Death Investigator: What Dead Bodies Reveal About Murder | Barbara Butcher | FO575 Raj Shamani — Transcript
Full transcript
- 0:00A man [music] who had a wife he was
- 0:02crazy about, but he was wildly jealous.
- 0:05And one day they were coming into the
- 0:06apartment building and there was a
- 0:08building manager. And she looked at him
- 0:10and said, "Oh, hello." And they went
- 0:12into the house and he went insane. He
- 0:14started screaming. He thought she was
- 0:16flirting. And so
- 0:18he stabbed her [screaming] so many times
- 0:21that there was blood on the ceiling, the
- 0:23walls, the floors. Yeah.
- 0:26He had stabbed her, I don't know, 80
- 0:28times.
- 0:30There was nothing left to stab.
- 0:32>> Can a dead body move or like make sound?
- 0:35>> It's happened to me.
- 0:36>> Really?
- 0:37>> Yeah. Because even after they're dead,
- 0:39they still hold those gases inside them.
- 0:42Now, there's a story that there was a
- 0:43rookie cop and they said to him, um, you
- 0:46know, you're going to sit and guard this
- 0:47body. And he's sitting there and he's
- 0:49very afraid. And then, as the body
- 0:52jerked a little,
- 0:54it moved and then it made a sound like
- 1:00He got so frightened that he shot it
- 1:03twice.
- 1:06>> Tell me the moment you walk into a death
- 1:08scene, what do you first look at?
- 1:10>> I don't look at the body first. I stand
- 1:13at the doorway and I take in the
- 1:15totality of the scene. Now I'll start
- 1:18examining the body. I'll look for a stab
- 1:20wound or a gunshot wound. I'll look
- 1:22under the fingernails and see is there
- 1:24flesh or hair or blood because someone
- 1:26was fighting for their life. Now, when a
- 1:29dead person lays on the floor like this,
- 1:31on their back, the blood settles down
- 1:34through gravity. But, [music] if I go in
- 1:35there and see that the his back is all
- 1:37purple and yet his left side has it's
- 1:40like red blood, I know he was originally
- 1:43on his side and then [music] they when
- 1:45he died and then they put him on his
- 1:46back. I know when a body's been moved.
- 1:50>> There's no accurate specific way to
- 1:52actually find out what time a person
- 1:54died.
- 1:55>> Not unless somebody saw it. You know, in
- 1:57movies you just see that somebody would
- 1:58come out and they tell that this person
- 2:01died XYZ time.
- 2:02>> Lie. It's a lie.
- 2:05>> How do killers fool?
- 2:06>> Mhm, they can fool us.
- 2:08>> Tell me three smartest way that somebody
- 2:10has fooled you.
- 2:12>> Now, then I'd have to kill you because
- 2:14you'd know the secrets.
- 2:20>> What's the weirdest object that you've
- 2:22seen that somebody has used for killing?
- 2:26>> Well,
- 2:27>> What are the biggest mistakes murderers
- 2:29make?
- 2:30>> Thinking that they won't get caught.
- 2:33>> You've experienced thousands of deaths.
- 2:35What do you think? What's the best way
- 2:37to die?
- 2:38>> In your sleep.
- 2:39Absolutely.
- 2:42>> Are there signs that somebody will turn
- 2:44into a killer?
- 2:47I'm excited. I'm nervous. I'm a little
- 2:50bit scared.
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- 4:00the description below.
- 4:06And I'm very fascinated to do something
- 4:07like this with you because I've never
- 4:09done
- 4:10I've never met a death investigator.
- 4:14>> [laughter]
- 4:15>> I'm [gasps]
- 4:16I'm excited. I'm nervous.
- 4:18>> Don't be nervous.
- 4:19>> I'm a little bit scared.
- 4:21>> Really?
- 4:21>> Yeah.
- 4:22>> Why?
- 4:22>> I don't know. I just
- 4:24everything you will say, I'll have
- 4:26visuals in my head.
- 4:28>> Yeah.
- 4:29Yeah.
- 4:29>> That scares me.
- 4:32>> Well,
- 4:34I can assure you of one thing.
- 4:37The safest people in the world are dead
- 4:39people.
- 4:40They will not hurt you in any way.
- 4:43However, you're right. Seeing some of
- 4:45the ways they die is absolutely
- 4:47horrible.
- 4:48>> So, I was going through your work, okay,
- 4:51and I found out that
- 4:53you've investigated more than 5,500
- 4:55deaths.
- 4:56>> That's right.
- 4:57>> You've spent two decades reading bodies
- 5:00and crime scenes.
- 5:02>> Yeah.
- 5:02>> And you've seen suicide, murders,
- 5:05accidents, personal revenge, disasters
- 5:08up close.
- 5:10>> I have.
- 5:11>> And then you say that
- 5:13after going through all this work,
- 5:15you've realized that death tells you the
- 5:17stories which living beings can't.
- 5:20>> That's right.
- 5:21>> Welcome on figuring out Barbara Butcher.
- 5:24>> [laughter]
- 5:25>> Thank you so much. I am pleased to be
- 5:28here.
- 5:28>> It's my pleasure. If someone's watching
- 5:30you for the first time and they have no
- 5:31clue what you do.
- 5:33>> Okay, I'll tell you.
- 5:34>> So, tell them what is death investigator
- 5:37and what will people learn by the end of
- 5:40this podcast.
- 5:41>> Okay.
- 5:43A death investigator, um,
- 5:45in the United States, anyway,
- 5:47we have a we have two systems, coroner
- 5:50system and medical examiner system. And
- 5:53each of those systems is charged with
- 5:56investigating deaths, in particular
- 5:59violent deaths, suicides, accidents,
- 6:02things like that. And homicides, of
- 6:04course. We also have to look at natural
- 6:07deaths. So, if an elderly woman dies
- 6:10alone in her apartment, we have to go
- 6:12make sure that nothing bad happened.
- 6:15So, what's the purpose of that? Well,
- 6:18for one thing, it's for justice.
- 6:20>> Mhm.
- 6:20>> So, if someone is murdered,
- 6:24we want to know who did it and why and
- 6:27so that we can catch them.
- 6:29We want to prevent that person from
- 6:31committing any more homicides.
- 6:34So,
- 6:36you would think, oh, well, why don't you
- 6:38just do an autopsy? The forensic
- 6:40pathologist does an autopsy and in
- 6:43looking at that body, they see the cause
- 6:46of death. So, suppose the man on the
- 6:48table has a gunshot wound to the head.
- 6:51Fine, cause of death is gunshot wound,
- 6:53but what is the manner? Was it a
- 6:55homicide, a suicide, or an accident?
- 6:58That's my job.
- 7:00>> Mhm.
- 7:00>> The death investigator goes to the scene
- 7:03and takes in the entire context.
- 7:07What is the room like? What is his life
- 7:09like? Where is the evidence? Is there
- 7:11blood spatter on walls? Are there bullet
- 7:14marks on the ceiling? And what does the
- 7:16body tell me? We could get into that
- 7:18more deeply later.
- 7:20But,
- 7:21everything I'm doing there is to find
- 7:24out how did this death arise?
- 7:27So,
- 7:28if I go into a room,
- 7:31as I have, and seen a young woman
- 7:33clutching an automatic weapon and
- 7:35there's a close-contact
- 7:37gunshot wound to her head with abrasion
- 7:40ring, the gunpowder into the wound. I
- 7:43know it's close contact
- 7:46and
- 7:47if I get a good story from her friends
- 7:50or neighbors like, "Oh my god, I tried
- 7:52to stop her."
- 7:54Then I know it's likely a suicide. Now,
- 7:57this one case I'm thinking of was
- 7:59terrible.
- 8:00Um a young woman said to her friend,
- 8:02"I'm going to kill myself. I can't stand
- 8:05it anymore."
- 8:06Her boyfriend left and she was
- 8:07heartbroken.
- 8:10So, the friend said, "Give me that gun."
- 8:12And took it away from her and the girl
- 8:14said, "No, no, give it back to me. I
- 8:16promise I won't do it."
- 8:18So,
- 8:20the woman, her friend, pulled out the
- 8:23chamber and gave it back to her. She
- 8:27didn't realize there was one round of
- 8:29ammunition still in the barrel.
- 8:33So, when the girl took it,
- 8:35there was still a bullet and she shot
- 8:37herself in the head.
- 8:39Now, that's a clear suicide. I have an
- 8:41upset witness. I have everything I need
- 8:43to see right in front of me.
- 8:46But then,
- 8:48I go to another case out on [snorts]
- 8:50Houston Street in New York.
- 8:52And there's a group of young men, 17, 18
- 8:55years old and they're shaking. They're
- 8:57so frightened and their friend lies dead
- 8:59on the ground in the middle of the
- 9:00avenue.
- 9:02And they said that he had just gotten a
- 9:06new gun, his very first gun. It was a
- 9:08Saturday night special, which is like a
- 9:11.32 revolver, very cheap, flimsy.
- 9:15And that morning he was showing them
- 9:18tricks like a cowboy. He was spinning
- 9:21the gun
- 9:22on his finger and it hit the he it flew
- 9:25off, hit the ground
- 9:27and shot him straight between the eyes.
- 9:30So, his first shot was his best shot and
- 9:34his last shot.
- 9:36Now, can you imagine
- 9:38a thing like that, how they could
- 9:39happen? So, it was an accident. Now, of
- 9:42course, we don't really believe that
- 9:44right from the beginning.
- 9:45We think, "No, they're just making this
- 9:47story up."
- 9:48But, I saw on the pavement, on the
- 9:50sidewalk, a little piece of concrete
- 9:53that was chipped and the little dust of
- 9:56it on the on the hammer.
- 9:58So, I knew the gun had hit just that
- 10:01way. And his friends were were crying
- 10:03and shaking. They couldn't make this
- 10:05story up.
- 10:07Um so, I said, "This is definitely an
- 10:09accident." And then, about 2 hours
- 10:11later, a guy came by, a truck driver,
- 10:14and said, "I was going to work this
- 10:15morning, and I saw this kid playing with
- 10:17the gun." So, that cemented it.
- 10:21But, if it's a homicide, now I have to
- 10:23get a whole 'nother set of
- 10:26of evidence, of facts, of um
- 10:30um
- 10:32Yeah, now I'm not just looking to see
- 10:35what is the manner of death, I'm looking
- 10:37to see who did it, when did they do it,
- 10:39why did they do it. And I'll see that in
- 10:42the scene and in the body.
- 10:44So,
- 10:45what I do, I investigate the scene, I
- 10:47work with the police closely,
- 10:49but it's an independent investigation,
- 10:51cuz we might have differences sometimes.
- 10:53You know, they say, "No, that's not a
- 10:54murder, Barbara. Come on, come on."
- 10:56>> [laughter]
- 10:58>> Yes, it is.
- 11:00So,
- 11:01uh
- 11:02once I gather all that evidence and do
- 11:04all my photographs of the scene, my
- 11:06measurements,
- 11:07I write a report and take it to the
- 11:10forensic pathologist who's going to do
- 11:12the autopsy the next day. Then, they're
- 11:15now doing an informed autopsy. They say,
- 11:18"Oh, yeah, gunshot wound, manner of
- 11:20death, homicide."
- 11:22And then, we you know, we give the
- 11:23police all the information we've
- 11:25gathered, so that they can better
- 11:27investigate and find the person.
- 11:30That's my job.
- 11:32>> It's
- 11:34it can be fascinating and it can be very
- 11:36daunting.
- 11:37>> Yes, absolutely.
- 11:40>> Depends on what kind of perspective
- 11:41you're looking at from. But, tell me the
- 11:43moment you walk into a death scene.
- 11:46>> Okay.
- 11:48>> What do you first look at?
- 11:50Like in the first 30 seconds
- 11:52>> Mhm.
- 11:52>> what is that you're trying to find out
- 11:56and where do you actually look at where
- 11:59which most of the world would actually
- 12:01ignore?
- 12:02>> It's a very good question.
- 12:04I don't look at the body first. In fact,
- 12:07I stand at the doorway, just inside, and
- 12:11I take in the totality of the scene, the
- 12:14feeling of the room, the zeitgeist, the
- 12:17atmosphere. I want to see what what kind
- 12:21of person is this, what kind of life,
- 12:23what kind of home.
- 12:24Like I said, I want to see how they
- 12:26live.
- 12:27And
- 12:28so taking in the entire scene and then
- 12:31I'll put on my booties and, you know,
- 12:33Tyvek covers and all that.
- 12:35And go around the perimeter, taking my
- 12:38photographs of everything all around.
- 12:42Then I zero in on the body. I do my
- 12:45photographs, the overalls, but I haven't
- 12:48touched it yet. What I wait to do is now
- 12:51crime scene, they're doing fingerprints
- 12:53and things like that.
- 12:55>> I say, "All right, guys, I'm ready." I
- 12:56bring them over. Now I'll start
- 12:58examining the body. I'll open the shirt
- 13:01and look for a stab wound or a gunshot
- 13:03wound. I'll look under the fingernails
- 13:05and see is there flesh or hair or blood
- 13:08because someone was fighting for their
- 13:10life.
- 13:11Um
- 13:12I will determine the time of death,
- 13:16which is an art as much as it is a
- 13:18science. You have the
- 13:20rigor mortis, the stiffening of the
- 13:23body.
- 13:24And that happens over a period of, oh,
- 13:27eight eight hours. The body becomes more
- 13:30and more stiff. First, the small
- 13:31muscles, like the jaw and fingers, then
- 13:34the larger muscles, like the legs.
- 13:37After about eight to 10 hours, that body
- 13:39is so rigid that if you lifted it up, it
- 13:43would not bend.
- 13:45So, if I see someone fully rigid like
- 13:48that,
- 13:49that's about eight hours ago.
- 13:51Now, I look at the lividity. That's the
- 13:53settling of the blood.
- 13:55When a dead person lays on the floor
- 13:58like this, on their back, the blood
- 14:00settles down through gravity.
- 14:03And it stays there for a while, and then
- 14:06after about eight to 10 hours, it
- 14:08becomes fixed. Like you can't move it.
- 14:11But, if I go in there and see that the
- 14:13his back is all purple,
- 14:16and yet his left side has it's like red
- 14:20blood,
- 14:21a little bit lighter, I know he was
- 14:24originally on his side and then they
- 14:26when he died and then they put him on
- 14:27his back. I know when a body's been
- 14:29moved. There is. So, now
- 14:32that takes a certain amount of time.
- 14:34Then I take the body temperature. The
- 14:36body loses about 1 and 1/2° of
- 14:40temperature every hour.
- 14:42Uh Fahrenheit. So,
- 14:44in a room of the average, oh, 70 72°,
- 14:49I take the temperature of the air, then
- 14:52the temperature of the body. Usually a
- 14:54rectal temperature is most accurate.
- 14:56>> [snorts]
- 14:57>> And now I divide. So, if the body
- 15:00started out roughly 98 and is now 90,
- 15:05that means they've lost 8° of
- 15:07temperature.
- 15:09Divide by 1.5.
- 15:11>> Mhm.
- 15:12>> That's each degree you lose is 1.5 per
- 15:14hour. And now I come out with What does
- 15:17that come out to? 5 6 hours, whatever
- 15:19the math is.
- 15:21So, is that enough? No.
- 15:23>> No.
- 15:23>> Because
- 15:26common sense. You have to have common
- 15:28sense. So, one day, I'm a brand new
- 15:31investigator,
- 15:33and I go into a a room where a elderly
- 15:36old old man has died, and his whole
- 15:38family is there, and they're so upset.
- 15:40He is the beloved patriarch of this
- 15:43family.
- 15:45And they're all crying, and I I said,
- 15:47"All right, I'm going to go examine
- 15:48him."
- 15:49And I did. And when I came out, they
- 15:51said, "Could you tell us what time he
- 15:53died? Because we'd like to have a
- 15:55special church service at that time." I
- 15:58said, "All right." And I went back in,
- 15:59and I just recalculated. Yes, yes, yes.
- 16:03All right. Three take away the seven,
- 16:04four times 18, you know. And I came out,
- 16:07and I said, "He died right around
- 16:09midnight."
- 16:10>> [snorts and laughter]
- 16:10>> "No. No, I spoke to him at midnight. I
- 16:13spoke to him at 12:30."
- 16:16And I was like, "Oh my god, I forgot the
- 16:18most important question. When was the
- 16:20last time anyone spoke to him alive or
- 16:23saw him alive?"
- 16:25Because these these calculations, they
- 16:28have great variability.
- 16:30>> Mhm.
- 16:30>> Great variability. It's a lot of
- 16:32interpretations. So,
- 16:34>> See?
- 16:35>> After that, I learned ask the right
- 16:37question.
- 16:39If there's no one to ask, you can also
- 16:40do things like look at the newspapers.
- 16:44If the newspapers are on the front of
- 16:46the house, not picked up yet, it says
- 16:48Saturday, Sunday,
- 16:50he probably died Friday.
- 16:52If he had food delivered, there's a
- 16:54receipt on it
- 16:55with the timestamp, right? So, you we
- 16:58use common sense.
- 17:00>> So, there's no accurate, specific way to
- 17:03actually find out what time a person
- 17:05died.
- 17:06>> Not unless somebody saw it.
- 17:08If we have it on videotape, yes. If
- 17:10someone saw it.
- 17:11>> Because in movies, you just see that
- 17:13hey, like somebody would come out, and
- 17:16they would tell that this person died
- 17:18XYZ time.
- 17:19>> That lie, it's a lie. That's where I get
- 17:21very irritated with some shows.
- 17:24Um
- 17:25some of the true crime shows, they they
- 17:27have a
- 17:28or even the fictional ones.
- 17:30They have a a medical examiner who shows
- 17:32up on the scene, a forensic pathologist.
- 17:35Well, first of all, what did she do?
- 17:37Leave the autopsy table to come to this
- 17:39death scene?
- 17:40What about her work? She has three cases
- 17:43to do.
- 17:44And she comes in and she looks at the
- 17:46body a couple of times and then she
- 17:48pokes her finger in something and says,
- 17:50"That looks like a 9-mm."
- 17:52What?
- 17:53What did What did you stick your finger
- 17:55in the hole and measure it?
- 17:57And then they say, uh yeah, dead about
- 18:00uh I'd say about 4:30-ish, 4:30 this
- 18:03afternoon.
- 18:05Why?
- 18:06Was there a bullet hole through his
- 18:07watch and it stopped at 4:30?
- 18:10Right. [laughter]
- 18:11>> [snorts]
- 18:12>> So, the the the shows get it all wrong.
- 18:15Now, my show, the death investigator,
- 18:17we're very very careful to do everything
- 18:20and explain everything accurately.
- 18:22There's no magic tricks.
- 18:24So,
- 18:26I've been thinking for years there must
- 18:28be a way to design an app
- 18:30>> Mhm.
- 18:30>> that will take body temperature, ambient
- 18:33temperature,
- 18:35pictures of the lividity, estimates of
- 18:37the and calculate it all and and says,
- 18:40you know, 11:45 a.m. You know,
- 18:43so far, nothing.
- 18:44>> Nothing. There's no like accurate
- 18:46formula.
- 18:46>> No, there isn't. It's
- 18:48>> It's a guess.
- 18:49>> It's a guess.
- 18:50>> How close can you be? Like, how close
- 18:52can you get to accurate time of death
- 18:54just by investigating?
- 18:56>> Just by using all those factors.
- 18:59>> And can you actually probably go to
- 19:02autopsy
- 19:04lab and take blood sample or tissue
- 19:06sample and then actually predict
- 19:09that time?
- 19:10>> they've tried.
- 19:11>> No.
- 19:11>> In fact, uh a lot of scientists and
- 19:14researchers have tried using the
- 19:15potassium levels of the eyeball. We draw
- 19:18the fluid out
- 19:20and estimate did the potassium shift
- 19:24into the cells into the fluid. No.
- 19:27>> Nothing works then.
- 19:27>> So, everything is an estimate and I
- 19:30never say anymore
- 19:32uh
- 19:332:00 p.m. I say sometime between noon
- 19:38maybe 4:00. I give you a 4-hour window.
- 19:41Yeah.
- 19:42>> And even that
- 19:44you know, can you can be fooled. Now,
- 19:46one thing that fools you is when cops
- 19:48come in and fooled around with things.
- 19:50So,
- 19:52sometimes I come into an apartment and
- 19:54it's freezing cold and I said, "Why is
- 19:56it so cold in here?" Oh, we opened all
- 19:58the windows because it smelled. I'm
- 20:00like, "Wait a minute, guys. How am I
- 20:02going to figure out body temperature
- 20:04now? You just ruined everything." And
- 20:06they're like, "Well, Barbara, it was hot
- 20:07in here so and smelly."
- 20:10>> [snorts]
- 20:10>> So, we have to be very careful with
- 20:12those things and that's one of the first
- 20:13questions I ask. What has changed since
- 20:16you got here between that time and my
- 20:18time?
- 20:19>> Mhm.
- 20:19>> And if they say, "Well, we opened the
- 20:21windows, we moved the body." Oh, no, no,
- 20:23no, no.
- 20:24>> Then the whole matter is gone.
- 20:26>> It's then it's all messed up.
- 20:28>> How do you make sure like
- 20:31to roll a body to investigate without
- 20:34even ruining it?
- 20:36>> Without ruining my evidence? It's not
- 20:38easy. Uh first of all, I don't want to
- 20:40strip the clothes off cuz sometimes
- 20:43there is evidence on the clothing you
- 20:45don't want to lose.
- 20:46For instance, I had a man who was shot
- 20:49on the street
- 20:51and
- 20:53the guy who shot him said, "No, he was
- 20:55running toward me and I shot him."
- 20:59And then when I look at his jacket, the
- 21:01collar has a little bit of a
- 21:04bullet the bullet came through the
- 21:06jacket. But then I look on his arm,
- 21:10there's a bullet hole here.
- 21:12I'm like, wait a second. Let me line
- 21:14these up.
- 21:15>> Mhm.
- 21:16>> And here's what happened.
- 21:18>> He was shot.
- 21:19>> He was going like this. It went through
- 21:21here, through here, past the collar and
- 21:24into his neck. And I could line it up
- 21:26perfectly. So no, he wasn't coming at
- 21:28you. He was going like this. Please, no.
- 21:30>> Mhm.
- 21:31>> Right? So
- 21:33So that's very important. Don't mess up
- 21:35your evidence. Now, I do need to see
- 21:38their back, obviously. So I'm careful
- 21:40not to mess up the clothes. Um I'm also
- 21:43careful about bullets that might pop
- 21:45out.
- 21:46>> Mhm.
- 21:46>> Sometimes you turn a body and there's a
- 21:49bullet in the hole in the front and at
- 21:52the back it's just at the edge of the
- 21:54skin and you turn it over and it pops
- 21:56out. That's not good.
- 21:58Um so when I turn it, it's just very,
- 22:02very gently. And I don't remove the
- 22:05clothes. I just peek up underneath. When
- 22:07we get them in the autopsy room, I can
- 22:09tell a lot more.
- 22:11But so why would I want to see the
- 22:13gunshot hole? Why do I need to see that?
- 22:16Well, if you think about the physics of
- 22:19bullets, ballistics,
- 22:21when the bullet goes through the flesh,
- 22:24it leaves a little abrasion ring. You
- 22:27know, the skin stretches inwards, very
- 22:29flexible. So as the bullet goes in, it
- 22:32pulls the skin and makes a little
- 22:34abrasion, right? A little ring.
- 22:37Now, if it's a straight-on shot, it'll
- 22:40be perfectly circular.
- 22:42If the person is shot from up here,
- 22:45as they're standing,
- 22:47it's going to have an angle where the
- 22:50abrasion ring will be greater at the top
- 22:52or at the bottom, meaning shot from
- 22:54below, shot from above, or shot from the
- 22:57side.
- 22:58So if you're really careful with this
- 23:01and you you look for the bullet impact
- 23:03marks on the walls, I can tell you where
- 23:06the shooter was standing.
- 23:08And I can tell you the position of the
- 23:10victim.
- 23:11But it's very important to know where
- 23:12was that shooter.
- 23:14If they were right up close, then I'll
- 23:16see gunpowder in the wound. I'll see the
- 23:20the fouling, which is the greasy smoke
- 23:23that comes out of the barrel.
- 23:25So, if I see the little stipples of
- 23:28gunpowder burned into the face,
- 23:30I know it was about oh, maybe 8 in, 10
- 23:33in,
- 23:34something like that. Any further, and it
- 23:36falls to the ground.
- 23:37But now, if I see I don't see any
- 23:40stippling gunpowder, but I see the
- 23:42greasy smoke around it, I know they were
- 23:45standing back just a little, but they
- 23:47were still quite close.
- 23:49So, I can tell you so many things just
- 23:52by looking at that wound.
- 23:54>> Interesting. I want you to demonstrate
- 23:56on me.
- 23:58How can you roll a body without actually
- 24:00disturbing the evidence? Can you do that
- 24:02little body demonstration? I'll just lay
- 24:04down.
- 24:04>> Now, if a person is is stiff, it's
- 24:07easier. But see, that's why I tell you,
- 24:09be dead weight, totally relaxed. Okay,
- 24:11dead weight, nice and easy, just breathe
- 24:14deeply.
- 24:15So, what I do, in order to turn a person
- 24:17over,
- 24:18>> [snorts]
- 24:19>> carefully place this leg over that one.
- 24:22Okay?
- 24:23Then,
- 24:25this arm at the shoulder,
- 24:28just like that. Now, all I have to do,
- 24:31two fingers under the hips and the
- 24:33shoulder,
- 24:34>> [clears throat]
- 24:35>> and he rolls right over. You see, I do
- 24:37it gently, so that there's no evidence
- 24:39lost. I don't move any clothing,
- 24:41anything like that.
- 24:43Goes right over. Now, I'll examine here,
- 24:46under the shirt. Perhaps I'll check the
- 24:48legs if there's any trauma.
- 24:50But it's easy, right? So, even a small
- 24:52woman can roll over a heavy man.
- 24:55>> There's this question, because you said
- 24:56someone
- 24:58you can look at a bullet mark and find
- 25:01out whether it was hit from close or
- 25:03far, right? Yeah. Can you also tell
- 25:06the relationship or the kind of
- 25:11motive behind death just by the distance
- 25:14of the shoot?
- 25:19>> To a certain extent, yes. So if it's a
- 25:23contact wound,
- 25:25then we know you know either suicide or
- 25:28or execution style. You come up to
- 25:31someone, put the gun against their head,
- 25:33you're going to get everything I just
- 25:35spoke about but the gunpowder will be
- 25:37inside the wound and there'll be like a
- 25:39stamp
- 25:41like
- 25:42if a gun barrel has a little notch at
- 25:44the top, I'll see that because the bang
- 25:48hits the skin.
- 25:50Now I know what it was and this happened
- 25:52in a case I did on my show the Carnegie
- 25:54Deli massacre.
- 25:56The the guy who was arrested said, "Oh
- 25:58no, it went off accidentally. I was
- 26:01holding the gun
- 26:03and I was shaking so bad and I I got
- 26:05nervous and it went off." No, it didn't
- 26:07you lying dog.
- 26:09I know because what I see on the head, I
- 26:13see the contact. You were perfectly
- 26:15steady. So don't cry to me.
- 26:18I'm very harsh about these things.
- 26:20>> [laughter]
- 26:22>> But have you ever seen that someone
- 26:24who's very close and they're closely
- 26:26related?
- 26:28Do they shoot from close or do they
- 26:30shoot from far?
- 26:31Because if sometime it's if it's a
- 26:33revenge or like a business killing or
- 26:35like a drug killing, they usually it's
- 26:36very close. It's not from far away
- 26:38because they want to make sure that the
- 26:39person's dead.
- 26:40>> Yeah, I mean a sniper is very
- 26:42impersonal.
- 26:44So
- 26:46I know it might have been far off but I
- 26:49can't say how far because after just
- 26:51let's say,
- 26:524-5 ft away,
- 26:54now there's nothing for me to see. So,
- 26:57he could be 5 ft or 100 yd with a good
- 27:00sniper bullet. But, I will notice
- 27:02something about the book bullet, it will
- 27:04have to be
- 27:05a rifled a rifle or automatic weapon
- 27:09kind of thing.
- 27:10Um So, yeah, that's an interesting
- 27:12thing. For me, there are basically two
- 27:15kinds of homicide. One is business and
- 27:19the other is um
- 27:23personal. Personal. And there's also the
- 27:26ones that are done for fun, too, like
- 27:28serial killers, but that's another
- 27:30category.
- 27:31>> [gasps]
- 27:31>> I don't even like speaking or thinking
- 27:33about it. However,
- 27:35if it's a business killing, it's very
- 27:37efficient. You walk in, shoot him in the
- 27:39head, and walk away. There's no DNA,
- 27:41there's no contact, there's nothing, no
- 27:43fingerprints, even. It's business.
- 27:46Now,
- 27:47if
- 27:48I see that the body is
- 27:51stabbed multiple times, punched, beaten,
- 27:55especially at the face,
- 27:57um
- 27:58beaten, stabbed, strangled, shot, that's
- 28:01so personal. That's the killing of rage.
- 28:05So, I know it's someone who knows them.
- 28:08Um
- 28:09and someone who has such huge anger
- 28:13toward this person. Could be revenge.
- 28:16Uh could be love.
- 28:20And one of the most brutal killings I
- 28:21ever saw
- 28:23was a man who had a wife he was crazy
- 28:27about. She was a pretty little woman,
- 28:29all nice little jewelry, and
- 28:32you know, she dressed up nicely. I saw
- 28:34pictures of her in the house, and he
- 28:36loved her insanely.
- 28:38But, he was wildly jealous.
- 28:40And one day, they were coming into the
- 28:42apartment building, and there was the
- 28:44building manager, the super, was in the
- 28:46hallway, and she looked at him and said,
- 28:49"Oh, hello." Nodded at him, and they
- 28:50went into the house. And he went insane.
- 28:53He started screaming. The neighbors
- 28:55could hear.
- 28:56"Why are you talking to him?"
- 28:58He thought she was flirting
- 29:00with the building guy.
- 29:03And so, this is the saddest thing.
- 29:05He stabbed her so many times that there
- 29:09was blood on the ceiling, on the walls,
- 29:11the floors. Yeah.
- 29:13>> Just because she talked, nothing else.
- 29:15>> Yes, because he was so jealous.
- 29:18To him
- 29:18>> in that one incident, after that one
- 29:20incident
- 29:21>> That's it.
- 29:22That's it. He was always insanely
- 29:24jealous and watched her all the time.
- 29:26But all the neighbors, they said, "Oh,
- 29:28he loved her insanely. He worshipped
- 29:30her."
- 29:31Well,
- 29:32when something happened, when he saw her
- 29:35look at another man, he went psychotic.
- 29:39He suddenly saw, "I'm losing her."
- 29:41And he lost his mind.
- 29:43And he stabbed her. And the broom was
- 29:46horrible. It was horrible. It was just
- 29:48blood everywhere. And this poor little
- 29:50woman,
- 29:51all she did was say hello.
- 29:54And the guy jumped out a window. It was
- 29:56only the second story. And we got
- 29:59bloodhounds
- 30:00who tracked to her blood. And they
- 30:03caught him in the park, uh up in Inwood.
- 30:06Um you know, just running through with
- 30:08the the bloodhounds that the the what we
- 30:10call them, they actually not bloodhounds
- 30:12anymore, they're German Shepherds, but
- 30:14they're
- 30:15you know, they're police dogs.
- 30:17And they um they found him very quickly
- 30:19because he was covered in her blood.
- 30:22So,
- 30:24that gets me so confused.
- 30:27I've loved people pretty strongly,
- 30:30but never like that. [laughter]
- 30:32>> That's not love. That's obsession.
- 30:34That's psychotic behavior.
- 30:36>> Yeah. Yeah, it's obsession. It's not
- 30:38really love. It's complete obsession.
- 30:40>> killed
- 30:40just by like shooting her.
- 30:43>> No, no, no. He wanted to punish her for
- 30:45breaking his heart. His heart was
- 30:47probably broken. When he somehow the way
- 30:50he saw it in his psychosis, in his
- 30:53insanity,
- 30:54was that that was her lover and and and
- 30:58she was leaving him.
- 31:00And the pain and the fear were so great
- 31:02that he had to destroy her, not just
- 31:04kill her, but destroy her.
- 31:06>> And did he tell
- 31:08tell this that she he wanted to destroy
- 31:10her and what all did he do?
- 31:11>> When they caught him, he said, "Yeah, I
- 31:13just
- 31:14>> he do like can you
- 31:15>> Oh, how he killed her? Oh, he stabbed
- 31:18her so many times. And you know, when
- 31:19you stab the carotid arteries or cut
- 31:22them, the blood sprays. It's high
- 31:25pressure. It sprays up onto the walls.
- 31:28And then if you keep stabbing someone,
- 31:31every time you go in,
- 31:33you hit blood. And when you pull the
- 31:35knife back, the blood flings or casts
- 31:38off the knife.
- 31:40And lands on the walls or even the
- 31:42ceiling.
- 31:43So, he had stabbed her I don't know 80
- 31:46times, something so ridiculous. There
- 31:48was nothing left to stab.
- 31:51So,
- 31:52the it it it it was just the bloodiest
- 31:54scene I've ever seen in my life.
- 31:56And the poor woman, uh I hope she died
- 31:58very quickly.
- 32:00Because this was just
- 32:03But he told the police, "She looked at
- 32:05the building super. I knew she was
- 32:08having an affair with him." And they're
- 32:10like, "What?"
- 32:12So, of course, you know,
- 32:13>> We'll
- 32:14We'll get to this mindset of serial
- 32:16killers and things in a while. So, when
- 32:18you're at the crime scene, other than
- 32:21the body, what is the most important
- 32:23thing?
- 32:25>> The witnesses.
- 32:27The witnesses
- 32:30Sometimes they lie. Sometimes they tell
- 32:32the truth. Sometimes they exaggerate.
- 32:35But most times you can get a straight
- 32:37story out of someone because they're in
- 32:39shock.
- 32:40If they come into the room and see their
- 32:43brother laying dead on the floor, it's
- 32:45like, "My god." And now,
- 32:48if the police ask them, "What did you
- 32:49hear?"
- 32:51"I don't know. I thought he was jumping
- 32:52on the floor. I heard something loud."
- 32:55Um
- 32:56"What time was this?" "Well, it was
- 32:582:00, and I know because I was my my new
- 33:01show just started on the TV."
- 33:04Those things help.
- 33:06The body tells To me, the body doesn't
- 33:09lie. The body tells you what is there.
- 33:13Then the scene, of course,
- 33:15was the Was the uh room ransacked? Were
- 33:18they looking for something to steal,
- 33:20jewelry or money? Or
- 33:23was it a fake crime scene, which I see a
- 33:25lot?
- 33:26>> What do you mean by fake crime scene?
- 33:27>> Well, they want to make it look like it
- 33:30was burglars coming in to steal. So,
- 33:33they'll pull all the drawers out of the
- 33:35bureaus and chests, and maybe they'll
- 33:37throw some clothes around, but it looks
- 33:40fake. We call it a staged crime scene.
- 33:43Cuz they make it look like it was a
- 33:45robbery, but no, it isn't.
- 33:48>> Oh, somebody killed it inside.
- 33:49>> Yeah, somebody just came in and killed
- 33:51him and said, "I'll make this look like
- 33:52robbers."
- 33:54So, sometimes, um and the best way you
- 33:56can tell that is you see the room, all
- 33:58the things thrown around, but then
- 34:00there's a box in one of the drawers, and
- 34:03there's a bracelet in it, a gold
- 34:05bracelet. So, why didn't he take that?
- 34:07>> Mm.
- 34:08>> I had one like that recently where um
- 34:11it was
- 34:12something like I think it was $16,000
- 34:17in a coat jacket in a coat pocket.
- 34:20And all the They went through and they
- 34:22just opened the drawers and threw some
- 34:23clothes around to make it look like a
- 34:25burglary. They didn't even take the
- 34:27money. So, that's pretty damn stupid.
- 34:30Um
- 34:32you know, you see in movies all these
- 34:33very brilliant criminals who pull off
- 34:35these
- 34:37you know, heists. They rob a casino or a
- 34:40bank or whatever.
- 34:42Um but people who come in to murder
- 34:44somebody, they're not very bright.
- 34:46>> Mhm.
- 34:47>> So, they might know a couple of things
- 34:49to do, wipe off my fingerprints, things
- 34:51like that.
- 34:52Don't eat any food because I'll leave
- 34:54DNA behind. [laughter]
- 34:57>> [gasps]
- 34:57[sighs]
- 34:58>> Oh.
- 34:58>> What What if you have to point out let's
- 35:00say three things, three specific things
- 35:02without the body
- 35:03which is a must
- 35:06when you enter a crime scene. You want
- 35:08to make a list that these are three
- 35:09things I will watch.
- 35:10>> Mhm. [clears throat] Beside the body,
- 35:12beside what's on the body.
- 35:14>> Which will tell you a lot about how the
- 35:16person lived and how person died.
- 35:18>> Okay. Well, number one is
- 35:21evidence of human contact. So, DNA and
- 35:25fingerprints. So, how do I know what's
- 35:28DNA and what's fingerprints? Well, um
- 35:31suppose we have a bloody scene. Person's
- 35:34been killed and there's blood all
- 35:36around. Now, I walked down the hallway
- 35:39toward the bathroom
- 35:41and I see some blood drops on the floor.
- 35:44That's not from the body. How did they
- 35:47get there?
- 35:48So, when
- 35:50when a perpetrator stabs someone, very
- 35:52often they cut themselves because as you
- 35:55push the knife down like this,
- 35:58sometimes it hits bone and it goes
- 36:00upward and cuts your hand. See?
- 36:03So, now you have to go to the bathroom
- 36:05and wash it off and you know, wrap it up
- 36:08in a band-aid.
- 36:10But you're going to leave one little
- 36:11drop of blood on the floor. And we just
- 36:14did a case like that in my show, one
- 36:16drop of blood. Isn't that amazing? But
- 36:19you have to look for these things. You
- 36:21can't walk in and say, "Oh, yeah, guy
- 36:22stabbed. That's that. All right." No, I
- 36:25have to go
- 36:26throughout the house. I have to know
- 36:29everything,
- 36:30especially any point of human contact.
- 36:33So, if I see a telephone, I know crime
- 36:36scene is going to want to you know,
- 36:37check that for fingerprints. The
- 36:39doorknob.
- 36:41And they're very careful about
- 36:43doorknobs, right? They might wear a
- 36:44glove or use a towel to open it. But
- 36:47they forget that when they come in, they
- 36:49touched the door sill as they pushed it
- 36:53open. Not touching the knob, but they're
- 36:55touching the door sill. So, that's where
- 36:58we look for prints.
- 36:59So, human contact number one, DNA
- 37:03and fingerprints. Um next is
- 37:07>> [gasps]
- 37:07>> I would say
- 37:09>> [sighs]
- 37:10>> the appearance of the house
- 37:13as to whether or not it was something
- 37:17that was a real burglary with things are
- 37:19missing or a fake staged scene.
- 37:23And in that house, what does that person
- 37:27have
- 37:28that may have been important?
- 37:31So, suppose there's a scientist
- 37:34working on a very important project for
- 37:36the government. And we come in
- 37:39and we see that he's been shot
- 37:41and we don't see any prints anywhere,
- 37:43nothing.
- 37:45But his computer's missing. All
- 37:47scientists have at least one computer,
- 37:49right? If that computer is missing
- 37:53then I know this was a
- 37:55a business job. This was something high
- 37:59level.
- 38:00This is something where they wanted to
- 38:02get some piece of information that he
- 38:05had.
- 38:06So, it's not just what's there that
- 38:09you're looking for, it's what's not
- 38:11there.
- 38:12>> There you go.
- 38:14This should actually be a class. We
- 38:16should record this and use it to teach
- 38:18people.
- 38:19Giving you all my secrets.
- 38:21>> [laughter]
- 38:22>> I want to ask you for more secrets.
- 38:24>> Mhm.
- 38:25>> How do you know actually what happens
- 38:27once once the
- 38:30once somebody dies? Like minute after
- 38:32minute, what happens to the body? How
- 38:34does it decay?
- 38:36What happens 6 hours later, 24 hours
- 38:39later? What happens to the body?
- 38:40>> Good question.
- 38:42Um
- 38:44when death is immediate like
- 38:47let's say a gunshot to the head through
- 38:49and through
- 38:50immediately dead. Fall to the ground.
- 38:53They will not really bleed that much,
- 38:56but they will leak. Because they died
- 38:58instantly, the heart is no longer
- 39:01pumping out blood. So, it'll leak from
- 39:03the head. There'll be a good amount
- 39:05around them.
- 39:06Um
- 39:07and then as that blood leaves
- 39:11there are
- 39:13things that happen inside us that
- 39:16uh
- 39:16>> [sighs]
- 39:17>> I guess the best
- 39:19It's like being digested by our own
- 39:22bodies. We have enzymes inside us.
- 39:25And as the body dies, those enzymes just
- 39:28digest what's there.
- 39:30The cell walls. And so, fluids begin to
- 39:34leak out from the nose.
- 39:36Um so, now we have blood, we have
- 39:39fluids. Now
- 39:41>> Is that what livor mortis is?
- 39:43>> No, that's what that's just the ordinary
- 39:45process of a dead body. Starts to digest
- 39:48itself
- 39:49and to decompose so it can return to the
- 39:52earth.
- 39:53And you know, [clears throat] which is a
- 39:54very good idea.
- 39:57So, as that's happening, there are
- 39:59bacteria
- 40:00in our gut abdomen and the intestines
- 40:03that normally
- 40:05our body keeps in check. They don't grow
- 40:07too much, but they grow just enough so
- 40:09that they can help us with digestion.
- 40:12When they're not when now they're free
- 40:15to do whatever they want. They start
- 40:17digesting, eating up
- 40:20the internal
- 40:21the internal organs of the body. And
- 40:23when they do that, it causes gases to
- 40:26form.
- 40:27So,
- 40:28in the first, let's say, 1 hour, we get
- 40:31the little bit of fluid leaking, we get
- 40:33the
- 40:33oozing of blood, and now we get the
- 40:36digestion of the body.
- 40:39And as that happens, the gases build up,
- 40:43and over a period of time, let's say,
- 40:46well, it depends on the weather, too. If
- 40:48it's very hot, it goes faster. If it's
- 40:50cold, it's like refrigeration, slows the
- 40:53bacteria down.
- 40:55So, the gases form, and the body begins
- 40:58to
- 40:59swell.
- 41:01And it's not a pretty thing, okay? In
- 41:03fact, it's horrifying.
- 41:07As the abdomen swells, the eyelids
- 41:09swells, anything
- 41:11that's soft in the body, the gases will
- 41:14start to come.
- 41:16Then, the skin will begin to rot.
- 41:20Okay? Now, we have not just blood
- 41:23and this the inner fluids, the plasmas,
- 41:25now we have
- 41:27green, horrible things.
- 41:30And this is the point where the smell is
- 41:33so overwhelmingly bad, there is no way I
- 41:37can describe it. I have tried.
- 41:39There is nothing that describes that
- 41:41smell. It's so horrible.
- 41:45And that's to me, that's like a signal,
- 41:47like stay away,
- 41:48>> [laughter]
- 41:48>> you know?
- 41:49It's bad things here.
- 41:51Like a warning, almost.
- 41:53Um
- 41:54so then the body goes through all these
- 41:56it's like wet decomposition.
- 42:00On the other hand, suppose you die in a
- 42:01desert.
- 42:03You bleed a little bit, but do fluids
- 42:05leak out? No.
- 42:07In fact, the bacteria start doing their
- 42:09little actions, they start digesting
- 42:12things, but then they get so dried out
- 42:14from the hot dry sun
- 42:17that they can't even work anymore.
- 42:19There's no fluids for them. So, now the
- 42:22body shrinks down.
- 42:24All the water leaves it, and we're about
- 42:2660% water. So, the water leaves it, and
- 42:29then little animals come and they eat
- 42:31whatever's left. So, now what do you
- 42:33have? A skeleton
- 42:35with some leathery-like skin over it.
- 42:39So,
- 42:40that's out in the desert more. But, I
- 42:43did have a case on the Lower East Side
- 42:45here. Do you know New York?
- 42:46>> Yeah.
- 42:47>> Yeah, okay.
- 42:48So, back in the '70s and '80s, early
- 42:51'90s, we had squat buildings. They were
- 42:53abandoned, no one wanted them. So,
- 42:55people would go in and live there.
- 42:57They'd steal electricity from the
- 42:59streetlights,
- 43:01and they'd go out and get food and live
- 43:03in these little places. And we came upon
- 43:06a man
- 43:07um the someone wanted to buy the
- 43:09building. They're looking in the room,
- 43:10and there's a man laying on the bed, but
- 43:12he's just a skeleton
- 43:14with a little bit of raggedy clothing,
- 43:17and like it looked like leaves, like
- 43:20autumn leaves.
- 43:21>> [gasps]
- 43:22>> But, it was more like leather.
- 43:24And I'm looking at him, and I noticed
- 43:26that all his internal organs are gone.
- 43:29And I said to the police officer, "Well,
- 43:31that's interesting. Why do you think
- 43:33they're completely gone? We still have
- 43:34skin."
- 43:36He said, "Well, because it's very cold
- 43:38here. There's no heat. So, the rats
- 43:40burrowed inside and ate up all the
- 43:43organs so they could stay warm in
- 43:45there."
- 43:46Wow. So,
- 43:49what we had left is just skin and bones.
- 43:53Now, can I tell how long he was there?
- 43:55All I can say is a long time. But, I
- 43:58can't tell you if that was 3 weeks or 5
- 44:00months.
- 44:02So,
- 44:03that's what happens to a body. The I
- 44:06believe that the body wants to return to
- 44:09the earth as an organic substance.
- 44:12Um
- 44:15I personally
- 44:17would like to be buried and become a
- 44:19tree.
- 44:20There are certain cemeteries I've heard
- 44:22about and they dig a hole, put you in a
- 44:24burlap sack and drop you in like
- 44:26crumbled up, not too much space and they
- 44:28plant a very nice tree over you. I would
- 44:31love to go like that.
- 44:33>> We did that with my dog.
- 44:35>> Did you? Oh, that's so nice.
- 44:37>> There's a tree
- 44:39and every time we look at that tree, we
- 44:40just miss him.
- 44:42>> Yeah. Yeah.
- 44:43>> And and we feel like there's a belief
- 44:45that he's there.
- 44:46>> Oh, he is. He's in that tree. Isn't that
- 44:49a wonderful thing?
- 44:50>> Yeah.
- 44:51>> Yeah, I'd love it if people came by and
- 44:53sat by my tree,
- 44:55>> [laughter]
- 44:56>> had picnics, you know, keep me company.
- 45:00>> [laughter]
- 45:01>> See, you said something that you can't
- 45:03describe
- 45:05how that smelled. If you have to, let's
- 45:07say try. What does death smell like?
- 45:11>> Hm.
- 45:14Regular death
- 45:16just, you know, not rotted, like a
- 45:18fairly fresh body. It just smells kind
- 45:20of earthy, organic,
- 45:23warm,
- 45:25like an old grandma.
- 45:27You know, when their skin is just kind
- 45:29of soft and their bodies are just kind
- 45:31of little and they smell a certain way,
- 45:34like kind of stale.
- 45:37It's just the smell of a human being,
- 45:40but without any hormones, without
- 45:42anything like that. But then when they
- 45:44rot, when they decompose, let's see.
- 45:47If you took
- 45:49feces, dog and human, put them in a
- 45:52blender,
- 45:54added strawberry ice cream,
- 45:57honey, garlic,
- 46:00hm, what else?
- 46:04Rotten
- 46:06ground from the woods cuz there's an
- 46:09earthy smell, too. Like, you know,
- 46:10decomposed leaves.
- 46:13Put that in there, blend it up, and
- 46:16smell that. It won't smell anything near
- 46:19as bad as a decomposed body.
- 46:22>> That was quite accurate.
- 46:24>> Isn't it? [laughter]
- 46:24>> I could
- 46:25somehow I could sniff it for some no
- 46:27reason.
- 46:29>> It's funny, isn't it? But, it's true.
- 46:31Even as bad as that would be,
- 46:34it's still not as bad as a rotting,
- 46:36decomposed body.
- 46:38Um
- 46:40you know, I worked in Thailand after the
- 46:42tsunami.
- 46:43>> Mhm.
- 46:44>> The Christmas tsunami of 2000 What was
- 46:46it? 2004.
- 46:48And um
- 46:51they as they recovered bodies, you know,
- 46:53they just
- 46:54they took them to the temples.
- 46:56And they just lined everyone up on the
- 46:58ground, and in the hot sun and the
- 47:00humidity was god awful.
- 47:03Um those bodies just decomposed, and the
- 47:06smell was
- 47:09you know, you you learn to breathe
- 47:10differently. It's like
- 47:12>> [clears throat]
- 47:12>> little gasps
- 47:14through your mouth because you don't
- 47:16want [laughter] to
- 47:17And there's nothing you can do to stop
- 47:18it. Some people say, "Oh, use Vicks
- 47:20Vapor Rub or menthol. Put it under your
- 47:22nose." No, that makes you hate the smell
- 47:25of menthol.
- 47:26>> Oh, yeah.
- 47:26>> There's nothing you can do. So,
- 47:29we smelled that for a long time. Um they
- 47:32even tried to use dry ice
- 47:34to put all over the bodies, but that
- 47:36made it worse because now they were wet.
- 47:39Um but, I have a picture of that. It's
- 47:42ghostly, just ghostly.
- 47:44Really awful.
- 47:46That was a very, very, very tragic
- 47:48thing. Um
- 47:50yeah, it's hard to get out of my mind.
- 47:52>> Yeah. Can
- 47:53can a dead body
- 47:55move or like make sounds, or have its
- 47:59eyes what partly open.
- 48:02Or feels like it's breathing.
- 48:04>> It's happened to me. It's very scary.
- 48:07>> Really?
- 48:08>> Yeah, because even after they're dead,
- 48:10really dead,
- 48:12um
- 48:14there's still all those gases inside
- 48:16them.
- 48:17So, I was called to the scene where they
- 48:19had a um
- 48:20a cargo van
- 48:21>> Mhm.
- 48:22>> full of junk, and in the back was a man
- 48:24who was dead. Big heavy man.
- 48:27And I
- 48:29climbed through the junk, I poked my way
- 48:31in, I found him, and he was decomposing.
- 48:33It was awful.
- 48:35And as I went to I moved him so I could
- 48:38see him, and he went
- 48:41And it was the gases escaping through
- 48:43his throat. But I screamed.
- 48:46And I ran out of the van, and I jumped
- 48:48into the arms of a police officer who
- 48:50was laughing like hell. He said, "What
- 48:52happened, Barbara? Did he come alive?" I
- 48:54said, "But he's he groaned at me."
- 48:57>> [laughter]
- 48:58>> Actually, he
- 49:00like that.
- 49:01I was never so scared in my life.
- 49:04Now, there's a story which I think is
- 49:06probably not really true, but police
- 49:09have been telling it for many years,
- 49:11that there was a rookie cop, brand new
- 49:13on the job,
- 49:15and they said to him, um you know,
- 49:16"You're going to sit and guard this body
- 49:18until Barbara, the investigator, gets
- 49:20here."
- 49:21And he's sitting there, and he's very
- 49:23afraid, very afraid. It's a little
- 49:25studio apartment, it's right there in
- 49:27front of him.
- 49:28And then, as the body starts to
- 49:32go like that, it jerked a little. I'm
- 49:34not sure why. Like maybe the rigor
- 49:37mortis, I don't know. But it may He said
- 49:39it moved, and then it made a sound.
- 49:43Like
- 49:45the gas.
- 49:46He got so frightened that he shot it
- 49:49twice.
- 49:53He thought it was like a zombie and he
- 49:56actually shot the dead body.
- 49:59>> [snorts]
- 49:59>> So, what did they do? Well, of course,
- 50:01they took him off the police department.
- 50:03He didn't have the kind of, you know,
- 50:06stomach that you need for this business,
- 50:07but can you imagine the fear?
- 50:10>> Yeah.
- 50:10>> And then there was one that came alive.
- 50:13Uh one of the guys I worked with, Kenny,
- 50:16he went to the scene of a woman
- 50:19who had taken pills to commit suicide.
- 50:22She's laying on the floor
- 50:24and, you know, the ambulance had already
- 50:26come, pronounced her dead.
- 50:28And she's just laying there very pale,
- 50:30dead.
- 50:31And he started examining her, opened her
- 50:35shirt and looking in her mouth,
- 50:37and she popped her eyes open.
- 50:39She was actually still alive.
- 50:42What happened is her heart rate She took
- 50:45Valium, I think it was. Her heart rate
- 50:47rate got so slow, so very, very slow.
- 50:52And the ambulance guys were probably in
- 50:54a hurry.
- 50:55>> Mhm.
- 50:55>> They're like, "Oh, they checked the
- 50:57pulse. I don't feel anything."
- 50:59Pulse was just too hard to feel because
- 51:02her heart was barely beating.
- 51:05And she was barely breathing.
- 51:07So,
- 51:09poor Kenny, he almost peed himself. I
- 51:11mean, I think he actually did, but he
- 51:13just didn't want to tell us.
- 51:15>> [laughter]
- 51:15>> You know, he jumped back and she was
- 51:17actually alive. So, they called the
- 51:19ambulance back again.
- 51:21And and and Kenny said, "What happened,
- 51:23guys? You know, like
- 51:24you couldn't do it right the first time.
- 51:26Tell me now that she's dead." They said,
- 51:28"No, she's alive."
- 51:30They ran her to the hospital and tried
- 51:32to save her, but then she died the next
- 51:34day.
- 51:35But can you imagine alive, dead, alive?
- 51:38Poor Kenny, he was so traumatized from
- 51:41that.
- 51:42>> But they couldn't save her?
- 51:44>> No, though she was too far gone. She was
- 51:46really in a coma. Um the eyes popping
- 51:49open was probably more of a reflex than
- 51:51anything, but she was alive when he
- 51:53moved her.
- 51:55Sad, huh?
- 51:56>> And then how do you know that it whether
- 51:58it's
- 51:59a suicide or a homicide? Somebody
- 52:04choked someone to death, somebody and
- 52:06then hang them to make it look like it's
- 52:08suicide. Like how do you know the
- 52:10differences between
- 52:12a murder and a suicide? There must be
- 52:14>> Well, probably
- 52:15>> forensic science. The best example is
- 52:16hanging.
- 52:18We could use that to demonstrate.
- 52:20Um
- 52:22when people hang themselves,
- 52:25they don't really need to stand up on a
- 52:27chair and jump off. That's not how it
- 52:29works.
- 52:30Uh you know, it's not high enough. It's
- 52:32not going to break your neck.
- 52:34But the thing about hanging is that or
- 52:37or strangulation with with hands,
- 52:42if
- 52:44you put someone
- 52:46uh let's say like the suicide of Lauren
- 52:50What was her name? Mick Jagger's
- 52:51girlfriend.
- 52:52All she did was tie a scarf around her
- 52:54neck,
- 52:55kneel on the floor, and attach the scarf
- 52:58to the doorknob. She had to just lean
- 53:00forward, and what it did is it
- 53:03compressed the veins, the
- 53:06the big jugular veins here. They're very
- 53:08soft.
- 53:10If you strangle someone and cut off the
- 53:12airway, it's a horrible death. And you
- 53:15can't get any air. It's painful.
- 53:18If you cut off the carotid arteries,
- 53:21which are strong,
- 53:23the person will pass out, they won't
- 53:25have any air, and they'll die. But if
- 53:27you just compress the jugular veins,
- 53:30very soft, just enough to close them.
- 53:32Now, you keep getting air,
- 53:35you keep getting blood in your head, but
- 53:36it can't get out. So it builds up and
- 53:39up, and it actually feels good as they
- 53:41black out. And we know this because
- 53:44people do it as a sexual play.
- 53:48Mhm. I won't tell you how cuz I don't
- 53:50ever want [laughter] you to think about
- 53:52this.
- 53:54Yes, that's how people do. Now,
- 53:56>> Like they black out, they do it for some
- 53:58pleasure.
- 53:59>> Yes, yes. Because it makes your head go
- 54:01like wow, wow, wow.
- 54:03Yeah.
- 54:04>> And if you do it long enough, then you
- 54:05can die.
- 54:05>> Yeah, if you you know, what they usually
- 54:07do. This is called autoerotic
- 54:09asphyxiation.
- 54:10>> What do you What is it called?
- 54:12>> Autoerotic asphyxiation. You smother
- 54:14yourself during masturbation or sex with
- 54:18somebody.
- 54:19Um
- 54:20what they usually do is they'll put
- 54:23something around their neck
- 54:24and they'll tie it around their finger
- 54:27so that when they pass out, the finger
- 54:30the hand drops and the ligature opens
- 54:33up. But it doesn't always work.
- 54:37And there I come over. Oh, hello.
- 54:39He's got pictures of you know, naked
- 54:42women and and
- 54:43lubricants and things and he's hanging
- 54:46and everyone says, "Oh no, it's a
- 54:48suicide." No, it's not. It was a bad boy
- 54:51game.
- 54:53See?
- 54:53>> It was an accident.
- 54:54>> Yeah, it was an accident. He was having
- 54:56a good time with it
- 54:58and he died.
- 54:59>> And is it like is it a big thing like a
- 55:02lot of people do this?
- 55:03>> Um kind of a lot, yeah. A lot of famous
- 55:06people have died that way.
- 55:08>> Then they choke themselves to the point
- 55:10that they black out.
- 55:11>> Yeah.
- 55:12And then when they pass out, you know,
- 55:15it loosens. That does not always work.
- 55:17It gets stuck. And then you just black
- 55:20out and the next thing you know, you're
- 55:21dead.
- 55:22Now, how about a murder? What happens is
- 55:25they're either going to use their hands
- 55:27or a ligature.
- 55:29So,
- 55:31if they use their hands, you'll see
- 55:33prints, bruising all over the neck and
- 55:36you can even tell the size of their
- 55:37hands. If they use a ligature, like
- 55:40let's say a an extension cord, an
- 55:42electric wire,
- 55:43it's usual that they'll go behind the
- 55:45victim,
- 55:47put the ligature around,
- 55:49cross it over and pull upwards like
- 55:52this. So now I see the mark. The mark of
- 55:55the wire is here, goes up, crosses
- 55:58[snorts] over in the back leaving a
- 56:00blank part in the skin,
- 56:03and it's very deep because they're
- 56:05pulling hard.
- 56:08That's a homicide. Now suppose they did
- 56:11that,
- 56:12and then they hang them to make it look
- 56:14like a suicide.
- 56:16Well, it's very hard to lift a dead
- 56:19body,
- 56:20you know?
- 56:21Um usually takes two people to do that.
- 56:24But if it's a little small person, maybe
- 56:26they could.
- 56:28So they're already dead, you tie a noose
- 56:30around their neck, throw it over the
- 56:32pipe, haul them up,
- 56:35tie it off. But now what did you forget?
- 56:38The positioning.
- 56:40When you do that with someone, it
- 56:42usually goes the rope will go up this
- 56:44way,
- 56:45right?
- 56:46But no, you look on the neck and you see
- 56:48the marks of ligature strangulation at
- 56:51the back.
- 56:53So there are no secrets from me.
- 56:56I can tell what you did.
- 56:58>> And maybe there are two different there
- 56:59are two signs as well.
- 57:01>> Sure, there could be two
- 57:02>> Because it would be very difficult to
- 57:04accurately just give a sign at like mark
- 57:06at the exact position where you've
- 57:07killed them.
- 57:08>> Sure.
- 57:09>> What would be?
- 57:09>> Yeah, exactly. You you you know there's
- 57:12a mark here, but now you use a rope cuz
- 57:14it's stronger. Not a little scarf, no.
- 57:17Or not a piece of little wire, you got
- 57:19to get them up there.
- 57:21You see? So
- 57:23I
- 57:24have only known in my personal cases one
- 57:29where um
- 57:30a handyman strangled a woman with a you
- 57:33know he
- 57:34choked her with a ligature and then
- 57:36hanged her.
- 57:37But she was a small woman, he was a big
- 57:39man.
- 57:40And it was obvious right from the
- 57:42beginning.
- 57:43She did not die by hanging. She died by
- 57:45being strangled. Very sad.
- 57:48>> But how do killers fool?
- 57:50>> Mhm, they can fool us. They do.
- 57:52>> How?
- 57:53>> time.
- 57:53>> Tell me three smartest way that somebody
- 57:56has fooled you.
- 57:57>> Now then I'd have to kill you because
- 57:59you know the secrets.
- 58:02>> [laughter]
- 58:02>> Tell me the ones which are out there.
- 58:03>> Okay, the ones that are probably
- 58:05>> me the one which can be used.
- 58:07>> Okay, [laughter] no I won't do that. I
- 58:08won't do that.
- 58:09>> Yeah, I don't want people to have random
- 58:11ideas.
- 58:12>> Yeah.
- 58:12>> Tell me the ones you have you've gotten
- 58:14it like you've gotten it but it was
- 58:16difficult.
- 58:16>> Mhm, let's see.
- 58:21Oh.
- 58:23Well, let me see. He got away with that
- 58:25one.
- 58:28You know, I can't think of anything
- 58:30except the robbery, you know, ransacking
- 58:33and making it staging a crime scene.
- 58:36>> True.
- 58:36>> [gasps]
- 58:38>> However, oh oh wait a minute.
- 58:40When they make it look
- 58:42like there was a sexual assault, okay?
- 58:45>> Mhm.
- 58:46>> So
- 58:48if we come in and see that a woman or a
- 58:50man has been sexually assaulted, there
- 58:52are signs obviously. You know, it's very
- 58:54traumatic.
- 58:56But if a person, let's say a woman is
- 58:58laying on the floor
- 59:00and it appears that she's like her arms
- 59:03are out, legs are out, she's naked.
- 59:06And so this perpetrator wants to make it
- 59:08look like it's a sexual assault.
- 59:11But the perpetrator is a woman.
- 59:14Mhm.
- 59:17Now, when you come in and see it looks
- 59:19like someone's been raped,
- 59:21you're thinking man, right?
- 59:24Suppose it was a woman that came in,
- 59:27strangled the victim, laid her out,
- 59:30stripped the clothes, and made it look
- 59:32like rape.
- 59:34Then you're thinking of a man.
- 59:36See?
- 59:37But now, fortunately, most women do not
- 59:41kill like that.
- 59:44Women who kill,
- 59:46it's either someone attacking their
- 59:48children, their husband who has been
- 59:50beating them for years.
- 59:52Um
- 59:54You know, it's more personal.
- 59:55>> Is it rare that a woman is killing other
- 59:57women another woman?
- 59:58>> Oh, sure.
- 1:00:00Sure.
- 1:00:00>> It's not very common.
- 1:00:01>> I've never No, not at all. Not common at
- 1:00:03all. I
- 1:00:03>> killing another man is common because of
- 1:00:05business,
- 1:00:06>> Yeah.
- 1:00:07>> because of revenge, because of
- 1:00:09hierarchy, because of
- 1:00:10>> Yeah.
- 1:00:11>> cheating and all of that.
- 1:00:12>> Sure. Business, business cheating.
- 1:00:15Um 80%
- 1:00:17>> killing like women are not killing
- 1:00:18another woman because of let's say
- 1:00:20cheating scandal with her husband or
- 1:00:22something.
- 1:00:23>> I've heard of it, but I've never seen
- 1:00:25it.
- 1:00:26No, I've seen women
- 1:00:28kill their husbands or have him killed.
- 1:00:31I've seen women when we know some the
- 1:00:34woman who killed her little children in
- 1:00:36a psychotic episode of postpartum
- 1:00:39psychosis.
- 1:00:41Um
- 1:00:42So, women can kill children, yes. They
- 1:00:45kill men.
- 1:00:47I can't think of another case. I've
- 1:00:49never seen one where a woman killed a
- 1:00:51woman.
- 1:00:52>> [snorts]
- 1:00:53>> Um
- 1:00:53>> Interesting. Why Why do you think so?
- 1:00:56>> Well, the main reason might be Suppose
- 1:01:00you loved your husband, very happy, and
- 1:01:03a woman came in and seduced him and took
- 1:01:05him away. Who should you kill? The woman
- 1:01:08or your husband?
- 1:01:10Your husband, of course.
- 1:01:11>> No one.
- 1:01:12>> Yeah. Yeah, no. Yes, thank you.
- 1:01:14>> [laughter]
- 1:01:14>> I forgot that part. No one. Please don't
- 1:01:17kill anybody. We're going to catch you.
- 1:01:18>> Yeah.
- 1:01:19>> And you're going to be punished for
- 1:01:20life.
- 1:01:21>> In your head, both.
- 1:01:22>> Yeah.
- 1:01:23>> In reality, no one.
- 1:01:24>> Yeah.
- 1:01:25>> So, um yeah,
- 1:01:27if that's the case, if they're so angry
- 1:01:30and so hurt, they're going to kill the
- 1:01:32husband.
- 1:01:33And you know, God, I've got
- 1:01:36two cases like that. We talked about
- 1:01:38Well, you'll see them in my show. But,
- 1:01:40uh
- 1:01:41yeah, where the woman really got
- 1:01:43revenge.
- 1:01:44>> So, do you think first would they try to
- 1:01:46stage a sexual assault? That's how they
- 1:01:48try to fool.
- 1:01:49>> Sure. That's one
- 1:01:50>> second way of fooling.
- 1:01:52>> Um faking a hanging.
- 1:01:54Oh, wait a second. There is something
- 1:01:55else.
- 1:01:57Altering the time of death. A man was
- 1:02:00known as a hustler.
- 1:02:02Um he had a little studio apartment, and
- 1:02:06men used to come in and have sex with
- 1:02:08him, and he'd get paid.
- 1:02:09And he was popular, so there was a lot
- 1:02:11of business.
- 1:02:12>> Hustler as in like a
- 1:02:13>> Popular as in like a lot of people came
- 1:02:16to be with him and paid money.
- 1:02:18>> Hustler
- 1:02:19>> Hustler. Oh, yeah, hustler, a man.
- 1:02:21>> A hustler is a man who will
- 1:02:24pick up other men for money. It's a form
- 1:02:27of prostitution, of sex work.
- 1:02:30Um
- 1:02:31and
- 1:02:32usually, these so-called hustlers are
- 1:02:35men who say they are straight,
- 1:02:37>> Mhm.
- 1:02:38>> but they just want to mess around, try
- 1:02:40something different.
- 1:02:42And then,
- 1:02:44sometimes, when they see the victim,
- 1:02:47then they see the hustler, and they're
- 1:02:49giving him money, they the hustlers give
- 1:02:51I mean, the
- 1:02:52the victim is giving the hustler money,
- 1:02:54and they're looking in his eyes, and
- 1:02:56suddenly, a hatred comes over him. He
- 1:02:59has horrible disgust for what he's just
- 1:03:02done. He can't admit that he has
- 1:03:05homosexual urges. He can't.
- 1:03:08It would be too awful.
- 1:03:09>> Because the straight man is going to
- 1:03:11this guy, the straight man can't
- 1:03:12actually
- 1:03:13>> Exactly.
- 1:03:14>> accept it.
- 1:03:14>> That's That's He can't accept what he
- 1:03:16just did. So, what does he do? He beats
- 1:03:19in the face
- 1:03:21of the guy who he paid
- 1:03:23because he doesn't want him looking at
- 1:03:25him.
- 1:03:26It's called internalized homophobia or
- 1:03:30homophobic rage.
- 1:03:32>> How can he do it by his own will and
- 1:03:35consent?
- 1:03:36>> but there's something psychotic about
- 1:03:38them.
- 1:03:39I've got a couple of these and it's very
- 1:03:40sad.
- 1:03:41In fact, when I walk into an apartment
- 1:03:43and it's extremely well decorated and
- 1:03:46you know, the victim may be on the
- 1:03:48floor,
- 1:03:49nicely dressed, beautiful home,
- 1:03:51and then I see that his face has been
- 1:03:54bashed in with a a vase or something or
- 1:03:57a baseball bat and he's dead.
- 1:03:59That's first thing I think of is who did
- 1:04:01he meet in a bar?
- 1:04:03Who did he pay for sex today?
- 1:04:06Um and usually it's true.
- 1:04:09So,
- 1:04:10this guy,
- 1:04:12he had his customers
- 1:04:14and the neighbors said, you know, there
- 1:04:15were always people in and out about
- 1:04:17every 2 hours.
- 1:04:18>> Mhm.
- 1:04:18>> And he worked a lot.
- 1:04:21And we came there because there was a
- 1:04:23fire in the room in the apartment. The
- 1:04:25fire department got there, they saw it
- 1:04:27was very smoky, there was flames around
- 1:04:29the bed on a bureau. They put it out and
- 1:04:32I came in.
- 1:04:33Laying on the bed is a man who is
- 1:04:36um has been obviously stabbed
- 1:04:39and you know, his face has been beaten,
- 1:04:41he's been stabbed in the chest.
- 1:04:43And um
- 1:04:45the reason the fire started is that the
- 1:04:47bureau at the foot of the bed had big
- 1:04:50candles on it
- 1:04:51and little candles and they were all lit
- 1:04:55and they were the drawers were opened
- 1:04:58and the candles were placed at the edge
- 1:05:00of the drawer so that as they melted
- 1:05:02down, eventually it would set fire to
- 1:05:05the clothes.
- 1:05:06So, now, how can I establish the time of
- 1:05:09death? If I can get a reasonable
- 1:05:12estimate of time of death, we know who
- 1:05:15was there because there's videos in the
- 1:05:18hallway, right?
- 1:05:20So, who was it?
- 1:05:22There were two guys who came between
- 1:05:24noon and four.
- 1:05:27Which one is it?
- 1:05:28I don't know because now he's been
- 1:05:31smoked. The temperature's all wrong. I
- 1:05:34don't know what time he died.
- 1:05:36This person, this perpetrator, set it up
- 1:05:39very cleverly
- 1:05:41so that
- 1:05:43he stabbed him and then he set fires.
- 1:05:47>> Yeah.
- 1:05:47>> But just enough so that he could get out
- 1:05:49safely and they were slow fires. They
- 1:05:51were smoky.
- 1:05:53So, when I
- 1:05:55got the man out in the hall to examine
- 1:05:57him,
- 1:05:58his skin was like yellow, leathery
- 1:06:01because the heat was slow. It like baked
- 1:06:04the skin.
- 1:06:05Um I couldn't tell rigor mortis because
- 1:06:08the firemen had moved him.
- 1:06:10And you know, so that breaks it up. Um I
- 1:06:13couldn't tell algor algor mortis because
- 1:06:15he had been rolled all around and every
- 1:06:17part of him was covered in smoke.
- 1:06:20And it was very a bit of early
- 1:06:22decomposition,
- 1:06:23which is skin slippage.
- 1:06:26Sometimes after you die, the skin
- 1:06:28becomes loose and if you pull it, it
- 1:06:31will actually come off.
- 1:06:33So, I saw on his lower legs that the
- 1:06:36skin had come off. Was that because he
- 1:06:39was there a long time? No, it's because
- 1:06:41the firemen pulled him out by his legs.
- 1:06:45And their rough gloves
- 1:06:47made the cooked skin
- 1:06:49come off.
- 1:06:51So, I couldn't tell what time he died.
- 1:06:53Nobody could.
- 1:06:54>> And were you able to catch the guy?
- 1:06:56>> No.
- 1:06:57No.
- 1:06:59In this country, about 60% of homicides
- 1:07:02are solved.
- 1:07:03>> Only 60?
- 1:07:04>> Only 60%. Now,
- 1:07:0640% of
- 1:07:08killers they're out there.
- 1:07:11And nobody there look after them. That's
- 1:07:13right.
- 1:07:14>> In the most powerful country in the
- 1:07:15world.
- 1:07:16>> That's right.
- 1:07:17This most powerful country has very
- 1:07:20uneven resources.
- 1:07:22In New York City, it's hard not to get
- 1:07:25caught. You're going to get caught
- 1:07:26because we have everything. We have the
- 1:07:28best DNA labs, the best detectives, the
- 1:07:31best, you know, crime scene unit.
- 1:07:33>> Yeah, there's surveillance there's a
- 1:07:35bunch of things.
- 1:07:36>> Right. Right. Now, when you go out to
- 1:07:37the Wisconsin, the Dakotas,
- 1:07:41where they don't have maybe they only
- 1:07:43have one forensic pathologist for the
- 1:07:45state or the county.
- 1:07:47In New York, we have 15. We have 45
- 1:07:50investigators, see?
- 1:07:53Out in the country, in order to get DNA
- 1:07:55done, they have to have a budget for it.
- 1:07:57They have to send it to to a state lab.
- 1:08:01Um
- 1:08:02and they don't have the experience.
- 1:08:04You know, if they get
- 1:08:06Uh I was working with one guy the other
- 1:08:08day who's only had one homicide in 9
- 1:08:10years.
- 1:08:11And he's a homicide detective. I said,
- 1:08:13"What else do you do?" He said, "Well,
- 1:08:15you know, I help out." So [laughter]
- 1:08:18Can you imagine one homicide in 9 years?
- 1:08:21I've got 680 in 10 years, you know. So
- 1:08:24um it's pretty it it's it's very uneven.
- 1:08:27So it's it's kind of easy if you do it
- 1:08:30out in the desert, out in the the
- 1:08:32plains,
- 1:08:34you're going to have a better chance of
- 1:08:35getting away with it. Not in New York,
- 1:08:37not in Baltimore, Chicago, Miami,
- 1:08:40Los Angeles. Nah.
- 1:08:41>> Nah.
- 1:08:42>> Nah. But I mean, we still don't get all
- 1:08:44of them.
- 1:08:44>> Yeah. I was just going to point out like
- 1:08:46some shootings and things which have
- 1:08:48happened
- 1:08:48>> Yeah.
- 1:08:49>> in California and New York as well.
- 1:08:51>> Sure.
- 1:08:51>> And
- 1:08:52they've not been caught. Nobody know
- 1:08:54where
- 1:08:55>> Yeah.
- 1:08:55>> No Nobody has any clue where are these
- 1:08:58guys.
- 1:08:58>> clue. Right. Like
- 1:09:00>> And they've done it open out there in
- 1:09:02public and nobody knows.
- 1:09:03>> That's right. They walked down the
- 1:09:05street, shot somebody, and they drove
- 1:09:06away.
- 1:09:07>> Exactly.
- 1:09:07>> Yeah.
- 1:09:08>> How is that possible?
- 1:09:11>> You know, even in New York that happens,
- 1:09:13a drive-by shooting.
- 1:09:16These kids in gangs, you know,
- 1:09:19they have nothing, so they take risks,
- 1:09:23bad risks.
- 1:09:25>> [gasps]
- 1:09:25>> They think, "I want to live the life of
- 1:09:27a drug dealer. Even if I die by 30, at
- 1:09:29least I'll have a car, clothes,
- 1:09:31diamonds, money, girls."
- 1:09:33That's not how it works. You usually get
- 1:09:35killed pretty quickly.
- 1:09:37But these guys, you know, they get a
- 1:09:39couple of teenagers in a car, they'll
- 1:09:41drive past a
- 1:09:42a place where there's old people hanging
- 1:09:44around, and they're looking for someone
- 1:09:47who's their enemy.
- 1:09:48And they shoot into the crowd, and they
- 1:09:50shoot a couple of people
- 1:09:52cuz they're not very good at shooting.
- 1:09:55And they shoot people, and they kill
- 1:09:56them, and they drive away. And in the
- 1:09:58shock and horror,
- 1:10:00not everybody knows to look for the
- 1:10:02license plate, and sometimes that's a
- 1:10:04stolen car.
- 1:10:06You see? So,
- 1:10:08those
- 1:10:09sometimes don't get solved. However, now
- 1:10:12in New York, we not only have video
- 1:10:14cameras everywhere,
- 1:10:16we also have something um
- 1:10:19I'm not even sure what they call it, but
- 1:10:20if a gunshot is heard, it alerts the
- 1:10:23police department. A gunshot has a very
- 1:10:25particular sound.
- 1:10:27>> Mhm.
- 1:10:27>> And I know this because it happened to
- 1:10:29me.
- 1:10:30I was living up in Harlem,
- 1:10:33and I was walking across the street
- 1:10:36at to the subway, and suddenly, ping
- 1:10:39ping, I heard the crack of gunfire, and
- 1:10:42the bullets hit the building corner in
- 1:10:45front of me, passed about 10 ft in front
- 1:10:48of my eyes, and I was like, "Shit." And
- 1:10:50I hit the ground, right? And another
- 1:10:52[clears throat] woman was there. I
- 1:10:53yelled, "Hit the ground." And we both
- 1:10:54got down to the ground. We crawled
- 1:10:56toward the subway. I was furious. I had
- 1:10:59a nice outfit on.
- 1:11:00And
- 1:11:02there was three gunshots, right? Two of
- 1:11:03them hit the building. The other one No
- 1:11:05one was killed. But I was so angry. I
- 1:11:07called the police department. What the
- 1:11:09hell was that?
- 1:11:10And they said, "Well, you know how these
- 1:11:12gangs are. They start shooting at each
- 1:11:14other, but it wasn't They weren't aiming
- 1:11:16at you, so"
- 1:11:18I said, "Wait a minute. I don't care.
- 1:11:19I don't care if no one was killed. They
- 1:11:21were still firing a gun, and there's a
- 1:11:23playground just half a block away."
- 1:11:26So they're like, "Oh, no, no. We're
- 1:11:27going to find them. We'll get them on
- 1:11:28the video cameras." But my god.
- 1:11:31So but here's the thing. Police
- 1:11:33responded immediately. I didn't even
- 1:11:35have to dial 911.
- 1:11:38Soon as the ping ping ping, they hear
- 1:11:40it. They have sensors.
- 1:11:42Maybe they call them listeners. I don't
- 1:11:44know.
- 1:11:44>> That's a good thing.
- 1:11:45>> Yeah, but police in New York have great
- 1:11:47technology. Really good. So don't come
- 1:11:50over here to kill anybody anybody, you
- 1:11:52know.
- 1:11:52>> [laughter]
- 1:11:54>> No person.
- 1:11:56>> Do you Can you look at a body
- 1:11:59and
- 1:12:00actually tell that if the person has
- 1:12:02died peacefully or was it a violent
- 1:12:05death?
- 1:12:06>> You know, it's very hard to tell.
- 1:12:08Um
- 1:12:10because
- 1:12:12even if a person is being badly hurt,
- 1:12:17you know, strangled or something or
- 1:12:19stabbed, and their face in that moment
- 1:12:22might be, you know, screaming or the
- 1:12:24eyes are open. When you die, everything
- 1:12:27kind of relaxes.
- 1:12:28You know, it just goes
- 1:12:30Your face falls. Everything just falls.
- 1:12:32So I really can't tell
- 1:12:35um
- 1:12:36if they died peacefully or not.
- 1:12:39Now, you know, I had a little old lady.
- 1:12:42She was dead in the bed,
- 1:12:44and we went over because, you know, she
- 1:12:46was alone.
- 1:12:48And there was medicine on the nightstand
- 1:12:50for heart disease. She was old.
- 1:12:52And normally, a little lady like that
- 1:12:55would be laying in the bed peacefully
- 1:12:57with the covers on her, but there was
- 1:12:58something funny. The covers were pulled.
- 1:13:02They were messed up.
- 1:13:04And
- 1:13:05her drawers were open.
- 1:13:07There was nothing in them to steal, but
- 1:13:10they looked like they had been searched,
- 1:13:12not just tossed out.
- 1:13:14And we found out that a neighbor's son
- 1:13:17had gone in there and strangled her. But
- 1:13:21what he did really was smother her. Now,
- 1:13:23how did we know that? Because if you
- 1:13:25hold your hand
- 1:13:27like that over somebody's mouth,
- 1:13:29particularly an older person or a child,
- 1:13:31they go like this to get away. And when
- 1:13:33they do, it leaves abrasions. Their
- 1:13:36teeth
- 1:13:37abrade the inside of the lip.
- 1:13:40You lift up the lip and you see it. And
- 1:13:43you're like, wait a minute, she was
- 1:13:44smothered. Yeah.
- 1:13:46And that little fren- it's called a
- 1:13:48frenulum, a little web of tissue that
- 1:13:50holds your lip to the gums, that can
- 1:13:52sometimes tear if you're doing that.
- 1:13:56See?
- 1:13:57So many things to know.
- 1:13:58>> Yeah. I I I have some pictures to show
- 1:14:01you. They're all blood spatter.
- 1:14:03>> Okay.
- 1:14:03>> Uh can you tell me what happened where?
- 1:14:05Because every blood stain is going to
- 1:14:09tell you a different story, right?
- 1:14:10>> All right. Well, that's You You're
- 1:14:13You're You're catching me by surprise
- 1:14:15here.
- 1:14:17All right.
- 1:14:18This is blood swipe. All right, it's
- 1:14:20been it's something came across a little
- 1:14:23pool of blood
- 1:14:24and drew it in a line.
- 1:14:26>> Okay.
- 1:14:27>> Okay, uh this is interesting. Now, blood
- 1:14:29drops, we can tell a lot about them. If
- 1:14:31it's straight down like that, it means
- 1:14:34it fell
- 1:14:35straight and round.
- 1:14:37But when it's like this,
- 1:14:39this means that the drop
- 1:14:41was moving. Okay, but in this this is a
- 1:14:44kind of a strange one. It looks more to
- 1:14:46me like someone took a drop of blood and
- 1:14:49then smeared that way.
- 1:14:52But now, if I see it Let me see if you
- 1:14:54have any of these.
- 1:14:55>> All right.
- 1:14:56>> Oh, here. Blood spatter. Okay. Oh, this
- 1:14:58is called drip.
- 1:15:00Okay? So, blood splashed here and
- 1:15:03dripped straight down.
- 1:15:05This
- 1:15:07Ah, this is blood spatter.
- 1:15:10Now,
- 1:15:11this is interesting. Now Now you can see
- 1:15:13the movement I'm talking about.
- 1:15:16When a person is running and the bloody
- 1:15:19knife is dripping,
- 1:15:21you'll see the blood will hit the ground
- 1:15:24and then it will streak that way.
- 1:15:27And it will leave like a little tail.
- 1:15:30And that tail points you in the
- 1:15:31direction that the person was moving.
- 1:15:34See? So, you can see that here. You can
- 1:15:36see the blood moved.
- 1:15:38A drop and then it smeared.
- 1:15:40>> Mhm. So, this is like mostly a knife
- 1:15:42killing, are you telling me?
- 1:15:43>> Uh it's not It's not You can't be sure.
- 1:15:46It could be also a hammer.
- 1:15:48You know, when you hit somebody with a
- 1:15:49piece of wood or a baseball bat, it
- 1:15:51splashes up just like that.
- 1:15:54Um
- 1:15:56All right. Yeah, this is pretty much
- 1:15:57straight down blood drip.
- 1:15:59>> Mhm.
- 1:16:00What's this?
- 1:16:03>> Oh, look at that mess.
- 1:16:06Hm.
- 1:16:08This looks like something that was
- 1:16:09faked.
- 1:16:11>> Faked?
- 1:16:12>> Faked. Yeah, this doesn't look real.
- 1:16:15This doesn't look like a real crime
- 1:16:16scene.
- 1:16:17>> Someone tried to
- 1:16:19>> Yeah, it looks like someone was flinging
- 1:16:22Like how could it be so even flinging
- 1:16:25blood and then it drips down.
- 1:16:26>> Can't be like multiple stabs, no?
- 1:16:29>> No, no, they wouldn't Is this the wall?
- 1:16:31I think this is a cinder block wall,
- 1:16:32right?
- 1:16:33>> Mhm. Yeah.
- 1:16:34>> This doesn't look like anything that
- 1:16:36I've seen.
- 1:16:38No, it looks fake.
- 1:16:39>> It's a fake story.
- 1:16:40>> Oh, like they were like they were doing
- 1:16:42a test for the police here. Interpret
- 1:16:44this.
- 1:16:45You know, and they they did it.
- 1:16:47>> But they're trying to mess it up and
- 1:16:49like
- 1:16:50they're trying to mess it up on purpose.
- 1:16:52>> Yeah. Like splashing it. Yeah. What does
- 1:16:55this say?
- 1:16:56Oh.
- 1:16:58High velocity blood spatter.
- 1:17:01When
- 1:17:03a clot of blood or like let's say a got
- 1:17:06from a gunshot
- 1:17:08push out pieces of the brain.
- 1:17:11When they hit, it's high velocity. So
- 1:17:14they spray out
- 1:17:16all around, right? One single bit of
- 1:17:19tissue, brain matter, or a blood clot
- 1:17:23traveling at a high speed.
- 1:17:25>> This one.
- 1:17:29>> Can't even tell what this is.
- 1:17:32Is this a pipe? No.
- 1:17:39I don't even know what that is.
- 1:17:41Looks like a pipe.
- 1:17:42>> They're doing it around so that I can
- 1:17:43see from this side. Like from that side.
- 1:17:45So that
- 1:17:46>> Mhm.
- 1:17:50Oh, it's the muzzle. Okay. Yeah,
- 1:17:53[clears throat] here we have the muzzle
- 1:17:55and as the projectile went in is
- 1:17:58probably got shot a shotgun.
- 1:18:01The blood [clears throat] blows back.
- 1:18:03Yeah.
- 1:18:04>> So what does that mean?
- 1:18:05>> Splashes back. Just means close contact,
- 1:18:07close range.
- 1:18:08>> Is it somebody shot it? Somebody
- 1:18:11>> So somebody shoots let's say the
- 1:18:14abdomen.
- 1:18:15When it goes in, like a gunshot will
- 1:18:18from a from [clears throat] a shotgun
- 1:18:21it some will splash back and go into the
- 1:18:23gun.
- 1:18:26Yeah.
- 1:18:27>> And what's this?
- 1:18:29>> Oh.
- 1:18:31Oh, this could be fling or cast off.
- 1:18:33What they call it now. You know, when
- 1:18:35you pull the you hit with a bat, makes
- 1:18:38blood, you come back for more and the
- 1:18:40blood casts off onto the wall.
- 1:18:43>> This is like second or third?
- 1:18:45>> First. Oh, say yeah, second strike. All
- 1:18:48right, you're right. Yeah, that's what
- 1:18:49that looks like.
- 1:18:50>> And what's this? Like these are two
- 1:18:51different types of blood.
- 1:18:52>> Mhm. No, this is drying blood.
- 1:18:56Um
- 1:18:57Oh, see here?
- 1:18:59The blood here's a big pool of it, but
- 1:19:03the blood has different components to
- 1:19:05it, more liquid like plasma, the more
- 1:19:07solid like red blood cells. So, it
- 1:19:10separates. See here we have all the
- 1:19:12blood and here is the plasma, which is
- 1:19:15orange and yellow.
- 1:19:17It just separates away from the rest of
- 1:19:20the blood.
- 1:19:21Just simple physics. This here, this
- 1:19:24part is more dried.
- 1:19:26This, I don't know.
- 1:19:29Looks like somebody cooked it.
- 1:19:32>> Looks like clot?
- 1:19:33>> Yeah, it's all but the blackness of it,
- 1:19:36either very old or someone
- 1:19:39heated it up.
- 1:19:40>> Um do you think it is because the blood
- 1:19:43was just lying there for like long time?
- 1:19:45>> It's Yeah, I mean it's it's this is a
- 1:19:48very This is clotting like you'd
- 1:19:49normally see. This is a very old
- 1:19:51clotting of blood. It's all dried up.
- 1:19:53>> Just like weeks?
- 1:19:55>> Yeah.
- 1:19:55>> What is the tiniest clue that you've
- 1:19:58seen
- 1:19:59that completely changed your
- 1:20:01investigation
- 1:20:02or what completely changed about a death
- 1:20:06that you used to believe?
- 1:20:08>> Mhm.
- 1:20:18Mhm, that's [clears throat] a very good
- 1:20:19question.
- 1:20:21Well,
- 1:20:24Oh, how about this?
- 1:20:27A woman is stabbed to death, brutally
- 1:20:29stabbed.
- 1:20:31There's no sign of forced entry.
- 1:20:34Looks like someone was just able to walk
- 1:20:36in or she let someone in
- 1:20:39because she knew them. All right. And
- 1:20:41now I'm feeling I'm thinking of family.
- 1:20:45And so I have to explore the family with
- 1:20:47the police. Who are they? You know, did
- 1:20:49she have any fights with her sisters or
- 1:20:50aunts or husband, anybody?
- 1:20:53Someone she knew came in there and
- 1:20:55stabbed her.
- 1:20:57Now then I also see that her face has
- 1:20:59been punched, punched repeatedly.
- 1:21:04But I don't see
- 1:21:05big knuckle punches. You know, when you
- 1:21:07smash somebody in the face, you can see
- 1:21:10the individual knuckles sometimes. This
- 1:21:13looks more like
- 1:21:15like
- 1:21:17this.
- 1:21:19Right? Like it's a softer strike.
- 1:21:22And who hits like that? A woman, not a
- 1:21:25man.
- 1:21:28So
- 1:21:29that gives me another clue. Somebody it
- 1:21:31might be a woman.
- 1:21:33Then
- 1:21:36I see that
- 1:21:38there is
- 1:21:39a big butcher knife, a big kitchen
- 1:21:42knife, 10 inches
- 1:21:44on the hallway, in the hallway outside
- 1:21:46the bedroom where she is dead.
- 1:21:49Hmm, that's probably the murder weapon.
- 1:21:51And now I go into the kitchen and I see
- 1:21:53that there's one of those blocks that
- 1:21:55you put your knives in.
- 1:21:57And sure enough, there's the missing
- 1:21:59one. There's the big one.
- 1:22:01Uh but I'm looking at it and there's
- 1:22:02something wrong. It's not bloody enough.
- 1:22:08First of all, what am I thinking? It's a
- 1:22:10weapon of opportunity. The person who
- 1:22:13killed her probably didn't go there to
- 1:22:16kill her. They had a fight of some kind
- 1:22:19because if she was just going to murder
- 1:22:21her
- 1:22:23why not bring your own knife? Why not
- 1:22:25bring a gun? Why not And why beat her
- 1:22:27face?
- 1:22:28Probably started arguing
- 1:22:31and start punching her, hitting her.
- 1:22:34And then you're like, "Oh my god.
- 1:22:36Uh she saw me. I can't leave her alive.
- 1:22:39She's unconscious,
- 1:22:41but she'll tell everybody I'll go to
- 1:22:43jail.
- 1:22:44I better kill her. All right, let me see
- 1:22:46what we got in the kitchen here." And
- 1:22:48they're looking at the knives. They say,
- 1:22:50"Well, I'll try this one."
- 1:22:52But when I see that big knife in the
- 1:22:54hole, A it's not bloody enough. It
- 1:22:56should be soaked for all these stab
- 1:22:58wounds. And when I look at the stab
- 1:23:01wounds, I can tell the size of the
- 1:23:03knife.
- 1:23:04If it's a little skinny stab wound, it's
- 1:23:07probably like a a little um kitchen
- 1:23:10knife.
- 1:23:11If it's a big wide one, more like a
- 1:23:13butcher's knife.
- 1:23:15But these are different. They have a
- 1:23:18little edge, like we call it a scalloped
- 1:23:21edge. It's not a clean slice. It's like
- 1:23:24little waves. And what does that tell
- 1:23:27you?
- 1:23:28Steak knife. A serrated edge knife.
- 1:23:32Now I go back to the kitchen and I see,
- 1:23:34"Okay, in that block there's only one
- 1:23:36big knife missing." But
- 1:23:38I look on the side of the counter is
- 1:23:41another like um
- 1:23:43what do you call it? Piece of pottery
- 1:23:45and it has more knives in it, like just
- 1:23:47junk knives.
- 1:23:49What's in there? Couple of steak knives.
- 1:23:53Hmm, that means she probably used a
- 1:23:56steak knife.
- 1:23:58>> [gasps]
- 1:23:58>> So then why
- 1:24:01And by the way, there were five steak
- 1:24:03knives left. Usually they come in a set
- 1:24:05of six, okay?
- 1:24:07So,
- 1:24:09one was out on the counter cuz she was
- 1:24:10chopping up a salad.
- 1:24:12Um four were in the jar and one's
- 1:24:15missing.
- 1:24:16>> Mhm.
- 1:24:16>> So, but I think
- 1:24:19is that you know, why wouldn't she hide
- 1:24:21that big knife? Why'd she leave it right
- 1:24:23there on the floor?
- 1:24:25Well, to make us think that some big man
- 1:24:28came in and grabbed a big knife and
- 1:24:30stabbed her? I mean, what's the
- 1:24:33what's the thinking there? Well, the
- 1:24:35truth is there is no thinking. They
- 1:24:37don't know what the hell they're doing.
- 1:24:38So, what really was the weapon was the
- 1:24:40steak knife and she took it with her.
- 1:24:43And I say she, right?
- 1:24:46>> A woman killing another woman.
- 1:24:47>> That's what I think, yeah. I believe,
- 1:24:50you know, they said, "Oh, it must be the
- 1:24:51handyman across the street." I said,
- 1:24:52"No, something's telling me woman."
- 1:24:55Okay? And that's probably the punches
- 1:24:57like this.
- 1:24:58>> That's why you were saying that
- 1:25:00men don't kill like this.
- 1:25:02>> No, men men don't stab like that. And
- 1:25:05but when they're going to beat someone's
- 1:25:06face in, I don't know if you've ever
- 1:25:08been in a fight, I hope not.
- 1:25:09>> Never.
- 1:25:10>> But you know, they do like this. They
- 1:25:11punch, punch, punch with the hard
- 1:25:13knuckles.
- 1:25:14Women might go like this in a fit of
- 1:25:17rage, like they're arguing. So, maybe
- 1:25:20it's two sisters, they're like
- 1:25:22you know, you oh, you slept with my
- 1:25:23husband. You know what I mean? Something
- 1:25:25like that?
- 1:25:26So, she's pounding, punching, punching.
- 1:25:29And she's like, "Oh, damn it, I got to
- 1:25:30kill her."
- 1:25:32I can't let her tell everybody that I
- 1:25:34beat her to death.
- 1:25:35>> Yeah.
- 1:25:36>> So, yeah. What's That's right. That was
- 1:25:39the woman-on-woman killing.
- 1:25:41>> And
- 1:25:43what's the weirdest
- 1:25:45object
- 1:25:46that you've seen that
- 1:25:48somebody's used for killing?
- 1:25:53>> A fireplace tool. And you know, in
- 1:25:56fireplaces that we have here, you get
- 1:25:59like a little set of tools.
- 1:26:01They're usually black iron and there's
- 1:26:03like a poker.
- 1:26:04>> Okay.
- 1:26:05>> There's a hook to move the logs around.
- 1:26:08And there's also something I'm not even
- 1:26:10quite sure what it's there for, but it's
- 1:26:13a long thick rod and at the end there's
- 1:26:15two like little curved forks.
- 1:26:19So,
- 1:26:20when I saw on this guy's head, he had
- 1:26:23been hit multiple times with probably
- 1:26:25the fire poker, but there was a pattern
- 1:26:28of these two little curved hooks.
- 1:26:32And that one was not in the fireplace
- 1:26:35set.
- 1:26:36So, I figure the killer used a fire
- 1:26:38iron.
- 1:26:39Fire hook, yeah, fire iron. Used the one
- 1:26:42that had the hooks on it, beat him in
- 1:26:44the head, and then took it away.
- 1:26:46>> Have you seen I was reading somewhere
- 1:26:48that
- 1:26:49you have seen
- 1:26:52Satanic rituals.
- 1:26:54>> Oh, yeah.
- 1:26:55>> What are they like?
- 1:26:57>> Um what I've seen is I don't think they
- 1:27:00were Satanic rituals. I think they were
- 1:27:04um
- 1:27:05this Yoruba
- 1:27:06>> Mhm.
- 1:27:07>> things that are done. It's Afro-Cuban.
- 1:27:10Um there are different religions and
- 1:27:13spiritual beliefs that use sacrifice.
- 1:27:17Usually a dog
- 1:27:18or an animal where they
- 1:27:21>> But what did you did you see? Have you
- 1:27:23seen it?
- 1:27:23>> I've seen them in a very interesting
- 1:27:25place.
- 1:27:26In New York, there was a woman named
- 1:27:28Irene Silverman.
- 1:27:30>> Mhm.
- 1:27:30>> She was very wealthy, and she was very
- 1:27:33very nice. So, two a mother and her son
- 1:27:37came to Mrs. Silverman's home and said,
- 1:27:39"We have no place to live. Could you
- 1:27:41help us? You know, we're my job I got
- 1:27:44fired. My son came to stay with me. Now
- 1:27:46we have no home. And we'll help you.
- 1:27:48We'll clean the house. We'll take care
- 1:27:50of things." Sure, come on in.
- 1:27:52>> Yeah.
- 1:27:53>> And they came in, and then they
- 1:27:55realized, "Well, this is a pretty good
- 1:27:58job.
- 1:27:59We could have this house if we wanted
- 1:28:01it. We could have her money, her jewels.
- 1:28:03We could have everything."
- 1:28:05And they were a couple of grifters.
- 1:28:07Grifters are con men.
- 1:28:09>> Mhm.
- 1:28:09>> And this woman and her son,
- 1:28:13um, Sante and Kenneth Kimes,
- 1:28:16they, uh,
- 1:28:18she disappeared suddenly. And suddenly
- 1:28:20they were owning her house and
- 1:28:22everything in it.
- 1:28:23So, when the relatives called the
- 1:28:25police,
- 1:28:26couldn't find Mrs. Silverman anywhere.
- 1:28:29I got a call from a psychic
- 1:28:31>> Mhm.
- 1:28:32>> who said, "Barbara, I think I know where
- 1:28:33she is.
- 1:28:35There's a big field out in New Jersey
- 1:28:38and I think she might be out there. I
- 1:28:40just have a strong feeling."
- 1:28:42I said, "All right, I'll go, you know,
- 1:28:44we'll go out there. Not a Saturday, what
- 1:28:46the hell?"
- 1:28:48>> [clears throat]
- 1:28:49>> Now, what am I looking for when I'm
- 1:28:50looking in a field for a buried body?
- 1:28:53Well, first of all, when you dig a a
- 1:28:56grave, put the person in, and put the
- 1:28:58dirt on top, the dirt settles, right? As
- 1:29:01the air gets compressed out,
- 1:29:05it settles. Now, you're going to see a
- 1:29:07dip in the ground.
- 1:29:08>> Okay.
- 1:29:09>> And if it's been there for a while,
- 1:29:12you're going to see that if there's old
- 1:29:13grass and weeds
- 1:29:15over that area, the grass will be much
- 1:29:18greener because it has the fertilizer of
- 1:29:21the body.
- 1:29:22So, I'm looking around for that. And now
- 1:29:24the psychic has like a a tool and she's
- 1:29:28going around looking for the magnetic
- 1:29:31pulsations of the earth
- 1:29:34to tell her where the body is.
- 1:29:36>> [laughter]
- 1:29:37>> And you know, it's like, "Okay,
- 1:29:38whatever." But then, we come upon con-
- 1:29:41we come upon some railroad tracks
- 1:29:44and they're abandoned.
- 1:29:46And on those railroad tracks is the
- 1:29:49skull of a dog,
- 1:29:51a bowl with clotted blood in it,
- 1:29:54feathers, [snorts]
- 1:29:56um, a cross, like a crucifix,
- 1:30:00and oh, little bi- bits of what look
- 1:30:03like like a dried heart,
- 1:30:06like a heart from an animal
- 1:30:08and I believe that was a santeria
- 1:30:11ritual.
- 1:30:13And
- 1:30:14that was scary.
- 1:30:16To be out there looking for a body and
- 1:30:18seeing this strange little ritual set up
- 1:30:20in the middle of a railroad track.
- 1:30:23I had a really hard time with that. I
- 1:30:26thought, "My God, what if
- 1:30:28the people who killed her were like
- 1:30:30putting a spell on someone?" I don't
- 1:30:32know.
- 1:30:33Anyway, they never found Mrs.
- 1:30:35Silverman's body.
- 1:30:37They believe that the house next door
- 1:30:39that was being built that she was in the
- 1:30:42foundation and cement was poured on top
- 1:30:44of her. That's what they believe, but
- 1:30:47how are we going to prove it? We'd have
- 1:30:49to take down a whole building.
- 1:30:50>> Do you do you believe in ghosts and
- 1:30:52stuff?
- 1:30:52>> You know, generally speaking, I don't
- 1:30:55believe in ghosts. However, in my
- 1:30:57family, there is an absolute ghost in my
- 1:31:00great-grandmother's home where my mother
- 1:31:02grew up.
- 1:31:04Um my mother was a little girl. She'd
- 1:31:07sleep upstairs in this old house.
- 1:31:09And at night she would hear people
- 1:31:12crying and fighting, a man and a woman,
- 1:31:14a long way off.
- 1:31:17And then
- 1:31:18when we were kids, as we got older, you
- 1:31:20know, she used to say to my my
- 1:31:21great-grandmother, "What is that?" She
- 1:31:23said, "Oh, it's nothing, people
- 1:31:24fighting."
- 1:31:25Then when I got older, as kids we used
- 1:31:27to play there and we'd go up the stairs
- 1:31:29and we when we got to the stair landing
- 1:31:33your belly your belly sinks and it's a
- 1:31:35cold feeling. So, we'd run very fast
- 1:31:38right through.
- 1:31:39And I asked my mother about it and she
- 1:31:42asked her grand her grandmother again.
- 1:31:45And she finally told her that my
- 1:31:47great-uncle Al
- 1:31:50was very very jealous of his beautiful
- 1:31:52wife Cora.
- 1:31:53And he thought that she was flirting
- 1:31:56with a young man who worked in the
- 1:31:57grocery store.
- 1:31:59And they were fighting and crying.
- 1:32:02and
- 1:32:03there was a loud shot heard,
- 1:32:06and someone ran upstairs and found Al
- 1:32:09dead on the on the stair landing. Cora
- 1:32:12was nowhere to be found. So, they
- 1:32:15assumed that she had run away with this
- 1:32:18young man that she was interested in, or
- 1:32:20he thought she was interested in.
- 1:32:23So, they had the funeral downstairs, as
- 1:32:26we used to do in those days, and the
- 1:32:29body was in the casket, and everyone was
- 1:32:31talking about where did Cora go? Did she
- 1:32:34go back to Italy?
- 1:32:36And um
- 1:32:38then some workmen went upstairs to fix a
- 1:32:41furnace in that room,
- 1:32:43and they screamed
- 1:32:45because hidden behind the little
- 1:32:48furnace, the heater, was the body of a
- 1:32:50young woman stuffed into a trunk, and
- 1:32:53her arm was hanging out.
- 1:32:55And it was Cora.
- 1:32:58So, what my uncle Al did was shoot her,
- 1:33:02put her in the trunk, and then shoot
- 1:33:04himself.
- 1:33:06And
- 1:33:07you [clears throat] can hear those
- 1:33:08noises there, and you can feel the cold
- 1:33:11even today. Even today. So, how can I
- 1:33:14not think that there might be something
- 1:33:17to it? Maybe.
- 1:33:19>> But, do you think you hear them because
- 1:33:22you can imagine because you have lived
- 1:33:24that,
- 1:33:25not because the ghost is still there?
- 1:33:30>> I think that metaphysically, what I
- 1:33:33believe is that
- 1:33:35our bodies are matter, and that what
- 1:33:38makes us alive, which gives us you know,
- 1:33:40we call it a soul, it's energy. It's
- 1:33:43universal energy that comes from the
- 1:33:45great source.
- 1:33:47And
- 1:33:48when we die, the energy just leaves and
- 1:33:50goes back to the source, and that's
- 1:33:52that.
- 1:33:53However, if there is something so
- 1:33:55painful, so emotional, so
- 1:33:58horrifying [gasps]
- 1:33:59that the soul is blocked somehow from
- 1:34:02leaving?
- 1:34:04Perhaps that's what we're sensing there,
- 1:34:06that little bit of energy on the
- 1:34:07stairway.
- 1:34:09>> Yeah, that's that's what they say in our
- 1:34:11religion as well.
- 1:34:12>> Oh, no kidding, yeah?
- 1:34:13>> Yeah, like if
- 1:34:15there's an unfinished business of the
- 1:34:17soul, the soul stays there.
- 1:34:19>> Mhm.
- 1:34:20>> It'll find its way
- 1:34:22and it'll keep suffering until it finds
- 1:34:24its way to actually finish the work or
- 1:34:26the purpose why it was there on
- 1:34:29why there was life.
- 1:34:30>> Wow.
- 1:34:30>> And then once you have finished [snorts]
- 1:34:32that purpose, you've achieved that
- 1:34:33purpose, then you actually get free. Or
- 1:34:36else you keep suffering.
- 1:34:38>> I wonder if I could go there and help
- 1:34:39them
- 1:34:41to get over there
- 1:34:43to get over their pain and let go and go
- 1:34:45back to
- 1:34:47the source.
- 1:34:49And perhaps they'll come back in other
- 1:34:50pieces or other people.
- 1:34:53Uh or maybe they'll break through the
- 1:34:55cycle of reincarnation.
- 1:34:56>> Yeah, you believe in reincarnation and
- 1:34:59stuff?
- 1:34:59>> Well, I believe that when a new body is
- 1:35:01born, that another packet of energy
- 1:35:04comes into that baby as they're born.
- 1:35:08And makes it alive. So,
- 1:35:11sometimes
- 1:35:12that whole packet might contain
- 1:35:15the
- 1:35:17the the memories, the thoughts, the
- 1:35:19feelings of someone who died before.
- 1:35:21Sometimes it's a little tiny bit of that
- 1:35:23packet cuz they all get mixed up.
- 1:35:26So, there are some people who can talk
- 1:35:29about a life and describe it from 50
- 1:35:32years ago before they were born. They
- 1:35:34say, "Oh, that was my life." I know a
- 1:35:37little boy,
- 1:35:39uh at 5 years old, we were having dinner
- 1:35:41with his parents
- 1:35:42and
- 1:35:44he suddenly started crying and said,
- 1:35:47"Mama, when I come back, I want to come
- 1:35:50back into this family." And she said,
- 1:35:53"What?" He said, "Yeah, I I want to come
- 1:35:55back in your stomach. I I want to come
- 1:35:58to this family again." And he was really
- 1:36:00upset. And she said, "Of course you can
- 1:36:03come back here."
- 1:36:04And he was like, "Mama, please promise
- 1:36:07me I can come to this family." Well, he
- 1:36:09scared the hell out of me.
- 1:36:11Because the emotion was so real and I
- 1:36:14could see
- 1:36:15that he wasn't making this up. He was
- 1:36:17just a little boy.
- 1:36:19So,
- 1:36:20yeah.
- 1:36:22And of course that scares me because my
- 1:36:24life is so wonderful now. It's had its
- 1:36:26ups and downs, [laughter]
- 1:36:28but
- 1:36:29and things have been tough, but each of
- 1:36:31those things taught me something and now
- 1:36:33I've come to a place of peace.
- 1:36:36As much as I can hold on to that
- 1:36:38because, you know, the world is going
- 1:36:40crazy. But, um
- 1:36:43I wouldn't mind coming back.
- 1:36:45Maybe as a French woman.
- 1:36:47>> [laughter]
- 1:36:50>> That would be fun.
- 1:36:51>> Does it ever happen that a family killed
- 1:36:54some family member?
- 1:36:56They make it look like it's normal.
- 1:36:58>> Mhm.
- 1:36:59>> And then they [clears throat] close the
- 1:37:00shut like they close the case because
- 1:37:03nobody's actually complaining to police.
- 1:37:05>> That's right.
- 1:37:06>> Does that happen a lot?
- 1:37:07>> Sure it does.
- 1:37:09>> The state or the police is not like,
- 1:37:11"Hey, no, we need to investigate and
- 1:37:12figure out." Or they're like, "Let it be
- 1:37:14if the family doesn't object."
- 1:37:16>> Well, here's what happens. There was a
- 1:37:18case I had
- 1:37:20where
- 1:37:21um two men lived with their old mother.
- 1:37:27And uh she died at home.
- 1:37:30And uh they called the
- 1:37:33uh the ambulance who pronounced her dead
- 1:37:35and they called her family doctor and
- 1:37:37said, "Look, Mom died in her sleep last
- 1:37:39night."
- 1:37:41And the family doctor said, "Yes, I'm
- 1:37:42not surprised. So, I'll sign a death
- 1:37:44certificate." Nobody called us, right?
- 1:37:48So, they buried her in New Jersey in a
- 1:37:51grave
- 1:37:52very quickly and then they had her
- 1:37:54inheritance.
- 1:37:56Then, we got some calls to the police
- 1:38:00when neighbors were saying, "Look, I
- 1:38:02know that lady just died, but her sons,
- 1:38:05they used to hit her.
- 1:38:07She always had bruises.
- 1:38:10She always had something wrong. She was
- 1:38:12always injured.
- 1:38:14She could barely walk out of the house.
- 1:38:17It was very and the police
- 1:38:19[clears throat] were like, "Well, you
- 1:38:20know, I mean, this is
- 1:38:23can you give us anything more specific?"
- 1:38:25Well, yeah, one time she had her arm in
- 1:38:27a sling. I think it was broken.
- 1:38:30And so, it got to a point where these
- 1:38:32people gave so much information that the
- 1:38:34police called us and said, "Look, we
- 1:38:36think you should dig up her grave and
- 1:38:38let's have a look."
- 1:38:40Right? And we did.
- 1:38:42Now, this poor lady,
- 1:38:44was she buried in a nice burial robe?
- 1:38:46No, she was in a dirty old house dress
- 1:38:49and torn underwear as if they just threw
- 1:38:51her in the cheapest coffin they could
- 1:38:53find and buried her.
- 1:38:55They said closed casket, nobody nobody
- 1:38:58sees her.
- 1:38:59We dug her up and she did have injuries
- 1:39:02all over. Bruises, old healed broken
- 1:39:06bones.
- 1:39:08>> [gasps]
- 1:39:08>> I believe
- 1:39:10that they actually beat her.
- 1:39:13But,
- 1:39:14can I prove it? Maybe she fell down a
- 1:39:17lot.
- 1:39:19And that's what the son said. Oh, she
- 1:39:21was always hurting herself, always
- 1:39:22falling down.
- 1:39:24But to me,
- 1:39:25the kicker was the fact that they just
- 1:39:28threw her in the grave
- 1:39:30without even putting her in a decent
- 1:39:31dress.
- 1:39:33So,
- 1:39:34I feel
- 1:39:36like, yeah,
- 1:39:37they hurt her and she died from that.
- 1:39:40Who can prove it, though?
- 1:39:41>> Nobody. Nobody. It's hard. I hate those
- 1:39:44cases.
- 1:39:45>> Usually when somebody kills somebody the
- 1:39:48murderers, what are the biggest mistakes
- 1:39:51murderers make?
- 1:39:52>> Hm, thinking that they won't get caught.
- 1:39:55They think they're so smart sometimes.
- 1:39:57Oh, going to wear gloves so that um
- 1:40:01I don't leave any fingerprints. Yeah.
- 1:40:03I'm going to clean up all the blood.
- 1:40:05I'll use ammonia. Yeah, ammonia is good
- 1:40:08for cleaning up blood.
- 1:40:09Well, they're wrong on two counts. One
- 1:40:13the inside if you use a glove like a
- 1:40:16dishwashing glove to kill and you're
- 1:40:18killing someone and then you just take
- 1:40:21off the gloves, rinse the the blood off,
- 1:40:23and put them in the sink I can go inside
- 1:40:26that glove and get your DNA.
- 1:40:29That's number one. Number two, ammonia
- 1:40:32does not kill blood. It doesn't kill
- 1:40:35DNA. Right? It cleans it up, but there's
- 1:40:38still traces. So, the crime scene unit
- 1:40:41will bring in alternate light sources,
- 1:40:43special lights that they can shine on
- 1:40:45the wall. They spray a a thing called uh
- 1:40:48luminol, and that makes the blood shine
- 1:40:51like fluoresce, and we can see the blood
- 1:40:54on the wall or the blood on the guy's
- 1:40:56shoes. So, yeah, they think they're
- 1:40:58smart. They Oh, I know how to cover up a
- 1:41:00murder. No, you don't.
- 1:41:02>> You cannot smart them.
- 1:41:03>> That's right. That's right. And the
- 1:41:04police, the crime scene unit, they know
- 1:41:07every trick.
- 1:41:08>> Hm.
- 1:41:09>> Mhm.
- 1:41:09>> And if you have to draw um let's say if
- 1:41:12I give you this to draw
- 1:41:15what are the four biggest categories or
- 1:41:18what are the four biggest reasons why
- 1:41:19people kill?
- 1:41:20Are there four
- 1:41:21>> the four biggest reasons why they kill?
- 1:41:23>> Yeah, so what would be those?
- 1:41:24>> Okay.
- 1:41:29Okay.
- 1:41:32Money.
- 1:41:38Hate.
- 1:41:42Revenge.
- 1:41:58Check.
- 1:41:59>> What is it? Money hate.
- 1:42:01>> Money and business.
- 1:42:03All right.
- 1:42:03>> Okay. Hate revenge.
- 1:42:05>> Hate, you know, like I don't like
- 1:42:06foreigners. I'm going to I'm going to go
- 1:42:09shoot them. You know how these young
- 1:42:10crazy people do this?
- 1:42:11>> Really?
- 1:42:12>> Yeah.
- 1:42:13>> They just want to kill, let's say
- 1:42:14>> Yeah, yeah. Remember that kid who went
- 1:42:16into a demonstration? I think it was
- 1:42:18Palestinian people. He just started
- 1:42:20shooting at people.
- 1:42:22They kill out of hate
- 1:42:24because they're frightened of
- 1:42:26foreign people.
- 1:42:27>> Is it because of race, color?
- 1:42:29>> Yeah, race, color, religion, being gay,
- 1:42:32any of those things. Yeah.
- 1:42:34>> Okay.
- 1:42:36>> Revenge.
- 1:42:38>> This is personal.
- 1:42:39>> Your husband has cheated on you
- 1:42:41and he's been doing it for a long time.
- 1:42:44He made a fool out of you. All right,
- 1:42:46I'm going to hire a couple of guys to
- 1:42:47come and kill him.
- 1:42:49And then, here's a big one.
- 1:42:52A man's cheating on his wife.
- 1:42:55He finds, you know,
- 1:42:57she's been boring to him.
- 1:43:00He's getting older. He wants to have
- 1:43:02young women.
- 1:43:04And then he falls in love with a young
- 1:43:05woman.
- 1:43:06And now he wants to get a divorce, but
- 1:43:09he doesn't want his wife and children to
- 1:43:10have his money.
- 1:43:12So, what should he do? Hmm.
- 1:43:14Let's see. Either I could give her child
- 1:43:17support and pay her alimony, or if I
- 1:43:20could get rid of her, then I keep all my
- 1:43:23money and my girlfriend and I can go get
- 1:43:26married.
- 1:43:27That happens a lot.
- 1:43:29>> Is that a big reason you have put it in
- 1:43:30the top four?
- 1:43:32>> Yeah, well.
- 1:43:33What else is there? What other reasons
- 1:43:34can you think of to kill people?
- 1:43:36>> that is a big reason. It happens a lot.
- 1:43:38>> Sure. Look at these American shows. Uh
- 1:43:41look at like Scott Peterson. Um
- 1:43:44all these these things where the
- 1:43:47the wife, they say she commits suicide.
- 1:43:50And then everything starts to look
- 1:43:52funny. And then when you begin
- 1:43:53investigating, you find out he has a
- 1:43:55girlfriend.
- 1:43:56Then you go talk to the girlfriend, and
- 1:43:58she's frightened. She knows if this man
- 1:44:01she loves killed his wife, he could kill
- 1:44:05her.
- 1:44:06>> Yeah.
- 1:44:07So, they tell the story.
- 1:44:09>> So, if if you had to point out, let's
- 1:44:11say out of 100 deaths, hm what would be
- 1:44:16how many would be this this rough
- 1:44:17estimation?
- 1:44:18>> on the year. Now, when I first started
- 1:44:20out in the business in 1992,
- 1:44:23we were getting about 2,400 homicides
- 1:44:26every year just in New York City.
- 1:44:29So,
- 1:44:31about 70% of them were business.
- 1:44:34>> Drugs.
- 1:44:35>> drugs. That was the crack epidemic. That
- 1:44:37was, you know, drugs were driving people
- 1:44:39crazy. There was all those uh
- 1:44:41you know, the cocaine wars, all that
- 1:44:44stuff. So, it was business. And they are
- 1:44:45very very hard to solve
- 1:44:48because it's two unknown guys. One
- 1:44:50shoots the other one,
- 1:44:51kills him.
- 1:44:52Then the victim, his brother comes and
- 1:44:55shoots other members of the gang. And it
- 1:44:57goes back and forth, and they're killing
- 1:44:59each other left and right. That was the
- 1:45:01big majority.
- 1:45:02Then the personal killings, you know,
- 1:45:05husband wants to get rid of his wife.
- 1:45:08Yeah.
- 1:45:09Kills her. That's That would probably be
- 1:45:11number two is the personal. Or like
- 1:45:14someone broke your heart.
- 1:45:16You got to strangle her.
- 1:45:18>> What about today?
- 1:45:19>> Hm?
- 1:45:20>> What would it be like today?
- 1:45:22>> You know, I don't really know right now.
- 1:45:24This This hardly any homicides in New
- 1:45:26York, maybe 300, 350.
- 1:45:30So
- 1:45:31some of them are like oh, the hate, like
- 1:45:33the guy Luigi who allegedly
- 1:45:37you know, shot a man who's a working in
- 1:45:40a pharmaceutical company. He hates him.
- 1:45:42I'm just going to shoot him on the
- 1:45:43street.
- 1:45:44Um
- 1:45:45>> Today the hate would be the biggest?
- 1:45:48>> Not the biggest, no.
- 1:45:49>> Out of all four, which one like what
- 1:45:51would be scenario like today?
- 1:45:52>> Hm.
- 1:45:53>> Would be like top four?
- 1:45:55>> The top two would be money and business
- 1:45:59and the personal, you know, between a
- 1:46:02couple or people in a family.
- 1:46:05Revenge is not that much. And hate
- 1:46:10it doesn't happen that much in New York,
- 1:46:12certainly. So it's kind of hard to give
- 1:46:14you a breakdown, but I'd say the two
- 1:46:16major ones
- 1:46:17>> This and this.
- 1:46:18>> Money and business and then personal,
- 1:46:20jealousy, love, wanting to get rid of
- 1:46:23your family so that you can go live with
- 1:46:25a mistress on the Caribbean island.
- 1:46:28>> [laughter]
- 1:46:30>> How do they live after doing this?
- 1:46:32>> I don't know.
- 1:46:34Because, you know, you see them, they
- 1:46:35get arrested.
- 1:46:37They go to trial and they're found
- 1:46:39guilty and now they're going to be in
- 1:46:42jail for the rest of their lives. These
- 1:46:44these guys like only 40 years old.
- 1:46:47And that's it. Your life is over. Why
- 1:46:50don't you just pay your the damn money?
- 1:46:53Pay for your children's education. Pay
- 1:46:55for your wife who helped you build your
- 1:46:56business.
- 1:46:58It's just money.
- 1:47:00>> I did.
- 1:47:01Are there signs that somebody will turn
- 1:47:03into a killer?
- 1:47:06>> Rage.
- 1:47:08You know, these these personal killings
- 1:47:11the
- 1:47:12I think a lot of times if they're done
- 1:47:14in a psychotic rage, like he just you
- 1:47:17can't stand it anymore and you kill
- 1:47:18someone.
- 1:47:20And um
- 1:47:22that would be a person who was
- 1:47:25known to be rageful. Have temper I you
- 1:47:28know have attacks of
- 1:47:30anger and rage or beat their wife or
- 1:47:33beat their husband. Some women hit their
- 1:47:35husbands, yeah.
- 1:47:36Yeah, so they have rage. I don't know
- 1:47:39why, but it's part of their
- 1:47:40psychological makeup.
- 1:47:43>> Do you have you spent enough time in New
- 1:47:45York understanding deaths?
- 1:47:47>> All my life.
- 1:47:49>> So
- 1:47:49if I show you a map of New York, can you
- 1:47:52tell me what kind of neighborhoods will
- 1:47:54have what kind of homicides or deaths?
- 1:47:57>> No.
- 1:47:57>> No?
- 1:47:58>> I can tell you what neighborhoods have
- 1:47:59the most homicides.
- 1:48:01>> Okay.
- 1:48:02>> That would be
- 1:48:04um in Brooklyn.
- 1:48:05>> If I show you this
- 1:48:06>> Certain neighborhoods in Brooklyn.
- 1:48:08>> Let's see.
- 1:48:09>> You're going to make me draw things.
- 1:48:11>> For this.
- 1:48:12>> You can all right.
- 1:48:13>> it out.
- 1:48:14>> Okay, let's see. In Brooklyn, I I would
- 1:48:16say that East New York has a good
- 1:48:18number.
- 1:48:19>> Why?
- 1:48:19>> Crown Heights Heights because there's
- 1:48:21still poor people that live there.
- 1:48:24Uh there's still people that you know
- 1:48:26sell drugs. Um but you know what's
- 1:48:28interesting is that Brooklyn is really
- 1:48:30changing and it's now in many ways more
- 1:48:32expensive than Manhattan.
- 1:48:35Now as more young people move there,
- 1:48:37young people with money, it gets
- 1:48:38gentrified and then the poor people are
- 1:48:41pushed out. And then they go do
- 1:48:43homicides elsewhere.
- 1:48:44In Manhattan, it would probably be up
- 1:48:46here in the 34th precinct. That used to
- 1:48:49be the most homicides in Manhattan. I
- 1:48:52don't know what it is now. And then in
- 1:48:54the Bronx, it would be scattered around
- 1:48:56places like
- 1:48:58>> [gasps]
- 1:48:58>> oh what used to be the maybe it still is
- 1:49:02um the market area. With trucks coming
- 1:49:05in and out delivering food and meat and
- 1:49:07things like that and people used to rob
- 1:49:09them rob the truck drivers. There used
- 1:49:11to be prostitutes down there and then
- 1:49:14they were easy to kill.
- 1:49:16>> That's Staten Island and Queens?
- 1:49:17>> No, Staten Island, nothing. Nothing.
- 1:49:20>> Queens?
- 1:49:21>> Queens, maybe a few, but they'd be
- 1:49:23personal.
- 1:49:24>> They won't be like
- 1:49:25>> No, they won't be like crazy, you know,
- 1:49:27drug drug things. But, you know, in
- 1:49:30Brooklyn around the projects
- 1:49:33you know, the the housing areas where
- 1:49:35there's government housing
- 1:49:37you know, that's where you get kids with
- 1:49:39guns, like just shooting at each other
- 1:49:42and they hit innocent people.
- 1:49:44You know? So, but it's so hard to tell
- 1:49:47if you only have 350 homicides. Like,
- 1:49:50what are the statistics?
- 1:49:52>> But, what's the most unsafe area today?
- 1:49:54Which one is the most un- unsafe area in
- 1:49:56New York?
- 1:49:57>> Oh. You know what? I couldn't say
- 1:49:59because there aren't really many areas
- 1:50:01left.
- 1:50:02>> Still, if you had to still point out
- 1:50:03like there's still there is some left.
- 1:50:06>> There actually is not any county or town
- 1:50:10or area that I could point to. It's more
- 1:50:12scattered now. There's nothing. It's
- 1:50:15just everywhere. Just in any country in
- 1:50:17this world
- 1:50:19you can have areas where crazy people
- 1:50:21just go out and kill someone. Or look at
- 1:50:24the school shooters. My God. My God. Why
- 1:50:27is that happening?
- 1:50:29That is one of the strangest phenomena
- 1:50:31I've ever seen.
- 1:50:33>> And it's happening left, right, center.
- 1:50:34You keep hearing about
- 1:50:36almost every state.
- 1:50:38>> Yeah.
- 1:50:38>> Like California.
- 1:50:40>> Mhm.
- 1:50:41>> I mean, and you would assume that
- 1:50:43California is safe and it's rich and
- 1:50:45it's great.
- 1:50:46>> It Yeah, like Connecticut.
- 1:50:48>> Yeah.
- 1:50:48>> A very wealthy town, nice schools,
- 1:50:51little children
- 1:50:53and some guy Dylan, whatever his name
- 1:50:55was. We don't even say their names
- 1:50:57anymore because they should disappear
- 1:50:58from history.
- 1:51:00Goes in there with a gun and just starts
- 1:51:02shooting little children.
- 1:51:05And then, what did they do? They killed
- 1:51:07themselves.
- 1:51:09And I say, "Wait a minute. If you're
- 1:51:10going to kill yourself, please, just do
- 1:51:12it.
- 1:51:13Why do you need to take other people
- 1:51:15with you?
- 1:51:17Well, there's a reason, because they're
- 1:51:19angry.
- 1:51:20They are
- 1:51:22young, teenage boys who are confused and
- 1:51:26lonely
- 1:51:27and frightened
- 1:51:29and they take a few drugs, even just
- 1:51:32smoking pot, and it makes them worse.
- 1:51:34And they start to think everyone in the
- 1:51:35world is against them.
- 1:51:38And they get darker and darker in their
- 1:51:40minds. And they're so angry. They feel
- 1:51:42like the world is against me. Why don't
- 1:51:44people be nice to me?
- 1:51:47Well, because you act like a lunatic.
- 1:51:49You walk around the school in black
- 1:51:50clothes with, you know, hoods on and
- 1:51:54and then they just go and shoot
- 1:51:56children. It's because they are enraged
- 1:51:59with anger and unhappiness.
- 1:52:02>> Your first suicide case that you
- 1:52:04investigated
- 1:52:05was about an angry man.
- 1:52:08>> Oh, yes.
- 1:52:10>> And you were about to kill yourself.
- 1:52:11>> Oh my god, that was the craziest case.
- 1:52:14Yeah, that's the first what story in the
- 1:52:17book.
- 1:52:18Um
- 1:52:19this man, uh I was called. They said,
- 1:52:21"Uh there's a suicide. There's a guy
- 1:52:23hanging in his apartment." And it was
- 1:52:25late at night, and I went over there,
- 1:52:27and um all the lights were out. The cops
- 1:52:30said, "Well, I think the electricity was
- 1:52:33turned off. Probably he didn't pay his
- 1:52:35bills." Very dark. He had a flashlight,
- 1:52:37and I had a flashlight. So, you know, I
- 1:52:40go in and look at the guy, and it's just
- 1:52:42a heavy
- 1:52:43man, white man, very pale.
- 1:52:46And he's just hanging from a pipe.
- 1:52:49Um nothing unusual.
- 1:52:52Uh you know, his feet were touching the
- 1:52:53ground because it stretches the rope. He
- 1:52:55just
- 1:52:57cut off blood supply.
- 1:53:00And the apartment was so sad and lonely
- 1:53:03looking. It just had stacks of dirty old
- 1:53:06newspapers.
- 1:53:07The sheets on the bed were filthy.
- 1:53:10The the
- 1:53:12furniture was just old and dirty, and it
- 1:53:15just looked awful. Even the windows were
- 1:53:17just covered with filthy old shades.
- 1:53:20And it was dark in there.
- 1:53:23And um you know, the cop I was teasing
- 1:53:26him. I said, "Where are the detectives?"
- 1:53:28He said, "Well, you know, they came here
- 1:53:29earlier
- 1:53:30and then they said, 'Oh, it's a
- 1:53:32suicide.' And they left."
- 1:53:34I said, "Well, that's not very nice. I
- 1:53:36wanted to come up and hang around with
- 1:53:37the guys and, you know, talk about the
- 1:53:39case."
- 1:53:40So, um I went in there and I looked
- 1:53:42around and everything appeared to be
- 1:53:44like a suicide. Now, I'm taking pictures
- 1:53:47and back then in '92, '93, we used
- 1:53:50Polaroid cameras, all right? Before
- 1:53:52digital.
- 1:53:53So, I take my pictures. The flashlight
- 1:53:56lights the flash lights up the body.
- 1:54:00And I went back to my office. Okay.
- 1:54:02Now,
- 1:54:03the strange thing was that I had had an
- 1:54:06operation on my hand. I was using a saw
- 1:54:09and I cut through the tendons.
- 1:54:12And so, my hand was in a cast. I
- 1:54:15couldn't use it.
- 1:54:16Normally, what I would do before I left
- 1:54:19was to cut the guy down.
- 1:54:22I would hold the rope and then very
- 1:54:24carefully cut above my hand and let him
- 1:54:27I mean, I couldn't ease him down, but I
- 1:54:29could let him down a little easier.
- 1:54:31Just, you know,
- 1:54:32didn't break his head.
- 1:54:34Um but I couldn't do it this time
- 1:54:36because my hand was in a cast.
- 1:54:39So, I told the cop, "All right, I'll
- 1:54:40send the morgue wagon and the guys will
- 1:54:43cut him down. But please tell them to
- 1:54:46make sure they cut way above the
- 1:54:47ligature." All right. And I left. I get
- 1:54:51back to my office and I'm looking at the
- 1:54:52pictures and I'm writing up my reports.
- 1:54:54And I see something interesting. In the
- 1:54:57flash of the camera,
- 1:54:58I see that what he's hanged himself with
- 1:55:01is one of those big outdoor
- 1:55:03extension cords. They're orange. Very
- 1:55:06hard, very tough. That's a good thing to
- 1:55:08hang yourself with. It works.
- 1:55:10But here's the funny thing. Right next
- 1:55:12to the body on the wall,
- 1:55:14the end of that cord was plugged into
- 1:55:17the wall.
- 1:55:18I'm like, wait a minute. Why is that
- 1:55:20plugged in? There's no electricity in
- 1:55:23the house, right?
- 1:55:26Then I realized, wait a minute. I think
- 1:55:29he faked this. What he did, well, I
- 1:55:32called the cop and I said, "Look, don't
- 1:55:33let anybody touch the body. Don't cut
- 1:55:35it."
- 1:55:36He said, "What's the matter?" I said,
- 1:55:37"Just go Do me a favor. Turn the light
- 1:55:40bulbs. Screw them in and see if they're
- 1:55:42loose."
- 1:55:43He goes and does it, and yes, there
- 1:55:45really is electricity.
- 1:55:47But this guy took out the bulbs or left
- 1:55:50them so loose that they didn't work to
- 1:55:52make it look like there was no
- 1:55:53electricity. And then when he plugged
- 1:55:55himself in before hanging,
- 1:55:58knowing that whoever cut him down might
- 1:56:01get a deadly electrocution shock.
- 1:56:05But why didn't I get shocked? Because I
- 1:56:07didn't cut him down. And why didn't I
- 1:56:09cut him down? Because I
- 1:56:11cut my hand with a saw. You see how the
- 1:56:13the powers of the universe work?
- 1:56:16Sometimes a bad thing happens to you for
- 1:56:18a good reason.
- 1:56:20So, I was thinking, "Why on earth would
- 1:56:24this guy want to do that? Why don't you
- 1:56:26If you have to kill yourself, okay, but
- 1:56:29why try to hurt someone else?"
- 1:56:31Because they're angry.
- 1:56:34They're so unhappy, and no one pays
- 1:56:36attention to them. No one loves them. No
- 1:56:38one is their friend. They're lonely.
- 1:56:41And they get so angry, all right, I'm
- 1:56:43taking somebody else with me. And that's
- 1:56:45how I feel about those school shooters.
- 1:56:48So enraged. I'm going to make other
- 1:56:51people suffer the way I do.
- 1:56:53The parents of these children are going
- 1:56:55to suffer.
- 1:56:57Then there's the peaceful suicides.
- 1:56:59Someone who has a broken heart, just
- 1:57:01can't bear the pain anymore. They take
- 1:57:04pills, they drink some liquor, and they
- 1:57:06go to sleep.
- 1:57:08And then like people who
- 1:57:10who jump off buildings, land in the
- 1:57:13street with a huge noise, and
- 1:57:16could possibly hurt someone on the
- 1:57:17ground, hit them.
- 1:57:20They're saying something. Hey, look at
- 1:57:23me. Look at me. I'm in pain.
- 1:57:26And this one case I did,
- 1:57:30the young woman who killed herself was a
- 1:57:33student at Juilliard, a music student. I
- 1:57:36think it was violin.
- 1:57:38And she wrote a note. She said, "Dear
- 1:57:40and honorable parents, I am so sorry
- 1:57:44that I did not make first chair for the
- 1:57:46violin.
- 1:57:48I have let you down. I am so sorry and
- 1:57:51ashamed.
- 1:57:53Have a nice day."
- 1:57:55And then her name.
- 1:57:56"Have a nice day."
- 1:57:58>> [laughter]
- 1:57:59>> That is passive aggressive anger.
- 1:58:03She was so angry at them.
- 1:58:05[clears throat]
- 1:58:06She let them down just because she
- 1:58:07wasn't the best violinist. So, she
- 1:58:10killed herself,
- 1:58:12but she made them feel like
- 1:58:16Right?
- 1:58:17>> After investigating all these deaths and
- 1:58:19going through certain experiences,
- 1:58:22and
- 1:58:24modern
- 1:58:25you've experienced thousands of deaths.
- 1:58:28What do you think? What's the best way
- 1:58:30to die?
- 1:58:32>> In your sleep.
- 1:58:33Absolutely. If you can just go to sleep
- 1:58:36next to somebody you love after a fine
- 1:58:39dinner, a good evening,
- 1:58:42cuddled up, and you just die quietly.
- 1:58:45>> And then the person you love will be
- 1:58:46traumatized for life.
- 1:58:47>> Exactly. Right. They wake up because
- 1:58:49you're cold, and they're like, "Ah, my
- 1:58:50god." But here's something I used to
- 1:58:52think about. I know I don't want to die
- 1:58:55because I'm having a very, very good
- 1:58:56life. I want to enjoy it.
- 1:58:59But in times when I was just depressed
- 1:59:01or you know, things were bad, I'd think,
- 1:59:04"I wish that I was 95 years old walking
- 1:59:08down the street and someone shoots me in
- 1:59:10the back of the head and I die
- 1:59:12instantly."
- 1:59:13And then
- 1:59:15there would be a big story in the
- 1:59:16newspaper.
- 1:59:18"Vibrant, lively woman dies in her
- 1:59:21prime, shot brutally, murdered in the
- 1:59:24streets. Lovely, wonderful woman."
- 1:59:28Because if you get sick and you lay
- 1:59:30around in bed and it takes you 8 months
- 1:59:32to die and everybody's like, "Oh my god,
- 1:59:34we got to take care of her every day."
- 1:59:36>> [laughter]
- 1:59:37>> That's a drag. But if you go out
- 1:59:39dramatically with a big bang,
- 1:59:42then it's like, "Wow, everybody notices.
- 1:59:45Poor Barbara, oh my god, she was so
- 1:59:47wonderful."
- 1:59:48>> [laughter]
- 1:59:49>> I love how lively you are talking about
- 1:59:52death and like making up scenarios and
- 1:59:55imaginations. Like another day at work.
- 1:59:57>> It is, yeah.
- 1:59:59Because I don't mind being around dead
- 2:00:02people. Now, let me tell you the truth,
- 2:00:04though.
- 2:00:05That many of the cases I saw were so
- 2:00:08bad, so tragic, so brutal that they
- 2:00:11crushed my soul.
- 2:00:14How can you do this work and still have
- 2:00:17your heart?
- 2:00:18Well, when I walked into a scene and it
- 2:00:21was just awful, like a child dying or
- 2:00:23something like that, being murdered,
- 2:00:26the shock is very bad. And you're like,
- 2:00:29"No." But what you have to do is drop
- 2:00:32the curtain. Drop a shield.
- 2:00:35You have to stop your emotions because
- 2:00:38you're no good. You can't do your work
- 2:00:40if you're all feeling, "Oh my god, this
- 2:00:42poor child." I must be perfect at my
- 2:00:46work for the victim
- 2:00:48and for the family.
- 2:00:50So, I close it down and do my work
- 2:00:53precisely.
- 2:00:55I don't miss anything.
- 2:00:57Now,
- 2:00:58hopefully, when the day ends, you can go
- 2:01:01home and lift that shield up and be with
- 2:01:03your family.
- 2:01:05Mhm, you know what? After a couple of
- 2:01:07years, you just can't.
- 2:01:09>> Do you lose empathy and love and
- 2:01:13just lose your little feeling
- 2:01:16when you do certain kind of work like
- 2:01:18this?
- 2:01:19Like do you become emotionless? Do you
- 2:01:21Do you feel numb?
- 2:01:22>> Not emotionless, but shut down. Yeah,
- 2:01:25for many years, especially after 9/11.
- 2:01:29Now, that was
- 2:01:30tragedy and trauma. It's huge tragedy.
- 2:01:33And to have to work down there and
- 2:01:36find the remains of these people and oh,
- 2:01:39the work was just so awful and it was so
- 2:01:41frightening because Americans always
- 2:01:43think, well, we're so safe, we're so
- 2:01:45powerful. No, we're not.
- 2:01:48And
- 2:01:49so
- 2:01:51>> [sighs and gasps]
- 2:01:52>> I was completely shut down for a long
- 2:01:54time. I couldn't keep a relationship.
- 2:01:57I couldn't speak.
- 2:01:58Because I'd come home
- 2:02:02and I was thinking of all the horrible
- 2:02:03things I'd seen that day and then my
- 2:02:05partner says, "Oh, look, we're going to
- 2:02:07have to paint this kitchen. I can't
- 2:02:08stand this color anymore. Maybe on
- 2:02:10Saturday you could we could paint." And
- 2:02:12I'm like, "Oh my god, please don't talk
- 2:02:14to me about paint.
- 2:02:16Please don't talk to me about me booking
- 2:02:18a vacation in Florida. I can't think."
- 2:02:23I can't. And it's so unfair to the
- 2:02:25people we love
- 2:02:27because we're gone.
- 2:02:29>> Yeah.
- 2:02:29>> Now,
- 2:02:31why do I not feel like that anymore?
- 2:02:33Because I had very, very good therapy
- 2:02:36through the World Trade Center Health
- 2:02:37Program.
- 2:02:39Great therapy.
- 2:02:40I have a brilliant therapist
- 2:02:43and um
- 2:02:45we work on all these traumas until
- 2:02:48they can fade to the back of my mind and
- 2:02:50I don't have to think of them every day.
- 2:02:53So, now I enjoy life completely. I love,
- 2:02:58I live, I play, I have friends.
- 2:03:01I enjoy every minute
- 2:03:04of every day.
- 2:03:05>> That's amazing.
- 2:03:06>> It's a gift.
- 2:03:08>> What can people learn from your work?
- 2:03:11>> Hm.
- 2:03:13A couple of things. I think, you know,
- 2:03:16like the books, the title is What the
- 2:03:19Dead Know.
- 2:03:21And what I mean about that is a couple
- 2:03:23of things. One is they know how they
- 2:03:25really died and I hope that they will
- 2:03:28tell me because they know the story of
- 2:03:30what happened at the end.
- 2:03:32And I try to read that story by
- 2:03:34examining the body and the scene.
- 2:03:37But the other thing they know
- 2:03:40is the moment of infinite regret.
- 2:03:45If you're dying and it takes a few
- 2:03:47minutes,
- 2:03:48you think, "Oh, this is it.
- 2:03:51Why didn't I play more? Why did I work
- 2:03:55all the time?
- 2:03:57Why didn't I play with my children? Why
- 2:03:59did I yell at them to clean their rooms
- 2:04:01all the time? What difference did it
- 2:04:03make?
- 2:04:04Instead of cleaning their rooms, we
- 2:04:06should have been outside throwing a
- 2:04:07ball.
- 2:04:09I worried so much about the little
- 2:04:11things. I paid too much attention to the
- 2:04:14wrong things. Nobody ever died and said,
- 2:04:17'Oh, I wish I worked more.'
- 2:04:19No, they say, 'I wish I had spent more
- 2:04:21time with people I love.'
- 2:04:23So, I try to remember that every day.
- 2:04:27I have my moment of gratitude.
- 2:04:30Thank you for another day. Thank you to
- 2:04:32the universe, to the God, to the higher
- 2:04:34power, whatever you believe in.
- 2:04:37And thank you for the gift of today, of
- 2:04:40life.
- 2:04:41Thank you for the ability to walk. I'm
- 2:04:43so happy that I can walk and see and
- 2:04:45hear and taste. What a gift.
- 2:04:48>> Yeah. It is.
- 2:04:49>> I'm in an age now where it counts, you
- 2:04:52know.
- 2:04:54So,
- 2:04:55I hope people learn that that you're
- 2:04:57going to be you know, the death rate is
- 2:04:58now 100%. Every single person's going to
- 2:05:01die,
- 2:05:02you know.
- 2:05:03>> [laughter and gasps]
- 2:05:04>> So,
- 2:05:05I just I believe in the gratitude of
- 2:05:07every day.
- 2:05:09>> We all should.
- 2:05:09>> Yeah.
- 2:05:10>> And what is one thing that
- 2:05:14people don't want to hear about death?
- 2:05:16>> Why don't they want to hear? Because
- 2:05:17it's they're afraid. Nobody wants to
- 2:05:19think about their
- 2:05:20>> What is one thing that they don't want
- 2:05:21to know about death?
- 2:05:22>> They don't want to know?
- 2:05:24Mhm.
- 2:05:29I think everybody has a belief of maybe
- 2:05:32there's a heaven or a hell.
- 2:05:35I think that nobody wants to believe
- 2:05:38that there is nothing.
- 2:05:41That's scary to think that
- 2:05:43I mean, many religions believe that.
- 2:05:45This is one life, that's it. When you're
- 2:05:46gone, you're gone.
- 2:05:48That there is no chance to return to the
- 2:05:50universal light or the source of energy.
- 2:05:54There's no chance to
- 2:05:57come back.
- 2:05:58There's no chance for anything because
- 2:06:01it ends and that's it.
- 2:06:04That's That's sad to think about. It's
- 2:06:06scary. No, I want to keep going.
- 2:06:09But I believe that I will. So, I don't
- 2:06:13fear death.
- 2:06:14>> What is one advice that nobody should
- 2:06:16follow?
- 2:06:17>> [snorts]
- 2:06:17[laughter]
- 2:06:18>> Put yourself first.
- 2:06:20People say, "Oh, oh, take care of number
- 2:06:22one. Take care of yourself before
- 2:06:24anybody else." No, that's a that's an
- 2:06:26empty way of life.
- 2:06:29We are a global society. We're this
- 2:06:32nation is This world is now global.
- 2:06:36If a child in Africa is hungry,
- 2:06:39it's going to affect me, my karma,
- 2:06:42[snorts] my life, my reincarnation, my
- 2:06:45happiness.
- 2:06:48I don't think that I should just look
- 2:06:50out for number one. I think I should
- 2:06:52look out for the people I love and the
- 2:06:55people I come across in the world who
- 2:06:57maybe I can help. Can I stop starvation
- 2:06:59in Africa? No.
- 2:07:01But can I feed a guy who's, you know,
- 2:07:03sitting on the sidewalk, doesn't have
- 2:07:05any money for food? I'm not going to
- 2:07:07hand him money
- 2:07:09cuz he might use buy cigarettes.
- 2:07:12>> [clears throat]
- 2:07:12>> But I'll go into the restaurant with him
- 2:07:14and say, "Here, give this guy a meal.
- 2:07:16I'm paying it for it."
- 2:07:18That's a little thing to do that has a
- 2:07:20big impact.
- 2:07:21See?
- 2:07:22>> That's beautiful. That's a beautiful
- 2:07:24thing to say.
- 2:07:25>> Yeah. So, but we all should look out for
- 2:07:26each other.
- 2:07:27>> And the last thing is
- 2:07:29what is the personal cost that you've
- 2:07:32paid
- 2:07:33to become a death investigator?
- 2:07:37>> There is a personal cost. There is the
- 2:07:39cost of
- 2:07:41having shut down from my emotions for so
- 2:07:43very long, the relationships I lost, the
- 2:07:46friends I lost because I wasn't there
- 2:07:49emotionally.
- 2:07:52There is some health issues from 9/11,
- 2:07:56of course, but they're manageable.
- 2:07:59Um
- 2:08:01but probably the biggest cost is the
- 2:08:03loss of innocence.
- 2:08:07I know things that people should never
- 2:08:10know.
- 2:08:12I hope that no one ever has to see the
- 2:08:15things I've seen.
- 2:08:17Uh so many times I wish I wish I had
- 2:08:20never seen that.
- 2:08:22So,
- 2:08:24I hope everyone
- 2:08:25gets to live a life of beauty, love,
- 2:08:28creativity, and joy.
- 2:08:31If you want to be a death investigator,
- 2:08:32get ready cuz it's going to be rough.
- 2:08:35>> [laughter]
- 2:08:36>> Thank you so much for sharing
- 2:08:37>> Thank you, Raj.
- 2:08:38>> stories.
- 2:08:39>> Oh, thank you. It was a pleasure
- 2:08:41speaking with you.
- 2:08:42>> It was pleasure to have you here. You're
- 2:08:43a fierce woman with amazing storytelling
- 2:08:47skills and a lot of courage which I
- 2:08:50believe
- 2:08:52rarely somebody has. I've never seen
- 2:08:55that.
- 2:08:55>> Hi, [music]
- 2:08:56I'm Laura
- 2:08:57>> Nice to meet you.
- 2:08:58>> Nice to meet you.
- 2:08:59>> Glad you are with us Laura. How are you
- 2:09:00doing?
- 2:09:01You are an excellent storyteller.
- 2:09:02>> Thank you.
- 2:09:03>> I really enjoyed like the way you
- 2:09:05explain things. It's
- 2:09:08quite interesting.
- 2:09:09>> Well, you know, it's become my salvation
- 2:09:11because after spending [music] nearly 25
- 2:09:14years in death, despair, and destruction
- 2:09:19now I want to do things that are more
- 2:09:21creative, more
- 2:09:23more light.
- 2:09:25>> [music]
- 2:09:25>> And so, it's telling stories for me. You
- 2:09:28might wonder, why is a nice woman
- 2:09:30[music] like me doing such a horrible
- 2:09:32job?
- 2:09:34Because it's important to me and I feel
- 2:09:36[music] like if you can do it and nobody
- 2:09:39else can, then you should.
- 2:09:41And I can do it.
- 2:09:43For some reason
- 2:09:45I am not
- 2:09:46frightened by dead people. I don't mind
- 2:09:48being around them, not at all.
- 2:09:51They're very safe. It's living people
- 2:09:54who scare me, not dead people, you know.
- 2:09:56>> [laughter]
- 2:09:57>> Thank you for watching this episode till
- 2:09:59the end. We would love to know what you
- 2:10:01liked or disliked about this episode and
- 2:10:04which guest you would like to see on the
- 2:10:06show. Let us know in the comments. Your
- 2:10:08feedback help us improve and make every
- 2:10:11episode a little better. I'll see you
- 2:10:13next time. Until then, keep figuring
- 2:10:15out.
- 2:10:24>> Mhm.
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