Chloe May Be REPLACED (S4, E6) | Full Episode | Dance Moms — Transcript

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1. 0:01ABBY LEE MILLER: Previously, on "Dance Moms"--
2. 0:03I have an open audition.
3. 0:04I'm looking for a girl that is 12,
4. 0:06someone's short, petite, extraordinary legs and feet,
5. 0:10somebody that does all genres.
6. 0:16You can dance next to Maddie.
7. 0:18You're fighting not only for your freedom,
8. 0:20you're fighting for your spot on this team.
9. 0:22And your highest scoring elite junior small group, act number
10. 0:2531, [indistinct].
11. 0:27[cheering]
12. 0:29ABBY LEE MILLER: Coming up on "Dance Moms, Choreographer's
13. 0:31Cut"--
14. 0:32I want to introduce Kim and the new Chloe.
15. 0:36Go, stand right next to her.
16. 0:37It's Chloe versus Chloe.
17. 0:38KIM: Just because you're competing against the old Chloe
18. 0:41doesn't mean that the new Chloe can't come in here
19. 0:42and take over.
20. 0:44HOLLY: They have not choreographed
21. 0:46a step and this duet.
22. 0:47I'm pulling the duet as of right now.
23. 0:50Hoo, hoo.
24. 0:51Show everybody in that audience that you are the new Chloe
25. 0:53and you are here to stay.
26. 0:54WOMAN: Like this is how it is here.
27. 0:55If you don't like it, you might as well run.
28. 0:57Get out of here.
29. 1:00[music playing] Get up, get on the floor.
30. 1:02My world is with my girls.
31. 1:05Livin' on the dance floor.
32. 1:08Livin' on the dance floor.
33. 1:26Come on, girls. Let's go.
34. 1:27Let's go. Let's go.
35. 1:28Get in here. Move it.
36. 1:29Move it. Move it.
37. 1:30Where's your moms?
38. 1:31Hello, everybody.
39. 1:33Hello.
40. 1:34ABBY LEE MILLER: Congratulations.
41. 1:35Another overall high score win.
42. 1:37Yay.
43. 1:39The girls might think they're safe after winning
44. 1:42these last few weeks, but I've got a surprise for them.
45. 1:45And it's going to make them remember,
46. 1:47they're all on the chopping block.
47. 1:49I was in Orlando, I had an open call.
48. 1:52I was in Atlanta, I had an open call.
49. 1:55The face of this team is going to change.
50. 2:00And I think some of you are comfortable.
51. 2:03Abby's never going to replace me.
52. 2:04My mother walked out of the dance concert
53. 2:06two years in a row, and I'm still here.
54. 2:09My mother's been suspended twice, but I'm still here.
55. 2:13Don't get too comfortable.
56. 2:15I'll be right back.
57. 2:20I want to introduce Kim and the new Chloe.
58. 2:26Go stand right next to her.
59. 2:35CHRISTI: Bringing in a new Chloe, obviously,
60. 2:38we know who you're looking to replace.
61. 2:39Are you kidding?
62. 2:41They were at the first open call audition in Orlando.
63. 2:46My name is Kim, and my daughter is Chloe.
64. 2:48Chloe's 12 years old, and she's been dancing since she was six.
65. 2:51She's an amazing dancer.
66. 2:53Chloe won the World Dance Pageant in Orlando
67. 2:55earlier in the year.
68. 2:56You could dance next to Maddie.
69. 3:01Chloe is going to join us this week.
70. 3:03This week, we will be traveling to Voorhees, New Jersey
71. 3:07to attend the competition On Stage America.
72. 3:11All right.
73. 3:12Yes.
74. 3:14Let's start with the pyramid.
75. 3:16First, Mackenzie.
76. 3:19You got beat.
77. 3:21Next, Brooke.
78. 3:24Put the phone down.
79. 3:27Paige, I'm still seeing technical issues.
80. 3:33And next, we have Kendall.
81. 3:34What happened to that kid?
82. 3:38The kid that stepped out on the stage
83. 3:39and was right behind Maddie.
84. 3:42Next, Chloe.
85. 3:46Again, in the trio--
86. 3:52not perfect.
87. 3:55Next, the new Chloe.
88. 3:59CHRISTI: How in the world is this new Chloe above my Chloe
89. 4:02when this one didn't even dance last week?
90. 4:05You were outstanding at that audition.
91. 4:08OK.
92. 4:10Next, we have Maddie.
93. 4:14Maddie you were great in the routine,
94. 4:16you worked well with Nia.
95. 4:18That's definitely going to be an asset to you in the future.
96. 4:21And on top of the pyramid this week, deservedly so, Ms. Nia.
97. 4:27[cheering]
98. 4:33Yay.
99. 4:33Nia's at the top of the pyramid.
100. 4:36That never gets old.
101. 4:37Seeing Nia on the top of the pyramid
102. 4:39is like the cherry on top of my sundae.
103. 4:41I'm so excited for her.
104. 4:43Nia, I challenged you, but you were wonderful.
105. 4:47You embraced the role.
106. 4:49I thought you did it justice because you convey the story
107. 4:52well.
108. 4:53This is going to be a tough week.
109. 4:54We have a lot of numbers.
110. 4:56Nia, you are not getting a solo.
111. 5:00You will be doing a duet with Kendall.
112. 5:04Despite the fact that he was at the top of the pyramid,
113. 5:06Abby gives her a duet instead of a solo.
114. 5:09I certainly hope she doesn't get the new Chloe as solo.
115. 5:12That would be insulting.
116. 5:13The name of your routine is Pieces Together.
117. 5:17And it's a jazz routine.
118. 5:19The name of the group routine is Why Not Me?
119. 5:24In addition to the group, I have two solos.
120. 5:29Old Chloe, you will be performing a solo entitled
121. 5:34Seeing Red in the contemporary category.
122. 5:38And new Chloe, you will be performing a lyrical routine
123. 5:42called The First Day.
124. 5:45I will be challenging you to become an official member
125. 5:49of this team.
126. 5:51Right now, you're here is our guest.
127. 5:54We'll see.
128. 5:56What's wrong with you?
129. 5:57I'm not going to say it here.
130. 5:58It would have been nice if Maddie would have gotten
131. 6:01the chance to compete against the new Chloe
132. 6:03and had a solo this week.
133. 6:04Maddie is a great dancer.
134. 6:06And she's always looking for challenges
135. 6:07to make herself better.
136. 6:08All right.
137. 6:09Moms, you can go sit upstairs.
138. 6:10Kim, join them.
139. 6:12If they start to attack, just bang on the wall really hard,
140. 6:14and I'll come to your rescue. - OK.
141. 6:15I'll let you know. - OK.
142. 6:17All right. Spread apart, girls.
143. 6:18Spread apart, warm up. Let's go.
144. 6:20Let's jumping jack.
145. 6:20Come on, come on.
146. 6:22I'm just trying to get your blood pumping.
147. 6:23Anybody cold?
148. 6:24OK.
149. 6:25So what is your name again?
150. 6:27My name is Kim.
151. 6:28Are you a dance teacher?
152. 6:29No.
153. 6:30Are you a studio owner?
154. 6:31No.
155. 6:32- Do you work? - Yes.
156. 6:33What do you do?
157. 6:34I work in Med spa and I do facial rejuvenation.
158. 6:40Kim reveals that she works in a plastic surgeons office.
159. 6:43And it's pretty obvious.
160. 6:46By the looks on her face.
161. 6:48ABBY LEE MILLER: I would like to start with new Chloe
162. 6:50because we don't know her or how fast she picks up,
163. 6:52but I want to see.
164. 6:53But I don't want old Chloe's mother freaking out and saying,
165. 6:56oh well, we started with her first.
166. 6:59[music playing]
167. 7:01Contract, bend your elbows.
168. 7:05The first one is up, and then run.
169. 7:08Chloe's solo this week is entitled Seeing Red.
170. 7:11Chloe, you're jealous, you're envious because the new Chloe,
171. 7:16she might just be her replacement.
172. 7:18Chaine out of it towards Jonah.
173. 7:21Well, I knew as soon as she was bringing someone new
174. 7:23in that, Chloe would have a solo against the new person
175. 7:25because that's her game.
176. 7:26Well and it's Chloe versus Chloe.
177. 7:28It's always my daughter, always.
178. 7:30Because she knew that she was going
179. 7:32to use your daughter today to make my daughter feel bad.
180. 7:35HOLLY: When new people come on, who
181. 7:36want to take the solo from the kids who've been here
182. 7:37all along. - I agree with that.
183. 7:39HOLLY: Because Nia's at the top this week, Chloe's got a solo.
184. 7:42And she took away time for our duet.
185. 7:45I think these moms are ruthless.
186. 7:47They say they're part of a team and they're team players,
187. 7:49but I really believe that they're there for their child
188. 7:52only.
189. 7:53This is going to be your first solo under the Abby Lee Dance
190. 7:56Company.
191. 7:57What's the best thing you do?
192. 7:58What are you noted for?
193. 8:01You're a turner.
194. 8:03Chloe is a turner too.
195. 8:05And, turn, turn, turn, turn, turn, turn, turn, turn.
196. 8:12The new Chloe solo is called The first Day.
197. 8:17This new Chloe has a lot of talent.
198. 8:20And this might just be the first day of a very successful
199. 8:24career.
200. 8:26As you start to chaine your arms just break pretty down
201. 8:29and plie, bend this knee, right, this knee.
202. 8:32Now, how old is Chloe?
203. 8:33Chloe turned 12 in July.
204. 8:35This is a better opportunity, this dance company than the one
205. 8:38you're in in Vegas.
206. 8:39KIM: She's already the star of that one,
207. 8:41maybe she wants to be the star of another one.
208. 8:43Good luck on that.
209. 8:45Have fun.
210. 8:46Good luck on that one.
211. 8:481, and 2, and 3, and 4, 5 and 6.
212. 8:53I need to get a closer look like.
213. 8:54But you don't want to be here turned out,
214. 8:56you want to be here turned out.
215. 8:57Right.
216. 8:58I don't know that I want her to do any work on my face.
217. 9:00I don't know that I like the looks of hers.
218. 9:04Stop.
219. 9:04That's her livelihood.
220. 9:05Stop.
221. 9:06Hey, Chloe.
222. 9:07How did it go? - Good.
223. 9:09You really liked it?
224. 9:10You did well.
225. 9:11How did it go, girls?
226. 9:12Good.
227. 9:13You guys like the new Chloe?
228. 9:15It's the original Chloe.
229. 9:18You're not the old Chloe, you're the original.
230. 9:21The OC.
231. 9:22Just because you're competing against the old Chloe,
232. 9:25doesn't mean that the new Chloe can't come in here
233. 9:27and take over.
234. 9:28You're going to work hard to move up that pyramid, right?
235. 9:30You're not going to move down.
236. 9:32She's a turner.
237. 9:33She's my height, she's my age.
238. 9:34Her mom's your height, has blond hair.
239. 9:36I don't think you need to focus on this other person.
240. 9:39I think you need to focus on yourself.
241. 9:40You're the Chloe-bird.
242. 9:41And there's only one of you.
243. 9:42You're very unique.
244. 9:43I think I got the better technique.
245. 9:45Yeah, you do.
246. 9:47That's why you're here.
247. 9:48Nobody is going to be you.
248. 10:03ABBY LEE MILLER: The name of the group routine is Why Not Me?
249. 10:07Girls, do you understand what the dance is about when you go
250. 10:10to an audition like Chloe did?
251. 10:12You want to be the woman that gets picked.
252. 10:16You do want to be the woman that the other girls all talk about.
253. 10:19Because that means you've got something that they don't have.
254. 10:21All right.
255. 10:22Let's go.
256. 10:24Up, down, out, out.
257. 10:29Pose a little like you're sleeping or you're drunk.
258. 10:34Think about having like this satin nightgown on.
259. 10:38The group routine, it's a period piece from the 1930s.
260. 10:42It's something the girls have never done before.
261. 10:44The dance is inspired by the French cabaret.
262. 10:47And to add to that challenge, this is new Chloe's first group
263. 10:51routine.
264. 10:52I'm putting her together with a bunch of girls who've
265. 10:54been dancing together since they've been in diapers.
266. 10:57This could be a major struggle for her.
267. 11:00New Chloe, Maddie, do that whole Charleston section
268. 11:04from the wiggle up.
269. 11:08Ball change, hit, step, slow it down, step, slow it down.
270. 11:13You're sickling your ankles, you.
271. 11:15It seems like she's taking more time doing this group
272. 11:17dance than any of the most recent ones.
273. 11:19I agree.
274. 11:20ABBY LEE MILLER: New Chloe, you're sickling your right foot
275. 11:22big time when you roll down into the floor.
276. 11:25New Chloe, it's a split.
277. 11:26Your legs are this far apart, second time tonight.
278. 11:29I don't know if this new Chloe is going to make the ALDC cut.
279. 11:33There's a lot more that goes into fitting in with a team
280. 11:37than just the dance skills.
281. 11:39She needs to become part of this group.
282. 11:42And you should have known to slow down
283. 11:45after the first mistake.
284. 11:47It's you, sweetie.
285. 11:48You're making the mistake.
286. 11:50So Holly, what--
287. 11:51what are we going to do about this duet, that
288. 11:53is like nonexistent?
289. 11:54She won't address.
290. 11:57That's a shame. Because I think--
291. 11:59They were so excited about it.
292. 12:00The kids were really, really looking forward to it.
293. 12:02I wish Abby was excited about it.
294. 12:04I don't think she is.
295. 12:05I don't think she cares one bit, considering
296. 12:07they have not choreographed a step in this duet.
297. 12:11Oh, that front right foot, Nia.
298. 12:14I don't know.
299. 12:15We can go down and ask her.
300. 12:16I mean, we're no worse off because they haven't learned
301. 12:18anything.
302. 12:19The clock is ticking by, we're losing
303. 12:22time because of the new Chloe.
304. 12:23This is really not fair to Kendall and Nia.
305. 12:26HOLLY: This will not end well.
306. 12:29ABBY LEE MILLER: Chloe, I did not bring you all the way
307. 12:31to Pittsburgh to watch her.
308. 12:33I brought you to Pittsburgh to challenge her,
309. 12:36to make her realize that she's not the it girl.
310. 12:40There's a lot of it girls out there.
311. 12:42Hi, girl.
312. 12:45Yeah.
313. 12:46Don't waste our time.
314. 12:47We have a lot of work to do.
315. 12:48I was wondering, when will you have time
316. 12:50to start working on the choreography with the duet?
317. 12:55Are we still doing--
318. 12:56ABBY LEE MILLER: If I get a chance, start tonight.
319. 12:57OK.
320. 12:58ABBY LEE MILLER: Maybe.
321. 12:59And if I don't get to it, they're not doing a duet.
322. 13:01Not a big deal.
323. 13:02Not a big deal.
324. 13:03I have two solos to do.
325. 13:05I have the new girl that's in.
326. 13:06I have these other routines to rehearse for something else.
327. 13:09And the group number.
328. 13:12And the group number is different than something
329. 13:13they've ever done before.
330. 13:14OK.
331. 13:15Let go.
332. 13:17I care about her feet and her shoulders.
333. 13:18I know. But--
334. 13:19ABBY LEE MILLER: Not about the duet.
335. 13:20--if they have opportunity to work together,
336. 13:21they have a time to really do it.
337. 13:24Once again, my kid is getting the short end of the stick.
338. 13:26After all that Nia did last week with the group number,
339. 13:29she can't reward her with a solo.
340. 13:31And now, she might not even get a duet.
341. 13:34ABBY LEE MILLER: Nia, the kick is to the front.
342. 13:35Your hip is down.
343. 13:38Do you guys always go barge the class like that,
344. 13:40and ask about--
345. 13:41No, we didn't barge.
346. 13:43ABBY LEE MILLER: Nia, what are you doing?
347. 13:44Your mother's down here bugging me about a duet.
348. 13:46You can't even do the group dance.
349. 13:49KIM: I think that you should be a lot more
350. 13:50grateful about having your daughter on this team.
351. 13:52OK.
352. 13:53And that you shouldn't take it for granted.
353. 13:55I don't.
354. 13:57But you know what, sit here in my spot for three years
355. 14:00and have your daughter be treated the way my daughter is,
356. 14:02and then you can tell me what you think.
357. 14:05Instead of strutting around here like a peacock,
358. 14:07I'd be more concerned that maybe your daughter doesn't fit in
359. 14:09as well as you think because it looks like your Chloe might be
360. 14:12struggling a little bit.
361. 14:14Well, I think that my daughter gets yelled at where she is.
362. 14:17And I'm grateful--
363. 14:18There is a difference between that
364. 14:19and being torn up to shreds.
365. 14:21KIM: I hope my Chloe realizes this is her one chance,
366. 14:23and that she's out there working her hardest.
367. 14:26You don't think every one of those kids
368. 14:27is working their hardest?
369. 14:28Yes, they are working their hardest.
370. 14:30But they're already part of the team.
371. 14:31My Chloe--
372. 14:32CHRISTI: Yeah, no, no.
373. 14:33But she has said, for the last, however many weeks since we've
374. 14:36been back, they're not really part of the team.
375. 14:39They're being replaced.
376. 14:40Listen, lady.
377. 14:41We have a lot of people coming through a revolving door.
378. 14:44Don't let the door hit you in your ass on the way out.
379. 14:47I would like to say good work, girls.
380. 14:49You can go.
381. 14:51You don't even have to think about this till you walk
382. 14:52in tomorrow.
383. 14:53But that's not the case.
384. 14:55That's all the time. I have a class.
385. 14:56Let's go.
386. 14:57See if you picked up faster and you knew what we meant,
387. 14:59it would go quicker.
388. 15:00I mean, the group number is not done.
389. 15:02The duet hasn't even had any time.
390. 15:04I'm nervous.
391. 15:06We have one more day, ladies.
392. 15:07My daughter's solo isn't anywhere near finish.
393. 15:10Nothing's done.
394. 15:12I think Abby overstretched herself this week.
395. 15:13Yeah.
396. 15:21Turn, turn, badump, bump.
397. 15:23Turn, turn.
398. 15:25You're being goofy with your head.
399. 15:26And you can't-- you know, it's all about your legs, your legs.
400. 15:29Let them look at your legs.
401. 15:31KIM: Hello.
402. 15:33I'm doing great.
403. 15:34How are you?
404. 15:38What's up?
405. 15:41I didn't know that you needed to know, so--
406. 15:44I received a call from our studio owner in Las Vegas.
407. 15:48And he wasn't very happy with me because I left town
408. 15:50to kind of Pittsburgh.
409. 16:02At some times, yes, she is.
410. 16:05Are you kidding?
411. 16:07Is this new mother high?
412. 16:08We spent the whole day working on the group dance
413. 16:11with new Chloe.
414. 16:12So I don't know where you get off
415. 16:14sitting here saying that your kid is dancing circles
416. 16:17around ours.
417. 16:18Well, maybe she is high.
418. 16:20Bye.
419. 16:21CHRISTI: Kim, I really can't believe that you just
420. 16:23said, in front of us, that you think your daughter is dancing
421. 16:26circles around our kids.
422. 16:28I think we have great dancers on our team.
423. 16:30Thanks.
424. 16:32MELISSA: That's really rude to talk about children that way.
425. 16:33Yeah.
426. 16:34That's very rude to talk about children.
427. 16:35The quickest way to make an enemy out of Melissa
428. 16:37is to say that your daughter is dancing circles around her kid.
429. 16:40You better watch out because you're
430. 16:41going to go outside with your tire slashed.
431. 16:55AABBY LEE MILLER: Don't take all those steps in now.
432. 16:57Control that.
433. 17:06OK.
434. 17:07I'm going to change that.
435. 17:09Over here, we need to change this because you
436. 17:10did this in the group dance.
437. 17:11I don't want you to do it again.
438. 17:13Come on in.
439. 17:14I'm changing something here so work up there.
440. 17:16CHRISTI: Why is your daughter in there,
441. 17:18where my-- your rehearsal is finished,
442. 17:19and she's being very distracting to my daughter.
443. 17:22Girls, go down by the mirror and do it, so that she
444. 17:25can see what you do.
445. 17:26KIM: Well, I think that's something you should talk
446. 17:28to Abby about because-- - I know.
447. 17:29Everyone is just--
448. 17:30She's just following directions.
449. 17:31Just go talk to Abby.
450. 17:34Yeah you know what, Kim.
451. 17:35I've been here a long time.
452. 17:36I don't need your advice.
453. 17:37Thanks.
454. 17:38ABBY LEE MILLER: Chloe, this should be easier
455. 17:39for me to teach you than her.
456. 17:40She's a brand new student here.
457. 17:41She doesn't know how we work.
458. 17:43You've been here since you were three years old.
459. 17:45You should get this like that.
460. 17:46Ready, let's go.
461. 17:47JILL: I'm so annoyed.
462. 17:49This is the first time ever.
463. 17:50If that duet doesn't get done, that we have had a number that
464. 17:54didn't get finished.
465. 17:55HOLLY: Well, I would be disappointed because Nia's
466. 17:56on the top of the pyramid and she didn't get a solo,
467. 17:58but she got the duet.
468. 17:59That's so annoying.
469. 18:00At this point, I really think that Jill and Holly are totally
470. 18:03out of luck because competition's tomorrow.
471. 18:05And they don't have any chance to rehearse this duet
472. 18:08because we've spent so much time working on the new Chloe.
473. 18:10KIM: So now, this is not my fault
474. 18:12that she's having to run this again.
475. 18:14She actually has benefited.
476. 18:15It's worked well well.
477. 18:16It's in her favor, but for Nia and Kendall,
478. 18:19their duet is never finish.
479. 18:20ABBY LEE MILLER: You have a lot of work to do on that routine.
480. 18:22It's not easy.
481. 18:23All right.
482. 18:24Get the duet, and get them in here.
483. 18:26[cheering]
484. 18:30Go.
485. 18:31[music playing]
486. 18:36HOLLY: Abby's stances tend to be pretty complex and well out.
487. 18:39But this week's duet, they don't even have their choreography,
488. 18:43let alone knowing what the concept of the dance is about.
489. 18:46The new Chloe took up so much time for solo.
490. 18:48There isn't much rehearsal time for anybody else.
491. 18:50So does Abby do this often to your girls,
492. 18:52where she's on the phone? - Always.
493. 18:54- Yes. - Always.
494. 18:55She's always on the phone.
495. 18:56ABBY LEE MILLER: Go.
496. 18:57Stronger back, Nia.
497. 18:58Get your butt under.
498. 18:59Close your ribs.
499. 19:00HOLLY: She wants to make sure Abby's looking at her.
500. 19:03You're using her back for leverage on the barrel roll,
501. 19:06and you're not doing it.
502. 19:07Pick up your foot and PK on it.
503. 19:09Come on.
504. 19:11We don't have time to go over old stuff.
505. 19:14That's what their mothers don't understand.
506. 19:16They're not quick.
507. 19:18And they don't come in perfect.
508. 19:20I am so busy fixing Nia and Kendall's mistakes.
509. 19:24I don't even have time to work on the duet.
510. 19:26Do you understand?
511. 19:28We gave you a front handspring, couldn't do it.
512. 19:30Giving you something else, and your early, twice.
513. 19:33So she's going to give them a lecture after she's
514. 19:35been on the phone.
515. 19:35I'm so mad.
516. 19:37And I'm so sick of being on the bottom of the pyramid
517. 19:40because it's not my kid's fault.
518. 19:42HOLLY: It's not that great to be on the top of the pyramid.
519. 19:44She's been here for hours.
520. 19:45She's been here all day.
521. 19:46That number should be done.
522. 19:48ABBY LEE MILLER: We got to go.
523. 19:50Yeah. We just stop.
524. 19:51That's it.
525. 19:52How is it, Abby?
526. 19:53ABBY LEE MILLER: Horrible.
527. 19:54Why is it horrible?
528. 19:57We'll spend some time--
529. 19:58We just spent 17 minutes trying to tell your kid what
530. 20:00foot she was on.
531. 20:02I got to let the class out.
532. 20:03See.
533. 20:03That's why I don't go in there.
534. 20:05No.
535. 20:06She's a bitch.
536. 20:07I've had it.
537. 20:08This is it.
538. 20:09I just wish someone would treat Abby the way
539. 20:11she treats these kids.
540. 20:13ABBY LEE MILLER: I'm more concerned about your two kids
541. 20:14and they don't have a duet.
542. 20:16I'm pulling the duet as of right now.
543. 20:17[gasping]
544. 20:18Don't-- it's ridiculous.
545. 20:20I like the number.
546. 20:21I went to great lengths for this duet.
547. 20:24I asked Nia to do a front handspring over her.
548. 20:26Hoo, hoo, hoo.
549. 20:28We needed them to come in today ready to go on.
550. 20:31But I think at this point, I think they feel they're getting
551. 20:34the short end of the stick.
552. 20:35They know how valuable the time is in that studio.
553. 20:38I want to get it done.
554. 20:39Exactly.
555. 20:40And how is it going to get done for the competition?
556. 20:42You tell me.
557. 20:43I'm a problem solver. I mean--
558. 20:44ABBY LEE MILLER: Well, solve this one.
559. 20:45- I don't know how-- - We're finished.
560. 20:46I have work to do with Rachel.
561. 20:49Figure out who I'm going to sell these two costumes to.
562. 20:52Am I really going to pull this duet?
563. 20:54I don't know.
564. 20:55We have to go and see them do a duet that we don't even know.
565. 20:58Well, you're going to learn it.
566. 20:59Don't worry about it.
567. 21:03[music playing]
568. 21:12ABBY LEE MILLER: We just arrived in Voorhees, New Jersey.
569. 21:14And I am ready to kick some butt.
570. 21:16New Chloe has to prove that she belongs on my team.
571. 21:20And the old Chloe, well, does she still belong on this team?
572. 21:24We'll see.
573. 21:25[music playing]
574. 21:32Exactly.
575. 21:33So make today count.
576. 21:35You know.
577. 21:37New mom, Ms. Kim, you better get a needle and thread ready.
578. 21:40All right, ladies.
579. 21:42Oh, wait.
580. 21:43Wait a minute.
581. 21:44You have to borrow a needle and thread?
582. 21:46Yes, Abby.
583. 21:47I have to borrow--
584. 21:49Because you couldn't fly on the plane with the needle
585. 21:50or because you don't normally sew?
586. 21:52--sew something in her hair.
587. 21:53I don't normally sew the moment
588. 21:54before a competition, no.
589. 21:55But I'm very capable of doing that.
590. 22:01MELISSA: Kim is basically catatonic.
591. 22:03It looked like she didn't know what to do to get her daughter
592. 22:06dress, her hair done.
593. 22:07She's never sew a hairpiece her daughter's head.
594. 22:09Wait.
595. 22:10Are you've sewing in something in her hair or something.
596. 22:12I think I'm sewing a liner in the top.
597. 22:13And look, here's probably this color.
598. 22:15Yep.
599. 22:16I don't know if Melissa's the best one to be helping you.
600. 22:18I'm just holding it so--
601. 22:19She's being very sweet.
602. 22:20I'm very nice.
603. 22:21I don't just think of her as the arts and crafts
604. 22:23kind of girl.
605. 22:24All I'm doing is holding it while she's--
606. 22:26She might be Betty homemaker, but that's not the kind of home
607. 22:28she's making.
608. 22:31I personally don't know why Melissa is being such a kiss
609. 22:33ass to Kim.
610. 22:35But history has proven that Melissa always has an ulterior
611. 22:37motive.
612. 22:38OK, Chloe, let's go try this costume on.
613. 22:51Abby, did you ever get a chance
614. 22:52to see the duet in its final stage after the 17 minutes
615. 22:55she spent with it this weekend?
616. 22:56It could have been five minutes.
617. 22:58You're lucky, they got 17.
618. 23:01I think you only spent 17 minutes on the duet
619. 23:04because you spent the time with the new girl.
620. 23:06And I appreciate you spending that time with Chloe.
621. 23:08Thank you.
622. 23:09Well, you should appreciate that.
623. 23:10[overlapping voices]
624. 23:12Do you want me to scratch the duet?
625. 23:14Not a problem.
626. 23:15If you think 17 minutes isn't enough for your really smart
627. 23:17kid, that's fine.
628. 23:18No.
629. 23:19No need to get defensive.
630. 23:20I'm just--
631. 23:21I'm not offensive.
632. 23:22HOLLY: I think you are.
633. 23:23I'm getting angry, and you're wasting my time.
634. 23:26All right, girls.
635. 23:27When you step out on that stage, you are representing the Abby
636. 23:30Lee Dance Company.
637. 23:31You better look amazing.
638. 23:33I want you to be the Chloe that I know you can be.
639. 23:37And you, show everybody in that audience
640. 23:41that you are the new Chloe and you are here to stay.
641. 23:44All right.
642. 23:45Let's go.
643. 23:46[music playing]
644. 24:02These girls had no time to prepare.
645. 24:04And duets are harder than solos because their timing has
646. 24:07to be perfect.
647. 24:09I know Abby doesn't care about this duet, but I do.
648. 24:12And I need for these kids to go out there and nail it.
649. 24:15HOST: Entry 131, Pieces Together.
650. 24:18[cheering]
651. 24:22[music playing]
652. 24:32(SINGING) I never wanted to hurt you.
653. 24:37You do it to yourself.
654. 24:42I can give you all you need just like nobody else.
655. 24:50You have to go your own way, but where did that get you to?
656. 24:59Not every piece is broken.
657. 25:03Who have mercy on you.
658. 25:08When the dreams are gone, when there's nothing left, when
659. 25:12the feeling's gone, when it's in a mess, when the shadow's long,
660. 25:18I'll be picking up the pieces of your heart, your heart.
661. 25:29When the dreams are gone, when there's nothing left, when
662. 25:34the feeling's gone, when it's in a mess, when the shadow's long,
663. 25:40I'll be picking up the pieces of your heart, your heart.
664. 25:56[cheering]
665. 26:0317 minutes.
666. 26:05The number unlocks a thousand times better than I ever
667. 26:08imagined it could be.
668. 26:10If they had more time than 17 minutes,
669. 26:14imagine what this duet could look like.
670. 26:16HOST: Up next, ladies and gentlemen,
671. 26:17we have number 123, Seeing Red.
672. 26:20[cheering]
673. 26:24You know, it's so obvious that Abby has a target right
674. 26:27in the middle of Chloe's back.
675. 26:29And she has her guns aimed right at it.
676. 26:31And her trigger finger is itchy.
677. 26:33But you know what, they make a cream for that.
678. 26:38[music playing]
679. 27:01(SINGING) Ouch.
680. 27:03Nothing hurts more than nothing.
681. 27:11I'm numb.
682. 27:13It all feel the same now that it's different.
683. 27:22Just once is all it takes to take away the life of something
684. 27:37you hate.
685. 27:42Red are my hands.
686. 27:44Red is your fate.
687. 27:47Red is the color you will taste.
688. 28:14Ouch.
689. 28:16Nothing hurts more than nothing.
690. 28:28[cheering]
691. 28:36CHRISTI: My Chloe looks amazing on stage.
692. 28:39And I think the new Chloe has actually
693. 28:42lit a fire under the old Chloe.
694. 28:44Play it safe, but still be daring because Abby doesn't
695. 28:48like when you play it safe.
696. 28:49But make sure you're not like falling all over the place.
697. 28:52I'm very nervous when Chloe gets on stage.
698. 28:54She needs to be perfect.
699. 29:01There is no denying that the new Chloe is a gorgeous dancer.
700. 29:05But the whole point of this competition team
701. 29:08is pressure and to win.
702. 29:12Good luck, Chloe.
703. 29:13HOST: Next number is number 121, The First Day.
704. 29:17[cheering]
705. 29:24[music playing]
706. 29:34(SINGING) Today is the first day of the rest of my time.
707. 29:40I knew when you turned away, I would never
708. 29:43take another deep breath, but I know
709. 29:47it'll be OK cause I'm just built that way.
710. 29:52I know it'll be OK cause I'm just built that way.
711. 30:08Today is the first day of the rest of my life.
712. 30:13I knew when you turned away, I would never see another neon
713. 30:18light, but I know it'll be alright
714. 30:22cause I'm just built to fight.
715. 30:25I know it'll be OK cause I'm just built that way.
716. 30:32I don't need to tell you how to complicate this if you already
717. 30:35know just how to break my heart.
718. 30:38Every time I open up my eyes you take this
719. 30:40to another level of performance art, performance
720. 30:46art, performance art, performance art.
721. 31:09HOST: Thank you.
722. 31:17I can't believe it.
723. 31:19That makes me look unprofessional.
724. 31:21And that mom, a failure.
725. 31:25That ruined her whole routine.
726. 31:26She was gorgeous.
727. 31:28Oh, my God.
728. 31:29It's a scandal on the dance floor.
729. 31:30The new Chloe's headpiece just fell out.
730. 31:32Did she just open the door for the old Chloe?
731. 31:39Hi, Abby.
732. 31:40Your kid had one chance, one opportunity
733. 31:43to get on this team.
734. 31:45Because the kid that I saw on stage in Orlando perform
735. 31:48was amazing.
736. 31:51She had beat Maddie the crap out of her.
737. 31:55And that kid that I just saw on stage was a hot mess.
738. 31:58And that headpiece falling out at the end
739. 32:00was just like the icing on the cake.
740. 32:02And that one right there, she's teaching that kid that when you
741. 32:05get on stage and perform, you better
742. 32:08look like you're from the Abby Lee Dance Company.
743. 32:10Chloe is used to a lot of pressure.
744. 32:12But today, she was a little rough
745. 32:13around the edges and everybody has a day that they're
746. 32:16a little rough.
747. 32:17It's just a learning curve.
748. 32:19Good job, girls.
749. 32:21You did great.
750. 32:23ABBY LEE MILLER: I don't want to see the back of your head
751. 32:25down to the floor.
752. 32:26When you turn around, you should not be putting forward.
753. 32:29Belly in, ribs in, ribs in.
754. 32:31All right.
755. 32:31That's it.
756. 32:32We're going out on stage.
757. 32:33New Chloe, good luck.
758. 32:36Break a leg.
759. 32:37You need me to forget what I saw when you did that solo out
760. 32:41there.
761. 32:42KIM: I think Chloe is going to prove Abby wrong.
762. 32:44I think she's going to show Abby that she is the girl that
763. 32:47was at that audition.
764. 32:49HOST: Ladies and gentlemen, entry number 214
765. 32:51is an open small group.
766. 32:53Why Not Me?
767. 32:57[music playing]
768. 33:05(SINGING) Sure I've made some bad decisions more than once
769. 33:09or twice.
770. 33:11Lost my sense of intuition to some bad advice.
771. 33:19But every road to romance has some bumps along the way.
772. 33:26It's a dance, a game of chance, we all choose to play.
773. 33:33Maybe I am idealistic when it comes to love,
774. 33:40but lately I'm quite optimistic due to who I'm dreamin' of.
775. 33:48My heart's found a new direction that's positively true.
776. 33:54So I put best foot forward.
777. 33:58And I'm hopin' it leads to you.
778. 34:16Maybe I am idealistic when it comes to love,
779. 34:23But lately I'm quite optimistic due to who I'm dreamin' of.
780. 34:31My heart has found a new direction that's positively
781. 34:36true.
782. 34:37So I'll put my best foot forward.
783. 34:41And I'm hopin' it leads to you.
784. 34:44Oh, I put my best foot forward.
785. 34:48And I'm hopin' it leads to you.
786. 34:56[cheering]
787. 34:59ABBY LEE MILLER: The dance was OK.
788. 35:02There was a few missteps here and there.
789. 35:05But for the most part, they looked gorgeous.
790. 35:08And sometimes, it's all about the look.
791. 35:11I thought the crowd loved them, but I don't know.
792. 35:14KIM: Well, ladies, I just want you to know
793. 35:16that my daughter was off today.
794. 35:18It's probably because her choreography she's used to
795. 35:20is a little more difficult than this.
796. 35:22I don't know if I want to be down here now that I've seen
797. 35:24what it's like slumming it here with you ladies,
798. 35:26and slumming it in Pittsburgh.
799. 35:28Wow.
800. 35:29Get out of here.
801. 35:34KIM: Well, ladies, I just want you to know that I don't know
802. 35:36if I want to be down here now that I've seen what it's
803. 35:38like slumming in here with you ladies.
804. 35:40And slumming in Pittsburgh may not be my style at all.
805. 35:44I don't live in the slums so I don't
806. 35:45know what she's talking about.
807. 35:46KIM: My daughter benefits in mine.
808. 35:48I don't know what your experiences are with slums.
809. 35:50I don't have that.
810. 35:51I really don't have a frame of reference.
811. 35:53First, she insults our kids, then us, now, where we live.
812. 35:57Three strikes, you're out.
813. 35:59I've had enough of you.
814. 36:00There's no one person who's better than somebody else.
815. 36:03And that includes you.
816. 36:04CHRISTI: I don't know if we refer to it as slumming around
817. 36:06here.
818. 36:07I think we refer to it as teamwork.
819. 36:07We are a team.
820. 36:09I don't think that my daughter needs this team that she needs
821. 36:12my daughter.
822. 36:13And I think I'm going to take a little break from.
823. 36:15I have better places to spend my time.
824. 36:17Like this is how it is here.
825. 36:18If you don't like it you might as well run.
826. 36:20Get out of here.
827. 36:24Hey, what's going on?
828. 36:25Well, you know, I just don't know that I like these moms.
829. 36:28I don't know if--
830. 36:29ABBY LEE MILLER: Oh, listen--
831. 36:30I don't know if I like the whole situation.
832. 36:32What's going on?
833. 36:34I found Kim on the hallway.
834. 36:36Wait till you hear all the crap she talked about you.
835. 36:38She told us she's slumming it with us,
836. 36:40with you, at our studio.
837. 36:43She said she's slumming it.
838. 36:44Don't say you're slumming it.
839. 36:45I have a pretty good record so far, sweetheart.
840. 36:47I was offering your daughter the opportunity of a lifetime.
841. 36:53MELISSA: The moms have had enough of Kim.
842. 36:54And now she's getting on the bad side of Abby.
843. 36:57I say, see you later, Kim.
844. 36:59Bye, bye.
845. 37:00Hi, girls.
846. 37:01Hi.
847. 37:02Good job.
848. 37:03Hello.
849. 37:04Good job.
850. 37:04Good job.
851. 37:05Good job.
852. 37:06They were wonderful.
853. 37:07Yay.
854. 37:08But the feet could have been a little better, the timing could
855. 37:12have been a little better.
856. 37:13The energy could have been a little better.
857. 37:15We're going out there.
858. 37:16And it's going to be awards.
859. 37:17Put the smile on your face and nobody
860. 37:20better sit on that stage and slouch.
861. 37:23[music playing]
862. 37:29HOST: So now, ladies and gentlemen,
863. 37:32we are now going to Junior Advanced Solo top scorers.
864. 37:36Fourth overall goes to entry number
865. 37:38129, Something's Got to Give.
866. 37:43Third runner up goes you entry number 123, Seeing Red.
867. 37:53CHRISTI: I can't believe that Chloe came in fourth.
868. 37:55There is nothing that I wanted more in life than for Chloe
869. 37:58to prove that she belongs on this team.
870. 38:02HOST: First runner up, entry number 121, The First Day.
871. 38:11ABBY LEE MILLER: New Chloe was the second place
872. 38:13overall high score winner.
873. 38:15But when your headpiece falls out on the stage,
874. 38:17it's distracting to the judges.
875. 38:19It's unprofessional.
876. 38:21HOST: Next up, Junior Advanced Duo top scores.
877. 38:25Our third runner up goes to entry number 161,
878. 38:29The Way You Make Me Feel.
879. 38:32Now our second runner up, entry number 131, Pieces Together.
880. 38:44Next, we have Junior Advanced Small Group high scores.
881. 38:49First runner up, entry number 167, Pole Riders.
882. 38:56Our top scorer for Junior Advanced Small Group,
883. 39:01entry number 214, Why Not Me?
884. 39:06ABBY LEE MILLER: The group got first place.
885. 39:08Am I happy?
886. 39:09Yes.
887. 39:10But I think the girls could have done a better job.
888. 39:12I think they should have stepped up to the plate,
889. 39:14especially with new Chloe here, threatening their spot.
890. 39:17All right.
891. 39:20I'm shutting the door.
892. 39:21I'm not letting the kids come in.
893. 39:23They're all excited.
894. 39:23They're thrilled.
895. 39:24I'm not.
896. 39:25Kim, if your kid would have won that,
897. 39:30she'd have been a shoo in for this team.
898. 39:32That's what I want.
899. 39:33Once again, I have a second, I have a fourth
900. 39:37with the old Chloe.
901. 39:38I need a first.
902. 39:40If you give her another week, you'll be much more impressed.
903. 39:44I don't know.
904. 39:46And I have to duet, third.
905. 39:49Third.
906. 39:50Yeah.
907. 39:51Third is not good enough.
908. 39:53But that's third with 17 minutes of your attention.
909. 39:56I wish your kid would just point her feet, point her feet.
910. 40:00And then the judges would have look at that.
911. 40:02Because you teach a child more than 17 minutes.
912. 40:05ABBY LEE MILLER: Certainly, a child
913. 40:06that warrants my attention.
914. 40:08She warrants?
915. 40:09Yes.
916. 40:10Get that straight.
917. 40:12Have a nice day.
918. 40:14Oh, she's miserable bitch.
919. 40:17ABBY LEE MILLER: Next on "Dance Moms"--
920. 40:19ladies, this is a reality check.
921. 40:21I will be forming another team to challenge.
922. 40:25She doesn't want us.
923. 40:26That's what she wants.
924. 40:27ABBY LEE MILLER: I'm not just getting kids
925. 40:28from all over the country now.
926. 40:29628, you're fabulous.
927. 40:31Come sit over there.
928. 40:32She's from the Broadway cast of Matilda.
929. 40:34This new team will be unstoppable.
930. 40:37I want a winning duet.
931. 40:39You got all the time, Melissa.
932. 40:40MELISSA: I do not.
933. 40:41And now having your kid lie.
934. 40:43Get your finger out of my face.