:38noise well. There is no strong hum or
10:41blowing wind. These are very good
10:43results. Of the differences, it seemed
10:45to me that the IS 360 suppresses noise
10:47a little more and at the same time
10:48lowers the voice. Whereas with all the
10:50DJs, the noise is not suppressed as
10:52much, but the voice is clearer because
10:53of this. And now we have a super cool
10:56test. And I will walk away from our
10:59cameras at a distance and see how far
11:02away our microphones will work. They
11:05are all connected to ours, each camera
11:07has its own microphone. That's how many
11:09I have. Another one is filming me with
11:11one microphone. Yulia, our cameraman,
11:13is now filming me with our professional
11:15Sony camera. That's it. And I will walk
11:17away from the camera. Now I'm standing
11:19at a distance of 1 meter. And here we
11:21go. 1 2 3 4 5 6 7 8 9 10. And this is
11:25what the shooting looks like if I've
11:29moved away by 10 meters. Accordingly,
11:32now I should, well, still be heard well
11:35, I think. Let's move on. 1 2 5 6 9 10.
11:42Already at about 10 meters, the
11:43microphones lose connection with the
11:45cameras when my back is turned. And now
11:48I'm 20 meters away from the cameras,
11:50friends. I've moved away by 20 meters.
11:52I hope I'm heard well. Let's move on.
11:55Starting from 20 meters, the connection
11:57gets noticeably worse. During editing,
11:58we saw that the cameras began to record
12:00sound significantly out of sync. To
12:02keep the test short, I'll say right
12:04away that up to 50 meters, all the
12:06cameras give us a normal connection
12:08when I'm facing the cameras. But that's
12:10if, of course, you don't take into
12:11account the desync. Occasionally, at
12:13longer distances, the audio would drop
12:15out on various cameras, but the
12:16connection was always restored
12:18eventually, and there was no permanent
12:20disconnect between the microphone and
12:22the camera. By the way, if you'd like
12:24to listen to the entire test, without
12:25my voiceover, in its raw form, so to
12:27speak, head over to our Telegram
12:29channel. We'll post it there after the
12:31review is released. Ultimately, I
12:32successfully reached the 110-meter mark
12:34, and I was audible at every stop,
12:36which is, of course, very cool. However
12:39, I suspect that four signals from four
12:40microphones simultaneously could
12:42interfere with each other, causing the
12:44connection to drop out more frequently
12:45and more severely than it should have.
12:47We tried this test again, but did it
12:50for each camera separately. We also
12:53tested the person tracking feature and
12:55the remote controls. Friends, the new
12:59DJI Osmo Pocket 4P and Insta 360 Luna
13:02Ultra have a really cool feature. On
13:06the DJI camera, we have this cool
13:07little screen that comes with the Kobo.
13:10The picture on it looks pretty good.
13:12It's legible even right now in the
13:14daytime. Granted, the sun isn't shining
13:16on it, but overall, it looks pretty
13:18good. So, I can easily monitor the
13:19footage. I press record and start
13:22filming. But on Insta 360, they've made
13:24it even more convenient. They have this
13:28cool block. It says," Preparing. Press
13:31switch to recording audio via the
13:33Touchscreen microphone. "I press switch
13:35. And now I'll record audio like this,
13:39right here, on this, and it turns out
13:43to be a cool thing. By the way, you can
13:45even see that there are microphones
13:47installed here. Whereas on the DJI
13:48camera, I can only monitor the footage.
13:50Unfortunately, I can't record audio
13:52like that. It says the signal is weak
13:53now, but the recording won't be
13:55affected. There are no issues at all
13:56with the DJI camera. So, everything
13:58works perfectly. The picture doesn't
14:00fall apart. 1 2 3 4 5 6 7 8 9 10. So,
14:06what about it? Well, wow, it really
14:11works. I mean, I can see myself now,
14:15I'm in the frame 1 2 3 4 5 6 7 8 9 10.
14:19And now I'm already at a distance of 30
14:23meters. I mean, in theory, well,
14:25probably, well, you can see, you can
14:27really see. By the way, I'll try to
14:29zoom now. 2x and now 3x zoom. Cool. I
14:33just zoomed 3x. Just now I did 6x. Can
14:36you imagine, friends, at a distance of
14:3830 meters I can easily control the
14:40recording and video. I mean, I just did
14:4212x. Even now, I think, in principle,
14:44you can see me quite well. Yes, of
14:46course, the picture here says weak
14:47signal. The recording will not be
14:49affected, but everything works. That
14:50time on my DJI device now everything
14:52here is at zero. It doesn't connect, so
14:54you can just put it in your pocket.
14:56Let's try moving even further away. 30
14:58m. Further. 1 2 3 4 5 6 7 8 9 10. And
15:03this distance is 40 m. And I can still
15:08control the picture. That is, now I'm
15:10doing, for example, 1x again. Here I've
15:12zoomed in, I'm doing everything
15:13directly from the camera. I'm still
15:15monitoring the shooting. That is, I can
15:17now change it again. Here I set 1x
15:20again, now again 2x 3x 4 6x it turns
15:24out 12x. That is, we're filming again.
15:28Let's move on. Well, let's go, my road
15:31is already ending here. I'll do another
15:3310 m. Once it works. But as soon as
15:46there is direct visibility, that's it.
15:48That is, everything works great. And so
15:51far Yes. Okay, I'll try now. And I
15:54turned myself off now. I'll try, maybe
15:56it will find it after all. Wow, let's
15:58get really deep. It still sees me. So,
16:03if there's a direct line of sight, I
16:05think the distance could be even
16:06greater. So, it turns out the camera is
16:08still tracking me. Ista 360 worked with
16:12this cool external monitor, at about 70
16:16meters. That's a really cool result,
16:19I'd say. And basically, oh yeah, of
16:21course, it keeps saying the signal is
16:23weak, the recording won't be affected,
16:25but the recording won't be affected. So
16:27, the signal is weak, but the recording
16:28won't be affected. But I can control
16:30the shooting, zoom, record audio
16:32directly into it, and, accordingly, I
16:35have complete control, I can change
16:38things, take a photo, I can do anything
16:41. This is, of course, a huge thumbs up
16:44for this Ista 360 external monitor. Yes
16:47, the connection would drop
16:49periodically, but it always found it.
16:52As soon as I turned to face the camera,
16:55our camera immediately found this
16:57signal, and everything worked, as they
17:00say, beautifully. Now I'm moving away
17:02far away. Here it's 15 meters. Here I
17:06see. So. And now I wonder if it works
17:10or not, right? Because that's it, that
17:12is, it works, here is this transmitter
17:14at the DJ, it works for about 10 meters
17:16. That's it, I'm already able to do it
17:18now. And no, it still works, right?
17:19Okay, it works. Let's move away like
17:21this again. 1 2 3 4 5 6 7 8 9 10.
17:31So, it seems to be recording, right?
17:33Okay, it's clear on INS. Now I press
17:35record and it's recording. And what
17:37else?
17:37Okay, I get it. On INS, I can
17:39immediately zoom out right now. Now I'm
17:41zooming in, it turns out, on the
17:42picture. I'm making it 6x. Okay, I turn
17:45it on. It turns out, now it's 12x. That
17:47is, I can easily see myself on the DJ.
17:50Okay, so I just turned it on, so it's
17:53DJ. Okay, so it's DJ. I tap my face
17:56twice, right? Well, that's how it works
17:59. There. Well, obviously, they're
18:01probably still interrupting each other,
18:05and that's why I periodically see the
18:08sound recording drop out from, uh, our,
18:11uh, external microphone. Maybe because
18:13it's interrupting the sound. But if,
18:15for example, I move away. Well, by the
18:17way, the DJ is getting a good signal
18:18right now. So, it turns out, it's
18:20losing connection. Too bad. So, for
18:21example, I'll turn away, yeah, and,
18:23accordingly, it'll probably lose
18:25connection now. Although no, everything
18:27seems fine here for now. Yeah. They're
18:31probably still overlapping, because
18:33right now, it turns out, I moved away
18:35and completely lost the recording, well
18:38, I lost the signal, and my Insta 360,
18:41that is, it just doesn't respond. The
18:43weird thing is that when the Insta 360
18:45loses connection to the screen, the
18:47image in the camera itself starts to
18:48crumble, becoming pixelated and blurry.
18:50That's it, both cameras have stopped
18:53responding, and I'm going to see how
18:56it's working. Okay, the DJI has picked
18:59up the signal and, accordingly, it
19:01seems to be working. Here's the ISA
19:04360. I see. Our signal, uh, has
19:06disappeared. There. But at the same
19:09time, the camera, but the camera is
19:11tracking me, and here it sees the
19:12picture like this, the signal has also
19:15simply disappeared and it doesn't
19:16restore the recording, that is, it
19:18doesn't respond to this at all, it
19:20seems. We'll test it right away. So,
19:22two things. First, we'll test the range
19:26of our microphone, and second, the
19:28range of this, uh, device of mine. I'll
19:31double-tap my face now, do deep
19:33tracking, so to speak, activetracking.
19:36And off we go. Now my distance is about
19:381 meter. I turn my back and walk away.
19:421 2 3 4 5 6 7 8 9 10. And that, friends
19:48, is 10 meters. Sound check 1 2 Sound
19:52check 1 2 3. I think there are no
19:54problems now. ActiveVK is still working
19:56. I'll zoom in a little now. I'll do
19:58two here. I go in any direction,
20:00everything works fine. Let's move on.
20:02It turns out 1 2 3 4 5 6 7 8 9 10. And
20:06that's already 20 meters. Now I turn
20:10around, I see that the picture is
20:12working great, there are simply no
20:13problems. I'm already zooming in at 6x.
20:161 2 3 4 5 6 7 8 9 10 and that's already
20:2230 meters. I hope everything is fine.
20:25I'm zooming in at maximum 12x. 1 2 3 4
20:285 6 7 8 9 10 and this is already 40
20:33meters. I hope you can hear me well and
20:36there are still no problems. That is, I
20:38am moving and monitoring the filming,
20:39and, accordingly, recording the sound.
20:41Already 40 meters. Further. 1 2 3 4 5 6
20:447 8 9 10. And this, friends, is 50
20:48meters. Well, if 50 meters works, then
20:51this is already very cool. And I can
20:53still see that the recording is going
20:55on here. I see myself 50 meters. Let's
20:58move on. 1 2 3 4 5 6 7 8 9 10. This is
21:0360 meters. And, accordingly, the
21:07monitor is still working. No problems.
21:09This is 60 meters. This is, of course,
21:11very cool. 1 2 3 4 5 7 8 9 10. That, my
21:15friends, is 70 meters. That's it, it's
21:19already telling me that the recording
21:21signal is weak here, but the recording
21:22won't be affected. But the weak signal
21:24is already the picture is starting to
21:25fall apart, but it still finishes off.
21:27They certainly don't like interference,
21:29these cameras. 1 2 3 4 5 6 7 8 9 10.
21:32And that, my friends, is already 80
21:36meters. It's really cool that it's 80
21:38meters. And the camera is still picking
21:40me up just great, ah,,I'm getting it.
21:42That is, I can now move to the side. I
21:45can see the video. And, by the way,
21:46it's even in good quality now. That's
21:48already 80 meters. Let's move on. 1 2 3
21:514 5 6 7 8 9 10. And that's 90 meters.
21:57The camera is watching me. Everything
21:59is super, no problems. I can see myself
22:01. 1 2 3 and that's already 90 meters.
22:10And so far, it turns out I can see the
22:11camera, that is, it's filming me, I can
22:13see the picture, that is, there are no
22:15problems. 90 meters. At the same time,
22:17I can still monitor, I can control the
22:19filming. I just did 1x, it turns out he
22:21lost sight of me, by the way. 2x, 3x,
22:24found me again. And now I'm again, ah,
22:27actively filming. Uh, 6x, 12x. That's
22:30it. There he just caught me again. Once
22:33again. Three. 100 meters. Damn, I got
22:40100 meters away. Very cool. And so far,
22:43that is, I am visible, although my
22:45camera still shows that it's actively
22:47tracking. Well, I think there's no
22:48point in filming any further. We're
22:49moving towards each other. The Insta
22:51360 recorded sound continuously up to
22:53about 60 meters, even when I was
22:54walking with my back to the camera.
22:56Interference only started as I moved
22:57further away from the camera. After
22:59that, the sound held up quite well and
23:01only dropped out when I turned my back
23:02to the camera. The active recorder and
23:05remote worked perfectly, up to 100
23:07meters away. On the way back, there
23:09were no tracking or connection issues
23:11at all. The result is excellent.
23:13Friends, I've just encountered a very
23:14big problem. I have the recorder that
23:17came with this Osmo Pocket 4P recorder.
23:22As soon as I try to connect it, the
23:24connection on the monitor immediately
23:25disappears. This is very strange. While
23:27we were just testing the Insta 360,
23:30there were no problems there. This is a
23:32very strange situation. I'll try to
23:34turn it on again now. This is how I
23:37connect now. Now it turns on. That's it
23:40, and yes, everything works, but I lost
23:43the connection. That is, the microphone
23:46connected, but now it's lost the
23:47connection and says:" Connected, unable
23:49to connect to DJ pass. "This is a very
23:51strange situation, it's probably just
23:53some kind of bug, because this
23:54shouldn't be happening, of course.
23:56Let's go. 1 2 3 4 5 6 7 8 9 10. And
24:01that's 10 meters. I think there won't
24:04be any problems with the sound now, I
24:06think. Everything is there, the monitor
24:07is running, Yulia shows that everything
24:09is okay. Let's move on. And now it
24:10turns out to be 60 meters. And if you
24:13can hear me, then it's just a
24:14mega-gun-bomb, as they say. 1 2 3 4 5 6
24:187 8 9 10. And that's 70 meters. And
24:23that, friends, is 90 meters. So, I
24:25deliberately stood right between the
24:27lamppost and the pole. 1 2 3 4 5 6 7 8
24:319 10 and that's 100 meters. Friends,
24:36deep also really pleased me in terms of
24:38sound recording. It worked even better
24:40than the Insta 360. The sound was
24:42consistent throughout the entire
24:43distance, even when I was walking with
24:45my back to the camera. It's certainly
24:47powerful, but tracking dropped out very
24:49quickly, literally after 15-20 meters
24:51and that was it. The same problem with
24:54the remote control. It loses connection
24:56at about 30 meters. The DJI Pocket 4
24:58disconnected the active tracker at
25:00about 20 meters, but then reconnected
25:02it at about 80 meters and even tracked
25:05me in the frame all the way back to the
25:07camera. As for the microphone audio,
25:09the Pocket 4P is superior to the Pocket
25:124P. The signal was smooth up to 100
25:14meters. The Omo Pocket 3 was able to
25:16track me up to about 30 meters, and
25:18then the tracking stopped. As for the
25:20audio, it reached the camera almost
25:22perfectly up to about 80 meters. When I
25:25moved to the 90 meter mark, from behind
25:27, the signal began to drop out, but
25:28then recovered. And even from 100
25:30meters, the sound was recorded quite
25:31well, without any noticeable
25:33interruptions. Now let's test the
25:35Activek to the fullest. And now we have
25:38the very last test in terms of
25:39recording our long-range micro
25:41microphones. I'm now at a distance of 1
25:43meter. We'll move away. I'll hide from
25:45the cameras. We're doing active
25:47tracking. By the way, here I do this, I
25:48raise my hand on the DJI Osmo Pocket 3
25:50like this. They'll record it now.
25:52That's it, they've caught me now. Two
25:54cameras on the DJI Osmo Pocket 3. Now
25:56Yulia will activate it. And again, all
25:58the cameras have caught me. And now
26:01we'll move away and see how the
26:03microphones work. That's when we'll
26:05move away. Let's go. 1 2 3 4 5 6 7 8 9
26:0810. Now, I think there won't be any
26:12problems. Uh, the cameras record sound
26:16well. Let's move on. 1 2 3 4 5 6 7 8 So
26:24, I've moved away about 20 meters now
26:27and am starting to hide in the forest.
26:29I'm just going into the forest like
26:30this. I'm 20 meters away now, yes. I'm
26:33just moving away into the forest a
26:34little bit now. We'll see if the
26:36microphones were working at all. And
26:39the best thing is, I'll just go over
26:40here behind the fence now. That's when
26:42I hide behind the fence. It will be
26:44very interesting to hear if the
26:45microphones pick up anything at all.
26:47Right now we're about 25 meters away
26:49from the cameras. Active Tracking is
26:52probably still working, but the sound
26:53is probably not. That's it, I'm hiding
26:55now. So, it will be interesting to
27:02listen. I'm completely hidden behind,
27:04it turns out, an iron wall, the sound
27:07is most likely reflected. But I don't
27:10think any camera will work, because if
27:13our cameras work on such a thick, let's
27:16say, ceiling, and they work, yes, and
27:19record sound, it will be just mega-cool
27:22. Yes, friends, strangely enough, the
27:24DJI Pocket 4 and 3 were able to pick up
27:27sound from behind the fence, but the
27:29newer, more expensive 4P and Insta 360
27:31performed noticeably worse. So, Insta
27:33is still tracking me because it has the
27:36best active tracking. It reaches very
27:38far, and the DJIs are already gone,
27:40they've already fallen off. Well, now
27:42I'm going to go into the forest. Let's
27:43listen to the sound. The most important
27:45thing is for the sound to work at this
27:47distance. So, I'm about 30 meters from
27:48the cameras now. I'm going into the
27:50forest. So, it will be very interesting
27:56to listen. There is a sound when they
27:59cover me here. Okay, that's it, I'm
28:01hidden. I think the cameras, of course,
28:03can't see me. Well, that's it. If at
28:05least one camera is picking up sound
28:07now, that's, of course, very cool,
28:09because I'm in the forest now, hidden
28:11by the trees. When I went behind the
28:13trees, the Isa 360 lost sound faster
28:15than anyone else, but on my way back,
28:16it spotted me from afar among the trees
28:18and picked up tracking. All the DJIs
28:20had more stable sound, but of course,
28:22tracking here is nowhere near as good.
28:25Okay, friends, let's check how things
28:28work now if I walk around the 360 °
28:31cameras in this direction. I'm walking
28:34this way, and it turns out all the
28:36cameras are tracking me, and even the
28:38Isa 360 was able to track me in this
28:40direction, although I think it was very
28:43difficult for her. That's it, that's
28:44where the limitation appears. And then
28:46I walk again like this, everything is
28:49calm, all the cameras are working well,
28:51they keep me well, it turns out, in
28:54focus. Now DJI 4 has lost me. Isa 4 has
28:58lost me too. Meanwhile, the 4 Pro is
29:01working well. And now I'll move a
29:03little in this direction. Everything is
29:05interesting. This is the edge,
29:06literally about 20 ° of dead space.
29:09The others all hold up really well, but
29:11right now both the Osmo Po 3 and 4 Pro
29:14are holding up well, basically. So in
29:16that regard, I guess, well, these
29:18cameras are really great. By the way,
29:21here's what I like. Insta found me
29:23again and continues active tracking
29:26with me in the frame. So, that's really
29:29cool, of course. And so now we're
29:30heading in this direction. I'm going
29:32around the camera now, and then in this
29:35direction. And here's the DJI Osmo
29:37Pocket 4. It's just, unfortunately,
29:39since it lost me, it still can't find
29:41me. And now we're checking this active
29:43tracking again. But I'm moving in this
29:45direction now, because this side is the
29:47heaviest for the cameras. So, that's it
29:50, right here, they stop, I walk away.
29:52So, they lose sight of me. And now
29:55we'll see if they'll hold on and
29:56continue watching everything. If the
29:59moon, it turns out, has lost sight of
30:01me, it simply disappears into oblivion,
30:04turns its little screen up, and that's
30:06it. And, accordingly, he turns his
30:09camera up and says," No, I can't track
30:11you anymore and there's no way I can
30:14bring it back to life. "I
30:16also tested the tracking of the Prius
30:182X on the Pokémon 3 and 3X. In this
30:20test, the Insta 360 performed the best.
30:23It only picked up the tracking when I
30:25came back into frame. Unfortunately,
30:27the DJI lost me. The fourth-generation
30:30Ista 360 also offers gesture control.
30:33On DJI, the V gesture starts video
30:35recording, and ActiveTrack is activated
30:38by palm. Meanwhile, on the Insta, you
30:40can start and stop recording with your
30:42palm, and the V gesture takes a photo.
30:44Friends, our cameras also came with
30:48these cool lenses. The Insta 360 has an
30:52interesting lens. It has an additional
30:54one. And I think now I put it on like
30:57this, and accordingly, it's probably
31:00getting wider now, I guess. Although, I
31:02don't think I've actually used this
31:05lens at all. This lens, I think it's
31:08probably even labeled 0.75, like a 15mm
31:11focal length. And in theory, I should
31:14probably mount it here on the DJI, but
31:16it doesn't mount here on the DJI. This
31:18one is probably from a different DJI.
31:20To be honest, I don't remember if we
31:22have this lens on the DJI. There. But
31:25on Insta, we have this situation. It's
31:27like something has become wider. Now
31:29I'm taking it. It's convenient, it has
31:31a magnetic mount, I'm shooting now, but
31:33in principle, there probably isn't much
31:36difference, so most likely, what does
31:37this have to do with it? There's a hole
31:40for 3X, it just doesn't work. There. Oh
31:43, yeah, yeah, it's a 15mm focal length,
31:46but honestly, I don't think this lens
31:48is relevant at all. I've never used
31:51this lens as a DJ, to be honest. For
31:53example, right now it's on my DJI Osmo
31:55Pocket 4. This is what the footage
31:57looks like. But again, there's almost
31:59no difference. Even if the field of
32:02view widens slightly, it's barely
32:05noticeable. So, I think this thing is,
32:08well, essentially irrelevant, just like
32:11on Insta 360. Let's take a short break
32:14and look at how our cameras shoot
32:17timelapses. All our cameras can record
32:20timelapses in 4K at 30 FPS. It's
32:23important to note that both the Insta
32:25360 and Pocket 4P i4 turn off the
32:26screen while filming, which is
32:28important for saving battery.
32:30Unfortunately, the Poet 3 doesn't turn
32:32off the screen. DJI offers timelapses
32:35with camera rotation. To do this, go to
32:38the 3K Motion section and start
32:40recording. Insta 360 has another
32:42interesting feature: shooting with
32:44camera rotation. Granted, this isn't a
32:46timelapse, but a regular video, but
32:49let's still see what we get. By the way
33:01, Insta 360 and Pocket 4P can shoot
33:03timelapses, including with a 3X lens.
33:05The other two DJIs don't have this zoom
33:08feature. Another interesting feature is
33:12shooting timelapses with manually set
33:15waypoints. This option is available on
33:17all three DJIs. 360 doesn't have this
33:20capability. Our cameras also offer the
33:24option of shooting timelapses while
33:26moving. Insta 360 calls it T Shift, and
33:28DJI calls it hyperlapse. Here are some
33:31spectacular pans you can get with this
33:33kind of shooting. Friends, one more
33:39very important point. Here's the DJI
33:40Pocket 4 Pro. I hope the firmware will
33:42fix this, but it resets my settings
33:44every time. I was setting things up
33:46here, and when I swipe up from above, I
33:49set the camera to be FPV. So, it looks
33:53where I point it. It resets it every
33:56time. And now I have to do it again
33:58every time after I turn off the camera,
34:01and therefore, it resets the settings
34:03every time. It's incredibly annoying. I
34:05hope they fix this in the firmware and
34:07solve the problem. While other cameras
34:09remember the last setting I made and
34:12don't reset it. Well, I think now is
34:14the time to test shooting in HDR and
34:17logarithmic camera profiles. And here
34:19it's important to say a few words about
34:21dynamic range. The Digi Pocket 4P 2
34:23claims a maximum dynamic range of up to
34:2717 stops. Not every mirrorless camera
34:30will offer such a dynamic range, but
34:32there is an important limitation. The
34:3410-bit Dog 2 only works at 1x.
34:36Meanwhile, the Insta 360 Luna Ultra
34:39claims 14 stops of dynamic range for
34:41its main 1-inch Leka Sumicron module.
34:44Regarding the DJI Pocket 4.3, the
34:46fourth-generation model also claims 14
34:49stops. And for the third-generation
34:51model, we have 12.7 stops. Let's move
34:53on to the tests. My daughter Maya and
34:55niece Sonya are helping me with this.
34:57The conditions are challenging. The
34:59foreground is in shadow, and the sunset
35:01sky is quite bright behind. Both
35:02fourth-generation DJI cameras perform
35:05better than the other two, even in SDR
35:07recording. They have a well-developed
35:09sky and a clearly visible foreground.
35:11Shadows are not blown out, and there
35:12are no blown highlights. The Insta 360
35:14also achieved a good result, but there
35:15is noticeable glare from the sun. The
35:17worst performer was the DJI Osmo Pocket
35:193, where we see a nearly completely
35:21blown out sky. Only the Insta 360 and
35:23Pocket 3 have an HDR profile. The
35:25former has Dolby Vision and the latter
35:27has HLG. However, the fourth-generation
35:30Pockets, for some reason, lost this
35:32option, so they default to 10-bit DDR.
35:34As you can see, this format gives us
35:36good flexibility for coloring and
35:38allows for excellent highlights and
35:40shadows. However, 4P still produces a
35:42more interesting result with less blown
35:45out highlights and deeper shadows. HDR
35:47360 looks good, but there are some
35:50nuances. The image is quite bright and
35:52overexposed, which means the foreground
35:54and shadows are clearly visible, but
35:55the sky is noticeably overexposed.
35:57Pocket 3 produces the weakest image.
35:59The foreground is too dark, and the sky
36:01is partially blown out. We connected
36:03the Insta 360, Dog 2, Osmo Pocket 4P,
36:06and Dog on Osmo Pocket 4 and 3. Insta
36:09performed strangely. The shot itself
36:11was initially very dark, but then the
36:13exposure automatically adjusted. We
36:15didn't change it manually. As a result,
36:17the sky turned out slightly overexposed
36:19than with the DJI 4. And we couldn't
36:21remove this flare around the sun. Both
36:23fourth-generation DJIs produced a very
36:26deep image with a good amount of
36:28dynamic range. However, the 4P still
36:31looks more interesting. The sky is less
36:33overexposed, the shadows are deeper,
36:35and there's no chroma keying effect
36:37along the foreground edge. But the
36:39Pokemon 3 again performs the worst. Its
36:42shadows are less defined, they stretch
36:44less, and the sky is more overexposed
36:45than its competitors. And we can't
36:47remove this flare. By the way, friends,
36:50if you don't want to get into all this,
36:52but still want to shoot a video in a
36:54log profile, we'll post ready-made DJI
36:56and Insta 360 loot in our Telegram
36:59channel. You can simply overlay the
37:01file in any video editor and get a nice
37:04coloring effect. Link in the
37:05description, QR code on the screen.
37:07It's great that all cameras allow
37:09zooming in HDR and LK. But for
37:11reference, we'll start with an SDR
37:13image again. The Pocket 4P gave us the
37:15best result. There's no highlights, the
37:17shadows are deep, and the foreground is
37:19perfectly rendered. The regular 4 P's
37:21result is slightly worse. Here, the
37:22shadows are flatter. The foreground
37:25looks a bit overexposed, as if there's
37:26some kind of haze in the image. The
37:28Insta 360 performed even worse, and the
37:31DJI Pocket 3 produced the saddest image
37:33. We enable HDR on the Insta 360 and
37:35Pocket 3, and Dog on the Pocket 4 and
37:374P. Here, again, the 4P shows the best
37:40result. The image is contrasty, but
37:42without any shadow drops, noise, or
37:44highlights. The Insta 360's result is
37:46very overexposed. The shadows are too
37:48bright, and the sky is partially blown
37:50out. Nevertheless, this result looks
37:52better than the Omo Pocket 4's, which
37:54has a very noisy result. If you reduce
37:57the exposure and shadows, the noise
37:58will certainly be less noticeable, but
38:00the video itself will be very dark. The
38:02Pok 3 has the darkest foreground, and
38:04the sky is partially blown out. Let's
38:06look at the logarithms on the Insta 360
38:08and Pok 3. Again, the Insta 360 is
38:10inferior to the DJI 4P in dynamic range
38:13. It's impossible to bring out the
38:14highlights in the sky in the coloring.
38:15These areas are lost in the original.
38:17There's not much to say about the Pok
38:193. The result is obviously the weakest.
38:21What's cool is that the Insta 360 Luna
38:23Ultra is the only one among its
38:25competitors that allows you to shoot
38:26HDR and LK in 8K. But let's start with
38:29the SDR image again. The Insta 360 Luna
38:31Ultra's result is very dark, with the
38:33lowest exposure of all the cameras.
38:35Enabling Dolby Vision transforms the
38:37video. The image is bright, exposed,
38:39and looks very good. And finally, the
38:42iLOC 8K. We had no issues with
38:44developing or coloring. The shadows
38:46aren't lost, the sky isn't blown out,
38:47and the file is quite flexible. Let's
38:49see if the results change when shooting
38:50with the 3X Telephoto lens. In SDR, we
38:52again see a fairly dark image, similar
38:54in exposure to the Spocket 3 video. If
38:57we enable HDR, the image seems to
38:59become even darker. And finally, iLog.
39:01The file is quite flexible and displays
39:04well. We can adjust the exposure and
39:06even such a dark scene can be enhanced.
39:08However, I'd like to draw your
39:09attention to the lower left corner.
39:10Here, the grass in the shadows merges
39:12into large patches in places, and noise
39:14is also noticeable. If we increase the
39:15exposure slightly, there's generally
39:17more noise in the shadows than in the
39:19Osmo Pocket 4P. All of our cameras can
39:22record slow-motion video. Let's test
39:25them. We'll start with 120 fps. All
39:28devices support this 4K resolution,
39:31delivering good, similar quality, and
39:34reliable stabilization, even while
39:37moving. The Insta 360 and Pocket 4P can
39:52also shoot 120 FPS on a Telephoto lens.
39:54Both cameras again impress with
39:56high-quality images and good
39:57stabilization. No complaints there. If
40:01you want to shoot slow motion up to 240
40:04FPS, the DJI Pocket 4P and 4 can do it
40:07in 4K. Meanwhile, the Insta 360 and DJI
40:10Pocket 3 only offer this slow-motion
40:12option in Full HD, and the difference
40:14in resolution is truly noticeable. You
40:16can compare the Insta 360 and Pocket 4P
40:19images side by side to clearly see the
40:22difference in detail. Furthermore, the
40:24Insta 360 produces the noisiest image.
40:27Fine grain is visible in the shadows,
40:29which isn't even present on the DJI
40:31Osmo Pocket 3. However, only the Insta
40:33360 has the option to shoot 240 FPS on
40:35a telephoto lens. And here's what it
40:37looks like. Let's move on to the photo
40:47test. We'll start with a couple of
40:49selfies. In the first series, the
40:51Pocket 4P produces the most interesting
40:52result, in my opinion. The photo is
40:54contrasty, sharp, and has a decent skin
40:56tone. The Poet 3 also has a good light
40:58and shadow balance, but the photo has a
41:00yellowish cast, including on the skin.
41:01The Poet 4 produced a softer photo with
41:03a pleasant skin tone, but the shadows
41:05are too light. The photo lacks a bit of
41:08depth. An even more washed-out result
41:09is seen on the left. Here, the photo is
41:11completely overexposed, as if there's a
41:13veil over it. I cleaned the lenses, by
41:16the way. The second series of photos
41:17shows similar results. I don't see the
41:19point in going into detail about each
41:21photo here. But subjectively, I still
41:23like the selfie taken with the DJIOS
41:24Pocket 4P the most. Let's look at the
41:27image quality at pre-zoom. Let's start
41:29with the 1x primary lens. All cameras
41:31produced very similar image clarity and
41:34detail. However, the Insta 360 has less
41:35noise in the shadows than its
41:37competitors. We're turning on the
41:38telephoto lenses on the new cameras,
41:40while the Pocket 4.3 has a maximum zoom
41:42of 2x. The difference between optical
41:44and digital cropping is colossal. The
41:46Insta 360 and Pocket 4P performed about
41:49the same. We're using digital zoom on
41:51these two cameras. Detail legibility is
41:53almost identical, but the Pocket 4P has
41:55sharper images, which creates the
41:57impression of higher quality. In
41:59practice, the quality is identical.
42:01Both cameras also offer photo zoom up
42:03to 12x. Text legibility and detail
42:06remain at a similar level. However, the
42:08photo on the left has noticeable color
42:11artifacts. Friends, the new Insta 360
42:14can take amazing 360 ° panoramic
42:16photos. Let's test it out. Ah, the
42:18panorama mode is selected. It even
42:20tells us right away, giving us advice
42:21on how to do it. So, we do this, ah,
42:23the timer is 3 seconds, and it will
42:25take a photo in 3 seconds. Now let's
42:27try it. Panoramas need to be viewed in
42:29the app; it says" panorama. "Well,
42:31there we are, all in the frame. That's
42:33the kicker. So, yeah, it's best to
42:35shoot this panorama, position it like
42:37this and run straight away from the
42:39camera. And then you can get a really
42:41cool shot. Or, by the way, you can use
42:43a stick, like this, like this, hold it
42:46like this, and try to take it.
42:47Essentially, Insta 360 gives us a
42:49panoramic photo that's unfamiliar to us
42:51, but a photo of everything around us
42:53with a 360 ° view. To do this, the
42:55camera takes 12 photos and stitches
42:57them together into a single canvas. DJs
42:59can't boast of anything like that.
43:01Another unique feature of Insta is a
43:03200-megapixel panorama. I'm
43:05shooting with the camera like this
43:07right now, right? And it turns out
43:09we're taking these cameras. Okay, will
43:11you take them, right? And now we're
43:13taking, it turns out, a snap like this.
43:15So, I'm pressing like this.
43:19We get a very large file, 70 MB, with a
43:22resolution of 20,000 pixels by 10,000
43:25pixels. As you can see, this photo
43:27doesn't cover the entire area around
43:28the camera, but it does give us a very
43:30wide field of view. DJI takes a
43:32different approach to panoramas. The
43:34cameras take nine frames and stitch
43:36them together into a single photo.
43:37Essentially, all three DJI cameras
43:39produce very similar images that look
43:41like they have a very wide field of
43:43view. For fun, we also shot a few food
43:46photos. I won't focus on color
43:48rendition and detail here. I simply
43:50suggest you take a look and choose the
43:52most appetizing shots for yourself.
43:54Personally, I think all cameras produce
43:56fairly similar photos with subdued
43:58colors. Speaking of mobile photography,
44:00for example, smartphones almost always
44:02produce much more saturated food photos
44:04. Some people like this, others not so
44:06much. However, at certain price points
44:08and when zoomed in, the DJI Osmo Pocket
44:104P still produces more vibrant photos
44:12than the Insta 360. Although the
44:14difference isn't dramatic. I also had a
44:16Hassilbl X2D21C camera with me, one of
44:19the most accurate color reproduction
44:21cameras in the world. I invite you to
44:24evaluate how natural the photos our
44:26cameras produce are. By the way, the
44:33Insta 360, like DJI, offers several
44:36interesting image enhancement features.
44:38Let's start with beautification. In
44:40theory, this mode should smooth out
44:42skin, remove imperfections, and
44:43generally work like on smartphones with
44:45similar features. It actually does have
44:47an effect. Here's the image before
44:49enabling this mode. And here's what we
44:52get after. However, the smoothing is
44:54very crude. The face looks completely
44:56strange and artificial. The DJI Osmo
44:58Pocket 3, 4, and 4P also have similar
45:00enhancements. You can find them by
45:03swiping right to left in the advanced
45:04settings. All cameras also offer color
45:07filters. If you want to immediately
45:10achieve a tinted image with a specific
45:13hue or if you're interested in more
45:15advanced shooting, the 360 and Dii
45:17cameras offer a professional shooting
45:19mode. These cameras allow you to
45:22manually change shutter speed, ISO,
45:24exposure, and white balance. The
45:26Insta360 lets you adjust saturation,
45:28sharpness, and contrast separately. You
45:30can set the exposure metering to either
45:32sensor or face detection. You can also
45:34customize the autofocus and choose one
45:37of three modes: AFC for dynamic
45:39shooting, AFS for fixed focus, and the
45:42so-called Product Demo mode. This mode
45:45is advertised as convenient for
45:47livestreams and product demonstrations,
45:49as it eliminates the effect of
45:51autofocus jumping from the foreground
45:53to the background. The DJI Pocket 4P
45:554.3 has a largely identical set of
45:57settings. It's just designed a little
46:00differently. There's no point in
46:01repeating everything the same. Let's
46:03just say that all four cameras offer
46:05identical flexibility in Pro mode.
46:07Before we get too far, I'd like to
46:09briefly discuss the gimbal modes. Our
46:11new products feature four modes that
46:13are similar to each other. I'd like to
46:15immediately praise the 360 for its
46:17clear animations for each mode. It's
46:19very convenient. Both cameras have two
46:21FPV stabilization options. In the first
46:23, the camera is fixed and points in the
46:26direction of the handle. In the second
46:28option, the camera moves freely but
46:29also follows the direction of the
46:31handle. The Insta 360 also has two
46:33camera lock options: horizon and roll
46:36lock, and horizon lock only. The DJI
46:39has horizon lock only and another mode,
46:41which apparently wasn't translated well
46:43into Russian. Subscribe. By the way,
46:45don't forget to subscribe to our
46:47channel, friends. The advantage of the
46:49Insta 360 is that it remembers the
46:50selected mode, whereas with the DJI
46:52Osmo Pocket 4P, you have to start from
46:54scratch every time. Conveniently, Insta
46:57360 offers the ability to adjust the
46:59stabilization speed directly in this
47:01menu. You can also adjust the joystick
47:04sensitivity nearby. On the Di, you need
47:06to go to the main menu and open a
47:08separate item, Angular Velocity, where
47:10you can also select three modes. It's
47:12also important to mention the new
47:13buttons on our new products. Pressing
47:15the left button on the Insta 360
47:17rotates the camera toward you or away
47:19from you, and the right button switches
47:21color profiles. On the Di, the plus
47:23button zooms from 1x to 3x and back,
47:26and the right button switches the
47:28joystick to zoom mode. I'll also say a
47:30few words about Live Photos. These are
47:33essentially short videos that you can
47:35shoot on the Insta 360, Pocket 4, and
47:384P, but the third version of the Di no
47:40longer has this feature. Insta 360 can
47:43take these photos with sound and in one
47:45resolution: the Pocket 4P and 4 also
47:47take Live Photos with sound, but in
47:4916x9 resolution. Friends, it's
47:52nighttime here, and now we're going to
47:54test our cameras in challenging
47:55conditions. We have clever lighting
47:57here, beautiful lighting. I'm in the
47:59park. That's it. And I hope everything
48:01will be beautiful. I'm currently
48:02filming in standard 4K50 fps. We'll see
48:05how our cameras handle this kind of
48:07footage. By the way, it's interesting
48:10that Luna signed off, saying," I'm
48:12going to turn on some super-cool mode
48:14now. "Although I usually just film in
48:174K50 fps now. And she said," Heat
48:19generation may increase. "Let's see.
48:21This is what it looks like when filming
48:23. I'm standing right under the
48:24streetlight. That's so beautiful.
48:25That's it. If there's this streetlight
48:27behind me, and I used active tracking,
48:30the cameras frame my face, and I can
48:32see myself—it's all beautiful. Let's
48:35walk around a bit and see. I'll now
48:36move away from the lighting, and see
48:38what the picture will look like. Of
48:40course, it's better to activate the
48:44so-called video mode or low-light
48:47shooting on these cameras, because I
48:51think there will definitely be problems
48:55with the image. When I approach the
48:58flashlight, everything is fine. But as
49:00soon as I move away from it, well,
49:02accordingly, the quality immediately,
49:04in theory, drops sharply. Let's also
49:06run a little and look at the
49:07stabilization. Let's go. Biliza.
49:09Stabilization while running is good on
49:11all four cameras. The image is smooth.
49:13Low light doesn't spoil the situation
49:15too much. Excellent result. Okay,
49:17friends, now I've set it to 4K, 25 fps,
49:20but not in Pure Video mode yet. Let's
49:23see if changing the frame rate affects
49:25the image quality, especially in such
49:27difficult conditions. That is, when we
49:29don't have much light. But the truth is
49:31, I'm now standing under a flashlight.
49:33This is what shooting against the light
49:34looks like. That is, right now the
49:36flashlight is brightly illuminating my
49:37face. The camera tracks my face well,
49:39meaning it locks on straight ahead.
49:41That is, even if I move slightly to the
49:43side, slightly to the left, the cameras
49:45follow me. This is a huge advantage for
49:48these blogger cameras. And now let's
49:52walk around and see if the picture
49:54improves when I move away from the
49:56lighting. I specifically returned to
49:59this same spot to walk around and see
50:02if the footage improved when I lowered
50:05the frame rate. I'm shooting at 25
50:08frames per second. And this is the
50:10picture we get. Let's run through it a
50:13little bit. Let's get going. Lowering
50:14the FPS didn't significantly improve
50:17either camera and didn't affect
50:18stabilization. Okay, friends, we're
50:20continuing to shoot in 4K, 50 frames
50:22per second. We're shooting everything
50:24around us. Again, I didn't set a mode
50:26just now, but night shooting, so-called
50:28video, and we're just shooting, walking
50:30around, seeing what a picture looks
50:33like in 4K, 50 frames per second. Is it
50:36even worth shooting in this mode or not
50:39? Let's run through it a bit. The
50:42stabilization on all the cameras is
50:43good, but if you look closely, the
50:45Pocket 3 is a bit inferior to its more
50:47modern competitors.
50:48Okay, friends, so now I'm shooting 4K
50:5125 fps in the normal video recording
50:54mode. I'm filming everything around me.
50:56Let's see if the image quality has
50:59improved when shooting in 4K 25 fps.
51:03Has it improved or is nothing different
51:08from 4K 50 fps? That is, it's the same
51:11mode. And we're just testing it. And
51:14again, lowering the frame rate didn't
51:16provide a significant increase in
51:17quality or stabilization while running.
51:19Friends, now I have a really cool test.
51:22I'm filming everything around me. I
51:23have the Insta 360 Ultra and DJI Osmo
51:27Pocket 4 Pro now, and I attached the 3X
51:31DJI E4 lens. I set the digital zoom to
51:353X and, accordingly, on the DJIUSm
51:38Pocket 3, I set the digital zoom to 2X,
51:424K, 50 fps. Let's see if we can shoot
51:46with a telephoto lens, essentially, and
51:50still get a good, steady image, so that
51:54everything, as they say, is beautiful.
51:57Even at this zoom level, the cameras '
51:59stabilization remains excellent,
52:01effectively dampening shaking while
52:03running. The DJI Pocket 3 again falls
52:05short here. When zoomed in, its image
52:07jerks and wobbles noticeably more than
52:09the others. Friends, now we're shooting
52:124K, 25 fps, and the lens is 3X. So, we
52:16have 3X on the Luna, 3X on the 4 Pro,
52:213X on the 4, and 2X on the, uh, 3. This
52:26is the picture we get when shooting at
52:31zoom. But I really like the Luna and
52:35DJI 4 Pro. I really like the picture.
52:38But the picture on the DJI Osmo Pocket
52:434 and Osmo Pocket 3 isn't the best. And
52:47let's run through it a little. Let's go
52:49. Even taking the zoom into account,
52:51the picture smoothness remains
52:52consistently good for most of the
52:54competitors. The Pocket 3 stands out
52:56for its poor performance.
52:57Okay, friends, now we have a maximum
52:59zoom test. Well, not maximum, 6X on the
53:03Insta 360 Luna, 6X on the DJI Osmo
53:07Pocket 4 Pro, 4X on the DJI Osmo Pocket
53:124 and 2X on the DJI Osmo Pocket 3.
53:16That's the picture. I'm just walking
53:19right now, right? Of course, I try not
53:22to shake the cameras, but I still
53:24stumble sometimes, of course. And even
53:27at night we can shoot like this. But I
53:31think the picture is absolutely
53:32stunning. On the Z 6X, the Insta 360
53:35stabilization remains good, but the
53:37Pocket 4P starts to lose smoothness at
53:39the same zoom level.
53:41Okay, so the latest X on the DJI Insta
53:43is the 12X. Let's see if we can shoot
53:47in low-light conditions, that is, when
53:50we have little light, and still get a
53:53great shot. Damn, I think it's
53:55absolutely superb. Our cameras simply
53:57hold their stabilization very well. I
54:01have no complaints at all. Let's run
54:04through it a bit. Let's get going. At
54:06maximum zoom, the Insta stabilization
54:08works great again. The image is smooth,
54:11even at such high zoom levels in low
54:13light. The Pocket 4P has a problem:
54:16when zooming in while running, the
54:18image jumps. Okay, friends, one more
54:21very important test: video. This is in
54:25low-light conditions, low light. All
54:28three DJIs can shoot 4K at 25 fps or 30
54:31fps, but not 50 fps. While the Insta
54:35360 Luna Ultra can shoot in 4K at 50
54:38fps, I've set this mode now. This is
54:42the image we're getting. The only other
54:44thing is that the Active Backpack
54:46doesn't work at all on the DJI US
54:48Pocket 3 in Pure Video mode,
54:49unfortunately. This is the image we get
54:52with Purev. This is ideal, of course,
54:55when we're filming, and in low-light
54:57conditions, but I'm standing right
54:58under a streetlight right now, so I'm
55:00basically visible here. I'll move away
55:03from the streetlight now and see how
55:05well our video works. By the way, the
55:08DJI OSMA Pocket 4 Pro currently has a
55:12really brown skin, while the 4 has a
55:15really light skin. Well, the Insta is
55:17somewhere in the middle. Not bad,
55:19really. Let's take a look and see how
55:21our cameras perform in these
55:23challenging conditions. Especially when
55:26I'm standing here, it turns out there's
55:28very little light on me. There are very
55:30strong lights behind me. As soon as we
55:33get closer to the lighting, I think the
55:36picture will certainly improve. And
55:38let's run through it a little now and
55:40look at the stabilization. I'll hold
55:42the microphones down a bit so they
55:44don't fall off. Let's go. Friends, it's
55:47important to note that video is a
55:49shooting mode specifically for Insta
55:51360, while all other DSPs have a
55:53similar mode called" low light. "The
55:56Pocket 3 still loses slightly to its
55:57competitors in stabilization. Otherwise
55:59, there aren't any major differences in
56:01detail. But here's what the entire
56:03scene looks like in this mode. To the
56:05naked eye, there aren't any significant
56:07differences between the images, but the
56:08Pocket 3's details are a little more
56:10blurry. For example, if we look at the
56:11grass and shadows. As for stabilization
56:14, the trend remains the same. The
56:16Pocket 3 is slightly behind its
56:17competitors in this mode. What's cool
56:19is that the Insta 360 and PoP can shoot
56:22with zoom in this mode. The zoom is
56:24limited to 3X, while the Insta 360 has
56:26a whopping 12x. Let's run through all
56:29the available zooms. The DJI Insta 360
56:31performs quite well when shooting at a
56:33telephoto zoom. They have comparable
56:35image quality, but the video on the
56:37left is slightly overexposed, and the
56:39result on the right is darker. There
56:40are no issues with stabilization. Both
56:42cameras perform quite well. The quality
56:45of the Ultra drops slightly at 6X Zoom,
56:47which is expected. And with the PoP,
56:48we're cropping the image in the edit.
56:50The results are comparable, but the
56:52sharpness on the right seems slightly
56:53higher. There are no complaints about
56:55stabilization; everything looks very
56:56smooth. The 12X and 360 are again
56:58impressive. The video quality is a bit
57:01blurry, of course, but the
57:02stabilization is still top-notch. While
57:04running, there are some slight jerks,
57:06but for digital stabilization and these
57:09shooting conditions, this is a good
57:10result. Friends, we're currently in
57:12Pure Video mode. This is for low-light
57:15conditions. Let's turn on this mode and
57:17capture a picture like this. This is
57:19the skin tone we get when shooting with
57:21our cameras. And this is the skin tone
57:23we get when shooting with a
57:25professional second-generation Sony
57:27Alpha 1 camera with a cool, very
57:29objective 2870 with an F 2.0 aperture.
57:33And this is what a skнon and I look
57:36like on the Sony camera. This is what
57:39it looks like on Insta. And this is the
57:42skin tone we get on our DJ cameras.
57:45Which one is better? Be sure to tell us
57:47in the comments. Let's quickly compare
57:4950 and 25 fps videos on Insta 360. At
57:5225 fps, when filming ourselves, we feel
57:55a slightly higher brightness. And this
57:58is probably the main difference from 50
57:59fps. But in terms of stabilization,
58:01there seems to be no difference. The
58:03same can be said about filming
58:04everything around us. However, in terms
58:06of image quality, there aren't really
58:07any noticeable differences either. When
58:09shooting with a telephoto lens, the
58:10videos on the left and right also look
58:12very similar in terms of detail and
58:14stabilization. The shades are slightly
58:15different. And that's about it, I think
58:17. I won't drag out the digital zoom
58:19tests. There are no significant or
58:21noticeable differences here either. So,
58:23even in low light, you can easily shoot
58:25on Insta 360 at 50 FPS without worrying
58:28about losing detail. Friends, the brand
58:31new DJI Osmo Pocket 4 Pro has a
58:34flashlight. And the Osmo Pocket 4 also
58:36has a flashlight. Now we'll turn it on
58:38and see how it looks. We're currently
58:41shooting in lowlight mode in 4K, 25 fps
58:44, on three, four of our cameras. And in
58:47fact, there's little light on the face.
58:48And now look what happens if I turn on
58:51the flashlight. I'm holding down the
58:53button now, hoping for the Osmo Pocket
58:544 Pro. My camera has very little
58:57battery left. So, that's it. Yes, so
59:01I'm adjusting it here. And so, we
59:04simply illuminate the face with a small
59:07flashlight and get a lot of light. I
59:10think you can even turn off the
59:12low-light mode now. The picture is
59:14simply beautiful now. And if I also
59:16turn on the second flashlight, which I
59:19have on my DJI Osmo Pocket and the 4,
59:21the picture is super bright, and you
59:24don't even need the low-light mode,
59:26because, well, the picture is truly
59:28beautiful. By the way, I'll now stop
59:31the low-light mode and simply turn on,
59:33it turns out, regular 4K, for example,
59:3650 fps. Let's check it out, friends.
59:38And this is what shooting in 4K 50 fps
59:40at night looks like. I just set the
59:42flashlight power to the lowest power,
59:44that is, and I just see that, well, the
59:46picture is great. If I now turn it up
59:49to a higher power, it looks even more
59:51powerful. I think everything is simply
59:54beautiful now; you can, uh, see a calm
59:56face. So, this is a small flashlight,
59:58but it shines simply amazingly. And
1:00:00they can see me very well. I don't
1:00:02think there are any problems at all.
1:00:03And this is our maximum light. And this
1:00:06is such a really powerful light. It
1:00:08hits me right in the face. And in
1:00:10general, everything is simply beautiful
1:00:11on all the cameras. And now I can
1:00:13easily set up face tracking and
1:00:15ActiveTrack on DJOS Pocket 3, when I'm
1:00:18calmly trying to hide in the cameras,
1:00:20but they are all watching me. And you
1:00:23can also change the color of the
1:00:25lighting here. Right now it's really
1:00:26yellow. And, by the way, the Osmo Poker
1:00:294 Pro now shows the white balance most
1:00:32correctly, while our other cameras, I
1:00:34think, have adjusted. There. And,
1:00:36accordingly, this is also some kind of
1:00:38average color. And this straight white
1:00:41light, I think, is about 5,600 kN, and
1:00:43this is somewhere around, probably
1:00:463,500 kN. And DJ, interestingly, he
1:00:48lost me, but now he found me again. So,
1:00:51and like this. Okay, everyone's holding
1:00:54me down now, huh, on the track. And now
1:00:56I'm getting something in between. I
1:00:58like this color the best. It's probably
1:01:00around 4,500 kelvins here. Well, even I
1:01:02would probably turn down the lighting a
1:01:04little. That's it. And you can easily
1:01:06shoot 4K at 50 fps in this mode and, in
1:01:10general, get very good image quality.
1:01:13So, friends, be sure to use these
1:01:15flashlights. I also tested 8K on Insta
1:01:18360. I suggest not dwelling on this
1:01:20footage too much and quickly comparing
1:01:23this video with the same 4K on Insta
1:01:25360 itself. I was very pleased with the
1:01:27camera here. Even in these conditions
1:01:30and with 8K resolution, it performed
1:01:31excellently and demonstrated reliable
1:01:33stabilization while running, both when
1:01:35filming myself and when filming
1:01:36everything around me. I also tested 8K
1:01:38on a telephoto lens, and everything
1:01:40looks great here. The camera holds
1:01:43steady, with no jerking, blurring, or
1:01:45shaking, so even in low light, 8K is a
1:01:48viable option on this camera. In terms
1:01:50of image quality, I honestly didn't
1:01:52notice any significant differences
1:01:54between 4K and 8K on either the 1X or
1:01:563X. Nevertheless, even in low light, 8K
1:01:59is a viable option on this camera.
1:02:01Let's move on to the video zoom test in
1:02:03low light. Again, I recommend watching
1:02:06this test in 4K, preferably on a large
1:02:08screen. Let's start with the standard
1:02:10angle without zooming. Here, the DJI
1:02:12Pocket 3 performs the worst. The image
1:02:15is dark, detail is frankly weak, and
1:02:17the texture of the clouds in the sky is
1:02:19almost completely lost. The Pocket 4
1:02:21makes a noticeable improvement. The
1:02:23frame becomes brighter, and detail is
1:02:25better. Meanwhile, the Poet 4P and
1:02:28Insta 360 produce the most detailed
1:02:30images. However, the Insta 360 is a bit
1:02:32too aggressive here, leaning toward
1:02:34warm tones. The grass in the frame
1:02:36looks unnaturally yellow. We switch to
1:02:38Zoom 2X. And then the situation changes
1:02:40. The Insta 360 produces the clearest
1:02:42and sharpest image of the four.
1:02:43Moreover, its light transmission issue
1:02:45completely disappears. The Pocket 4
1:02:47models are a distant second, delivering
1:02:50almost identical results. The Pocket 3
1:02:53is noticeably weaker in comparison.
1:02:55Small text in the frame is blurry. At
1:02:573X, the Insta 360 completely breaks
1:02:59away from the competition. Small text
1:03:02and lettering are perfectly legible.
1:03:04The DJI Pocket 4P tries to keep up, but
1:03:07its image is slightly noisier. As for
1:03:09the base Pocket 4 and Pocket 3, which
1:03:12are running at their maximum 2X, they
1:03:15fail to produce a good image. Text on
1:03:17them turns into unreadable gibberish.
1:03:19The Insta 360 has 6X, the Pocket 4P has
1:03:224X, and the Pocket 4 has 2X. The Insta
1:03:25360 produces the sharpest image. Colors
1:03:28are rich, and text is perfectly legible
1:03:30. The Pocket 4P is slightly inferior
1:03:32due to its lower zoom, but text is
1:03:34still easily and flawlessly recognized.
1:03:36However, the basic Pocket 4 and Pocket
1:03:383, despite the difference in zoom,
1:03:40produce equally poor results. Text
1:03:41recognition is completely impossible.
1:03:44The Pocket 4P has 6X zoom. We see that
1:03:46this child lags behind the Insta 360,
1:03:48while delivering comparable detail. The
1:03:51Insta 360 and Pocket 4P have a maximum
1:03:53zoom of 12x. The Insta 360 Luna Ultra
1:03:56again takes the lead by a narrow margin
1:03:59. However, the Pocket 4P, thanks to its
1:04:01similar 12x zoom and telephoto lens,
1:04:04produces very respectable and
1:04:05comparable results. Let's check whether
1:04:08the Insta 360's 8K resolution gives it
1:04:10a real advantage in low-light
1:04:11conditions or if it's just marketing
1:04:13hype. At 1x, the camera again suffers
1:04:15from a slight overheating issue, making
1:04:18greens look too yellow. Otherwise, the
1:04:20results from all four cameras are
1:04:22pleasing and consistent. However, if
1:04:24you look closely at the small fonts,
1:04:26the Insta 360 is the easiest to read.
1:04:29Up to 3x, we see that the Insta 360
1:04:32predictably excels in contrast and fine
1:04:35detail. However, in terms of frequency,
1:04:38the huge gap in quality between 8K and
1:04:40good 4K is practically invisible to the
1:04:43naked eye. Let's move on to HDR and LOG
1:04:49shooting. But as with daylight, we'll
1:04:51start with an SDR image. The 360 has
1:04:53the deepest image. It has the strongest
1:04:56contrast and minimal halo from the
1:04:58blue-lit pole. On the other hand, it's
1:05:00here that the largest blue spot along
1:05:02that same pole is found. The Poet 4P
1:05:05performed differently. The image is
1:05:06slightly softer in contrast, but
1:05:08brighter and more saturated. The halo
1:05:10around the pole is stronger here, but
1:05:11the blue spot is not visible. Moreover,
1:05:13this is where the pattern itself is
1:05:15best expressed. We see bluish planes,
1:05:17while with all the other cameras they
1:05:19are overexposed and almost white. The
1:05:21Pocket 3 performed similarly to its
1:05:24updated version, with a slight
1:05:25difference in exposure tones. We switch
1:05:28to Dolby Vision on Insta 360 and HLG on
1:05:31Pocket 3. The 4.4 P also enables both.
1:05:34ISO 360 gives us excellent HDR, deep
1:05:36shadows, a bright image, saturated
1:05:39colors, minimal ope, but again, the
1:05:41strongest highlights along the pole.
1:05:43The DJM Pocket 4.4 POL looks noticeably
1:05:46larger, but there is no blue highlight.
1:05:48The videos themselves develop without
1:05:50problems and offer a decent amount of
1:05:51color headroom. The Pocket 3 produces a
1:05:53less interesting and contrasty HDR than
1:05:55the Insta. The image is faded, the
1:05:57shadows are flatter, and the blue tint
1:05:58from the garland noticeably affects the
1:06:00skin tone and the entire foreground.
1:06:02Let's switch to the logarithmic profile
1:06:04on all cameras. We connect it to Insta
1:06:07360, Dog 2 to the Pocket 4P, and Dog to
1:06:09the DJI 4 and 3. Here, the Insta 360
1:06:11again produces the strongest
1:06:13overexposure on the pole, which we
1:06:15can't remove when painting. The Pocket
1:06:184 P's Delo 2 initially looks the
1:06:20darkest, and for good reason. The
1:06:22camera gives us the most headroom for
1:06:24shadows, and the resulting image is
1:06:26beautifully rendered, matching the
1:06:28flexibility of its competitor, although
1:06:30the painted shots from the DJI 3 also
1:06:32look quite decent. When shooting with
1:06:34zoom, we see that the SDR Insta 360
1:06:35produces the most natural and
1:06:37interesting image. Good contrast,
1:06:39normal skin tone, and adequate
1:06:40saturation without excess. The Pocket 4
1:06:43P's result also looks good, but the
1:06:46tones lean too red. Both cameras
1:06:49produce very good video quality, which
1:06:51is clearly visible in contrast to older
1:06:53DJI cameras. In terms of color, the
1:06:55Pocket 4 and 3 are similar to the 4P,
1:06:57but both have a more blueish tint, and
1:06:59the image is lighter and flatter. We
1:07:01switch to Dolby Vision and HLG.
1:07:03Accordingly, the Insta 360 produces a
1:07:05pleasant HDR with deep shadows and good
1:07:08quality. The DJI 4P also impresses with
1:07:10a decent image and offers good dynamic
1:07:12range even in standard Dлоog, and
1:07:14produces a clean result after
1:07:16processing. Meanwhile, the Pocket 4P is
1:07:18weaker, with a lot of noise and less
1:07:20headroom in shadows and highlights. The
1:07:22Pocket 3's HLG looks weak compared to
1:07:24the Insta 0's HDR. The image is flatter
1:07:27, partially overexposed, with a strong
1:07:29blue tint and an unpleasant skin tone.
1:07:31Let's look at the logarithmic profile
1:07:32for all our cameras. On the Pocket 4P,
1:07:34we enable delog. I found the Omo on the
1:07:37Ista less interesting than the Delk on
1:07:39the Pocket 4P. The original is blurrier
1:07:41and has a smaller range for coloring.
1:07:43And after development, we see
1:07:45highlights and color artifacts, for
1:07:46example, on my face and shirt. The
1:07:48Pocket 4P produces a result with higher
1:07:50quality and greater flexibility for
1:07:52coloring. There's nothing to add about
1:07:54the image on the 4, but on the Pocket 3
1:07:56, I think the result is more
1:07:57interesting than in HDR. We were able
1:07:59to achieve more contrast, reduce
1:08:01highlights, even out the skin tone, and
1:08:02remove a bit of the blue cast. Of
1:08:04course, this oldie can't seriously
1:08:06compete with new cameras. We did a few
1:08:09night photo tests. Let's start with
1:08:11selfies. In the first series of photos,
1:08:13we see very different results. On the
1:08:15left, I look a bit pale. The Omo Pocket
1:08:174P, on the other hand, has a saturated
1:08:19photo with a very tanned skin tone. The
1:08:21other two have softer, more balanced
1:08:23shots. There's no noticeable difference
1:08:25in detail, and color rendition is a
1:08:27matter of taste. By the way, let me
1:08:29know in the comments who you think did
1:08:31a better job. The second series of
1:08:32photos. I think the Insta 360
1:08:35overexposes the photo here, making the
1:08:37face and shirt look overexposed. The
1:08:39Pocket 4P, on the other hand, has too
1:08:41dark shadows, making the shadowed part
1:08:43of the face less visible. Previous
1:08:45generations of the DJI camera did a
1:08:46softer job again, producing more
1:08:48neutral and calm results. We tried
1:08:50shooting portrait photos. At 1x, we see
1:08:52that the Insta 360 significantly
1:08:54differs from the DJI camera in terms of
1:08:56white balance and exposure. The photo
1:08:57is cooler and the brightest. The
1:08:59shadows are overexposed, making the
1:09:01result look flat. The Po's results are
1:09:03similar, but even here the shadows are
1:09:05deeper. The Pocket 3 performed roughly
1:09:07the same. The Pocket 4P produced the
1:09:09most interesting shot with good
1:09:11contrast. We're turning on the
1:09:13telephoto lenses for the new models and
1:09:152X for the 4 and 3. The Pocket 3 shows
1:09:17the weakest result here, with the most
1:09:19severe highlights. The other three
1:09:21cameras performed better, with more or
1:09:23less the same balance of light and
1:09:24shadow. However, the skin tones look
1:09:26very different. Given the colored
1:09:28lighting, it's difficult to say which
1:09:30color and shade is better here. 6m. I
1:09:33like that the DJ adjusts the exposure
1:09:35to the scene; my face and shirt aren't
1:09:38overexposed, like with the Insta 360.
1:09:40However, the skin looks softer in the
1:09:42left photo, although given the yellow
1:09:45lighting, the DJI produces a more
1:09:47accurate color. 12x zoom. The Insta
1:09:49360's photo is clearly blurrier, as if
1:09:52out of focus. The DJI, on the other
1:09:54hand, produced a sharper and clearer
1:09:56result. The photo looks more
1:09:57interesting. Let's test the night photo
1:09:59zoom. When shooting at 1x, we get more
1:10:01or less identical detail on all cameras
1:10:04, but at zoom to 2x, the difference is
1:10:06noticeable. The Inst 360 and Osmo
1:10:08Pocket 4P produced better image clarity
1:10:10and minimal noise. The Osmo 4's image
1:10:12looks weaker, and the three cameras
1:10:14have the worst results. We turned on
1:10:16the telephoto lenses on our new cameras
1:10:18. The results are similar, and there's
1:10:19no significant difference in detail.
1:10:21One could say that the DJI has slightly
1:10:23more highlights, but overall, it has a
1:10:25higher exposure, and this issue is
1:10:27easily resolved by reducing the
1:10:29exposure when shooting at 6x zoom.
1:10:31Again, the photos are more or less
1:10:33identical in terms of detail, and the
1:10:35differences, again, are only in
1:10:36exposure. Overall, I have nothing to
1:10:39add to either the Pro 9X or Pro 12X.
1:10:41These cameras compete well with each
1:10:43other and produce photos of very
1:10:44similar quality. Let's conduct one
1:10:47crucial test. Let's see how quickly the
1:10:49cameras overheat and drain their
1:10:50batteries during continuous shooting.
1:10:52It's important to mention the internals
1:10:54of the cameras. Let's start with the
1:10:56DJI Osmo Pocket 3. It has a 1,300 mAh
1:10:58battery and a claimed battery life of
1:11:00up to 166 minutes. There's no built-in
1:11:03memory. Recording is only possible on a
1:11:05microSD card up to 1 TB. Moving on to
1:11:08the DJI Osmo Pocket 4. The new
1:11:10generation's battery has increased to
1:11:121,545 mAh, and the claimed battery life
1:11:15is up to 240 minutes. Another important
1:11:17difference is the addition of 107 GB of
1:11:20built-in memory, but the camera also
1:11:22supports microSD cards up to 1 TB. The
1:11:24DJI Pocket 4P has the same 1,545 mAh
1:11:26battery, but due to its dual-camera
1:11:29system, the claimed battery life is
1:11:31expectedly lower at 210 minutes. The
1:11:33built-in memory is now down to 103 GB,
1:11:35and microSD cards up to 1 TB are also
1:11:38supported. And finally, the Insta 360
1:11:40Luna Ultra. The camera itself has a
1:11:431,550 mAh battery, and the detachable
1:11:46screen has another 210 mAh. The claimed
1:11:49battery life is up to 240 minutes, and
1:11:51there's 47 GB of internal memory with
1:11:53support for cards up to 2 TB. But,
1:11:55friends, all those claimed hours of
1:11:57recording are based on Full HD
1:11:59recording at 24 FPS. We'll be shooting
1:12:03at full 4K 60 FPS. Turn on recording,
1:12:06set the timer, and off we go. We'll be
1:12:08filming nonstop. And to keep things
1:12:10fair, we'll just speed up the video
1:12:11considerably. The Pocket 3 and Insta
1:12:13360 were the first to die. At the 1:41
1:12:16mark, both cameras ran out of battery.
1:12:19However, while the Di turned off, the
1:12:21Insta 360 stayed on for a while and
1:12:23only turned off after 5 minutes. So,
1:12:26who will emerge victorious in this
1:12:28battle? The 4 or the 4P? Unfortunately,
1:12:31the new DJ camera was outperformed by
1:12:33its predecessor, shutting down at 2
1:12:34hours and 2 minutes. The Pokémon 4
1:12:37managed to hold on for an extra seven
1:12:39minutes before shutting down last.
1:12:41Fortunately, none of the cameras
1:12:42overheated, although they were quite
1:12:44hot, so we took measurements. At their
1:12:47peak, all four cameras reached 55-57 °
1:12:49C in the hottest part. The temperature
1:12:54difference is quite small, so I can't
1:12:56say that one has better cooling or less
1:12:58heat. Now let's charge the cameras and
1:13:02see how long it takes to reach 100%.
1:13:05The On Pokémon 3 charged the fastest,
1:13:07taking just 20 minutes. The Pokémon 4P
1:13:10finished second at 32 minutes. The
1:13:13Insta 360 charged just half a minute
1:13:15later. The Osmo Pokémon, however, took
1:13:19the longest, needing 35 minutes. By the
1:13:21way, let's immediately test the cameras
1:13:23' startup speed. The 360 camera
1:13:25literally takes 2 seconds from screen
1:13:28rotation to activation. The DJI Pocket
1:13:304P and the Pocket 4 also activate
1:13:32instantly. We see roughly the same 2-
1:13:35second startup time, but the Pocket 3
1:13:37takes a little longer, about 4 seconds
1:13:40from screen rotation to image display.
1:13:43So, friends, let's sum things up and,
1:13:45as usual, start with the prices of
1:13:47these cameras. The DJIOSM Poet 3, at
1:13:49the time of video editing, can be
1:13:51purchased for approximately 40,000
1:13:52rubles. The Pocket 4 will cost at least
1:13:5550,000 rubles. We were able to find the
1:13:58brand new Pocket 4P on Avito starting
1:14:00at 59,000 rubles. But that's the price
1:14:02with an asterisk. Such ads usually
1:14:04require pre-orders and a 50%deposit. If
1:14:07you look at the camera in stock, the
1:14:09price starts at 68,000 rubles. The Asta
1:14:12360 Luna Ultra is available starting at
1:14:1455,000 rubles. By the way, if you're
1:14:17looking for the best prices on
1:14:18smartphones and smartwatches, you can
1:14:20use our website premicum.com. In
1:14:22addition to our videos, there's a price
1:14:25tracker section where you can find the
1:14:27best deals and prices on five major
1:14:29platforms: Avviita, Ozone, AliExpress,
1:14:32Wiberies, and DNS. Accessing the
1:14:34tracker is very easy. You can register
1:14:36through a Yandex or VK profile, or
1:14:38simply by email. Searching is very
1:14:40convenient; you can browse by brand or
1:14:42enter the name in the search. The
1:14:44tracker not only finds the best price
1:14:45but also evaluates the reliability of
1:14:47the transaction. On the website, you
1:14:49can immediately view detailed
1:14:50smartphone specifications, check the
1:14:53Dxo Mark rating, filter by platform,
1:14:55memory size, version, duty, and color,
1:14:57customize the sorting, and choose
1:14:59whether the version is new or used. If
1:15:01you use Telegram, you can also use this
1:15:04same tracker as a bot called Premicum
1:15:06Priceacker. Go to it, enter the command
1:15:08" sta, "and use it just like the
1:15:11website. For your convenience, there's
1:15:13a free plan that allows you to make up
1:15:14to five smartphone search queries. If
1:15:16you need more queries or just want to
1:15:18support us, you can sign up for a paid
1:15:21subscription. Links to the bot's
1:15:23websites are in the description. Now,
1:15:25let's talk about the advantages of the
1:15:29new Insta 360 Luna Ultra camera. I
1:15:32really liked the detachable display, a
1:15:34unique feature that the DJ doesn't have
1:15:36. It allows you to not only monitor
1:15:38your footage from a distance, but also
1:15:40control recording parameters, enable
1:15:42tracking, change the zoom and shooting
1:15:44angle, and has a built-in high-quality
1:15:46microphone. This screen works from a
1:15:48very long distance. According to our
1:15:49tests, you can control the camera and
1:15:51record audio from as far as 100 meters.
1:15:53This compact camera is also the only
1:15:55one in our four that can record 8K
1:15:58video, not only in SDR, but also in HDR
1:16:00and iLog, and even with a 3X zoom. The
1:16:038K image quality is pleasing, and the
1:16:05stabilization is also impeccable. And
1:16:07you can confidently shoot in 8K, even
1:16:09in low light. You might ask," Why
1:16:11bother with 8K if it doesn't
1:16:13significantly improve quality? "It's
1:16:15simple. 8K is a huge help in editing
1:16:17and allows for cropped images without
1:16:20quality loss, whether you're editing 4K
1:16:23or even Full HD video. I was impressed
1:16:25with the Inst 360 and its superior
1:16:27active tracking. It keeps focus on a
1:16:29subject at very long distances, which
1:16:31is great because if you step out of
1:16:34frame, the camera quickly finds you and
1:16:36starts tracking you again when you
1:16:38reenter. No other DJI offers such
1:16:40precision and tracking range. I also
1:16:43liked how this camera's Dolby Vision
1:16:45performed in low light. We got a really
1:16:48cool, high-contrast image with deep
1:16:50shadows and pleasing color rendition.
1:16:52For those who love interesting
1:16:54photography solutions and angles, the
1:16:57Insta 360 Luna Ultra offers 360-degree
1:16:59panoramas and 200-megapixel panoramic
1:17:02photos. What's great is that this
1:17:04camera also offers expandable memory up
1:17:07to 2 TB, while all other DJI cameras
1:17:09are limited to 1 TB with microSD. And a
1:17:12nice bonus: it's more affordable than
1:17:14the Osma Pocket 4P. I really liked the
1:17:17combo kit on this camera. I definitely
1:17:20recommend everyone buy this camera in
1:17:22the combo kit, as the Creator Bundle
1:17:25includes a great wireless microphone
1:17:28and an additional charger. Another
1:17:31thing I really liked about this camera
1:17:34that DJI doesn't have is the hidden
1:17:37tripod—the tripod legs are hidden
1:17:41right in the camera's handle. This is
1:17:44how I extended it. And this is how I
1:17:45positioned it. The camera stands very
1:17:47securely and won't fall over. Friends,
1:17:50I also really liked the protective case
1:17:52on this Insta 360 camera. It's super
1:17:55convenient and really protects the
1:17:57camera. When I put it away and close it
1:18:00, everything clicks into place. And now
1:18:04the camera, even if it falls, won't
1:18:07damage the lenses. In this regard, this
1:18:10year, Inst 360 made a really thoughtful
1:18:13case. It's included in both the
1:18:16standard kit and the Creator Bundle. We
1:18:18don't really need any bag. So, we have
1:18:20the case positioned like this. It
1:18:23completely covers the camera and opens
1:18:25very easily and quickly. And then we
1:18:27can continue shooting. And one more
1:18:29thing—the microphone. And Ista really
1:18:32impressed us here. They made a little
1:18:35round microphone. You can stick your
1:18:37logo on it. We stuck a sticker from our
1:18:39Premium channel here. And, most
1:18:42importantly, first of all, there's a
1:18:44windscreen, which works brilliantly. So
1:18:47, we had no problems. Even in the most
1:18:49challenging conditions, the sound was
1:18:51recorded with this microphone very well
1:18:53. But another huge plus, of course, is
1:18:55the USBC connector. This means you
1:18:58don't need any other chargers to charge
1:19:01this microphone, like DJI does, by the
1:19:05way. But we'll talk about that a little
1:19:06later. Here, we have a single USBC
1:19:08cable. We charge the microphone. We
1:19:11just pick it up, charge the camera, and
1:19:13everything works beautifully. You don't
1:19:16need to carry any additional chargers
1:19:18to charge the device. This, of course,
1:19:21is always a plus. And that's why I
1:19:23recommend everyone buy this Creator
1:19:26Bundle camera. It's the ultimate
1:19:29solution. We always have the microphone
1:19:31with us. We have a cool case, we have,
1:19:34uh, an additional charging unit, which
1:19:37we can detach and charge at any time,
1:19:40on the power supply. That's it, it
1:19:43charges while we walk, shoot everything
1:19:45, and while holding this camera in our
1:19:47hands, it charges very quickly. There,
1:19:49in literally 30 minutes, I think, it
1:19:51will be almost 100%charged. We
1:19:53connected this unit to the camera,
1:19:55released the entire charge, and went
1:19:57ahead. And thus, you can record video
1:20:00with this camera indefinitely. Friends,
1:20:03another very important point about
1:20:05these lenses that are included in the
1:20:07Creator Com kit. Honestly, I didn't get
1:20:09the point of them at all. This lens was
1:20:12included with the Insta 360. And when I
1:20:14put it on, the viewing angle changed,
1:20:17well, just slightly, by literally a
1:20:19couple of degrees. And honestly, I
1:20:21didn't understand the use of these
1:20:22additional lenses at all. So again,
1:20:25perhaps this thing is simply
1:20:27unnecessary. These lenses are very easy
1:20:30to lose on the road, so I just leave
1:20:32them in the bag and don't use them.
1:20:34We've talked about the pros. Now let's
1:20:37talk about the cons of this camera.
1:20:39Despite a comparable zoom to the Pocket
1:20:424P and the same 3X telephoto lens, the
1:20:44Insta 360 often produces a blurry image
1:20:47when zoomed in. I wouldn't say it's
1:20:49significantly lacking in detail, but
1:20:50blur is still noticeable from time to
1:20:52time. Sometimes, the colors in the 360
1:20:54footage also raise questions. The image
1:20:56can have a yellow tint, including the
1:20:57skin tone. Sometimes, it comes out
1:20:59yellowish and looks unpleasant.
1:21:01Although, perhaps this is simply a
1:21:02matter of taste. I found the Aloogk
1:21:04less interesting than the Pocket 4 P's
1:21:06Dog 2. It simply has fewer physical
1:21:09exposure stops, which limits our
1:21:10options when developing and coloring
1:21:13the frame. Another issue is Dolby
1:21:14Vision's performance during the day.
1:21:16HDR can be too bright, resulting in an
1:21:19overexposed image. The Insta 360 is
1:21:21inferior to both fourth-generation
1:21:23cameras in slow-motion resolution. It
1:21:25shoots 240 FPS and only Full HD,
1:21:28compared to 4K on these cameras.
1:21:31Another drawback is battery life. In
1:21:33our test, this brand new camera lasted
1:21:36exactly as long as my battered Pocket 3
1:21:38with a smaller battery. Another
1:21:40drawback is the small amount of
1:21:42internal memory. 47 GB sounds good, but
1:21:45the DJI 4P and the regular 4 offer
1:21:47roughly twice as much. To put this into
1:21:51perspective, 1 minute of 4K 50 FPS
1:21:53video will weigh 600-700 MB. In this
1:21:56case, the internal memory will last for
1:21:58about 1 hour and 10 minutes of
1:22:00recording. Now let's talk about the
1:22:03advantages of the new DJI OSP Pocket 4P
1:22:06. I would certainly point out Dog 2 as
1:22:10its strong point, offering up to 17
1:22:13stops of dynamic range. And this really
1:22:16does provide excellent headroom for
1:22:18color correction in videos. Aside from
1:22:21Dog 2, even in SDR, the 4P delivers the
1:22:23best results in complex scenes. For me,
1:22:26one of the DJI's strong points, and of
1:22:28all of them, is its color rendition. In
1:22:30normal lighting, all three of these
1:22:32cameras produce pleasing tones and
1:22:33colors. Skin tones are generally fine,
1:22:36too. Another common advantage of all
1:22:37three DJI cameras is their microphones.
1:22:39They have a very long-range capability
1:22:41and produce clear, nearly continuous
1:22:43sound even when recording from behind
1:22:44and even at distances of up to 100
1:22:46meters. Maybe even further, but I just
1:22:48don't see the point in going any
1:22:50further. All three DJI cameras can
1:22:52shoot great timelapses, including with
1:22:55a camera rotation effect in 3K motion
1:22:57mode. And the new 4P allows you to
1:23:00shoot them at 3X zoom, which is
1:23:02certainly cool. Other nice features
1:23:05include 103 GB of internal memory and
1:23:07longer battery life than the Insta 360.
1:23:10Now, the downsides. The DJI Osma Pocket
1:23:124P. The downsides include the
1:23:15long-range remote control and the short
1:23:17tracking range of a person. In this
1:23:20regard, the I4P and the regular 4P are
1:23:22inferior to the Insta 360 Luna Ultra,
1:23:25and significantly so. There's one
1:23:27caveat: Dog 2. It's a truly amazing
1:23:29profile, but it only works at 1x, and
1:23:31unfortunately, you can't shoot with it
1:23:33using a telephoto lens. Another issue
1:23:35is that it's unclear why DJI removed
1:23:37the HDR profile from both
1:23:39fourth-generation cameras. The Poksta
1:23:41360 also has this profile, but I
1:23:45couldn't find HDR on the 4P or 4P.
1:23:48Speaking of the top-end DJI Osmo Pocket
1:23:524P kit in Logo, I have to say I
1:23:55absolutely disliked it. The fact that I
1:23:59included a DJI Osmo Pocket 4P in my kit
1:24:01this year is just sad. Firstly, we have
1:24:04this bag for no apparent purpose. I
1:24:07mean, how am I supposed to quickly hold
1:24:09the camera like this? I quickly put it
1:24:11away like this, and then I need to
1:24:13quickly get it out. Yeah, I'm taking it
1:24:15out and tinkering with it. Oh, wow,
1:24:17that's cool. How long has it been? A
1:24:19lot. And, accordingly, this kind of
1:24:24package is just sad. I absolutely do
1:24:27not recommend anyone buy this camera in
1:24:30this kit. It's just a waste of money.
1:24:33If you like the picture this camera
1:24:35gives, and it really does give a great
1:24:38picture, then I recommend buying it in
1:24:41a regular kit, the most basic kit. This
1:24:44kit won't have all this extra
1:24:46unnecessary nonsense. Eh, so you'll
1:24:49just get the camera and this flashlight
1:24:51. This flashlight, of course, is very
1:24:53cool. And probably the main feature of
1:24:56this DJ S Pocket 4P camera this year is
1:24:58this cool flashlight. In fact, it's
1:25:01also included in the fourth version, of
1:25:03course, but it works just fine. And I
1:25:06was also very disappointed with DJI
1:25:08this year for pulling such a scam. She
1:25:11removed the USBC port from these new
1:25:15mini microphones. And now, to charge
1:25:18the microphone, we constantly have to
1:25:21lug around this cable. It's a unique
1:25:24cable, so obviously, if you don't take
1:25:27it, you won't be able to charge the
1:25:29microphone. The main feature of this
1:25:32camera is, of course, its use with this
1:25:34cool little microphone, a cool little
1:25:36microphone. And so, again, for this
1:25:39reason, I don't recommend buying a
1:25:41combo kit. This camera works with any
1:25:44microphone, and it's better to get a
1:25:47microphone from the DJI OS Pocket 3,
1:25:50DJI Mike 2, or DJI Mike 3, but one with
1:25:53a USBC port that you can charge at any
1:25:55time, since we always have the camera
1:25:58with us, and it has a USBC cable. But
1:26:01here, to charge this microphone, we
1:26:03need an additional cable. To charge
1:26:04this screen, we need an additional
1:26:06cable again. It's different now. It
1:26:08attaches like this, and it charges like
1:26:10this. But it's super inconvenient. And
1:26:13that's why, I think, DJI's biggest
1:26:16failure is this kit. It's just a
1:26:19disgrace. I've never seen such a bad
1:26:21kit before, with all these ridiculously
1:26:24poorly thought-out chargers. I don't
1:26:26know why they even included all this. I
1:26:27think it's completely unnecessary. And
1:26:30while Insta360 has really cleverly come
1:26:32up with this little tripod, yes, which
1:26:34you have to carry around with you all
1:26:36the time, a DJ needs to carry this
1:26:38tripod all the time, and it's actually
1:26:41not small, that is, it's quite large,
1:26:43it's like half the camera. So, if we
1:26:46take a camera, there it is, half the
1:26:49camera, we screw it in, yes, we place
1:26:51it there, yes, the camera stands
1:26:53securely, but Insta360 hid this tripod
1:26:56in the handle, and it's much more
1:26:58conveniently implemented on Insta360.
1:27:01And that's why Insta 360's kit is so
1:27:03good. Now I'll list the DJI Osmo Pocket
1:27:084's pros. The camera offers good SDR
1:27:10and flexible diode recording, but only
1:27:12at 1x zoom. The Pocket 4 also has the
1:27:14best battery life of all the
1:27:16competitors in this test. This DJI has
1:27:19the most built-in memory, which is also
1:27:21a plus. Now for the cons. The DJI Osma
1:27:24Pocket 4. Of course, like the Pocket 3,
1:27:26it's significantly inferior to both the
1:27:29Insta 360 and 4P in terms of zoom and
1:27:31image detail when zoomed in. It does
1:27:33have a digital crop up to 3X, but it's
1:27:36nowhere near the quality of cameras
1:27:38with a second lens. I'll also note that
1:27:40in the audio test with the external
1:27:42microphone, we only had clipping, even
1:27:43though all the settings were at their
1:27:45default settings. I didn't increase the
1:27:47volume in either the camera or the
1:27:49microphone. Again, I wasn't impressed
1:27:51with the package contents of this
1:27:53camera this year. Essentially, it's got
1:27:55the same stuff we got with the 4P, just
1:27:58without the display. And I'll be honest
1:28:01, it's a shame. We don't have an extra
1:28:04battery pack in the combo kit. We don't
1:28:07have an extra battery. It's simply, I
1:28:09don't know how they could do that.
1:28:11Another thing is this awful thing,
1:28:14which I don't know which engineer came
1:28:17up with. Why even bother inventing this
1:28:20bicycle? It's attached this way, so it
1:28:24protects. Really? It probably protects
1:28:27somehow, so that this thing doesn't
1:28:28rotate, the gimbal itself doesn't
1:28:30rotate, but it doesn't protect the
1:28:31screen at all. So again, DII is telling
1:28:34us:" You're wearing this amazing case,
1:28:37this bag. "But if I'm wearing this case
1:28:40, this bag, and I'm holding it in my
1:28:43hands, yes, to start shooting, I need
1:28:45to do this. I opened it, then carefully
1:28:48took out the camera. Now that's another
1:28:51thing. You really need to get used to
1:28:52not taking it off so easily. You need
1:28:54to take it off quickly. We carefully
1:28:56take it off and put it back. And now
1:28:58I'm the only one who can shoot video.
1:29:00So how long has it been? A lot. If you
1:29:03forget this proprietary cable, you
1:29:05won't be able to charge this microphone
1:29:07somewhere along the way, and you'll be
1:29:09left without an external microphone.
1:29:11The only plus in this Creator Combo kit
1:29:13is this flashlight. This flashlight
1:29:15isn't included in the standard kit. By
1:29:16the way, the DJI SP 4P already includes
1:29:18this flashlight in the standard kit.
1:29:20And that's a good thing, by the way. It
1:29:22doesn't charge in any way. It just
1:29:23hangs on the camera, and it gets its
1:29:26power from the camera itself. It's
1:29:28super convenient, and I think DJ gets a
1:29:30huge thumbs up for that, of course.
1:29:32Very well done. I don't think upgrading
1:29:35from the DJI Osm Pocket 3 to the DJ SM
1:29:38Pocket 4 makes any sense. Essentially,
1:29:40the main change here is this wide
1:29:43dynamic range, yes, which we have, and
1:29:46you can shoot great dynamic range and,
1:29:49probably, 4K 240 FPS. Otherwise, the
1:29:51DJIUS Pocket 4 is definitely not worth
1:29:53buying. Yes. The only thing is that we
1:29:56can zoom in from 2x to 4x, and that's
1:29:58it. But in reality, the quality of 4x
1:30:01is so-so, very mediocre. And finally,
1:30:04my favorite camera, which I've used for
1:30:07over two years, is the DJI Osmo Pocket
1:30:093. And now we'll talk about the pros of
1:30:12this camera. Among the positive aspects
1:30:14, I can note the presence of HLG HDR,
1:30:16which was removed in the new versions.
1:30:18I was also impressed with the charging
1:30:20speed. It charges from 0 to 100%in just
1:30:2220 minutes, while the others took more
1:30:25than half an hour. Also, of course, the
1:30:27most affordable price of all four
1:30:29cameras remains a plus. The Creator
1:30:31Combo kit for this camera was really
1:30:34great. Firstly, it has an amazing
1:30:37plastic handle that protects the camera
1:30:40very well. I put the camera away like
1:30:42this and that's it. It's like if the
1:30:44camera lands like this; I've dropped it
1:30:46several times. If it had been in that
1:30:48little case and it had fallen to the
1:30:51ground, I don't think I would have ever
1:30:54used it again. I've had this camera for
1:30:572.12 years, and it's fallen. You can
1:30:59even see that there's a small crack in
1:31:02the case, yes, because this camera has
1:31:05been dropped several times, and it's
1:31:07still fine. And the most important
1:31:09thing, of course, in this Creator Combo
1:31:12is this battery block that was included
1:31:14. This is the most essential thing you
1:31:17should buy first when you buy this
1:31:19camera or the DJ Pocket 4 or 4 P—it's
1:31:21, of course, this external battery,
1:31:24because with this external battery that
1:31:26came with it, which only comes with the
1:31:28Creator Combo and Pocket 3. And another
1:31:31huge advantage that I liked about this,
1:31:33let's say, plastic block is that the
1:31:35camera could be mounted like this. It
1:31:38fits really well here, and you can
1:31:40shoot like this. And it's super
1:31:42convenient. And one more life hack. We
1:31:44take this microphone that was included
1:31:46in the kit. Again, this microphone that
1:31:48was included in the kit has USBC
1:31:50charging. It's very convenient. That
1:31:52means we don't need any of these
1:31:54special, uh, connectors. We attach it
1:31:58like this. There's a special hole in
1:32:01this and this plastic case. And we film
1:32:04like this. That means I can film and
1:32:06immediately comment. I have this
1:32:08microphone plugged in, and I
1:32:09immediately comment on what I'm filming
1:32:11. I'm filming everything around me,
1:32:12narrating something. Here's the DJ US
1:32:14Pocket 3, and of course, a huge like
1:32:16for this, and for this case. And it's a
1:32:19shame DJI didn't make something similar
1:32:23in the new versions of the DJ US Pocket
1:32:264 and 4P. Friends, one more thing. If
1:32:29you, for example, have a DJI Sm Pocket
1:32:313 and bought this 4-inch model, then,
1:32:34unfortunately, this plastic case—and,
1:32:36unfortunately, the camera fits right in
1:32:39it, this 4-inch model fits into the new
1:32:41one, this new 4-inch model fits into
1:32:43this case—but, unfortunately, it
1:32:45doesn't fit very securely and sticks
1:32:48out quite a bit. That is, since the
1:32:50camera's size has changed slightly, but
1:32:52, in principle, it's probably usable.
1:32:55Now about the downsides of the DJI Osmo
1:32:57Pocket 3. This camera is the most
1:32:59limited in terms of optics. It has the
1:33:01weakest lens, minimal zoom, and the
1:33:03narrowest dynamic range. This results
1:33:05in the most severe highlight overshoot
1:33:07in complex models and loss of
1:33:08information in the shadows. The dynamic
1:33:10range is weak and the HDR is mediocre.
1:33:12Slow-mo is also the least interesting.
1:33:14240 FPS is only available in Full HD,
1:33:17while the 4 and 4P have 4K. Another
1:33:19inconvenience is the lack of gesture
1:33:21controls, which is actually a useful
1:33:23feature. It doesn't have any memory
1:33:25storage, which is simply inconvenient.
1:33:27You simply won't be able to use it
1:33:29unless you buy a flash drive. The
1:33:30camera also activates slightly slower
1:33:32than all its competitors, which can be
1:33:33critical when you want to capture the
1:33:35moment and quickly shoot something.
1:33:37Furthermore, the Poet 3's battery life
1:33:39is inferior to both the 4 and 4P.
1:33:41Although, to be fair, this camera is
1:33:43already 2.12 years old. I use it
1:33:46constantly both on trips and for our
1:33:48tests. So, considering its age and
1:33:51constant use, this isn't such a
1:33:53critical drawback. I'll add to our
1:33:55conclusions, friends. Both new cameras
1:33:57have noticeably improved, that's true.
1:33:59The company has fixed many bugs and
1:34:01added a new telephoto lens, but one
1:34:03important issue remains: water
1:34:05resistance. Neither of these cameras
1:34:08has it, so you won't be able to shoot
1:34:10decent video even in light rain. A
1:34:12couple of drops, and the camera will
1:34:14either need to be dried out or sent in
1:34:16for repair. To sum it up, which camera
1:34:20would I recommend? If you want to save
1:34:23money and get a really cool action
1:34:25camera in this size range, then I
1:34:27definitely recommend buying the DJI
1:34:29Osos Sm Pocket 3, not the DJI Osm
1:34:31Pocket 4. The DJI Osos Pocket 3 offers
1:34:34the same price as the DJI Osm Pocket 4,
1:34:36while the DJI Osm Pocket 3 offers a
1:34:39complete package. You won't need to buy
1:34:41anything else. Everything will work
1:34:43perfectly. The only thing you'll need
1:34:46is a flash card, as the DJI SP 4 has an
1:34:49internal memory card, but it's a small
1:34:51one, 100 GB, which isn't much. I
1:34:54definitely recommend buying microSD
1:34:57cards of at least 256 GB, and
1:34:59preferably larger, as the DJI Pocket 3
1:35:01works just fine with 1 TB cards. Ah,
1:35:04just buy a card, insert it, and use
1:35:07this camera. The Creator Combo kit is
1:35:09the best in the entire DJI series.
1:35:12Definitely don't buy the new Creator
1:35:14Combat versions. It's a waste of money.
1:35:17It's better to buy a separate camera
1:35:19and this battery pack for it. I would
1:35:21definitely buy separate microphones for
1:35:23these cameras, because I didn't like
1:35:25the new microphones at all. You can
1:35:26only charge them with their own charger
1:35:29. It's super inconvenient if you lose
1:35:31everything. And that's sad. Therefore,
1:35:33if you're considering the DJI OS SMOK 3
1:35:36or DJI OSM POK, I'd choose the DJI OM
1:35:38Pocket 3. If you're considering the DJI
1:35:41Osmo Pocket 34 or 4P, and you can
1:35:43afford to pay more, then the DJI SM
1:35:45Pocket 4P is definitely better. This
1:35:49new 3X telephoto lens offers incredible
1:35:52zoom, stunning footage, and also the
1:35:54wide dynamic range that this camera now
1:35:57offers. Of course, I would, uh,
1:35:59recommend it, but it's probably better
1:36:02to wait a little until the price drops,
1:36:05and then you can buy it. But my
1:36:07personal choice, of course, is that
1:36:10from now on, I will exclusively use the
1:36:13Insta 360 camera. I really like this
1:36:16camera. I really want to test it in
1:36:18real life, since my DJI Osm Pocket 3
1:36:21has been my lifesaver for 2.2 years. I
1:36:24used it extensively, and it never let
1:36:26me down, both in terms of audio
1:36:28recording; yes, even in the most
1:36:30challenging conditions, it produced
1:36:32amazing sound. And in this regard, I
1:36:35hope that Insta 360 will not let me
1:36:37down, and the Creator Como kit I bought
1:36:39with this camera will serve me
1:36:41faithfully, since, basically,
1:36:43everything is thought out here. My main
1:36:46camera will now be the Insta 360 Luna
1:36:48Ultra. And for testing, I will
1:36:50definitely take the DJI Pocket 4P as a
1:36:52second camera. We'll see how the
1:36:54picture turns out, as I think it will
1:36:56be slightly different due to color
1:36:58correction. And after a month of active
1:37:00shooting, I'll definitely come back and
1:37:02tell you about these cameras, which
1:37:04I'll be using regularly from now on.
1:37:06Friends, if you enjoyed this video and
1:37:08found it useful, be sure to give it a
1:37:10like, subscribe to the channel, and let
1:37:12me know in the comments which camera
1:37:14you'd buy. Bye-bye everyone. M.

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