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Cathy Recruits an ALDC Nemesis (S3, E24) | Full Episode | Dance Moms — Transcript

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  1. 0:02[music playing]
  2. 0:03ABBY LEE MILLER: Previously on "Dance Moms."
  3. 0:04I need to win, that's why you guys are here.
  4. 0:05I want to make a strong team, and I
  5. 0:06want to make a strong team with the people that I trust.
  6. 0:08ABBY LEE MILLER: I get reports that you're
  7. 0:10kissing some guy backstage before you go on to compete?
  8. 0:13I hope that was a rumor.
  9. 0:16What was that we just saw?
  10. 0:17What was that we just saw?
  11. 0:19You're kidding me!
  12. 0:21In first place, Bad Girls.
  13. 0:24And how old are you, double chin?
  14. 0:25Watch your ugly mouth.
  15. 0:26Vicky, you have to go.
  16. 0:28I don't want you to hear rumors, blah blah blah,
  17. 0:31but I am looking for property in LA.
  18. 0:35Coming up on "Dance Moms."
  19. 0:37We're starting a new ball game.
  20. 0:38This is our opportunity to build and get strong.
  21. 0:42The Dream Team is here.
  22. 0:44Abby's in LA.
  23. 0:45I just want to be one of the first studios in Pittsburgh
  24. 0:47to bring this to the students.
  25. 0:49Believe it or not, there's a lot of personalities like Abby
  26. 0:51in LA.
  27. 0:52Drag Queens.
  28. 0:55Show Anthony, show myself what you've got to offer.
  29. 0:58Oh [bleep].
  30. 1:00Put your mouth on vacation.
  31. 1:01[interposing voices]
  32. 1:07[music playing]
  33. 1:10(SINGING) Get up, get on the floor.
  34. 1:13My world is with my girls living on the dance floor.
  35. 1:20[music playing]
  36. 1:24John, what about the neighborhood?
  37. 1:25I don't miss those kids back in Pittsburgh at all.
  38. 1:29They better be in that studio working with Gianna
  39. 1:31and the rest of my staff--
  40. 1:33Long lunge again, two arms up in high fifth, shoulders down.
  41. 1:37Now my friend John and I are looking for property.
  42. 1:40I want to open a studio here in California.
  43. 1:47Hello.
  44. 1:48How are you?
  45. 1:49Good, how are you?
  46. 1:50Fine, thanks.
  47. 1:51My name is Abby Lee--
  48. 1:52Sasha.
  49. 1:53We just want to take a look at the space.
  50. 1:55OK, sure.
  51. 1:56I'll give you a walk around.
  52. 1:58This is our pole studio.
  53. 2:01Oh my God, there's poles.
  54. 2:03They're poles.
  55. 2:04There are eight poles.
  56. 2:05I'm looking for space without any poles or columns.
  57. 2:08Oh my goodness.
  58. 2:09Kelly would probably make the best stripper,
  59. 2:12because A, she started out as a dancer, B,
  60. 2:15she failed at being a dancer, and C, she's always
  61. 2:19take your clothes off.
  62. 2:20I just had a structural engineer come to check out my roof
  63. 2:24to put this up.
  64. 2:25Yes.
  65. 2:26I just want to be one of the first studios in Pittsburgh
  66. 2:28to bring this to the students so that they're multifaceted,
  67. 2:31because this is the next step.
  68. 2:33More and more often you see silks, and hammocks,
  69. 2:37and lires in all the award shows, and videos,
  70. 2:40and every cirque show.
  71. 2:41So when I see silks, I get excited.
  72. 2:44I think the more training a dancer has,
  73. 2:46the more opportunities will become available.
  74. 2:48I'm having silks installed in my dance studio.
  75. 2:51I love the space up here, I think I'll definitely be back.
  76. 2:55It might not be to teach other children though.
  77. 2:58Maybe I'll just come back to learn some moves.
  78. 3:00Yes, good.
  79. 3:01Seeing all these dance studios in Los Angeles
  80. 3:05really has me thinking about making the big move.
  81. 3:07Who knows?
  82. 3:08Maybe I'll be here permanently.
  83. 3:10I'm pretty sure that Maddie and Mackenzie would follow me
  84. 3:12right here to California but I'm not
  85. 3:14so sure about those other kids.
  86. 3:17[music playing]
  87. 3:23CATHY: Hey, guys.
  88. 3:23Hey Candy.
  89. 3:25I have to say welcome back.
  90. 3:26Thank you.
  91. 3:27And I have to say welcome.
  92. 3:29Thank you.
  93. 3:31After losing to Abby, this is going to be
  94. 3:33a really intense week for me.
  95. 3:35I have a whole new team, I have a whole new everything.
  96. 3:38I had a horrendous week.
  97. 3:41We lost to the Abby Lee Dance Company,
  98. 3:44and quite frankly, I don't enjoy the feeling
  99. 3:47that I get when I lose.
  100. 3:48[music playing]
  101. 3:49(SINGING) Hey boy, [inaudible].
  102. 3:55In second place, entry number 75, Be Strong.
  103. 3:59[cheering and applause]
  104. 4:03CATHY: I'm more determined now to take the country by storm.
  105. 4:07You know, Candy Apple Town or nothing.
  106. 4:09Having Cathy invite me here and bring me here long time.
  107. 4:12I think it took her for a while to trust me
  108. 4:14and to get to know who I am.
  109. 4:16This lady has a lot of wisdom, she picks up
  110. 4:18where I left in certain areas sometimes,
  111. 4:20and I think that's why we have a great mold together.
  112. 4:24I want to work with Cathy, because I like a challenge,
  113. 4:27and Cathy gives me a good challenge.
  114. 4:29Me and Cathy are rebuilding this team
  115. 4:30so we can be true contenders and competitors to the Abby Lee
  116. 4:35Dance Company and my perspective.
  117. 4:37Boys, you've come back, because you've danced with me
  118. 4:39for a couple of weeks.
  119. 4:40Girls, you're new, hand picked.
  120. 4:44So I've definitely decided to keep my three boys--
  121. 4:47I've got Zack, Nick, and Jalen.
  122. 4:50But I've also invited three new girls.
  123. 4:52Hadley, you've got star quality, and I'm
  124. 4:55so happy to have you here.
  125. 4:57And you, I'm so happy to have you here.
  126. 5:00Love your dress, by the way.
  127. 5:01Thank you.
  128. 5:02When Cathy called to invite Hadley to her team,
  129. 5:05I was thrilled.
  130. 5:06I think Cathy and I definitely have the same goal--
  131. 5:10we both want to beat Abby Lee Miller.
  132. 5:11[music playing]
  133. 5:12(SINGING) Don't turn off your light tonight.
  134. 5:15[cheering and applause]
  135. 5:16YVETTE: Abby tried to break Hadley.
  136. 5:17ANNOUNCER 1: Abby, I'm reading your facial expression,
  137. 5:19and you don't seem that happy.
  138. 5:22Should I say roadkill?
  139. 5:23[gasping]
  140. 5:25She wants nothing more than to go against Abby
  141. 5:28and show her how much she has improved.
  142. 5:31I think you're so positive, and I love Anthony.
  143. 5:35I think this is the best fit.
  144. 5:38You have some fans.
  145. 5:39[laughter]
  146. 5:42CATHY: Campbell, you have an amazing presence on stage.
  147. 5:46[music playing]
  148. 5:47Campbell as a dancer has always been a winner,
  149. 5:49and people just fall in love with her for her.
  150. 5:51Not only her on stage, but also her off stage.
  151. 5:54I want Campbell to be a part of Candy Apples,
  152. 5:55because Cathy is looking for her ultimate dream team,
  153. 5:58and she wants to win.
  154. 6:00[music playing]
  155. 6:01Mary, you have amazing extensions,
  156. 6:06and that's why you were invited.
  157. 6:08Mary is a title winner, she has a mother
  158. 6:12who's a dance teacher.
  159. 6:13I want Mary to have the best possible opportunities
  160. 6:15in the industry, and I feel that Cathy
  161. 6:17is a leader in the industry.
  162. 6:19And if anybody is going to get my little girl known
  163. 6:22and can get doors open for her, it's Cathy.
  164. 6:25This is a big opportunity for all of you.
  165. 6:28I don't know who's going to have a solo this week,
  166. 6:32I don't know who is going to have some highlighting done
  167. 6:37in the group dance, I don't know any of that until Anthony
  168. 6:41and I start to look at what you can do.
  169. 6:44So not only am I going to be looking for a good, solid team
  170. 6:49to take this nation by storm--
  171. 6:52not to mention Abby who's as big as the nation--
  172. 6:57somebody may go home.
  173. 7:01It's not a contest.
  174. 7:03For me, that is.
  175. 7:05It could be a contest for all of you.
  176. 7:08But I need to know that you guys are going to defend me come
  177. 7:12hell or high water.
  178. 7:13Oops, come H-E double hockey sticks or water.
  179. 7:17Usually, I like to work with uneven numbers.
  180. 7:21You can always pull out that strong dancer
  181. 7:24and highlight them, and then you're
  182. 7:26symmetric on either side with your remaining dancers.
  183. 7:30So we definitely need to cut the team down.
  184. 7:33I'm more serious and more determined now than ever.
  185. 7:37You've got to let me know that this right now is what you want
  186. 7:41so bad, you can taste it, and it is sweet like a candy apple.
  187. 7:46I'm all about fun and games, but I'm not Abby.
  188. 7:50We will win, and we will be the best.
  189. 7:53[music playing]
  190. 7:59Well, that was intense.
  191. 8:00That as so intense.
  192. 8:02So spread out.
  193. 8:03[music playing]
  194. 8:04Some of this may be [inaudible] just take a cross and you go,
  195. 8:06from here, you go step, passé.
  196. 8:11CATHY: The group dance this week is
  197. 8:13about experiencing boyfriend, girlfriend, first hand hold,
  198. 8:18first kiss, first finding out that you're
  199. 8:21attracted to someone and have kind of deep feelings for them.
  200. 8:28From there, just roll over.
  201. 8:30And this is where I want to see each of you individually.
  202. 8:33How humiliating would it be for your little girl or boy
  203. 8:36to be the only one to be eliminated.
  204. 8:38This is so nerve wracking that we've come this far.
  205. 8:41I put everything on hold back at home--
  206. 8:42my businesses, my family.
  207. 8:45I'm here for Mary.
  208. 8:46I hope Mary's not the one going home.
  209. 8:48Can I ask you a question?
  210. 8:49Sure.
  211. 8:50He's a hip hop dancer, he spins on his head.
  212. 8:52You know, he does a lot more than spin on his head.
  213. 8:53My daughter-- does pirouettes, right?
  214. 8:57OK.
  215. 8:58You could take somebody off the street
  216. 8:59and teach them how to do hip hop street dance.
  217. 9:02That's like me saying you can take any kid off the street
  218. 9:05and teach them how to spin.
  219. 9:06You can't.
  220. 9:07GINA D: Jalen is obviously very talented,
  221. 9:10but present time right now, Mary would be the more versatile
  222. 9:14dancer.
  223. 9:16If anybody is going to be cut from this team,
  224. 9:17it should be Jalen. [music playing]
  225. 9:18So you can take any kid off the street
  226. 9:20and teach them how to do ballet then, right?
  227. 9:22No, you can't.
  228. 9:23But you can take any kid off the street
  229. 9:25and teach what my son does?
  230. 9:26Yes, you can.
  231. 9:27So there's no training in break dancing.
  232. 9:29I can't talk to you, because now you're fighting with me.
  233. 9:31And it's like, I'm not saying that, OK?
  234. 9:34You're being defensive.
  235. 9:35This conversation is over.
  236. 9:36You are being really defensive.
  237. 9:37All right, good.
  238. 9:38Let's figure it out.
  239. 9:40Rick is a yeller.
  240. 9:41I don't roll like that.
  241. 9:42It's out of control.
  242. 9:44I'm concerned, because we came to be on a winning team
  243. 9:47and beat Abby.
  244. 9:48I just think that some of the parents
  245. 9:49need to keep their nose in their own business.
  246. 9:51No, he's crazy.
  247. 9:53Gina-- Gina-- he comes from the streets.
  248. 10:03[music playing]
  249. 10:04ABBY LEE MILLER: I've decided that it's time for the Abby Lee
  250. 10:06Dance Company to expand, so I'm going to check out some studio
  251. 10:08spaces in the Los Angeles area.
  252. 10:10I always wanted to be a Cali girl,
  253. 10:13and Lord knows I don't want to die in Pittsburgh.
  254. 10:16This is our main dance floor, you can come in here
  255. 10:17if you like. - Ooh.
  256. 10:18[music playing]
  257. 10:19We get a lot of kids in here, especially during the summer.
  258. 10:21You do?
  259. 10:22I wanna check out the mirrors here.
  260. 10:24I love how they go all the way to the floor.
  261. 10:26Yes.
  262. 10:27I'm a big perfectionist when it comes to feet.
  263. 10:30Other than New York, Los Angeles is the best market for dance.
  264. 10:33I want to move to someplace sunnier,
  265. 10:36nicer, a little more fun.
  266. 10:38There's plenty of child stars come to Los Angeles to make it.
  267. 10:44Certainly they can use my training.
  268. 10:46Thank you very much, honey.
  269. 10:47Pleasure meeting you.
  270. 10:48[music playing]
  271. 10:51Good, and then you need to get into your press, right?
  272. 10:54I think you just need to roll this way and get into it.
  273. 10:57ABBY LEE MILLER: Even though I'm away in LA,
  274. 10:59I've given my faculty my permission to teach my work.
  275. 11:03So everybody better be at that studio
  276. 11:06improving, working, training.
  277. 11:09Try that.
  278. 11:11[music playing]
  279. 11:15Hey, what are we going to toast to?
  280. 11:17Because Abby's in LA.
  281. 11:19[squealing]
  282. 11:20When is Abby coming back?
  283. 11:22Oh God, I don't know.
  284. 11:23Here's to never coming back.
  285. 11:25[music playing]
  286. 11:26Amen.
  287. 11:27Melissa, you downed It already.
  288. 11:30She's all like, I don't drink that,
  289. 11:31she's like [slurping noise].
  290. 11:34It's such a relief to go to dance and not have Abby
  291. 11:38screaming at the kids.
  292. 11:39It's actually been kind of nice not having the big shadow
  293. 11:43hanging over our heads when we enter the studios.
  294. 11:46[music playing]
  295. 11:47How in God's good earth is she going to make it in LA?
  296. 11:50They love her there.
  297. 11:51I don't know.
  298. 11:52When I visit LA, I am obese.
  299. 11:55And you said they love Abby there?
  300. 11:57Believe it or not, there's a lot of personalities like Abby
  301. 11:59in LA.
  302. 12:00Drag queens?
  303. 12:02So what does that leave for the studio here?
  304. 12:05Why would she just abandon this one
  305. 12:07and just open up something totally different--
  306. 12:09Because she wants that to be successful, and this
  307. 12:13will be gone.
  308. 12:15Do you think that Cathy will keep coming after us
  309. 12:18at future competitions?
  310. 12:19Yes.
  311. 12:20Cathy will not give up.
  312. 12:21Cathy will enter herself in the open solo category
  313. 12:25and dance her own dance if it means competing against us.
  314. 12:28Cathy is like a cockroach.
  315. 12:30It can survive a nuclear Holocaust,
  316. 12:31and it's still crawling around.
  317. 12:33Cathy will still be crawling into dance competitions.
  318. 12:35Well, I think Cathy's team is in shambles.
  319. 12:38They are in shambles.
  320. 12:39Maybe she's like recruiting more.
  321. 12:41Something's going on.
  322. 12:42I absolutely know we'll be seeing Cathy again, because she
  323. 12:45can't leave us alone.
  324. 12:47All right, cheers to an Abby free world.
  325. 12:49Cheers
  326. 12:53[music playing]
  327. 13:01Candy Apples Dance Center.
  328. 13:03All right, guys.
  329. 13:05I want to tell you a little bit about the dance.
  330. 13:07I got so many ideas going on, and I'm
  331. 13:09thinking what I do want to talk about is experiencing
  332. 13:13our first kiss.
  333. 13:14[music playing]
  334. 13:16Any of you have boyfriends and girlfriends?
  335. 13:17I do.
  336. 13:18You do?
  337. 13:20No, I don't.
  338. 13:20No boyfriends?
  339. 13:22I have one.
  340. 13:25So a kiss on the cheek?
  341. 13:26Mom, you didn't hear anything.
  342. 13:29Have you had first kiss yet?
  343. 13:30I don't know.
  344. 13:31Actually I had lips kind of slipped on--
  345. 13:33[inaudible]
  346. 13:34[giggling]
  347. 13:37Really?
  348. 13:39Really?
  349. 13:42Hey, listen, you guys.
  350. 13:43Gina's not back yet, do you think I should call her?
  351. 13:46Do you have her number?
  352. 13:47Yeah, I have her number.
  353. 13:49[phone ringing]
  354. 14:04Yeah well that's you know going to put us behind the eight
  355. 14:07ball, because you know, they've been rehearsing all day
  356. 14:09already.
  357. 14:15Does she pick up fast?
  358. 14:16You know, do you think she'll be able to learn this?
  359. 14:21Five, six, seven, eight.
  360. 14:26Hey.
  361. 14:27How are you guys?
  362. 14:28We're OK.
  363. 14:29So guys, I wanted to let you know that the competition is
  364. 14:32Dance USA, and it's in Youngstown which is literally
  365. 14:36like an hour from here.
  366. 14:38This is my backyard.
  367. 14:39I want to leave the calling card,
  368. 14:41and I want Ohio to know that you know this is the starting place
  369. 14:44for this premier dance team.
  370. 14:46OK, I have to have perfection, I have
  371. 14:49to have amazing choreography that I'm on board with.
  372. 14:52I'm doing a mental head count-- where is Mary?
  373. 14:55I am still assessing this team.
  374. 14:58We've only been together a day or so.
  375. 15:01The fact that Mary is not here and she's absent
  376. 15:06really kind of proves to me what her commitment is to this team.
  377. 15:10How about if you guys just show me
  378. 15:11with my counts what you guys have been working on?
  379. 15:13[music playing]
  380. 15:14Five, six, seven, eight.
  381. 15:16And one, two, three, four, five, six, seven, eight.
  382. 15:21And one, two, three, four, five, six, seven, eight.
  383. 15:25OK so, so far what I'm seeing is brilliant on your part.
  384. 15:30Go and rehearse what you've been given so far,
  385. 15:35Anthony and I hope will chat.
  386. 15:37Kids get to go out.
  387. 15:39I like what I saw Zack doing, I like what I saw Hadley doing,
  388. 15:43Campbell is weak.
  389. 15:44Is a mess, she's weak.
  390. 15:45She's the weak link.
  391. 15:46Maybe we need to give her a little bit more time.
  392. 15:49So Mary isn't here, Campbell isn't cutting it
  393. 15:52as far as choreography, competition days away.
  394. 15:56This is not how I envisioned it to be.
  395. 15:59I'm going to have to make a couple of phone calls.
  396. 16:04[phone ringing]
  397. 16:05This is Cathy from Candy Apple Dance Centre.
  398. 16:07Oh hi.
  399. 16:09[inaudible] was talking.
  400. 16:10I don't want to even use your name, that's
  401. 16:12why I keep saying her.
  402. 16:13I got a name I want to call you too that's not your own,
  403. 16:15but I'm trying to be respectful.
  404. 16:17I've met Black Patsy before, and she's a lovely lady to me.
  405. 16:21I know that her daughter is a good dancer.
  406. 16:25Well, listen I'm actually down a dancer,
  407. 16:29and I was wondering if your daughter was
  408. 16:32interested in coming over to Candy Apples
  409. 16:36to try and do a competition this week for me.
  410. 16:44I want to see what they can add to my team.
  411. 16:47I think that not only will Nicaya step up and show me
  412. 16:50that she's a strong dancer, but I also think that Black Patsy
  413. 16:53is going to come to bat for me.
  414. 17:01[music playing]
  415. 17:04ABBY LEE MILLER: Oh hey.
  416. 17:06Sunflowers?
  417. 17:11So I'm in my dressing room getting into the makeup
  418. 17:13and hair, it's a big long process,
  419. 17:15and who walks in to surprise me but John.
  420. 17:18Word on the street, she's been doing competitions,
  421. 17:21and you know that.
  422. 17:22She can do whatever she wants, just stay the hell away
  423. 17:24from me.
  424. 17:25But you still have to strategize.
  425. 17:27What if you went and had some of the moms
  426. 17:29go watch a competition, just to kind of check it out just
  427. 17:33to see I mean, that's smart, I mean
  428. 17:35any business would do that.
  429. 17:36You have to remember, you're a business.
  430. 17:38Well, Joe would be the only one, because she really
  431. 17:41despises Cathy.
  432. 17:43I found out that the Wicked Witch of the West,
  433. 17:47that evil dance teacher that shouldn't even
  434. 17:49be allowed to open, yes.
  435. 17:51She is attending another competition with her new team.
  436. 17:55And he thinks that some of my mom's should go spy.
  437. 17:59So why not find out what she's up to?
  438. 18:01Well, then give me the phone, I'll call her.
  439. 18:03[phone ringing]
  440. 18:05JILL (ON PHONE): Hello?
  441. 18:06Hey Jill, it's John.
  442. 18:07JILL (ON PHONE): Oh, hi John.
  443. 18:08How are you?
  444. 18:09I'm good, how are you?
  445. 18:10And it's Abby Miller.
  446. 18:11She's lying down.
  447. 18:12Well, I should rephrase that, but she is lying down.
  448. 18:14[laughter]
  449. 18:17We were just talking about her friend, Cathy.
  450. 18:21Go ahead, you tell her what you were--
  451. 18:23A little digging, we just need you to do a little digging.
  452. 18:29[laughter]
  453. 18:34[music playing]
  454. 18:38ANTHONY BURRELL: Go.
  455. 18:41You've got to go both legs.
  456. 18:42One, two.
  457. 18:44You got to put those feet together.
  458. 18:45Once you turn, put your feet together, then separate them.
  459. 18:48Six, seven, see each other, and then look, and look,
  460. 18:52and a one two three.
  461. 18:53Now up.
  462. 18:55Hey. CHILDREN: Hi Cathy.
  463. 18:56How are you guys this morning?
  464. 18:58ANTHONY BURRELL: I'm cool.
  465. 18:59I got Mary caught up a little bit, because I--
  466. 19:01Oh, Mary is here?
  467. 19:03Mary, how are you feeling?
  468. 19:05You're better?
  469. 19:06Is she working hard?
  470. 19:08ANTHONY BURRELL: Yeah, she's working hard.
  471. 19:09OK, listen guys.
  472. 19:10I have made my decision on solos.
  473. 19:13Oh my God.
  474. 19:15My first solo is going to be given to Zack.
  475. 19:21[applause]
  476. 19:24Zack has a solo this week which is phenomenal,
  477. 19:26I am really excited about it.
  478. 19:28I have every confidence that he will not disappoint.
  479. 19:34My second solo is going to go to Hadley.
  480. 19:39[music playing]
  481. 19:40[applause]
  482. 19:43I'm ecstatic.
  483. 19:44Anthony is an incredible choreographer,
  484. 19:47he's an incredible instructor, he's
  485. 19:49very passionate about dance.
  486. 19:51My ultimate goal for this is to take our own dream team
  487. 19:54and beat Abby.
  488. 19:56I feel bad for Nick.
  489. 19:58I do, he works so hard, this kid.
  490. 20:02I think that Nick has proved to Cathy all these times
  491. 20:06that we've been here.
  492. 20:07He's so versatile with all styles of dance.
  493. 20:10And the other parents, they need to pay their dues before they
  494. 20:13get some solos and some specialty parts.
  495. 20:16Nick should be Cathy's leading man.
  496. 20:20ANTHONY BURRELL: So Had, you got two days.
  497. 20:22We got to go hard.
  498. 20:24So the music I got for you is called "The Golden Couch."
  499. 20:28It's about being a woman, being glamorized, and being really
  500. 20:33elegant. - OK.
  501. 20:34Cool?
  502. 20:35[music playing]
  503. 20:36[dance noises]
  504. 20:39But go [dance noises].
  505. 20:40I'm really excited that Cathy gave me a solo, because now I
  506. 20:44get to show her all of my skills that I can do.
  507. 20:47And I want to show her that I'm going to stay on this team.
  508. 20:50Boom boom, boom boom, boom boom.
  509. 20:53Step.
  510. 20:55This way?
  511. 20:56You got to give me give me two arms facing this way before you
  512. 20:58tip over.
  513. 20:59Hadley is an amazing dancer.
  514. 21:01I think that she warrants a solo.
  515. 21:04She has this effervescent glow about her.
  516. 21:06She's like a golden girl.
  517. 21:07So good. CATHY: good.
  518. 21:09job, Hadley.
  519. 21:10YVETTE: Hadley can learn a lot from Anthony,
  520. 21:11and the best quality that Anthony has
  521. 21:14is that he has the quality to pull so much from kids
  522. 21:18versus Abby Lee Miller--
  523. 21:20she doesn't care about anything but winning.
  524. 21:22And if it's even taking a kid down, it doesn't matter to her.
  525. 21:26And I know firsthand about Abby Lee Miller taking kids down.
  526. 21:31And sit down.
  527. 21:34Abby, this performance is not roadkill.
  528. 21:38ANTHONY BURRELL: Come on, Zack.
  529. 21:40The title of the solo is "Puppet," so it's going
  530. 21:43to be a lot of fun for you.
  531. 21:44The costume for this dance is going to be incredible.
  532. 21:48That costume is going to transform Zack from a boy
  533. 21:51to a puppet.
  534. 21:52It's just something to make you heavy, we just got to find ways
  535. 21:55to make you heavy, yeah?
  536. 21:56Zack is definitely in his element
  537. 21:58when he does contemporary.
  538. 21:59I just think that with Zack's ability
  539. 22:02to get a story-line across, that this could really
  540. 22:05be a brilliant moment for Zack.
  541. 22:08[dance noises]
  542. 22:10I don't know if we have more at stake.
  543. 22:12It's always that same everlasting goal
  544. 22:16that we want to beat Abby.
  545. 22:17ANTHONY BURRELL: Great job, though.
  546. 22:18Good job.
  547. 22:19I'll get you that song tonight.
  548. 22:21And it's going to be like that every competition.
  549. 22:24Even when we start to develop a history base of winning,
  550. 22:29we're still always going to have to be on our game.
  551. 22:32Two, three, four, and five, six--
  552. 22:36[music playing]
  553. 22:37Hello.
  554. 22:40CATHY: Hi.
  555. 22:43Nice to see you.
  556. 22:45[squealing]
  557. 22:48Problems are just coming.
  558. 22:50Oh my God.
  559. 22:51She's awful.
  560. 22:52I didn't think that Cathy would have selected Black Patsy
  561. 22:56and Nicaya to be part of her team.
  562. 22:58Black Patsy has a reputation of being very vocal.
  563. 23:02She's a fighter.
  564. 23:03[shouting]
  565. 23:06Shut your big month.
  566. 23:08You shut up, bitch, I'm grown!
  567. 23:09Shut up!
  568. 23:10Who you talking to?
  569. 23:12CATHY: You need to get her in, we're working on choreography.
  570. 23:15Get back here and understudy her.
  571. 23:16Get back here and understudy here.
  572. 23:17Please, learn everything that she's doing.
  573. 23:19She's going to learn the choreography now too?
  574. 23:21So we're going to have to go back, teach her.
  575. 23:25Oh, hello, welcome.
  576. 23:27Hi.
  577. 23:28So what brings you over here to Canton?
  578. 23:31We were called.
  579. 23:32[dramatic music]
  580. 23:36Now that Mary's feeling better,
  581. 23:37why do we have to bring in this other little dancer?
  582. 23:41I don't know what to think of that.
  583. 23:47[music playing]
  584. 23:52CATHY: All right, guys, in a straight line, please.
  585. 23:54This is serious.
  586. 23:55We are leaving tomorrow to go to competition.
  587. 23:59You guys have to have some passion.
  588. 24:03I'm expecting people to be better.
  589. 24:05Jalen and Campbell, you know that this is not your element,
  590. 24:12and I need to cut somebody from the group dance right now.
  591. 24:22Campbell, I need to have you sit down,
  592. 24:24you're cut from the group dance.
  593. 24:27Wow.
  594. 24:28CATHY: I want you to sit, and I want you to learn.
  595. 24:30You're off on everything.
  596. 24:33I think that if you sit and you watch and you learn,
  597. 24:37that there might be hope.
  598. 24:39I've made a decision that I'm taking Campbell
  599. 24:41out of the group dance.
  600. 24:42I'm going to make her an understudy.
  601. 24:44She's just not right for the contemporary team.
  602. 24:49[crying]
  603. 24:52I'm mortified that Campbell's on this group dance.
  604. 24:55She's an understudy, she's an understudy.
  605. 24:56And she's kind of been cast off to the side.
  606. 24:58I don't like that, I will not make it up to fail.
  607. 25:01(SOBBING) Mom, it's over, I don't want to--
  608. 25:03It's only over if you believe that.
  609. 25:06Can you please wipe the tears?
  610. 25:17[music playing]
  611. 25:20[cheering]
  612. 25:28CATHY: Guys, let's get stretched out.
  613. 25:33OK.
  614. 25:35JILL: Abby's in LA, and she had asked me to find out
  615. 25:37what Cathy's up to.
  616. 25:39Who's on her team?
  617. 25:40Where's she going?
  618. 25:42What are the kids doing?
  619. 25:43We've never done dance USA before.
  620. 25:47So that's what we're here for is to scout out
  621. 25:49some new competitions.
  622. 25:50[interposing voices]
  623. 25:5210-12, CAD Dancer, Candy Apples Dance.
  624. 25:55That's a name?
  625. 25:55No, no names.
  626. 25:56[interposing voices]
  627. 25:58So we'll have to go do some sneaking around to investigate.
  628. 26:01I have something in my eye.
  629. 26:02It's like glue.
  630. 26:03ZACK: I'm changed.
  631. 26:08CATHY: OK.
  632. 26:09The shorts are hideous.
  633. 26:11You don't want to dance like that, that's going to make you
  634. 26:12feel like a goof.
  635. 26:13ZACK: They ride up like--
  636. 26:14Yeah.
  637. 26:15I'm calling the shots on this one,
  638. 26:16he's like going out in those Speedos.
  639. 26:19Thank you.
  640. 26:20I don't put my dancers out on stage if they're uncomfortable,
  641. 26:23and it's going to hinder their dance.
  642. 26:25Zack is not going out in those Speedos.
  643. 26:27I'm not going to put somebody out there and have them look
  644. 26:30like a fool.
  645. 26:31I've been in stupid and compromising costumes.
  646. 26:32Your choreography is in jeopardy.
  647. 26:33ANTHONY BURRELL: This is a puppet.
  648. 26:34CATHY: He looks dumb. - This is a puppet.
  649. 26:35CATHY: No. - Yes.
  650. 26:37Cathy and Gina are making these crazy decisions.
  651. 26:42You know, if Zack doesn't wear those shorts,
  652. 26:44I don't think he's going to do as well.
  653. 26:45CATHY: He's just showing inner diva.
  654. 26:48All right, now you're crying.
  655. 26:50I love your dance.
  656. 26:52You're supposed to be emulating--
  657. 26:55ZACK: I was feeling confident until now.
  658. 26:56CATHY: It's just heartbreaking to me, because I know that he's
  659. 27:00feeling so much pressure.
  660. 27:02And I'm not going to let him go out there comfortable.
  661. 27:05[cheering]
  662. 27:09Oh, much better.
  663. 27:10You feeling better?
  664. 27:11We're good.
  665. 27:12Hey, you're good, you're good.
  666. 27:17Hello.
  667. 27:20We have unwelcome guests.
  668. 27:22JILL: So what is going on here?
  669. 27:26I see you got some new team members?
  670. 27:27ANTHONY BURRELL: Welcome, ladies.
  671. 27:28Thank you.
  672. 27:29Well aren't you just a nosy one?
  673. 27:29JILL: Yes, I am.
  674. 27:32YVETTE: Abby Lee Miller got her spies out.
  675. 27:34I'm loving it.
  676. 27:36I feel like they're starting to squirm.
  677. 27:39I know from experience, this is a waste of your time.
  678. 27:42[squealing]
  679. 27:47They let he back in!
  680. 27:49She got kicked out of the last competition!
  681. 27:51No, we walked away, we walked away.
  682. 27:52No, they escorted you out.
  683. 27:54They told us the police are here just in case
  684. 27:57you have a little issue.
  685. 27:58We walk into the dressing room,
  686. 27:59and there's a Black Patsy, and she has this new look.
  687. 28:04And she looks exactly like Holly--
  688. 28:06has Holly's hairdo, is was dressed like Holly.
  689. 28:10I'm thinking to myself, are you trying to be Holly?
  690. 28:13Because you'll never be like Holly, Black Patsy.
  691. 28:16No matter how hard you try, you'll just never
  692. 28:18be like Darker Holly.
  693. 28:19[music playing]
  694. 28:20[cheering and applause]
  695. 28:28Ugh.
  696. 28:32Ew, I smell something.
  697. 28:34So did you bring some competition numbers?
  698. 28:37We're just here scouting out.
  699. 28:38CATHY: So what are you scouting for?
  700. 28:40We never did this competition, so were just
  701. 28:42coming to see what it's like.
  702. 28:43Oh, right.
  703. 28:44So this is their assignment that they've
  704. 28:47been given to come scout this competition out
  705. 28:50which is nothing but a facade.
  706. 28:52I think that that just proves that Abby is threatened
  707. 28:54by my team.
  708. 28:55ANNOUNCER 2: Next up we're going to go
  709. 28:56to contestant number 56 in our junior division,
  710. 28:5910 to 12 age range.
  711. 29:00Please welcome to stage, contestant number 56,
  712. 29:02Gold Couch.
  713. 29:03[cheering and applause]
  714. 29:08[music playing]
  715. 29:10(SINGING) [inaudible] once blue, now painted green.
  716. 29:15Gold, couch, used to trace the clouds in the seams.
  717. 29:22And I watched [inaudible].
  718. 29:30I tried my best [inaudible].
  719. 29:34[cheering and applause]
  720. 29:38[inaudible] never, they seemed to me.
  721. 29:45And I wish [inaudible] away.
  722. 29:54[cheering and applause]
  723. 30:00She is so in the moment, she's so passionate,
  724. 30:03she is telling the story of the piece
  725. 30:05that Anthony choreographed for her.
  726. 30:07It was amazing.
  727. 30:10ANNOUNCER 2: Solo division, please welcome to the stage
  728. 30:12contestant number 35, "The Puppet."
  729. 30:15[cheering and applause]
  730. 30:18[music playing]
  731. 30:32(SINGING) If all you sent me free--
  732. 30:38[cheering and applause]
  733. 30:39Make sure you can stand on [inaudible]..
  734. 30:48We can't keep [inaudible].
  735. 30:55We'll always see your mistakes.
  736. 31:11[cheering and applause]
  737. 31:21JILL: Zack and Hadley are beautiful dancers,
  738. 31:23no one can take that away from them.
  739. 31:25But remember, Cathy didn't create those dancers.
  740. 31:28She plucked them from some other dance studio
  741. 31:30and now is claiming them as hers.
  742. 31:32I will take our little dancers any day over Cathy's kids.
  743. 31:41[phone ringing]
  744. 31:43JILL (ON PHONE): Hello?
  745. 31:44Hey, Jill, how are you doing?
  746. 31:45JILL (ON PHONE): Oh, hey.
  747. 31:46Hi, Abby.
  748. 31:47Are you still out the competition?
  749. 31:48I want to know every little detail, what is the Wicked
  750. 31:52Witch of the West up to?
  751. 31:54Jill, come on, spill the beans.
  752. 31:56JILL (ON PHONE): You can't believe, Abby,
  753. 31:58who she had with her.
  754. 32:01She Hadley.
  755. 32:03Hadley?
  756. 32:04You mean roadkill?
  757. 32:06JILL (ON PHONE): And her mom.
  758. 32:06Well, that mother is crazy.
  759. 32:09JILL (ON PHONE): And she had Nicaya and Kaya.
  760. 32:14You owe me big time for coming here.
  761. 32:16Cathy's a pain in my ass.
  762. 32:17Jill go back to the competition and watch, text me.
  763. 32:21Give me a buzz if anything comes up.
  764. 32:22JILL (ON PHONE): OK, all right. Sound good.
  765. 32:23Be safe.
  766. 32:24See you soon.
  767. 32:25Take care, you too, bye bye.
  768. 32:27Even though I'm not at my studio physically,
  769. 32:30I'm there in spirit, and my curriculum
  770. 32:33is being taught the way I would present it.
  771. 32:35Hopefully the kids aren't working diligently,
  772. 32:38fine tuning their technique.
  773. 32:40No-- you're together, shoot, it circles and goes up,
  774. 32:47together, sit.
  775. 32:49Really put it on your head.
  776. 32:51ABBY LEE MILLER: I'm confident Gianna's in rehearsal,
  777. 32:53she can handle it.
  778. 33:01I'm proud.
  779. 33:02Thank you.
  780. 33:02Thank you so much.
  781. 33:06Hadley's growing, and she's shining.
  782. 33:09She wants please you.
  783. 33:10It's not about me.
  784. 33:11She doesn't want you to yell at her.
  785. 33:12Like she's trying to be a perfectionist for you.
  786. 33:14You're the reason why we were here.
  787. 33:16Did you hear her?
  788. 33:17Did you hear her?
  789. 33:18I think it's a little disheartening Yvette makes
  790. 33:20it clear that she's here for Anthony.
  791. 33:22I think if Anthony walked out the door tomorrow,
  792. 33:23Yvette would be trailing behind.
  793. 33:25Why do you keep saying you're here for Anthony?
  794. 33:28If you're supposed to be here for Cathy, why won't you--
  795. 33:30why do you keep saying that?
  796. 33:31We're team [inaudible]---- look at this.
  797. 33:33I've got my Apple core on, I'm Apple today.
  798. 33:36She's only here for you and not for the team.
  799. 33:38Smarten up right now, OK.
  800. 33:40The choreographer is going to pick the dancers.
  801. 33:42Well, that's why you're all up his ass all day.
  802. 33:44[music playing]
  803. 33:46You're smiling, but behind our back
  804. 33:48you're probably holding a knife.
  805. 33:49Wait, no, no, no, no, no, no.
  806. 33:50She is, yes, she is.
  807. 33:51No.
  808. 33:52I thought I was starting to like you.
  809. 33:54You feel like when Hadley's dancing, you're dancing.
  810. 33:56You are living though your daughter.
  811. 33:57I'm not living through her.
  812. 33:58Yes, you are.
  813. 33:59No, wrong.
  814. 34:00No, the [inaudible] are coming.
  815. 34:01Quiet!
  816. 34:03Don't yell at me again!
  817. 34:07What is all this bickering going on?
  818. 34:09I hear nothing but chit chat out in the hall.
  819. 34:11I am wearing--
  820. 34:12I'm a Candy Apple, look at this.
  821. 34:15Whoa.
  822. 34:16She just said she was here for Anthony.
  823. 34:18She said it three times today, she's not her for you.
  824. 34:21Whoa.
  825. 34:23Sit down and be quiet, because nobody is going to let you win.
  826. 34:26I'm out.
  827. 34:27The only winning that we need to be talking about
  828. 34:29is either one of our soloists or one of our groups.
  829. 34:32[music playing]
  830. 34:33This is Happyland.
  831. 34:34These parents have got to know that they're coming together
  832. 34:38in support of Candy Apples, and they better stop.
  833. 34:46[music playing]
  834. 34:47ANTHONY BURRELL: Come here, guys.
  835. 34:48It's been a week of ups and downs, guys.
  836. 34:49You guys have the talent, the passion, and the courage
  837. 34:52to do this.
  838. 34:53Go out there, and do what you love,
  839. 34:55that's all you have to do.
  840. 34:56Whoever's going to get cut from the Candy Apples team
  841. 34:58is going to be heartbroken.
  842. 35:00And honestly, I don't know how I'm
  843. 35:02going to make this decision.
  844. 35:05I need you to be ready in that wing if anything happens, OK?
  845. 35:08[cheering and applause]
  846. 35:10Let's go.
  847. 35:12- Who are we? - Apple Core!
  848. 35:13Apple Core!
  849. 35:14Apple Core!
  850. 35:15All right, guys.
  851. 35:16[clapping]
  852. 35:17[music playing]
  853. 35:28ANNOUNCER 3: This is contestant number 76 in our 10 to 12
  854. 35:30age group.
  855. 35:31Please welcome to stage, "Wide Eyes."
  856. 35:35I am concerned about the group number.
  857. 35:37I'm hoping that Mary will prove herself
  858. 35:39and maybe she'll earn a spot on that team.
  859. 35:41[cheering and applause]
  860. 35:44[music playing]
  861. 35:56Yeah!
  862. 35:57[cheering and applause]
  863. 36:01(SINGING) [inaudible] the pace of modern day.
  864. 36:08Would you believe me when I say I believe
  865. 36:14in all you talk about, and keep those open ears.
  866. 36:21And never feel that never-ending [inaudible]..
  867. 36:22[cheering and applause]
  868. 36:41ANNOUNCER 3: Contestant number 76.
  869. 36:47CATHY: You know, I sat and watched Hadley's team dance
  870. 36:49today, and I really don't feel like they're a threat to us.
  871. 36:53You can pick your team, but we're still better than you.
  872. 36:55[cheering and applause]
  873. 36:56ANNOUNCER 4: Ladies and gentlemen,
  874. 36:57welcome to [inaudible].
  875. 37:00[cheering and applause]
  876. 37:03We're going to announce our high scores
  877. 37:05in the solos at this time.
  878. 37:08Fifth tie sore going to "Suit and Tie Effect."
  879. 37:11[cheering and applause]
  880. 37:15Fourth high score, "One Beautiful Evening."
  881. 37:18[cheering and applause]
  882. 37:21[inaudible] ladies and gentlemen, put your hands
  883. 37:24together for "The Puppet."
  884. 37:25[cheering and applause]
  885. 37:26Yay, Zack!
  886. 37:29ANTHONY BURRELL: Zack did an amazing job, but I have to say,
  887. 37:31I think he would place higher if he wore the costume that I
  888. 37:34envisioned for him.
  889. 37:35I think the judges would have seen the vision.
  890. 37:39ANNOUNCER 4: Team solo category, third high score [inaudible],,
  891. 37:42"Let Me Be A Star."
  892. 37:43[cheering and applause]
  893. 37:46[inaudible]
  894. 37:51Second highest score, ladies and gentleman, "Gold Couch."
  895. 37:53[cheering and applause]
  896. 38:00Hadley was second.
  897. 38:01I'm not upset.
  898. 38:03I know that Hadley is a top overall winner.
  899. 38:06And you know, there are days that you take second.
  900. 38:09ANNOUNCER 4: And in the junior group category--
  901. 38:15your second highest score in the junior group category--
  902. 38:20ladies, and gentlemen "The Prayer."
  903. 38:27And without further ado, we're going
  904. 38:29to have a drum roll for your high score going to--
  905. 38:34"Wide Eyes."
  906. 38:35[cheering and applause]
  907. 38:41CATHY: Top overall group.
  908. 38:42Take that back to Pittsburgh, and hand it over to Abby Lee.
  909. 38:45ANNOUNCER 4: Wonderful job today, keep up the great work.
  910. 38:48Take a bow.
  911. 38:50CATHY: All of the dancers are starting
  912. 38:51to feel like my little Apples, so I'm not sure.
  913. 38:54Before I kick anybody off the team,
  914. 38:57I need to talk to Vivi about it.
  915. 38:59[music playing]
  916. 39:04GIANNA: Wait, it goes--
  917. 39:05hit, hit, down, up, chainé, chainé.
  918. 39:08Go again.
  919. 39:10You guys don't look exactly the same on the part--
  920. 39:12this part?
  921. 39:13You guys don't look exactly the same, and you need to.
  922. 39:16Do it again.
  923. 39:17ABBY LEE MILLER: I want to call Gianna back in Pittsburgh,
  924. 39:19because I want to find out just who's been in class and who
  925. 39:22hasn't.
  926. 39:23Because some of their moms think that when Abby's away,
  927. 39:26the mouse can play.
  928. 39:27And I'm sorry, but that's not the way it is.
  929. 39:31[ringing]
  930. 39:32GIANNA (ON PHONE): Hello?
  931. 39:33Hey, Gianna. How are you doing?
  932. 39:34GIANNA (ON PHONE): Hi, Abby.
  933. 39:35Good, how are you?
  934. 39:37I'm good, does everybody miss me?
  935. 39:40GIANNA (ON PHONE): I miss you.
  936. 39:41I found some space.
  937. 39:43John and I have been looking.
  938. 39:45GIANNA (ON PHONE): Oh really?
  939. 39:46Yeah, believe it or not, we might end up in Beverly Hills.
  940. 39:49So I sent Jill and some of the moms to kind of spy
  941. 39:57on Cathy and her kids.
  942. 39:58So I'm not sure what our first competition back is,
  943. 40:01but if we end up competing against them,
  944. 40:04those girls better be in tip top shape.
  945. 40:06GIANNA (ON PHONE): They will be.
  946. 40:07All right, listen, I got to go catch some rays.
  947. 40:09Gotta run.
  948. 40:10GIANNA (ON PHONE): [inaudible]
  949. 40:11All right, bye, I'll see you soon.
  950. 40:13[music playing]
  951. 40:18Ooh, [inaudible].
  952. 40:20Why are they following us?
  953. 40:21[squealing]
  954. 40:23Vivi, you didn't dance today?
  955. 40:24No, how come?
  956. 40:26OK.
  957. 40:27Why do you worry about what Vivi is doing?
  958. 40:28I'm asking Vivi a question.
  959. 40:30CATHY: You don't need to ask her why she's not dancing.
  960. 40:31Why?
  961. 40:32I think that Jill, Kelly, and Holly
  962. 40:34you're just a bunch of damn stalkers.
  963. 40:35Why would you be at a competition
  964. 40:37if your kids are not performing?
  965. 40:38I noticed you had four girls, but only three danced.
  966. 40:41Well, there were four girls sitting on stage.
  967. 40:43Would you let her talk instead of running your mouth?
  968. 40:45Where are your kids?
  969. 40:46They're on vacation.
  970. 40:47Well, you know what?
  971. 40:49Put your mouth on vacation.
  972. 40:50[dramatic music]
  973. 40:52[laughter]
  974. 40:53Shut up.
  975. 40:54Who said shut up?
  976. 40:55How old are you?
  977. 40:56You said my daughter sucked, remember?
  978. 40:59That little girl cannot dance, your daughter cannot dance.
  979. 41:02Well, you know what's funny?
  980. 41:03We said the same thing about your little girl.
  981. 41:06[interposing voices]
  982. 41:10ABBY LEE MILLER: Next on "Dance Moms."
  983. 41:11Maddie's doing a solo at Abby's Ultimate Dance Competition.
  984. 41:14You want to go to dinner tonight you better get it together.
  985. 41:17Jalen's going to go against Marie.
  986. 41:19Jalen will beat Mary hands down.
  987. 41:20You can't find your legs.
  988. 41:22Plié.
  989. 41:24[music playing]
  990. 41:25ANNOUNCER 5: "Dance Moms," Maddie of the Abby Lee Dance
  991. 41:28Company.
  992. 41:29You have called me a joke, you think about it.
  993. 41:32Cathy.
  994. 41:33CATHY: Oh my gosh, are you crying?
  995. 41:35Ideally, I want a team of five.
  996. 41:37You can do the math.

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