Crypt of the Crusaders | The Descent | Episode 86 | D&D — Transcript
Full transcript
- 0:01[music]
- 0:09[music]
- 0:12Love broken and falling [music] and old
- 0:15souls been sent to burn. Nowadays
- 0:18they've been calling telling [music] me
- 0:21soon going to be my turn. Head down,
- 0:25walk with [music] reason. know that when
- 0:27the daylight dies going to have to face
- 0:30[music] my demons like a sin and a life
- 0:40[music]
- 0:51[music]
- 0:53Heat
- 0:56[music]
- 1:02[music]
- 1:05up
- 1:11here.
- 1:14[music]
- 1:18>> [music]
- 1:38>> Welcome to the descent.
- 1:41Who wants to do the recap?
- 1:46>> I can do a quick one. All right.
- 1:48>> Um, so last session,
- 1:52uh,
- 1:53we were starting, we had a long rest.
- 1:56Uh, Tannis finally,
- 1:59uh, resolve some baggage with, uh,
- 2:02Nisar. And as a kind of reward for that,
- 2:05he allowed Tannis to open up the amulet
- 2:08to the rest of Second Company, who can
- 2:10all enjoy the feasts and the wines that
- 2:12Tannis has totally been enjoying the
- 2:14whole time.
- 2:15um start on the next day. Uh we are
- 2:19riding on the war machine and we notice
- 2:22as we're traveling these next couple of
- 2:23days that it just starts fixing itself
- 2:26and we ultimately get the idea that
- 2:28there must be some interdimensional
- 2:30creature that is here fixing the war
- 2:33machine, but we have no idea what it is
- 2:35or why it's doing this. We've gained
- 2:37some gifts, so we try to make contact.
- 2:39Tannis almost died at one point. Um but
- 2:42ultimately we eventually reach the uh
- 2:46crypt of the crusaders
- 2:48and we see all these statues that are
- 2:50bowed in reverence. They seem to be
- 2:51statues anyways. Uh and we ascend the
- 2:55steps with Lulu leading the way as she
- 2:57is the one that wanted to bring us here.
- 2:59And that is where we ended.
- 3:01>> That is correct. So
- 3:05we get the descent and then it wipes off
- 3:07screen
- 3:09and we can see when we first open the
- 3:14hill in which uh the crypt of the
- 3:17crusaders is beneath it right it's this
- 3:21uh you know barren hill of blacken stone
- 3:24and red sand top the hill stands two
- 3:27massive leaning monoliths each rising
- 3:29more than 50 ft into the air
- 3:32um A broad staircase of polished black
- 3:34onyx climbs the face of the hill
- 3:37and dozens of armored knights kneel in
- 3:40motionless reverence before the hill.
- 3:44There is a sealed sort of stone basaltt
- 3:47[music] door with six statues or like
- 3:50six total statues, three on either side.
- 3:53Um, you have solved some sort of puzzle
- 3:55and the door unlocked and slowly
- 3:58[snorts]
- 3:59grinded open
- 4:02and as it opens a burst of cold air hits
- 4:06you. Um, giving some of you like the
- 4:09shivers, you know, like it immediately
- 4:11drops your body temperature down a lot.
- 4:13Um, considering how hot it is in a
- 4:15furnace. And there's also just
- 4:18a burst of dust and fog, like a mist
- 4:24that sort of comes out. And it's pretty
- 4:27dark down there, but you do see a set of
- 4:29stairs that descend and blue light at
- 4:31the bottom.
- 4:34Um,
- 4:36and you descend
- 4:42the hall beyond the door. And this goes
- 4:46for all. We're doing a dungeon crawl
- 4:48now. So, I'm going to give you the
- 4:48description that kind of describes all
- 4:50the halls. The halls beyond the doors
- 4:53are carved from [music] solid stone.
- 4:56Their walls and ceiling rising 10 ft
- 4:58overhead. A bitter cold fills the
- 5:01[music] crypt. A stark contrast to the
- 5:04heat of a verest outside, sending a
- 5:06chill through you as you step inside.
- 5:09Ankle deep mist drips drifts across the
- 5:13floor, curling around your feet as you
- 5:15move. Blue flames burn from sconces
- 5:18along the walls, casting a pale light
- 5:21over the passages and shadows beyond.
- 5:24So, I'm going to put everybody on the
- 5:26map and then I'll move you over to the
- 5:27map. I'm not doing the place party thing
- 5:30because I don't want everybody to be
- 5:31placed in random places.
- 5:37We haven't done a good oldfashioned
- 5:38dungeon crawl in a while.
- 5:39>> I'm going to stack your tokens, so don't
- 5:43wander too far.
- 5:49Um, do you want Django out or do you
- 5:52want to just assume that he's there and
- 5:54if there's a combat put him in?
- 5:56>> Yeah. Uh, for the mechanics of the
- 6:00dungeon crawl, we can both like share.
- 6:02>> I think you guys will be okay if Gunner
- 6:04isn't actually here.
- 6:07So, we don't have to run him in combat,
- 6:09but I we we're just going to assume that
- 6:12he's here.
- 6:15>> Um, okay. I think that's everyone
- 6:18over to the map
- 6:21and let me put the map
- 6:26screen.
- 6:27>> How do you like the new darkness effect?
- 6:32>> I mean, that that's this uh like
- 6:34background. Yeah, it looks cool.
- 6:35>> Yeah. Fog of war.
- 6:36>> You're putting the fog in fog of war.
- 6:38>> Yeah. Yeah. And it's the fog is very
- 6:40thick in this in this chamber. All
- 6:42right.
- 6:43>> The whole [ __ ] thing zoom out. It's a
- 6:46little disorienting.
- 6:48>> So, uh, Hilia, are you leading the
- 6:52charge? It seems
- 6:54>> I would guess Hope and Tannet are
- 6:56probably up front like usual.
- 6:58>> Okay. Um, if
- 7:00marching order comes into play,
- 7:02actually, let's get a marching order
- 7:03because these these are kind of narrow
- 7:04tunnels. So, what you want at the front?
- 7:10>> Yeah.
- 7:11>> Who's next? Tannis.
- 7:12>> Tannis will be right behind her.
- 7:14>> All right. Next.
- 7:16>> Uh, Vin.
- 7:21>> Uh, you shouldn't be at the back.
- 7:23Gauntlet. Let me go.
- 7:25We'll do Lulu between
- 7:28Lulu's in front of
- 7:29>> in front of me so I can keep eyes on
- 7:31her.
- 7:32>> Yeah, Lulu, August, London,
- 7:33>> London. And we'll throw we'll throw
- 7:36Gunner uh we'll throw Gunner behind
- 7:38behind August in front of London.
- 7:41>> Okay,
- 7:42>> seems about where he would be probably.
- 7:46Okay, so Hilia, as you are in the front,
- 7:49as soon as you reach this sort of tea
- 7:51intersection,
- 7:53you will see at the end of the hall
- 7:55stands a carved stone archway.
- 7:59It frames a faded painted mural.
- 8:06I have to I need to go and pull up my
- 8:07handouts for this whole
- 8:16Um, it's just right there like at the
- 8:18end of the hall where the T intersection
- 8:19is, right? The image depicts Zaryel in
- 8:23her angelic form, wings spread with her
- 8:26sword raised high above her head. Behind
- 8:29her, a host of mounted knights lift
- 8:31their hands in unison, their faces
- 8:33turned towards her. This is what you
- 8:35see.
- 8:53Interesting.
- 8:56>> I'm surprised something like this
- 8:57continue to exist.
- 9:00Would
- 9:02this iconography
- 9:05be familiar to Hofilia as like a like a
- 9:08religious undertone that maybe she's
- 9:09seen from any other gods or any other?
- 9:12>> Not particularly. No
- 9:16>> unique to her.
- 9:20>> Still think she's beyond redemption.
- 9:21Ailia,
- 9:25>> she doesn't say anything.
- 9:29A cold
- 9:32air rushes past you, Hulilia,
- 9:36and you hear whispers.
- 9:45>> Something was saying something to you.
- 9:48You can make a perception check to see
- 9:49if you can make it out, but it seemed
- 9:50like multiple voices.
- 9:53>> I'm going to have to perception.
- 10:0113.
- 10:02>> You made out one of the voices.
- 10:04It said, "Pray over us."
- 10:10>> You
- 10:15uh hope we'll re relay that message.
- 10:19There's um voices down here.
- 10:24We may have to pray again. Try and
- 10:27remember the fall in here. I suppose
- 10:37>> does this painting it's in an arched
- 10:41>> it's in an arch to like relief in the
- 10:43wall.
- 10:44>> Yeah. Does it look like this could be a
- 10:47passage of some sort or
- 10:50>> make [cough and clears throat] an
- 10:51investigation check?
- 10:54>> I am I am good at those maybe two.
- 10:59>> It's kind of faded, but you're not sure.
- 11:01What would the rest of you like to do?
- 11:06>> Suppose take a knee and bow my head in
- 11:08reverence.
- 11:09>> Sure, you do that.
- 11:13start,
- 11:15you know, whispering to myself and
- 11:18offering what
- 11:20I guess respit can be offered in a place
- 11:23like this.
- 11:28You also feel a chill and hear whispers.
- 11:34Uh, make a perception check to see if
- 11:35you can make out. It was several voices,
- 11:38right? So, you're trying to pick out
- 11:40Mhm.
- 11:47better.
- 11:47>> Yeah, you could hear three voices I
- 11:49think in this one.
- 11:50>> One of them says, "Forgive us." One of
- 11:53them says, "Pray over us." Another one
- 11:57says, "Our names."
- 11:59our names.
- 12:13Uh, that's not at all concerning. I
- 12:14think Tatis is knowing that remembering
- 12:18what happened in the bone brambles
- 12:20um with like the ghosts and the
- 12:22specters. I think Tannis is just going
- 12:24to kind of be on guard like weapon drop
- 12:26like maybe look around just keep an eye
- 12:28out for anything of
- 12:29>> threatening.
- 12:30>> You all hear a scream that echoes from
- 12:34further in the
- 12:35>> the chamber. But it's that it's the
- 12:38further in the crypt itself, but it's
- 12:40like that thing where you hear the
- 12:42scream and the camera does the zoom, but
- 12:44also the walls are coming towards you,
- 12:46right? So it's like into the darkness.
- 12:51You know, feel a peek around the corner
- 12:53to look down this tea hallway just to
- 12:55see what's on
- 12:56>> Sure.
- 12:56>> either side.
- 12:57>> It seems that on either side there are
- 12:59openings to larger chambers.
- 13:05>> Did we get a idea of which direction
- 13:08that scream came from or was it like so
- 13:09echo is just everywhere?
- 13:10>> Yeah, it's just everywhere. Yeah, that's
- 13:11kind of what the camera thing kind of
- 13:13described is [music] it's just like
- 13:14>> Yeah.
- 13:18When we saw this place in Lulu's vision,
- 13:22>> did that sound like the same kind of
- 13:24scream or was the one in the vision more
- 13:26like demonic screeching?
- 13:28>> Um,
- 13:30I think it's hard to say. A scream is a
- 13:33scream. It's It's hard to It's hard to
- 13:34say.
- 13:37>> Definitely more of a scream than a roar.
- 13:41>> Yeah, more humanoid sounding than
- 13:42monstrous is fair to say. Eh,
- 13:46>> who's this?
- 13:47>> I just
- 13:47>> a banshee
- 13:50screams and
- 13:50>> yeah,
- 13:51>> I understand the scream that we just
- 13:53heard. I just I can't remember if the
- 13:54one we heard before was
- 13:56>> same kind of
- 13:58>> not a monster.
- 14:00>> Not an 18 foot tall Gistro.
- 14:02>> Exactly.
- 14:06>> We're uh sitting ducks in this hallway.
- 14:08Let's let's make some moves.
- 14:10And before we do, gauntlet, I mean,
- 14:14should we reach out to the spirits that
- 14:16are here?
- 14:18>> They're asking us to pray, and we did
- 14:20that to get in. Perhaps they are not
- 14:23malicious.
- 14:25>> I I suppose they heard me cuz I heard
- 14:28them, too.
- 14:32They want forgiveness and I think to
- 14:35remember their names.
- 14:38But unless I'm
- 14:42missing something,
- 14:44what would this group have to be
- 14:47forgiven for? Aren't they the ones who
- 14:49stayed and died?
- 14:55Forgiveness for falling or forgiveness
- 14:57for following the wrong one?
- 15:01Suppose only they can answer that, but I
- 15:02can think of those two.
- 15:09Uh, while they're discussing this, so
- 15:11there's two passageways that kind of
- 15:13>> bring I am going to use cardinal
- 15:14directions and not discord contra or
- 15:18whatever cuz we're looking at a map. Um,
- 15:20so yeah, there is a path to the east and
- 15:22the west
- 15:27and it's just um it's just like flat
- 15:31walls besides that. Yep.
- 15:32>> No other details. Okay. Uh, blue torch
- 15:35sconces behind the wall with torches in
- 15:38them.
- 15:42>> Let's find a more appropriate place to
- 15:44pray. I have no interest in praying to
- 15:46Zariel here and she's kind of
- 15:50side eyeing the painting on the wall.
- 15:53>> Well, does anybody have any particularly
- 15:56strong feelings about left or right?
- 16:03Oh,
- 16:04>> this is good. This is the weird
- 16:05question, Jay. Sure.
- 16:09>> If Hilia kind of concentrates on the
- 16:12gauntlet, does is there any sense of
- 16:17anything different in what she's feeling
- 16:20from
- 16:22the item?
- 16:26So, like there's some sort of attraction
- 16:27in one direction. No, not particularly.
- 16:30But make me asight
- 16:37check.
- 16:41>> Okay.
- 16:44>> 21.
- 16:45>> The gauntlet feels
- 16:47as you try to focus on this sort of
- 16:50faint sentience within this weapon or
- 16:52this item,
- 16:54it
- 16:56feels sorrow.
- 17:04I suppose we should go left.
- 17:08Might as well pick a direction.
- 17:11>> Northeast, south, or west, by the way.
- 17:13>> Oh, sorry. West.
- 17:15>> Okay.
- 17:18All right. Yep. As you guys can step
- 17:20into the hall, the mist on the floor as
- 17:23it breaks apart when you step, but
- 17:25immediately closes back in around your
- 17:27feet. It is a dense thick mist that
- 17:30covers the entire floor. Like you cannot
- 17:33see where you are stepping. Even when it
- 17:36breaks the mist to when your foot comes
- 17:37down, it immediately closes in where you
- 17:39can't see what's beneath.
- 17:44>> Jay, you said that mural was like really
- 17:45dirty or dusty.
- 17:46>> It is
- 17:49not dusty. No, it's just faded.
- 17:53>> Faded. Gotcha. Okay.
- 17:59All right, you guys are going to go
- 18:00ahead.
- 18:02>> Hope there's not any traps in the floor
- 18:04in this place. I can't see anything down
- 18:07there.
- 18:09>> Why didn't we buy a 10-ft pole, Dannis?
- 18:12We knew we were coming here.
- 18:14>> It wasn't on my shopping list and you're
- 18:16the quartermaster. So, I don't know what
- 18:18to tell you there.
- 18:20>> Put it on the list. Next time we're in
- 18:21Fort Uncle Bones 10ft pole. It's
- 18:25>> just want to send you just want to send
- 18:26London out in front instead. He can be
- 18:28the one to take the uh brunt of whatever
- 18:30traps we find.
- 18:32>> I'll send him to look ahead at least.
- 18:35>> Vin, you got anything
- 18:39that we can make a 10ft pole out of?
- 18:42>> It's a great question. Um,
- 18:46>> Tinker's magic.
- 18:48>> Can you make a 10-ft pole with your
- 18:49magic?
- 18:52I don't know. Like I mean I feel like
- 18:54it's something she could make but like
- 18:56in a timely fashion.
- 18:59>> Uh let's see. One action
- 19:01>> and you can make a 10 foot pole.
- 19:03>> Yep. There's a magic action. While
- 19:05holding tinker's tools, you can create
- 19:06one item in a nonoccupied space within
- 19:085t of yourself. Choosing the item from
- 19:09the following list. Pole is on that
- 19:11list. Pole is 10 ft long. You can use
- 19:13touch something jumping up to 10 ft
- 19:14away.
- 19:14>> Yeah.
- 19:14>> Jesus Christ.
- 19:16>> Athletics jack or long jump. You could
- 19:18pull vault with it.
- 19:20>> Okay, cool. But where are you reading
- 19:21that from?
- 19:22>> Uh,
- 19:24artifist or level one feature.
- 19:26>> Is it magical tinkering or uh
- 19:30>> no? You might be looking at 2014
- 19:32tinkerers magic it's called.
- 19:34>> I don't know. I guess I forgot to copy
- 19:35this when we did the transition. Uh,
- 19:39>> yeah. You got intelligence uses prolong
- 19:41rest.
- 19:42>> Yeah, I see. Wait, did I actually forget
- 19:44to copy this? Yeah, probably. Um,
- 19:46>> so I imagine you can take a small metal
- 19:48rod that you have in your inventory and
- 19:51pull it out like a antenna and it click
- 19:54click click click creates this 10ft
- 19:57pole.
- 19:58It's
- 19:58>> like one of those like collapsible
- 20:00walking sticks. You like
- 20:01>> Yeah.
- 20:02>> And it just whips it out.
- 20:03>> Yeah. Telescopic.
- 20:06>> Awesome.
- 20:09>> I fill it with a 10-ft pole. Continue
- 20:12carefully down the hallway.
- 20:15you will come across a wider chamber.
- 20:19Um,
- 20:21smallerary urns fill the carved niches
- 20:24lining the walls of this chamber, each
- 20:26carved with a different coat of arms. An
- 20:29overturned candalabra lies near the
- 20:31center of the room, its candles long
- 20:33extinguished. Three larger urns rest
- 20:36nearby, each more na more ornate than
- 20:39the others [music] and decorated with
- 20:41more intricate heraldry. Along the
- 20:43walls, racks display polished swords,
- 20:45lances, and shields. A carved archway
- 20:48stands along the north wall, [music]
- 20:50framing a faded painting on the stone.
- 20:52So on the north wall, there's the same
- 20:54thing as an archway with a painting in
- 20:56it.
- 20:57[cough]
- 21:00And there's three large urns and
- 21:01there'serary urns that line niches all
- 21:04all in the walls.
- 21:07>> We'll take a look at the painting.
- 21:10>> Uh, sure. The painting depicts a vast
- 21:12gathering of knights and soldiers
- 21:14beneath a sea of banners. Warriors from
- 21:17across the land stand assembled before a
- 21:19single host, their armors and standards
- 21:22bearing the marks of many different
- 21:24houses and territories. At the center of
- 21:26the scene stands Lady Yale holding aloft
- 21:28the banner of the crusade. Besides her
- 21:31stands Zarielle in her angelic form, her
- 21:34hand resting upon her sword as she looks
- 21:35at the gather looks over the gathered
- 21:38army.
- 21:45Is there any identification along
- 21:48theerary urns like one might expect at a
- 21:51grave site? Uh elaborate
- 21:54>> like are there names under?
- 21:56>> There are heraldries on every urn carve.
- 21:58There are clay earns and each one has a
- 22:00heraldry carved into it.
- 22:04You
- 22:04>> still got that book?
- 22:06>> I don't know. Do you guys still have
- 22:08that book? That would be crazy.
- 22:10>> I think we might have handed it over as
- 22:12evidence.
- 22:14>> You might have gave it at Candleep. That
- 22:16would have been something Candlekeep was
- 22:17interested.
- 22:17>> Oh, we definitely did. But I mean, so I
- 22:21know Tannis was one of the ones that
- 22:22looked in the book when he was talking
- 22:24to one of the I can't remember the guy's
- 22:26um name anymore, but
- 22:29>> did any of the ones stand out as one
- 22:31that he would recognize from that book?
- 22:33>> Make a history check. I'll also allow
- 22:35Hofilia to make one.
- 22:39>> Ask if these look at 15
- 22:43>> eight. Uh, Tannis, you don't necessarily
- 22:47recognize any of the particular herald
- 22:51trees, and there's too many to just go
- 22:52over. At a glance, you don't see any
- 22:54that you recognize,
- 22:55>> but you will note that the three larger
- 22:59urns uh resting around the room have
- 23:02more ornate
- 23:04uh heraldry, which might indicate a more
- 23:08notable family, but not one that you
- 23:10would recognize.
- 23:17Look to be some sort of big shots in
- 23:19these guys, but um
- 23:23>> I don't know if you want to really go
- 23:24opening these things. Go ahead.
- 23:27>> How big are the urns? Are they like
- 23:29>> the smaller ones are about
- 23:31>> Were they like
- 23:32>> 10 in
- 23:34>> maybe this wide? Um they must hold
- 23:38ashes. Um, but the larger ones are
- 23:42pots, like big ass pots, like Zelda
- 23:44pots.
- 23:50Could be more than one person.
- 23:53Entire platoon of some sorts
- 23:57held together. They were buried
- 23:58together.
- 24:00>> Perhaps we should try to
- 24:02pray over one like the voices we heard
- 24:05said. I don't necessarily think that a
- 24:07prayer to Yandala would do him any good,
- 24:09but perhaps Hilia.
- 24:14Um, yeah, Hilia will,
- 24:19as a sign of respect, she's going to put
- 24:21up the candle logger that fell over and
- 24:24>> tidy up a little.
- 24:25>> Sure. mess either light the candles or
- 24:28try and
- 24:31make it a little neater before she will
- 24:33kneel in front of the
- 24:36portrait and put her hands together to
- 24:38pray.
- 24:39>> Sure.
- 24:42>> After a moment, I will say I'll I'll
- 24:45note this for everybody cuz you're all
- 24:46kind of looking around this room.
- 24:48There's no dust [music] on anything. the
- 24:50don't let the map uh convey what's in
- 24:55this room. The map is not a direct
- 24:57indication of what's in this room. Um
- 25:00only very minor, but everything is
- 25:03clean. Like even the the weapons and
- 25:06stuff are dustfree. There's no cobwebs
- 25:09on anything.
- 25:11Um and some of the ar armor and stuff
- 25:14that's hanging on the wall is even
- 25:15polished.
- 25:17[cough]
- 25:17Um, but as you pray
- 25:22from one of the larger pots, let's say
- 25:24that one,
- 25:28the mist begins to coalesce
- 25:31and it rises and a chill washes down
- 25:34goes down the spine of everyone in this
- 25:36room as it gets notably colder
- 25:40and a ghostly figure appears out of the
- 25:43mist.
- 25:46It is a skeletal knight in broken armor.
- 25:50He wears the tattered [music] livery of
- 25:52the crusaders.
- 25:54He appears holding a shield with a
- 25:56matching coat of arms as theerary urn
- 25:59that he came [music] from.
- 26:02And he carries a standard
- 26:05with a banner depicting a castle bastion
- 26:08behind the symbol of a sun.
- 26:12Hopefully, you will instantly recognize
- 26:14the banner as depicting the symbol for
- 26:16Elterel before the companion.
- 26:24He
- 26:25looks around appearing frightened and
- 26:28confused.
- 26:30The The banner. The banner. It It
- 26:33mustn't fall.
- 26:45Are are you here with us right now? Can
- 26:48you hear us? Try to see if this is just
- 26:50like a memory or
- 26:51>> He looks over at you directly.
- 26:53>> Oh [ __ ] he's looking at me.
- 26:55>> Confused. Scared. This is This is not
- 26:58the field. Where am I? Where are the
- 27:01others?
- 27:04>> Soldier.
- 27:12still looking around confused like
- 27:14scared.
- 27:16Wants to be the bearer of bad news.
- 27:23>> Yeah. Hope stands up to address him.
- 27:29>> Trying to look as
- 27:33least intimidating as you can.
- 27:34>> Okay. if that's even possible.
- 27:37But she will say,
- 27:40"I am Hilia.
- 27:43You are in the resting place of many
- 27:45great warriors.
- 27:48You have died."
- 27:49>> No, no, no, no. That that that cannot
- 27:52be.
- 27:57We are here seeking answers.
- 28:02And we are here seeking knowledge. The
- 28:04banner you talk about will not fall if
- 28:08you can help us understand what
- 28:10happened.
- 28:12What you last remember before this
- 28:14place. He he he backs up away from you a
- 28:17little bit and he kind of chokes up on
- 28:19the on the banner the standard he's
- 28:21holding.
- 28:23I cannot I cannot remember.
- 28:28I remember my house's name. Durnhold
- 28:33nobility.
- 28:37I I remember my father's name.
- 28:42Garrick.
- 28:45>> Eric. I remember this banner,
- 28:50but my own name.
- 28:54Kind of stares off for a moment.
- 28:57He looks back up at you. It's It's gone.
- 29:07>> Lost or taken?
- 29:09>> I don't remember.
- 29:14>> I carried this.
- 29:16>> Any motions at the banner, the standard
- 29:18that he's carrying?
- 29:21>> I carried the flag. The the flag of
- 29:23Oanthus's men. The flag of Elterel.
- 29:28As long as it flew,
- 29:30the line would stand strong.
- 29:36The gate.
- 29:38I remember the gate.
- 29:41The demon lord took Lady Yale. We We
- 29:45charged. We followed
- 29:49the angel.
- 29:51He kind of stares off for a moment.
- 30:02The angels Ariel.
- 30:05You remember following or did she follow
- 30:08you?
- 30:10>> She she
- 30:11ordered us to charge.
- 30:14We We thought we would find the abyss.
- 30:18And this is like as he's speaking it,
- 30:21it's it's almost as if he's remembering
- 30:23in real time.
- 30:27We We were wrong.
- 30:31Battle
- 30:34screams.
- 30:40He drops the banner and as it falls from
- 30:43his hand before it hits the ground it
- 30:45just disappears
- 30:47and he just stands there looking at his
- 30:49own hand.
- 30:52Line broke.
- 30:54I remember
- 30:57banner
- 31:00fell.
- 31:15This one can't remember their name. Uh,
- 31:18and August, you said the others were
- 31:21hoping that their names would be uh
- 31:23recited.
- 31:24It just said our names. Our names. I was
- 31:27inferring
- 31:30to clarify.
- 31:33>> I just wonder if uh
- 31:36maybe uh remembering their names will
- 31:39put them to rest somehow, but
- 31:42who knows how many names could be lost
- 31:44here.
- 31:47I I failed.
- 31:50>> And he looks up at Hilia.
- 31:53I failed the high rider
- 31:57failed.
- 32:00>> And then he disappears.
- 32:01>> Yeah,
- 32:08>> I will take a stick of incense and light
- 32:11it and place it on top of the arms.
- 32:14>> Perfect.
- 32:18I think Kofilia will mutter under her
- 32:20breath kind of as he's fading away
- 32:24something along the lines of, "You did
- 32:26not fail them. They [music] failed you."
- 32:32August, you said you were surprised that
- 32:34a mural like that of Zariel exists here.
- 32:38Maybe she left her mark by taking their
- 32:41names instead of taking the paintings.
- 32:48I'm
- 32:50assuming what I can of the,
- 32:55you know, smoke and gears that fill her
- 32:58mind.
- 33:05Names do have value to demons, devils.
- 33:09Something to keep in mind.
- 33:13I mean, a long shot. I know that your
- 33:14memor is not the greatest, Lulu, but you
- 33:16don't recognize this name, do you?
- 33:20>> Not particularly. No.
- 33:22>> Yeah.
- 33:29>> Filia is going to go to the other
- 33:32burns, the large ones. Yeah,
- 33:35>> she's going to again kneel down and try
- 33:39praying like but really she's kind of
- 33:41calling out for any spirits that
- 33:43>> you get a similar
- 33:46sort of wash over you of this cold air
- 33:53and you are pushed back by it as it
- 33:58screams out and you guys can all audibly
- 34:01hear this. We gave our lives. What more
- 34:04is required of us? And it echoes through
- 34:07the whole chamber. And as you hopefully
- 34:09you're like knocked back away from it.
- 34:16Ash,
- 34:19these spears are not at rest.
- 34:21This is not a resting place. This is
- 34:26I don't know what this is.
- 34:39Maybe that's why Zoriel is keeping it in
- 34:42intact. Then if these souls are not at
- 34:45rest,
- 34:51it will fade for them.
- 34:55>> Should we press on further then? Yeah,
- 34:57there is an exit out of this chamber as
- 34:59well.
- 35:02>> Do you mind if I I know we have a timet,
- 35:07but
- 35:08there is one thing I'd like [music] to
- 35:10do.
- 35:14>> She's going to go to the third one.
- 35:16>> Yeah.
- 35:17>> Heal pray.
- 35:19>> Sure.
- 35:20>> Uh a similar sort of whispering occurs.
- 35:23This cold washes over you.
- 35:26That's it.
- 35:28You don't pick out anything particular
- 35:30from the whispering.
- 35:38This is beyond even my capabilities. But
- 35:43if we can spare 10 minutes, I can
- 35:47try and see if I can lay some of them to
- 35:50rest or at least ease their suffering.
- 35:56You want to keep going or
- 35:59>> perhaps if
- 36:01remains he might know more about that.
- 36:07>> And if there is anyone here who had a
- 36:10record of their names.
- 36:12>> He knew them personally.
- 36:21>> Let's continue on. suffered for an
- 36:23eternity. What's another few hours,
- 36:25right? You know,
- 36:27>> I mean, what's the alternative in a
- 36:30place like this?
- 36:33Is this a form of protection?
- 36:37>> I don't know why she
- 36:38>> twisted as it might be,
- 36:42right? Why would she keep them here? I
- 36:44mean, if they were ready to move on to
- 36:46the afterlife, their actual afterles,
- 36:49and instead she took their souls and put
- 36:51them here,
- 36:53unable to leave.
- 36:56I mean, the gods struggled to reach down
- 36:57here for a divination spell.
- 37:01You think it was to protect them from
- 37:02becoming devils, then?
- 37:04>> I don't know.
- 37:08Let's
- 37:12go find Ltheus.
- 37:13>> I don't know if any of the assumptions
- 37:14I'm making to get to that conclusion are
- 37:16correct
- 37:20>> because there are quite a few.
- 37:26>> Oh, you haven't let us wrong yet. So,
- 37:29>> give me more time.
- 37:32>> All right. You want to carry down the uh
- 37:34western hallway there?
- 37:36>> 10 foot pole the whole time. You can
- 37:38keep going until I tell you that you
- 37:40cannot go any further. I don't exactly
- 37:43know what's going to happen when you hit
- 37:44that square. Can you move?
- 37:46>> Nope.
- 37:47>> All right, I'm going to shift.
- 37:48>> It's a It's a tight fit. Um, walk
- 37:51sideways.
- 37:52>> She scrapes the She scrapes the side of
- 37:54the wall.
- 37:55>> The sound of [laughter] metal on
- 37:56scraping on stone.
- 37:59>> Okay, so the chamber a chamber is ahead
- 38:03of you. The [clears throat] chamber
- 38:04stretches ahead. its walls lined with
- 38:06carved niches filled witherary urns. Two
- 38:09larger urns rest upon the floor while a
- 38:11third sits alone at top a stone pedestal
- 38:14between two doorways in the eastern
- 38:16wall.
- 38:18Two open doorways break the eastern wall
- 38:20leading deeper into the crypt. Hanging
- 38:23at the center of the western wall is an
- 38:26ornate spiked mace. Its golden head
- 38:29crafted in the likeness of a radiant
- 38:32sun.
- 38:34There are three, this is like a hallway
- 38:36chamber. There are three urns, one of
- 38:40which rests on a pedestal on the
- 38:42opposite wall. And hanging between the
- 38:45two on the one side is an ornate spiked
- 38:48mace.
- 39:04I point out the obvious.
- 39:06We probably shouldn't touch that, right?
- 39:10Maybe we should talk to whoever's in
- 39:13these urns first. And
- 39:17I'm not saying we should become grave
- 39:20robbers, but if it belonged to one of
- 39:22them and they so saw fit to bestow it
- 39:24upon somebody who was trying to help
- 39:26them.
- 39:29I mean, we already are kind of grave
- 39:31robbers, but you do make a good point in
- 39:33us.
- 39:35Better ask permission. [music]
- 39:41>> This isn't quite gear grave.
- 39:44>> I meant more el
- 39:52gauntlet, do you think you could um pray
- 39:54with me perhaps? Of course.
- 40:01She will kneel and and pray with
- 40:03gauntlet.
- 40:03>> Sure.
- 40:04>> Take another in stick of incense. And I
- 40:08imagine there are like traditional
- 40:10likeerary prayers for the dead.
- 40:13>> Okay. You guys pray
- 40:18and as you do
- 40:21a cold chill washes over you. The hair
- 40:24[music] on the back of your neck stands
- 40:25up. all of you. And a ghost begins to
- 40:30emerge from the swirling mist uh from
- 40:33the this
- 40:36um
- 40:39his armor worn and broken. A crooked
- 40:42helmet rests upon his head, partially
- 40:44obscuring a half skeletal face beneath
- 40:46strands of wispy Oh, no. Face beneath.
- 40:51Strands of thin wispy white beard hang
- 40:53from his decayed jaw. His hand goes to
- 40:56the hilt of his battered sword as
- 40:58expecting an attack. Um, he looks like
- 41:00this.
- 41:05And as he begins to draw his sword,
- 41:09he will look at the group of you, pause
- 41:11for a moment, and then look at Lulu.
- 41:16And a sort of surprise, whatever can be
- 41:20surprising on the skeletal face.
- 41:24I remember.
- 41:27I remember you, little one.
- 41:31And the the sword goes back into the
- 41:33hilt as he reaches out with a open hand,
- 41:37palm upward towards Lulu.
- 41:42You are Lulu will say, "I'm Lulu."
- 41:47Ah, yes, Lulu.
- 41:50I remember you well.
- 41:53You used to sing songs to us.
- 41:57Celestial songs.
- 42:01They were so beautiful
- 42:04by the gods. I thought you survived.
- 42:10But if you stand here before me now,
- 42:12then you too must be bound to this
- 42:15place.
- 42:17What a shame such a lovely creature
- 42:20could not find rest.
- 42:23I'm sorry, little Lulu.
- 42:31>> He reaches out as if to pet her and Lulu
- 42:33kind of sheepishly goes up and his hand
- 42:37goes right through her and she gets a
- 42:39chill. She's like, "Oh,
- 42:41cold."
- 42:45Uh, sir, just
- 42:48you'll be happy to learn that she is
- 42:50alive.
- 42:50>> [music]
- 42:51>> we have returned to this place after
- 42:56she came back.
- 42:59He um raises a what remains of an
- 43:04eyebrow.
- 43:07Then you are free.
- 43:10Uh but the rest of us, the captains, the
- 43:13lords, those who carried banners and
- 43:17gave oaths,
- 43:19we remain.
- 43:23Do you know why you remain here?
- 43:28I do not.
- 43:31There are many who have searched for
- 43:33answers.
- 43:34Centuries of searching.
- 43:37It has driven many to madness. Their
- 43:41frustration
- 43:43it spreads.
- 43:48Will we face dangers from these?
- 43:56We'll be venturing
- 43:58deeper. We're here for answers. Or Lulu.
- 44:07>> I doubt you will find them.
- 44:10You speak as we once did
- 44:13with hope.
- 44:16I remember what it felt like.
- 44:19I stopped dreaming of freedom centuries
- 44:21ago.
- 44:23Every soul here has clung to hope until
- 44:26it became another kind of torment.
- 44:34Do you feel this is more a prison than
- 44:37place of rest?
- 44:43Yes.
- 44:46>> So would you prefer to be freed no
- 44:49matter how?
- 44:55>> Are so hopeful, young one.
- 44:59Yes,
- 45:00we all long for freedom. Some more than
- 45:04others.
- 45:13Do you know where you are?
- 45:16Not this building, but
- 45:19this plane of existence.
- 45:23We were brought here after our charge
- 45:26into a furnace.
- 45:29After the crusade broke,
- 45:31after we failed,
- 45:36or were we?
- 45:39Oh, I cannot remember.
- 45:43Only that we cannot leave.
- 45:48Have there been others in this place?
- 45:52Our general,
- 45:54he watches over us.
- 45:57He always has.
- 45:59He held the line when the fiends came
- 46:01for us and he holds it still
- 46:05>> and he'll like put a hand on his chest.
- 46:07>> The high rider of Elterel.
- 46:16>> Are you saying he's here currently or he
- 46:18comes back?
- 46:22>> He
- 46:25quiets the restless. keeps the screaming
- 46:28at bay,
- 46:30though I have not seen him for some
- 46:33time.
- 46:35He walks these halls less than he once
- 46:37did.
- 46:40And the restless, they have grown
- 46:42bolder, and the screams come more often
- 46:45now.
- 46:47Without him, I do not think any of us
- 46:51will remember who we are.
- 46:54He spoke our names. You reminded us.
- 47:02>> You remember your name?
- 47:04>> My name.
- 47:07I
- 47:10I knew it once.
- 47:13The high rider remembers.
- 47:16Whenever he comes, he tells me.
- 47:20But I can never hold it in my mind for
- 47:22very long.
- 47:24None of us can.
- 47:28I remember so much and so little at the
- 47:31same time, but never my name.
- 47:35It's a terrible thing.
- 47:47>> This weapon on the wall. Was this yours?
- 47:52that
- 47:54belonged to someone,
- 47:58a commander above me.
- 48:01She was a a cleric,
- 48:05good woman.
- 48:09He scratches his chin and a bit of the
- 48:11wispy hair falls out.
- 48:15It's funny. I remember her.
- 48:19I remember the words of her prayers in
- 48:21battle,
- 48:23but I remember not the name of the woman
- 48:25who spoke them or the god she served.
- 48:30I remember seeing the general. He
- 48:33carried it through the halls.
- 48:35He was always careful about where it
- 48:37rested.
- 48:40I only remember that it seemed important
- 48:42to him.
- 48:47We wish to survive this place.
- 48:50Do you think
- 48:52the cleric who owned it would she allow
- 48:55it to be used for good?
- 49:01>> I don't know.
- 49:04I don't remember. Is
- 49:06>> she in this place?
- 49:08Are we able to seek her out here to
- 49:10return it to her?
- 49:12>> Sorry.
- 49:15You've done more than enough.
- 49:23If you truly wish to help us, there is
- 49:26something
- 49:27something I remember.
- 49:31There are rooms
- 49:33concealed within these walls.
- 49:37Two of them hidden away.
- 49:41I think
- 49:44I cannot remember where only that they
- 49:47were important to the general.
- 49:51There was one. He would disappear into
- 49:54it for hours,
- 49:56days.
- 49:59But the other,
- 50:01oh, he never entered there.
- 50:06I remember waiting for him,
- 50:08watching him stand before the door, but
- 50:12he would always turn away.
- 50:16I remember that what much, though I
- 50:19never understood why.
- 50:30>> Was he the only one who ever entered or
- 50:32did others go with him?
- 50:34him alone.
- 50:39And whatever binds us here,
- 50:42even he cannot break it.
- 50:45If General Oanthus could have freed us,
- 50:48he would have done so long ago.
- 50:51And yet he remains.
- 50:54And as long as we are prisoners,
- 50:57so is he.
- 51:04And Alanthus lives.
- 51:08Yes, he's not in your state.
- 51:11>> He is not like us. No,
- 51:15but I do not think he is alive.
- 51:32Shink. He draws his sword, a look of
- 51:35panic on his face. No, they're coming.
- 51:39They're coming, little one. He looks at
- 51:42Lulu. Stay close to the others. He looks
- 51:45at the group of you. If you find the
- 51:47high rider, tell him. [clears throat]
- 51:50Oh, he already knows. Goodbye, little
- 51:52Lulu. May you find the peace we never
- 51:55could. And he disappears.
- 52:04We look around for screaming ghosts.
- 52:06[screaming]
- 52:06>> There's a scream
- 52:09as ghosts appear.
- 52:17>> Think the music cut out too, by the way.
- 52:19>> Oh, thanks.
- 52:27>> Oh, this is Is this on the token there?
- 52:29What the hell is that?
- 52:38Three screaming ghosts. There was one on
- 52:41the token layer the whole time, wasn't
- 52:42there?
- 52:43>> Nope, I didn't see one.
- 52:44>> Oh, excellent.
- 52:46Um, I need everyone to roll initiative,
- 52:49please.
- 52:51>> And just let you know, I only see I only
- 52:53see two.
- 52:54>> Yeah. Yeah, there's a third one. It It
- 52:55Something was weird about it.
- 52:59>> Sweet. too.
- 53:01>> Oh, I think it was because of London. I
- 53:03clicked on London's token.
- 53:07Yeah, cuz he was under London's token.
- 53:08Okay, thank God.
- 53:10>> Am I a ghost now?
- 53:11>> Yes.
- 53:14>> Um, they appear as
- 53:18screaming,
- 53:19shrieking ghosts that swirl from the
- 53:23mist. Um, London, you are at the top of
- 53:27the order. What would you like to do?
- 53:30Yeah, London would have had his bow like
- 53:33drawn but pointed at the floor this
- 53:34whole time and as soon as they popped up
- 53:37would immediately spray two arrows into
- 53:39this thing.
- 53:40>> Yep. He comes It comes out of the wall
- 53:43and like reaches out to grasp you.
- 53:46>> Let's do it. Uh 21 and a natural what?
- 53:49>> The 21 hits
- 53:52>> for nine piercing damage.
- 53:55>> Yep.
- 53:57Takes it.
- 53:59um
- 54:00>> goes right through it though. Like it
- 54:01doesn't seem to do as much damage as you
- 54:03would think.
- 54:04>> Yeah. Uh Jenga will pump in ooh six uh
- 54:08fire damage.
- 54:09>> It is resistant.
- 54:11>> Okay.
- 54:14Um and
- 54:17bonus action. He will command Django to
- 54:21try and take a bite out of this thing,
- 54:23too.
- 54:23>> Okay. Let's throw in here now.
- 54:26>> Well, I don't even need Django. He's
- 54:28fine. Uh, that hits.
- 54:30>> Yeah, we can just share the same uh
- 54:31token.
- 54:32>> Oh, but he does he's Does he have
- 54:33magical damage at
- 54:35>> non-magical piercing?
- 54:38Non-magical.
- 54:41>> It's I'm It's immune to
- 54:43>> immune. Okay.
- 54:46>> Uh, he does take three round to one, I
- 54:49guess, than fire damage.
- 54:52>> Okay, good to know. I hope you all have
- 54:56something stronger than weapons.
- 54:58>> It is now Vin's turn. Vin, what would
- 55:00you like to do?
- 55:04>> Uh, we'll see how force damage is
- 55:07against these ones. Uh, let me see the
- 55:10positioning.
- 55:12She'll move.
- 55:13>> Yeah, you will take an attack of
- 55:15opportunity if you move away from this
- 55:16one.
- 55:17>> Oh, yeah. Yeah, good point. Um,
- 55:20yeah, she doesn't want to like have to
- 55:22roll for the opportunity attack on
- 55:23London, but you know, you know what? In
- 55:25the situation, she'll probably Yeah,
- 55:26just stay put.
- 55:27>> Okay.
- 55:27>> Um, okay. Force demolisher on that ghost
- 55:31near London and Lulu.
- 55:35>> 18 to hit.
- 55:35>> That hits.
- 55:37>> All right. 15 force damage.
- 55:39>> Definitely takes that.
- 55:41>> All right. Excellent.
- 55:42>> It's bloodied.
- 55:43>> Uh, another one.
- 55:45>> Another one. That is enough. It's almost
- 55:49dead.
- 55:50>> Nice. Good job.
- 55:51>> Okay. Still alive.
- 55:54>> All right, Tannis.
- 55:58>> Uh, panic swing at this thing coming to
- 56:00the wall at me.
- 56:01>> Yes.
- 56:02>> Miss.
- 56:03>> Uh, 12. Miss. Great. Yeah. Tannis right
- 56:06through it.
- 56:07>> Yeah. I mean, he is like so startled by
- 56:09this whole thing. He just like slash
- 56:11almost knocks the mace onto the ground.
- 56:13Like actually his like his first attack
- 56:16clips the mace and his second attack. so
- 56:17off cuz he's busy catching it [laughter]
- 56:19and like putting it back up. Right.
- 56:22>> As it falls off the wall and you catch
- 56:23it, you can see that it has this aura of
- 56:27like magic to it. Like this is very
- 56:29obviously some sort of enchantment on
- 56:31this mace as you push it back up onto
- 56:33the wall. Nothing bad happens when you
- 56:34touch it either.
- 56:36Um okay. Uh that's your turn.
- 56:39>> Yes.
- 56:40>> Do you need Lulu on the order?
- 56:42>> Uh she's all right. She won't get
- 56:44attacked and she won't attack. We'll put
- 56:46it. We'll do her next time.
- 56:48>> All right. I will channel divinity and
- 56:53bid the spirits depart us.
- 56:55>> Yep.
- 56:57>> Uh turn them dead.
- 56:59>> What's the
- 57:00>> wisdom saves?
- 57:02>> Uhhuh.
- 57:08>> Three wisdom saves. 18 is my highest
- 57:10one.
- 57:14Uh, I think that succeeds. Yeah.
- 57:16>> So, what happens? It's a flee or is it
- 57:19destroy?
- 57:21>> Uh, they take a bunch of damage, but I
- 57:23don't think it's like 58. It's not going
- 57:24to be enough to kill him, I don't think.
- 57:26>> Well, let's see. I mean, you kill You
- 57:28can definitely kill one of them.
- 57:32Okay. All right. So, the top one's dead.
- 57:35Does Does succeed the save, they just
- 57:37take half damage?
- 57:39>> Uh, actually, I'm looking
- 57:42The
- 57:44thing on my sheet is like six
- 57:46paragraphs.
- 57:47>> Okay, no worries.
- 57:56>> Uh uh saver suck.
- 57:59>> Saver suck. Okay, so the bottom one
- 58:01takes it.
- 58:03All right.
- 58:07One of them dissipates, the other one
- 58:09recoils from the the holy flame, the
- 58:12blue blue glowing holy flame that you
- 58:14emit.
- 58:17>> And
- 58:19yeah, I guess just interpose
- 58:23or I guess this with the one that fled
- 58:26or
- 58:27>> no. Oh, does it have to flee?
- 58:30>> What? I don't know what happens. I don't
- 58:32>> Sorry. Sorry.
- 58:34uh
- 58:36turn undead.
- 58:38It has a frightened and incapacitated
- 58:40conditions for one minute. During that
- 58:41duration, it has to move as far away
- 58:44from you as it can on each of its turns.
- 58:45>> On its turn. Okay. So, yeah, the one to
- 58:47the one by you is going to flee.
- 58:52>> I think
- 58:54incapacitated can't opportunity attack
- 58:57me.
- 58:58Just can't take action. So, I'll move up
- 59:00here and just give it something. One
- 59:03more thing between it and Lulu, I guess.
- 59:05>> Sure.
- 59:07All right. It is the wailing spirit's
- 59:09turn. This one goes into the wall and
- 59:10disappears, screaming as it goes.
- 59:14Um, this one, however, is still okay.
- 59:18And Tannis is right in front of it. So,
- 59:20it is going to go into the ground, come
- 59:23out of the ground, and try to hug you,
- 59:25uh, Tannis with this move.
- 59:3023 to hit.
- 59:32>> Yeah.
- 59:33>> Okay. 13 cold damage and your movement
- 59:35speed is reduced to zero as it's now
- 59:37hugging you.
- 59:40>> And then it's it's freezing cold, right?
- 59:42Like frost gathering on your back. And
- 59:45then it opens its mouth extra wide and
- 59:49lets out an enormous scream right in
- 59:51your face. Um, so you need to And also I
- 59:56think it's a cone. I don't think it's
- 59:58going to be able to hit anybody else.
- 1:00:02>> Yeah, it's not going to be able to hit
- 1:00:03anybody else if it does that. So, it's
- 1:00:04just you. Uh, make a con save.
- 1:00:08>> Well, he's doing that. I don't know if
- 1:00:10it's applicable here. If interception
- 1:00:13would work. It just says attack roll.
- 1:00:15>> Doesn't say like with weapon or
- 1:00:16anything.
- 1:00:18>> Yeah, sure.
- 1:00:20>> Yeah, you got a magic weapon. You need
- 1:00:22to deceive ghost.
- 1:00:23>> Yeah.
- 1:00:24>> Oh, wow. 14. It removes it. It reduces
- 1:00:27it to nothing,
- 1:00:28>> but it's the the movement speed thing is
- 1:00:30still reduced.
- 1:00:32>> Yeah. Yeah, that's
- 1:00:32>> the hit still goes through, but it just
- 1:00:34it does no damage.
- 1:00:36>> Awesome.
- 1:00:37>> Yeah. And then uh Yeah. So, con save.
- 1:00:40What is it? Oh, yeah. You succeed.
- 1:00:42>> Uh 19.
- 1:00:42>> Yeah. Yeah, you succeed. As it it felt
- 1:00:44like it was going to blast you
- 1:00:46backwards. Uh it's like a sonic scream.
- 1:00:49Um but you you hold steady.
- 1:00:54Um, I think now it's going to
- 1:01:07you're up.
- 1:01:11>> Don't really want to waste a spell on
- 1:01:13this thing. I think after interception,
- 1:01:16she's just going to go in for a regular
- 1:01:18swing
- 1:01:19just to try and knock this thing away.
- 1:01:2327.
- 1:01:24>> That definitely hits.
- 1:01:25>> 11 budgeoning. Magical budgeoning.
- 1:01:28>> Okay, that's fine. Yeah, it doesn't.
- 1:01:34>> Uh, next one. 25 for 12.
- 1:01:36>> That also hits. It is bloodied.
- 1:01:42>> Attack attack
- 1:01:45action.
- 1:01:49>> I think that's going to be my turn.
- 1:01:50Okay.
- 1:01:51>> I don't have anything else to do.
- 1:01:52>> London.
- 1:01:53>> Yeah. Let's just try and uh end this
- 1:01:55thing quickly. 19 and 20.
- 1:01:58>> Uh how do you want to do this?
- 1:02:00>> Um yeah, he'll just like uh be like
- 1:02:03gauntlet to the left and go right to
- 1:02:06Gauntlet's right ear.
- 1:02:08>> Are you shooting to my left or am I
- 1:02:09moving to [laughter] left?
- 1:02:10>> The arrow whizzes by you regardless.
- 1:02:13>> Yeah. Yeah.
- 1:02:14Um, and I imagine it just goes like poo
- 1:02:16poo and like the ghost dissipates into
- 1:02:20the mist.
- 1:02:20>> Absolutely. All right, that was it.
- 1:02:25>> Big seven damage on that crit, man.
- 1:02:27>> Let's go Rangers, baby. [laughter]
- 1:02:32>> We are out of initiative.
- 1:02:36>> You okay, Dennis?
- 1:02:38>> What? [laughter]
- 1:02:46You will hear a scream echo
- 1:02:50further in the dungeon.
- 1:02:54Imagine that might happen to us a lot.
- 1:02:57The uh ghost said this mace here was
- 1:03:01important to anthus.
- 1:03:06>> And he just I guess Oh, yeah. there.
- 1:03:11>> But he was like particular about like
- 1:03:13putting it back. Maybe it'll help draw
- 1:03:16him out or help us find some of these
- 1:03:19hidden rooms that are important.
- 1:03:23I
- 1:03:23>> think we're going to have to rely on you
- 1:03:24and Vin for that.
- 1:03:31>> I think we should take it with us.
- 1:03:34Tannis already touched it and he wasn't
- 1:03:36cursed. So very should be fine.
- 1:03:41>> What's your record on that again though?
- 1:03:43>> It's like two for three I want to say.
- 1:03:47So I'm really feeling like London should
- 1:03:48have tuned to this one.
- 1:03:51>> I don't know if anybody should have
- 1:03:53tuned to it just now.
- 1:03:55>> Just want to take it.
- 1:03:57>> I think we should take it as of now with
- 1:04:00the intent of returning it to its
- 1:04:02wielder. And if we don't find her, if
- 1:04:04she wants to give it to us, that's cool.
- 1:04:07So it will take it off the wall.
- 1:04:09>> Yep. It is warm to the touch,
- 1:04:11surprisingly so, considering everything
- 1:04:12is so cold in here.
- 1:04:16>> What did the head of it look like? You
- 1:04:17said it had a
- 1:04:18>> It looks like a sun. It looks like a
- 1:04:19golden sun. Radiant sun.
- 1:04:22>> It's spiked. So the spikes kind of form
- 1:04:24these sort of curved
- 1:04:27>> to make it look like a like a sun.
- 1:04:36would have loved this thing.
- 1:04:42>> Say we might know who our deity was.
- 1:04:49>> Can you feel anything with the maceilia?
- 1:04:52Is it pulling you anywhere?
- 1:04:55>> Kind of swings it around a little. It's
- 1:04:58>> It feels warm, but I'm not getting much
- 1:05:00else from it. It also, unlike a lot of
- 1:05:02magic items, does have a weird
- 1:05:04enchantment shimmer to it, which is not
- 1:05:06common for magic items.
- 1:05:15Let's not wait around for something else
- 1:05:17to come unless there's anything else.
- 1:05:19Shall we move?
- 1:05:21>> Don't uh burn an identify on it or
- 1:05:24anything like that.
- 1:05:26>> It take 11 minutes.
- 1:05:29If he leaves a spell slot, it's
- 1:05:32>> one minute. But let's just let's just
- 1:05:35take it for now. Like we don't want to
- 1:05:36be stealing it anyways, right?
- 1:05:38>> Yeah. Like
- 1:05:41we don't want to be explicitly grave
- 1:05:43robbing.
- 1:05:45Especially in this place.
- 1:05:47Um
- 1:05:49so at least August has an earnest intent
- 1:05:52to return it to its wielder.
- 1:05:54>> Okay. Intention is everything.
- 1:05:57>> Yeah.
- 1:05:58>> There's two on the other hand might have
- 1:06:00duplicitous [laughter] motives.
- 1:06:02>> There are two ways to go out of this
- 1:06:03room or you can go back the way you
- 1:06:05came.
- 1:06:06>> Uh she was going to go south.
- 1:06:10>> Okay.
- 1:06:10>> You guys want to go south?
- 1:06:12>> She's holding the mace like kind of up
- 1:06:13to her chest.
- 1:06:14>> Yeah.
- 1:06:16>> I'm holding this.
- 1:06:17>> Okay.
- 1:06:18>> Who knows? Maybe. Maybe.
- 1:06:21>> Yeah. As soon as you step into that
- 1:06:22hall, you will see that recesses in the
- 1:06:25wall hold iron burial caskets. Each
- 1:06:28casket has a single healthy black rose
- 1:06:31resting [music] on its lid.
- 1:06:36There are one, two, three, four, five,
- 1:06:40six. Three
- 1:06:42recesses. Two on top of each other. In
- 1:06:45each recess,
- 1:06:49these caskets, are they all identical?
- 1:06:52>> Yeah.
- 1:06:59The roses are
- 1:07:01expected. They look fresh.
- 1:07:07Strange. Uh, the armor and the weapons
- 1:07:10in this place seem polished and the urns
- 1:07:13too, but
- 1:07:15the old
- 1:07:17spirit in there just said that hasn't
- 1:07:20been around for some time.
- 1:07:25Who do you think's taking care of this
- 1:07:26place now?
- 1:07:29I mean, with it being this cold, I guess
- 1:07:31that slows tea a little bit, but I don't
- 1:07:36know. Definitely seems magical in
- 1:07:38nature. It's been how long? Hundreds of
- 1:07:41years.
- 1:07:42>> Centuries by the sound of it. Yeah.
- 1:07:45Maybe whatever thing is fixing our war
- 1:07:48machine is uh cleaning this place.
- 1:07:50>> How do you get up in here?
- 1:07:52>> The mystery thickens.
- 1:07:57>> And these are caskets now. You said not
- 1:08:00urns anymore.
- 1:08:00>> Correct.
- 1:08:04Do we pray over these as well or do we
- 1:08:06assume that? I mean, are there any um
- 1:08:10iconography or the uh
- 1:08:12>> No, there's not even a carving on the
- 1:08:14top of it. It's just a black iron box.
- 1:08:17>> Long
- 1:08:18Yeah. So, these are probably just like
- 1:08:19rank and file guys. Anyways,
- 1:08:28>> think we should if each their do.
- 1:08:35>> Don't let all pray with you.
- 1:08:41>> You guys want to pray on these ones?
- 1:08:45>> Say a quick prayer.
- 1:08:46>> Sure. You get the same sort of chill
- 1:08:49and
- 1:08:51the same sort of whispers. Nothing
- 1:08:53really discernable out of it. Maybe some
- 1:08:55more pray over us and our names, please.
- 1:08:59Our names.
- 1:09:01Um, but one of them, like the last one
- 1:09:05you do,
- 1:09:07you'll get this force that washes
- 1:09:10through you, that cold energy,
- 1:09:13and it yells out, and all of you can
- 1:09:15hear it. We've served long enough.
- 1:09:19Echoes long enough. No.
- 1:09:34Suppose there are
- 1:09:36a lot more places to look through then,
- 1:09:40>> right?
- 1:09:44>> We can't rush through this.
- 1:09:52That she will.
- 1:09:54>> Yep.
- 1:09:55one.
- 1:09:55>> Yep. No worries.
- 1:09:57>> Um,
- 1:09:58>> as we're uh walking through halls, yes,
- 1:10:01just the
- 1:10:02>> thing about the like hidden rooms.
- 1:10:04London, tell me if this is possible. Can
- 1:10:07I use Thmay to like blow some of this
- 1:10:10mist away every once in a while
- 1:10:13>> and see if he can see like a you know,
- 1:10:16one panel of the floor slightly higher
- 1:10:18than the other, a little gap in the
- 1:10:20wall. Do you want in every room? You can
- 1:10:22make an investigation check to see if
- 1:10:23you can find a secret door.
- 1:10:25>> Sure.
- 1:10:26>> Um, so you can do it in this hall if
- 1:10:27you'd like as well.
- 1:10:29>> Let's see what some investigation looks
- 1:10:32like. 17.
- 1:10:33>> You find nothing in this hall.
- 1:10:43>> Okay. So, the chamber that you have just
- 1:10:45entered,
- 1:10:47giant nine on the floor.
- 1:10:52More.
- 1:10:52>> It never gets old. [laughter]
- 1:10:54>> More urns fill the niches lining the
- 1:10:58walls while three larger urns rest upon
- 1:11:00stone pedestals. The central urn
- 1:11:04overflows with gold coins, gemstones,
- 1:11:06and tarnished jewelry. The treasure
- 1:11:09spilling over its rim and covering the
- 1:11:11pedestal beneath it. Against the back
- 1:11:13wall rests a stoneerary table dre d d d
- 1:11:17d d d d d d d d d d d d d d d d d d d d
- 1:11:17d d d d d d d d d d d d d d d d draped
- 1:11:17in a rotten cloth. Mounted above the
- 1:11:20table hangs a pristine ornate lance.
- 1:11:25Along the walls, racks display rows of
- 1:11:27shields, swords, and other weapons.
- 1:11:35>> Does the lance look notable in any way?
- 1:11:38>> Very much so. Yeah, it has like gold
- 1:11:41filigree going down the whole thing.
- 1:11:43>> Um, and if you examine it up close, it
- 1:11:45also has the same sort of magical
- 1:11:47shimmer to it
- 1:11:50as the ma as the mace does.
- 1:11:55>> So, I'll do it one more time. There are
- 1:11:56three urns on pedestals. There is aerary
- 1:12:00table with a draped rotten cloth.
- 1:12:02Mounted above the table is a lance. And
- 1:12:05one of the three, the central of the
- 1:12:07three urns is overflowing with gold and
- 1:12:10treasure.
- 1:12:13>> Is there livery on them as well?
- 1:12:15>> Yes,
- 1:12:16>> even the treasure one.
- 1:12:17>> Yep.
- 1:12:23>> Let's try and find answers before we
- 1:12:24touch anything. Gauntlet, I
- 1:12:26>> think we pay our respects first.
- 1:12:29>> Mhm.
- 1:12:30>> Yep.
- 1:12:32you you do. So you get the same sort of
- 1:12:36whisperers
- 1:12:39strange feeling like there is definitely
- 1:12:42something attached to these urns and
- 1:12:44they are grateful that you're praying
- 1:12:47over uh but nothing pops out or anything
- 1:12:50this time.
- 1:12:57Annis is going to subtly like side eye
- 1:13:02watch Vin and see if
- 1:13:06like just see if she like reacts at all
- 1:13:08to the the gold overflowing from the the
- 1:13:12one earn over there.
- 1:13:15Try not to be too obvious about it.
- 1:13:20>> Good thinking. Uh, I feel like though
- 1:13:24at this point like
- 1:13:27gold doesn't really interest her too
- 1:13:29much, but your head's in the right
- 1:13:31place. [laughter]
- 1:13:34>> And so are soul coins.
- 1:13:38>> Oh, I mean, Tennis has known that she's
- 1:13:40taken things without telling people for,
- 1:13:41so he's just watching.
- 1:13:42>> Yeah, no worries.
- 1:13:46>> The uherary table that's covered with
- 1:13:49cloth.
- 1:13:50>> Yeah.
- 1:13:51Can she take a look underneath? Is it
- 1:13:54covering anything specifically?
- 1:13:56>> No, it's just a table. Stone table.
- 1:14:02>> This um weapon on the wall.
- 1:14:05It's notable.
- 1:14:10I think we should take it with us.
- 1:14:13Looks like a hell rider weapon if I've
- 1:14:15ever seen one.
- 1:14:20I have no intention of walking out of
- 1:14:22here with it. Perhaps it'll jog some
- 1:14:25memories.
- 1:14:30>> Use it as your 10-ft pole you using to
- 1:14:33check the ground.
- 1:14:34>> I don't think they'd appreciate that.
- 1:14:35Dragging it along the ground.
- 1:14:39I uh I guess I'm just thinking about,
- 1:14:43for lack of a better word, the optics of
- 1:14:45us arriving to Atlanteus
- 1:14:50with the the weapons of his greatest
- 1:14:53warriors and being like,
- 1:14:57>> "Neat stuff." You got
- 1:14:59>> expecting him to treat us as like like
- 1:15:01we're being respectful.
- 1:15:09If we were stuffing our pockets with
- 1:15:11golden jewelry,
- 1:15:13I would agree with that.
- 1:15:19It feels as though
- 1:15:22these have symbolism to them and that
- 1:15:25symbolism has its own value versus just
- 1:15:28being I know Failia is saying this in
- 1:15:30person.
- 1:15:31>> Sure.
- 1:15:31>> That the symbolism here itself is
- 1:15:35valuable beyond just being a fancy
- 1:15:37weapon.
- 1:15:40>> Well, maybe. But I I feel like all that
- 1:15:42symbolism that was being used against
- 1:15:44them now. I mean, could be part of what
- 1:15:46binds them to this place.
- 1:15:51>> They may have a hand in releasing them.
- 1:15:55>> If they require Sorry, go ahead.
- 1:15:58>> No, I was just trailing off.
- 1:16:01If they require
- 1:16:05memories of their past, sight, a smell,
- 1:16:09a name,
- 1:16:11perhaps those jo something. They'll
- 1:16:13remember what they died for, who they
- 1:16:16died for.
- 1:16:22>> Would you like to take the mace
- 1:16:23gauntlets?
- 1:16:25>> Player can player.
- 1:16:26>> I don't think I could carry the lance
- 1:16:28for that long, frankly.
- 1:16:29>> Yeah. [ __ ] massive.
- 1:16:32>> Yep.
- 1:16:33>> Hand the mace a gauntlet. She will
- 1:16:36respectfully take it off the wall. It's
- 1:16:39>> warm to the touch.
- 1:16:42>> It's warm like the mace.
- 1:16:47Does the gold do the styles of the mace
- 1:16:50and the lance look similar? Like they
- 1:16:52could have been made hard. No, I
- 1:16:54wouldn't say so actually. No. Okay.
- 1:16:58>> Both are equally ornate though. Very
- 1:17:01wellcraftrafted.
- 1:17:04>> Wait, when did we see a mace? That might
- 1:17:06have been what I missed. Was that in the
- 1:17:07other uh
- 1:17:08>> Yeah, when we were talking to the
- 1:17:09captain.
- 1:17:12>> So, there was a sword and a mace.
- 1:17:13>> He had a sword.
- 1:17:14>> He had a sword. There was a mace.
- 1:17:16>> The mace was the clerics. Oh, okay.
- 1:17:18Okay.
- 1:17:19>> The mace was real. The sword was part of
- 1:17:21the ghostly emperor.
- 1:17:22>> Yeah, I got it.
- 1:17:26>> Gauntlet has mopia has her lance. Yep.
- 1:17:31>> Walk with it in like parade rest.
- 1:17:33>> I'm sure she wants to.
- 1:17:36>> If only she could have her horse. All
- 1:17:38right.
- 1:17:41>> Shall we continue on?
- 1:17:44>> Yeah.
- 1:17:44>> You can make your check if you want in
- 1:17:46this room, London.
- 1:17:47>> Let's do it.
- 1:17:51>> Ben, can you help him out?
- 1:17:55>> He's struggling here.
- 1:17:56>> He's confident.
- 1:17:57>> Jango, stop it. Come on. We're looking
- 1:17:59for We're looking for crees and walls
- 1:18:02here. Come on.
- 1:18:05>> She is very good at investigation.
- 1:18:08>> There we go.
- 1:18:08>> Yeah. You look around the room. You do
- 1:18:10not see any secret doors. The gold is an
- 1:18:12illusion.
- 1:18:15>> H.
- 1:18:18>> Interesting.
- 1:18:18>> Interesting.
- 1:18:19>> Is it covering anything?
- 1:18:21>> Do not touch it.
- 1:18:22>> Yeah. Vin, if you look inside there, you
- 1:18:25have to stand on your tippy toes. Um,
- 1:18:27there is a a bunch of bones inside,
- 1:18:34decaying sort of dust to dust bones.
- 1:18:39And that's the only illusion in here
- 1:18:41that she can notice.
- 1:18:42>> Yep.
- 1:18:43>> Interesting. But yeah, she'll she'll
- 1:18:45relay this.
- 1:18:54>> Imagine many of the crusaders to be
- 1:18:56talented illusionists.
- 1:19:01>> Oh. Oh, you get some more information
- 1:19:03actually
- 1:19:06>> cuz you rolled a 21. So, you see that
- 1:19:09the gold is an illusion, but you also
- 1:19:12see the gold uh like I said, covers the
- 1:19:17bones inside, but also on the top of the
- 1:19:20pedestal, there are arcane runes that
- 1:19:24are being covered by the illusion of the
- 1:19:26gold. And it is a some sort of trap.
- 1:19:33>> And on the inside of the urn, it says,
- 1:19:35"A crusader cares not for gold.
- 1:19:41That makes more sense now.
- 1:19:54>> Uh, southward,
- 1:19:57>> you will travel south.
- 1:19:58>> Yep. As you do, you will notice it is
- 1:20:00notably darker in this hallway.
- 1:20:04Um, and you will see that the chamber
- 1:20:06beyond is not illuminated.
- 1:20:09Um, it's pitch dark in there. I think
- 1:20:11all of you have dark vision, but just
- 1:20:13letting you know.
- 1:20:16>> Keep royals about you. It's dark. Who
- 1:20:19knows?
- 1:20:21>> I'm going to start giving Vin periodic
- 1:20:23guidances to aid in her searches for
- 1:20:26sure.
- 1:20:28>> Sounds good. Like
- 1:20:29>> she just did. So,
- 1:20:31>> um, stop right there. I'll hold you
- 1:20:32there.
- 1:20:33As you and everybody can sort of pile in
- 1:20:35behind Oilia. As you enter this chamber,
- 1:20:38you'll see small urns fill the carved
- 1:20:40niches lining the walls of this chamber,
- 1:20:42though many have been shattered. Their
- 1:20:44remains scattered across the floor among
- 1:20:46broken bones and fragments of pottery.
- 1:20:49The weapons displayed hang crooked in
- 1:20:52their racks, some broken or fallen from
- 1:20:54the walls.
- 1:20:55Oh, there is a there is a torch in this
- 1:20:57room. I I lied. A single blue torch
- 1:21:00burns on the floor, casting long shadows
- 1:21:03across the chamber. So, it makes it It's
- 1:21:05dark still because the torch is on the
- 1:21:07floor, but it's just like
- 1:21:09big shadows. It doesn't illuminate it
- 1:21:11very well.
- 1:21:13Um,
- 1:21:15along the slanted wall, so there's a
- 1:21:18slanted wall in this chamber. You can
- 1:21:19see it. Um,
- 1:21:24there are three carved frames that hold
- 1:21:26faded murals like similar to ones you've
- 1:21:29seen before. There's three in this room.
- 1:21:36>> Are there other Sorry.
- 1:21:38>> Go ahead.
- 1:21:39>> Are there other unlet sconces that we
- 1:21:41can
- 1:21:42>> take the torch and like bring it over
- 1:21:44and light them?
- 1:21:44>> Yeah, you want to do that. So, the torch
- 1:21:46is over here. Who picks up the torch?
- 1:21:49Well, I said I'll I'm going to do it.
- 1:21:52>> All right. So, go ahead and put yourself
- 1:21:53uh over there and uh
- 1:21:56>> right here.
- 1:21:56>> Yeah, sure. Right there's fine. So, when
- 1:21:59you walk into the room,
- 1:22:01you will hear this sort of sucking sound
- 1:22:05like wet.
- 1:22:08And you reach down to pick up the torch.
- 1:22:10And as you do, the room sort of
- 1:22:12illuminates more. And you will see in
- 1:22:14two corners of the room, separate sides,
- 1:22:17there are
- 1:22:20elongated
- 1:22:22creatures.
- 1:22:24They're kind of they're they're about
- 1:22:26the size of a dwarf, maybe a little
- 1:22:27taller, but they're hunched over, so
- 1:22:31they might stand to be as tall as he'll
- 1:22:34if they stood up straight. their arms
- 1:22:36dangle down beside their beside them and
- 1:22:39one of them just reaches his crooked
- 1:22:41hand around like a a rack that's
- 1:22:44displaying weapons and he peers his head
- 1:22:46out and you will see sunken eyes and a
- 1:22:50mouth that hangs down extremely low. Um
- 1:22:53it looks like let me find a hand out.
- 1:22:58Ah goodness. Okay, creatures.
- 1:23:01It's really close to the top
- 1:23:02fortunately. Looks like one of these
- 1:23:05guys. Or I like the second arc better.
- 1:23:08One of these guys.
- 1:23:13Um, and as you look upon it, some bad
- 1:23:15things happen. So, uh, I think we're
- 1:23:20going to roll initiative first. So,
- 1:23:22everybody roll initiative as the Bodax
- 1:23:25appear.
- 1:23:34Good memories last time we fought a
- 1:23:35boat.
- 1:23:36>> Yeah, it was a whole lot of fun.
- 1:23:38>> Yep.
- 1:23:40Um, they didn't roll very well. But
- 1:23:43>> does anyone want to trade with me and go
- 1:23:44first?
- 1:23:48>> Maybe who's literally right in front of
- 1:23:51the boatex?
- 1:23:53>> Yeah.
- 1:23:54>> Okay. I would like to double digits for
- 1:23:56once.
- 1:23:57>> Okay. Okay. So, Hope has got 15 and
- 1:24:02London has six. Is that
- 1:24:03>> Yeah, I switched mine.
- 1:24:07But yeah.
- 1:24:10>> All right. So, Hilia, you go first as
- 1:24:13you see it cuz it makes this sort of
- 1:24:16like inward sucking noise. Um, I need
- 1:24:20you to make a constitution saving throw.
- 1:24:24>> Absolutely.
- 1:24:2824.
- 1:24:37Okay. Nothing.
- 1:24:45So when you look upon it, you feel like
- 1:24:49you can't look away, right? And as you
- 1:24:52try to draw your eyes away, you can't,
- 1:24:54right?
- 1:24:56And it it does that thing like the
- 1:24:57scarecrow in uh in uh the Batman movies,
- 1:25:02Batman Begins, right? Where the world
- 1:25:04sort of shakes around it and it is the
- 1:25:06only single like its face is the only
- 1:25:08thing stationary, right? And you feel
- 1:25:11like you're about to pass out. Um as it
- 1:25:13would drop you to zero hit points if you
- 1:25:15had failed that. But you did not as you
- 1:25:17draw your eyes away, but you know you
- 1:25:20cannot look at it.
- 1:25:26H dingleberries. That kind of I don't
- 1:25:30know what these things are, so I'm
- 1:25:31looking at this for the first time. Um,
- 1:25:34[ __ ] What do I do? Can I attack it? I
- 1:25:37have to look at
- 1:25:37>> it.
- 1:25:37>> Yeah, you you can avert your eyes and
- 1:25:39attack with disadvantage.
- 1:25:43It's It's effectively you give yourself
- 1:25:45the blinded condition,
- 1:25:47>> right?
- 1:25:47>> Yeah, but I don't like that. I mean,
- 1:25:49yeah, it's fine. You That is true. That
- 1:25:51is true. But yes, I'm gonna make all of
- 1:25:53you roll it because none of you are
- 1:25:54going to know that right off the bat.
- 1:25:56>> Oh yeah, I do that too. Like first round
- 1:25:58everybody and then you catch on.
- 1:26:00>> But now you know. Oilia. Yeah.
- 1:26:03>> Uh
- 1:26:06okay. She's going to avert her eyes.
- 1:26:11And I think she's going to
- 1:26:16with the hand that is holding the land.
- 1:26:18She's going to point it out in the
- 1:26:19general direction and cast magic. No, it
- 1:26:21has to be from the wand. [ __ ] Which
- 1:26:23means I have to drop
- 1:26:24>> and you would have to look at it to cast
- 1:26:25magic missile.
- 1:26:26>> Okay.
- 1:26:27>> Well, technically you didn't look at it
- 1:26:29on this turn, so you're good. You can
- 1:26:30cast magic missile on this turn. You did
- 1:26:32look at it.
- 1:26:32>> Yeah, she wants to try and cast magic
- 1:26:34missile. The one she she just looked at.
- 1:26:36>> Yep, that's fine.
- 1:26:39>> Okay. So, this can be first level.
- 1:26:43Uh
- 1:26:4511 points of force damage. It takes it
- 1:26:48as it's burst back behind the weapon
- 1:26:51rack that it was standing on and then it
- 1:26:53sort of peers back out
- 1:26:58and she'll
- 1:27:00Now, if I cast a spell from a wand, can
- 1:27:02I cast a spell from my
- 1:27:05>> as a bonus action
- 1:27:06>> spell as a bonus action?
- 1:27:08>> I think that you can.
- 1:27:10>> Yeah, as long as you only spend one
- 1:27:11spell slot on a turn, you're good.
- 1:27:13>> Okay. By spell slot. Then she's going to
- 1:27:15cast a divine favor on herself as a
- 1:27:18bonus action to give herself some
- 1:27:20radiant just in case.
- 1:27:21>> Okay.
- 1:27:22>> And she will yell out uh avert your
- 1:27:24eyes. That'll be your turn.
- 1:27:26>> Okay. As you end your turn, you will
- 1:27:28feel it. The energy of this thing like
- 1:27:32it, you know, it's looking at you and it
- 1:27:34wants you to look at it, but you try to
- 1:27:36avert your gaze. You still, no matter
- 1:27:38what, you take five points in necrotic
- 1:27:39damage right off the rip.
- 1:27:41>> Right.
- 1:27:41>> One more thing. She would move to try
- 1:27:43and get between Gauntlet and Hicks.
- 1:27:45>> That's good. Yep. But you still take
- 1:27:46five points of necrotic. Yep.
- 1:27:48>> Okay.
- 1:27:49>> All right, August, you're up.
- 1:27:55>> Deciding whether I want to gamble
- 1:27:58cuz I have the Nirvana and Cog box. I
- 1:28:00can just get a 16 on my saving throw.
- 1:28:03>> Okay. Well, you do got to make that
- 1:28:05constitution saving throw no matter
- 1:28:06what.
- 1:28:08But I Yeah, I don't know if that's going
- 1:28:11to succeed.
- 1:28:15>> Um,
- 1:28:20>> yeah, I'm going to try it. I'm just
- 1:28:21going to get a 16 and [ __ ] box.
- 1:28:24>> That succeeds.
- 1:28:26>> Okay,
- 1:28:29>> so again, you look at it, you can't pull
- 1:28:32your eyes away, but then the nirvana,
- 1:28:34you feel the nirvana, like it's in your
- 1:28:36belt or whatever. You feel it start to
- 1:28:37wor and it that
- 1:28:39>> brings order to that shaky steadiness.
- 1:28:42>> That's right.
- 1:28:47>> Um All right. So
- 1:28:51with my action
- 1:28:54going to pass the cog box to Tannis.
- 1:28:56Okay.
- 1:28:59>> Um
- 1:29:03>> so I guess I'll have to walk over him
- 1:29:05for that.
- 1:29:05>> Yep.
- 1:29:08And then
- 1:29:11I guess I'll go for another turn undead.
- 1:29:14>> Okay.
- 1:29:17Hey, you know what? Where was Hilia when
- 1:29:19she started her turn? Right here.
- 1:29:22>> She was right there.
- 1:29:24>> Okay, August, I'm going to make you roll
- 1:29:26again for the one that's on the corner.
- 1:29:31>> Okay,
- 1:29:33>> just one more.
- 1:29:38Uh,
- 1:29:38>> I think I should be making both
- 1:29:39everybody make two,
- 1:29:42but I think because you're from this
- 1:29:44side and this side, I don't know if you
- 1:29:45knew that that one was there.
- 1:29:48>> All right, so I will
- 1:29:49>> You did see the one that was
- 1:29:50>> on this one.
- 1:29:53>> Okay, 17.
- 1:29:53>> You're good.
- 1:29:57>> Now, you know, don't look at that one
- 1:29:59either. Yeah,
- 1:30:01>> you know, shout out, avert your eyes,
- 1:30:03but too little, too late,
- 1:30:05>> right?
- 1:30:06>> All right, pass the cog box. Done.
- 1:30:08>> And then Yeah, that's just for free,
- 1:30:11right?
- 1:30:11>> Yep.
- 1:30:12>> And then I will turn undead. So, I need
- 1:30:15wisdom saves from both of them.
- 1:30:20I don't think there's a CR.
- 1:30:22No, they just take damage.
- 1:30:24>> All right, a 17.
- 1:30:25>> All right, so that one succeeds.
- 1:30:29And then the other one
- 1:30:34>> take 16 radiant damage and turned.
- 1:30:38>> So frightened incapacitated has to flip.
- 1:30:43>> How many times can he do that?
- 1:30:44>> One more.
- 1:30:47>> All right.
- 1:30:47>> So
- 1:30:48>> I'm going to use it on the things that
- 1:30:50can drop us to zero without even using
- 1:30:52an action.
- 1:30:53>> Pretty good use of that.
- 1:30:55>> All right. Is that it?
- 1:30:58Uh, that's all for me.
- 1:30:59>> Okay, then
- 1:31:02I think you're going to notice the one
- 1:31:04to the north first. So, make that
- 1:31:06constitution, please.
- 1:31:08>> Yep.
- 1:31:11>> Success.
- 1:31:12>> Wait, am I in Oh, I'm technically not.
- 1:31:15>> August, you take five.
- 1:31:17>> Oh, [ __ ] It's 10. It's 10. There's two
- 1:31:19of them. All right. Five for me. It's
- 1:31:21resistance.
- 1:31:23>> Okay. Uh hopefully you
- 1:31:24>> or four I guess cuz it's
- 1:31:26>> you needed to take more
- 1:31:27>> two twice, right?
- 1:31:29>> Yeah.
- 1:31:29>> Yeah. Two twice. Yeah.
- 1:31:31>> Okay. So, does the 16 succeed?
- 1:31:34>> It does.
- 1:31:35>> Okay.
- 1:31:38Uh yeah, Vin doesn't really know what to
- 1:31:40do. Um
- 1:31:47so, you're you're making it like if you
- 1:31:49want to attack it, like especially in
- 1:31:51melee, you're going to have to look
- 1:31:52>> on this one. We're doing the initial.
- 1:31:55Don't worry about it. Which one you want
- 1:31:56to go to? I'll I'll run it down case by
- 1:31:58case.
- 1:32:00>> Well, presumably uh Wait, which one got
- 1:32:03turned?
- 1:32:04>> This one.
- 1:32:04>> Uh bottom one.
- 1:32:06>> Okay. Yeah. Yeah. So, I guess it works
- 1:32:08out. Uh all right. I mean
- 1:32:12I mean someone's got to bite the bullet.
- 1:32:14>> Yep.
- 1:32:15>> Oh, wait. She doesn't even need to move
- 1:32:16up. She can stay there. Sure.
- 1:32:18>> Um
- 1:32:20All right. Uh, she'll try.
- 1:32:26We'll roll.
- 1:32:28>> Yep. That hits.
- 1:32:29>> To hit 15 force.
- 1:32:33>> Another one.
- 1:32:35>> Another 49 to hit.
- 1:32:37>> Oh, very nice. Uh, so 24 force damage
- 1:32:40total.
- 1:32:42>> It's still up.
- 1:32:46>> All right. Yeah, she's just like, yeah,
- 1:32:47I don't think she's ever seen one of
- 1:32:48these things before. She's like, "What
- 1:32:49in the and the gods and all of the
- 1:32:52hells?"
- 1:32:53Uh, but yes, she'll stand her ground.
- 1:32:55>> Okay, that's your turn.
- 1:32:58>> All righty. Uh,
- 1:33:00>> damage at the end of the turn.
- 1:33:02>> Take 10 damage. 10 necrotic damage.
- 1:33:06>> Two instances of five. You're resistant.
- 1:33:12>> That's called their aura of
- 1:33:14annihilation, just so you know.
- 1:33:16>> Oh, awesome band name. God damn it.
- 1:33:19>> All their [ __ ] is so so good.
- 1:33:21>> It's called a Bodak. Like that's a sick
- 1:33:23ass metal band name, too. [laughter]
- 1:33:26>> Um, okay, Tannis, it is your turn. I
- 1:33:28need a concave for the one that's right
- 1:33:31by you.
- 1:33:32>> If I can shout out a quick Battlefield
- 1:33:34command/ suggestion, Tannis, if you hit
- 1:33:37the box and Vin, you flash of genius,
- 1:33:40it's an automatic success.
- 1:33:42I was wondering. I was I'm like the the
- 1:33:44box plus my con probably isn't that
- 1:33:47great, but okay, that makes sense if
- 1:33:49she's going to do that.
- 1:33:50>> Well, let's see.
- 1:33:52>> Well, then if I use the box, I get a 12.
- 1:33:55>> Okay. And then Vin, do you want a flash
- 1:33:57of genius then?
- 1:33:59>> Why not?
- 1:34:00>> Okay.
- 1:34:00>> Oh, yeah.
- 1:34:02>> Okay,
- 1:34:03>> that's Yeah,
- 1:34:04>> that would be 17.
- 1:34:05>> Definitely a success.
- 1:34:06>> Great. Is that an action to use the box
- 1:34:08or is that just uh like I just do that?
- 1:34:10No, I'm pretty sure it's just as part of
- 1:34:12the roll. Let me double check.
- 1:34:13>> Just part of the roll.
- 1:34:14>> I'm pretty sure that's usually how those
- 1:34:16kind of things work.
- 1:34:17>> Yeah.
- 1:34:18>> Cool. Cuz I got a little nervous there.
- 1:34:19When you hand me the box, I'm like,
- 1:34:20that's only going to be a 12. [laughter]
- 1:34:22>> Okay,
- 1:34:23>> great. So, is it just the one that I'm
- 1:34:25looking at then?
- 1:34:27>> Okay. Um, let's try to slash at this guy
- 1:34:30with my coach and hope that I do better
- 1:34:32than last time.
- 1:34:33>> That hits.
- 1:34:35>> Okay, that's the first one. He'll take
- 1:34:37nine. That'll be radiant damage.
- 1:34:39>> Okay. Um, and because I like it so much,
- 1:34:43how about some Genie's Wrath of Four
- 1:34:44Thunder and uh, so that's 19 points of
- 1:34:48damage.
- 1:34:48>> Yep. It takes all of that.
- 1:34:51>> And we'll go we'll go again.
- 1:34:5517 for another
- 1:34:58>> That hits. Okay. It's bloodied for sure.
- 1:35:11Hannis wouldn't know what happens with
- 1:35:13this this gaze thing. He doesn't know
- 1:35:15that's going to drop them to zero. So,
- 1:35:17he's not going to Eldrich smite.
- 1:35:19>> Okay.
- 1:35:21>> And that will [snorts]
- 1:35:23be my turn.
- 1:35:24>> Okay. So, I'll I'm going to do say this
- 1:35:26though. when August did his divine
- 1:35:28thing,
- 1:35:30uh, this sort of blue radiant light
- 1:35:33emitted from him and both of them sort
- 1:35:35of cowered even in that second, but that
- 1:35:38could be an effect of the ability,
- 1:35:39right, Tannis? When you slash out at it
- 1:35:41with radiant damage, it also cowers away
- 1:35:44and it singes burns it like a vampire
- 1:35:47type [ __ ] Like it sizzles.
- 1:35:51>> And this thing is just to remind like
- 1:35:53this thing's actually cororeal, right?
- 1:35:55Like it's not like Okay. Yep. Great.
- 1:35:57>> Yeah, it's really
- 1:35:58>> can't just vanish under the walls as it
- 1:35:59flees.
- 1:36:00>> Okay.
- 1:36:01>> All right. Uh, it is now the bodac's
- 1:36:04turn.
- 1:36:06Um,
- 1:36:09let's do Oh, you need to take two point
- 1:36:12two instances of five necrotic.
- 1:36:15>> Yep. 10 damage. Got it.
- 1:36:17>> Uh, and it's going to look directly at
- 1:36:20you and do a withering gaze. So, I need
- 1:36:23you to make a constitution saving throw
- 1:36:26as its action.
- 1:36:31>> 17 succeeds.
- 1:36:33>> No, no. 14. 14
- 1:36:35>> still succeeds.
- 1:36:36>> Okay.
- 1:36:36>> Um, you take half of 29 necrotic.
- 1:36:42>> Ouch. as it [music] as it it's you're
- 1:36:45trying to look away from it and you feel
- 1:36:47this magnetic pull and you look right at
- 1:36:50it and you that same sort of shaking and
- 1:36:52it begins to age your face like you grow
- 1:36:56like you grow in age. Um not permanently
- 1:36:59but like that's kind of how it wrinkles
- 1:37:00your skin and stuff.
- 1:37:02>> Ah my beautiful manicured face.
- 1:37:04>> Yep. Um and I think it's going to do the
- 1:37:06same thing to Hofia.
- 1:37:10So hopeilia make a constitution.
- 1:37:12>> That other one's in
- 1:37:13>> Oh, he's fleeing. That's right. So he's
- 1:37:15going to run into this corner and hide
- 1:37:18in that corner.
- 1:37:20>> Uh hiding his opportunity.
- 1:37:22>> Yeah, I think they just dodge if they
- 1:37:25have nowhere further to go.
- 1:37:29>> Uh is he disengaging?
- 1:37:31>> Yeah. No.
- 1:37:32>> Well, if if you attack it'll break it'll
- 1:37:34break it.
- 1:37:35>> Oh, and it probably doesn't.
- 1:37:37>> Let's deal with one. Let's deal with
- 1:37:38that. It also doesn't disengage.
- 1:37:40>> Um Okay.
- 1:37:43All right. So, yeah, it'll just sit in
- 1:37:45the corner
- 1:37:47>> hiding its face. So, no more checks from
- 1:37:48that guy
- 1:37:50>> um on on this. Yeah, for for for now. I
- 1:37:52mean, if you
- 1:37:53>> he he can still look at you if it ends
- 1:37:55or whatever.
- 1:37:55>> Um All right.
- 1:37:56>> Sad about it.
- 1:37:57>> I'd rather do sucking that up. That's
- 1:37:58just a fun.
- 1:37:59>> Well, you know, uh London, you're up.
- 1:38:02>> Uh London's going
- 1:38:03>> make a constitution saving throw. Yeah,
- 1:38:05he he's going to call upon his draconic
- 1:38:09corrian blood that's a little more sto
- 1:38:12than he is to uh try and do this. There
- 1:38:15we go.
- 1:38:15>> That succeeds.
- 1:38:17>> Um bonus action will cast hunter mark on
- 1:38:22this thing. And uh the big open mouth
- 1:38:25looks like a nice big target board for
- 1:38:27him.
- 1:38:29>> 22.
- 1:38:30>> It's dead.
- 1:38:33>> Yes. That's all you guys are afraid of?
- 1:38:38Uh, and he will sheath his spell.
- 1:38:42>> Okay. Well,
- 1:38:42>> if we want to attack,
- 1:38:43>> it like withers into ash as well. It
- 1:38:45like disappears into ash.
- 1:38:46>> Cool.
- 1:38:47>> In fact, I think black flames surround
- 1:38:50it
- 1:38:52>> and it withers into ash from that. The
- 1:38:54>> These things are really cool.
- 1:38:55>> It's very bizarre how why that happened.
- 1:38:59>> That's the album cover.
- 1:39:00>> That's the album [laughter] cover.
- 1:39:02>> Bam. All right.
- 1:39:05>> Uh London will whisper over to Tannis.
- 1:39:09That's two.
- 1:39:11>> You stole my kill.
- 1:39:13>> And uh and yeah, end my turn.
- 1:39:15>> All right, Hilia, you're up again.
- 1:39:18>> I mean, this thing isn't going away.
- 1:39:19Like, it's can't just go into a wall.
- 1:39:22>> Yeah. I just want to deal with one at a
- 1:39:23time rather than two.
- 1:39:25>> Yeah. With the other one dead, she is.
- 1:39:27Fortunately, she has to look at this
- 1:39:29thing to do valve entity.
- 1:39:31It's a creature she can see.
- 1:39:33>> Okay.
- 1:39:34>> So,
- 1:39:34>> I'm I for that I will say it like looks
- 1:39:36over it shoulder
- 1:39:38>> if that's the case.
- 1:39:40>> Okay.
- 1:39:41>> Do you want to You got to You're going
- 1:39:42to make the save again. It's pawn safe.
- 1:39:47>> Is it worth it
- 1:39:49to [ __ ] smash this thing?
- 1:39:53>> No, she isn't. But she is going to try
- 1:39:55and
- 1:39:58No, because if I attack it, I'm going to
- 1:40:00have disadvantage because I'm not
- 1:40:01looking at it.
- 1:40:02>> Correct.
- 1:40:04>> So do Valveity. I make the check. I get
- 1:40:07advantage. Much better.
- 1:40:09>> But you're looking at it
- 1:40:11>> and I'm looking at it. [ __ ]
- 1:40:16>> Constitution. No, I'm not going.
- 1:40:17>> I will say it will. It is a big drain on
- 1:40:19resources to get somebody back up to
- 1:40:21full from zero.
- 1:40:23>> That's true. So, okay, I'll take the
- 1:40:24disadvantage. She is going to try and
- 1:40:26swing at this thing, though.
- 1:40:27>> Yep. Disadvantage.
- 1:40:28>> I'm going to use her. I'm going to use
- 1:40:30my bonus. No, I'm not going to use my
- 1:40:32bonus action yet. Just regular
- 1:40:35>> 22 to hits.
- 1:40:36>> That hits
- 1:40:37>> run 12 budgeoning.
- 1:40:40>> Okay, it takes it.
- 1:40:42>> Um, and I'm going to use a divine smite.
- 1:40:47>> Okay,
- 1:40:48>> first level.
- 1:40:49>> Okay.
- 1:40:54Uh,
- 1:40:56oh, sorry, ignore that, too. Uh, nine
- 1:40:58radiant. If this thing is undead, it's
- 1:41:00going to take another five on top of
- 1:41:01that.
- 1:41:02>> It is.
- 1:41:04>> So, 14 total on divine smite.
- 1:41:06>> All right. It's still up, but it's very,
- 1:41:08very, very, very hurt.
- 1:41:10>> It's going to make her second attack.
- 1:41:11>> Yep. Miss
- 1:41:14>> one. All right.
- 1:41:17>> Uh, five necrotic if you end your turn.
- 1:41:20>> Yep. So, she can end her turn. She is
- 1:41:23clearly swinging at something in front
- 1:41:25of her.
- 1:41:26>> Does it remake the save
- 1:41:28or does it break it automatically?
- 1:41:30August.
- 1:41:32>> Uh, it breaks automatically.
- 1:41:33>> Okay. It whizzes around and looks at the
- 1:41:35room again.
- 1:41:37>> The sucking noise.
- 1:41:39[snorts] This horrible like vacuum
- 1:41:41cleaner sucking noise.
- 1:41:44Okay, August, you're up.
- 1:41:55Okay, I am going to
- 1:42:00>> uh run up to it and provide the help
- 1:42:02action to whoever wants to attack next.
- 1:42:04>> Okay.
- 1:42:04>> While averting my gaze.
- 1:42:06>> Okay, fine.
- 1:42:07>> Nice.
- 1:42:08>> Uh then you're up.
- 1:42:10>> So just like grabbing it and pulling it
- 1:42:13and like trying to keep it distracted.
- 1:42:15>> Yeah. closing your eyes really tight and
- 1:42:17just grabbing at it, hoping it doesn't
- 1:42:18slash out at you or whatever.
- 1:42:21>> Or like using the shield to try and like
- 1:42:22push it up against the wall.
- 1:42:23>> Okay. Uh, five.
- 1:42:25>> Hold the face up in its face.
- 1:42:31>> And uh, Vin, it's your turn.
- 1:42:34>> Okay.
- 1:42:40I think she's gonna
- 1:42:46I mean, yes, she'll get in there. This
- 1:42:48other one is done.
- 1:42:49>> Okay.
- 1:42:52>> So, she can hit it from that range,
- 1:42:54right?
- 1:42:54>> Can y Oh, no. Not unless you grow.
- 1:42:59>> No, she's got 10 foot reach all the
- 1:43:01time. It grows. It's 15.
- 1:43:02>> 15? Yeah.
- 1:43:03>> Yeah. Well, right now you're 15 ft away,
- 1:43:05aren't you?
- 1:43:07>> Well, yeah. If the diagonal is to be
- 1:43:09counted like that. Um,
- 1:43:10>> if this says it's 15 ft, it's 15.
- 1:43:13>> Are we?
- 1:43:14>> Okay.
- 1:43:14>> I don't know why
- 1:43:16>> it says that, but that's what it says.
- 1:43:19>> Okay. So, now
- 1:43:20>> why does it say that?
- 1:43:21>> I'm seeing 10 ft.
- 1:43:23>> I'm seeing 15.
- 1:43:24>> Wait. Wait. You're seeing 15. What?
- 1:43:26>> Yeah. I don't know. That's really
- 1:43:27[ __ ] weird. It It should be 10 ft.
- 1:43:29>> Oh, you must have diagonals on. How do
- 1:43:32you How do you
- 1:43:36instant?
- 1:43:38>> Oh,
- 1:43:39>> well, yeah. Yeah, if you do. Is it snap
- 1:43:42to corner? Is that what you're doing?
- 1:43:43Snap?
- 1:43:44>> No, I have snap to center.
- 1:43:46>> You guys can see my [ __ ] right?
- 1:43:48>> Yeah, we see 10 ft.
- 1:43:50>> Okay. It's just something's weird. I
- 1:43:51don't know. It's okay.
- 1:43:53>> Okay, whatever. I mean, she could always
- 1:43:55square down. Yeah, it doesn't really
- 1:43:56matter.
- 1:43:57>> It's 10 ft. I mean, I my in my intuition
- 1:44:00knows that it's [ __ ] 10 ft. I don't
- 1:44:01know why I'm I don't have to I'm not
- 1:44:03Steve Carell driving off the goddamn
- 1:44:06road cuz the GPS told me to.
- 1:44:11>> Um All right. Yeah. Uh so, so now it's
- 1:44:14disadvantage to
- 1:44:15>> uh if you avert your gaze. Yeah.
- 1:44:18>> All right.
- 1:44:19>> Plus action help action.
- 1:44:22>> So it's a flat roll on the first one. Or
- 1:44:25is it on all attacks? Probably just the
- 1:44:27>> uh just just the just the one.
- 1:44:28>> Yeah.
- 1:44:29>> On the first. Okay.
- 1:44:31Okay. Force demolisher. 18 to hit.
- 1:44:34>> It hits. You kill it.
- 1:44:36>> Nice.
- 1:44:37>> Oh,
- 1:44:39>> it bursts into black flames and it
- 1:44:42starts trying to put it out, but it
- 1:44:44can't and it turns into dust.
- 1:44:48Whatever created these things beckoned
- 1:44:50it back home.
- 1:44:52Sick.
- 1:45:00We're out of initiative.
- 1:45:01>> Fun surprises lurking down here.
- 1:45:06>> Uh would you guys mind if I take a
- 1:45:07break? I need to take
- 1:45:08>> Ah, sure. Yeah, we can take a break.
- 1:45:10>> Sorry.
- 1:45:11>> Yeah, no worries. We'll take a quick
- 1:45:13break. I'll see you guys back in a
- 1:45:14minute.
- 1:45:22>> [music]
- 1:45:27[music]
- 1:45:36[music]
- 1:45:44>> Heat. Hey, heat. Hey, heat.
- 1:45:51>> [music]
- 1:45:58>> Heat. Heat.
- 1:46:07Heat.
- 1:46:11[music]
- 1:46:19Heat.
- 1:46:40>> [music]
- 1:46:45>> Heat. Heat.
- 1:46:52Heat. Heat.
- 1:47:14Heat.
- 1:47:30Heat.
- 1:47:37Heat.
- 1:48:02Heat.
- 1:48:04Heat.
- 1:48:19[music]
- 1:48:20Heat.
- 1:48:27Heat.
- 1:48:35[music]
- 1:48:40[music]
- 1:48:48Heat.
- 1:48:52Heat.
- 1:48:56[music]
- 1:49:03[music]
- 1:49:07Heat.
- 1:49:12[music]
- 1:49:15Heat.
- 1:49:18[music]
- 1:49:23[music]
- 1:49:36[music]
- 1:49:39Heat.
- 1:49:42Heat. Heat. [music]
- 1:49:50[music]
- 1:50:02Heat. Heat.
- 1:50:07[music]
- 1:50:13[music]
- 1:50:21[music]
- 1:50:28>> [music]
- 1:50:33[music]
- 1:50:38>> Heat. Heat. [music]
- 1:50:45[music]
- 1:50:46Heat.
- 1:50:50[music]
- 1:50:57[music]
- 1:51:15Heat.
- 1:51:27Heat. Heat.
- 1:51:41>> [music]
- 1:51:47[music]
- 1:51:50>> Heat up [music]
- 1:52:02[music] here.
- 1:52:17Heat. Heat.
- 1:52:20[music]
- 1:52:25>> [music]
- 1:52:31[music]
- 1:52:39>> Let's
- 1:52:41[music]
- 1:52:45I did know that we
- 1:52:48pretty awesome.
- 1:52:48>> There's a bunch. Master of the last
- 1:52:50word, keeper of ever lost, sovereign of
- 1:52:53Thanos.
- 1:52:53>> Yeah, boy. [laughter]
- 1:52:54>> All right. All right. All right, we're
- 1:52:56back. [cough]
- 1:52:58Uh, [clears throat] let me make sure my
- 1:52:59mic is not muted. It's not. Can I get a
- 1:53:02test from you guys?
- 1:53:04>> Check check check test.
- 1:53:13>> There we go. Okay. I might not have had
- 1:53:14music this whole time. All right. Uh,
- 1:53:17not for you guys for the stream. Okay.
- 1:53:19So, I'll give you another description of
- 1:53:21this room. Uh, small urns. So this one's
- 1:53:25this room is basically the same as all
- 1:53:26the other ones except for a lot of the
- 1:53:28urns are shattered and and the room is
- 1:53:31kind of been destroyed probably from the
- 1:53:33two boats that lived here. Um however
- 1:53:36along the angled wall there are three
- 1:53:39murals in the archways like how they
- 1:53:43usually are in this.
- 1:53:48I don't know if this is supposed to be
- 1:53:50how it is. A part of the wall looks to
- 1:53:52be angled funny. Yeah. Yeah. That's just
- 1:53:56ignore that. If I if I make mention of
- 1:53:58it, it's important. Otherwise, this is
- 1:54:00just a map somebody made.
- 1:54:03>> So, you will still investigate the um
- 1:54:05>> the murals.
- 1:54:06>> The murals. Yeah.
- 1:54:08>> Yeah. Okay. So, the first one.
- 1:54:14>> Okay. I have this one. Hold on.
- 1:54:21Okay. Um,
- 1:54:24the first mural on the left, it depicts
- 1:54:28Zaryel in her angelic form, a white
- 1:54:31blindfold covering her eyes as she
- 1:54:33stands surrounded by devils. She grips a
- 1:54:36radiant blue sword. This is the right
- 1:54:38[music] room, right? Yes. She grips a
- 1:54:41radiant blue sword held in a battle
- 1:54:43stance as countless clawed hands reached
- 1:54:46her toward her and infernal weapons are
- 1:54:48raised at her from every side. Here,
- 1:54:50I'll just show you the
- 1:54:58second mural depicts Zariel kneeling
- 1:55:02before a tall, menacing figure with red
- 1:55:05skin. Several horn horns curl from his
- 1:55:09head and he wears a long crimson robe
- 1:55:12with a high collar. He raises a black
- 1:55:15staff above her while extending his
- 1:55:18other hand towards Zaryiel.
- 1:55:20Her halo is broken and twisted above her
- 1:55:23head and she pulls the white blindfold
- 1:55:25from her eyes with one hand while the
- 1:55:27other arm ends in a severed wrist as she
- 1:55:30reaches towards him. Flames coil around
- 1:55:33her outstretched arm as the devil grasps
- 1:55:35her severed hand. It looks like this.
- 1:55:43Did I Did it show?
- 1:55:47>> Yes. Yeah, we can see it.
- 1:55:49>> It didn't go on my screen.
- 1:55:53Yep. That's the second one.
- 1:55:55[clears throat] And then the third one.
- 1:55:57This final mural depicts Zaryel in her
- 1:56:00arch devil form. Her face twisted in a
- 1:56:03silent scream as she falls into a mass
- 1:56:05of clawed hands reaching up from below.
- 1:56:08Her arms are outstretched towards an
- 1:56:10ornate blue sword. Its radiant glow just
- 1:56:13beyond her grasp as you see this one.
- 1:56:35Who's the figure in the second mural? I
- 1:56:38think that's the one where
- 1:56:41the biggest missing puzzle piece. I
- 1:56:42think
- 1:56:52>> that's the boss.
- 1:56:56>> Yep. There is a red gem at the top of
- 1:56:58the black staff.
- 1:57:03the only person capable of anointing an
- 1:57:06arch devil.
- 1:57:15>> What does the What's the third one mean
- 1:57:18though?
- 1:57:19>> We we saw that moment.
- 1:57:22>> We saw Zarya.
- 1:57:23>> Oh, I did.
- 1:57:26>> Suppose it suppose it must have been one
- 1:57:27of the earlier visions
- 1:57:30>> as a devil though.
- 1:57:32>> No. Oh, no. Sorry. I I mean the second
- 1:57:34one.
- 1:57:35>> Okay. Yeah. Yeah. Second one.
- 1:57:38[snorts]
- 1:57:40>> But
- 1:57:45>> also, didn't she hate Asthma? I mean,
- 1:57:47she
- 1:57:49spoke out against him and all of a
- 1:57:51sudden she was so willing to
- 1:57:54take his [music] hand and
- 1:57:57well, whatever hand she had left, but
- 1:57:59and let herself be taken up as an arch
- 1:58:02devil.
- 1:58:03>> There's anybody that could convince her.
- 1:58:07Easy
- 1:58:13to say
- 1:58:15you're so far against someone, but push
- 1:58:18comes to shove, maybe her true nature
- 1:58:20came out.
- 1:58:23Wonder what Esodes could have offered to
- 1:58:24to take such a deal.
- 1:58:31Rule over a verest.
- 1:58:34I don't know.
- 1:58:37life,
- 1:58:39power
- 1:58:45to keep the crusade going. She's still
- 1:58:47fighting the blood war now.
- 1:58:54>> I thought she wanted to break the cycle
- 1:58:56of the blood war. I thought that was the
- 1:58:58whole point.
- 1:59:02Maybe she thought she could.
- 1:59:05>> Or maybe that was her excuse.
- 1:59:09>> Fighting to fight power for power.
- 1:59:12So I'm not pretending she took it. Stand
- 1:59:15the consequences for us mortals.
- 1:59:25Uh where's Lulu?
- 1:59:26>> She's here. Okay.
- 1:59:29didn't see her token.
- 1:59:30>> Yeah. Yeah. She just, you know, I'm not
- 1:59:32keeping track of her so good. And he's
- 1:59:34floating behind August at all times.
- 1:59:42I guess I just don't understand what
- 1:59:44we're we we see these images
- 1:59:47painted and the first two are things
- 1:59:50that have happened,
- 1:59:52but as far as we know, Zariel never was
- 1:59:55near her sword
- 1:59:58after she was taken up as an arch devil.
- 2:00:04>> It' be more symbolism than anything. the
- 2:00:07power of an angel being kept away from
- 2:00:09her as she fell.
- 2:00:11>> I think Tannis's point is that middle
- 2:00:14one happened exactly like that.
- 2:00:20I saw it.
- 2:00:25>> You think she got close to taking the
- 2:00:27sword at one point, but she lost it?
- 2:00:30>> I don't think you did see I don't think
- 2:00:32you did see Zaryel talk to Asmodus. You
- 2:00:34only ever saw her broken on the ground
- 2:00:37and him saying, "Where's her sword?"
- 2:00:39>> Oh, okay. I I misremembering then.
- 2:00:49>> So, this too could be an artistic
- 2:00:52interpretation.
- 2:00:56>> Who though? Who who made this plan? He's
- 2:00:59responding to Jay and Tannis's voice,
- 2:01:00but like but who made this place? Who
- 2:01:03put these images here?
- 2:01:06Who had the knowledge of what happened
- 2:01:08to Zaryo in these
- 2:01:11depictions? And then
- 2:01:14now this high rider. Oh, indeed.
- 2:01:26I will tell you this.
- 2:01:28All of these paintings that you've seen
- 2:01:30so far, they have a the same art style
- 2:01:33and they all appear hand painted. There
- 2:01:36are little,
- 2:01:38you know, little details as if this
- 2:01:40artist is not the likely notice little
- 2:01:42details that are mispainted or something
- 2:01:46like that where the artist that did this
- 2:01:48is probably not the best.
- 2:01:54>> Perhaps they're a general by trade and
- 2:01:56not an artist.
- 2:01:59If they're loyal loyal to Zario, they
- 2:02:01might be tempted to put things in a more
- 2:02:04forgiving light. [music]
- 2:02:14Being loyal to something is different
- 2:02:15than being bound to something.
- 2:02:20>> That doesn't mean they're completely
- 2:02:21impartial to what happened.
- 2:02:24>> Perhaps not. But we know that Alanthus
- 2:02:26helped Lulu at some point. Therefore,
- 2:02:28there's something in him that wants
- 2:02:32>> I never said he
- 2:02:33>> I never said they were as far down as
- 2:02:35Ariel.
- 2:02:36>> The impression I got I'm sorry.
- 2:02:38>> No, go ahead.
- 2:02:42>> The impression I got from the captain
- 2:02:44was thatus is not bound here by anything
- 2:02:48other than honor to his comrades.
- 2:02:54The ghosts here are bound
- 2:02:59and thus by extension
- 2:03:01is bound by honor.
- 2:03:07>> I could be very wrong. He might not have
- 2:03:09any honor left, but from what this place
- 2:03:12looks like, it seems like he does.
- 2:03:15if he's the keeper of this place.
- 2:03:21>> All the armor, everything does seem so
- 2:03:22pristine. But could he really [music]
- 2:03:24survive down here voluntarily for all
- 2:03:26these centuries by himself?
- 2:03:29>> Oh, no. We know he's a devil.
- 2:03:31>> At least become something different.
- 2:03:36>> I think he might be undead cuz the ghost
- 2:03:39said he's not alive. And look at the
- 2:03:41other people found in this place.
- 2:03:45I just assume by the golden armor with
- 2:03:47the flames coming out of the, you know.
- 2:03:49>> No, good assumption.
- 2:03:54>> Speculation will get us nowhere.
- 2:03:58>> Well, my horse has flint coming out of
- 2:03:59it and I'm not a devil
- 2:04:01>> yet.
- 2:04:03[clears throat] We should keep going.
- 2:04:05>> Hey, what's down this hall?
- 2:04:07>> Can we tidy this place up at all? Like
- 2:04:09is it
- 2:04:10>> It's pretty.
- 2:04:11>> Yeah.
- 2:04:12>> Yeah. Um, I will allow London a
- 2:04:14investigation check or Ben an
- 2:04:17investigation check with either or with
- 2:04:19advantage to look around.
- 2:04:22>> Uh, I'll show you.
- 2:04:24>> Okay, Ben, make an investigation check
- 2:04:26with advantage to find secret doors.
- 2:04:29>> We'll do.
- 2:04:34>> Okay, you there is definitely not a
- 2:04:36secret door in this room. You are 100%
- 2:04:38sure.
- 2:04:40You have never been more sure of
- 2:04:42anything.
- 2:04:52Guess we'll have to keep looking.
- 2:04:53London,
- 2:04:57we do know where one of the two doors,
- 2:04:59at least the general vicinity of it, is
- 2:05:03>> do we?
- 2:05:05In the visions we saw with Lulu when she
- 2:05:08was on the chamber, she she was on some
- 2:05:11sort of large in a large chamber. She
- 2:05:13was on a table and Alanthus came out of
- 2:05:16a door.
- 2:05:20>> Perhaps it's that room he didn't enter.
- 2:05:23Too many bad memories.
- 2:05:28Oh, we know there's two. So, I'm not
- 2:05:30saying we should stop looking, but once
- 2:05:31we get into that chamber, we should
- 2:05:33absolutely.
- 2:05:36>> Good point.
- 2:05:37>> Yep. You guys want to move into the next
- 2:05:39room, 10ft pole on your way through?
- 2:05:42>> Yep.
- 2:05:43>> Okay.
- 2:05:45[cough] The ceiling of this chamber, as
- 2:05:46soon as you enter, you notice it arches
- 2:05:48high overhead, rising nearly 15 ft above
- 2:05:51the floor. Along every wall is a row of
- 2:05:55life-sized carvings of crusaders.
- 2:05:58[music] Each figure wears full plate
- 2:06:00armor with their visors lowered, the
- 2:06:02symbol of the crusade carefully carved
- 2:06:05into their chest plates.
- 2:06:07Their hands rest upon upon the hilts of
- 2:06:09their swords that are pointed towards
- 2:06:11the ground.
- 2:06:13Four towering statues stand upon upon
- 2:06:16tall pedestals along the eastern side of
- 2:06:18the chamber. Each depicting a knight in
- 2:06:21full armor with one arm raised forward,
- 2:06:24each facing the center of the chamber.
- 2:06:26[music] Though they are towering only
- 2:06:28because they stand on tall pedestals,
- 2:06:30they are only a little bit bigger than
- 2:06:33life-size knights statues,
- 2:06:36each facing the center of the chamber.
- 2:06:42>> Um, and they're all different, so I can
- 2:06:44describe them to you if you'd like to.
- 2:06:45If you'd like to.
- 2:06:51>> Phililia will go up and inspect the
- 2:06:55statues closely. Absolutely. The north.
- 2:06:57So, I'm going to go north to south.
- 2:07:01Um, the north the f far furthest north
- 2:07:04one is a female warrior in chain mail
- 2:07:06and breastplate with a plumemed helmet
- 2:07:09and a flowing cloak. And her left hand
- 2:07:12is outward. Her hand is open and cupped
- 2:07:15like closed in a fist, but there's a
- 2:07:17hole in it like this.
- 2:07:20Um, female warrior, chain mail,
- 2:07:23breastplate, plumemed helmet, flowing
- 2:07:25cloak. The one below it, a male warrior
- 2:07:29with simple plate armor, the symbol of
- 2:07:32the crusade carved prominently in his
- 2:07:34chest plate. And his left hand is also
- 2:07:37out
- 2:07:40below that. A female warrior with ornate
- 2:07:44plate armor. Ornate plate armor with
- 2:07:46large puldrons. a carved symbol uh of
- 2:07:50the sun on her chest plate and she also
- 2:07:52has her hand raised up. Uh this one is
- 2:07:56her right hand and the furthest south
- 2:07:58one is a male warrior wearing scale male
- 2:08:01armor with a furlined cape, a thick
- 2:08:04beard protruding from his helm and his
- 2:08:06right hand is raised.
- 2:08:14in their raised hands. Does it look like
- 2:08:16they're supposed to be holding
- 2:08:17something?
- 2:08:18>> Yes.
- 2:08:21>> Mace unknown or sorry, Lance unknown.
- 2:08:24Mace unknown,
- 2:08:26I believe.
- 2:08:32>> Good thing we took those after all. I
- 2:08:33guess
- 2:08:38>> should try and put the mace in the
- 2:08:40>> should try to find all of the presumable
- 2:08:43weapons and then do it.
- 2:08:50>> Could maybe try to do one now just to
- 2:08:53see if I'm on the right track.
- 2:08:55>> I hate to leave these things unattended
- 2:08:56while we
- 2:08:59search for the others.
- 2:09:01Let's see if this lens even fits. Yeah.
- 2:09:04>> Well, you have to like climb up on it or
- 2:09:06something to get it in there.
- 2:09:10>> Do you want Tannis just to fly real
- 2:09:12quick? I have four of them and that way
- 2:09:14we're not climbing up statues.
- 2:09:18>> Or you want to do it?
- 2:09:21>> I could just lift you up. I mean,
- 2:09:24>> feels a little degrading, but okay.
- 2:09:26>> All right.
- 2:09:27>> What?
- 2:09:27>> London will help.
- 2:09:28>> Uppies. Can we get on her shoulders
- 2:09:31instead of like
- 2:09:32>> which statue and witch weapon?
- 2:09:37>> I think the plumage and breast plates
- 2:09:40gets the lance.
- 2:09:41>> Okay, so you you got the lance in your
- 2:09:43hand, you lift up Tannis, you place the
- 2:09:45lance into the open hand and it slots in
- 2:09:48perfectly. And there that same magical
- 2:09:50shimmer covers the whole statue.
- 2:09:58seem to work.
- 2:10:00>> Oh, and the mace to Tannis if you'd like
- 2:10:03to repeat that in the uh third statue.
- 2:10:07>> All right. Chicken jockey over there.
- 2:10:09>> This one.
- 2:10:10>> Yep. You want to put the mace in that
- 2:10:12one? Okay. It slides in perfectly and
- 2:10:16the shimmer glows around the entire
- 2:10:19statue.
- 2:10:20>> And if you try to remove it, does it
- 2:10:21seem locked in place?
- 2:10:22>> No, it comes right out.
- 2:10:30I not opposed to bringing them with us,
- 2:10:32but now we know.
- 2:10:34>> Yeah, I'd like to have them within
- 2:10:35sight. I don't want a restless spirit to
- 2:10:37come along and
- 2:10:40abscond with them.
- 2:10:42>> Y All right, let's uh let's get these
- 2:10:46out. One of these spikes in Homefield's
- 2:10:48armor is right on my ass right now. So,
- 2:10:51all right. Yeah, you can remove the
- 2:10:52weapons. No problem.
- 2:10:57Right. Good call.
- 2:11:01>> What do you think happens when we get
- 2:11:02all full?
- 2:11:03>> Who's the same?
- 2:11:07>> There's a lot.
- 2:11:07>> I come alive and try to kill us. You
- 2:11:09know,
- 2:11:11>> there's a large archway that leads uh to
- 2:11:13the north. Did Did Are we leaving this
- 2:11:15room? Is that where we're going?
- 2:11:18>> Do we [clears throat] do a check in this
- 2:11:19room?
- 2:11:19>> You want to make a check?
- 2:11:21>> Yeah. Yeah, absolutely. at advantage
- 2:11:23investigation.
- 2:11:24>> Provide guidance.
- 2:11:26>> Okay.
- 2:11:28Uh we're going to need guidance on that.
- 2:11:30>> Roll that guidance.
- 2:11:32>> Hey. Okay.
- 2:11:33>> 18.
- 2:11:34>> Uh you notice the outline of a secret
- 2:11:36door right here.
- 2:11:37>> Let's go.
- 2:11:40>> I think I found the locks, too.
- 2:11:46>> Ah, gotcha.
- 2:11:51Better not go prying where we should.
- 2:11:53Not until we've
- 2:11:55>> finished things.
- 2:11:58>> Yeah, maybe uh finding the other weapons
- 2:12:00will uh open that one for us.
- 2:12:04>> Or did you have a different idea,
- 2:12:05August?
- 2:12:06>> No, it seems too obvious to uh not
- 2:12:09follow that
- 2:12:11path.
- 2:12:16Let's uh see what other secrets await
- 2:12:19Steve in the mist here then.
- 2:12:21>> Yeah, we'll go north.
- 2:12:23>> A [cough and clears throat] wide hall
- 2:12:24stretches into darkness. Its walls are
- 2:12:27lined with sconces holding unlit
- 2:12:29torches. Thick cobwebs cling to the
- 2:12:32stone here, [music] filling the corners
- 2:12:34and hanging across the passage. Unlike
- 2:12:36other areas of the dungeon, along the
- 2:12:39walls are several carved archways that
- 2:12:42frame faded murals. Their images are
- 2:12:45worn and obscured. There are three
- 2:12:47mirror murals mirrored on both sides.
- 2:12:51So, there's six murals total in this
- 2:12:53place.
- 2:13:01>> Six murals, you said.
- 2:13:02>> Three on one side, three on the other.
- 2:13:04And they're equidistant on all sides.
- 2:13:09>> Um I can give you a rundown if you'd
- 2:13:11like.
- 2:13:12>> Yep.
- 2:13:13>> So
- 2:13:16uh we'll do the
- 2:13:18east side first. So the first mural
- 2:13:23depicts a young knight clad in plate
- 2:13:25armor holding a great sword limply in
- 2:13:28his hand. His head hangs low as several
- 2:13:31devils lift and carry him away, their
- 2:13:34grasping hands surrounding him.
- 2:13:38Beside that mural depicts the same young
- 2:13:41knight kneeling before Zaryel in her
- 2:13:44arch devil form, his sword driven into
- 2:13:47the ground as he rests his head on its
- 2:13:49pommel.
- 2:13:50Zariel sits upon a towering black throne
- 2:13:54whether breathed in flames looking down
- 2:13:57upon him.
- 2:14:01The final mural on this side depicts a
- 2:14:03knight clad in black spiked armor. The
- 2:14:07top of his helm shaped like a curved
- 2:14:10scythe and a red glow burning behind the
- 2:14:13slits of his visor. He rises from a
- 2:14:15blood red river. One hand outstretched
- 2:14:18towards Zariel in her arch devil form.
- 2:14:20At the river's edge, Zariel kneels
- 2:14:22before him, her arms reaching out as if
- 2:14:25to welcome him. And it looks like the
- 2:14:27final one looks like this.
- 2:14:41So three images. The first one beat up
- 2:14:44being carried by devils. The second one
- 2:14:46kneeling before Zariel on a throne. The
- 2:14:48third one rising from a river. She's
- 2:14:51welcoming him.
- 2:14:53opposite side
- 2:14:56in the same place where the beat up guy
- 2:14:59was being carried there. We're starting
- 2:15:02that direction again. The mural on the
- 2:15:05opposite wall depicts a knight clad in
- 2:15:09golden armor. His face marked by wisdom
- 2:15:12and a thick mustache. He gazes his gaze
- 2:15:15is lowered as a host of devils surround
- 2:15:17him, lifting him from the ground and
- 2:15:19carrying him away.
- 2:15:23The mural beside that depicts Zaryel in
- 2:15:26her arch devil form, her arms
- 2:15:28outstretched and her face turns upward
- 2:15:31and her face turned upward as if in
- 2:15:34anguish. Beneath her, the knight in
- 2:15:37golden armor kneels with both hands upon
- 2:15:40his sword, driving the blade into
- 2:15:43himself. Blood fountains from the wound.
- 2:15:50The final mural depicts Zariel in her
- 2:15:52arched devil form uh seated upon a
- 2:15:56raised pedestal. The golden armored
- 2:15:59knight carefully cradled in one arm. Her
- 2:16:02other hand is held above him. Flames
- 2:16:05erupting from the severed limb and
- 2:16:07engulfing the knight's body. I'll just
- 2:16:10show you the image. This is the last
- 2:16:11one.
- 2:16:20So beat up, being carried away, stabbing
- 2:16:23himself with his own sword
- 2:16:27being turned into
- 2:16:30whatever that is.
- 2:16:32And as you reach the fin the end of the
- 2:16:35hall on the slanted wall, there is a
- 2:16:37another mural. The fi a final mural.
- 2:16:42The final mural rests on the slanted
- 2:16:44wall where the hall turns with an unlit
- 2:16:47torch sconce directly beneath it. The
- 2:16:50image depicts Zaryel, excuse me, in her
- 2:16:52arch devil form, her black wings spread
- 2:16:55wide, her severed hand replaced with a
- 2:16:58spike spiked flail, while her other arm
- 2:17:01holds a massive black Warhammer raised
- 2:17:04above her head. Flanking her are two
- 2:17:07knights mirroring mirroring her stance.
- 2:17:10To her left stands the knight in black
- 2:17:12spiked armor, lifting an infernal great
- 2:17:15sword. To her right stands a knight clad
- 2:17:18in black and gold armor raising a curved
- 2:17:21infernal blade. His helm bears a visor
- 2:17:25shaped like a human face with a thick
- 2:17:26mustache. It looks like this.
- 2:17:41Very cool.
- 2:18:00Oh, this is how she made devils out of
- 2:18:02her generals.
- 2:18:07Looks as though they didn't have a
- 2:18:08choice in the matter
- 2:18:10except the dealer reject.
- 2:18:12She still got to them in the end.
- 2:18:16>> Why is Harammon so much more gone than
- 2:18:19Atlantis though?
- 2:18:22>> Maybe he accepted.
- 2:18:30Whether he wanted it or he was just too
- 2:18:32tired or exhausted or defeated to
- 2:18:34resist,
- 2:18:39it seems like Atlanteus made his
- 2:18:40position quite clear.
- 2:18:44And even then, she refused to accept it.
- 2:18:48They'll turn him into whatever that is
- 2:18:50at the end.
- 2:18:54>> I have a feeling we're going to find out
- 2:18:56what that is.
- 2:19:04still think she cares about the souls
- 2:19:06here.
- 2:19:09>> Seems like it could have been the only
- 2:19:10way to protect them in her own twisted
- 2:19:14[ __ ] up sense of it. Better for them
- 2:19:16to
- 2:19:18suffer eternal torment than to be turned
- 2:19:20into devils. Rest here restlessly
- 2:19:23forever.
- 2:19:27Except they got turned into devils
- 2:19:29anyway.
- 2:19:29>> Yeah, I was going to say I said
- 2:19:30something similar when we first entered
- 2:19:32here, but seeing what you did to
- 2:19:34Atlanteus.
- 2:19:36How do we reconcile that?
- 2:19:39>> Devil is a devil except that one follows
- 2:19:42her.
- 2:19:47>> So, is the problem them turning into
- 2:19:49devils or them turning into devils that
- 2:19:52she can't use?
- 2:19:56I don't mean to generalize, but I can't
- 2:19:58imagine turning into devils is ever a
- 2:20:00good thing under any circumstance.
- 2:20:06>> I feel of all people in this world that
- 2:20:08should know that being transformed to
- 2:20:09devil isn't always a choice you have to
- 2:20:11make for yourself. You should be that
- 2:20:12person. Oilia,
- 2:20:16>> if Gauntlet was the one to do it to me,
- 2:20:19that would speak rather negatively on
- 2:20:21him.
- 2:20:23Surely
- 2:20:24there is a way that she could have
- 2:20:26prevented that. Anything to keep his
- 2:20:29soul from being turned into a fiend.
- 2:20:34Doesn't look like she respected his
- 2:20:36wishes.
- 2:20:38And this is the version that was chosen
- 2:20:39to be painted.
- 2:20:42And how many have been turned into
- 2:20:43fiends in the past few [music] months?
- 2:20:50and my brothers and sisters in the
- 2:20:51order,
- 2:20:54they'd been turned into Zuriel
- 2:20:55themselves.
- 2:20:59Was it because they had no other choice
- 2:21:01or because Zariel was the one who
- 2:21:02initiated it?
- 2:21:10Well, we can sit here and look at these
- 2:21:11and speculate all we want, or we can go
- 2:21:13asktheth himself.
- 2:21:16>> Agreed.
- 2:21:26All right. You want to move forward?
- 2:21:29>> Yep. There are no [clears throat] secret
- 2:21:30doors in this hallway, just so you know.
- 2:21:32Investigate all you like.
- 2:21:36>> Still got my eye out for any more of
- 2:21:37those weapons.
- 2:21:39>> Yeah.
- 2:21:42>> This chamber stretches ahead. Why don't
- 2:21:44we move kind of everybody in here?
- 2:21:46Uh, this chamber stretches ahead in a
- 2:21:48long wide hall illuminated by blue
- 2:21:51flamed torches set in disconceses along
- 2:21:53the walls. Standing sarcophagi are
- 2:21:56rested at regular intervals, each carved
- 2:21:59in the likeness of a horned robed figure
- 2:22:03gripping a sword with both hands, its
- 2:22:06jagged blade resting at its feet. The
- 2:22:09symbol of arch devil Zariel is carved
- 2:22:12prominently above uh upon the chest of
- 2:22:14every figure. So, I don't know if I've
- 2:22:16ever actually showed you Ariel symbol.
- 2:22:18So, I'm going to do so now.
- 2:22:21Here is the symbol.
- 2:22:32Um, at the far end of the chamber, so
- 2:22:35where you guys are standing, um, a
- 2:22:37collapsederary table lies
- 2:22:41beneath a carved archway framing a faded
- 2:22:44mural upon the stone. So that's to the
- 2:22:46north of like where Tannis is, right?
- 2:22:48No, no, no, no. That's down here.
- 2:22:51Um,
- 2:22:54beneath a there's a mural. Beside it,
- 2:22:58there is a shallow al cove. That's right
- 2:23:00here.
- 2:23:03um where there are two larger
- 2:23:05sarcophagi, their carved figures are
- 2:23:08crowned with sweeping horns and cirlets
- 2:23:11wreathed in flame.
- 2:23:14So there are 1, two, three, four, five,
- 2:23:18six standing sarcophagus in the other
- 2:23:20room with these horned robed figures
- 2:23:23with the symbol of Zariel on their
- 2:23:24chest. And in the al cove, there are two
- 2:23:28[clears throat] side by side that have
- 2:23:31bigger horns
- 2:23:33um and cirlets of fire around their
- 2:23:35head.
- 2:23:38We uh lose music.
- 2:23:47[music]
- 2:23:48might be asking treble gauntlet, but
- 2:23:52think we should pray and see if we get
- 2:23:53an answer from these.
- 2:23:55>> Oh, what does a mural depict? [music]
- 2:23:57>> Um, as you look at the mural,
- 2:24:02the sarcophagi slide open.
- 2:24:07I need everybody to roll an initiative.
- 2:24:18I guess not. Ailia.
- 2:24:22>> Hey, this is the time.
- 2:24:28>> Oh, it's fair Jinx.
- 2:24:34Okay. Roll and roll.
- 2:24:37All right. So,
- 2:24:40as [clears throat] the sarcophagi slide
- 2:24:42open, you will [music] see, uh,
- 2:24:47skeletal figures,
- 2:24:50uh, wearing
- 2:24:52robes, like dark robes,
- 2:24:55and each of them have a amulet around
- 2:24:58their neck with a soul coin as the or
- 2:25:02no, I don't think all of them. Hold on,
- 2:25:04let me see. No, no, just just Well, I'll
- 2:25:07do them in a minute. So, they all and
- 2:25:10they have these jagged swords. Um, and
- 2:25:13they have devil horns from their skull
- 2:25:16heads. Um, and there are the two in the
- 2:25:18al cove where
- 2:25:21like horned cirlets and they also have
- 2:25:24bigger horns and they have the soul coin
- 2:25:26amulets. Um, and they draw weapons and
- 2:25:29attack. So, London, you're up first.
- 2:25:34Oh, right in the middle of the party.
- 2:25:38Um, London is going to action disengage
- 2:25:45and say, "Excuse me. Oh, pardon me.
- 2:25:48Sorry. Nope. Not going to go down that
- 2:25:50way. Sorry, guys. Sorry. Just going to
- 2:25:52scoot past here and uh cook it down this
- 2:25:56hallway a little bit.
- 2:25:59Uh, bonus action.
- 2:26:02Hunter mark on this gal up top.
- 2:26:05>> Okay.
- 2:26:06>> And uh let's let's live the fight
- 2:26:09another day.
- 2:26:14>> All righty. [snorts]
- 2:26:15Next to the order, [cough] Tannis.
- 2:26:20>> I mean, Tannis just saw London run away
- 2:26:22as far as he's
- 2:26:27>> to the rear. You feel the judgment from
- 2:26:30around the corner from Tannis.
- 2:26:32>> It's not a retreat. It's amazing.
- 2:26:34>> I'm gonna I'm gonna cast uh shadow of mo
- 2:26:37seeing how many things are in this
- 2:26:39little tiny room with us.
- 2:26:42Um
- 2:26:44so that's my action.
- 2:26:46>> Okay.
- 2:26:48>> And
- 2:26:49um
- 2:26:52[ __ ]
- 2:26:54it's a lot of bad guys.
- 2:27:00And they're undead. I don't like that.
- 2:27:02>> They are undead.
- 2:27:03>> I'm assuming they are anyways. Uh yeah,
- 2:27:05I'm just going to move. I'll probably
- 2:27:06take that one attack of opportunity, but
- 2:27:08I'm just going to move.
- 2:27:09>> Uh
- 2:27:10>> let me let me give you that attack of
- 2:27:11opportunity real quick.
- 2:27:14>> Uh here's here it is. 22
- 2:27:17>> 22 hits.
- 2:27:18>> Uh do they have disadvantage cuz the
- 2:27:20blinding thing?
- 2:27:21>> They do. Thank you. Shadow Mo. Yep.
- 2:27:23>> They have the blinding. 19 still hits.
- 2:27:26>> Oh. Sorry. No, it doesn't. No, I got a
- 2:27:2820 AC now. That's right. Yeah.
- 2:27:29>> All right. So, it misses.
- 2:27:30>> There we go.
- 2:27:31>> Misses.
- 2:27:34>> New character, you know.
- 2:27:35>> Yeah. No worries.
- 2:27:37>> Session 81.
- 2:27:38>> Yeah, I know. 86. No. Still earning. No
- 2:27:41worries.
- 2:27:41>> All right, that's it. That's my turn.
- 2:27:42>> Okay. Uh, Hilia, you're up.
- 2:27:45>> Felia says something about, "Wow, really
- 2:27:47playing a ginger sunstar on us."
- 2:27:50>> London. [laughter]
- 2:27:51>> Uh, too soon, bro. Too soon.
- 2:27:55Well, the ones right in front of her
- 2:27:56look the best. So,
- 2:27:59she's going to run up to these. Uh,
- 2:28:01>> yep.
- 2:28:02>> Maul in hand. Valve emnity on the one in
- 2:28:05front of her.
- 2:28:06>> Okay.
- 2:28:06>> For advantage,
- 2:28:08iron block 29 to hit.
- 2:28:12>> Uh,
- 2:28:12>> oh, sorry. Uh, that's not radiant, so
- 2:28:14ignore that.
- 2:28:14>> Yeah, I mean, yeah, it definitely hits.
- 2:28:16>> So, 11 budgeoning, two forest.
- 2:28:20Uh going to do a level two divine smite.
- 2:28:25>> Okay.
- 2:28:28>> So that should
- 2:28:33>> uh oop that was a level one. Sorry.
- 2:28:35>> Okay. No worries.
- 2:28:36>> No, that's okay. Uh 2d8 1d8. Okay. 14
- 2:28:40radiance.
- 2:28:41>> Okay. He takes it.
- 2:28:44>> That was the first attack. Second
- 2:28:45attack.
- 2:28:47it.
- 2:28:48>> 247 bludgeoning three force.
- 2:28:52>> All right, he is bloodied,
- 2:28:55>> right? And it'll be my turn.
- 2:28:57>> Okay. Um, August, you're up.
- 2:29:02>> Uh, I think this calls for a spirit
- 2:29:05guardians.
- 2:29:07>> Okay,
- 2:29:08>> there we go. Yeah.
- 2:29:09>> Boy, oh boy. [laughter]
- 2:29:11It's about time.
- 2:29:15I'm not whittling you guys down before a
- 2:29:17massive fight. [laughter]
- 2:29:20>> Hey, the way I see it, you have two
- 2:29:22meters that you could drain. Your spell
- 2:29:24slots or your hit points.
- 2:29:25>> Hey, let's get it.
- 2:29:29>> All right, so that's a fuckload of
- 2:29:31saves, right?
- 2:29:32>> Yeah.
- 2:29:33>> One, two, three, four whites.
- 2:29:36>> What is it? Whis
- 2:29:38>> wisdom.
- 2:29:39>> Um, it's 17.
- 2:29:44>> Okay. One success. Unless they have
- 2:29:45advantage for some reason.
- 2:29:46>> We just roll my damage. No, they don't.
- 2:29:48They're white. They're just regular
- 2:29:49whites.
- 2:29:53>> It's half on a save.
- 2:29:55>> Yes.
- 2:29:56>> Okay. So, fail.
- 2:30:02Success.
- 2:30:09Fail.
- 2:30:12Fail.
- 2:30:15Okay, they take it.
- 2:30:17>> Might as well take a might as well take
- 2:30:19a Oh, no. Cuz I will take opportunity
- 2:30:21attack from that one up here.
- 2:30:22>> Yeah. And I need to make my Wiz saves
- 2:30:24for my death locks.
- 2:30:27Both succeed.
- 2:30:28>> Yeah. So, I still take five.
- 2:30:30>> Yep.
- 2:30:32>> The ones near Hilia, are those the death
- 2:30:35locks? They have the
- 2:30:37>> Yeah. When they raise their hand, like
- 2:30:39black flames emerge. They're some sort
- 2:30:41of caster.
- 2:30:44Uh, that is all for me.
- 2:30:46>> Mhm.
- 2:30:48>> Real quick, out of curiosity, is the is
- 2:30:50the light in here dim light or is it
- 2:30:52regular?
- 2:30:53>> No, it's probably well illuminated in
- 2:30:55here.
- 2:30:55>> It's well lit in here. Okay.
- 2:30:57>> All right.
- 2:30:58>> Um, death lock.
- 2:31:02What do they do?
- 2:31:04>> Blast.
- 2:31:06>> Yeah. Oh, boy. They do a lot of stuff.
- 2:31:08Holy [ __ ] What does this do?
- 2:31:15>> [laughter]
- 2:31:18>> Oh, this is interesting. I wonder can
- 2:31:20you can somebody look up for me uh
- 2:31:23hunger of Hadar, the new one?
- 2:31:26>> I mean, I have it on my spell sheet. Oh,
- 2:31:28no. I got rid of that.
- 2:31:29>> Okay.
- 2:31:29>> No, I do have it.
- 2:31:30>> Yeah, I want to post it.
- 2:31:31>> There it is.
- 2:31:33>> 20 foot radius sphere.
- 2:31:39Oh,
- 2:31:40>> that's this whole [ __ ] room several
- 2:31:41times over.
- 2:31:42>> [ __ ] yeah. All right, we'll Can somebody
- 2:31:46draw me one for me? Just wherever. I
- 2:31:49don't care.
- 2:31:52>> I mean, it's the whole room.
- 2:31:54>> Yeah, but we got to we got to we got to
- 2:31:56we got to put it somewhere
- 2:31:59>> because London might not be in it.
- 2:32:02Are they all going to be in it? Can they
- 2:32:04see in this?
- 2:32:07No.
- 2:32:08>> Uh, what point are they putting it at?
- 2:32:10>> Hold on.
- 2:32:12What does it say?
- 2:32:14>> I guess if it's there, it's going to be
- 2:32:15Yeah, the whole room.
- 2:32:16>> Oh, they can't see in it.
- 2:32:19Wait. Yeah, they can't. No, they can't.
- 2:32:25>> Yeah, it's magical darkness.
- 2:32:27>> Oh, yeah. Never mind. He won't do that.
- 2:32:29Wait, why wouldn't they have Yeah. All
- 2:32:31right. No, we're not going to do that.
- 2:32:33I'm learning. I didn't know. I didn't
- 2:32:35know they could do all kinds of cool
- 2:32:36stuff.
- 2:32:40Um, okay. Uh,
- 2:32:44[ __ ] What kind of save is this?
- 2:32:50Wisdom save. Okay. Um,
- 2:32:54Hilia, make a wisdom save.
- 2:32:57>> Absolutely.
- 2:33:00>> That is a fail. [snorts] They command
- 2:33:02you to gravel. Is that one of the
- 2:33:04commands?
- 2:33:05>> Yes.
- 2:33:06>> Okay. But you have to do it on your
- 2:33:07turn, right?
- 2:33:08>> Yeah. On on her turn, she'll go prone.
- 2:33:10>> It's not concentration. I It's just a
- 2:33:11one-time thing.
- 2:33:12>> Yeah. It's just
- 2:33:13>> boom. That's what the north one does.
- 2:33:15The south one will start going crazy
- 2:33:19with
- 2:33:20uh deathly claws onia.
- 2:33:25Uh 16 to hit.
- 2:33:27>> Nope.
- 2:33:28>> A
- 2:33:3015 to hit. Apparently misses.
- 2:33:32>> Nope.
- 2:33:35Okay,
- 2:33:37that is the death lock's turn.
- 2:33:40Vin, you're up.
- 2:33:44>> All right. Yeah, Vin's going to start uh
- 2:33:46working on these whites.
- 2:33:49>> Sorry, Death Locks ended their turn.
- 2:33:50Spirit guardians.
- 2:33:51>> Yeah.
- 2:33:52>> Some saves, please.
- 2:33:53>> Uhhuh. Um and I wanted to move that one,
- 2:33:55too.
- 2:33:56All right. What is it?
- 2:34:00Roll the damage for me.
- 2:34:04Both fail.
- 2:34:05>> 15 to both of them.
- 2:34:11>> Oh, they should have commanded you to
- 2:34:13drop your [ __ ] spell. All right.
- 2:34:16I forgot about that. All right, Vin,
- 2:34:17you're up.
- 2:34:22>> Okay, this white right [music] here.
- 2:34:24Let's see if we can just take it off the
- 2:34:26board.
- 2:34:26>> Okay, we'll see. Uh, are we in Hilia's
- 2:34:30Ara?
- 2:34:33>> Yes, I
- 2:34:33>> think so. Yeah.
- 2:34:37>> Okay. Forced demolisher.
- 2:34:41>> That hits.
- 2:34:42>> Two to hit. 14 force.
- 2:34:45>> Exit.
- 2:34:47>> All right. Another one on the same one.
- 2:34:4917 to hit.
- 2:34:50>> That hits.
- 2:34:52>> Okay. So, what we got? Let's see. What?
- 2:34:5722 22 for
- 2:34:59>> Yep, I think I got it.
- 2:35:03>> Uh, anything else she can do?
- 2:35:07Kind of a tight space. No ledges to push
- 2:35:09anything off. So, [laughter]
- 2:35:12I'm always looking. I'm always looking.
- 2:35:14>> No war machines to teleport someone in
- 2:35:17front of.
- 2:35:19>> Yeah, most of her tricks kind of don't
- 2:35:20work here. All right, that's her turn.
- 2:35:23>> Okay. Um,
- 2:35:25it is now the white's turn. Uh, we'll
- 2:35:28start with the one by then.
- 2:35:32Um, no, actually this one will move here
- 2:35:35and go for August.
- 2:35:39>> Uh, as it gets within 5 ft of me, I'm
- 2:35:41going to use my brace uh reaction. Yep.
- 2:35:44>> To attack it.
- 2:35:46>> And just make sure I put that damage
- 2:35:49with the superior die. Right. Yeah.
- 2:35:50Yeah. Yeah. Yeah.
- 2:35:5223 to hit.
- 2:35:54>> All right. Um,
- 2:35:57so they'll take 12 slashing plus the D6.
- 2:36:02>> Uh, 18 points of uh damage.
- 2:36:04>> He is bloodied.
- 2:36:05>> Radiant style.
- 2:36:08>> Yep.
- 2:36:09>> He is bloodied. Um, so he's going to go
- 2:36:11for August.
- 2:36:13So we're going to do
- 2:36:18necrotic sword. Uh, 20 to hit.
- 2:36:20>> That hits. All right. 3 + three.
- 2:36:24>> That is reduced to four total for me.
- 2:36:27>> Okay. And then make a con save.
- 2:36:34>> Damn.
- 2:36:35>> 22
- 2:36:36>> and then make one for concentration.
- 2:36:41>> All good.
- 2:36:42>> Okay. Uh so that doesn't work. So, he
- 2:36:45slashes out at you with this crooked
- 2:36:47blade, and then he raises his other hand
- 2:36:49to like try to suck your life force out
- 2:36:51of you, but it doesn't uh do anything.
- 2:36:53All right, so now we're going for the
- 2:36:56the sets of attacks on
- 2:36:59Tannis, which is quite a few.
- 2:37:01>> Yeah, I just realized I supposed to have
- 2:37:03an advantage on that attack. Is it too
- 2:37:05late?
- 2:37:06>> No. Where were you? Oh, sure. Gripfish.
- 2:37:08>> I'm here, but I I have the shadow moy
- 2:37:10up.
- 2:37:10>> Critish.
- 2:37:11>> So, just crit. Okay. Yeah, never mind.
- 2:37:13Thank god cuz that was a little bit of
- 2:37:15damage. Well, we could have readded it.
- 2:37:16No big deal. All right. Uh All right.
- 2:37:18Here they come. They're all at
- 2:37:19disadvantage,
- 2:37:21>> right? That's how that works.
- 2:37:23>> Yes.
- 2:37:23>> Okay. All right.
- 2:37:24>> Well, the two No, the two that are
- 2:37:25flanking me will be a flat roll.
- 2:37:26>> Flat roll. That's right. All right. So,
- 2:37:27we'll do
- 2:37:28>> Actually, they're all flanking me. So,
- 2:37:31yeah, this is all just flat rolls.
- 2:37:32>> Oh, they are all flanking you. Nice. All
- 2:37:34right. So, we'll do uh 20 to hit
- 2:37:38>> glancing blow.
- 2:37:39>> All right. 10 plus seven. Reduce each
- 2:37:42individually. So five and I'm resistance
- 2:37:44to necrotic. So that seven is reduced
- 2:37:46twice.
- 2:37:46>> Yes.
- 2:37:47>> So that's two. Okay. [cough]
- 2:37:49>> All right. And then make a con save.
- 2:37:52>> Yep. Let me just pull that seven off and
- 2:37:56con save.
- 2:37:58>> Okay.
- 2:37:58>> 12. Uh that
- 2:38:00>> should succeed. Oh, wait. Sorry. This
- 2:38:02that was for con the concentration
- 2:38:05>> right? I need another save. Yes.
- 2:38:08>> Okay.
- 2:38:10>> Right.
- 2:38:11>> Uh okay. So you take
- 2:38:15um here we'll just do this. Take four
- 2:38:19um
- 2:38:21necrotic damage and your hit point
- 2:38:25maximum decreases by that much.
- 2:38:28>> Okay. Uh is that
- 2:38:32the four necrotic that's not but I have
- 2:38:34resistance necrotic damage that just is
- 2:38:36two
- 2:38:36>> reduced to two. Yeah. And then that two
- 2:38:38is out of your hit point maximum.
- 2:38:41>> Okay.
- 2:38:42Got it.
- 2:38:43>> Uhhuh.
- 2:38:43>> And you need another concentration or
- 2:38:46>> Yep. That's going to be a while.
- 2:38:48>> Yeah. Sorry, guys. All right. I'm good.
- 2:38:50>> It's okay. It's okay. All right. That's
- 2:38:51a success. All right. We're going to do
- 2:38:53I think this next guy is just going to
- 2:38:54do two sword attacks. Both miss. I
- 2:38:57reckon
- 2:38:57>> both miss. Yep.
- 2:38:58>> All right. And then the third guy, he's
- 2:39:01going to do one 19. I think it misses.
- 2:39:04>> Misses.
- 2:39:05>> Um, but I want a concave for this one.
- 2:39:09>> 15. That succeeds. It's saber suck. Um,
- 2:39:14all right. That was that it for that.
- 2:39:17Now we're gonna do five 10 15 20.
- 2:39:23>> Um, well, [ __ ] This guy's probably
- 2:39:25going to have to come down to tannis,
- 2:39:26too, probably.
- 2:39:28>> Um,
- 2:39:28>> yeah. Sorry. Shadow of Mo. That should
- 2:39:30have returned some damage to the one
- 2:39:31that hit me.
- 2:39:33>> Okay. Um,
- 2:39:35>> hit that'll be whatever that was. Uh,
- 2:39:38nine points of radiant damage to the one
- 2:39:40I hit.
- 2:39:41>> Okay, that's it.
- 2:39:42>> All right. Um, I'm not entering the
- 2:39:46That's stupid. But this one leaves it.
- 2:39:49So, London.
- 2:39:50>> Oh, hold on.
- 2:39:51>> Yep.
- 2:39:51>> Spear guardians is difficult terrain.
- 2:39:53Can that guy get to London?
- 2:39:54>> Let's see. Where was he? Up here.
- 2:39:56>> He was in the corner there. Yeah.
- 2:39:58>> 5 10 15 20 25 30 No, he'll actually get
- 2:40:04out of it.
- 2:40:05>> Hell yeah, brother.
- 2:40:06That feature of spirit guardians has
- 2:40:08never been useful for me before.
- 2:40:10>> All right, [laughter] but this one is
- 2:40:11going to shoot into the He has a bow.
- 2:40:15He's going to shoot into it at August.
- 2:40:18>> Um, so here's what I get.
- 2:40:20>> Two shots for August. How's a 13 sound?
- 2:40:24>> I manage to block that with my shields
- 2:40:26or
- 2:40:27>> as I like to call them.
- 2:40:29>> A 19. Does that hit?
- 2:40:31>> Uh, that hits.
- 2:40:33three per. Oh, so you can do
- 2:40:35>> so one and then one cuz six.
- 2:40:39>> Yep.
- 2:40:40>> Wow. Two points. Wow. Um but I do need
- 2:40:43that con save that does still trigger
- 2:40:46>> for the uh
- 2:40:48>> for the like life steal part or for
- 2:40:49concentration
- 2:40:50>> concentration.
- 2:40:56>> All right. Um
- 2:40:58that is all of my whites.
- 2:41:01Uh, the ones that end their turn and
- 2:41:03spirit guardians.
- 2:41:04>> Four of them
- 2:41:06>> have to make a wisdom save.
- 2:41:08>> One, two, three, four. All of them fail.
- 2:41:12>> Wow.
- 2:41:16>> 17 damage.
- 2:41:19>> That's awesome.
- 2:41:26This is brutal on these guys.
- 2:41:29>> All right. enclosed room. This is the
- 2:41:31perfect place for
- 2:41:33>> All right, that is my whites. It is now
- 2:41:35top of the order London Rose.
- 2:41:38>> Uh let's move favorite to this Bucky
- 2:41:42Lass right here and just start shooting
- 2:41:45it.
- 2:41:46>> 27.
- 2:41:49>> Uh that definitely hits.
- 2:41:50>> Django will pump in.
- 2:41:53>> Can't wait. Okay, so moving your
- 2:41:54favorite foes just free.
- 2:41:56>> Nope. I get four of them
- 2:41:59>> to move it.
- 2:42:01>> Uh, I can cast. It's like a recast of
- 2:42:03Hunter's Mark basically. So that's my
- 2:42:05bonus action.
- 2:42:06>> Okay.
- 2:42:07>> Bonus action to reapply.
- 2:42:09>> And Django is a is Django's reaction to
- 2:42:12do that.
- 2:42:12>> Confirm.
- 2:42:13>> Got it.
- 2:42:16>> Um, so 21 damage there
- 2:42:21>> and second attack
- 2:42:2515. Uh, that hits
- 2:42:29>> uh 11 damage.
- 2:42:31>> All right, he takes it. He's still up.
- 2:42:32Looking good.
- 2:42:33>> Damn. Okay, that's it for me.
- 2:42:36>> All right, Tannis, you're up.
- 2:42:41>> This guy's a card.
- 2:42:44>> Yeah, these whites are a little more of
- 2:42:46a challenge than I thought they were
- 2:42:47going to be.
- 2:42:48>> They're all looking not too bad,
- 2:42:49actually. This is the only one that's
- 2:42:51below. Oh, this one and this one are the
- 2:42:53only ones that are bloodied.
- 2:43:00Oh [ __ ] I have a fun idea, but
- 2:43:07>> I would It would take too many
- 2:43:08opportunity attacks to get there. Um I'm
- 2:43:10going to go ahead and just the one
- 2:43:11that's to my bottom right next to August
- 2:43:13is the worst looking one. Yep.
- 2:43:15>> Let's go ahead and just start with that.
- 2:43:16Uh add advantage.
- 2:43:19>> Uh 21. That hits
- 2:43:22>> uh for nine radiant and we'll do the
- 2:43:26lifrinker which is another five radiant.
- 2:43:29>> He's dead. That's just enough.
- 2:43:30>> Okay, great.
- 2:43:32>> Awesome. And then I'll just go to the
- 2:43:35next one in the order, which will be the
- 2:43:37one to my right. I don't know. Okay,
- 2:43:39doesn't matter.
- 2:43:40>> Yep.
- 2:43:41>> Natural 20. Yeah, that feels good.
- 2:43:44>> Uh so that'll be 8 + 7.
- 2:43:48>> Got it.
- 2:43:50He's bloody. Oh,
- 2:43:51>> these things are too weak to be using
- 2:43:53Eldrich smites on. So, I'm just going to
- 2:43:54do the Genie's Wrath. Has another four
- 2:43:56on top of that.
- 2:43:57>> All right, he takes it.
- 2:43:58>> Uh
- 2:44:0019 total points of damage.
- 2:44:01>> Yep, I got it.
- 2:44:04>> And that I believe will be my turn.
- 2:44:08>> Okay,
- 2:44:10you order one.
- 2:44:13>> You have command on you. So, you have to
- 2:44:15What does gravel do? Does it say? And
- 2:44:17>> you go prone.
- 2:44:18>> I go prone.
- 2:44:18>> And that's your action, right?
- 2:44:20>> That's my end your turn. So, she's going
- 2:44:22to be prone for this whole round.
- 2:44:23>> Sorry about that. Um, but that's what
- 2:44:26they do.
- 2:44:28>> Uh, that's it. Uh,
- 2:44:33>> August, you're up.
- 2:44:36>> Um,
- 2:44:41>> I will cast Word of Radiance. Okay.
- 2:44:46which sounds much more powerful than it
- 2:44:48is.
- 2:44:49>> Okay.
- 2:44:50>> And I need the creatures within 5T of me
- 2:44:52that aren't allies to make constitution
- 2:44:54saving.
- 2:44:56>> Okay.
- 2:44:58Uh
- 2:44:59two whites, I think.
- 2:45:03Yep. And then one death block.
- 2:45:11All right. So the 19 succeeds and on a
- 2:45:14failure they take 16 damage. On success
- 2:45:16they take nothing.
- 2:45:17>> They take nothing.
- 2:45:19>> Yeah. It's just a can trip.
- 2:45:20>> Uh okay. So nothing
- 2:45:2416.
- 2:45:28Got it.
- 2:45:31>> Uh and that is all for my turn.
- 2:45:35>> Okay. [cough] Death locks. Spirit
- 2:45:38Guardian just pulses out again like
- 2:45:41knocks him back.
- 2:45:42>> Dope.
- 2:45:44Uh,
- 2:45:45let's hit.
- 2:45:48They would have Oh, he's not going to
- 2:45:50have advantage unless he moves here, but
- 2:45:53then he moves out of Tannis's range.
- 2:45:56>> They have advantage on if you're talking
- 2:45:57about Hilia.
- 2:45:58>> Oh, yeah. I forgot about Hilia. Oh,
- 2:46:00yeah. Let's go [ __ ] up.
- 2:46:01>> Oh, sorry. Okay. Sorry. [laughter]
- 2:46:04advantage on
- 2:46:05>> uh deathly claw on Hilia. It has
- 2:46:07advantage 20 to hit.
- 2:46:10>> Yep, it hits.
- 2:46:11>> Okay, I'm about to do something nasty.
- 2:46:13So, I'm going to do that. But wait,
- 2:46:15>> I got a silvery barbs
- 2:46:17>> because
- 2:46:18I the amulet around his neck begins to
- 2:46:21glow and when he hits with an attack
- 2:46:24roll that isn't a critical hit, it can
- 2:46:25turn it into a critical hit. So, it's
- 2:46:28going to make that a crit. So, just just
- 2:46:30double the dice on this. So,
- 2:46:33[clears throat]
- 2:46:33>> armor
- 2:46:34>> can't be crit.
- 2:46:36>> Cannot be crit.
- 2:46:37>> Damn, what a waste. All right, he does
- 2:46:39that and
- 2:46:44do it again.
- 2:46:51>> He is really surrounded.
- 2:46:53Yeah, he'll do it again. No, he's going
- 2:46:56to turn on August this time. Yes.
- 2:47:01All right, that was him. This guy is
- 2:47:03going for Oilia. No, this guy's also
- 2:47:07going for August. I'm here.
- 2:47:09>> No, it's going for August.
- 2:47:10>> Uh,
- 2:47:12with a grave bolt, an eight to hit.
- 2:47:14Probably misses. He gets to make one
- 2:47:16more.
- 2:47:17>> 16 to hit
- 2:47:18>> as Yeah, I just put my shield up and the
- 2:47:21spirit guardians are overwhelming him.
- 2:47:23>> Damn.
- 2:47:28You know what sucks is this guy's got
- 2:47:29turn resistance too. [ __ ]
- 2:47:31[laughter]
- 2:47:32the one
- 2:47:33>> the one you didn't use it.
- 2:47:35>> All right. Uh [ __ ] He can't leave this
- 2:47:38spirit guardians either.
- 2:47:41It's literally trapping him in this
- 2:47:42room. All right. They both end their
- 2:47:44turns.
- 2:47:45>> All right. Wisdom saves for the bubble.
- 2:47:46>> Yes, sir. Uh let's get him.
- 2:47:50Wisdom. Wisdom.
- 2:47:51>> I've never gotten this much mileage out
- 2:47:53of a spell.
- 2:47:53>> One success. like 300 damage by the the
- 2:47:57>> 12 and six.
- 2:47:59>> Oh my god, the the bottom death block is
- 2:48:02almost dead, but he's still hanging on.
- 2:48:09All right, that ends his turn. Vin,
- 2:48:11you're up.
- 2:48:17>> Okay.
- 2:48:18>> And these guys are healthy, bro.
- 2:48:21Any
- 2:48:24of these whites looking uh worse for
- 2:48:26>> Yeah, this one looks real beat up.
- 2:48:28>> The one by Oilia's
- 2:48:29>> Oh yeah, the one by Hilia is almost
- 2:48:31dead.
- 2:48:31>> The death lock. Yeah, cuz the death
- 2:48:32locks definitely seem more dangerous.
- 2:48:34>> Yeah, this one's bloody too actually.
- 2:48:38I got a lot of health bars going on
- 2:48:40here.
- 2:48:41>> Trying to trying to breed them.
- 2:48:46>> Okay, she'll have to move over.
- 2:48:49All right. She'll uh she'll go for this
- 2:48:51one. Hopefully is what on the ground.
- 2:48:53>> Yeah. Prone.
- 2:48:55>> Yeah. So So Ben will kind of like try to
- 2:48:58like fill the space she left and uh
- 2:49:00Yeah. She'll do a force demolisher
- 2:49:02attack on that one.
- 2:49:0618 to hit.
- 2:49:07>> That hits. It's dead.
- 2:49:09>> Can force. Oh, very nice.
- 2:49:15Get yourself up, Oilia.
- 2:49:18I'll try to hold this one off. And she
- 2:49:20turns to We got this one over here.
- 2:49:23>> Yep.
- 2:49:26>> Force demolish her attack on that one.
- 2:49:28>> That hits.
- 2:49:30>> It's still up, but it's very hurt.
- 2:49:35>> All right. And what the whites go next?
- 2:49:36All right. Yeah, that's their turn.
- 2:49:38>> All right. White's turn. We're going to
- 2:49:40go
- 2:49:42Let's start with London. Um,
- 2:49:46London.
- 2:49:48Wrong one. A necrotic sword. 16 to hit.
- 2:49:52>> Miss.
- 2:49:53>> Make a constitution saving throw.
- 2:49:55>> Uh, let's call upon our jaconic
- 2:49:59ancestors again.
- 2:50:04>> Success.
- 2:50:05>> Damn.
- 2:50:06>> All right, that was him. Uh, we'll do
- 2:50:09the next the guy with the bow. He's
- 2:50:10shooting August again.
- 2:50:13Uh 11 to hit. Probably misses 22.
- 2:50:16>> That hits.
- 2:50:17>> All right. Five and six with the
- 2:50:20>> uh eight total for me.
- 2:50:22>> And then your uh concentration check.
- 2:50:25>> Yep.
- 2:50:39Okay. You said no way, Jose. Um, all
- 2:50:42right. So, now we're going to do
- 2:50:45we're going to do the Tannis ones.
- 2:50:48So, we'll start from the north.
- 2:50:52>> A necrotic sword. 23 to hit. Tannis
- 2:50:56>> hits.
- 2:50:57>> Uh,
- 2:50:57>> seven.
- 2:50:58>> That's seven. Seven to me.
- 2:51:00>> Give me a constant.
- 2:51:01>> Seven to hit.
- 2:51:02>> Seven to hit. I have disadvantage.
- 2:51:04>> Oh, yeah. Yeah. Yeah.
- 2:51:05>> Wait. Why do I have disadvantage?
- 2:51:07>> Shadow oil.
- 2:51:07>> Because I have shadow oil.
- 2:51:08>> He's flanking. They're all flanking.
- 2:51:10>> Oh.
- 2:51:10>> Oh, yeah. Yeah. So, seven points of
- 2:51:12damage. Um,
- 2:51:14>> and then I want Go ahead.
- 2:51:16>> Okay. Yeah. I I was Do you want the
- 2:51:18>> concentration first? Let's do
- 2:51:20>> first.
- 2:51:22>> You're good.
- 2:51:23>> Uh, yeah.
- 2:51:25>> And then for the life drain.
- 2:51:27>> Okay. That should not have advantage.
- 2:51:29That should be a nine,
- 2:51:30>> which is a fail. All right.
- 2:51:32>> So, I lose more.
- 2:51:33>> Yeah. So, hold on. Let me roll this
- 2:51:35again. So, the first damage. So 10
- 2:51:39necrotic
- 2:51:41>> and it's out of your hit point maximum.
- 2:51:45>> Uh thankfully I still am resistant but
- 2:51:48that's still whittling down. Uh
- 2:51:52>> hit point maximum is down to 101.
- 2:51:56>> All right.
- 2:51:58>> Still the only one at triple digits.
- 2:52:02>> Y'all should just roll for hit points
- 2:52:03more often. Y'all should be on this
- 2:52:05train too, you know.
- 2:52:06>> Um okay. I got one more guy. Was that
- 2:52:08one guy or two guys? That was just one
- 2:52:10guy.
- 2:52:10>> That was only one guy.
- 2:52:11>> Oh, wow. Okay. All right. Let's do the
- 2:52:13next guy. Necrotic sword. Necrotic
- 2:52:14sword. Two necrotic swords.
- 2:52:16>> Nice. A crit on one of them.
- 2:52:19>> We got a We got a silver barbs.
- 2:52:21>> All right. Silver barbs.
- 2:52:22>> That's what it's there for.
- 2:52:24>> Left roll. 17.
- 2:52:26>> Miss.
- 2:52:27>> Okay. Uh and then the last guy is going
- 2:52:30to do a necrotic sword. 23.
- 2:52:32>> 23 hits. Um
- 2:52:34>> don't worry about your advantage,
- 2:52:35Brendan. Yeah,
- 2:52:38>> probably feel you.
- 2:52:40>> She's got valve ammunity.
- 2:52:42>> Give it to Danis.
- 2:52:44>> He's got I'll give it to Van.
- 2:52:46>> Okay, then you
- 2:52:48>> How many points of damage am I taking
- 2:52:49from this?
- 2:52:50>> Tannis cuz he's about to make a ton of
- 2:52:52more saves.
- 2:52:53>> Yes. So 10
- 2:52:56plus one.
- 2:52:58>> So 11 more points of damage
- 2:53:00>> total. Yeah. And then
- 2:53:05>> uh concentrate or concentration first.
- 2:53:08>> Yeah, concentration.
- 2:53:10>> Succeed.
- 2:53:11>> Succeed. And then a constant con
- 2:53:13concentration save throw for
- 2:53:15>> succeed.
- 2:53:16>> All right. Those are those ones. That's
- 2:53:19everybody. That's everybody. All right.
- 2:53:21Uh that is the white's turn. Next in the
- 2:53:23order is London Rose.
- 2:53:25>> Uh rinse and repeat. Long bow. There we
- 2:53:27go.
- 2:53:29>> Definitely hits. Um
- 2:53:3212 23.
- 2:53:35>> Yep. He is bloodied.
- 2:53:38>> Sweet.
- 2:53:39Uh next shot
- 2:53:4329
- 2:53:45>> for another 19 piercing.
- 2:53:46>> He is almost dead.
- 2:53:49>> All right.
- 2:53:49>> London shoots best when nobody can see
- 2:53:51him. [laughter]
- 2:53:54>> I'm a buyer by myself in this hole here.
- 2:53:56>> Okay. Uh,
- 2:53:58>> oh, and uh, sorry, bonus action. I'll
- 2:54:01tell Django to bite at this guy.
- 2:54:04>> Yes,
- 2:54:05I just remembered. Oh, wow.
- 2:54:08>> He's dead.
- 2:54:09>> Um,
- 2:54:10>> he's just a oneman army back there.
- 2:54:11>> I just remember [laughter] it.
- 2:54:13>> Uh, spirit guard answer.
- 2:54:15>> Oh, yes. Thank you. Thank you.
- 2:54:17>> One, two, three.
- 2:54:19I'm giving him advantage cuz I had to
- 2:54:21remember. No, I'm just kidding. One,
- 2:54:22two.
- 2:54:23>> That's fair.
- 2:54:24>> No, no, no, no. All right. Uh, two
- 2:54:26successes actually.
- 2:54:27>> Yeah. Hey, that that's that's what I get
- 2:54:29for not reminding you.
- 2:54:33>> Uh, where's my background?
- 2:54:36>> Oh,
- 2:54:37>> okay. This one dies
- 2:54:42and the other two are bloodied.
- 2:54:48>> All right.
- 2:54:50>> Um, if uh I kill that guy,
- 2:54:53>> Yep. I will use some more uh movements
- 2:54:58to come here.
- 2:54:59>> Okay,
- 2:55:00>> that'll turn.
- 2:55:08>> All right. Um
- 2:55:15I'm getting wind pretty far down here.
- 2:55:18So,
- 2:55:21[ __ ] there's still a lot of attacks of
- 2:55:23opportunity if I move. I'm going to do
- 2:55:25it. Um, I'm going to move up five 10 ft
- 2:55:30there. So, that's going to be the death
- 2:55:31lock and one white.
- 2:55:32>> One white. All right. So, one white 15
- 2:55:37>> and the death lock 16. both miss
- 2:55:43>> and I will then uh move back to exactly
- 2:55:47where I was but by using thundersep.
- 2:55:51>> Oh ouchie ouchie
- 2:55:53>> to do at third level. Oh whopping 17
- 2:55:57points of thunder damage at DC17 and
- 2:56:00just move right back where
- 2:56:01>> kind of save is it contitution.
- 2:56:03>> Why wouldn't you be doing it at fifth
- 2:56:05level?
- 2:56:07>> Why would I be doing at fifth level?
- 2:56:08Yeah. So that should be
- 2:56:10>> you can't do it at third level.
- 2:56:11>> Yeah, I don't know. Like it just came up
- 2:56:12on my screen. It said third level. Sure,
- 2:56:14why not? Okay. Yeah. So two more d10.
- 2:56:17>> Okay. And it's it's who am I making the
- 2:56:21>> And that is the three whites
- 2:56:24that are alive.
- 2:56:25>> Okay.
- 2:56:26>> I was I was right there. It's everything
- 2:56:28within 10 ft.
- 2:56:29>> And it's con save.
- 2:56:32One, two, three.
- 2:56:35>> A damn that sucks. All right. one fail,
- 2:56:37two successes. Um, the fail gets 26
- 2:56:42points of thunder damage and the two
- 2:56:44successes get
- 2:56:47uh 13 points of thunder damage.
- 2:56:49>> All right.
- 2:56:54All right. They take it.
- 2:56:56>> I was hoping for bigger damage than
- 2:56:57that, but okay. I had to hit a melty
- 2:57:01target, which is pretty good.
- 2:57:03>> Yeah, that is that is my turn.
- 2:57:05>> All right, Hilia.
- 2:57:07He stands up half for movements.
- 2:57:10>> Excuse me. Could I actually can I change
- 2:57:11where I actually was going to move to
- 2:57:12and change it to right there instead?
- 2:57:14>> Sure.
- 2:57:14>> Just to clear up some of the room
- 2:57:16action.
- 2:57:18>> Ailia stands up,
- 2:57:20>> moves her immediate to that one, and
- 2:57:23starts swinging.
- 2:57:26>> Natural 20.
- 2:57:27>> That definitely hits.
- 2:57:29>> Uh 18 plus
- 2:57:31>> eight kills.
- 2:57:33[laughter]
- 2:57:34>> Stop doing math. that.
- 2:57:40>> Hell yeah. She swings out, smashes this
- 2:57:42thing's skull in, uh, gets on top of the
- 2:57:45dead body, and swings at this one.
- 2:57:47>> Done.
- 2:57:48>> She's [ __ ] pissed. These guys made
- 2:57:50her kneel.
- 2:57:51>> Yep.
- 2:57:52>> 29
- 2:57:53>> a hit.
- 2:57:54>> 14 budgeoning, two force.
- 2:57:55>> He is very, very, very, very hurt.
- 2:58:00>> Not going to use a spell slot. Uh, no
- 2:58:02bonus action. That's it.
- 2:58:03>> Okay. August.
- 2:58:06Uh I will step forward and once again
- 2:58:09utter a word celestial and speak a word
- 2:58:13of radiance.
- 2:58:14>> Okay. Um before you do that my you move
- 2:58:18the white into your radius and it works
- 2:58:22like in Boulder's gate. So
- 2:58:23>> yeah yeah yeah.
- 2:58:24>> What is it a con or wisdom?
- 2:58:26>> Wisdom for the spirit guardians.
- 2:58:28>> 15.
- 2:58:32All right. 18 for that guy. Okay.
- 2:58:35All right. Now go.
- 2:58:36>> And then
- 2:58:40uh save or suck on the two guys next to
- 2:58:43me.
- 2:58:45Con save.
- 2:58:47>> One say one success.
- 2:58:49>> All right. 12 damage on the left, I
- 2:58:52guess, and zero right.
- 2:58:53>> Uh yeah.
- 2:58:56Or vice versa. I did it vice versa.
- 2:58:58Right is the top roll.
- 2:59:02I always go top to bottom.
- 2:59:04>> Yeah, I I go left to right.
- 2:59:06>> Um Okay. So, uh anything else?
- 2:59:11>> Uh nope, that's all for me.
- 2:59:12>> Okay. Is death locks turns? They're all
- 2:59:15dead. Uh Vin, you're up.
- 2:59:20>> They are all dead. All right. Who is Vin
- 2:59:23going to go for?
- 2:59:27Uh let's see how this one's holding up.
- 2:59:30>> Yep.
- 2:59:35He's dead.
- 2:59:36>> No, you missed. [ __ ]
- 2:59:37>> 13. Yeah, I was going to say 13. That
- 2:59:39was my first low roll.
- 2:59:42>> Now he's dead.
- 2:59:44>> Okay.
- 2:59:45>> Back to business immediately.
- 2:59:47>> Yeah. And yeah, that's our turn.
- 2:59:50>> Okay. Uh All right. I got How many
- 2:59:54whites left? This is going to move back
- 2:59:58and shoot arrows at August still.
- 3:00:01>> Hey, that's my move.
- 3:00:02>> One, two, 15. Probably miss
- 3:00:05>> two misses.
- 3:00:06>> All right. Uh, the next one's going for
- 3:00:09August. A necrotic sword. 23 to hit.
- 3:00:13>> Yeah, it certainly hits.
- 3:00:14>> Uh, eight plus five reduced or whatever.
- 3:00:17>> Yeah, 10 total.
- 3:00:19>> And then second necrotic sword. I think
- 3:00:22that misses. Yeah, no more flame. Yeah,
- 3:00:24must save advantage.
- 3:00:26>> All right.
- 3:00:27Um, so one con save from you, please.
- 3:00:32>> All good.
- 3:00:33>> Yep. Is that all my whites?
- 3:00:37>> Yep. All right. How do you want to beat
- 3:00:39them to death?
- 3:00:40>> Oh, spirit guardians anyways.
- 3:00:42>> Spirit guardians.
- 3:00:43>> All right. Just, you know, you can just
- 3:00:45evviscerate them all with spirit
- 3:00:46guardian.
- 3:00:46>> Put them in the blender.
- 3:00:47>> Yeah.
- 3:00:48>> Uh there there's no point in uh carrying
- 3:00:51this forward. It's it's it's as good as
- 3:00:53over.
- 3:00:55Um, okay. So, that kills all of the
- 3:01:00opponents in this [music] room,
- 3:01:05strangely enough. Um, I think
- 3:01:09I'm going to give you one I'm going to
- 3:01:10give you the description of the room and
- 3:01:11then end [music] the session cuz I don't
- 3:01:13want to forget or like I want it to be
- 3:01:15on everybody's mind. though.
- 3:01:20Um, I gave you the description of the
- 3:01:21room kind of. There was like
- 3:01:22sarcophaguses with like horned people on
- 3:01:25them. There's two death locks dead on
- 3:01:28the ground. They both have soulcoin
- 3:01:29amulets.
- 3:01:31Um,
- 3:01:34let's just do that. Let's just let's
- 3:01:36finish this room before we move on. I
- 3:01:38don't
- 3:01:39>> There's like a close-up shot and you see
- 3:01:41Vin's like gauntleted hand like slowly
- 3:01:43grabbing towards one of the soul coins.
- 3:01:45Yeah. You want to pick it up?
- 3:01:47>> Yeah, she'll Yeah, she'll pick one up.
- 3:01:49>> You can snap it off its neck. No
- 3:01:50problem. It would probably be useless as
- 3:01:53a
- 3:01:55soul coin because it has a hole in it.
- 3:01:59Um, but it is there is when you touch
- 3:02:01it, you do feel that there's like a soul
- 3:02:03in there. Um, but this is more of a
- 3:02:06magic item.
- 3:02:08>> Interesting. Okay.
- 3:02:18So there is what
- 3:02:19>> you got there, V.
- 3:02:20>> Yeah, go ahead.
- 3:02:25>> Thought maybe the soul coins could be
- 3:02:26useful, but uh it's got a hole in it.
- 3:02:30Still some magic or something going on
- 3:02:32though.
- 3:02:34>> Yeah, strangely these are minted with
- 3:02:36the symbol of Zariel as opposed to the
- 3:02:38ones that you're used to.
- 3:02:41that are
- 3:02:42>> but it's like got the hole in the middle
- 3:02:44like of the Zaryial symbol or whatever
- 3:02:46>> really above it. Yeah. It's like if you
- 3:02:48take a quarter and drill drill a hole in
- 3:02:50it, you know,
- 3:02:50>> for for the um you know the chain or
- 3:02:53string whatever's you know wearing on
- 3:02:55their neck. Yeah.
- 3:02:58>> Think there's some special symbolism to
- 3:03:01[music] having Zariel's symbol as
- 3:03:03opposed to
- 3:03:06whatever else those ungodly things have
- 3:03:09on them. I suppose. I mean, I guess they
- 3:03:12mint new soul coins when there's a new
- 3:03:14uh arch devil. Never really uh thought
- 3:03:17about it.
- 3:03:18>> There is a mural as well in this room
- 3:03:19above the broken decrepiterary
- 3:03:24table.
- 3:03:26>> Yeah, I was going to ask what does that
- 3:03:28one look like?
- 3:03:29>> This mural,
- 3:03:29>> I asked that before and sorry.
- 3:03:31>> [ __ ] let let me ask this.
- 3:03:34>> This mural depicts an infernal knight
- 3:03:37[snorts] clad in black and gold armor.
- 3:03:39His helm sculpted in the likeness of a
- 3:03:42human face.
- 3:03:44Flames wreathe his entire form as he
- 3:03:46points a gauntleted finger towards a
- 3:03:50great red hill in the distance. Two
- 3:03:52black structures rise from its summit
- 3:03:55while devilish humanoids toil below,
- 3:03:58hauling massive stones and pulling
- 3:04:00against thick chains.
- 3:04:02So, it's
- 3:04:04golden black armored knight pointing a
- 3:04:07finger towards a hill with two
- 3:04:09structures out the top of it. And
- 3:04:11there's a bunch of humanoid devilish
- 3:04:13creatures dragging chains and pulling
- 3:04:17stones towards the hill.
- 3:04:23Think we learned how this place was
- 3:04:25constructed.
- 3:04:26>> Yeah.
- 3:04:39Is there anything
- 3:04:41beyond a uh first glance like that uh
- 3:04:46Vin or London you could sniff out?
- 3:04:48>> No.
- 3:04:48>> Well, yeah. I mean, we're going to do
- 3:04:50the routine check for um
- 3:04:52>> There's nothing.
- 3:04:53>> Okay. Yeah,
- 3:04:54>> there is another soul coin amulet on the
- 3:04:56other
- 3:04:58death lock
- 3:05:01>> worth taking.
- 3:05:03>> And it appears to be a magic item.
- 3:05:05That's that's its deal. So that's why
- 3:05:07it's not actually [music] a soul point.
- 3:05:08It's a magic item.
- 3:05:10>> I'll take it just in case. Uh yeah, Vin
- 3:05:12will take the other one. And I guess
- 3:05:13she'll try to identify one of them if we
- 3:05:16have a few minutes. Yeah, you want
- 3:05:17>> I was I mean Tannis was going to suggest
- 3:05:19like look I got pretty beat up there. Do
- 3:05:23we have the time to spare to bandage
- 3:05:25these wounds or we trying to keep going?
- 3:05:31I wouldn't mind taking a little rest
- 3:05:33bit.
- 3:05:34>> Yeah, I mean I I don't know if there's
- 3:05:37immediate urgency right now.
- 3:05:42>> Worst case scenario, I can always go
- 3:05:44into my amulet. um
- 3:05:48for 10 minutes and NAR can help me
- 3:05:50banish my wounds quickly.
- 3:05:53>> And you bring all of us in like you did
- 3:05:55on the road or
- 3:05:57>> once once per day.
- 3:06:00>> If we do have 10 minutes, I have a spell
- 3:06:03that can help.
- 3:06:06Quick rest, much faster than usual.
- 3:06:09>> If you have prayer of healing,
- 3:06:11>> Yep. Then I think I think it's worth
- 3:06:15identifying these soul coins because
- 3:06:18this seems much more
- 3:06:21potentially dangerous than those divine
- 3:06:23looking weapons. You know
- 3:06:25>> what is what does per healing do? Is
- 3:06:28that a short rest?
- 3:06:30>> Yeah. Short rest in 10 minutes.
- 3:06:33>> Okay. Creatures
- 3:06:39hit back.
- 3:06:40>> You guys want to do that?
- 3:06:42Yeah.
- 3:06:42>> All right. Do you want to identify Finn?
- 3:06:45Do you want to identify the amulet?
- 3:06:49>> I'm afraid it's cursed, but uh Curiosity
- 3:06:52killed the cat, so yeah, she'll do it.
- 3:06:54>> Okay. Uh this is called Zaryelite
- 3:06:58Amulet. It requires atunement by a
- 3:07:00warlock of Zaryel.
- 3:07:03>> Oh,
- 3:07:04>> and then it has all these features that
- 3:07:05don't really matter. Uh the amulet is
- 3:07:06fashioned from a single soul coin
- 3:07:08bearing the infernal sigil of Zariel.
- 3:07:09have held close. Anguish whispers and
- 3:07:11distant screams can sometimes be heard
- 3:07:12from.
- 3:07:22All right. I don't know if we should
- 3:07:23take these with us outside of this
- 3:07:25place.
- 3:07:34Maybe not. I mean, it seems like you
- 3:07:37need some kind of connection to Zoro
- 3:07:39anyway to properly use it.
- 3:07:43Interesting though.
- 3:07:46>> It is what they are.
- 3:07:51>> And that means
- 3:07:52>> throw these into the sticks. It's all
- 3:07:54good.
- 3:07:54>> Oh, I just saying that that mean that
- 3:07:56must mean that these [music] guys were
- 3:07:59warlocks. Sorry.
- 3:08:09I think
- 3:08:11it might be best we leave them where we
- 3:08:13found them.
- 3:08:16>> If it comes up that we see they could be
- 3:08:19useful later, we know where they are.
- 3:08:24Tannis,
- 3:08:26>> I was just going to say it seems
- 3:08:27interesting that
- 3:08:31the crypt this we're in the crypt of the
- 3:08:33crusaders and every other burn or spirit
- 3:08:36we've came across was a crusader. But
- 3:08:38>> who's to say they weren't?
- 3:08:42But the symbology they it shows Zariel
- 3:08:45with the fire on her face and the tears
- 3:08:50in her devil form
- 3:08:52>> and Param and Alanthia what became of
- 3:08:55them.
- 3:08:58>> True. It's just perhaps there's more
- 3:09:00down here than just crusaders is all I'm
- 3:09:02pointing out.
- 3:09:08>> Some sort of protection over this place.
- 3:09:11More like anyone who served Zaryel could
- 3:09:14be in this place,
- 3:09:16including our good old friend.
- 3:09:23>> Who's our good old friend? Maybe uh
- 3:09:27>> perhaps
- 3:09:30>> that would be crazy.
- 3:09:32[laughter]
- 3:09:33>> Throw it out there. I mean, it seems
- 3:09:34like there are things here that didn't
- 3:09:37just serve in the Crusades that perhaps
- 3:09:38deserved Zariel in general.
- 3:09:41Well, I'm thinking maybe uh this place
- 3:09:43went through some changes. Maybe it was
- 3:09:45a memorial at first and then became some
- 3:09:48kind of temple to Zariel.
- 3:09:53>> Exactly.
- 3:09:54>> Maybe. I think I was saying this before.
- 3:09:56Maybe the crusade never stopped for her.
- 3:10:04>> Say we ask Lanthas when we find him.
- 3:10:11All right. Well, go ahead and get your
- 3:10:13short rest now.
- 3:10:15>> Cool.
- 3:10:15>> All right. Short rest. I get my spell
- 3:10:17slots back. That's a
- 3:10:18>> couple directions you can go. And
- 3:10:22as you guys are resting,
- 3:10:26you will all hear
- 3:10:28scream
- 3:10:30echo [music] throughout the halls.
- 3:10:36And as we sort of zoom down the hall
- 3:10:39that you hear the scream, you turn back
- 3:10:42around and see the party all looking
- 3:10:43over their shoulder
- 3:10:45and we end the session there.
- 3:10:48I want to keep playing. [snorts] Uh I
- 3:10:51will
- 3:10:51>> night. We don't got a bedtime. Like
- 3:10:55it's it's late. It's
- 3:10:57>> I want to though very bad. All right.
- 3:10:59So, thank you all so much for watching
- 3:11:02and we'll see you all on the next dive
- 3:11:05into the descent. Stay sharp. Farewell
- 3:11:09adventurers.
- 3:11:11>> Farewellventurers.
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