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Co NAPRAWDĘ ukrywa Watykan? — Transcript

by Dr Franc · 4,882 words · 884 segments · language en · Watch on YouTube

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0:01They have stuffed our heads with so much
0:03nonsense about art that it’s simply
0:04painful.
0:06But I will show you a few things about
0:08how we are being deceived in sculptures
0:10.
0:56Good morning to you all.
1:00I am in a very famous place, in another
1:02state, and this state is called the
1:04Vatican.
1:13Well, for now, I cannot put into words
1:15what I am seeing.
1:19I need to look around a bit to see where
1:21things come from and why.
1:24They are greeting us with bells.
1:28Thank you.
1:31So, today I am dedicating my day to
1:33researching the Vatican.
1:38Let’s see what this state within a state
1:40actually means.
1:45The other side. A view like this.
1:49So here is a massive queue to get into
1:51the basilica.
1:55We will stand in this queue, too.
1:59I’d love to go in and see what’s inside
2:01.
2:05As I know, the basilica was rebuilt in
2:07the 15th century, and of the columns we
2:09see, only about 16 or 18 remained
2:11original.
2:13All the others are newly carved.
2:17And we are heading to this building.
2:20And we have a beautiful fountain by the
2:22obelisk.
2:23And here is such a beautiful granite
2:25basin.
2:27Well yes, 4 meters.
2:30Not very big, not very beautiful, but
2:32made of granite.
2:35With a base here—we have a base, and it
2:37is made of granite.
2:40And at the top, it’s marble; when a
2:42basin like this stands in St. Petersburg
2:44, half the world talks about it, but in
2:46the Vatican, no one has breathed a word
2:48about it.
2:52Perhaps the sheer size of these
2:53structures and everything
2:55Vatican-related is so overwhelming that
2:56they forgot about the basin on the
2:58fountain.
3:03The Vatican from the papal side, meaning
3:05the square with the stands and
3:07everything.
3:10Just as the delegations see it, so do we
3:12.
3:16We are in St. Peter's Basilica.
3:19Of course, I am not looking at the
3:21people, who are plentiful everywhere
3:23here.
3:25We look at the ceiling, at the dome—
3:26I'll look later, but here is the dome
3:28itself.
3:30Look at how many stripes—four.
3:33And how many squares—five; we already
3:35know what arithmetic we are dealing with
3:37.
3:39There are too many things to see here. I
3:41certainly won't finish in one day, but
3:43look at the column.
3:45Whoever was with me in Anatolia and
3:47later we came to
3:51Hagia Sophia—well, it’s the same
3:53medieval workmanship, lumpy columns,
3:56soft materials cut down.
4:00Look here, as I point with my finger, at
4:02the scratches that weren't polished.
4:05If the ancients saw something like this
4:07, the master would have gotten a rap on
4:09the knuckles.
4:11The columns are standing spoils.
4:14Let’s look at those big guys with the
4:16noses there. First, second, third, the
4:18fourth. And here, let’s pay attention to
4:21the angels.
4:23Women, rather, little angels or some
4:25other beings.
4:27But as I said, let’s look at their
4:29little feet.
4:31Here you go.
4:33We see the little nails.
4:37My nails are worse trimmed and my
4:38cuticles are done better than I have
4:40them myself.
4:43And this is beautifully polished.
4:48Little angels guarding this property.
4:52And here, please, as I said, the little
4:54angels with all the details.
4:56I’d have to spend a few years here, but
4:58I hope they won’t give me a few years to
5:00spend in the Vatican today,
5:04but I took a look at the ladies 'feet.
5:07But look at the little star here.
5:09Is this the same star that’s on the
5:11ceiling in the Vatican?
5:13reading.
5:16>> Please observe the precision of the
5:18lines carved here
5:22>> and this is the Vatican.
5:24Everything collected, scraped together.
5:28Another scene reworked; what we assessed
5:30, let's look primarily at the throne of
5:32lions.
5:35This lady here, they’re standing and
5:37posing, I guess, they like being on
5:39YouTube, but I can't do anything about
5:41that.
5:43>> Well, they're still hauling a corpse in
5:45this bag here.
5:48And I can't film anything here, but I’ll
5:50go closer.
5:51I wanted to show the whole thing. We
5:53have a lion that doesn't ring.
5:56Cast in one piece. Let’s take a look.
5:59Beautiful little claws.
6:00Both lions. On the other side as well.
6:04Here’s one lying down with teeth turned
6:06out.
6:10Oh, this one rings a bit, but it’s a
6:12beautiful casting of
6:17a little lady, I won't show her
6:19manicured nails,
6:22>> beautifully polished with a sword.
6:25And the other lady, they took away who
6:27knows what, a sword or something else.
6:31They stuck in a cross, because the cross
6:32doesn't fit the diameter of her hand.
6:36Look at how the woman shines, and how
6:38fake the pope with the mustache looks.
6:42It looks absolutely different.
6:46Another scene with another fake pope
6:48surrounded by beautiful women.
6:51But let’s see what the woman has. How
6:53they took something here, a flag or some
6:55sort of prop stick.
6:57Beautifully sculpted, and the proof of
6:59its fine carving is the webbing between
7:01the fingers.
7:04That’s one small bridge.
7:06Here, drilled with a tiny bit, meaning
7:08it was made.
7:09This is a being that didn't have us,
7:11heck.
7:13We already talked about this, but here
7:14is the most important thing that no one
7:16sees.
7:18A hidden shield.
7:19Let’s take a look. The shield, where
7:21it’s being held by the hand. Some kind
7:23of fabric shield.
7:25And what’s on the shield inside?
7:28There you go. A lion.
7:31This is the symbolism of the lion with
7:33teeth
7:35that are sharp.
7:38So the lion is hidden everywhere, and
7:40it’s not some bull’s skull.
7:43And here is another sculpture on the
7:44other side.
7:46I already showed that one with the lions
7:48.
7:49This is how he sits on the throne.
7:52Kumarbi is sitting, whom I mentioned
7:54from Mesopotamia, also on a throne
7:56leaning on lions.
8:03One of the beautiful scenes sculpted
8:04here.
8:06Let’s look at what was written in the
8:07Holy Scripture.
8:10yyy they mated with human women and the
8:13women bore them children who became
8:15titans.
8:19And look at this huge titan in
8:21proportion to the woman.
8:24That’s a child, a newborn, who is half
8:26the size of an adult woman.
8:31Another Donatist scene, where giant
8:33Anunnaki are talking to someone.
8:37Let’s look here.
8:39A guy in a crown, handsome, barefoot in
8:42sandals as usual.
8:45And next to him stands a small human.
8:50Here, here is his face and he was
8:51holding this big guy’s.
8:54That is definitely not his helmet.
8:56Look at him and his helmet.
8:59And here is a human figure, meaning us.
9:03And on the helmet, he has a sphinx.
9:06I will zoom in on the face for you.
9:09The sphinx and the little wings, all of
9:11this
9:16beautifully carved, and this is a human
9:18who is a servant of the great Anunnaki,
9:20who is twice as big, so you see
9:25in
9:27in the OT
9:31Anunnaki, so you can decipher it
9:33yourselves.
10:15Next scene, a large sculpture.
10:17I don't know who for or why, but I'm
10:19interested in the imitations of
10:21supporting columns.
10:22Let's look here. A beautiful support
10:24under the main dome.
10:27It has eight stripes, so even the author
10:29didn't know what they wanted to do.
10:31And now compare.
10:33This is the greatest, holiest place in
10:35the Vatican.
10:37And look how lopsided it’s done.
10:40The curvature, barely sanded, and this
10:42is the 10th century, where they didn't
10:44have such machines.
10:47The guys tried, but did it as best they
10:49could.
10:50Also
10:53stealing, meaning here this marble at
10:55the bottom is an original base, probably
10:57from the third century or so.
11:01Here we have a beautiful connection, the
11:03precision of the connection.
11:05Here we see the precision of the
11:06connection.
11:08And here a crooked addition
11:11concrete, limestone. What is this? They
11:14did it how they did it. Look at how the
11:16gap is finished.
11:17I am showing micron-sized finishing.
11:21And here we have a total mess.
11:24A Polish master craftsman wouldn't
11:26accept this.
11:28Hamua, that's it.
11:35I suspect that the architects didn't
11:37know anymore, had no concept of the
11:39meaning of the dome, and here I am,
11:41filming the dome
11:45in the largest city in the Vatican.
11:48The dome in St. Peter's Church, as I
11:50called it.
11:51And count for yourselves, it has 16
11:53windows.
11:56Here we have the ceiling already done,
12:05but the central dome has 16, so it's a
12:07combination of eras.
12:15Another original sculpture, beautiful,
12:16made in marble with religious scenes,
12:18but that's a different matter.
12:25I drew attention here, or rather Roland
12:27said, look here at the beautiful
12:29Zalewski spiral, the proportion, we
12:31measured 3 cm, the next one six, and
12:33then bigger and bigger, that is the
12:35pattern of the Zalewski spiral in the
12:37Vatican, to that I guess, but look at
12:39the shoes the women have.
12:44Each one has original shoes in polished
12:46marble.
12:48We measured this foot.
12:5038 cm.
12:53What a pattern!
12:55Here this little strap is bent.
12:58What beautiful sandals for the designs
12:59of other companies.
13:02Look here at the beautiful lacing with
13:04the clasps.
13:07I’ll turn it this way and look at the
13:09pattern here.
13:10Look.
13:13Those shoes are awesome.
13:15This woman also has a 38 cm foot.
13:20Well, we conclude that these were, first
13:22of all, Anunnaki women.
13:25Look at the beautiful little nose.
13:28Straight.
13:30There is nothing crooked here.
13:34A woman with a beautiful straight nose.
13:38More of a masculine face.
13:46And here the dragon tail is left.
13:50We are welcomed here to St. Peter's
13:52Basilica.
13:53Of course, the angel figures welcome us
13:55. Here is such a botched sculpture.
14:02Sorry for using that word, but we have
14:04Anunnaki children here, so-called angels
14:06, created through the breeding of human
14:08women and Anunnaki, and we’ve already
14:10seen one of those babies in a woman's
14:12arms.
14:18What proportion?
14:20And here are those Anunnaki with little
14:22wings.
14:24That’s why they show us everywhere in
14:26church that babies with wings are
14:27welcoming us.
14:32This is the new production of a new
14:34human from our era, and it's carved on
14:35the so-called monument of victory that
14:37stands on the hill.
14:41I showed it yesterday.
14:43On the other side, another one.
14:47So-called angels, that's the lie we've
14:49been fed.
14:51Let's look at how beautifully made and
14:53polished these marble angels with wings
14:55are.
14:59And we will be looking for other
15:01beautifully made things.
15:04Another baby, and as I showed, the
15:06babies they taught us about are an
15:08artificial genetic product.
15:14And one that has existed since our times
15:16. Again, a beautifully crafted spiral.
15:19I really like this.
15:22So, did they know something about our
15:24times?
15:26In our time, did you know about
15:27antiquity?
15:30Let’s look at how this little basin was
15:31made. With what precision the patterns
15:34were polished and milled.
15:36Our modern arithmetic pales in
15:38comparison
15:41and we know nothing about it.
15:46And now we head to the next sanctuary,
15:48or whatever you call it—my detective
15:50work in the Vatican has paid off.
15:55However, only fragments of ancient
15:57sculptures remain from this sanctuary.
16:00And everything else was crudely altered
16:02in the 15th century.
16:10The investigation led me to the most
16:11famous sculpture in the Vatican, Mary
16:13with the dying Jesus on her lap—let’s
16:15look at the details.
16:20How beautifully it's made; it has
16:22nothing in common
16:28with modern Vatican sculptors.
16:31Let’s look at Jesus; he has no wounds on
16:33his body. Wait, there is a wound here, I
16:36think.
16:38I can't zoom in any further.
16:42We won't notice many details,
16:47but we can see them in the documentation
16:49.
16:50Mary is definitely wearing shoes, not
16:52sandals like the warrior women.
16:57Jesus is still alive, because he has
16:59veins on his feet, a detail hardly
17:01anyone notices.
17:05So, I am here as an old detective, a
17:07seeker of hidden elements in the Vatican
17:10.
17:11We found a great many sculptures
17:16of original Anunnaki, children, and
17:18hybrids.
17:20As you can see, the Vatican was built on
17:22the principles of a different arithmetic
17:24.
17:26We bid farewell to this place, adopted
17:28by a different duodecimal faith, but
17:30they didn't even manage to rebuild it
17:32into a base-12 system by the 16th
17:34century, because who could lift such
17:36domes, columns, and all that?
17:40And many things in this Rome are a
17:42deception.
17:44And I will show you the most important
17:45thing I mentioned.
17:49The palace of victory on the hill, which
17:51was named after some Victor or another.
17:56I won't list his other titles, but
17:58Victor II.
18:01So, a mass of lies in this Vatican state
18:03, in the state of the Romans.
18:07Just liars who took power in the 16th
18:09century.
18:13So, Franz for you, from the Vatican,
18:15from St. Peter's Basilica.
18:20A farewell shot of St. Peter's Square,
18:22meaning they built a little church here
18:24.
18:26Obviously, they brought it.
18:31A great column, you know from which
18:33country, but they left no inscriptions.
18:39Far away on the other side, a fountain
18:41with a granite basin is gushing and
18:43working.
18:46But on the other side, I couldn't find
18:48one like that.
18:51So they made one by hand, and on the
18:53other side is a different fountain that
18:54doesn't work, with a concrete basin here
18:56.
19:00I'm telling the truth.
19:05A concrete basin, and look,
19:09it wasn't possible to get another one
19:10like it.
19:11Oh well.
19:13I've reached the next spot.
19:17A nice little monument here with kids
19:18playing.
19:21And here is the leaning tower.
19:23It’s just not actually that crooked.
19:25It’s mostly in the camera, as you can
19:27see, it looks tilted.
19:29But when I move the camera, it looks
19:31straight.
19:32That’s not true. So, it is a very
19:34leaning tower.
19:38A large church is here, and we will walk
19:40around soon, looking for objects worth
19:42seeing to tell you about.
19:46And I,
19:47>> and of course,
19:50>> personally showed up in Pisa.
19:53Franz is searching for the best, most
19:55interesting
19:58places for you.
20:00And let's look here at the original
20:02columns from who knows what era.
20:07Beautiful marble columns, others made of
20:09whatever, and a few little objects here
20:11.
20:14We are going to see the tower itself.
20:17Everyone is taking pictures of the tower
20:19, posing, but no one pays attention to
20:21this small, subtle thing.
20:24Like here on the granite column stands,
20:29what should I call it, a vase or what is
20:31this?
20:32I'll zoom in for you.
20:34Look at what a beautiful object this is
20:36.
20:38And here, the guy, I’ll show you with my
20:40fingers.
20:42Here, you see, it has hooves.
20:45Knees pointing forward. It’s not a satyr
20:47.
20:48It’s a guy with hooves.
20:50I’ll move away in a moment. If I see
20:52anything else cool, I’ll show you.
20:55A woman is holding him by the tail, or
20:57something.
20:59But what else is important to mention
21:01here?
21:02These are just regular people.
21:04A robot.
21:05Some are dressed in gowns.
21:08Women.
21:12And this one, do you think it’s a woman
21:14?
21:16No, of course, everyone here tells fairy
21:19tales. Look at this being.
21:22This is a hermaphrodite.
21:25It has breasts, it’s naked, this naked
21:27thing, and it has
21:31a male organ.
21:34So, crowds of tourists come here, they
21:36see nothing, and no one pays any
21:38attention to this.
21:43>> I’ll walk around here in the sun, let’s
21:45see if there’s anything else nice.
21:49Here’s another one, and all these little
21:51people, if you can see well, I’ll focus
21:53the camera.
21:57Here is another person, a giant.
22:01And here, a smaller, normal human is
22:03supporting him by the arm.
22:06Take a look.
22:07I hope this will be visible.
22:12Here you see, and here is a small human
22:14, probably the Pope from Rome.
22:19Look here, he’s washing his feet.
22:26See this guy sitting, and the small
22:28human, who is below the knee of that
22:30half-naked guy with two trumpets, is
22:32washing his feet—a known motif.
22:39And such a small vase, or whatever to
22:41call it.
22:45Another giant with a smaller human.
22:49And here I suspect most are
22:50hermaphrodites,
22:54a so-called baptismal font.
22:56We'll head inside in a moment to see,
22:58but most of the structures here were
23:00built using what could be salvaged from
23:02earlier buildings.
23:05I will show you a few details proving
23:06that this is all just a collection of
23:08materials.
23:09Even here, as you can see
23:14the entrance columns are beautifully
23:16decorated, but further on there is
23:18nothing.
23:20These side columns were just whatever
23:22they could find and shoved into this
23:24object.
23:30At the entrance to the baptistery, two
23:32columns that differ from each other—
23:34well, they don't differ that much,
23:36they're quite similar—but in the middle
23:38, there's some Dantesque scene; I have
23:39no idea what's happening there.
23:45I would also like to analyze the fact
23:46that these are all very fresh structures
23:48.
23:50The fact that they know they were
23:52building for 200 years from the end of
23:53the 10th century is one thing.
23:56But all these little columns—I'll come
23:58closer and show you—only have small
24:00holes left from the ancient structure.
24:07And here we look, there’s a mass of
24:08drilled holes.
24:11This is friezed, like all over the world
24:13.
24:14Ancient structure. We see leaves here,
24:16beautifully prepared, but this part here
24:18is just sloppy.
24:20Done in a slapdash way.
24:23The biblical scenes are also just done
24:25in a sloppy way.
24:27The precision of the column's execution
24:28.
24:29Let's take a look.
24:31All the little strips, the little holes
24:33drilled out.
24:35I'll zoom in a bit more. There you go.
24:39Everything drilled with bits, just like
24:41in Anatolia, meaning ancient fragments
24:43were taken to build this object.
24:48Everything is mixed up, they mixed it
24:50all as much as they could.
24:52Everything that was close at hand.
24:55According to the protocol, as I said, we
24:57can already see how different these
24:59collected columns are.
25:00This granite one is chipped here, and
25:02there is a square column.
25:04Two more granite ones.
25:07This one is also heavily chipped, and in
25:09my opinion, it’s just collected pieces,
25:11but let's look at the ceiling.
25:14No mosaic, no pattern at all.
25:17Just a little drawing.
25:20And if you want to count, for example,
25:22from this dark window to the left: four
25:27light ones here,
25:30four dark ones,
25:34here four dark ones,
25:38and again four, and we arrive at a light
25:41one, that is 12, as we see here.
25:47So these churches, once religion had
25:49developed and been established—the 10th
25:51century, when this so-called baptistery
25:53was being built—religion already had a
25:55strong position and was built on the
25:56principle of the dozen.
26:03But from a distance, if you look, it's
26:05just a fragment of St. Isaac's Cathedral
26:07in Saint Petersburg.
26:09If anyone has been there, they can
26:11compare for themselves.
26:15The outside is beautifully done,
26:17everything
26:22is polished with tiles and covered, but
26:24many elements were used from old,
26:26ancient structures, like these thin
26:28spiral columns, for example.
26:32And at the top, it’s the same.
26:38>> At the top, I can't judge, because they
26:40put some popes up there, so there's no
26:42chance to judge the quality of it.
26:46So this is a 10 th-century collection of
26:48old ruins.
26:51And now we will go to visit this
26:53cathedral, church, or basilica.
26:56Call it what you want. It’s hard to
26:58define what kind of object this was.
27:02I would call this a passage, filled with
27:04sarcophagi, Dantesque scenes, and some
27:07animals
27:11that are unknown. And here on the floor
27:14, old coats of arms.
27:17It is unknown whose they are, but the
27:19whole floor is paved with these coats of
27:21arms.
27:25It is worth knowing the history of Italy
27:27, which was not called that back then.
27:32And here we have a lion strangling a
27:34horse, meaning the lion is drastically
27:37larger than the horse.
27:41Look at both. The size of the lion is
27:43that of a standing human. It reaches the
27:46lion's mane, but that's an artistic
27:48approach.
27:50Just like I showed those zigzags that we
27:52have in the museum in Warsaw.
27:56And here, another lion is strangling a
27:59lion.
28:00Another lion is strangling a horse, not
28:03a lion. And there are so many of these
28:05scenes, let's look here
28:08what to call these human-animals.
28:12Here we have the hooves of a horse at
28:14the front, a human torso, and the tail
28:16of a fish at the back, such creatures.
28:20We saw this scene in Baalbek many times
28:23.
28:24Let's take a look.
28:26The face of some guy with a guitar,
28:28hooves, a tail, and a woman is sitting
28:30on his tail.
28:32So these pre-
28:36-existed, only no one had any idea what
28:38this was about.
28:45And there is a massive amount of this
28:46set up here.
28:49I will walk around. If I find something
28:51fantastic, I will record it for you.
28:56As defined by my companions, here we
28:58have heaven, and here the other part is
29:01hell.
29:03Here, some little people are standing in
29:05the upper part. Without heads, holding
29:07their own heads. Doesn't this remind you
29:10of the Narmer Palette?
29:13Here, severed pieces of people with
29:15pride, and some little devil is
29:17devouring them,
29:22stuffing them into its mouth, digesting
29:24them in its belly,
29:27and giving birth, and they go to a real
29:30hell.
29:31That is how the little person is grilled
29:33here. Some animals are grilling these
29:35little people.
29:39They have sticks in their teeth so that
29:41they can grill.
29:45They present us with such scary scenes,
29:47but this is not stonework, rather
29:49painting.
29:54They have stuffed our heads with so much
29:56nonsense about art that it simply makes
29:58your teeth ache.
30:00But I will show you a few things, how
30:02they deceive us in sculptures.
30:04And here we have a beautiful sculpture,
30:06marble on a pedestal.
30:08A cool woman looks out from here. First
30:10, in the foreground, we will talk about
30:12this woman. Let's look. Everything looks
30:15nice.
30:16Straight nose, everything.
30:19But let's look at the hand here.
30:21I put my finger against it.
30:24The finger is like mine, so the
30:26proportion should be correct, but let's
30:28look at the toe.
30:32It is...I have more of a big toe, so we
30:35see the disproportion right away.
30:39Later, when we stand to the side, we see
30:41what a disproportion of the head there
30:44is.
30:47You can immediately see how the head is
30:49unnaturally stretched, but next to it
30:51stands a statue of a beautiful woman.
30:55I will show you in a moment, in a helmet
30:57.
31:00A great woman with a lion on her
31:02shoulder, with a sword,
31:08and this one is original.
31:11and feet proportional to the hands.
31:15And this is an ancient sculpture,
31:19beautifully made,
31:23and there is no comparing it to the
31:25fakes.
31:27I will pull away, I will walk away.
31:30Of course, they added some company for
31:32the guy, and we know who that is.
31:37And another friend.
31:39Is this original or not?
31:42I'd like to put in the effort to
31:43research the whole thread, and then I
31:45can judge.
31:47For example, here’s a guy in a bathrobe
31:50, just got out of bed.
31:54You can see his hand is much larger,
31:56even the life lines on the palm are
31:58visible.
32:00But the size of the hand is practically
32:02the same as the size of the face.
32:06And this, well, recently made—well, the
32:0910th century, it's almost 1000 years old
32:12, so we can take a look.
32:17>> I'm going to examine the basilica in
32:19that passageway on the left, where I was
32:21a moment ago; I showed a few sculptures
32:23worth seeing, but there isn't much there
32:25.
32:28Meaning that lady with a sword and a
32:29lion on her shoulder.
32:32That is an original antediluvian
32:33sculpture.
32:36But here in the basilica, we will see
32:38what they added, what we have that is
32:40original and old, and what is brand new
32:42.
32:45I don't know what class of monument to
32:47classify this basilica as.
32:50I tried here, I counted the ceiling, the
32:53side columns.
32:56Here we have the side columns.
33:00Side aisle.
33:01And here, nothing at all.
33:03The architect already had no idea what
33:07>> it was all about.
33:10I'll zoom in on the end, the main part,
33:12and here it is already normally turned
33:19the temple to the east with the main
33:21altar.
33:23So let's walk over to see. Unfortunately
33:25, they had no idea what they were
33:27building anymore.
33:29The main altar in the basilica, but it's
33:31all fenced off so far away that we can't
33:33see anything.
33:36But we can pay attention to the pulpit,
33:39which is set up here on top, at the top
33:45a crow as I call it, or a Roman eagle,
33:47but here are Danaean scenes as always.
33:52And look.
33:54First of all, this is an eight.
33:57These two main columns in the middle, a
34:00three-headed figure.
34:04What three heads have in common with our
34:06religions, our beliefs, we don't know.
34:12A being with three heads and arms
34:16a little eight. Here are the two main
34:18columns
34:21on the face. Here two on the sides,
34:23standing of course on lions.
34:27Here one lion, here another, which has a
34:30deer, but the others.
34:34Notice here if you haven't seen Brahma
34:37in such a form.
34:39Here a little human stands.
34:45The little human tilts his head up to
34:47the giant, who is twice as big.
34:51And nobody hid these scenes.
34:54It was normal for these people to see
34:56giants on a daily basis.
35:01And here I think there are no more
35:03interesting things like that.
35:06A strange figure.
35:09A lion
35:12with a hunted deer.
35:15Here a guy with a stick.
35:16This is a very frequent motif and
35:18unfortunately I won't show you anything
35:21new.
35:24Meaning this being holding small
35:25children in its arms.
35:29Let's look here at the proportion of the
35:31small children to the being.
35:34It has a child on its palm.
35:39Well, we can fantasize
35:45and unfortunately, we can't conclude
35:47anything else.
35:50On the back of this pulpit.
35:53Let's look. Another being that is
35:55holding a lion.
35:58Here's a guy, I'll zoom in on his face,
36:01look at the surprise, he's holding a
36:03lion by the paw, he's not that big.
36:07This again looks like a woman or a
36:09hermaphrodite.
36:12Look, he's holding the lion by the paw
36:14upside down.
36:18It's not as big a creature as Gilgamesh
36:20with the lions, but about 4 meters.
36:27Gilgamesh was six meters tall, so as I
36:29said, these beings lived on Earth with
36:32us, and look, is this a woman or a man?
36:38As I've shown before, they were likely
36:41hermaphrodites.
36:45We are entering the Leaning Tower.
36:49Here stands a measuring device showing
36:52how tilted it is, let's take a look.
36:57Cool curves at the top.
37:01A star and that's it.
37:04We'll zoom in, we'll focus.
37:09Number six.
37:11So we see how crooked this tower is in
37:13relation to,
37:16I don't know, a shooting range. Who were
37:18they building for in the 10th century at
37:20this angle? I guess they were shooting
37:22at the stars,
37:27definitely shooting at the stars.
37:30So I am here in person,
37:36I welcome you from the Leaning Tower of
37:38Pisa, and let's look at how many
37:40technical drawings there are on various
37:42topics:
37:47what the tower's curvature is, what the
37:49height is in meters or whatever else is
37:51given.
37:54And we'll go up and I'll show you what
37:56Pisa looks like from above.
37:58It doesn't matter which floor, it looks
38:00the same everywhere.
38:02We have stairs, stairs, stairs.
38:05We are going up slowly.
38:08If I see something, I'll turn the camera
38:11on again.
38:14And the stairs are one-to-one like in
38:16Ogrodzieniec.
38:19So we are going up,
38:23the tower in Pisa.
38:24Later, if I have the chance, I'll take a
38:27look
38:28>> I'll look under the stairs to see if the
38:30marks here are as beautiful as ours,
38:33>> but for now, a crowd of people.
38:37Everyone wondering why I'm going up here
38:39.
38:42They look as if they've seen a human for
38:44the first time.
38:47And I'm reaching the top.
38:50Got a bit dizzy.
38:52I don't think you do.
38:55We're going to admire the views.
39:01If there's something cool, I'll turn it
39:03on. That was cool.
39:09Here's a bell.
39:11You have to ring it and everything will
39:13be great.
39:14I'm on the Leaning Tower of Pisa.
39:19The bells are hanging and here's a view
39:21of Pisa, mountains here
39:26and further on a beautiful little valley
39:28.
39:31The whole city
39:35with red brick tiles.
39:39Somewhere far away some hills.
39:43I don't even know which way to go.
39:48Some other structure built there, and
39:49such a view of Pisa.
39:53And I can say goodbye to you,
39:57because I've already climbed this tower
39:58.
39:59I'm leaning against something metal.
40:02It's a handle for swinging, so we could
40:04swing, but they'll probably come and
40:05chase me away from here.
40:08So greetings. We're finishing with Pisa
40:10.
40:13A few cool things that the ancients, no
40:15, not the ancients, the medieval masters
40:17reworked, meaning the 12th, 13th century
40:19, building the tower in Pisa, and they
40:21used a mass of materials from old
40:23sculptures, set into churches, the
40:25cathedral, or whatever it's called.
40:31There are some monuments, but it is
40:33absolutely not what they sell us on TV,
40:35in various strange, how should I put it
40:37, glossy magazines, where they show how
40:39beautiful it is.
40:42It is not real.
40:44It is very far-fetched, a far-fetched
40:46story.
40:48So, see you in the next city.

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