Cruise ship bands — Transcript
Full transcript
- 0:08I wonder.
- 0:25Welcome back to the Middle Age Musician
- 0:26Podcast.
- 0:28Coming to you live from downtown
- 0:31Nashville, Tennessee, where I've been
- 0:34down on Broadway, listening to a few
- 0:36local bands and had some good times
- 0:39enjoying some local music, mostly just
- 0:42three-piece bands, high energy kind of
- 0:44stuff. places like Morgan Wallins and
- 0:48Margaritavville Cafe, which that was
- 0:50just a acoustic soloist there, which was
- 0:52actually better than the band in my
- 0:54opinion over at Morgan Wallins, but uh
- 0:58different crowds and a different vibe
- 1:00there. But this podcast today is not
- 1:03about Nashville and the music scene
- 1:05there, although eventually I will do
- 1:08one. But I wanted to continue the
- 1:10conversation about cruise ships and the
- 1:13fans that work there. If you've ever
- 1:16been on a cruise and enjoyed the live
- 1:18music in the theaters or in the lounges
- 1:20or by the pool, you've seen these pros
- 1:22in action. But what's it really like
- 1:24behind the scenes? Today, I'm going to
- 1:27break it down using a real moment
- 1:29captured on a cruise ship stage. A tight
- 1:31professional performance in an intimate
- 1:33theater setting with an audience
- 1:35enjoying the show from their seats. Let
- 1:38me set the scene for you from the video
- 1:41that I'm referencing. It's an evening on
- 1:43a cruise ship. The house lights are
- 1:45dimmed. Spotlights are cutting through
- 1:47the warm wooden interior of the theater.
- 1:50And in the foreground, you see the backs
- 1:51of the audience's members heads and the
- 1:53comfortable upholstered seats. out on
- 1:56the stage as a female lead singer and
- 1:59she's certainly dapped out and she's
- 2:02glowing under the green and purple stage
- 2:04lights holding her wireless mic pouring
- 2:06her heart into the song behind her and
- 2:10to the side male singer and then behind
- 2:14them you've got the bass player, lead
- 2:17guitarist and the drummer and they were
- 2:21obviously very polished, very tight
- 2:24sound clicking in as they're singing I
- 2:27want to know, have you ever seen the
- 2:29rain? And this is the kind of show that
- 2:32a cruise ship musician delivers
- 2:34typically every night, night after
- 2:36night. So, let's talk about what it
- 2:39actually takes to land and keep a gig
- 2:40like this. First, the audition process.
- 2:45Cruise lines like Carnival, Royal
- 2:47Caribbean, Norwegian, or Disney don't
- 2:49just hire anyone. You typically submit a
- 2:52video and then you show that you can
- 2:54play multiple styles. Maybe pop, rock,
- 2:57Broadway, jazz, standards, Latin.
- 2:59Current top 40. Versatility is always
- 3:02key because one night you might be
- 3:04backing a production show with
- 3:05choreography and costumes and the next
- 3:08year in a piano bar taking a request or
- 3:10playing a pool deck party. Once you're
- 3:13hired, contracts usually run six to nine
- 3:15months at sea. Pay is decent, often
- 3:18better than many land-based gigs when
- 3:20you factor in that your room and board
- 3:22are covered. Plus, you get to travel the
- 3:24world for free, but it's not a vacation.
- 3:28There is a daily reality to ship life.
- 3:31Rehearsals. Expect intense band
- 3:34rehearsals when you first join. The
- 3:37music director runs a very tight chart.
- 3:40Everyone needs to be able to read music
- 3:43fairly well and adapt pretty quickly.
- 3:46And this is referencing the bands that
- 3:49really work, the shows, work for the
- 3:51performers, maybe do the live karaoke
- 3:54sessions. This doesn't necessarily apply
- 3:56to the musicians, single musicians or
- 3:59duets or trios like the Filipino band
- 4:02that I had that were playing their own
- 4:04sets.
- 4:06But this part would apply to that. the
- 4:08show schedule. You might play two to
- 4:11four shows per night across different
- 4:13venues on the ship. Sometimes a typical
- 4:16evening could include a main theater
- 4:18production at 7 and 9, then a late night
- 4:20set in the lounge until 1:00. Some ships
- 4:23have duos, trios, or full bands rotating
- 4:26through different bars or theaters. One
- 4:29set might be classic, the next might
- 4:31classic rock, the next might be a
- 4:33tribute to Mottown or a modern pop act.
- 4:36In the video, the singer is fully
- 4:38committed to a good old song from the
- 4:4170s and the 80s. I think that's when uh
- 4:44I want to know, have you ever seen the
- 4:45rain? Maybe that's a just a pure 70s.
- 4:47I'll have to look that up. And that
- 4:50level of performance energy that she has
- 4:52is pretty strong.
- 4:56There are pros and cons. Let's be
- 4:58honest. What are the pros? The travel.
- 5:02You wake up every day in a new port
- 5:04almost. You're in the Caribbean islands,
- 5:06Mediterranean cities, Alaskan glaciers.
- 5:10You get to see a lot of the terrain as
- 5:13you're exploring.
- 5:14There's camaraderie. The band becomes
- 5:16your family. You eat together. You
- 5:18rehearse together. You blow off steam
- 5:20together. There's steady work. No
- 5:23chasing gigs or wondering if you'll get
- 5:25paid. Contracts provide stability and
- 5:28safety,
- 5:30peace of mind, you know, that that stuff
- 5:32that freelance musicians really look
- 5:34for. And stage sign, you get to perform
- 5:38high quality shows with good production
- 5:39values, lights, sounds, and an
- 5:42appreciative audience that's typically
- 5:44in a good mood.
- 5:47In the video, you can see this coming
- 5:49through with this girl singing.
- 5:51Everybody is enjoying themselves. She's
- 5:53smiling. She's swaying as she's singing
- 5:55the song. It's a great environment.
- 5:58The challenges.
- 6:00Cabin life is pretty tough. Sometimes
- 6:03it's shared or a small single cabin. And
- 6:05seasickness can hit you hard, especially
- 6:07in rough weather. Isolation. You're away
- 6:11from your family. You're away from your
- 6:12friends. Sometimes for months, even
- 6:15maybe a year at a time. And internet at
- 6:17sea is expensive and very spotty.
- 6:21Repetition. You're playing the same set
- 6:23list over and over and it can get
- 6:25mentally taxing. You have to keep the
- 6:27energy fresh for every audience.
- 6:31Cruise lines, the rules. They have
- 6:34strict policies. No heavy drinking on
- 6:36duty. You got to be professional in your
- 6:38appearance standards. And you're
- 6:40essentially a on 247 as a crew member.
- 6:45And then there's the groundhog day
- 6:47effect. every week can start to feel
- 6:49similar as the ship repeats its
- 6:51itinerary.
- 6:53So, here are some tips to think about if
- 6:55you're thinking about pursuing this type
- 6:57of gig.
- 6:59Number one, build a strong demo video.
- 7:01Film yourself playing a variety of
- 7:03styles with good energy. Number two, be
- 7:06prepared to play multiple instruments if
- 7:09possible. Multi-instruments get prior
- 7:11multi-instrumentalists
- 7:13get priority.
- 7:15Work on your showmanship. Look at the
- 7:18singer in the video. She's not just
- 7:20singing. She's performing. She's moving,
- 7:22connecting with the audience and her
- 7:24bandmate. Get comfortable reading charts
- 7:27and playing in a tight ensemble if
- 7:29that's the type of role that you're
- 7:30seeking. Precision matters when you're
- 7:33doing multiple shows back to back. So,
- 7:35keep your mind and your eyes and your
- 7:37chops fresh. And research the specific
- 7:40cruise lines. Some focus more on big
- 7:43production shows, others on guest
- 7:45entertainers or lounge music.
- 7:48Well, whether you're a musician dreaming
- 7:50of life at sea or just a passenger who
- 7:52loves the live music on your next
- 7:54cruise, remember behind every smooth
- 7:56performance is a team of dedicated pros
- 7:58making it look effortless. If you've
- 8:01worked on a cruise ship or have
- 8:02questions about the gig, drop a comment
- 8:05or send me a message. I'd love to hear
- 8:07your stories. Okay. Well, thanks for
- 8:09listening to The Middle Musician. Until
- 8:11next time, you keep everything sharp.
- 8:14Keep going going at it. Keep working
- 8:17hard. It's not going
- 8:29>> to know.
- 8:36I want to know.
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